Browse content similar to Manhunt. Check below for episodes and series from the same categories and more!
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This programme contains scenes of a sexual nature, some violent scenes, | 0:00:02 | 0:00:06 | |
some scenes which some viewers may find upsetting | 0:00:06 | 0:00:08 | |
and some strong language. | 0:00:08 | 0:00:10 | |
There are no journalists here. | 0:00:37 | 0:00:39 | |
There are drugs. | 0:00:51 | 0:00:52 | |
The therapies are complex, difficult. | 0:00:52 | 0:00:56 | |
But we have options. | 0:00:56 | 0:00:58 | |
When I was a child... | 0:00:58 | 0:01:00 | |
..I had an older sister. | 0:01:00 | 0:01:03 | |
Before Donatella was born. | 0:01:03 | 0:01:05 | |
Her name was Tina. | 0:01:05 | 0:01:07 | |
At ten years old, she became very ill... | 0:01:08 | 0:01:11 | |
..with peritonitis. | 0:01:12 | 0:01:14 | |
My parents sent me away to live with my aunt and my uncle | 0:01:14 | 0:01:17 | |
while they nursed her. | 0:01:17 | 0:01:20 | |
But I couldn't be away from my family for long, so... | 0:01:20 | 0:01:23 | |
one day, I ran all the way back home. | 0:01:23 | 0:01:27 | |
And when I walked into the house... | 0:01:29 | 0:01:31 | |
..I saw her, | 0:01:32 | 0:01:34 | |
my older sister, | 0:01:34 | 0:01:37 | |
in an open casket surrounded by white flowers. | 0:01:37 | 0:01:40 | |
No-one had told me she had died. | 0:01:41 | 0:01:43 | |
Until that moment, I always believed | 0:01:45 | 0:01:48 | |
that if you get sick, | 0:01:48 | 0:01:50 | |
you can also get better. | 0:01:50 | 0:01:52 | |
HE GROANS GENTLY | 0:02:02 | 0:02:03 | |
I need to talk to him. | 0:02:12 | 0:02:14 | |
DOOR CLOSES | 0:02:28 | 0:02:29 | |
What is Versace without you? | 0:02:36 | 0:02:39 | |
It will be you. | 0:02:41 | 0:02:42 | |
SHE SCOFFS | 0:02:42 | 0:02:45 | |
Who am I without you? | 0:02:45 | 0:02:48 | |
You will find out. | 0:02:51 | 0:02:53 | |
-HE SIGHS -You hate me, don't you? | 0:03:14 | 0:03:17 | |
He wasn't enough for you? | 0:03:20 | 0:03:22 | |
This house, this life. | 0:03:22 | 0:03:25 | |
You wanted more. | 0:03:25 | 0:03:26 | |
More fun, more men. | 0:03:26 | 0:03:28 | |
I understand. That is your business. | 0:03:28 | 0:03:30 | |
But why bring him into it? | 0:03:30 | 0:03:31 | |
Cos he chose to. | 0:03:31 | 0:03:33 | |
No, he chose you. | 0:03:33 | 0:03:34 | |
He went along with it because of you. | 0:03:34 | 0:03:37 | |
Because he knew what you were thinking. | 0:03:37 | 0:03:39 | |
"Not handsome enough for handsome Antonio." | 0:03:39 | 0:03:42 | |
I am not a villain. | 0:03:42 | 0:03:44 | |
And he's not a saint. | 0:03:44 | 0:03:46 | |
My brother has a weakness for beauty. | 0:03:46 | 0:03:48 | |
He forgives it anything. | 0:03:48 | 0:03:50 | |
But I am not my brother. | 0:03:50 | 0:03:53 | |
But we can agree on something. | 0:03:53 | 0:03:55 | |
You knew he wanted a family. | 0:03:59 | 0:04:02 | |
Why didn't you give him one? | 0:04:02 | 0:04:04 | |
Cos we're not allowed. | 0:04:04 | 0:04:05 | |
You could have found a way. | 0:04:05 | 0:04:08 | |
He celebrated your marriage. | 0:04:08 | 0:04:10 | |
He shed tears of joy in church for your fucking union! | 0:04:10 | 0:04:13 | |
What have you done but belittle me and criticise his choice? | 0:04:13 | 0:04:16 | |
What have you done for him? | 0:04:16 | 0:04:17 | |
What have you given him? | 0:04:17 | 0:04:19 | |
Stability? Safety? | 0:04:19 | 0:04:20 | |
Children? | 0:04:20 | 0:04:22 | |
If you had given him anything, I would have given you respect. | 0:04:23 | 0:04:26 | |
But you've given him nothing. | 0:04:26 | 0:04:28 | |
DOOR OPENS, SLAMS | 0:04:29 | 0:04:31 | |
VERSACE: I try not to be bitter, Antonio. | 0:04:31 | 0:04:33 | |
I was never bitter before. | 0:04:34 | 0:04:36 | |
If I was sad, I create. | 0:04:37 | 0:04:39 | |
If I was angry, I create. | 0:04:41 | 0:04:43 | |
