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BELL RINGS | 0:00:02 | 0:00:03 | |
And we're live in three, two... | 0:00:03 | 0:00:05 | |
Marilyn Miglin started her career as a dancer | 0:00:06 | 0:00:09 | |
at the legendary Chez Paree nightclub in Chicago. | 0:00:09 | 0:00:12 | |
Many years ago! | 0:00:12 | 0:00:14 | |
But performing under those bright stage lights, | 0:00:14 | 0:00:16 | |
she found that her make-up was always running. | 0:00:16 | 0:00:18 | |
And that's how your interest in cosmetics began. | 0:00:18 | 0:00:20 | |
I-I thought to myself, "There must be something better." | 0:00:20 | 0:00:23 | |
And since there wasn't, I created my own. | 0:00:23 | 0:00:26 | |
We are so lucky to have you here today... | 0:00:26 | 0:00:28 | |
-Oh, thank you! -..to talk about your | 0:00:28 | 0:00:29 | |
bestselling line of fragrances - Pheromone. | 0:00:29 | 0:00:31 | |
-Indeed. -Now, I read somewhere | 0:00:31 | 0:00:33 | |
-that you have sold... -Oh, dear! | 0:00:33 | 0:00:35 | |
..so many bottles that they now call you the Queen of Perfume. | 0:00:35 | 0:00:38 | |
They-they do, but I started from nothing. | 0:00:38 | 0:00:41 | |
Just an idea, and a longing to explore | 0:00:41 | 0:00:44 | |
what perfume is truly about. | 0:00:44 | 0:00:47 | |
What is that? Tell our viewers. | 0:00:47 | 0:00:50 | |
Perfume is about our bodies talking to each other without words. | 0:00:51 | 0:00:57 | |
-ANSWERPHONE: -You've reached the Miglins. | 0:00:57 | 0:00:59 | |
Lee? I don't know where you are. | 0:00:59 | 0:01:01 | |
I'm still at the airport, but I can't wait any longer. | 0:01:01 | 0:01:05 | |
I-I'm going to catch a taxi. | 0:01:08 | 0:01:09 | |
This programme contains prolonged violent scenes. | 0:01:09 | 0:01:13 | |
This programme contains some strong language. | 0:01:13 | 0:01:16 | |
This programme contains some scenes | 0:01:16 | 0:01:18 | |
which some viewers may find upsetting. | 0:01:18 | 0:01:20 | |
-RADIO: -His fielding percentage is always at the top, | 0:01:21 | 0:01:24 | |
so we're expecting... | 0:01:24 | 0:01:25 | |
Lee? | 0:01:50 | 0:01:53 | |
Marilyn? | 0:02:08 | 0:02:10 | |
Something's wrong. | 0:02:12 | 0:02:14 | |
Wait outside. Call the police. | 0:02:30 | 0:02:33 | |
Lee? | 0:02:37 | 0:02:39 | |
SIRENS WAIL | 0:03:35 | 0:03:37 | |
Did you check the garage? | 0:03:44 | 0:03:46 | |
I'll go. | 0:03:46 | 0:03:48 | |
It's right here. | 0:03:52 | 0:03:54 | |
Wait here. | 0:04:03 | 0:04:04 | |
Their Lexus is missing. | 0:04:21 | 0:04:23 | |
WOMAN SCREAMS | 0:04:28 | 0:04:29 | |
I knew it. | 0:04:44 | 0:04:45 | |
LAUGHTER | 0:05:02 | 0:05:04 | |
Well, Lee and I have always been very interested in education. | 0:05:06 | 0:05:12 | |
And so the idea was that we would offer aspiring women, | 0:05:12 | 0:05:16 | |
at the beginning of their careers, a mentor in their chosen field. | 0:05:16 | 0:05:21 | |
Have you two always been so involved in each other's lives? | 0:05:21 | 0:05:23 | |
Oh, my goodne... | 0:05:23 | 0:05:25 | |
Lee helped me paint my first boutique. | 0:05:26 | 0:05:28 | |
110 East Oak Street. | 0:05:28 | 0:05:30 | |
And I wouldn't be where I am today without Marilyn. | 0:05:30 | 0:05:34 | |
I-I can't imagine where I would be. | 0:05:34 | 0:05:36 | |
Certainly not at a table like this, that's for sure. | 0:05:36 | 0:05:39 | |
-Not true. -Well, I'm honoured to call you my friends, | 0:05:39 | 0:05:41 | |
and not too displeased to having you raise funds for me, either. | 0:05:41 | 0:05:44 | |
She's the one. She's the one. | 0:05:44 | 0:05:46 | |
Please, don't ever decide to run against me. | 0:05:46 | 0:05:50 | |
Now that you mention it... | 0:05:50 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:53 | |
