House by the Lake The Assassination of Gianni Versace - American Crime Story


House by the Lake

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Transcript


LineFromTo

The name "Minneapolis" was formed by combining

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the Dakota Sioux word "mni" for "water" with the Greek word "polis" for "city".

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And so it's no surprise that water features prominently

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in the identity of this remarkable city,

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situated on the banks of the Mississippi River

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with no less than 13 lakes.

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This programme contains prolonged violent scenes,

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and some scenes which some viewers may find upsetting, from the start.

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I know I'm not the most senior or experienced, but...

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no-one has worked harder on this project.

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I'd like to be the one who presents.

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I promise I won't let you down.

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And thank you for this opportunity.

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Thank you so much.

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They said yes.

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They said yes!

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-Yes, they did.

-DOG BARKS

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They said yes.

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Hey. I'm so happy for you.

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Thanks.

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You know, about this weekend,

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we both said some things we regret.

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Can we put it behind us?

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Just be friends?

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I don't regret anything I said.

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Can we move on?

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Sure.

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I'm going to grab a shower.

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DOG WHINES

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DOG BARKS

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You're taking Prints for a walk?

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Yeah.

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What you doing, Prints?

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Hmm?

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What you doing?

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-You're not taking Prints for a walk?

-BUZZER

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Who's that?

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-Jeff.

-You guys are going out?

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-He's coming up.

-I'm working.

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It won't take long.

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-Could you get the door?

-BUZZER

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I don't have time for this.

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It'll give the two of you a chance to talk about me.

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What did you just say?

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When you bring him up, it'll give you a chance...

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to talk about me.

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-Hey.

-Hey.

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How's he?

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He asked me to marry him.

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Are you serious?

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Yep.

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Said I was the man of his dreams.

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His last chance of happiness.

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How'd you get out of it? LIFT PINGS

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Told him it was illegal for us to get married.

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He thinks you're the reason I said no.

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Thinks I'm in love with you.

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Did you tell him he's the reason you said no?

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He has no-one.

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He should ask himself why.

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He knows about us.

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No.

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No-one knows.

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Yeah.

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He has this feline intuition.

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LIFT PINGS

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You can't feel sorry for him.

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Why not? You do.

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Not any more.

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I never want to see him again.

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Well, then why'd you even come over?

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He took something from my apartment.

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Yeah?

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What'd he take?

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My gun.

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Prints, buddy.

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Hey. What's going on here?

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Andrew! Andrew!

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THUDS AND GRUNTS

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DOG BARKS

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No. No.

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No. No.

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No, no, it's-it's OK.

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It's OK.

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I promise, it's OK.

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HE SOBS

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It's all going to be OK.

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It's all going to be OK, I promise.

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It's OK.

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Arms up.

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Are you g...

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are you going to kill me?

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No.

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But you...

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you killed Jeff.

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You ki... you killed him.

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You killed Jeff.

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Why?

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I lost control.

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I love you.

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-No.

-Look, it's OK.

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-No.

-OK, I understand.

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-Call the police.

-Yes.

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-I understand. I understand.

-Call them.

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-Do it now!

-Yes, yes, yes. OK.

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Come on.

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Andrew?

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Did you call?

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I'll call them if you want me to.

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You haven't called.

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-I've been worrying.

-Give me the phone.

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About you.

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Give me the phone.

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What will happen to you?

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I'll tell them you had nothing to do with it.

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Andrew...

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But what are they going to believe?

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Give me the phone.

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This is your apartment.

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You brought Jeff up. You opened the door.

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-You let him in.

-Just give me the phone.

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I'll get 30 years.

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But you'll get ten.

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And...

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And I-I just... I can't, uh...

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I can't allow that to happen, David.

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-This wasn't your fault.

-911. What is your emergency?

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And I can't just allow

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you to go to jail.

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I-I can't allow this to...

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destroy your life.

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911. What is your emergency?

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I can't allow that.

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I can't.

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PHONE BEEPS

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When the police open the door,

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they'll see two suspects, not two victims.

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-I had nothing to do with this.

-They won't believe you.

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-You'll tell them.

-They won't listen to me.

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I'm not a killer.

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They hate us, David. They've always hated us.

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You're a fag.

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I need to-to call my dad.

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Need to ask him what to do.

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I need to talk to my dad.

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If you talk to your dad, he'll have to turn you in

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or he'll be committing a crime.

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He would never turn you in, you know that.