But now, I'm too...I'm too sick. | 0:04:44 | 0:04:48 | |
I'm too sick to-to work and too sick to... | 0:04:48 | 0:04:52 | |
For the first time in my life, I'm jealous. | 0:04:52 | 0:04:54 | |
I'm jealous of him. | 0:04:54 | 0:04:56 | |
I'm jealous of her. I... | 0:04:56 | 0:04:58 | |
I just want it out, Antonio. | 0:04:58 | 0:05:00 | |
I just want it out, my love. | 0:05:00 | 0:05:02 | |
I just want it out. Just get it out of me, my love. Get it... | 0:05:02 | 0:05:05 | |
FOOTSTEPS APPROACHING SLOWLY | 0:05:14 | 0:05:16 | |
I need us to be a family. | 0:05:26 | 0:05:28 | |
I cannot do this if we're not. | 0:05:28 | 0:05:30 | |
Donatella, please. | 0:06:16 | 0:06:18 | |
-Please. -DONATELLA SIGHS | 0:06:18 | 0:06:20 | |
He's gone, Antonio. | 0:06:20 | 0:06:22 | |
There is no need for us to pretend any more. | 0:06:22 | 0:06:24 | |
DOORS CLOSE | 0:06:26 | 0:06:27 | |
-REPORTERS CLAMOURING -Donatella! | 0:07:00 | 0:07:03 | |
-MAN: -Versace! | 0:07:03 | 0:07:05 | |
CAMERA SHUTTERS CLICKING | 0:07:05 | 0:07:06 | |
-WOMAN: -Donatella! | 0:07:06 | 0:07:08 | |
MOTORCYCLE ENGINE REVVING | 0:07:12 | 0:07:15 | |
CLAMOURING CONTINUES FAINTLY | 0:07:15 | 0:07:17 | |
FOOTSTEPS APPROACHING | 0:07:21 | 0:07:23 | |
SNIFFLES | 0:08:25 | 0:08:28 | |
CRYING SOFTLY | 0:08:30 | 0:08:33 | |
-QUIETLY: -Gianni. | 0:08:48 | 0:08:50 | |
Amore...amore mio. | 0:08:53 | 0:08:56 | |
Amore mio. | 0:08:56 | 0:08:58 | |
SOBS | 0:08:58 | 0:09:00 | |
Amore mio. | 0:09:00 | 0:09:01 | |
CRYING | 0:09:03 | 0:09:05 | |
After everything he survived, | 0:10:01 | 0:10:05 | |
to be killed like this. | 0:10:05 | 0:10:07 | |
# I crank it up when I'm feeling low | 0:11:53 | 0:11:56 | |
# My troubles topple like dominoes | 0:11:56 | 0:11:59 | |
# Everything is going my way | 0:11:59 | 0:12:03 | |
# You'll find me where the music plays | 0:12:03 | 0:12:06 | |
# Inside my radio... # | 0:12:06 | 0:12:07 | |
-WOMAN: -It's going to hit a high of 84 degrees | 0:12:07 | 0:12:09 | |
and a low of 64 today in Florence... | 0:12:09 | 0:12:11 | |
-REPORTER: -..the investigation of the brutal murder of Lee Miglin, | 0:12:11 | 0:12:14 | |
with police pursuing suspect Andrew Cunanan... | 0:12:14 | 0:12:17 | |
MUSIC: Gloria by Laura Branigan | 0:12:17 | 0:12:19 | |
# Calling, Gloria | 0:12:19 | 0:12:20 | |
# Gloria | 0:12:22 | 0:12:24 | |
-HE HUMS ALONG -# Don't you think you're falling? | 0:12:24 | 0:12:28 | |
# If everybody wants you | 0:12:28 | 0:12:31 | |
# Why isn't anybody calling? | 0:12:31 | 0:12:35 | |
# You don't have to answer | 0:12:35 | 0:12:38 | |
# Leave them hanging on the li-ine | 0:12:38 | 0:12:41 | |
# Oh, oh, oh | 0:12:41 | 0:12:42 | |
# Calling Gloria... | 0:12:42 | 0:12:46 | |
# Gloria | 0:12:46 | 0:12:48 | |
# Gloria | 0:12:48 | 0:12:49 | |
# I think they got your number | 0:12:49 | 0:12:51 | |
# Gloria | 0:12:51 | 0:12:53 | |
# I think they got the alias | 0:12:53 | 0:12:55 | |
# Gloria | 0:12:55 | 0:12:56 | |
# That you've been living under | 0:12:56 | 0:12:58 | |
# Gloria | 0:12:58 | 0:13:00 | |
# But you really don't remember | 0:13:00 | 0:13:03 | |
# Was it something that they said? | 0:13:03 | 0:13:06 | |
# Are the voices in your head | 0:13:06 | 0:13:10 | |
# Calling, Gloria? | 0:13:10 | 0:13:14 | |
# Gloria | 0:13:14 | 0:13:17 | |
# How's it going to go down? | 0:13:17 | 0:13:20 | |
# Will you meet him on the main line | 0:13:20 | 0:13:23 | |
# Or will you catch him on the re... # | 0:13:23 | 0:13:26 | |
WOMAN SPEAKING SPANISH ON TV | 0:13:45 | 0:13:48 | |
CLEARS THROAT | 0:14:06 | 0:14:07 | |
SIGHS | 0:14:12 | 0:14:14 | |
MUMBLING UNDER BREATH | 0:14:15 | 0:14:17 | |
Hello. I don't have a reservation, and I know | 0:14:21 | 0:14:24 | |
it's very unlikely because this hotel has such a great position | 0:14:24 | 0:14:27 | |
right next to the oceanfront, but by any chance, do you have a room? | 0:14:27 | 0:14:31 | |
If you have ID. | 0:14:31 | 0:14:33 | |