So often we are told that the American Dream is dead. | 0:05:54 | 0:05:58 | |
Except, I say, look at my husband Lee. | 0:05:58 | 0:06:02 | |
One of seven children, the son of an Illinois coal miner. | 0:06:03 | 0:06:07 | |
He began his career selling pre-mixed pancake batter | 0:06:07 | 0:06:12 | |
out of the trunk of a beat-up old car. | 0:06:12 | 0:06:15 | |
And today, Lee manages 32 million square feet | 0:06:15 | 0:06:20 | |
of commercial property across the Midwest. | 0:06:20 | 0:06:23 | |
He built the Chicago Bar Association building, | 0:06:23 | 0:06:26 | |
the 45-storey Madison Plaza, the global headquarters of Hyatt, | 0:06:26 | 0:06:31 | |
and as if that wasn't enough... | 0:06:31 | 0:06:36 | |
he helped me achieve my dreams. | 0:06:36 | 0:06:39 | |
He is my partner in every sense of the word. | 0:06:40 | 0:06:46 | |
And he is so much more than that. | 0:06:46 | 0:06:48 | |
He is an incredible father, a perfect husband, | 0:06:48 | 0:06:54 | |
and I'm so proud to say, without a hint of cynicism, | 0:06:54 | 0:06:58 | |
that my Lee is the American Dream. | 0:06:58 | 0:07:02 | |
Ladies and gentlemen, Lee Miglin. | 0:07:02 | 0:07:04 | |
APPLAUSE | 0:07:04 | 0:07:06 | |
And he's funny, too. | 0:07:14 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:18 | |
Tha-thank you, Marilyn. | 0:07:18 | 0:07:20 | |
Thank you, folks. Thank you all for being here. | 0:07:20 | 0:07:22 | |
That went well, I think. | 0:07:25 | 0:07:27 | |
-Very well. -Mm. And... | 0:07:27 | 0:07:31 | |
..I really appreciated your introduction. | 0:07:31 | 0:07:33 | |
I wasn't expecting that. | 0:07:33 | 0:07:35 | |
Do you remember what colour we painted the Oak Street store? | 0:07:40 | 0:07:44 | |
What colour? | 0:07:44 | 0:07:47 | |
That was years ago. | 0:07:47 | 0:07:48 | |
We painted it pink. | 0:07:50 | 0:07:51 | |
PHONE RINGS | 0:08:46 | 0:08:48 | |
This is Lee. | 0:08:48 | 0:08:50 | |
It's Andrew. | 0:08:50 | 0:08:52 | |
I'm going to be in Chicago a couple of days. | 0:08:52 | 0:08:55 | |
C-can you hold on a moment? | 0:08:55 | 0:08:56 | |
Go on. | 0:09:09 | 0:09:10 | |
-Lee, are you home? -Yes. | 0:09:44 | 0:09:46 | |
What are your plans while I'm away? | 0:09:49 | 0:09:52 | |
Oh, well, I, uh... I need to finish your accounts. | 0:09:52 | 0:09:56 | |
I'll have them done by the time you're back. | 0:09:56 | 0:10:00 | |
And I'll... I'll catch up with Paul... | 0:10:00 | 0:10:03 | |
..and, uh, go to the, uh, | 0:10:04 | 0:10:07 | |
go to the office. | 0:10:07 | 0:10:09 | |
I will... | 0:10:09 | 0:10:11 | |
I'm going to work, Marilyn. | 0:10:13 | 0:10:17 | |
-SIGHING: -I'm going to work. | 0:10:17 | 0:10:19 | |
That's what I do. | 0:10:19 | 0:10:20 | |
Isn't that what I always do? | 0:10:20 | 0:10:22 | |
What is it? | 0:10:26 | 0:10:28 | |
If you're in one of your blue moods, | 0:10:29 | 0:10:31 | |
why-why don't you come with me? | 0:10:31 | 0:10:33 | |
I like it when you're there. | 0:10:33 | 0:10:35 | |
-You do? -Of course. | 0:10:37 | 0:10:40 | |
I'm very proud of you. | 0:10:45 | 0:10:47 | |
You know that, don't you? | 0:10:47 | 0:10:50 | |
I... I could never stand in front of those cameras. | 0:10:50 | 0:10:55 | |
Well, do you want to come with me or not? | 0:10:55 | 0:10:58 | |
No. I'm-I'm, I'm being silly. | 0:11:00 | 0:11:04 | |
Well, come on. We'll be late. | 0:11:04 | 0:11:05 | |
-Here. -Oh, thank you. | 0:11:07 | 0:11:09 | |
MUSIC: A Certain Sadness by Astrud Gilberto | 0:11:44 | 0:11:47 | |