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You can't put him in that position.

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Andrew, I'm going to leave, OK?

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I'm going to leave.

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You can. You can.

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Once you've thought this through.

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I want to leave.

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Once you've thought it through.

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Were you going to leave me?

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No.

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You were going to leave me.

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Prints needs a walk.

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He'll shit everywhere.

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He'll-he'll start barking.

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People will knock on the door.

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You were just going to walk the dog?

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Yeah.

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DOG WHINES

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Come.

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Come. Good boy.

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Turn away.

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David.

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Come.

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I'll come with you.

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-Uh, y-you don't have to.

-You don't want me to come?

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If-if you're tired, you should s-stay.

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Do you want to walk him without me?

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-No. No.

-Yes.

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No, I... yes, I-I think...

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-I think you want to walk him without me.

-I-I...

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I thought you were tired.

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Do I seem tired?

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Let's walk the dog.

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LIFT PINGS

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Come.

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Morning, David.

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-Hi, Karen.

-Morning.

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DOG WHINES

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Oh, someone's not having fun on the elevator today.

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No.

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Guess not.

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Have a nice day, Karen.

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You, too.

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Are you going to hurt anyone else?

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No.

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I need you to promise me.

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I promise you...

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no-one else will get hurt, as long as you're by my side.

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Well, I was thinking,

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maybe I could pretend that I wasn't home last night.

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I went out, and...

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I'm returning for the first time.

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I didn't see anything.

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And when... when the police arrive,

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I'll tell them I don't know what happened.

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You'd be long gone.

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On my own?

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Let's go back.

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KNOCK AT DOOR

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David?

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DOG BARKS

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He would never miss work and not call. It would just never happen.

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DOG BARKS

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You want to be in here when they open that door?

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When they scream?

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David!

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I'll fetch the keys.

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DOG CONTINUES BARKING

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David?

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Oh, my God.

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You ready?

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Let's go.

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Hello? Who's there?

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Detectives Tichich and Jackson. Homicide.

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OK, I'll be right down to let you in.

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What do you make of that buzzer not opening that door?

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No. Yeah, it's annoying.

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I'm Detective Tichich.

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This is Detective Jackson.

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I'm Jennifer. I manage the building.

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I'm Linda. I work with David at John Ryan Architects.

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I opened the door, because we could hear the dog was distressed.

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David hadn't shown up for work, which is so unlike him.

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Where's the dog now?

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He's with me.

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I saw David's body.

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-This is David's apartment?

-Yes.

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-What can you tell us about him?

-He's a nice man.

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He's 33. He's a very successful architect.

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He's a great guy.

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-Does he have a girlfriend? A wife?

-No, he's gay.

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Can you two stay here? We're going to need a statement.

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Wasn't a robbery.

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Any sign of forced entry?

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No, sir.

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Wet and Wild. Silky Pleasures.

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Power Bottoms.

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The hell is this?

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It's a gay thing.

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-So, what are we talking about?

-Guy turns up.

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Maybe they know each other, probably they don't.

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They do what they do.

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All this... extreme stuff.

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It goes wrong.

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David ends up in a rug.

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The other guy runs.

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Doesn't steal a thing.

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Golden Sabre.

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Jacketed hollow-point flat base.

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.40-calibre.

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Where's the gun?

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Coroner's here.

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-Hey, Eric.

-How are you?

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Got a weird one for you.

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So I see.

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-Did they buzz you in?

-Sorry?

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The buzzer. Did you use it?

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Mm, no. Someone was leaving as I was arriving.

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Craziest thing, this guy has a buzzer that doesn't buzz you in.

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You have to walk down to the front door.

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-Is that so?

-Jackson doesn't think it's strange.

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Eh, it's definitely strange.

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One of the women want a word.

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David had a friend staying with him this weekend.

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A man named Andrew.

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-Do you remember his last name?

-"Cunanan" or something.

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-Can you describe him?

-Um, he was taller than David.

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He had black hair.

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He just said a lot that didn't sound right to me.

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-Such as?

-That he was a Jewish millionaire New Yorker,

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that his dad drove around in a Rolls-Royce,

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that he was building sets for the Titanic movie down in Mexico.

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-Black hair, you say?

-Yes.

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What colour is David's hair?

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-Blonde.

-Blonde?

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Blonde.

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I don't want to unroll the rug here, might lose valuable evidence.

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Much better to, uh, carry it whole back to the lab,

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unroll it there.

