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The name "Minneapolis" was formed by combining | 0:00:02 | 0:00:03 | |
the Dakota Sioux word "mni" for "water" with the Greek word "polis" for "city". | 0:00:03 | 0:00:07 | |
And so it's no surprise that water features prominently | 0:00:07 | 0:00:10 | |
in the identity of this remarkable city, | 0:00:10 | 0:00:12 | |
situated on the banks of the Mississippi River | 0:00:12 | 0:00:14 | |
with no less than 13 lakes. | 0:00:14 | 0:00:17 | |
This programme contains prolonged violent scenes, | 0:00:18 | 0:00:22 | |
and some scenes which some viewers may find upsetting, from the start. | 0:00:22 | 0:00:26 | |
I know I'm not the most senior or experienced, but... | 0:00:26 | 0:00:29 | |
no-one has worked harder on this project. | 0:00:29 | 0:00:31 | |
I'd like to be the one who presents. | 0:00:31 | 0:00:33 | |
I promise I won't let you down. | 0:00:37 | 0:00:40 | |
And thank you for this opportunity. | 0:00:40 | 0:00:43 | |
Thank you so much. | 0:00:43 | 0:00:45 | |
They said yes. | 0:00:47 | 0:00:50 | |
They said yes! | 0:00:50 | 0:00:52 | |
-Yes, they did. -DOG BARKS | 0:00:52 | 0:00:54 | |
They said yes. | 0:00:54 | 0:00:56 | |
Hey. I'm so happy for you. | 0:00:56 | 0:00:58 | |
Thanks. | 0:01:00 | 0:01:01 | |
You know, about this weekend, | 0:01:03 | 0:01:05 | |
we both said some things we regret. | 0:01:05 | 0:01:07 | |
Can we put it behind us? | 0:01:07 | 0:01:09 | |
Just be friends? | 0:01:09 | 0:01:11 | |
I don't regret anything I said. | 0:01:11 | 0:01:13 | |
Can we move on? | 0:01:13 | 0:01:16 | |
Sure. | 0:01:16 | 0:01:17 | |
I'm going to grab a shower. | 0:01:20 | 0:01:22 | |
DOG WHINES | 0:01:22 | 0:01:24 | |
DOG BARKS | 0:01:59 | 0:02:00 | |
You're taking Prints for a walk? | 0:02:03 | 0:02:04 | |
Yeah. | 0:02:04 | 0:02:06 | |
What you doing, Prints? | 0:02:26 | 0:02:27 | |
Hmm? | 0:02:27 | 0:02:29 | |
What you doing? | 0:02:29 | 0:02:31 | |
-You're not taking Prints for a walk? -BUZZER | 0:02:33 | 0:02:35 | |
Who's that? | 0:02:35 | 0:02:37 | |
-Jeff. -You guys are going out? | 0:02:37 | 0:02:40 | |
-He's coming up. -I'm working. | 0:02:40 | 0:02:42 | |
It won't take long. | 0:02:44 | 0:02:46 | |
-Could you get the door? -BUZZER | 0:02:50 | 0:02:52 | |
I don't have time for this. | 0:02:52 | 0:02:53 | |
It'll give the two of you a chance to talk about me. | 0:02:55 | 0:02:57 | |
What did you just say? | 0:02:59 | 0:03:00 | |
When you bring him up, it'll give you a chance... | 0:03:00 | 0:03:03 | |
to talk about me. | 0:03:03 | 0:03:04 | |
-Hey. -Hey. | 0:03:17 | 0:03:20 | |
How's he? | 0:03:20 | 0:03:22 | |
He asked me to marry him. | 0:03:22 | 0:03:24 | |
Are you serious? | 0:03:24 | 0:03:25 | |
Yep. | 0:03:25 | 0:03:27 | |
Said I was the man of his dreams. | 0:03:27 | 0:03:29 | |
His last chance of happiness. | 0:03:29 | 0:03:32 | |
How'd you get out of it? LIFT PINGS | 0:03:32 | 0:03:34 | |
Told him it was illegal for us to get married. | 0:03:34 | 0:03:37 | |
He thinks you're the reason I said no. | 0:03:43 | 0:03:46 | |
Thinks I'm in love with you. | 0:03:46 | 0:03:48 | |
Did you tell him he's the reason you said no? | 0:03:48 | 0:03:52 | |
He has no-one. | 0:03:52 | 0:03:53 | |
He should ask himself why. | 0:03:53 | 0:03:55 | |
He knows about us. | 0:03:55 | 0:03:57 | |
No. | 0:03:59 | 0:04:01 | |
No-one knows. | 0:04:01 | 0:04:02 | |
Yeah. | 0:04:02 | 0:04:04 | |
He has this feline intuition. | 0:04:04 | 0:04:06 | |
LIFT PINGS | 0:04:07 | 0:04:08 | |
You can't feel sorry for him. | 0:04:10 | 0:04:13 | |
Why not? You do. | 0:04:13 | 0:04:14 | |
Not any more. | 0:04:14 | 0:04:16 | |
I never want to see him again. | 0:04:16 | 0:04:18 | |
Well, then why'd you even come over? | 0:04:18 | 0:04:20 | |
He took something from my apartment. | 0:04:20 | 0:04:22 | |
Yeah? | 0:04:22 | 0:04:23 | |
What'd he take? | 0:04:23 | 0:04:24 | |
My gun. | 0:04:24 | 0:04:25 | |
Prints, buddy. | 0:04:32 | 0:04:34 | |
Hey. What's going on here? | 0:04:34 | 0:04:36 | |
Andrew! Andrew! | 0:04:36 | 0:04:39 | |
THUDS AND GRUNTS | 0:04:43 | 0:04:45 | |