# Look out the window | 0:11:47 | 0:11:49 | |
# When that rain storms | 0:11:49 | 0:11:52 | |
# I let the wind blow up | 0:11:52 | 0:11:54 | |
# A brainstorm | 0:11:54 | 0:11:57 | |
# And now I'm wondering | 0:11:57 | 0:11:59 | |
# Whether weather like this | 0:11:59 | 0:12:02 | |
# Gets you, too | 0:12:02 | 0:12:05 | |
# It may go on like this for hours | 0:12:11 | 0:12:16 | |
# Too late in fall for April showers | 0:12:16 | 0:12:21 | |
# So what we got here | 0:12:21 | 0:12:24 | |
# Got a thought or two | 0:12:24 | 0:12:27 | |
# I need to share with you | 0:12:27 | 0:12:32 | |
# Here goes... # | 0:12:32 | 0:12:34 | |
I try. | 0:13:33 | 0:13:35 | |
I try. | 0:13:38 | 0:13:39 | |
KNOCK AT DOOR | 0:14:26 | 0:14:28 | |
HE SIGHS | 0:14:43 | 0:14:44 | |
KNOCK AT DOOR | 0:14:44 | 0:14:45 | |
Come in. Come in. | 0:14:52 | 0:14:54 | |
Andrew. | 0:14:58 | 0:15:00 | |
I didn't expect you to be in town. | 0:15:07 | 0:15:09 | |
Neither did I. | 0:15:12 | 0:15:14 | |
What brings you to Chicago? | 0:15:14 | 0:15:16 | |
Work. | 0:15:19 | 0:15:21 | |
Hmm. | 0:15:21 | 0:15:22 | |
Next time, a little warning would be useful. | 0:15:29 | 0:15:32 | |
It's sheer luck I have the house to myself. | 0:15:32 | 0:15:34 | |
When does Marilyn get back? | 0:15:34 | 0:15:36 | |
Sunday morning. | 0:15:36 | 0:15:37 | |
We have some time. | 0:15:39 | 0:15:40 | |
Can you stay the night? | 0:15:40 | 0:15:42 | |
Can you shut the blinds? | 0:15:47 | 0:15:48 | |
I have wanted to share this with you a long time... | 0:15:53 | 0:15:58 | |
MUSIC PLAYS: It's Magic by Doris Day | 0:15:58 | 0:16:00 | |
..and never had a chance. | 0:16:00 | 0:16:02 | |
# It's magic | 0:16:05 | 0:16:07 | |
# Without a golden wand... # | 0:16:09 | 0:16:13 | |
The Skyneedle. | 0:16:16 | 0:16:17 | |
When it's completed, | 0:16:24 | 0:16:26 | |
it will be the tallest building in the world. | 0:16:26 | 0:16:28 | |
Right here in Chicago. | 0:16:28 | 0:16:30 | |
125 storeys. | 0:16:30 | 0:16:31 | |
1,952 feet. | 0:16:33 | 0:16:36 | |
Is it one of yours? | 0:16:37 | 0:16:39 | |
It's my...my pride, | 0:16:39 | 0:16:41 | |
my passion. | 0:16:41 | 0:16:43 | |
Oh, you're building it just a few blocks away | 0:16:43 | 0:16:46 | |
from Sears Tower. | 0:16:46 | 0:16:47 | |
And taller by 500 feet. | 0:16:47 | 0:16:49 | |
-And there's an observation deck? -Of course. | 0:16:51 | 0:16:54 | |
Wait, so... | 0:16:54 | 0:16:55 | |
So you can look down on the Sears Tower observation deck? | 0:16:55 | 0:16:59 | |
You're going to put them out of business. | 0:16:59 | 0:17:01 | |
Why would you want to be down there when you could be up here? | 0:17:01 | 0:17:05 | |
Oh...I never thought of it like that. | 0:17:05 | 0:17:07 | |
Please, that's exactly how you thought of it. | 0:17:09 | 0:17:11 | |
I imagined riding up in the elevator with those... | 0:17:13 | 0:17:16 | |
Get to the top with all those families and children, | 0:17:16 | 0:17:19 | |
all excited about the view, | 0:17:19 | 0:17:21 | |
excited about being at the top of the tallest tower in the world. | 0:17:21 | 0:17:26 | |
They wouldn't know who I was. | 0:17:26 | 0:17:28 | |
I could just roam among them, eavesdropping. | 0:17:28 | 0:17:31 | |
But it's never going to happen? | 0:17:33 | 0:17:36 | |
No, it-it-it... | 0:17:36 | 0:17:38 | |
I promise you, this will happen. | 0:17:38 | 0:17:40 | |
Have you broken ground? | 0:17:40 | 0:17:43 | |
Not yet. | 0:17:43 | 0:17:45 | |
# It's magic... # | 0:17:46 | 0:17:48 | |
And the financing? | 0:17:48 | 0:17:50 | |
No. | 0:17:50 | 0:17:51 | |
The Miglin Tower. | 0:17:55 | 0:17:56 | |
I-I-I told you what it's called. | 0:17:56 | 0:17:58 | |
What's wrong with the Miglin Tower? | 0:17:58 | 0:18:00 | |
It's the Skyneedle. | 0:18:00 | 0:18:02 | |
I-I want it to inspire people to reach up. | 0:18:02 | 0:18:05 | |