"Kurt DeMarrs." | 0:14:38 | 0:14:40 | |
-You're French? -I was born in Nice. | 0:14:40 | 0:14:42 | |
-Have you ever been? -To Nice? No. | 0:14:42 | 0:14:45 | |
It's beautiful. You should go sometime. | 0:14:45 | 0:14:47 | |
I hope to go back soon, maybe raise a family. But first, | 0:14:47 | 0:14:50 | |
I need to make my way in the world. | 0:14:50 | 0:14:51 | |
I'm a fashion student. I travelled all the way here | 0:14:51 | 0:14:54 | |
just so I can share a few words with Mr Versace. | 0:14:54 | 0:14:56 | |
I hear he's very open to having conversations | 0:14:56 | 0:14:58 | |
with young, aspiring students. | 0:14:58 | 0:14:59 | |
-A fashion student? -Don't judge by the clothes. | 0:14:59 | 0:15:02 | |
I don't have a dollar to spend on them. | 0:15:02 | 0:15:04 | |
But I think Mr Versace will find my conversation very excellent. | 0:15:04 | 0:15:07 | |
I would say, "Sir, nothing is more inspiring to me | 0:15:07 | 0:15:09 | |
"than that one outfit that Carla Bruni wore." | 0:15:09 | 0:15:11 | |
It was a skirt of crinoline, like a giant floral handkerchief, | 0:15:11 | 0:15:14 | |
fastened with a gold belt, | 0:15:14 | 0:15:15 | |
and daringly mismatched with a denim shirt. | 0:15:15 | 0:15:18 | |
I don't know much about crinoline or Mr Versace, | 0:15:19 | 0:15:22 | |
but how does 29.99 a night sound? | 0:15:22 | 0:15:25 | |
Cash only. Paid in advance. No exceptions. | 0:15:25 | 0:15:28 | |
Are you saying that some people actually leave here without paying? | 0:15:28 | 0:15:32 | |
All the time. | 0:15:32 | 0:15:33 | |
I chased one man. | 0:15:33 | 0:15:35 | |
Ran two blocks. | 0:15:35 | 0:15:36 | |
-Did you catch him? -No. | 0:15:36 | 0:15:38 | |
And I didn't want to. | 0:15:38 | 0:15:40 | |
I was just trying to make sure I kept my job. | 0:15:40 | 0:15:43 | |
BOTH LAUGH | 0:15:43 | 0:15:45 | |
MUFFLED CHATTER FROM OTHER ROOMS | 0:15:46 | 0:15:48 | |
I'll take this camera. | 0:17:07 | 0:17:09 | |
And that hat, | 0:17:09 | 0:17:11 | |
and...sunglasses, the black ones. | 0:17:11 | 0:17:14 | |
WINDING DISPOSABLE CAMERA | 0:17:23 | 0:17:26 | |
SHUTTER CLICKING | 0:17:26 | 0:17:27 | |
-EVANS: -Andrew Cunanan, 27 years old. He's killed four men. | 0:18:06 | 0:18:09 | |
His murder spree began in Minneapolis. | 0:18:09 | 0:18:11 | |
Next murder was in the countryside by East Rush Lake. | 0:18:11 | 0:18:15 | |
Third victim was in Chicago. | 0:18:15 | 0:18:16 | |
The fourth man was in New Jersey. | 0:18:16 | 0:18:18 | |
-Why do you think he's now in Miami? -We don't know where he is. | 0:18:18 | 0:18:20 | |
He's made the Bureau's Top Ten Most Wanted, which means right now, | 0:18:20 | 0:18:23 | |
every FBI office in the country has agents looking for him. | 0:18:23 | 0:18:26 | |
Do you think he's more or less likely to be here | 0:18:26 | 0:18:28 | |
compared to, say, Los Angeles or San Diego... | 0:18:28 | 0:18:30 | |
We intend to do our job on the assumption that he's coming here. | 0:18:30 | 0:18:33 | |
LORI: We're talking about a really small area. | 0:18:37 | 0:18:39 | |
The most popular gay venues are Twist, | 0:18:39 | 0:18:42 | |
Warsaw Ballroom, Salvation, | 0:18:42 | 0:18:44 | |
Amnesia... | 0:18:44 | 0:18:46 | |
The Beach on 12th Street, and we're here. | 0:18:46 | 0:18:50 | |
If he comes here, pretty much he'll have to walk right past us. | 0:18:50 | 0:18:52 | |
We could visit these places in a day. I'm happy to take you around. | 0:18:52 | 0:18:55 | |
Let's get the flyers out, | 0:18:55 | 0:18:57 | |
meet the bar owners, community leaders... | 0:18:57 | 0:18:59 | |
-All right. Detective... -HE CLEARS HIS THROAT | 0:18:59 | 0:19:01 | |
..you haven't read the case files, | 0:19:01 | 0:19:03 | |
Cunanan won't be a regular tourist. | 0:19:03 | 0:19:05 | |
He's a predatory escort, which means he's going to target | 0:19:05 | 0:19:07 | |
closeted, older, wealthy homosexuals. | 0:19:07 | 0:19:09 | |
