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THIS PROGRAMME CONTAINS SOME SCENES WHICH VIEWERS MAY FIND DISTURBING. | 0:00:02 | 0:00:07 | |
'We read stories in flesh and blood and bone. | 0:00:19 | 0:00:21 | |
'We piece together lives from residue. | 0:00:25 | 0:00:27 | |
'And every one of those lives is unique, | 0:00:30 | 0:00:32 | |
'except in one respect... | 0:00:32 | 0:00:34 | |
'...that each of us wants to love and be loved. | 0:00:36 | 0:00:39 | |
'Because if we don't connect, | 0:00:40 | 0:00:43 | |
'then we just move through the world like breath in the air | 0:00:43 | 0:00:46 | |
'and we're nothing.' | 0:00:46 | 0:00:48 | |
'Reports are coming in of violent outbreaks | 0:01:16 | 0:01:19 | |
'And at least one known death | 0:01:19 | 0:01:20 | |
'at Langdon Vale Prison. | 0:01:20 | 0:01:22 | |
'No details have been released as yet | 0:01:22 | 0:01:24 | |
'and the prison authorities insist they are regaining control after several hours of rioting.' | 0:01:24 | 0:01:29 | |
'Langdon Vale was first established as an open prison | 0:01:33 | 0:01:34 | |
'exclusively for women offenders | 0:01:34 | 0:01:36 | |
'and has, until now, enjoyed a trouble-free reputation, | 0:01:36 | 0:01:39 | |
'which makes this sudden outbreak of violence all the more surprising.' | 0:01:39 | 0:01:43 | |
Her name's Beth Fox. | 0:01:47 | 0:01:49 | |
Somebody got into her cell last night, slit her throat, et cetera. | 0:01:49 | 0:01:51 | |
-No witnesses. -Et cetera? | 0:01:51 | 0:01:53 | |
Yeah, body's a mess. It's not pretty. | 0:01:53 | 0:01:55 | |
INDISTINCT SHOUTING | 0:01:55 | 0:01:57 | |
Hi. Jim Ryan. Governor. | 0:02:01 | 0:02:03 | |
Dr Eve Lockhart. How come somebody could just get into her cell? | 0:02:03 | 0:02:06 | |
Well, it's an open prison, they have their own keys. | 0:02:06 | 0:02:09 | |
We've got a suspect. | 0:02:09 | 0:02:11 | |
There was a spat last night between the victim and another prisoner - | 0:02:11 | 0:02:13 | |
-Nicole... -Henderson. | 0:02:13 | 0:02:15 | |
She's like top hen in the coop. | 0:02:15 | 0:02:18 | |
I've seen the CCTV footage. | 0:02:18 | 0:02:19 | |
She batters the victim over the head with a pool cue, | 0:02:19 | 0:02:22 | |
but that doesn't account for the state of the body. | 0:02:22 | 0:02:24 | |
WOMEN SHOUT | 0:02:26 | 0:02:29 | |
This door was locked, yeah, when you found the body? | 0:02:35 | 0:02:37 | |
Yeah, yeah, yeah, from the outside. | 0:02:37 | 0:02:38 | |
We searched the place. There was no key in the cell. | 0:02:38 | 0:02:42 | |
My God. | 0:02:46 | 0:02:48 | |
Look, I'm gonna have to get you out of here. I thought we'd secured the floor. | 0:03:00 | 0:03:02 | |
No, no, no, we need to get the body back to the Farm | 0:03:02 | 0:03:04 | |
as quick as we can for autopsy. | 0:03:04 | 0:03:06 | |
No-one's gonna stick around here longer than it's safe to. | 0:03:06 | 0:03:10 | |
Have you ever seen bruising like this before? | 0:03:34 | 0:03:37 | |
No. Swelling, I have. | 0:03:37 | 0:03:38 | |
A body'd been left in front of a gas fire for a week | 0:03:38 | 0:03:40 | |
and blew up like a beach ball. | 0:03:40 | 0:03:43 | |
Right... | 0:03:43 | 0:03:45 | |
We've got no outward signs | 0:03:48 | 0:03:51 | |
of sexual assault. | 0:03:51 | 0:03:53 | |
We've got rice-water diarrhoea staining. | 0:03:53 | 0:03:55 | |
-Eve? -Oggy, do you want to...? | 0:03:55 | 0:03:57 | |
Yep, hello? Is everything all right there? Under control? | 0:03:57 | 0:04:00 | |
I think so. They seem contained, at least. Listen... | 0:04:00 | 0:04:03 | |
-The blood on the floor here. -Are you getting this, Eve? | 0:04:03 | 0:04:07 | |
There's no spray pattern whatsoever, which suggests to me... | 0:04:07 | 0:04:11 | |
The heart had already stopped pumping when the artery was cut. | 0:04:11 | 0:04:13 | |
Why cut someone's carotid when they're already dead? | 0:04:13 | 0:04:16 | |
There's no obvious signs of a struggle. | 0:04:16 | 0:04:18 | |
Well, there was massive bruising. | 0:04:18 | 0:04:19 | |
Yeah, evenly distributed over... | 0:04:19 | 0:04:21 | |
80% of her body with no clear trauma sites. | 0:04:21 | 0:04:24 | |
Yeah, except for this. | 0:04:24 | 0:04:25 | |
Well, Hale said she was hit over the head with a pool cue, | 0:04:31 | 0:04:34 | |
so that makes sense. | 0:04:34 | 0:04:37 | |
One identifiable injury. | 0:04:37 | 0:04:39 | |
This way, girls. | 0:04:45 | 0:04:48 | |
And you're sure it's safe? | 0:04:48 | 0:04:50 | |
Everyone's banged up in their cells apart frae half a dozen up on the roof. | 0:04:50 | 0:04:53 | |
Eh, and before you ask, I'm no' risking going up there to get them, | 0:04:53 | 0:04:56 | |
-no' with news cameras watching. -Tell me about Nicole Henderson. | 0:04:56 | 0:04:59 | |
She's coming to the end of an eight for trafficking. | 0:04:59 | 0:05:01 | |
-You said she's top dog here, yeah? -She's a bloody nightmare. | 0:05:01 | 0:05:04 | |
Always feels the need to, you know, challenge authority. | 0:05:04 | 0:05:07 | |
Sees herself as the union rep, as it were. | 0:05:07 | 0:05:10 | |
So on paper, you run the place, | 0:05:10 | 0:05:12 | |
but actually, she's the one wears the trousers, right? | 0:05:12 | 0:05:14 | |
What was her relationship with Beth Fox like? | 0:05:14 | 0:05:17 | |
Nicole had a girlfriend in here, | 0:05:17 | 0:05:19 | |
until Beth came and broke it up. PHONE RINGS | 0:05:19 | 0:05:21 | |
What was her name? | 0:05:21 | 0:05:22 | |
Tess Williams. | 0:05:22 | 0:05:24 | |
I'll have to take this. My line boss. | 0:05:24 | 0:05:26 | |
Ryan? | 0:05:26 | 0:05:28 | |
No, no. No. no. No, it's under control. Everything's under control. | 0:05:29 | 0:05:33 | |
What happened? | 0:06:05 | 0:06:08 | |
Er, screws took her to the infirmary. | 0:06:08 | 0:06:10 | |
No, I meant what happened to cause the fight? | 0:06:12 | 0:06:15 | |