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Rob?

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Gentlemen, what colour would you say his hair is?

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It's black.

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David's hair is blonde. This isn't David.

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It's a man named Andrew Cunanan.

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So, what do you want to do?

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Means David is alive.

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Means we're in his apartment without a search warrant,

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and we entered the premises illegally.

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We've got no choice - we pull out.

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I'm not sure we need to leave.

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We come back with a search warrant.

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We do this by the book.

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We have a crime scene.

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I don't want my case falling apart in court.

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Let's go.

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What's going on?

0:27:100:27:12

Your friend David Madson isn't the victim.

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He's the killer.

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Come and get it.

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Here we go, son.

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Might be hot.

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Don't burn your lip. There we go.

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GUNSHOT

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That's it. Come on.

0:28:030:28:05

Hey, David, come on. Go.

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Got him good.

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David!

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David. David!

0:28:320:28:34

Hey.

0:28:340:28:35

We talked about this, remember?

0:28:350:28:38

I explained. OK?

0:28:380:28:40

Come on.

0:28:420:28:43

Are you mad at me?

0:28:570:28:59

No. Course not.

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Hunting isn't for everyone, that's all.

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And that's OK.

0:29:040:29:06

I enjoyed my coffee with you very much.

0:29:060:29:09

We can still go on hikes by the lake.

0:29:090:29:12

I don't want you to be sad.

0:29:150:29:17

I never want you to be sad.

0:29:170:29:18

TUNING IN RADIO

0:29:290:29:31

MUSIC: "Pump Up The Jam" by Technotronic

0:29:330:29:35

# Pump up the jam # Pump it up

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# Pump it up

0:29:420:29:43

# Pump up the jam, pump it up

0:29:430:29:46

# Pump it up, yo pump it

0:29:460:29:47

# Pump up the jam, pump it up...

0:29:470:29:50

# Pump it up

0:29:500:29:51

# Pump up the jam...

0:29:510:29:53

# I don't want a place to stay

0:29:530:29:55

# Get your booty on the floor tonight

0:29:550:29:58

# Make my day

0:29:580:29:59

# I don't want a place to stay

0:29:590:30:02

# Get your booty on the floor tonight

0:30:020:30:05

# Make my day

0:30:050:30:06

# Make my day

0:30:060:30:08

# Make my, make my, make

0:30:080:30:10

# Make, make my day #

0:30:100:30:11

I know a guy. In Chicago.

0:30:170:30:20

Very wealthy.

0:30:200:30:21

Lee Miglin. He's a property developer.

0:30:230:30:25

Maybe you've heard of him.

0:30:250:30:27

We've worked on a couple projects together.

0:30:300:30:32

He's a close friend.

0:30:320:30:34

He owes me.

0:30:360:30:37

He'll get us more than enough money to make it to Mexico.

0:30:390:30:42

You're worried about the border. Well, I...

0:30:460:30:48

I've been moving product across it for years.

0:30:480:30:51

It's not a problem. I know people.

0:30:510:30:53

It'll be a long drive,

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but as long as we stay under the speed limit,

0:30:570:31:00

change the plates...

0:31:000:31:02

we'll be OK.

0:31:020:31:03

You should really start thinking about your new life.

0:31:060:31:09

What you want to do with it.

0:31:110:31:14

My life?

0:31:140:31:15

I know you probably want to part ways once we get there.

0:31:190:31:23

I respect that.

0:31:230:31:25

But we make such a great team.

0:31:280:31:30

And the truth is we have no-one else.

0:31:340:31:36

LIFT PINGS

0:32:170:32:18

Well, David's dog, Prints, was on the leash.

0:32:450:32:48

Normally he'd let the dog run freely,

0:32:480:32:51

which was odd.

0:32:510:32:52

Other than that...

0:32:520:32:53

What was David's attitude towards this other man?

0:32:550:32:58

Did he seem angry? Aggressive?

0:32:580:33:01

Neither of them seemed angry.

0:33:010:33:03

They were, well, walking the dog.

0:33:030:33:05

PHONE RINGS

0:33:050:33:07

Tichich.

0:33:100:33:11

Tichich. Burton.

0:33:110:33:12

The victim is not David, and it's not Andrew.

0:33:120:33:15

It's someone named Jeffrey Trail.

0:33:150:33:16

She recognised me.

0:33:320:33:34

-Who?

-That woman.

0:33:350:33:37

It's impossible.