Now, I've been told that bars in Fort Lauderdale | 0:19:09 | 0:19:12 | |
serve those kinds of men. | 0:19:12 | 0:19:13 | |
So, you don't want to canvass South Beach as well? | 0:19:13 | 0:19:16 | |
-Get the flyers out there. -We only have ten right now. | 0:19:16 | 0:19:18 | |
We're having more printed. | 0:19:18 | 0:19:20 | |
-When will they be ready? -The flyers aren't a priority for us. | 0:19:20 | 0:19:23 | |
Well, that's certainly clear. | 0:19:23 | 0:19:25 | |
I don't want to be a pain. | 0:20:13 | 0:20:16 | |
I don't want to be a pain. I don't want to be a pain. | 0:20:16 | 0:20:20 | |
I don't want to be a pain, but growing up, I spent my summers | 0:20:20 | 0:20:22 | |
swimming off the coast of Saint-Jean-Cap-Ferrat, | 0:20:22 | 0:20:25 | |
so, being this close to the ocean, | 0:20:25 | 0:20:27 | |
but not being able to see the water... | 0:20:27 | 0:20:29 | |
..it makes me sad. | 0:20:30 | 0:20:32 | |
Don't tell anyone... | 0:20:34 | 0:20:35 | |
..or they'll think I'm going soft. | 0:20:37 | 0:20:39 | |
QUIETLY: I won't say a word. | 0:20:40 | 0:20:43 | |
WAVES CRASHING, BIRDS SQUAWKING | 0:20:56 | 0:20:58 | |
Hey, is that girl Amy still locked up? | 0:21:21 | 0:21:23 | |
I'm sure she'll be out soon. It's fine. | 0:21:23 | 0:21:26 | |
I'm Andy. | 0:21:39 | 0:21:41 | |
I heard Miriam call you Kurt. | 0:21:41 | 0:21:43 | |
What does Miriam call you? | 0:21:43 | 0:21:45 | |
Everybody calls me Ronnie. | 0:21:45 | 0:21:47 | |
Know where to score? | 0:21:50 | 0:21:51 | |
I don't do this kind of work any more. | 0:21:52 | 0:21:54 | |
I mean, I've done it, but... | 0:21:54 | 0:21:56 | |
Look at me. Who am I kidding? | 0:21:56 | 0:22:00 | |
Did you have a bad experience? | 0:22:00 | 0:22:01 | |
I didn't have a good one. | 0:22:01 | 0:22:02 | |
I worked at an AIDS awareness initiative in San Diego. | 0:22:04 | 0:22:08 | |
I was a volunteer. I've helped a lot of people in my life. | 0:22:08 | 0:22:11 | |
When they were sick, when they were short of cash, | 0:22:11 | 0:22:13 | |
or when they needed someone... | 0:22:13 | 0:22:15 | |
they came to me. | 0:22:15 | 0:22:17 | |
You sick? | 0:22:18 | 0:22:20 | |
No. | 0:22:20 | 0:22:21 | |
-Would you tell me if you were? -I might. | 0:22:21 | 0:22:24 | |
You know, I don't tell most people, cos... | 0:22:26 | 0:22:28 | |
most people freak out. | 0:22:28 | 0:22:31 | |
I'm not most people. | 0:22:31 | 0:22:32 | |
A few years ago, I was so close to dying. | 0:22:35 | 0:22:38 | |
I had said all my good-byes, spent all my money. | 0:22:38 | 0:22:41 | |
Living like I had one month to live. | 0:22:41 | 0:22:44 | |
And then... | 0:22:44 | 0:22:45 | |
..they gave me these magic pills, and... | 0:22:47 | 0:22:49 | |
suddenly I'm not going to die. | 0:22:49 | 0:22:51 | |
They had handed me my life back, and... | 0:22:51 | 0:22:53 | |
I didn't know what to do with it, so I came out here. | 0:22:53 | 0:22:55 | |
I read someplace that people like living by the ocean | 0:22:55 | 0:22:57 | |
who don't have much living left. | 0:22:57 | 0:22:59 | |
You lose anyone? | 0:23:01 | 0:23:02 | |
Lost my best friend. | 0:23:03 | 0:23:06 | |
And the love of my life. | 0:23:06 | 0:23:08 | |
I'm sorry. | 0:23:08 | 0:23:09 | |
Recently? | 0:23:09 | 0:23:11 | |
This year. | 0:23:11 | 0:23:13 | |
Both of them? | 0:23:13 | 0:23:14 | |
Yeah. | 0:23:16 | 0:23:17 | |
What brings you to Miami? | 0:23:21 | 0:23:23 | |
-I know people. -Oh, yeah? | 0:23:23 | 0:23:26 | |
-Versace. -Versace? | 0:23:26 | 0:23:29 | |
-He's a fashion designer, lives in... -No, no, I know who he is, just... | 0:23:29 | 0:23:32 | |
-You're friends? -Yeah, we met in San Francisco. | 0:23:32 | 0:23:34 | |
I was helping him with the costumes for Capriccio. | 0:23:34 | 0:23:37 | |
It's an opera he was working on. | 0:23:37 | 0:23:38 | |
And one night... | 0:23:38 | 0:23:40 | |
he treated me to a meal at Stars. | 0:23:40 | 0:23:42 | |