Look, I've spoken to Jim Ryan. | 0:06:17 | 0:06:19 | |
He reckons you're the cock of the prison. | 0:06:19 | 0:06:21 | |
You don't want to believe everything Jim Ryan tells you. | 0:06:21 | 0:06:24 | |
-Because? -Because he's a knob-head. | 0:06:24 | 0:06:26 | |
He wants me transferred out and he'll do anything to make that happen. | 0:06:26 | 0:06:29 | |
Did she say something to you? Beth? Did she scare you? | 0:06:29 | 0:06:33 | |
Oh, yeah(!) | 0:06:33 | 0:06:34 | |
Yeah, I was shitting myself. | 0:06:34 | 0:06:36 | |
That's why I smacked her over the head with a pool cue. | 0:06:36 | 0:06:39 | |
-OK. Is that Tess Williams? -Um... Yeah. -Your ex? | 0:06:39 | 0:06:43 | |
-I'm not a dyke. -Oh, no(!) Just all these years in prison - needs must, I understand. | 0:06:43 | 0:06:47 | |
So, you and Tess, you're all sweet, | 0:06:47 | 0:06:49 | |
Beth comes along, takes her off your hands. | 0:06:49 | 0:06:52 | |
-Ooh. You have to go after her with a big stick, don't you? -We went our separate ways ages ago. | 0:06:52 | 0:06:56 | |
Again... | 0:06:57 | 0:06:58 | |
what was the problem last night, Nicole? | 0:06:58 | 0:07:01 | |
Beth. Beth's the problem. | 0:07:01 | 0:07:04 | |
She's insecure, takes it out on people she's close to. | 0:07:04 | 0:07:08 | |
Eh, I bet you know all about that one, don't you, eh? | 0:07:08 | 0:07:11 | |
Mm? You don't like yourself very much, do you, eh? | 0:07:11 | 0:07:15 | |
Why you ended up stuck here, doing this shitty job. | 0:07:15 | 0:07:18 | |
Yeah, thank you. So, what you're telling me is, Beth and your ex, Tess, they had an argument | 0:07:18 | 0:07:22 | |
-and you decided to step in and play the Good Samaritan? -Yep. | 0:07:22 | 0:07:26 | |
Oh, come along! You're gonna have to give me something a bit better than that, my love! Hm? | 0:07:26 | 0:07:30 | |
What do you think I am? Some kind of bloody monkey? | 0:07:30 | 0:07:33 | |
-Tell me about Tess. -What do you want to know? She's up on the roof. | 0:07:37 | 0:07:40 | |
-You can nip up there and ask her yourself. -Is she violent? -No. -Never? | 0:07:40 | 0:07:44 | |
She does what she wants, she goes her own way. | 0:07:47 | 0:07:51 | |
She's not frightened of anything... | 0:07:52 | 0:07:54 | |
or anybody. | 0:07:54 | 0:07:56 | |
Everybody works for everybody else in here. | 0:07:58 | 0:08:01 | |
So, if you've got a deal happening, you've gotta share. | 0:08:01 | 0:08:03 | |
There is no deal. Nothing that concerns you, anyway. | 0:08:03 | 0:08:06 | |
-It's all right, I'm fine. -What we had is history. | 0:08:06 | 0:08:10 | |
And if you've got a problem with that, take it out on me, not Beth. | 0:08:10 | 0:08:14 | |
Come on. | 0:08:14 | 0:08:15 | |
Look, I know what you're thinking, but I never killed anybody. | 0:08:27 | 0:08:31 | |
I don't have that kind of form | 0:08:32 | 0:08:33 | |
and I do not hold that kind of grudge. | 0:08:33 | 0:08:38 | |
These are Beth's clothes for examination. | 0:08:48 | 0:08:51 | |
Also, there were two different hair samples on her pillow. | 0:08:51 | 0:08:53 | |
We're gonna need to take DNA profiles, | 0:08:53 | 0:08:54 | |
staff included, to see who that hair belongs to. | 0:08:54 | 0:08:56 | |
Well, the prisoners' DNA is on the police database. | 0:08:56 | 0:08:59 | |
Be just as quick to make your own. I have to go to a judge to access the records. | 0:08:59 | 0:09:03 | |
-OK, let's do bloods and screen for toxins while we're there. -OK. | 0:09:03 | 0:09:05 | |
And anything you may have on Beth, Tess, Nicole, | 0:09:08 | 0:09:11 | |
-can you send to me and to the Farm? -Sure. | 0:09:11 | 0:09:12 | |
-Now, Tess is still on the roof, right? -There's eight of them up there. | 0:09:12 | 0:09:15 | |
Yeah, I need her down. | 0:09:15 | 0:09:17 | |
I told you... | 0:09:17 | 0:09:18 | |
She's a suspect. I don't care | 0:09:18 | 0:09:20 | |
-what it looks like on television. -I can't make that decision. | 0:09:20 | 0:09:23 | |
Dragging women off the roof, all that bollocks. I need her down here, I need to talk to her now. | 0:09:23 | 0:09:26 | |
My boss is on the way. Speak to him. | 0:09:26 | 0:09:28 | |
Mike, if you're gonna do a sweep of the cells, | 0:09:28 | 0:09:30 | |
can you prioritise Nicole Henderson and Tess Williams, thank you. | 0:09:30 | 0:09:33 | |
Mike, whoever cut Beth's carotid, there may be blood traces on clothes. | 0:09:48 | 0:09:51 | |
-Yeah, yeah, we're on to it. -Also her throat. | 0:09:51 | 0:09:53 | |
It wasn't stabbed as such,it was more like...a careful incision | 0:09:53 | 0:09:56 | |
with something small, like a modelling knife. | 0:09:56 | 0:09:59 | |
Well, there's no sign of a knife here. I mean, not yet. | 0:09:59 | 0:10:02 | |
It looked like she'd been severely beaten, but there are no impact sites. | 0:10:02 | 0:10:05 | |
Really? You sure about that? | 0:10:05 | 0:10:07 | |
Yeah, of course I am. I wouldn't say it otherwise. | 0:10:07 | 0:10:09 | |
Oggy... | 0:10:09 | 0:10:12 | |
The tox screen on Beth's blood? | 0:10:12 | 0:10:14 | |
-I'm in the middle of it right now. -What, there? | 0:10:14 | 0:10:17 | |
I'm sorry you've had to come looking for me. | 0:10:17 | 0:10:19 | |
-No, no, I didn't mean that. -But I like it here, OK? | 0:10:19 | 0:10:21 | |
I mean, why not? | 0:10:21 | 0:10:23 | |
I'm usually on my own in there, I might as well be on my own out here. | 0:10:23 | 0:10:26 | |
-Do you want me to stay and do it with you? -It's fine. | 0:10:26 | 0:10:28 | |
SHE SIGHS | 0:10:28 | 0:10:30 | |
OK. Well, er, let me know as soon as you have anything, right? | 0:10:30 | 0:10:35 | |
-'Good night.' -'Good night.' | 0:10:39 | 0:10:42 | |
Am I a suspect? | 0:10:58 | 0:10:59 | |
You'll have to ask the police. | 0:10:59 | 0:11:01 | |
I'm asking you. | 0:11:01 | 0:11:02 | |