It's about that, not about me. | 0:18:05 | 0:18:08 | |
Of course it's about you. | 0:18:08 | 0:18:11 | |
It's the... | 0:18:11 | 0:18:12 | |
It's the tallest building in the world. | 0:18:12 | 0:18:16 | |
It's the Lee Miglin Tower. | 0:18:16 | 0:18:17 | |
It...it's not about that. | 0:18:17 | 0:18:20 | |
Then what are you showing this to me for? | 0:18:20 | 0:18:22 | |
Do you think I really want to spend all evening | 0:18:22 | 0:18:24 | |
listening to how great you are? | 0:18:24 | 0:18:26 | |
A great man with a great tower. | 0:18:26 | 0:18:28 | |
The modest Lee Miglin Tower, inspiring wide-eyed children | 0:18:28 | 0:18:31 | |
for thousands of years to come. | 0:18:31 | 0:18:33 | |
Is that what you think I want to do? | 0:18:33 | 0:18:36 | |
We don't have to talk. | 0:18:36 | 0:18:38 | |
No, we don't. | 0:18:40 | 0:18:42 | |
I understand what you're doing. | 0:18:44 | 0:18:46 | |
You're trying to impress me. | 0:18:48 | 0:18:51 | |
Trying to pretend that this isn't merely about money. | 0:18:51 | 0:18:53 | |
That this isn't merely a business transaction. | 0:18:53 | 0:18:56 | |
That there's a genuine attraction between us. | 0:18:56 | 0:18:58 | |
You can pretend, too, Andrew. | 0:18:58 | 0:18:59 | |
LEE MOANS | 0:19:15 | 0:19:16 | |
You've never been kissed like that, have you? | 0:19:18 | 0:19:21 | |
No. | 0:19:21 | 0:19:22 | |
-No. -How did it feel? | 0:19:22 | 0:19:26 | |
Feels like I'm alive. | 0:19:26 | 0:19:29 | |
Escorts don't normally kiss, do they? | 0:19:29 | 0:19:32 | |
-No, you're not like... -Most escorts, no. | 0:19:32 | 0:19:34 | |
I am not like most escorts. I am not like most anybody. | 0:19:34 | 0:19:38 | |
I could almost be... | 0:19:40 | 0:19:44 | |
..a husband. | 0:19:44 | 0:19:46 | |
Or a partner. | 0:19:46 | 0:19:48 | |
I could almost be. | 0:19:48 | 0:19:51 | |
I really could, almost. | 0:19:51 | 0:19:53 | |
I... | 0:19:53 | 0:19:55 | |
I know it's not real, Andrew. I'm not a fool. | 0:19:55 | 0:19:58 | |
But... | 0:19:58 | 0:20:00 | |
you make it seem so real! | 0:20:00 | 0:20:04 | |
Good. | 0:20:07 | 0:20:08 | |
-WHISPERS: -Let's go out. | 0:20:12 | 0:20:14 | |
-Where are we going? -To make a mess. | 0:20:14 | 0:20:17 | |
And I don't want you to worry about it. | 0:20:17 | 0:20:19 | |
Come on. | 0:20:23 | 0:20:25 | |
I'm in control now. | 0:20:28 | 0:20:29 | |
Ah-ah. | 0:20:35 | 0:20:37 | |
Ah... Oh... | 0:20:37 | 0:20:40 | |
LEE MUMBLES | 0:20:40 | 0:20:42 | |
Yeah. Down. | 0:21:16 | 0:21:17 | |
Yeah. | 0:21:20 | 0:21:21 | |
So...dominant out there. | 0:21:25 | 0:21:28 | |
So submissive in here. | 0:21:31 | 0:21:33 | |
So powerful out there. | 0:21:33 | 0:21:35 | |
So pathetic... | 0:21:35 | 0:21:37 | |
in here. | 0:21:37 | 0:21:39 | |
But you like being pathetic, don't you? | 0:21:39 | 0:21:41 | |
Yeah. | 0:21:50 | 0:21:52 | |
Yeah. | 0:21:52 | 0:21:53 | |
LEE GROANS | 0:22:00 | 0:22:01 | |
LEE CHOKES | 0:22:04 | 0:22:06 | |
THUD | 0:22:11 | 0:22:12 | |
LEE GROANS | 0:22:12 | 0:22:14 | |
I've killed two people, Lee. | 0:22:15 | 0:22:18 | |
Two people that were very close to me. | 0:22:18 | 0:22:20 | |
I know it's hard to believe. | 0:22:21 | 0:22:23 | |
Intellectual Andrew. | 0:22:23 | 0:22:26 | |
Well-read, well-spoken Andrew. Well-dressed. | 0:22:26 | 0:22:30 | |
But here I am. | 0:22:33 | 0:22:34 | |
This is me. | 0:22:37 | 0:22:38 | |
Now, I know that you're not wearing your hearing aid, | 0:22:42 | 0:22:47 | |
so I'm going to speak very loudly and very clearly | 0:22:47 | 0:22:51 | |
so you can understand. | 0:22:51 | 0:22:54 | |
I want you to know that when they find your body, | 0:22:54 | 0:22:56 | |
you will be wearing ladies' panties... | 0:22:56 | 0:22:59 | |