Anyone who's anyone eats there. You know it? | 0:23:42 | 0:23:45 | |
Uh, Stars? No. | 0:23:45 | 0:23:47 | |
It made a celebrity out of its head chef. | 0:23:47 | 0:23:49 | |
Jeremiah Towers? | 0:23:49 | 0:23:52 | |
Well, anyway, that's when he proposed to me. | 0:23:52 | 0:23:55 | |
Didn't work out, but... | 0:23:55 | 0:23:57 | |
we're still friends. | 0:23:57 | 0:23:59 | |
You ever wonder "what if"? | 0:23:59 | 0:24:01 | |
Every day. | 0:24:01 | 0:24:02 | |
Yeah, he's a big deal out here. | 0:24:02 | 0:24:04 | |
Very popular. He's always around. | 0:24:04 | 0:24:05 | |
You can say hi, he'll say hi back. | 0:24:05 | 0:24:07 | |
So I hear. | 0:24:07 | 0:24:08 | |
Nice man. | 0:24:08 | 0:24:10 | |
I'm not that into his clothes, though. | 0:24:10 | 0:24:12 | |
Well, that's because you don't know him. | 0:24:12 | 0:24:14 | |
-I don't know him. -HE CHUCKLES | 0:24:14 | 0:24:15 | |
No, I don't know him, but his stores have windows. | 0:24:15 | 0:24:18 | |
I can see through the glass. | 0:24:18 | 0:24:20 | |
The more you know him, the more you'll like his clothes. | 0:24:20 | 0:24:22 | |
-Is that so? -The man invented his own fabrics. | 0:24:22 | 0:24:26 | |
When they told him what he wanted wasn't possible, | 0:24:26 | 0:24:28 | |
he just created it himself. | 0:24:28 | 0:24:29 | |
Ever heard of Oroton? | 0:24:29 | 0:24:31 | |
-Oroton? -It's a fine chain mail mesh of aluminium alloy | 0:24:31 | 0:24:34 | |
so light that a woman can wear it on a hot summer's day. | 0:24:34 | 0:24:38 | |
-Sounds real nice. -ANDREW SCOFFS | 0:24:38 | 0:24:41 | |
I don't see something nice. | 0:24:41 | 0:24:44 | |
I see the man behind it. | 0:24:44 | 0:24:46 | |
A great creator. | 0:24:46 | 0:24:49 | |
A man I could have been. | 0:24:50 | 0:24:52 | |
Been with? | 0:24:53 | 0:24:55 | |
Yeah. | 0:24:56 | 0:24:57 | |
Andy... | 0:24:59 | 0:25:01 | |
Don't worry about money. I'm going to share this with you 50-50. | 0:25:23 | 0:25:25 | |
I look after my friends. | 0:25:29 | 0:25:32 | |
That's always been important to me. | 0:25:32 | 0:25:33 | |
I don't know what to say. | 0:25:33 | 0:25:35 | |
How many times have you done this before? | 0:26:02 | 0:26:05 | |
-Two? Three? -Yeah. | 0:26:05 | 0:26:08 | |
How many people do you employ in business? | 0:26:08 | 0:26:11 | |
300? | 0:26:11 | 0:26:13 | |
5,000...globally. | 0:26:14 | 0:26:17 | |
WHISTLES | 0:26:17 | 0:26:19 | |
I can be submissive. | 0:26:19 | 0:26:21 | |
You have no idea. | 0:26:22 | 0:26:24 | |
MUSIC: Easy Lover by Phil Collins | 0:26:24 | 0:26:27 | |
# Easy lover | 0:26:51 | 0:26:53 | |
# She'll get a hold on you, believe it... # | 0:26:53 | 0:26:57 | |
MAN GROANS | 0:26:57 | 0:26:58 | |
-# Like no other... # -MUFFLED GROANING | 0:26:58 | 0:27:00 | |
# Before you know it, you'll be on your knees... # | 0:27:00 | 0:27:03 | |
You're helpless. | 0:27:03 | 0:27:04 | |
# She's an easy lover | 0:27:04 | 0:27:07 | |
# She'll take your heart | 0:27:07 | 0:27:08 | |
-# But you won't feel it... # -Accept it. | 0:27:08 | 0:27:11 | |
-MUFFLED GROANING -# She's like no other | 0:27:11 | 0:27:14 | |
# And I'm just trying to make you see | 0:27:14 | 0:27:18 | |
-VOLUME INCREASES: -# She's the kind of girl you dream of... # | 0:27:18 | 0:27:22 | |
-LOUD GROANING -# Dream of keeping hold of | 0:27:22 | 0:27:25 | |
# You'd better forget it... # | 0:27:25 | 0:27:27 | |
Accept it. | 0:27:27 | 0:27:29 | |
# You'll never get it... # | 0:27:29 | 0:27:30 | |
Accept it! | 0:27:30 | 0:27:32 | |
# She will play around and leave you | 0:27:32 | 0:27:35 | |
# Leave you and deceive you | 0:27:35 | 0:27:39 | |
# Better forget it... # | 0:27:39 | 0:27:41 | |
LOUD GROANING | 0:27:41 | 0:27:43 | |
# Oh, you'll regret it | 0:27:43 | 0:27:45 | |
# No, you'll never change her, so leave it | 0:27:47 | 0:27:50 | |
-# Leave it... # -Accept it. | 0:27:50 | 0:27:51 | |