I just do the science. | 0:11:02 | 0:11:04 | |
What are you so frightened of, hmm? | 0:11:05 | 0:11:07 | |
Me? | 0:11:07 | 0:11:09 | |
CHUCKLES | 0:11:12 | 0:11:14 | |
Would you be frightened if you saw me on the street, or is it just this place? | 0:11:14 | 0:11:17 | |
I wouldn't see you on the street, would I? | 0:11:17 | 0:11:20 | |
Oh, you might do. We all go out to work here. | 0:11:20 | 0:11:24 | |
I might call on you one day. | 0:11:24 | 0:11:27 | |
So, what is it that you do... for work? | 0:11:28 | 0:11:32 | |
Oh! Heh! Like you give a shit. | 0:11:32 | 0:11:35 | |
All right. | 0:11:40 | 0:11:42 | |
I work for a chippy. | 0:11:42 | 0:11:44 | |
Beth was in a caff on the river. | 0:11:44 | 0:11:47 | |
Tess works for a cleaning company. | 0:11:47 | 0:11:49 | |
There's no such thing as a free lunch here, you know. | 0:11:49 | 0:11:52 | |
We all stand by one another. | 0:11:52 | 0:11:54 | |
It's OK, you know. | 0:11:58 | 0:12:00 | |
You can talk to me. I'm not the police. | 0:12:02 | 0:12:04 | |
I do. | 0:12:04 | 0:12:06 | |
I stand by people, me. | 0:12:06 | 0:12:07 | |
Tess... | 0:12:13 | 0:12:15 | |
What? | 0:12:15 | 0:12:16 | |
Well, she can be so focused, like, so... | 0:12:19 | 0:12:22 | |
..single-minded. | 0:12:24 | 0:12:26 | |
She'd have to be, to do what she did to... | 0:12:27 | 0:12:30 | |
..get put away in the first place. | 0:12:31 | 0:12:34 | |
I can forgive her owt, me. Hmm. | 0:12:38 | 0:12:40 | |
Mm. | 0:12:40 | 0:12:42 | |
She taught me things about myself. | 0:12:42 | 0:12:45 | |
She reminded me of who I was, | 0:12:48 | 0:12:51 | |
that it's OK to care about people. | 0:12:51 | 0:12:53 | |
Hmm. | 0:12:56 | 0:12:58 | |
Hm. | 0:12:58 | 0:12:59 | |
INDISTINCT SPEECH | 0:13:02 | 0:13:04 | |
Hurry up! | 0:13:06 | 0:13:07 | |
Why'd you do that? | 0:13:27 | 0:13:28 | |
Huh! | 0:13:28 | 0:13:30 | |
To see what you'd do. | 0:13:30 | 0:13:32 | |
-Oggy, are you there? -Whoa! | 0:13:32 | 0:13:34 | |
Oggy? Oggy, I just e-mailed you over some CCTV footage. | 0:13:34 | 0:13:38 | |
Can you research the attached medical files? | 0:13:38 | 0:13:42 | |
Counselling tape of Tess Williams. | 0:13:52 | 0:13:55 | |
I'm trying to find out what your primary state of mind is here. | 0:13:55 | 0:13:58 | |
Well, we need sustenance, don't we? | 0:13:58 | 0:14:01 | |
We need to be inspired to see beyond these four walls. | 0:14:01 | 0:14:04 | |
And, at the risk of sounding ungrateful, | 0:14:04 | 0:14:06 | |
there are very few people I can connect with in here. | 0:14:06 | 0:14:10 | |
I feel alone most of the time. | 0:14:10 | 0:14:12 | |
I suppose my studies are a way | 0:14:12 | 0:14:13 | |
of smuggling something real and good inside me. | 0:14:13 | 0:14:16 | |
It's like medicine. | 0:14:16 | 0:14:18 | |
'Time isn't measurable in terms of experience. | 0:14:24 | 0:14:27 | |
'I mean, sometimes an hour can seem interminable, | 0:14:27 | 0:14:30 | |
'but if, say, you're with somebody that you love, then... | 0:14:30 | 0:14:33 | |
'it's elastic.' | 0:14:33 | 0:14:35 | |
'Sure, but maths deals in measurable absolutes.' | 0:14:35 | 0:14:38 | |
'No, no. Not always. | 0:14:38 | 0:14:41 | |
'It's not that easy to explain.' | 0:14:41 | 0:14:43 | |
'OK.' | 0:14:43 | 0:14:44 | |
'What I'm trying to find out is, what exactly does this do for you, | 0:14:47 | 0:14:50 | |
'besides it being an intellectual challenge?' | 0:14:50 | 0:14:54 | |
'Oh, right. | 0:14:54 | 0:14:55 | |
'Well, that's simple. | 0:14:57 | 0:14:58 | |
-'Maths is the window into other worlds...' -Mike, whose cell are you in? | 0:14:58 | 0:15:01 | |
Tess Williams. | 0:15:01 | 0:15:03 | |
TESS CONTINUES SPEAKING ON RECORDING | 0:15:03 | 0:15:05 | |
What is she, some kind of mathematician? | 0:15:05 | 0:15:07 | |
'..in quite the way that we experience them.' | 0:15:07 | 0:15:09 | |
'And that mirrors what goes on in your head, yeah? | 0:15:09 | 0:15:12 | |
'Other dimensions that don't obey normal rules? | 0:15:12 | 0:15:15 | |
'That dimension where you take your sister's pain away?' | 0:15:17 | 0:15:21 | |
Oggy? You must have the results of the tox screen by now, surely. | 0:15:21 | 0:15:26 | |
-Oggy? -Oh, yeah. Nothing's come up. | 0:15:26 | 0:15:28 | |
-Do you want me to invent something? -No, I just want you | 0:15:31 | 0:15:34 | |
to focus on what's important, rather than watching prison TV. | 0:15:34 | 0:15:38 | |
Oh, strewth! | 0:15:41 | 0:15:43 | |
Mike? | 0:15:43 | 0:15:44 | |
Yeah. | 0:15:44 | 0:15:46 | |
I need your help here. I'm looking at sections of Beth's skin | 0:15:46 | 0:15:49 | |
and some of the arterials have burst close to the surface. | 0:15:49 | 0:15:51 | |
Well, that would explain the bruising. | 0:15:51 | 0:15:53 | |
So, what caused the damage, then? | 0:15:53 | 0:15:55 | |
I don't know. Nothing chemical. | 0:15:55 | 0:15:57 | |
Not what we've tested for anyway. | 0:15:57 | 0:15:59 | |
-Bacteria maybe? -Maybe. | 0:15:59 | 0:16:00 | |
-Tests are still ongoing. -Well, | 0:16:00 | 0:16:02 | |
it could be a natural toxin. There were some native things here - | 0:16:02 | 0:16:04 | |
moonseed, monkshood, | 0:16:04 | 0:16:06 | |
wolfsbane. | 0:16:06 | 0:16:07 | |
Just focusing on what's important here, but has anyone looked on Tess's bookshelves? | 0:16:07 | 0:16:11 | |
Eve, have a look at this. | 0:16:15 | 0:16:17 | |
She's a very clever girl. | 0:16:21 | 0:16:23 | |
-Aye, got a PhD. -Where'd she do that? | 0:16:23 | 0:16:24 | |
-Here? -Within the prison system. | 0:16:24 | 0:16:27 | |
-Did a BSc and then a Masters. -What in? | 0:16:27 | 0:16:29 | |
-Eh, maths. -Where was she before? -She started off at, er, | 0:16:29 | 0:16:33 | |
-Cookham Wood Young Offenders. -How old was she? -16. | 0:16:33 | 0:16:36 | |
Then onto Rampton, treated for psychosis with delusional something or other. | 0:16:36 | 0:16:40 | |