..surrounded by gay porn. | 0:23:01 | 0:23:03 | |
I want the world to see... | 0:23:03 | 0:23:08 | |
that the great Lee Miglin... | 0:23:08 | 0:23:10 | |
is a sissy. | 0:23:10 | 0:23:13 | |
Soon, the whole world will know that the great Lee Miglin, | 0:23:14 | 0:23:17 | |
who built Chicago, built it with a limp wrist. | 0:23:17 | 0:23:21 | |
The cops will know. | 0:23:23 | 0:23:25 | |
The press will know. Your wife will know. | 0:23:25 | 0:23:27 | |
Your children will know. The neighbours will know. | 0:23:27 | 0:23:29 | |
Tell me something, Lee, | 0:23:29 | 0:23:31 | |
what terrifies you more - death or being disgraced? | 0:23:31 | 0:23:33 | |
LEE GROANS | 0:23:33 | 0:23:35 | |
Disgraced! | 0:23:37 | 0:23:40 | |
You know, disgrace isn't that bad... | 0:23:40 | 0:23:42 | |
..once you settle into it. | 0:23:44 | 0:23:46 | |
Disgrace. | 0:23:53 | 0:23:54 | |
LEE MOANS | 0:23:58 | 0:23:59 | |
Concrete can build. | 0:24:06 | 0:24:09 | |
Concrete can kill. | 0:24:10 | 0:24:13 | |
ANDREW GASPS | 0:24:16 | 0:24:17 | |
SIRENS WAIL | 0:25:31 | 0:25:33 | |
Superintendent! | 0:25:49 | 0:25:51 | |
Superintendent, was there a robbery? | 0:25:51 | 0:25:55 | |
And did Lee Miglin know the intruder? | 0:25:55 | 0:25:56 | |
Carry on. | 0:26:00 | 0:26:02 | |
The underwear? Was he wearing them at the time of his death, | 0:26:10 | 0:26:13 | |
or dressed afterwards? | 0:26:13 | 0:26:14 | |
I can't be sure. | 0:26:14 | 0:26:16 | |
-Defensive wounds? -None. | 0:26:16 | 0:26:19 | |
No cuts or bruises to his hands, | 0:26:19 | 0:26:21 | |
but his ribs? | 0:26:21 | 0:26:22 | |
Every single rib is broken. | 0:26:24 | 0:26:26 | |
I don't want any details leaking. | 0:26:27 | 0:26:29 | |
-Make that understood. -Yes, sir. | 0:26:29 | 0:26:33 | |
We confirm only, "An elderly gentleman has been killed." | 0:26:33 | 0:26:36 | |
-Marilyn. -Hmm? | 0:26:38 | 0:26:40 | |
I swear to you, this had nothing to do with his business. | 0:26:40 | 0:26:44 | |
His business? | 0:26:44 | 0:26:46 | |
We all know that. | 0:26:46 | 0:26:47 | |
I've been through the entire contents of the house. | 0:26:47 | 0:26:50 | |
It was a robbery, no question. | 0:26:50 | 0:26:52 | |
Aside from the Lexus, a great deal of money was stolen. | 0:26:52 | 0:26:54 | |
While I was away, Lee's secretary delivered 2,000. | 0:26:54 | 0:26:57 | |
That's missing, along with two leather coats, | 0:26:57 | 0:27:00 | |
two suits, some inconsequential pieces of jewellery... | 0:27:00 | 0:27:03 | |
Uh, Lee had gold coins. | 0:27:03 | 0:27:04 | |
He gave them as gifts. | 0:27:04 | 0:27:05 | |
They are unusual, and should be easy to trace, | 0:27:05 | 0:27:08 | |
should the culprit try to pawn them. | 0:27:08 | 0:27:10 | |
And, um, a dozen pairs of new Sulka black socks. | 0:27:10 | 0:27:15 | |
Aren't you going to write this down? | 0:27:16 | 0:27:18 | |
I'll have an officer take your statement. | 0:27:18 | 0:27:20 | |
Marilyn, this is Superintendent Rodriguez. | 0:27:20 | 0:27:23 | |
I know who he is. | 0:27:23 | 0:27:25 | |
I happen to be friends with a great many police officers. | 0:27:25 | 0:27:28 | |
Do you think I called 911 earlier? No. | 0:27:28 | 0:27:31 | |
I called Commander Ettore DiVito, | 0:27:31 | 0:27:33 | |
who was present at the Wallenberg Award celebration | 0:27:33 | 0:27:36 | |
a few weeks ago, and asked to speak to him directly. | 0:27:36 | 0:27:38 | |
We're all here for you. | 0:27:38 | 0:27:41 | |
Lee was alone. | 0:27:41 | 0:27:43 | |
In the house. | 0:27:43 | 0:27:45 | |
He was vulnerable. | 0:27:45 | 0:27:48 | |
It was an opportunistic attack. | 0:27:48 | 0:27:52 | |
He wears a hearing aid, did you know? | 0:27:52 | 0:27:54 | |