# Get out quick cos seeing is believing | 0:27:51 | 0:27:54 | |
# It's the only way | 0:27:54 | 0:27:57 | |
# You'll ever know... # | 0:27:57 | 0:28:01 | |
Hey, hey, hey. GROANING | 0:28:12 | 0:28:14 | |
Last chance. | 0:28:14 | 0:28:16 | |
-HE GASPS FOR BREATH -# She's an easy lover | 0:28:21 | 0:28:23 | |
# She'll get a hold on you | 0:28:23 | 0:28:26 | |
-# Believe it... # -WHIMPERING | 0:28:26 | 0:28:28 | |
# She's like no other | 0:28:28 | 0:28:30 | |
# Before you know it... # | 0:28:30 | 0:28:32 | |
Isn't that special? | 0:28:32 | 0:28:34 | |
# You'll be down on your knees | 0:28:34 | 0:28:36 | |
-# She's an easy lover... # -WHIMPERING | 0:28:36 | 0:28:39 | |
Anything else, sir? | 0:28:41 | 0:28:44 | |
If you could come back in... 30 minutes for the trays. | 0:28:44 | 0:28:46 | |
Of course, sir. 30 minutes. | 0:28:46 | 0:28:48 | |
You know, my mom used to bring me lobster when I was at school. | 0:28:58 | 0:29:01 | |
She'd bring it to me for lunch. | 0:29:01 | 0:29:03 | |
While all the other kids were eating peanut butter and jelly sandwiches, | 0:29:03 | 0:29:06 | |
here I was... | 0:29:06 | 0:29:08 | |
with my little sachet | 0:29:08 | 0:29:10 | |
of cracked black pepper | 0:29:10 | 0:29:13 | |
wrapped up like a little gram of cocaine. | 0:29:13 | 0:29:16 | |
HE SIGHS | 0:29:19 | 0:29:21 | |
WOMAN: 911. What's your emergency? | 0:29:50 | 0:29:52 | |
I... | 0:29:53 | 0:29:55 | |
What's your emergency? | 0:29:57 | 0:29:59 | |
Nothing. | 0:30:01 | 0:30:03 | |
MUSIC: Back To Life by Soul II Soul | 0:30:09 | 0:30:11 | |
Why does she have to hire these women? | 0:30:29 | 0:30:32 | |
What don't you like? | 0:30:32 | 0:30:34 | |
They look ill. | 0:30:34 | 0:30:35 | |
-CAMERA SHUTTERS CLICKING MAN: -Donatella! | 0:30:35 | 0:30:38 | |
Girls, can you give us the room? | 0:30:56 | 0:30:58 | |
I need to talk to my brother. | 0:30:58 | 0:31:00 | |
Mamma Mia. OK. | 0:31:03 | 0:31:05 | |
I will continue later. OK? | 0:31:05 | 0:31:07 | |
What happened? You agreed to try them. | 0:31:13 | 0:31:15 | |
Yes, Donatella, but I want my models to look like they enjoy life! | 0:31:15 | 0:31:19 | |
Like they eat, at least. | 0:31:19 | 0:31:21 | |
Like they laugh, like they dance, they make love. | 0:31:21 | 0:31:23 | |
-What do those girls enjoy? -Front covers. | 0:31:23 | 0:31:26 | |
So, you think I cannot make the front cover any more? | 0:31:26 | 0:31:28 | |
Everybody's talking about Galliano and McQueen. | 0:31:28 | 0:31:30 | |
-What are they doing next? -Should I be asking myself, | 0:31:30 | 0:31:32 | |
"What are people talking about?" | 0:31:32 | 0:31:34 | |
If you want to sell any clothes, yes. | 0:31:34 | 0:31:36 | |
No, Donatella. It comes from here first. | 0:31:36 | 0:31:38 | |
From here, and then, you hire the photographers, | 0:31:38 | 0:31:41 | |
and then you throw the parties, and then you ask celebrities | 0:31:41 | 0:31:44 | |
to wear our clothes, but that comes second. | 0:31:44 | 0:31:47 | |
I'm worried, Gianni. Our shows were the future once. | 0:31:47 | 0:31:50 | |
When did I become the past? | 0:31:52 | 0:31:53 | |
People see the same models, and they say the same thing. | 0:31:53 | 0:31:56 | |
"Versace, great, masterful, but I know this guy. | 0:31:56 | 0:31:59 | |
"I knew him ten years ago, and here he is again." | 0:31:59 | 0:32:01 | |
Donatella, I get better every day, stronger. | 0:32:01 | 0:32:04 | |
It's a miracle. | 0:32:04 | 0:32:06 | |
Maybe one day, I will tire of being thankful that I'm alive. | 0:32:06 | 0:32:10 | |
Maybe one day, it won't seem like a miracle, | 0:32:10 | 0:32:12 | |
and I will be able to produce a show as dark | 0:32:12 | 0:32:15 | |
and as morbid as you desire. | 0:32:15 | 0:32:17 | |
But until that day, life is special. | 0:32:17 | 0:32:20 | |
Life is precious, and that is how I feel. | 0:32:20 | 0:32:22 | |
And my shows must be about what I feel. | 0:32:22 | 0:32:25 | |