-Then back into the general prison population. -What did she do? | 0:16:40 | 0:16:43 | |
Her younger sister had a disease, cystic fibrosis. | 0:16:43 | 0:16:46 | |
Tess got it into her head that she wisnae gonna survive | 0:16:46 | 0:16:49 | |
if she wisnae with her 24 hours a day, so... They say she nursed her with total dedication | 0:16:49 | 0:16:53 | |
then one day just snapped. | 0:16:53 | 0:16:55 | |
Tried to suffocate her. Put her out her misery. | 0:16:55 | 0:16:58 | |
-She still dangerous? -Unpredictable, maybe. | 0:16:58 | 0:17:00 | |
OK, violent? | 0:17:00 | 0:17:02 | |
-Mike? -Yeah, go ahead, Eve. | 0:17:02 | 0:17:03 | |
Rice-water diarrhoea and poor skin turgor - ring any bells? | 0:17:03 | 0:17:06 | |
Who exactly do I have to talk to in order to get her off the roof? | 0:17:06 | 0:17:08 | |
Sorry, excuse me, gents. | 0:17:08 | 0:17:10 | |
Well, that could be a variety of things. | 0:17:10 | 0:17:12 | |
OK, you wouldn't normally get bruising and swelling like this, | 0:17:12 | 0:17:15 | |
so God knows, but the bacteria screen has come back positive. | 0:17:15 | 0:17:18 | |
What for? | 0:17:18 | 0:17:20 | |
Vibrio cholerae. | 0:17:20 | 0:17:21 | |
Cholera?! | 0:17:21 | 0:17:23 | |
'Sooner or later, you're gonna come back late | 0:17:32 | 0:17:34 | |
'from whatever it is that you're doing and Ryan over there | 0:17:34 | 0:17:38 | |
'is gonna use you to pretend that he's got a big dick.' | 0:17:38 | 0:17:41 | |
'So, what are you saying?' | 0:17:41 | 0:17:42 | |
You need more time out there, right? | 0:17:44 | 0:17:46 | |
I can fix it. | 0:17:46 | 0:17:47 | |
We go to work, we clock in, we clock out - there's no leeway on time. | 0:17:47 | 0:17:50 | |
There is if you go to college evening classes. | 0:17:50 | 0:17:54 | |
I know people who'll sign you up. | 0:17:54 | 0:17:55 | |
You don't have to actually go, | 0:17:55 | 0:17:57 | |
but if anyone asks, they'll say that's where you are. | 0:17:57 | 0:18:02 | |
Buys you time. | 0:18:02 | 0:18:03 | |
What, and you'd do that just to be nice? Don't think so. | 0:18:03 | 0:18:06 | |
No. | 0:18:06 | 0:18:08 | |
Making money, aren't you, hm? | 0:18:10 | 0:18:13 | |
Little nest egg for when you get out. | 0:18:13 | 0:18:16 | |
Tell me about it. | 0:18:18 | 0:18:20 | |
Cut me in. | 0:18:20 | 0:18:22 | |
Just how infectious is this exactly? | 0:18:33 | 0:18:35 | |
OK, listen to me, right? | 0:18:35 | 0:18:37 | |
You cannot get this from person to person. | 0:18:37 | 0:18:39 | |
You get it from food and water. | 0:18:39 | 0:18:41 | |
So, kitchens are closed, right? Nothing whatsoever in or out. | 0:18:41 | 0:18:44 | |
Bottled water only. | 0:18:44 | 0:18:46 | |
And we're gonna need blood samples from all the inmates and the staff. | 0:18:46 | 0:18:49 | |
OK? | 0:18:49 | 0:18:51 | |
One more time, loud and clear. I need Tess Williams. | 0:18:54 | 0:18:57 | |
-How many times do I have to tell ye?! -Shh! So what's it gonna take, hm? | 0:18:57 | 0:19:01 | |
People dying of cholera before you get off your arse? | 0:19:01 | 0:19:04 | |
Not with news cameras, OK? | 0:19:04 | 0:19:06 | |
Oh, so you're gonna wait until we bus them out in ambulances? | 0:19:06 | 0:19:08 | |
Really? | 0:19:08 | 0:19:10 | |
-And how d'you think that's gonna make your public image look? -Hm? | 0:19:10 | 0:19:12 | |
DI Hale? I'm from the Home Office. Parvez Khan. | 0:19:12 | 0:19:16 | |
At last! Somebody who might be able to make a decision! | 0:19:16 | 0:19:19 | |
INDISTINCT SHOUTING | 0:19:27 | 0:19:29 | |
SCREAMING | 0:19:32 | 0:19:35 | |
Tess Williams? Tess? | 0:19:44 | 0:19:46 | |
Tess Williams? | 0:19:46 | 0:19:47 | |
-Tess Williams? Tess! -Get off! | 0:19:47 | 0:19:50 | |
Tess Williams...? | 0:19:50 | 0:19:52 | |
Get off me! | 0:19:52 | 0:19:54 | |
There's no-one else up there. Where is she? | 0:19:56 | 0:19:59 | |
Huh? Where is Tess Williams? | 0:19:59 | 0:20:01 | |
So, what do you want to do? Issue a public health warning? | 0:20:13 | 0:20:16 | |
Something tells me the Home Office isn't gonna want to do that. | 0:20:16 | 0:20:19 | |
Country's safe in their hands and all. | 0:20:19 | 0:20:22 | |
Since when did we get cholera in the UK? | 0:20:22 | 0:20:24 | |
So, how the hell did she pick it up, then? A day trip to West Bengal? | 0:20:24 | 0:20:29 | |
Guys, the hairs Rosa found on Beth's pillow... | 0:20:37 | 0:20:40 | |
They match with Tess Williams. | 0:20:40 | 0:20:42 | |
OK, I'm on my way. | 0:20:42 | 0:20:43 | |
We can place Tess in Beth's cell. | 0:20:43 | 0:20:46 | |
Fantastic(!) And can you place where Tess is now? | 0:20:46 | 0:20:49 | |
-She's up on the... -On the roof? No. Wrong. She's not there, she never has been. | 0:20:49 | 0:20:52 | |
-So who told you she was? -Nicole! | 0:20:52 | 0:20:55 | |
So she's not on the roof and she didn't go to work. Vanished! | 0:20:58 | 0:21:00 | |
You'd better come up with something quick, man! Think! | 0:21:00 | 0:21:03 | |
She could have just walked out of here really, couldn't she? | 0:21:03 | 0:21:05 | |
This is an open prison, you know. | 0:21:05 | 0:21:07 | |
The doors are open at 6am for people in work placements. | 0:21:07 | 0:21:09 | |
Next of kin, have you contacted them? | 0:21:09 | 0:21:11 | |
Her parents are dead. | 0:21:11 | 0:21:12 | |
The sister - still alive? | 0:21:12 | 0:21:15 | |
I don't know. | 0:21:15 | 0:21:16 | |
What's her name? | 0:21:16 | 0:21:18 | |
Eh, Caitlin. | 0:21:18 | 0:21:19 | |
Do you have an address for Caitlin? | 0:21:19 | 0:21:20 | |
There'll be nothing in the system. It was years ago, | 0:21:20 | 0:21:22 | |
and as far as I know, there's been no contact since she was sentenced. | 0:21:22 | 0:21:25 | |
All right, listen - my concern is we've got somebody out there | 0:21:25 | 0:21:27 | |