-No, I didn't. -Well, the burglar could have | 0:27:54 | 0:27:57 | |
easily surprised him. | 0:27:57 | 0:28:00 | |
Poor Lee, he wouldn't have had a...chance. | 0:28:00 | 0:28:03 | |
He wouldn't have fought back. | 0:28:03 | 0:28:04 | |
Mrs Miglin, maybe we can talk at another time. | 0:28:04 | 0:28:07 | |
Talk now. Why not? | 0:28:07 | 0:28:10 | |
There were certain items beside your husband's body. | 0:28:10 | 0:28:16 | |
What items? | 0:28:16 | 0:28:18 | |
Pornographic magazines. | 0:28:18 | 0:28:20 | |
Homosexual pornographic magazines. | 0:28:20 | 0:28:23 | |
I see. | 0:28:23 | 0:28:25 | |
Well, they must belong to the killer. | 0:28:27 | 0:28:29 | |
It would mean he brought the magazines in with him. | 0:28:29 | 0:28:33 | |
I'm not interested in his intentions. | 0:28:33 | 0:28:36 | |
Find him. Catch him. | 0:28:38 | 0:28:40 | |
But don't talk to me about what might or might not | 0:28:40 | 0:28:42 | |
be going through his mind. | 0:28:42 | 0:28:45 | |
I understand. | 0:28:45 | 0:28:47 | |
The killer took a bath and shaved? | 0:28:49 | 0:28:52 | |
Yeah. He might've stayed the night. | 0:28:52 | 0:28:54 | |
He must've known Marilyn was coming home. | 0:29:05 | 0:29:09 | |
Where did you get those? | 0:29:12 | 0:29:14 | |
Mrs Miglin. | 0:29:20 | 0:29:23 | |
It's very thoughtful of you, | 0:29:23 | 0:29:25 | |
but there is really no need to buy my men food. | 0:29:25 | 0:29:27 | |
Oh, I didn't buy it. It was donated. | 0:29:27 | 0:29:30 | |
By Gibsons Steakhouse on Rush Street. | 0:29:30 | 0:29:32 | |
They're friends of the family. They wanted to help. | 0:29:32 | 0:29:35 | |
I'm sorry, we haven't been introduced. | 0:29:35 | 0:29:36 | |
Oh, this is Duke, my son. | 0:29:36 | 0:29:39 | |
I'm Superintendent Rodriguez. | 0:29:39 | 0:29:40 | |
Sorry for your loss. | 0:29:40 | 0:29:42 | |
Duke's flown in from California. | 0:29:42 | 0:29:44 | |
He's a Hollywood actor. | 0:29:44 | 0:29:45 | |
Aspiring to be. | 0:29:45 | 0:29:46 | |
No...no, well, you've had roles. | 0:29:46 | 0:29:48 | |
Good roles. Tell him about the film you're in. | 0:29:48 | 0:29:52 | |
Air Force One. | 0:29:52 | 0:29:53 | |
It's going to be released this summer. | 0:29:53 | 0:29:55 | |
Yeah, starring Harrison Ford. | 0:29:55 | 0:29:56 | |
Coming out July 25th. | 0:29:56 | 0:29:58 | |
Mm-hmm. | 0:29:58 | 0:29:59 | |
He plays a pilot. | 0:29:59 | 0:30:01 | |
A-a Russian pilot. | 0:30:01 | 0:30:02 | |
There are lots of pilots in the movie. | 0:30:02 | 0:30:05 | |
He's at the beginning of a great career. | 0:30:05 | 0:30:08 | |
Squad, I want to run a licence check for Minnesota, | 0:30:36 | 0:30:39 | |
5-4-3, | 0:30:39 | 0:30:41 | |
Lincoln, Union, George. | 0:30:41 | 0:30:44 | |
10-4. Minnesota, 5-4-3, Lincoln, Union, George. | 0:30:44 | 0:30:47 | |
We've got a hit. | 0:30:49 | 0:30:51 | |
Vehicle reported stolen, linked to the homicide of Jeff Trail. | 0:30:51 | 0:30:54 | |
What do you have? | 0:30:57 | 0:30:58 | |
Lee Miglin's car is fitted with a phone. | 0:30:58 | 0:31:01 | |
But the killer's not going to be stupid enough to use it. | 0:31:01 | 0:31:03 | |
He couldn't, even if he wanted to. It's locked with a numerical code. | 0:31:03 | 0:31:06 | |
OK. So? | 0:31:06 | 0:31:08 | |
So the phone turns on when the ignition turns on, | 0:31:08 | 0:31:10 | |
regardless of whether he's using it or not. | 0:31:10 | 0:31:11 | |
We got two pings. One at 11:25 Saturday night, | 0:31:11 | 0:31:14 | |
and again at 12:37 Sunday morning. | 0:31:14 | 0:31:16 | |
Now, the Saturday night signal was transmitted from a tower | 0:31:16 | 0:31:19 | |
located in Grand Rapids, Michigan. | 0:31:19 | 0:31:21 | |
The Sunday morning one from Union County, Pennsylvania. | 0:31:21 | 0:31:24 | |