0:33:370:33:40

I'm telling you.

0:33:400:33:41

She can't have recognised you.

0:33:410:33:43

The way she looked at me.

0:33:430:33:44

There's been no news coverage.

0:33:440:33:46

Why would she look at me like that?

0:33:460:33:48

-Like what?

-Like she hated me.

0:33:480:33:50

-Let's go after her.

-What?

0:33:530:33:55

Let's run her off the road and ask her.

0:33:550:33:56

Why did she look at you like that?

0:33:560:33:58

-Andrew.

-Why did you look at my friend that way?

0:33:580:34:00

He's done nothing wrong.

0:34:000:34:01

-Stop.

-He's the nicest, kindest person I've ever met.

0:34:010:34:03

-What's your problem?

-Stop! OK?

0:34:030:34:05

You promised no-one else gets hurt.

0:34:050:34:07

You promised.

0:34:070:34:08

Whatever you say, David.

0:34:080:34:09

Mr Madson?

0:34:270:34:28

I'm so glad you decided to come with me.

0:34:300:34:32

I'm...

0:34:360:34:38

..playing over...

0:34:400:34:41

..everything the police are going to find out about me.

0:34:430:34:46

And I realise...

0:34:480:34:51

I've been doing this my whole life.

0:34:510:34:52

Playing over and over

0:34:550:34:57

the moment that people found out about me.

0:34:570:35:00

No parent wants to hear

0:35:000:35:02

that their child is involved in a crime.

0:35:020:35:05

David didn't do this.

0:35:050:35:07

People saw your son with this other man.

0:35:070:35:10

Andrew Cunanan.

0:35:100:35:12

They were calmly walking the dog

0:35:120:35:14

while back at his apartment was Jeffrey Trail,

0:35:140:35:16

skull smashed by 27 blows from a steel claw hammer.

0:35:160:35:21

That hammer belongs to your son.

0:35:210:35:23

Barron is a small town.

0:35:230:35:25

Everyone will talk.

0:35:270:35:28

"Did you hear? That boy is a suspect.

0:35:300:35:33

"There was always something about him, that...

0:35:330:35:36

"..boy."

0:35:370:35:39

How are they going to live there now?

0:35:420:35:44

My parents.

0:35:460:35:48

With all that talk,

0:35:490:35:51

who's going to buy from my dad's shop?

0:35:510:35:53

I don't know this man, Andrew.

0:35:530:35:55

His friends in San Diego describe him as

0:35:550:35:58

reliable, intelligent.

0:35:580:36:00

"Generous" is a word they use.

0:36:010:36:03

I know my son.

0:36:030:36:05

We know him.

0:36:050:36:07

I'm telling you - we're telling you -

0:36:070:36:09

he didn't do this.

0:36:090:36:11

I can say with certainty

0:36:140:36:16

there's a great deal you don't know about your son.

0:36:160:36:18

Was I really afraid...

0:36:200:36:23

when I got in this car with you, that you were going to kill me?

0:36:230:36:26

I told you I could never hurt you.

0:36:280:36:30

Know that.

0:36:330:36:35

Or was I afraid of the disgrace?

0:36:350:36:37

The shame of it all.

0:36:400:36:42

Is that what I'm running from?

0:36:440:36:45

APPLAUSE

0:37:080:37:10

Thank you.

0:37:120:37:13

GUITAR MUSIC PLAYS

0:37:190:37:22

You should really eat something.

0:37:290:37:30

It'll make you feel better.

0:37:320:37:34

Where are you going?

0:37:380:37:41

Just to the bathroom.

0:37:410:37:42

# Who's gonna tell you when it's too late?

0:37:420:37:48

# Who's gonna tell you things aren't so great?

0:37:530:38:00

MUTED MUSIC CONTINUES

0:38:030:38:05

TRAFFIC NOISE

0:38:230:38:25

# Who's gonna hang it up when you call?

0:38:370:38:44

# You can't go on

0:38:480:38:52

# Thinking nothing's wrong, oh

0:38:520:38:58

# Who's gonna drive you home tonight?

0:38:580:39:04

# Who's gonna hold you down when you shake?

0:39:320:39:39

# Who's gonna come around when you break?

0:39:430:39:50

# You can't go on thinking nothing's wrong

0:39:540:40:02

# Who's gonna drive you home tonight?

0:40:050:40:11

# Ohhh, you know you can't go on

0:40:110:40:16

# Thinking nothing's wrong, oh

0:40:160:40:23

# Who's gonna drive you home tonight? #

0:40:230:40:29

"University of Minnesota Duluth,

0:40:340:40:37

"President's Award, for the architecture student

0:40:370:40:39

with the most outstanding thesis."