-running around with cholera. -No, we don't know that for certain. | 0:21:27 | 0:21:29 | |
OK. Maybe cholera, then. | 0:21:29 | 0:21:30 | |
Transmission person to person is extremely rare, | 0:21:30 | 0:21:32 | |
so she's not gonna give it to anyone else outside. | 0:21:32 | 0:21:35 | |
Fine. But if it was cholera that killed Beth Fox, | 0:21:35 | 0:21:38 | |
we're not looking at murder any more, am I right? | 0:21:38 | 0:21:40 | |
Look, she was dead before she was cut and yes, | 0:21:40 | 0:21:42 | |
she had cholera in her system, but this is extremely important, OK? | 0:21:42 | 0:21:45 | |
Cholera doesn't cause bruising and swelling... | 0:21:45 | 0:21:48 | |
-He asked a simple question. -Yeah, and I'm trying to explain. -Look, we don't want an essay. | 0:21:48 | 0:21:51 | |
All we want is a very simple answer, because to be quite honest with you, | 0:21:51 | 0:21:56 | |
-I'm fed up with running about looking like a bloody idiot. -There are no simple answers. | 0:21:56 | 0:22:00 | |
We make an observation suggesting one thing | 0:22:00 | 0:22:02 | |
and then it's immediately contradicted by something else. | 0:22:02 | 0:22:04 | |
It takes time to come up with scientific proof. | 0:22:04 | 0:22:06 | |
You can't just throw a paddy and expect results, Hale - you have to learn some patience. | 0:22:06 | 0:22:11 | |
All right, let's just assume for one moment it was cholera that killed her and Tess has it too. | 0:22:11 | 0:22:16 | |
Now, worst-case scenario - say the police can't find her quickly, | 0:22:16 | 0:22:19 | |
and it remains untreated. How long will she have? | 0:22:19 | 0:22:21 | |
The closest strain to what we found in Beth is El Tor 01, | 0:22:21 | 0:22:25 | |
a Haitian strain which can kill within anything from 2 to 48 hours. | 0:22:25 | 0:22:28 | |
Hello? Hello, it's Hale. I need an address. Caitlin Williams. | 0:22:28 | 0:22:33 | |
As quick as you can. | 0:22:35 | 0:22:36 | |
We test everyone. | 0:22:39 | 0:22:41 | |
If anyone else is carrying it, they go straight onto antibiotics. | 0:22:41 | 0:22:44 | |
Except Tess Williams. How are you gonna test her? | 0:22:44 | 0:22:47 | |
-She's not here, is she? -So, find her. | 0:22:47 | 0:22:49 | |
All right, whatever. For now, we keep this under wraps, OK? | 0:22:49 | 0:22:52 | |
Nobody here needs to know about this. We can't afford a panic. | 0:22:52 | 0:22:55 | |
You knew she wasn't up on the roof. You were stalling. | 0:22:58 | 0:23:02 | |
Is that what this riot is about, to cover her getting out the front door? | 0:23:02 | 0:23:05 | |
She didn't tell me anything. | 0:23:05 | 0:23:07 | |
Now, you said that Beth was really hard work, right? | 0:23:07 | 0:23:11 | |
That she was really insecure? She gave Tess a hard time. | 0:23:11 | 0:23:14 | |
-I never said that. -So, Tess comes to you, | 0:23:14 | 0:23:16 | |
she says, yeah, we've had a fight, | 0:23:16 | 0:23:18 | |
she lost control, but she didn't mean to actually kill her. | 0:23:18 | 0:23:21 | |
She's in pieces and she needs time to get away | 0:23:21 | 0:23:24 | |
before they discover the body, will you help? Nicole, will you help? | 0:23:24 | 0:23:28 | |
So, you stir things up. You put a couple of people up on the roof | 0:23:28 | 0:23:31 | |
because you know that Ryan over there is too soft to go up and get 'em down, | 0:23:31 | 0:23:35 | |
and by the time that we do, she's had, what, a three-hour head start? | 0:23:35 | 0:23:38 | |
I need to know where Tess is, Nicole. Where is she? | 0:23:38 | 0:23:42 | |
BUZZ OF CONVERSATION | 0:23:45 | 0:23:47 | |
'Well, we all need sustenance, don't we? Whoever we are.' | 0:23:51 | 0:23:55 | |
-She's fascinating. -That's one way of describing her. | 0:23:55 | 0:23:57 | |
Takes something special, I suppose, to cut somebody's throat. | 0:23:57 | 0:24:00 | |
-She was already dead. -Well, that's all right, then(!) | 0:24:00 | 0:24:03 | |
'There are few people I can connect with in here.' | 0:24:03 | 0:24:06 | |
Would you do that to somebody you say you love? | 0:24:06 | 0:24:08 | |
'I feel alone most of the time. | 0:24:08 | 0:24:10 | |
'I suppose my studies are a way | 0:24:10 | 0:24:11 | |
'of smuggling something real and good inside me. | 0:24:11 | 0:24:14 | |
'It's like medicine.' | 0:24:14 | 0:24:16 | |
RECORDING REWINDS | 0:24:16 | 0:24:17 | |
'It's like medicine.' | 0:24:17 | 0:24:19 | |
Rosa, can you check if Tess gave blood in the last few days? | 0:24:28 | 0:24:32 | |
I don't know, routine drug screening, whatever. | 0:24:32 | 0:24:35 | |
I've got to test her somehow. | 0:24:35 | 0:24:37 | |
I've gotta find out what we've got walking around out there. | 0:24:37 | 0:24:41 | |
Mike, I'm couriering a faeces sample from Tess's cell. | 0:24:41 | 0:24:44 | |
If she has cholera, she'd have D and V, right? | 0:24:44 | 0:24:47 | |
It'd show up in her faeces. | 0:24:47 | 0:24:49 | |
-Can you scan it? -Yeah, will do. | 0:24:49 | 0:24:51 | |
Also, I'm thinking we might need some expert help here. | 0:24:51 | 0:24:54 | |
A specialist in tropical diseases. | 0:24:54 | 0:24:57 | |
Well, I know someone at university might be able to help. | 0:24:57 | 0:24:59 | |
His name's, um, Neil Olsen. | 0:24:59 | 0:25:01 | |
-Do you want me to get in touch? -Yeah. | 0:25:01 | 0:25:03 | |
No... No. | 0:25:03 | 0:25:05 | |
Actually, let's just hang fire, see how widespread this is. | 0:25:05 | 0:25:09 | |
These are from her cell, right? Her sister, Caitlin. | 0:25:13 | 0:25:16 | |
Caitlin, Caitlin, Caitlin... Completely obsessed with her. | 0:25:16 | 0:25:20 | |
-So obsessed she tried to kill her? -Yeah. But there was a kind of noble logic to that. | 0:25:20 | 0:25:22 | |
Did she survive, the sister? | 0:25:22 | 0:25:24 | |
Yeah. | 0:25:28 | 0:25:30 | |
'I suppose my studies are a way | 0:26:01 | 0:26:03 | |
'of smuggling something real and good inside me. | 0:26:03 | 0:26:06 | |