If not, they are about nothing. | 0:32:25 | 0:32:27 | |
Do you really think people will hear those words | 0:32:27 | 0:32:29 | |
when they see your clothes? They won't. | 0:32:29 | 0:32:30 | |
You're wrong. They will know. They won't know the details, of course, | 0:32:30 | 0:32:33 | |
but they will feel those emotions | 0:32:33 | 0:32:35 | |
because the clothes will make them feel them. | 0:32:35 | 0:32:37 | |
OK, you dress your girls, I dress mine. | 0:32:39 | 0:32:41 | |
-We'll see who wins. -Perfect. Let's fight. | 0:32:41 | 0:32:44 | |
We're family, it's OK to fight. We'll fight. | 0:32:44 | 0:32:46 | |
-What dress will end the show? -A bride in a silver dress | 0:32:46 | 0:32:49 | |
with a veil pulled back behind her head, not covering her face. | 0:32:49 | 0:32:51 | |
Mm. How original. | 0:32:51 | 0:32:53 | |
Not a virgin bride, a Versace bride. | 0:32:53 | 0:32:56 | |
She will be a woman who's loved many men before. | 0:32:56 | 0:32:59 | |
A woman who's finally found her equal, a match for her passions. | 0:32:59 | 0:33:03 | |
She won't be dainty, she won't be timid. | 0:33:03 | 0:33:05 | |
She will be proud and strong. | 0:33:05 | 0:33:07 | |
And that's how I will end my show. | 0:33:07 | 0:33:10 | |
Our show. | 0:33:12 | 0:33:14 | |
Our show. Now get the girls. | 0:33:15 | 0:33:17 | |
MUSIC: You Showed Me by The Turtles | 0:33:17 | 0:33:20 | |
CAMERA SHUTTERS CLICKING | 0:33:20 | 0:33:22 | |
APPLAUSE | 0:33:31 | 0:33:33 | |
# You showed me how to do | 0:33:33 | 0:33:36 | |
# Exactly what you do, how I fell in love with you... # | 0:33:36 | 0:33:41 | |
MUTED APPLAUSE | 0:33:41 | 0:33:43 | |
# Oh, oh-oh, it's true | 0:33:43 | 0:33:47 | |
# Oh, I love you | 0:33:48 | 0:33:53 | |
# And when I tried it... # | 0:33:57 | 0:34:01 | |
-ENTHUSIASTIC APPLAUSE -# I could see you fall | 0:34:01 | 0:34:06 | |
# And I decided | 0:34:06 | 0:34:11 | |
# It's not a trip at all | 0:34:11 | 0:34:16 | |
# You showed me how to do | 0:34:16 | 0:34:20 | |
# Exactly what you do... # | 0:34:20 | 0:34:22 | |
-APPLAUSE AND CHEERING -# How I fell in love with you | 0:34:22 | 0:34:25 | |
# You showed me what to say | 0:34:25 | 0:34:27 | |
# Exactly what you say | 0:34:27 | 0:34:31 | |
# In that very special way | 0:34:31 | 0:34:33 | |
# You taught it to me, too | 0:34:33 | 0:34:37 | |
# Exactly what you do | 0:34:37 | 0:34:39 | |
# And now you love me, too... # | 0:34:39 | 0:34:42 | |
APPLAUSE AND CHEERING SWELL | 0:34:42 | 0:34:45 | |
# You love me, too. # | 0:35:01 | 0:35:03 | |
APPLAUSE AND CHEERING SWELL | 0:35:03 | 0:35:05 | |
SNIFFS | 0:35:39 | 0:35:41 | |
LAUGHING | 0:35:52 | 0:35:53 | |
LAUGH ECHOES | 0:36:00 | 0:36:01 | |
-RONNIE: -I used to be a florist, you know. | 0:36:18 | 0:36:21 | |
I was a good one. | 0:36:21 | 0:36:22 | |
I was thinking about starting up again here in Miami. | 0:36:22 | 0:36:26 | |
Just running a little kiosk. | 0:36:26 | 0:36:28 | |
It would need two people to run it. | 0:36:28 | 0:36:30 | |
You and me. | 0:36:30 | 0:36:31 | |
And... | 0:36:31 | 0:36:34 | |
we get along well enough, I think, yeah? | 0:36:34 | 0:36:37 | |
Anything's got to be better than working that beach. | 0:36:37 | 0:36:40 | |
Don't you think? Andy? | 0:36:40 | 0:36:42 | |
I'm going to take a shower. | 0:36:48 | 0:36:50 | |
OK. | 0:36:52 | 0:36:53 | |
Yeah, yeah, a sh... uh, a shower. Why not? | 0:36:53 | 0:36:56 | |
SHOWER RUNNING | 0:36:59 | 0:37:01 | |
Andrew? | 0:37:42 | 0:37:43 | |
What'd you do? | 0:37:45 | 0:37:47 | |
Nothing. | 0:37:48 | 0:37:49 | |
I've done... | 0:37:51 | 0:37:53 | |
..nothing. | 0:37:54 | 0:37:55 | |
I've done nothing my whole life. | 0:37:58 | 0:38:00 | |
That's the truth. | 0:38:02 | 0:38:04 | |
We're out. | 0:38:07 | 0:38:08 | |
I'll get more. | 0:38:12 | 0:38:13 | |
ANTONIO LAUGHS | 0:38:28 | 0:38:30 | |
Hey, one second. | 0:38:35 | 0:38:37 | |
Hey. Come join us. | 0:38:40 | 0:38:44 | |