He's heading to New York. | 0:31:24 | 0:31:25 | |
His phone's talking to us, and he doesn't even know it. | 0:31:25 | 0:31:29 | |
Who else has this? | 0:31:29 | 0:31:30 | |
-Just the FBI and us. -I want this kept between | 0:31:30 | 0:31:33 | |
as few people as possible. | 0:31:33 | 0:31:34 | |
No matter what he does next, wherever he goes... | 0:31:34 | 0:31:36 | |
We got him. | 0:31:36 | 0:31:38 | |
JAZZ MUSIC | 0:31:43 | 0:31:45 | |
CHAIRS SCRAPE ON FLOOR | 0:32:25 | 0:32:27 | |
Does the name Andrew Cunanan mean anything to you? | 0:33:12 | 0:33:16 | |
No. | 0:33:16 | 0:33:18 | |
Nothing. | 0:33:18 | 0:33:19 | |
Who is he? | 0:33:19 | 0:33:21 | |
He worked as an escort. | 0:33:21 | 0:33:23 | |
He's wanted in connection with the murder of two men. | 0:33:23 | 0:33:25 | |
The first in Minneapolis, the second in Chisago, | 0:33:25 | 0:33:27 | |
-in Minnesota. -What does this have to do with Lee? | 0:33:27 | 0:33:30 | |
Cunanan stole a jeep from his second victim. | 0:33:30 | 0:33:33 | |
That jeep was found parked on Astor Street. | 0:33:33 | 0:33:35 | |
A block away from this house. | 0:33:35 | 0:33:37 | |
I've never seen this man before. | 0:33:40 | 0:33:42 | |
You understand this investigation | 0:33:43 | 0:33:46 | |
is no longer contained within the Chicago police force. | 0:33:46 | 0:33:49 | |
The FBI is leading a nationwide manhunt. | 0:33:49 | 0:33:52 | |
All we care about, Superintendent, | 0:33:52 | 0:33:53 | |
is that you find the man responsible for Lee's murder. | 0:33:53 | 0:33:56 | |
An Ameritech cellphone tracking tower reported a signal at 1:30, | 0:34:15 | 0:34:18 | |
and another one at 3:00. | 0:34:18 | 0:34:20 | |
He's on the move. | 0:34:20 | 0:34:22 | |
Both the Philadelphia police and the FBI are closing in. | 0:34:22 | 0:34:25 | |
I hope they're ready. | 0:34:29 | 0:34:30 | |
I know what they're saying... | 0:34:34 | 0:34:36 | |
about me. | 0:34:36 | 0:34:38 | |
"Why hasn't she cried?" | 0:34:39 | 0:34:41 | |
"Where's the grief? The emotion?" | 0:34:41 | 0:34:44 | |
"She couldn't have loved him." | 0:34:44 | 0:34:46 | |
"How could a woman who cares so much about appearance | 0:34:46 | 0:34:49 | |
"appear not to care?" | 0:34:49 | 0:34:52 | |
Ah, people say all kind of... nasty things. | 0:34:52 | 0:34:55 | |
-Even at a time like this. -Especially at a time like this. | 0:34:55 | 0:34:58 | |
When you're weak. | 0:35:01 | 0:35:03 | |
When you're down. | 0:35:04 | 0:35:06 | |
How dare they say our marriage was a sham? | 0:35:10 | 0:35:13 | |
Lee and I... | 0:35:13 | 0:35:16 | |
shared our whole lives. | 0:35:16 | 0:35:19 | |
We...shared all kinds of adventures. | 0:35:20 | 0:35:24 | |
We rode in hot air balloons. | 0:35:24 | 0:35:27 | |
When I was lost in the desert... | 0:35:27 | 0:35:30 | |
..he rescued me. | 0:35:32 | 0:35:36 | |
How many couples can say they have that k-kind of romance? | 0:35:36 | 0:35:40 | |
HER VOICE BREAKS: I... | 0:35:40 | 0:35:41 | |
..loved him. | 0:35:43 | 0:35:45 | |
I loved him... | 0:35:49 | 0:35:52 | |
very much. | 0:35:52 | 0:35:53 | |
There. Is that better? | 0:36:04 | 0:36:08 | |
Am I a real wife now? | 0:36:09 | 0:36:11 | |
We had a fairy tale life. | 0:36:24 | 0:36:26 | |
We didn't even fight. | 0:36:31 | 0:36:34 | |
He didn't raise a finger. | 0:36:34 | 0:36:36 | |
But I will. | 0:36:43 | 0:36:44 | |
It was a robbery. | 0:36:52 | 0:36:54 | |
And a random killing. | 0:36:56 | 0:36:57 | |
Local radio, KYW News, is running a story | 0:37:08 | 0:37:11 | |
that Lee Miglin's car phone had been activated, | 0:37:11 | 0:37:13 | |
and we're tracking the signal. | 0:37:13 | 0:37:16 | |
HE SCREAMS | 0:37:19 | 0:37:20 | |