DOG BARKS | 0:04:45 | 0:04:47 | |
No. No. | 0:05:26 | 0:05:28 | |
No. No. | 0:05:28 | 0:05:29 | |
No, no, it's-it's OK. | 0:05:37 | 0:05:40 | |
It's OK. | 0:05:41 | 0:05:42 | |
I promise, it's OK. | 0:05:43 | 0:05:45 | |
HE SOBS | 0:05:45 | 0:05:47 | |
It's all going to be OK. | 0:05:47 | 0:05:49 | |
It's all going to be OK, I promise. | 0:05:49 | 0:05:52 | |
It's OK. | 0:05:54 | 0:05:55 | |
Arms up. | 0:06:28 | 0:06:30 | |
Are you g... | 0:07:57 | 0:07:58 | |
are you going to kill me? | 0:07:58 | 0:08:01 | |
No. | 0:08:01 | 0:08:03 | |
But you... | 0:08:03 | 0:08:05 | |
you killed Jeff. | 0:08:05 | 0:08:08 | |
You ki... you killed him. | 0:08:09 | 0:08:13 | |
You killed Jeff. | 0:08:13 | 0:08:15 | |
Why? | 0:08:16 | 0:08:18 | |
I lost control. | 0:08:20 | 0:08:22 | |
I love you. | 0:08:24 | 0:08:25 | |
-No. -Look, it's OK. | 0:08:25 | 0:08:28 | |
-No. -OK, I understand. | 0:08:28 | 0:08:30 | |
-Call the police. -Yes. | 0:08:30 | 0:08:32 | |
-I understand. I understand. -Call them. | 0:08:32 | 0:08:34 | |
-Do it now! -Yes, yes, yes. OK. | 0:08:34 | 0:08:37 | |
Come on. | 0:08:57 | 0:08:58 | |
Andrew? | 0:09:38 | 0:09:40 | |
Did you call? | 0:09:50 | 0:09:51 | |
I'll call them if you want me to. | 0:09:54 | 0:09:56 | |
You haven't called. | 0:09:58 | 0:10:00 | |
-I've been worrying. -Give me the phone. | 0:10:02 | 0:10:04 | |
About you. | 0:10:04 | 0:10:05 | |
Give me the phone. | 0:10:09 | 0:10:10 | |
What will happen to you? | 0:10:10 | 0:10:12 | |
I'll tell them you had nothing to do with it. | 0:10:12 | 0:10:14 | |
Andrew... | 0:10:14 | 0:10:16 | |
But what are they going to believe? | 0:10:16 | 0:10:18 | |
Give me the phone. | 0:10:18 | 0:10:20 | |
This is your apartment. | 0:10:20 | 0:10:22 | |
You brought Jeff up. You opened the door. | 0:10:22 | 0:10:24 | |
-You let him in. -Just give me the phone. | 0:10:24 | 0:10:26 | |
I'll get 30 years. | 0:10:56 | 0:10:57 | |
But you'll get ten. | 0:10:58 | 0:11:00 | |
And... | 0:11:01 | 0:11:02 | |
And I-I just... I can't, uh... | 0:11:03 | 0:11:06 | |
I can't allow that to happen, David. | 0:11:06 | 0:11:08 | |
-This wasn't your fault. -911. What is your emergency? | 0:11:08 | 0:11:10 | |
And I can't just allow | 0:11:10 | 0:11:13 | |
you to go to jail. | 0:11:13 | 0:11:14 | |
I-I can't allow this to... | 0:11:14 | 0:11:17 | |
destroy your life. | 0:11:17 | 0:11:18 | |
911. What is your emergency? | 0:11:18 | 0:11:20 | |
I can't allow that. | 0:11:20 | 0:11:21 | |
I can't. | 0:11:21 | 0:11:23 | |
PHONE BEEPS | 0:11:26 | 0:11:28 | |
When the police open the door, | 0:12:40 | 0:12:41 | |
they'll see two suspects, not two victims. | 0:12:41 | 0:12:44 | |
-I had nothing to do with this. -They won't believe you. | 0:12:44 | 0:12:46 | |
-You'll tell them. -They won't listen to me. | 0:12:46 | 0:12:49 | |
I'm not a killer. | 0:12:50 | 0:12:51 | |
They hate us, David. They've always hated us. | 0:12:51 | 0:12:53 | |
You're a fag. | 0:12:53 | 0:12:54 | |
I need to-to call my dad. | 0:13:00 | 0:13:03 | |
Need to ask him what to do. | 0:13:03 | 0:13:06 | |
I need to talk to my dad. | 0:13:06 | 0:13:10 | |
If you talk to your dad, he'll have to turn you in | 0:13:10 | 0:13:13 | |
or he'll be committing a crime. | 0:13:13 | 0:13:16 | |
He would never turn you in, you know that. | 0:13:18 | 0:13:20 | |
You can't put him in that position. | 0:13:20 | 0:13:23 | |
Andrew, I'm going to leave, OK? | 0:13:23 | 0:13:26 | |
I'm going to leave. | 0:13:26 | 0:13:28 | |
You can. You can. | 0:13:28 | 0:13:31 | |
Once you've thought this through. | 0:13:31 | 0:13:33 | |
I want to leave. | 0:13:35 | 0:13:37 | |
Once you've thought it through. | 0:13:37 | 0:13:38 | |
Were you going to leave me? | 0:14:16 | 0:14:18 | |
No. | 0:14:18 | 0:14:20 | |
You were going to leave me. | 0:14:20 | 0:14:22 | |
Prints needs a walk. | 0:14:22 | 0:14:23 | |
He'll shit everywhere. | 0:14:23 | 0:14:25 | |
He'll-he'll start barking. | 0:14:25 | 0:14:27 | |
People will knock on the door. | 0:14:27 | 0:14:28 | |
You were just going to walk the dog? | 0:14:34 | 0:14:36 | |
Yeah. | 0:14:37 | 0:14:39 | |