'It's like medicine. | 0:26:06 | 0:26:08 | |
'I get the faintest glimpse of other dimensions | 0:26:10 | 0:26:12 | |
'where things don't obey the rules of the universe | 0:26:12 | 0:26:15 | |
'in quite the way that we experience them.' | 0:26:15 | 0:26:16 | |
'And that mirrors what goes on in your head, yeah? | 0:26:16 | 0:26:19 | |
'Other dimensions that don't obey normal rules? | 0:26:19 | 0:26:22 | |
That dimension where you take your sister's pain away? | 0:26:22 | 0:26:25 | |
-'Tell me about Caitlin.' -'Like I said, | 0:26:25 | 0:26:29 | |
'every breath she took gave her pain. | 0:26:29 | 0:26:31 | |
'I used to hear her screaming for someone to take it away.' | 0:26:31 | 0:26:33 | |
-'Where were your parents?' -'My dad was next to useless. | 0:26:33 | 0:26:36 | |
'My mum was... | 0:26:38 | 0:26:39 | |
'impotent, like me.' | 0:26:39 | 0:26:41 | |
'Except you weren't, though, were you?' | 0:26:41 | 0:26:43 | |
-'She wanted to be free of it.' -'Would you do it again?' | 0:26:43 | 0:26:46 | |
-'I thought she was better off dead.' -'Yes, I realise that. | 0:26:46 | 0:26:49 | |
'What I'm asking is, would you do it again?' | 0:26:49 | 0:26:52 | |
'Yeah, I'd do it again. Course I would. | 0:26:52 | 0:26:54 | |
'Both our parents are dead now. | 0:26:54 | 0:26:56 | |
'Without question, she's solely my responsibility. | 0:26:56 | 0:26:59 | |
'So, if she was hurting that badly, then yeah, whatever it takes.' | 0:26:59 | 0:27:02 | |
DIALLING TONE | 0:27:18 | 0:27:20 | |
'Hi. Ben and Cat aren't here right now, | 0:27:22 | 0:27:25 | |
'so leave us a message.' BEEP | 0:27:25 | 0:27:28 | |
Sorry. | 0:27:28 | 0:27:29 | |
I am here. | 0:27:29 | 0:27:31 | |
Hello? | 0:27:31 | 0:27:33 | |
Hello? | 0:27:33 | 0:27:34 | |
'Time isn't measurable in terms of experience. | 0:27:44 | 0:27:47 | |
'I mean, sometimes an hour can seem interminable, | 0:27:47 | 0:27:50 | |
'but if, say, you're with somebody that you love, then it's elastic. | 0:27:50 | 0:27:54 | |
'It's not that easy to explain.' | 0:27:54 | 0:27:56 | |
'OK. | 0:27:56 | 0:27:58 | |
'What I'm trying to find out is, what exactly does this do for you? | 0:27:59 | 0:28:04 | |
'Besides being an intellectual challenge.' | 0:28:04 | 0:28:06 | |
Hi, sorry, you're needed. | 0:28:31 | 0:28:33 | |
Khan needs to make a public statement and he needs information. | 0:28:33 | 0:28:37 | |
'Attempts are being here to move press and public away from the area, | 0:28:37 | 0:28:42 | |
'but so far, no explanation has been forthcoming. | 0:28:42 | 0:28:44 | |
'We are experiencing a really distressing scene. You can feel the tension here.' | 0:28:44 | 0:28:48 | |
-Turn that shit off. -'I will, of course, keep you updated.' | 0:28:48 | 0:28:52 | |
Right, once again, simple question. | 0:28:52 | 0:28:54 | |
Is this murder? | 0:28:54 | 0:28:56 | |
And likewise, once again, for everyone's benefit, | 0:28:56 | 0:28:58 | |
she had cholera in her system, and her carotid artery was cut postmortem. | 0:28:58 | 0:29:04 | |
-Why is this so difficult to answer? -Because... | 0:29:05 | 0:29:08 | |
I can't give you an absolute yes or no yet. | 0:29:08 | 0:29:11 | |
Right now, we don't even understand how the cholera got into the building, | 0:29:11 | 0:29:14 | |
and it's not behaving as I would expect, so... | 0:29:14 | 0:29:17 | |
All right, you just listen to me, yeah? Just so you understand. | 0:29:17 | 0:29:20 | |
I have the Home Secretary on my back about this. | 0:29:20 | 0:29:23 | |
See, this is not some little incident | 0:29:23 | 0:29:26 | |
that you can handle in your own sweet way. | 0:29:26 | 0:29:28 | |
Now, I have to hand them a bone, | 0:29:28 | 0:29:30 | |
but I can't until I get something more than supposition from you, | 0:29:30 | 0:29:33 | |
-and you are being paid handsomely... -Do you want me to make something up | 0:29:33 | 0:29:36 | |
to get the press off your back? Is that what you want me to do? Do you? | 0:29:36 | 0:29:40 | |
I'm as frustrated as you are, but I... | 0:29:40 | 0:29:43 | |
I can only deal with the evidence I have, | 0:29:43 | 0:29:46 | |
and if that's not good enough for you, | 0:29:46 | 0:29:48 | |
then I suggest you pick up the phone and get someone else. | 0:29:48 | 0:29:52 | |
No, no, no. No-one's asking to do that. | 0:29:52 | 0:29:54 | |
PHONE RINGS | 0:29:54 | 0:29:57 | |
Hale. | 0:29:57 | 0:29:59 | |
Do we know yet if any of the other inmates have been infected? | 0:30:01 | 0:30:04 | |
No, we don't. | 0:30:04 | 0:30:05 | |
As soon as we do, you'll be the first to know. | 0:30:05 | 0:30:09 | |
Good. Good, fantastic. | 0:30:09 | 0:30:12 | |
Found Tess's sister's address. | 0:30:12 | 0:30:15 | |
Yeah, go on. | 0:30:15 | 0:30:16 | |
-Eve? -Yeah, go ahead, Mike. | 0:30:17 | 0:30:19 | |
I got some results on the blood and faeces tests. | 0:30:19 | 0:30:21 | |
-Yep? -I'm still working my way through them, | 0:30:21 | 0:30:23 | |
-so my results are inconclusive... -OK, I'll be right there. | 0:30:23 | 0:30:25 | |
..but I thought you might want to know. | 0:30:25 | 0:30:26 | |
So far, only one more prisoner has tested positive for V cholerae. It's Tess Williams. | 0:30:26 | 0:30:30 | |
-How long has she got? -I don't know. Depends when she was infected. | 0:30:30 | 0:30:33 | |
Hours at most. That's if antibiotics will even work against this thing. That's if we can even find her. | 0:30:33 | 0:30:37 | |
So, you're just gonna give her a death sentence? | 0:30:37 | 0:30:41 | |
I've also finished tests on the food and water - they're both clear | 0:30:41 | 0:30:43 | |
so the infection couldn't have come in that way. | 0:30:43 | 0:30:45 | |
Then it has to have been brought in by Tess and Beth, | 0:30:45 | 0:30:48 | |
picked up somewhere outside the prison. | 0:30:48 | 0:30:50 | |