0:40:390:40:41

-Top of the class.

-Wow.

0:40:430:40:46

Really is something.

0:40:460:40:48

But you did the work. You always have.

0:40:480:40:51

You put in the hours.

0:40:510:40:53

You deserve this.

0:40:530:40:55

Dad, I'm gay.

0:40:550:40:56

You mind if I take a moment?

0:41:060:41:09

I don't want to say the wrong thing.

0:41:090:41:11

I won't lie...

0:41:180:41:20

..and say that it doesn't make a difference.

0:41:210:41:23

You know what I believe.

0:41:230:41:25

And maybe this isn't what you wanted to hear.

0:41:270:41:29

Maybe you wanted to be told I don't have a problem with it.

0:41:310:41:33

I can't say that.

0:41:350:41:36

But what I can say

0:41:380:41:40

is I love you more than I love my own life.

0:41:400:41:42

Don't cry.

0:41:470:41:49

There's no need for that.

0:41:490:41:50

I do have a question.

0:41:520:41:54

You waited until you won this award... to tell me?

0:41:540:41:58

Good news,

0:42:010:42:03

bad news.

0:42:030:42:04

David.

0:43:160:43:17

You're not wearing any shoes.

0:43:230:43:25

Remember where we met?

0:43:400:43:42

-Market Street.

-San Francisco.

0:43:470:43:49

It was a year and a half ago.

0:43:510:43:53

You were wearing expensive tailored clothes

0:43:530:43:55

and drinking vintage wine.

0:43:550:43:57

You were alone at the bar.

0:43:570:44:00

You were surrounded by your high society friends.

0:44:000:44:02

I sent you a drink.

0:44:050:44:07

I thought to myself, "Who does that?

0:44:070:44:09

"In real life, who sends a stranger a drink?"

0:44:090:44:12

Well, you looked lonely.

0:44:120:44:14

I was lonely.

0:44:140:44:15

Well, that's why I invited you to join our table.

0:44:170:44:20

You had everyone laughing.

0:44:200:44:21

Your friends, the waiters.

0:44:210:44:24

I thought, "I want to be like him -

0:44:240:44:27

"rich, sophisticated, erudite."

0:44:270:44:31

That's the kind of word you'd use, isn't it?

0:44:310:44:33

I mean, you were throwing money around like it didn't matter.

0:44:330:44:36

I was hoping you'd invite me back to your room.

0:44:360:44:39

But I figured, what's this man going to see in me?

0:44:390:44:42

Small-town boy.

0:44:420:44:44

I couldn't wait to invite you.

0:44:440:44:47

My God, the Mandarin Oriental.

0:44:470:44:50

1,000 a night.

0:44:500:44:51

That hotel...

0:44:510:44:53

Well, we had a bay suite.

0:44:530:44:55

You told me you'd changed rooms three times

0:44:550:44:57

because you didn't like the view!

0:44:570:44:59

HE LAUGHS

0:44:590:45:00

You wanted to see the Golden Gate Bridge.

0:45:000:45:02

Uh-huh.

0:45:020:45:03

-Best night of my life.

-Oh, I never told you this,

0:45:050:45:08

but I took my pair of white slippers home.

0:45:080:45:11

I felt so cheap.

0:45:120:45:14

They were only supposed to be worn once,

0:45:140:45:16

and anyone who belonged in a room like that

0:45:160:45:18

would never take them.

0:45:180:45:19

I remember thinking,

0:45:190:45:21

"How hard do I have to work to live like him, like Andrew?

0:45:210:45:26

"Cos I'll do it."

0:45:260:45:27

Except it was all a lie.

0:45:310:45:33

You've never worked for anything.

0:45:340:45:36

It was an act.

0:45:380:45:40

What's wrong with you?

0:45:450:45:47

Is that why you killed Jeff?

0:45:470:45:49

You loved him.

0:45:510:45:53

It was so obvious.

0:45:530:45:55

But he figured you out in the end, didn't he?

0:45:570:45:59

Took him a few years, but he finally saw the real you.

0:45:590:46:03

And you killed him for it.

0:46:040:46:06

You think that night in San Francisco was great?