DOG WHINES | 0:14:52 | 0:14:54 | |
Come. | 0:14:58 | 0:14:59 | |
Come. Good boy. | 0:14:59 | 0:15:01 | |
Turn away. | 0:15:40 | 0:15:42 | |
David. | 0:16:31 | 0:16:33 | |
Come. | 0:17:55 | 0:17:56 | |
I'll come with you. | 0:17:59 | 0:18:01 | |
-Uh, y-you don't have to. -You don't want me to come? | 0:18:04 | 0:18:06 | |
If-if you're tired, you should s-stay. | 0:18:06 | 0:18:10 | |
Do you want to walk him without me? | 0:18:10 | 0:18:13 | |
-No. No. -Yes. | 0:18:13 | 0:18:15 | |
No, I... yes, I-I think... | 0:18:15 | 0:18:16 | |
-I think you want to walk him without me. -I-I... | 0:18:16 | 0:18:18 | |
I thought you were tired. | 0:18:18 | 0:18:20 | |
Do I seem tired? | 0:18:20 | 0:18:22 | |
Let's walk the dog. | 0:18:23 | 0:18:25 | |
LIFT PINGS | 0:18:27 | 0:18:28 | |
Come. | 0:18:30 | 0:18:31 | |
Morning, David. | 0:18:42 | 0:18:44 | |
-Hi, Karen. -Morning. | 0:18:44 | 0:18:46 | |
DOG WHINES | 0:18:56 | 0:18:57 | |
Oh, someone's not having fun on the elevator today. | 0:18:57 | 0:19:00 | |
No. | 0:19:00 | 0:19:02 | |
Guess not. | 0:19:02 | 0:19:03 | |
Have a nice day, Karen. | 0:19:07 | 0:19:08 | |
You, too. | 0:19:08 | 0:19:10 | |
Are you going to hurt anyone else? | 0:19:14 | 0:19:17 | |
No. | 0:19:17 | 0:19:18 | |
I need you to promise me. | 0:19:18 | 0:19:20 | |
I promise you... | 0:19:20 | 0:19:22 | |
no-one else will get hurt, as long as you're by my side. | 0:19:22 | 0:19:26 | |
Well, I was thinking, | 0:19:36 | 0:19:37 | |
maybe I could pretend that I wasn't home last night. | 0:19:37 | 0:19:40 | |
I went out, and... | 0:19:40 | 0:19:42 | |
I'm returning for the first time. | 0:19:42 | 0:19:44 | |
I didn't see anything. | 0:19:44 | 0:19:46 | |
And when... when the police arrive, | 0:19:46 | 0:19:48 | |
I'll tell them I don't know what happened. | 0:19:48 | 0:19:51 | |
You'd be long gone. | 0:19:53 | 0:19:55 | |
On my own? | 0:19:56 | 0:19:57 | |
Let's go back. | 0:20:05 | 0:20:07 | |
KNOCK AT DOOR | 0:20:19 | 0:20:20 | |
David? | 0:20:20 | 0:20:22 | |
DOG BARKS | 0:20:22 | 0:20:23 | |
He would never miss work and not call. It would just never happen. | 0:20:26 | 0:20:30 | |
DOG BARKS | 0:20:30 | 0:20:31 | |
You want to be in here when they open that door? | 0:20:33 | 0:20:36 | |
When they scream? | 0:20:37 | 0:20:39 | |
David! | 0:20:39 | 0:20:40 | |
I'll fetch the keys. | 0:20:44 | 0:20:46 | |
DOG CONTINUES BARKING | 0:20:49 | 0:20:52 | |
David? | 0:21:17 | 0:21:18 | |
Oh, my God. | 0:21:45 | 0:21:47 | |
You ready? | 0:21:55 | 0:21:57 | |
Let's go. | 0:21:58 | 0:22:00 | |
Hello? Who's there? | 0:22:20 | 0:22:21 | |
Detectives Tichich and Jackson. Homicide. | 0:22:21 | 0:22:24 | |
OK, I'll be right down to let you in. | 0:22:24 | 0:22:27 | |
What do you make of that buzzer not opening that door? | 0:22:27 | 0:22:31 | |
No. Yeah, it's annoying. | 0:22:31 | 0:22:34 | |
I'm Detective Tichich. | 0:22:44 | 0:22:46 | |
This is Detective Jackson. | 0:22:46 | 0:22:47 | |
I'm Jennifer. I manage the building. | 0:22:47 | 0:22:50 | |
I'm Linda. I work with David at John Ryan Architects. | 0:22:50 | 0:22:52 | |
I opened the door, because we could hear the dog was distressed. | 0:22:52 | 0:22:55 | |
David hadn't shown up for work, which is so unlike him. | 0:22:55 | 0:22:57 | |
Where's the dog now? | 0:22:57 | 0:22:59 | |
He's with me. | 0:22:59 | 0:23:00 | |
I saw David's body. | 0:23:00 | 0:23:02 | |
-This is David's apartment? -Yes. | 0:23:02 | 0:23:04 | |
-What can you tell us about him? -He's a nice man. | 0:23:04 | 0:23:06 | |
He's 33. He's a very successful architect. | 0:23:06 | 0:23:08 | |
He's a great guy. | 0:23:08 | 0:23:09 | |
-Does he have a girlfriend? A wife? -No, he's gay. | 0:23:09 | 0:23:12 | |
Can you two stay here? We're going to need a statement. | 0:23:12 | 0:23:15 | |
Wasn't a robbery. | 0:23:52 | 0:23:53 | |
Any sign of forced entry? | 0:23:56 | 0:23:58 | |
No, sir. | 0:23:58 | 0:24:00 | |
Wet and Wild. Silky Pleasures. | 0:24:24 | 0:24:27 | |
Power Bottoms. | 0:24:27 | 0:24:28 | |
The hell is this? | 0:24:28 | 0:24:30 | |
It's a gay thing. | 0:24:30 | 0:24:31 | |