See you in a bit. | 0:30:52 | 0:30:54 | |
Move over. | 0:31:13 | 0:31:15 | |
-Tess, what are you doing? -Shut up, please. | 0:31:15 | 0:31:17 | |
ENGINE STARTS | 0:31:17 | 0:31:19 | |
Look, she's a good person, OK? She's decent. | 0:31:19 | 0:31:21 | |
-Yeah, and we'll find her. -How? How are you gonna find her? | 0:31:21 | 0:31:23 | |
-Well, Hale... -Hale?! Hale wouldn't know where to start. -Oggy... | 0:31:23 | 0:31:26 | |
-She is way ahead of him. She's cleverer than him, she's much more capable than him... -Please. | 0:31:26 | 0:31:30 | |
-Calm down. -Are you still there, Mike? | 0:31:30 | 0:31:32 | |
-Yeah, I'm listening. Please... -She just wants to make things right. | 0:31:32 | 0:31:35 | |
I'm guessing Beth and Tess both had jobs outside the prison. | 0:31:35 | 0:31:37 | |
-She wants to make things right! -Shut up! | 0:31:37 | 0:31:39 | |
Will you please shut up, please?! | 0:31:39 | 0:31:43 | |
That's it. That's it, that's it. | 0:31:46 | 0:31:49 | |
'We all need sustenance, don't we?' | 0:31:49 | 0:31:50 | |
Did, um... | 0:31:50 | 0:31:53 | |
Beth and Tess, did they work together? | 0:31:53 | 0:31:54 | |
No. | 0:31:54 | 0:31:56 | |
Well, they must have got it from the same source, surely. | 0:31:56 | 0:31:58 | |
Mike, is this a new strain? | 0:31:58 | 0:31:59 | |
Well, I dunno. | 0:31:59 | 0:32:01 | |
We need to break it down, we have to identify it | 0:32:01 | 0:32:03 | |
so that we know how to treat it. If it's not El Tor 01 Haitian strain, then what is it? | 0:32:03 | 0:32:07 | |
'I get the faintest glimpse of other dimensions where things don't obey | 0:32:07 | 0:32:10 | |
'the rules of the universe in quite the way that we experience them.' | 0:32:10 | 0:32:13 | |
'And that mirrors what goes on in your head, yeah? | 0:32:13 | 0:32:18 | |
'Other dimensions that don't obey normal rules? | 0:32:18 | 0:32:22 | |
'That dimension where you take your sister's pain away?' | 0:32:22 | 0:32:25 | |
You're not getting out of here, so just stop it. | 0:32:25 | 0:32:28 | |
SIGHS | 0:32:28 | 0:32:30 | |
-PHONE RINGS -Oh, yeah, hang on. | 0:32:33 | 0:32:36 | |
Yep, hi. | 0:32:38 | 0:32:39 | |
Her boyfriend says she should've been back ages ago. | 0:32:39 | 0:32:40 | |
Well, did she tell him where she was going? | 0:32:40 | 0:32:42 | |
Yeah, just to the local shops. | 0:32:42 | 0:32:44 | |
Well, why'd she want to see her sister? | 0:32:44 | 0:32:46 | |
My guess is she came back to see Caitlin to...do whatever it was that she failed to do years ago. | 0:32:46 | 0:32:49 | |
She knows she's got 48 hours. | 0:32:49 | 0:32:52 | |
-Less than 48 hours. -What? | 0:32:52 | 0:32:53 | |
Well, we don't know precisely when she was infected. | 0:32:53 | 0:32:55 | |
What precisely do you know, then, Eve? Cos the clock is ticking here. | 0:32:55 | 0:32:59 | |
Hey! It's your job to find her, not mine. I'm just doing the science. | 0:32:59 | 0:33:02 | |
-Is that right? Well, not that I'd have noticed. -Excuse me? | 0:33:02 | 0:33:06 | |
-PHONE BEEPS -THERAPIST: 'Tell me about Caitlin.' | 0:33:06 | 0:33:09 | |
'You mentioned what things were like when you were at home.' | 0:33:09 | 0:33:12 | |
'Like I said, every breath she took gave her pain.' | 0:33:12 | 0:33:15 | |
-Oggy. -'I used to hear her screaming...' | 0:33:15 | 0:33:17 | |
You need to put your head somewhere else, OK? | 0:33:17 | 0:33:20 | |
'My dad was next to useless. | 0:33:20 | 0:33:22 | |
'My mum was... | 0:33:24 | 0:33:26 | |
'impotent, like me.' | 0:33:26 | 0:33:27 | |
'Except you weren't, though, were you, ultimately?' | 0:33:27 | 0:33:30 | |
-'She wanted to be free of it...' -Jeez! | 0:33:30 | 0:33:34 | |
So, how are you feeling? | 0:33:47 | 0:33:49 | |
Fantastic(!) | 0:33:51 | 0:33:52 | |
-What else do you want me to say? -The truth? | 0:33:59 | 0:34:01 | |
-D'you know, the last time I saw you, years ago... -I know. | 0:34:04 | 0:34:07 | |
Yeah. | 0:34:07 | 0:34:08 | |
..I woke up and you asked me the same question. | 0:34:09 | 0:34:12 | |
And you want me to be honest with you now?! | 0:34:12 | 0:34:14 | |
And what are you gonna do with that information, Tess? | 0:34:14 | 0:34:17 | |
Are you gonna go away and write me a letter | 0:34:17 | 0:34:19 | |
saying you hope I feel better soon, is that what you're gonna do? | 0:34:19 | 0:34:21 | |
Or are you gonna try and make things better right here and now, | 0:34:21 | 0:34:24 | |
-like you did last time? -So, when you wake up at night, | 0:34:24 | 0:34:26 | |
-who's taking care of you? -Me. I am. | 0:34:26 | 0:34:29 | |
No-one else? | 0:34:29 | 0:34:30 | |
Why is that so important now, all of a sudden? | 0:34:30 | 0:34:33 | |
Cos you know, I haven't spoken to you since I was a child. | 0:34:35 | 0:34:38 | |
What happened, happened, and we both had to deal with the consequences. | 0:34:42 | 0:34:46 | |
So, what are you gonna do? | 0:34:50 | 0:34:52 | |
Cos after years and years of prison and psychiatrists | 0:34:52 | 0:34:55 | |
and God knows what else... | 0:34:55 | 0:34:57 | |
..it's still in you, isn't it? | 0:34:58 | 0:35:01 | |
Well, d'you know something? Whatever warped shit is driving you on, | 0:35:04 | 0:35:08 | |
I've survived you before. | 0:35:08 | 0:35:09 | |
I beat you and I'm still here. | 0:35:11 | 0:35:12 | |
And I am actually a grown-up. | 0:35:14 | 0:35:16 | |
-No, you're still my... -No! | 0:35:16 | 0:35:17 | |
I'm an adult. | 0:35:17 | 0:35:19 | |
No, you're still my responsibility. | 0:35:19 | 0:35:21 | |
I'm all you've got. | 0:35:21 | 0:35:23 | |
No. | 0:35:24 | 0:35:25 | |
Yeah. | 0:35:25 | 0:35:26 | |
And even when Mum and Dad was around, it was all down to me, and you know it. | 0:35:26 | 0:35:30 | |
I found some plant debris in Tess's cell, dandelion seeds, | 0:35:33 | 0:35:37 | |
and there's something else I need to ID. | 0:35:37 | 0:35:39 | |