0:46:080:46:11

You just wait till we get to Mexico.

0:46:110:46:13

I can make way more money there than I ever could here.

0:46:130:46:16

And there's a Mandarin Oriental down there.

0:46:160:46:18

We can stay there for more than a night -

0:46:180:46:20

for a week, for-for a month, however long we want,

0:46:200:46:22

with the best room.

0:46:220:46:23

Patio terrace, ocean view.

0:46:230:46:26

We can tell the cute little Mexican waiters

0:46:260:46:28

that we're movie stars from LA.

0:46:280:46:31

You can't do it, can you?

0:46:310:46:33

I can't what?

0:46:360:46:38

Stop.

0:46:380:46:39

Why did you ask me to open the door?

0:46:550:46:58

-What?

-Why did you send me down to bring Jeff up?

0:46:580:47:02

I don't want to talk about it.

0:47:080:47:09

You knew you were going to kill him. You knew.

0:47:090:47:11

And you wanted me to be there.

0:47:110:47:13

You wanted me to see. You wanted me to be a part of it.

0:47:140:47:17

You planned it, didn't you?

0:47:180:47:20

You didn't lose control. You planned it.

0:47:200:47:23

I don't want to talk about it.

0:47:230:47:24

All weekend, while we were eating and drinking and dancing,

0:47:240:47:27

is that what you were thinking about?

0:47:270:47:28

-I don't want to talk about it, David.

-What?

0:47:280:47:31

Are we outlaws?

0:47:310:47:32

On the run, together, you and me.

0:47:320:47:34

-Is that it?

-I don't want to talk about this, David!

0:47:340:47:36

I'm nothing like you!

0:47:360:47:38

I don't want to talk about it.

0:47:380:47:41

Stop the car!

0:47:420:47:44

TYRES SCREECH

0:47:440:47:47

Stop the car!

0:47:470:47:48

Hey... Why are you always talking about the past?!

0:47:500:47:53

-We had a plan! We had a future!

-Hey. Andrew...

0:47:530:47:56

We had... a future, David.

0:47:560:47:59

We had a plan. There was a plan.

0:48:090:48:12

We had a plan, David.

0:48:120:48:14

We still have a plan.

0:48:140:48:15

Andrew.

0:48:200:48:21

Andrew, we still have a plan.

0:48:250:48:28

No. No, we don't. You don't get it. We don't.

0:48:280:48:31

We do. Yes, yes.

0:48:310:48:33

Tell me! Convince me!

0:48:330:48:34

Uh, first, we'll-we'll go and visit your friend

0:48:340:48:37

in-in Chicago.

0:48:370:48:38

Uh, Lee. Um, Miglin.

0:48:380:48:41

L-Lee Miglin, the-the property developer.

0:48:410:48:43

And he'll give us some money.

0:48:430:48:46

And then we'll... we'll drive.

0:48:460:48:48

Across the country. It'll be an adventure.

0:48:480:48:51

We'll find work

0:48:510:48:53

and a place to live.

0:48:530:48:55

You don't believe that.

0:48:550:48:57

-Yes, I do.

-No, you don't.

0:48:570:48:59

I can see it clearly.

0:48:590:49:01

The place where we'll live.

0:49:010:49:03

It's... next to the sea.

0:49:030:49:06

And-and we'll learn Spanish.

0:49:060:49:08

You're so smart, you'll be speaking it fluently in no time.

0:49:080:49:12

I'll be struggling, but you'll help me learn.

0:49:120:49:15

You've always helped me.

0:49:170:49:18

We'll be happy?

0:49:190:49:21

Y-Yes, we'll-we'll be happy.

0:49:210:49:25

It could've been true.

0:49:280:49:30

Andrew.

0:49:310:49:32

Listen to me.

0:49:350:49:36

It's over.

0:49:410:49:42

We need to go to the police.

0:49:450:49:47

This has to stop.

0:49:490:49:51

Why couldn't you run away with me?

0:49:550:49:57

If it had been Jeff,

0:49:590:50:00

you would've run away with him, but not me.

0:50:000:50:03

You'd rather go to prison.

0:50:030:50:05

It's not real.

0:50:050:50:07

It could have been.

0:50:090:50:11

No.

0:50:110:50:13

It couldn't.

0:50:130:50:15

GUNSHOT

0:51:540:51:56

GUNSHOT

0:52:380:52:39

ENGINE STARTS

0:54:020:54:04

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