-So, what are we talking about? -Guy turns up. | 0:24:31 | 0:24:33 | |
Maybe they know each other, probably they don't. | 0:24:33 | 0:24:36 | |
They do what they do. | 0:24:36 | 0:24:38 | |
All this... extreme stuff. | 0:24:38 | 0:24:41 | |
It goes wrong. | 0:24:41 | 0:24:42 | |
David ends up in a rug. | 0:24:42 | 0:24:44 | |
The other guy runs. | 0:24:44 | 0:24:47 | |
Doesn't steal a thing. | 0:24:47 | 0:24:49 | |
Golden Sabre. | 0:24:49 | 0:24:51 | |
Jacketed hollow-point flat base. | 0:24:51 | 0:24:53 | |
.40-calibre. | 0:24:53 | 0:24:55 | |
Where's the gun? | 0:24:55 | 0:24:56 | |
Coroner's here. | 0:24:56 | 0:24:58 | |
-Hey, Eric. -How are you? | 0:24:58 | 0:25:00 | |
Got a weird one for you. | 0:25:01 | 0:25:02 | |
So I see. | 0:25:02 | 0:25:04 | |
-Did they buzz you in? -Sorry? | 0:25:04 | 0:25:06 | |
The buzzer. Did you use it? | 0:25:06 | 0:25:09 | |
Mm, no. Someone was leaving as I was arriving. | 0:25:09 | 0:25:12 | |
Craziest thing, this guy has a buzzer that doesn't buzz you in. | 0:25:12 | 0:25:16 | |
You have to walk down to the front door. | 0:25:16 | 0:25:18 | |
-Is that so? -Jackson doesn't think it's strange. | 0:25:18 | 0:25:20 | |
Eh, it's definitely strange. | 0:25:20 | 0:25:23 | |
One of the women want a word. | 0:25:23 | 0:25:25 | |
David had a friend staying with him this weekend. | 0:25:28 | 0:25:30 | |
A man named Andrew. | 0:25:30 | 0:25:32 | |
-Do you remember his last name? -"Cunanan" or something. | 0:25:32 | 0:25:35 | |
-Can you describe him? -Um, he was taller than David. | 0:25:35 | 0:25:37 | |
He had black hair. | 0:25:37 | 0:25:39 | |
He just said a lot that didn't sound right to me. | 0:25:39 | 0:25:41 | |
-Such as? -That he was a Jewish millionaire New Yorker, | 0:25:41 | 0:25:44 | |
that his dad drove around in a Rolls-Royce, | 0:25:44 | 0:25:46 | |
that he was building sets for the Titanic movie down in Mexico. | 0:25:46 | 0:25:50 | |
-Black hair, you say? -Yes. | 0:25:50 | 0:25:52 | |
What colour is David's hair? | 0:25:52 | 0:25:54 | |
-Blonde. -Blonde? | 0:25:54 | 0:25:55 | |
Blonde. | 0:25:55 | 0:25:57 | |
I don't want to unroll the rug here, might lose valuable evidence. | 0:26:02 | 0:26:06 | |
Much better to, uh, carry it whole back to the lab, | 0:26:06 | 0:26:10 | |
unroll it there. | 0:26:10 | 0:26:12 | |
Rob? | 0:26:20 | 0:26:21 | |
Gentlemen, what colour would you say his hair is? | 0:26:21 | 0:26:24 | |
It's black. | 0:26:28 | 0:26:30 | |
David's hair is blonde. This isn't David. | 0:26:30 | 0:26:32 | |
It's a man named Andrew Cunanan. | 0:26:32 | 0:26:34 | |
So, what do you want to do? | 0:26:37 | 0:26:39 | |
Means David is alive. | 0:26:40 | 0:26:42 | |
Means we're in his apartment without a search warrant, | 0:26:42 | 0:26:45 | |
and we entered the premises illegally. | 0:26:45 | 0:26:47 | |
We've got no choice - we pull out. | 0:26:47 | 0:26:50 | |
I'm not sure we need to leave. | 0:26:50 | 0:26:51 | |
We come back with a search warrant. | 0:26:51 | 0:26:53 | |
We do this by the book. | 0:26:53 | 0:26:54 | |
We have a crime scene. | 0:26:54 | 0:26:55 | |
I don't want my case falling apart in court. | 0:26:55 | 0:26:58 | |
Let's go. | 0:26:59 | 0:27:00 | |
What's going on? | 0:27:10 | 0:27:12 | |
Your friend David Madson isn't the victim. | 0:27:12 | 0:27:14 | |
He's the killer. | 0:27:14 | 0:27:15 | |
Come and get it. | 0:27:44 | 0:27:46 | |
Here we go, son. | 0:27:46 | 0:27:48 | |
Might be hot. | 0:27:48 | 0:27:49 | |
Don't burn your lip. There we go. | 0:27:49 | 0:27:51 | |
GUNSHOT | 0:28:02 | 0:28:03 | |
That's it. Come on. | 0:28:03 | 0:28:05 | |
Hey, David, come on. Go. | 0:28:05 | 0:28:06 | |
Got him good. | 0:28:26 | 0:28:27 | |
David! | 0:28:30 | 0:28:32 | |
David. David! | 0:28:32 | 0:28:34 | |
Hey. | 0:28:34 | 0:28:35 | |
We talked about this, remember? | 0:28:35 | 0:28:38 | |
I explained. OK? | 0:28:38 | 0:28:40 | |
Come on. | 0:28:42 | 0:28:43 | |
Are you mad at me? | 0:28:57 | 0:28:59 | |
No. Course not. | 0:28:59 | 0:29:02 | |
Hunting isn't for everyone, that's all. | 0:29:02 | 0:29:04 | |
And that's OK. | 0:29:04 | 0:29:06 | |