-RADIO: -..find out if that trend will continue through | 0:37:28 | 0:37:30 | |
the weekend. The forecast is coming up after the news. | 0:37:30 | 0:37:33 | |
An update on the Miglin murder. | 0:37:33 | 0:37:35 | |
We're hearing reports | 0:37:35 | 0:37:36 | |
that Lee Miglin's car phone was activated on Thursday, | 0:37:36 | 0:37:38 | |
which means authorities can now track the movements | 0:37:38 | 0:37:41 | |
of the stolen car. Nothing further has been confirmed. | 0:37:41 | 0:37:44 | |
Of course, we'll keep you up to date with the very latest. | 0:37:44 | 0:37:46 | |
After the break, we'll have a detailed account | 0:37:46 | 0:37:48 | |
on your weather through the weekend, | 0:37:48 | 0:37:50 | |
as well as further updates on traffic. | 0:37:50 | 0:37:54 | |
HORN BLARES | 0:37:55 | 0:37:56 | |
TYRES SQUEAL | 0:38:28 | 0:38:30 | |
MAN COUGHS | 0:40:06 | 0:40:07 | |
RADIO: # I told you I was leaving my job... # | 0:41:39 | 0:41:42 | |
Stay calm. No-one's going to get hurt. | 0:41:47 | 0:41:52 | |
I'm here to steal your truck. | 0:41:52 | 0:41:55 | |
Where are the keys? | 0:41:55 | 0:41:56 | |
Wait. Uh, leave them there. Leave them. | 0:41:56 | 0:42:00 | |
Get away from the desk. | 0:42:00 | 0:42:01 | |
Is...is there a downstairs? | 0:42:06 | 0:42:08 | |
Basement. | 0:42:08 | 0:42:10 | |
Can I lock you in there? | 0:42:10 | 0:42:13 | |
Door's got a lock. Yes, sir. | 0:42:13 | 0:42:15 | |
Get on your knees. | 0:42:26 | 0:42:28 | |
Sir... | 0:42:32 | 0:42:33 | |
if you're thinking of killing me, please hear this. | 0:42:33 | 0:42:37 | |
I'm a married man. | 0:42:37 | 0:42:39 | |
We have a son - Troy. | 0:42:39 | 0:42:41 | |
And, sir, I'd very much like to see them again. | 0:42:41 | 0:42:44 | |
And I'd be grateful if you'd let me... | 0:42:44 | 0:42:47 | |
GUNSHOT | 0:42:47 | 0:42:48 | |
ENGINE STARTS | 0:43:29 | 0:43:31 | |
We're live in five, four... | 0:43:44 | 0:43:47 | |
Marilyn, from your family here at the Home Shopping Channel, | 0:43:48 | 0:43:51 | |
may I extend our deepest condolences. | 0:43:51 | 0:43:55 | |
Thank you. | 0:43:55 | 0:43:57 | |
For those of you who don't know, | 0:43:57 | 0:43:59 | |
Marilyn's husband was brutally murdered | 0:43:59 | 0:44:02 | |
in a tragic act of random violence. | 0:44:02 | 0:44:04 | |
They killed my husband for a car. | 0:44:06 | 0:44:09 | |
Terrible. It's so terrible. | 0:44:09 | 0:44:12 | |
You have a few words that you'd like to say. | 0:44:13 | 0:44:16 | |
I...had to think long and hard before coming back to the show. | 0:44:20 | 0:44:27 | |
In the end, | 0:44:27 | 0:44:29 | |
I believe it's what my husband would have wanted. You see, | 0:44:29 | 0:44:33 | |
his name is on these bottles, too. | 0:44:33 | 0:44:36 | |
Miglin. | 0:44:39 | 0:44:41 | |
He was my legal counsel, my accountant, my best friend. | 0:44:41 | 0:44:44 | |
He... | 0:44:44 | 0:44:46 | |
..he believed in me. | 0:44:51 | 0:44:53 | |
How many husbands believe in their wives' dreams? | 0:44:54 | 0:44:59 | |
How many...treat us as partners? | 0:44:59 | 0:45:02 | |
As equals? | 0:45:02 | 0:45:04 | |
We... | 0:45:08 | 0:45:10 | |
We were a team... | 0:45:10 | 0:45:14 | |
for 38 years. | 0:45:14 | 0:45:17 | |
And I...miss him very much. | 0:45:17 | 0:45:21 | |
Are you able to go on? | 0:45:22 | 0:45:25 | |
When I first started selling my perfume on television... | 0:45:25 | 0:45:29 | |
..my friend Dorsey Connors, | 0:45:30 | 0:45:32 | |
who hosted her own television show, gave me a piece of advice. | 0:45:32 | 0:45:36 | |
And she said, | 0:45:36 | 0:45:38 | |
"Just think of the little red light | 0:45:38 | 0:45:41 | |
"as the man you love." | 0:45:41 | 0:45:43 |