I will. I will be there. | 0:38:44 | 0:38:46 | |
Go play. Go play. | 0:38:47 | 0:38:49 | |
I don't want this any more. | 0:39:25 | 0:39:27 | |
I want you. | 0:39:31 | 0:39:32 | |
I want to marry you. | 0:39:34 | 0:39:36 | |
You can say it in the morning. | 0:39:39 | 0:39:40 | |
But can you say it in the evening? | 0:39:44 | 0:39:46 | |
LOCK BUZZES | 0:40:04 | 0:40:06 | |
Where'd you get this? | 0:40:17 | 0:40:18 | |
It's a remarkable story. | 0:40:21 | 0:40:23 | |
MAN WOLF WHISTLES | 0:40:51 | 0:40:54 | |
Baby! | 0:41:06 | 0:41:08 | |
Your sister's here! | 0:41:08 | 0:41:09 | |
Come on, Gianni. I'm here. | 0:41:11 | 0:41:13 | |
The real Donatella has a key. | 0:41:13 | 0:41:15 | |
-Oh, come on, Gianni. Let me in. -Not tonight. | 0:41:15 | 0:41:18 | |
Come on, baby. Gianni. | 0:41:18 | 0:41:20 | |
VERSACE: No, no, no, baby. | 0:41:20 | 0:41:22 | |
-Gianni, let me in! -Babe, baby, I've to...I've told you so many times. | 0:41:22 | 0:41:25 | |
I can only handle one Donatella. One is enough. | 0:41:25 | 0:41:28 | |
-I wear Versace. -Versace. Yeah, brava. | 0:41:28 | 0:41:30 | |
Baby, big kiss for you, but I cannot let you in. | 0:41:30 | 0:41:33 | |
One is enough. OK? | 0:41:33 | 0:41:34 | |
Will I see you again? | 0:42:11 | 0:42:14 | |
I'm sure of it. | 0:42:14 | 0:42:16 | |
You don't have that money, do you? | 0:42:22 | 0:42:24 | |
We were friends. | 0:42:50 | 0:42:52 | |
That was real, right? | 0:42:53 | 0:42:55 | |
When someone asks you if we were friends... | 0:42:56 | 0:42:59 | |
..you'll say no. | 0:43:01 | 0:43:02 | |
-MAN ON RADIO: -Cunanan has been the subject of a manhunt for months. | 0:43:10 | 0:43:14 | |
He's 27 years old, | 0:43:14 | 0:43:15 | |
stands five feet, 10½ inches, | 0:43:15 | 0:43:18 | |
dark brown hair and eyes, | 0:43:18 | 0:43:20 | |
with a gift of changing his appearance. | 0:43:20 | 0:43:22 | |
He's sought in connection with four murders... | 0:43:22 | 0:43:25 | |
-Hi. What would you like to order? -Tuna combo. | 0:44:00 | 0:44:03 | |
2.99. | 0:44:06 | 0:44:07 | |
Keep the change. | 0:44:08 | 0:44:10 | |
Tuna. | 0:44:11 | 0:44:12 | |
Can you cover me? | 0:44:12 | 0:44:13 | |
-WOMAN: -911. What's your emergency? | 0:44:17 | 0:44:19 | |
I don't know his name. He was on America's Most Wanted. | 0:44:19 | 0:44:21 | |
-Is this man black or white? -White guy. | 0:44:21 | 0:44:23 | |
The white guy who killed four white guys. He's here. No joke. | 0:44:23 | 0:44:26 | |
Send everything right now. | 0:44:26 | 0:44:28 | |
SIREN WAILING | 0:44:32 | 0:44:33 | |
How are you? Good to see you again. | 0:45:00 | 0:45:02 | |
Let me see your ID. | 0:45:02 | 0:45:03 | |
Ah! | 0:45:15 | 0:45:16 | |
Ciao. | 0:45:18 | 0:45:20 | |
Hey. | 0:45:23 | 0:45:24 | |
-You good? -Yeah. | 0:45:31 | 0:45:33 | |
DANCE MUSIC PLAYING FAINTLY | 0:45:58 | 0:46:00 | |
-Hey. -Sorry. Hi. | 0:46:56 | 0:46:58 | |
-Hi. So nice to meet you. -You're amazing. | 0:46:58 | 0:47:00 | |
I don't want that any more. | 0:47:05 | 0:47:06 | |
I want you, Gianni. | 0:47:08 | 0:47:10 | |
I want to marry you. | 0:47:12 | 0:47:14 | |
Let's go. Let's go. | 0:47:34 | 0:47:36 | |
I'm Brad. | 0:48:08 | 0:48:09 | |
I'm Andy. | 0:48:12 | 0:48:14 | |
So, what do you do? | 0:48:14 | 0:48:15 | |
I'm a serial killer. | 0:48:16 | 0:48:18 | |
What?! | 0:48:18 | 0:48:20 | |
I said I'm a banker. HE CHUCKLES | 0:48:20 | 0:48:22 | |
I'm a stockbroker. I'm a shareholder. | 0:48:22 | 0:48:24 | |
I-I'm a paperback writer. | 0:48:24 | 0:48:25 | |
I'm a cop. I'm a naval officer. | 0:48:25 | 0:48:28 | |
Sometimes I'm a spy. | 0:48:28 | 0:48:29 | |
I build movie sets in Mexico | 0:48:29 | 0:48:31 | |
and...and skyscrapers in Chicago. I sell propane in Minneapolis. | 0:48:31 | 0:48:34 | |
I import pineapples from the Philippines. | 0:48:34 | 0:48:36 | |
You know, I'm the person least likely to be forgotten. | 0:48:36 | 0:48:39 | |
I'm Andrew Cunanan. | 0:48:43 | 0:48:45 |