I enjoyed my coffee with you very much. | 0:29:06 | 0:29:09 | |
We can still go on hikes by the lake. | 0:29:09 | 0:29:12 | |
I don't want you to be sad. | 0:29:15 | 0:29:17 | |
I never want you to be sad. | 0:29:17 | 0:29:18 | |
TUNING IN RADIO | 0:29:29 | 0:29:31 | |
MUSIC: "Pump Up The Jam" by Technotronic | 0:29:33 | 0:29:35 | |
# Pump up the jam # Pump it up | 0:29:40 | 0:29:42 | |
# Pump it up | 0:29:42 | 0:29:43 | |
# Pump up the jam, pump it up | 0:29:43 | 0:29:46 | |
# Pump it up, yo pump it | 0:29:46 | 0:29:47 | |
# Pump up the jam, pump it up... | 0:29:47 | 0:29:50 | |
# Pump it up | 0:29:50 | 0:29:51 | |
# Pump up the jam... | 0:29:51 | 0:29:53 | |
# I don't want a place to stay | 0:29:53 | 0:29:55 | |
# Get your booty on the floor tonight | 0:29:55 | 0:29:58 | |
# Make my day | 0:29:58 | 0:29:59 | |
# I don't want a place to stay | 0:29:59 | 0:30:02 | |
# Get your booty on the floor tonight | 0:30:02 | 0:30:05 | |
# Make my day | 0:30:05 | 0:30:06 | |
# Make my day | 0:30:06 | 0:30:08 | |
# Make my, make my, make | 0:30:08 | 0:30:10 | |
# Make, make my day # | 0:30:10 | 0:30:11 | |
I know a guy. In Chicago. | 0:30:17 | 0:30:20 | |
Very wealthy. | 0:30:20 | 0:30:21 | |
Lee Miglin. He's a property developer. | 0:30:23 | 0:30:25 | |
Maybe you've heard of him. | 0:30:25 | 0:30:27 | |
We've worked on a couple projects together. | 0:30:30 | 0:30:32 | |
He's a close friend. | 0:30:32 | 0:30:34 | |
He owes me. | 0:30:36 | 0:30:37 | |
He'll get us more than enough money to make it to Mexico. | 0:30:39 | 0:30:42 | |
You're worried about the border. Well, I... | 0:30:46 | 0:30:48 | |
I've been moving product across it for years. | 0:30:48 | 0:30:51 | |
It's not a problem. I know people. | 0:30:51 | 0:30:53 | |
It'll be a long drive, | 0:30:56 | 0:30:57 | |
but as long as we stay under the speed limit, | 0:30:57 | 0:31:00 | |
change the plates... | 0:31:00 | 0:31:02 | |
we'll be OK. | 0:31:02 | 0:31:03 | |
You should really start thinking about your new life. | 0:31:06 | 0:31:09 | |
What you want to do with it. | 0:31:11 | 0:31:14 | |
My life? | 0:31:14 | 0:31:15 | |
I know you probably want to part ways once we get there. | 0:31:19 | 0:31:23 | |
I respect that. | 0:31:23 | 0:31:25 | |
But we make such a great team. | 0:31:28 | 0:31:30 | |
And the truth is we have no-one else. | 0:31:34 | 0:31:36 | |
LIFT PINGS | 0:32:17 | 0:32:18 | |
Well, David's dog, Prints, was on the leash. | 0:32:45 | 0:32:48 | |
Normally he'd let the dog run freely, | 0:32:48 | 0:32:51 | |
which was odd. | 0:32:51 | 0:32:52 | |
Other than that... | 0:32:52 | 0:32:53 | |
What was David's attitude towards this other man? | 0:32:55 | 0:32:58 | |
Did he seem angry? Aggressive? | 0:32:58 | 0:33:01 | |
Neither of them seemed angry. | 0:33:01 | 0:33:03 | |
They were, well, walking the dog. | 0:33:03 | 0:33:05 | |
PHONE RINGS | 0:33:05 | 0:33:07 | |
Tichich. | 0:33:10 | 0:33:11 | |
Tichich. Burton. | 0:33:11 | 0:33:12 | |
The victim is not David, and it's not Andrew. | 0:33:12 | 0:33:15 | |
It's someone named Jeffrey Trail. | 0:33:15 | 0:33:16 | |
She recognised me. | 0:33:32 | 0:33:34 | |
-Who? -That woman. | 0:33:35 | 0:33:37 | |
It's impossible. | 0:33:37 | 0:33:40 | |
I'm telling you. | 0:33:40 | 0:33:41 | |
She can't have recognised you. | 0:33:41 | 0:33:43 | |
The way she looked at me. | 0:33:43 | 0:33:44 | |
There's been no news coverage. | 0:33:44 | 0:33:46 | |
Why would she look at me like that? | 0:33:46 | 0:33:48 | |
-Like what? -Like she hated me. | 0:33:48 | 0:33:50 | |
-Let's go after her. -What? | 0:33:53 | 0:33:55 | |
Let's run her off the road and ask her. | 0:33:55 | 0:33:56 | |
Why did she look at you like that? | 0:33:56 | 0:33:58 | |
-Andrew. -Why did you look at my friend that way? | 0:33:58 | 0:34:00 | |
He's done nothing wrong. | 0:34:00 | 0:34:01 | |
-Stop. -He's the nicest, kindest person I've ever met. | 0:34:01 | 0:34:03 | |
-What's your problem? -Stop! OK? | 0:34:03 | 0:34:05 | |
You promised no-one else gets hurt. | 0:34:05 | 0:34:07 | |
You promised. | 0:34:07 | 0:34:08 | |
Whatever you say, David. | 0:34:08 | 0:34:09 | |
Mr Madson? | 0:34:27 | 0:34:28 | |
I'm so glad you decided to come with me. | 0:34:30 | 0:34:32 | |
I'm... | 0:34:36 | 0:34:38 | |
..playing over... | 0:34:40 | 0:34:41 | |
..everything the police are going to find out about me. | 0:34:43 | 0:34:46 | |
And I realise... | 0:34:48 | 0:34:51 | |
I've been doing this my whole life. | 0:34:51 | 0:34:52 | |
Playing over and over | 0:34:55 | 0:34:57 | |
the moment that people found out about me. | 0:34:57 | 0:35:00 | |
No parent wants to hear | 0:35:00 | 0:35:02 | |
that their child is involved in a crime. | 0:35:02 | 0:35:05 | |
David didn't do this. | 0:35:05 | 0:35:07 | |
People saw your son with this other man. | 0:35:07 | 0:35:10 | |
Andrew Cunanan. | 0:35:10 | 0:35:12 | |
They were calmly walking the dog | 0:35:12 | 0:35:14 | |
while back at his apartment was Jeffrey Trail, | 0:35:14 | 0:35:16 | |
skull smashed by 27 blows from a steel claw hammer. | 0:35:16 | 0:35:21 | |
That hammer belongs to your son. | 0:35:21 | 0:35:23 | |
Barron is a small town. | 0:35:23 | 0:35:25 | |
Everyone will talk. | 0:35:27 | 0:35:28 | |
"Did you hear? That boy is a suspect. | 0:35:30 | 0:35:33 | |
"There was always something about him, that... | 0:35:33 | 0:35:36 | |
"..boy." | 0:35:37 | 0:35:39 | |
How are they going to live there now? | 0:35:42 | 0:35:44 | |
My parents. | 0:35:46 | 0:35:48 | |
With all that talk, | 0:35:49 | 0:35:51 | |
who's going to buy from my dad's shop? | 0:35:51 | 0:35:53 | |
I don't know this man, Andrew. | 0:35:53 | 0:35:55 | |
His friends in San Diego describe him as | 0:35:55 | 0:35:58 | |
reliable, intelligent. | 0:35:58 | 0:36:00 | |
"Generous" is a word they use. | 0:36:01 | 0:36:03 | |
I know my son. | 0:36:03 | 0:36:05 | |
We know him. | 0:36:05 | 0:36:07 | |
I'm telling you - we're telling you - | 0:36:07 | 0:36:09 | |
he didn't do this. | 0:36:09 | 0:36:11 | |
I can say with certainty | 0:36:14 | 0:36:16 | |
there's a great deal you don't know about your son. | 0:36:16 | 0:36:18 | |
Was I really afraid... | 0:36:20 | 0:36:23 | |
when I got in this car with you, that you were going to kill me? | 0:36:23 | 0:36:26 | |
I told you I could never hurt you. | 0:36:28 | 0:36:30 | |
Know that. | 0:36:33 | 0:36:35 | |
Or was I afraid of the disgrace? | 0:36:35 | 0:36:37 | |
The shame of it all. | 0:36:40 | 0:36:42 | |
Is that what I'm running from? | 0:36:44 | 0:36:45 | |
APPLAUSE | 0:37:08 | 0:37:10 | |
Thank you. | 0:37:12 | 0:37:13 | |
GUITAR MUSIC PLAYS | 0:37:19 | 0:37:22 | |
You should really eat something. | 0:37:29 | 0:37:30 | |
It'll make you feel better. | 0:37:32 | 0:37:34 | |
Where are you going? | 0:37:38 | 0:37:41 | |
Just to the bathroom. | 0:37:41 | 0:37:42 | |
# Who's gonna tell you when it's too late? | 0:37:42 | 0:37:48 | |
# Who's gonna tell you things aren't so great? | 0:37:53 | 0:38:00 | |
MUTED MUSIC CONTINUES | 0:38:03 | 0:38:05 | |
TRAFFIC NOISE | 0:38:23 | 0:38:25 | |
# Who's gonna hang it up when you call? | 0:38:37 | 0:38:44 | |
# You can't go on | 0:38:48 | 0:38:52 | |
# Thinking nothing's wrong, oh | 0:38:52 | 0:38:58 | |
# Who's gonna drive you home tonight? | 0:38:58 | 0:39:04 | |
# Who's gonna hold you down when you shake? | 0:39:32 | 0:39:39 | |
# Who's gonna come around when you break? | 0:39:43 | 0:39:50 | |
# You can't go on thinking nothing's wrong | 0:39:54 | 0:40:02 | |
# Who's gonna drive you home tonight? | 0:40:05 | 0:40:11 | |
# Ohhh, you know you can't go on | 0:40:11 | 0:40:16 | |
# Thinking nothing's wrong, oh | 0:40:16 | 0:40:23 | |
# Who's gonna drive you home tonight? # | 0:40:23 | 0:40:29 | |
"University of Minnesota Duluth, | 0:40:34 | 0:40:37 | |
"President's Award, for the architecture student | 0:40:37 | 0:40:39 | |
with the most outstanding thesis." | 0:40:39 | 0:40:41 | |
-Top of the class. -Wow. | 0:40:43 | 0:40:46 | |
Really is something. | 0:40:46 | 0:40:48 | |
But you did the work. You always have. | 0:40:48 | 0:40:51 | |
You put in the hours. | 0:40:51 | 0:40:53 | |
You deserve this. | 0:40:53 | 0:40:55 | |
Dad, I'm gay. | 0:40:55 | 0:40:56 | |
You mind if I take a moment? | 0:41:06 | 0:41:09 | |
I don't want to say the wrong thing. | 0:41:09 | 0:41:11 | |
I won't lie... | 0:41:18 | 0:41:20 | |
..and say that it doesn't make a difference. | 0:41:21 | 0:41:23 | |
You know what I believe. | 0:41:23 | 0:41:25 | |
And maybe this isn't what you wanted to hear. | 0:41:27 | 0:41:29 | |
Maybe you wanted to be told I don't have a problem with it. | 0:41:31 | 0:41:33 | |
I can't say that. | 0:41:35 | 0:41:36 | |
But what I can say | 0:41:38 | 0:41:40 | |
is I love you more than I love my own life. | 0:41:40 | 0:41:42 | |
Don't cry. | 0:41:47 | 0:41:49 | |
There's no need for that. | 0:41:49 | 0:41:50 | |
I do have a question. | 0:41:52 | 0:41:54 | |
You waited until you won this award... to tell me? | 0:41:54 | 0:41:58 | |
Good news, | 0:42:01 | 0:42:03 | |
bad news. | 0:42:03 | 0:42:04 | |
David. | 0:43:16 | 0:43:17 | |
You're not wearing any shoes. | 0:43:23 | 0:43:25 | |
Remember where we met? | 0:43:40 | 0:43:42 | |
-Market Street. -San Francisco. | 0:43:47 | 0:43:49 | |
It was a year and a half ago. | 0:43:51 | 0:43:53 | |
You were wearing expensive tailored clothes | 0:43:53 | 0:43:55 | |
and drinking vintage wine. | 0:43:55 | 0:43:57 | |
You were alone at the bar. | 0:43:57 | 0:44:00 | |
You were surrounded by your high society friends. | 0:44:00 | 0:44:02 | |
I sent you a drink. | 0:44:05 | 0:44:07 | |
I thought to myself, "Who does that? | 0:44:07 | 0:44:09 | |
"In real life, who sends a stranger a drink?" | 0:44:09 | 0:44:12 | |
Well, you looked lonely. | 0:44:12 | 0:44:14 | |
I was lonely. | 0:44:14 | 0:44:15 | |
Well, that's why I invited you to join our table. | 0:44:17 | 0:44:20 | |
You had everyone laughing. | 0:44:20 | 0:44:21 | |
Your friends, the waiters. | 0:44:21 | 0:44:24 | |
I thought, "I want to be like him - | 0:44:24 | 0:44:27 | |
"rich, sophisticated, erudite." | 0:44:27 | 0:44:31 | |
That's the kind of word you'd use, isn't it? | 0:44:31 | 0:44:33 | |
I mean, you were throwing money around like it didn't matter. | 0:44:33 | 0:44:36 | |
I was hoping you'd invite me back to your room. | 0:44:36 | 0:44:39 | |
But I figured, what's this man going to see in me? | 0:44:39 | 0:44:42 | |
Small-town boy. | 0:44:42 | 0:44:44 | |
I couldn't wait to invite you. | 0:44:44 | 0:44:47 | |
My God, the Mandarin Oriental. | 0:44:47 | 0:44:50 | |
1,000 a night. | 0:44:50 | 0:44:51 | |
That hotel... | 0:44:51 | 0:44:53 | |
Well, we had a bay suite. | 0:44:53 | 0:44:55 | |
You told me you'd changed rooms three times | 0:44:55 | 0:44:57 | |
because you didn't like the view! | 0:44:57 | 0:44:59 | |
HE LAUGHS | 0:44:59 | 0:45:00 | |
You wanted to see the Golden Gate Bridge. | 0:45:00 | 0:45:02 | |
Uh-huh. | 0:45:02 | 0:45:03 | |
-Best night of my life. -Oh, I never told you this, | 0:45:05 | 0:45:08 | |
but I took my pair of white slippers home. | 0:45:08 | 0:45:11 | |
I felt so cheap. | 0:45:12 | 0:45:14 | |
They were only supposed to be worn once, | 0:45:14 | 0:45:16 | |
and anyone who belonged in a room like that | 0:45:16 | 0:45:18 | |
would never take them. | 0:45:18 | 0:45:19 | |
I remember thinking, | 0:45:19 | 0:45:21 | |
"How hard do I have to work to live like him, like Andrew? | 0:45:21 | 0:45:26 | |
"Cos I'll do it." | 0:45:26 | 0:45:27 | |
Except it was all a lie. | 0:45:31 | 0:45:33 | |
You've never worked for anything. | 0:45:34 | 0:45:36 | |
It was an act. | 0:45:38 | 0:45:40 | |
What's wrong with you? | 0:45:45 | 0:45:47 | |
Is that why you killed Jeff? | 0:45:47 | 0:45:49 | |
You loved him. | 0:45:51 | 0:45:53 | |
It was so obvious. | 0:45:53 | 0:45:55 | |
But he figured you out in the end, didn't he? | 0:45:57 | 0:45:59 | |
Took him a few years, but he finally saw the real you. | 0:45:59 | 0:46:03 | |
And you killed him for it. | 0:46:04 | 0:46:06 | |
You think that night in San Francisco was great? | 0:46:08 | 0:46:11 | |
You just wait till we get to Mexico. | 0:46:11 | 0:46:13 | |
I can make way more money there than I ever could here. | 0:46:13 | 0:46:16 | |
And there's a Mandarin Oriental down there. | 0:46:16 | 0:46:18 | |
We can stay there for more than a night - | 0:46:18 | 0:46:20 | |
for a week, for-for a month, however long we want, | 0:46:20 | 0:46:22 | |
with the best room. | 0:46:22 | 0:46:23 | |
Patio terrace, ocean view. | 0:46:23 | 0:46:26 | |
We can tell the cute little Mexican waiters | 0:46:26 | 0:46:28 | |
that we're movie stars from LA. | 0:46:28 | 0:46:31 | |
You can't do it, can you? | 0:46:31 | 0:46:33 | |
I can't what? | 0:46:36 | 0:46:38 | |
Stop. | 0:46:38 | 0:46:39 | |
Why did you ask me to open the door? | 0:46:55 | 0:46:58 | |
-What? -Why did you send me down to bring Jeff up? | 0:46:58 | 0:47:02 | |
I don't want to talk about it. | 0:47:08 | 0:47:09 | |
You knew you were going to kill him. You knew. | 0:47:09 | 0:47:11 | |
And you wanted me to be there. | 0:47:11 | 0:47:13 | |
You wanted me to see. You wanted me to be a part of it. | 0:47:14 | 0:47:17 | |
You planned it, didn't you? | 0:47:18 | 0:47:20 | |
You didn't lose control. You planned it. | 0:47:20 | 0:47:23 | |
I don't want to talk about it. | 0:47:23 | 0:47:24 | |
All weekend, while we were eating and drinking and dancing, | 0:47:24 | 0:47:27 | |
is that what you were thinking about? | 0:47:27 | 0:47:28 | |
-I don't want to talk about it, David. -What? | 0:47:28 | 0:47:31 | |
Are we outlaws? | 0:47:31 | 0:47:32 | |
On the run, together, you and me. | 0:47:32 | 0:47:34 | |
-Is that it? -I don't want to talk about this, David! | 0:47:34 | 0:47:36 | |
I'm nothing like you! | 0:47:36 | 0:47:38 | |
I don't want to talk about it. | 0:47:38 | 0:47:41 | |
Stop the car! | 0:47:42 | 0:47:44 | |
TYRES SCREECH | 0:47:44 | 0:47:47 | |
Stop the car! | 0:47:47 | 0:47:48 | |
Hey... Why are you always talking about the past?! | 0:47:50 | 0:47:53 | |
-We had a plan! We had a future! -Hey. Andrew... | 0:47:53 | 0:47:56 | |
We had... a future, David. | 0:47:56 | 0:47:59 | |
We had a plan. There was a plan. | 0:48:09 | 0:48:12 | |
We had a plan, David. | 0:48:12 | 0:48:14 | |
We still have a plan. | 0:48:14 | 0:48:15 | |
Andrew. | 0:48:20 | 0:48:21 | |
Andrew, we still have a plan. | 0:48:25 | 0:48:28 | |
No. No, we don't. You don't get it. We don't. | 0:48:28 | 0:48:31 | |
We do. Yes, yes. | 0:48:31 | 0:48:33 | |
Tell me! Convince me! | 0:48:33 | 0:48:34 | |
Uh, first, we'll-we'll go and visit your friend | 0:48:34 | 0:48:37 | |
in-in Chicago. | 0:48:37 | 0:48:38 | |
Uh, Lee. Um, Miglin. | 0:48:38 | 0:48:41 | |
L-Lee Miglin, the-the property developer. | 0:48:41 | 0:48:43 | |
And he'll give us some money. | 0:48:43 | 0:48:46 | |
And then we'll... we'll drive. | 0:48:46 | 0:48:48 | |
Across the country. It'll be an adventure. | 0:48:48 | 0:48:51 | |
We'll find work | 0:48:51 | 0:48:53 | |
and a place to live. | 0:48:53 | 0:48:55 | |
You don't believe that. | 0:48:55 | 0:48:57 | |
-Yes, I do. -No, you don't. | 0:48:57 | 0:48:59 | |
I can see it clearly. | 0:48:59 | 0:49:01 | |
The place where we'll live. | 0:49:01 | 0:49:03 | |
It's... next to the sea. | 0:49:03 | 0:49:06 | |
And-and we'll learn Spanish. | 0:49:06 | 0:49:08 | |
You're so smart, you'll be speaking it fluently in no time. | 0:49:08 | 0:49:12 | |
I'll be struggling, but you'll help me learn. | 0:49:12 | 0:49:15 | |
You've always helped me. | 0:49:17 | 0:49:18 | |
We'll be happy? | 0:49:19 | 0:49:21 | |
Y-Yes, we'll-we'll be happy. | 0:49:21 | 0:49:25 | |
It could've been true. | 0:49:28 | 0:49:30 | |
Andrew. | 0:49:31 | 0:49:32 | |
Listen to me. | 0:49:35 | 0:49:36 | |
It's over. | 0:49:41 | 0:49:42 | |
We need to go to the police. | 0:49:45 | 0:49:47 | |
This has to stop. | 0:49:49 | 0:49:51 | |
Why couldn't you run away with me? | 0:49:55 | 0:49:57 | |
If it had been Jeff, | 0:49:59 | 0:50:00 | |
you would've run away with him, but not me. | 0:50:00 | 0:50:03 | |
You'd rather go to prison. | 0:50:03 | 0:50:05 | |
It's not real. | 0:50:05 | 0:50:07 | |
It could have been. | 0:50:09 | 0:50:11 | |
No. | 0:50:11 | 0:50:13 | |
It couldn't. | 0:50:13 | 0:50:15 | |
GUNSHOT | 0:51:54 | 0:51:56 | |
GUNSHOT | 0:52:38 | 0:52:39 | |
ENGINE STARTS | 0:54:02 | 0:54:04 |