Mike, have you had a look at Beth's clothes? | 0:35:39 | 0:35:41 | |
-I haven't had time yet, Rosa. -Oh, come on, Mike! | 0:35:41 | 0:35:44 | |
Eve? | 0:35:48 | 0:35:49 | |
OK, look, I'm sorry. It's just that we are running out of time. | 0:35:51 | 0:35:55 | |
What, and you think I don't know that? | 0:35:55 | 0:35:57 | |
Look, the balance of probability | 0:35:57 | 0:36:00 | |
is that something to do with cholera killed her, right? | 0:36:00 | 0:36:02 | |
Yeah, agreed. | 0:36:02 | 0:36:04 | |
So, why stab her after she's dead? | 0:36:04 | 0:36:05 | |
Most likely because Tess | 0:36:07 | 0:36:08 | |
had to convince Nicole to help her get away, and the easiest way to do that | 0:36:08 | 0:36:12 | |
was to claim that she had actually killed Beth. Now, listen - what I'm thinking is... | 0:36:12 | 0:36:15 | |
It's a donkey. | 0:36:15 | 0:36:16 | |
So, you're saying she stabbed her because she was a donkey, is that right? | 0:36:18 | 0:36:21 | |
No, this is. It's what geneticists call a donkey. The cholera's man-made, | 0:36:21 | 0:36:24 | |
-It's a manufactured genetic mutation. -I don't understand. | 0:36:24 | 0:36:27 | |
It's not a natural strain of the disease, it's been made in a lab for medical purposes. | 0:36:27 | 0:36:30 | |
Here. The bacteria's been deactivated to make it safe | 0:36:30 | 0:36:33 | |
then modified to carry medication directly to a target. | 0:36:33 | 0:36:36 | |
Look, if you had a tumour, this would deliver the chemo straight to it. | 0:36:36 | 0:36:38 | |
Tess kind of triggered the thought for me, listen. | 0:36:38 | 0:36:41 | |
'I suppose my studies are a way of smuggling something real and good inside me. | 0:36:41 | 0:36:47 | |
'It's like medicine.' | 0:36:47 | 0:36:48 | |
"Like medicine." That's literally what this was designed to do. | 0:36:48 | 0:36:53 | |
OK, slow down. | 0:36:53 | 0:36:54 | |
What you're saying is that this donkey, or whatever, is the real cholera. | 0:36:54 | 0:36:58 | |
Yes, it's just been redesigned, which is why it didn't behave | 0:36:58 | 0:37:02 | |
like regular cholera would. Just think of it like a donkey carrying a load of medicine on its back. | 0:37:02 | 0:37:05 | |
Yeah, but there is no load here. | 0:37:05 | 0:37:06 | |
No, because I think this was just an experiment to see how | 0:37:06 | 0:37:09 | |
the modified bacteria would react to being injected into the host. | 0:37:09 | 0:37:12 | |
The load was gonna be added later. | 0:37:12 | 0:37:14 | |
So, the cholera was somehow reactivated when it was introduced to Tess and Beth? | 0:37:14 | 0:37:17 | |
- Yes. - How? | 0:37:17 | 0:37:19 | |
-I have no idea. -So, this isn't about cholera at all. | 0:37:19 | 0:37:22 | |
It's about something else entirely. | 0:37:22 | 0:37:23 | |
I mean, cholera's just the agent. | 0:37:23 | 0:37:25 | |
-No, look... -So...so, why cholera? Why use that? | 0:37:25 | 0:37:31 | |
That's my limit. We wanna know more, we have to get a geneticist on board. | 0:37:31 | 0:37:34 | |
Not on this budget, we won't. Can't afford expertise, can we, Inspector? | 0:37:34 | 0:37:37 | |
What are you trying to do, Mike? Hm? Bleed me dry? | 0:37:37 | 0:37:40 | |
I don't believe I'm hearing this. Are we actually trying to save this woman's life here | 0:37:40 | 0:37:44 | |
or is it all about costs and profit? | 0:37:44 | 0:37:45 | |
Hey. You're overreacting. | 0:38:11 | 0:38:13 | |
That was for Hale's benefit, to get more money out of him. | 0:38:13 | 0:38:16 | |
-It's just a game they play. -Funny kind of game. | 0:38:16 | 0:38:17 | |
He wouldn't deny us expert help, not at this stage. | 0:38:17 | 0:38:20 | |
I don't want to have to examine Tess's dead body. | 0:38:24 | 0:38:27 | |
Why? | 0:38:28 | 0:38:29 | |
I don't know. | 0:38:32 | 0:38:34 | |
Maybe because... | 0:38:34 | 0:38:36 | |
we're so similar. | 0:38:36 | 0:38:37 | |
Her mind takes her to places she doesn't wanna to go, so does mine. | 0:38:39 | 0:38:42 | |
She's locked up, so am I. We're both... | 0:38:42 | 0:38:45 | |
..we're both on our own. | 0:38:48 | 0:38:50 | |
You can't know someone from looking at images of them. | 0:38:50 | 0:38:53 | |
Evidence and observation - it's what we do. | 0:38:53 | 0:38:57 | |
I've watched her in therapy, Eve. | 0:38:57 | 0:38:59 | |
Hey, listen to me. | 0:38:59 | 0:39:01 | |
If this gets personal, it'll only confuse things. | 0:39:01 | 0:39:03 | |
Anyway, the truth is, you're not connecting with who she actually is, | 0:39:03 | 0:39:07 | |
-just who you think she is. -No. -Yes, you are. Which is kind of typical bloke. | 0:39:07 | 0:39:11 | |
Really? | 0:39:11 | 0:39:12 | |
Look, I think she is passionate and selfless and that there is a goodness in there. | 0:39:12 | 0:39:19 | |
-She said she'd harm her sister again if she got the chance. -No. | 0:39:19 | 0:39:23 | |
-She did, in therapy. I've just watched it. -You are wrong. -She's dangerous. | 0:39:23 | 0:39:27 | |
No! | 0:39:27 | 0:39:28 | |
-Oggy... -No, you can't see her because... | 0:39:28 | 0:39:31 | |
Because what? | 0:39:31 | 0:39:33 | |
OK, look. | 0:39:35 | 0:39:36 | |
I have got a skin that's paper thin and you, you're the opposite, | 0:39:37 | 0:39:41 | |
you know? | 0:39:41 | 0:39:42 | |
She's not like either of us. | 0:39:43 | 0:39:46 | |
Whatever bad stuff has happened to her, | 0:39:46 | 0:39:48 | |
she's not frightened to say when she's wrong. | 0:39:48 | 0:39:51 | |
She's not afraid of getting close to people like you are. | 0:39:51 | 0:39:55 | |
Eve, the contact at the university I was telling you about, Neil Olsen. | 0:40:00 | 0:40:04 | |
Um, he... | 0:40:04 | 0:40:05 | |
Do you want me to go and see him or do you want to do it? | 0:40:05 | 0:40:08 | |
Thanks. | 0:40:08 | 0:40:10 | |
Tess... | 0:40:22 | 0:40:23 | |
I'm gonna be all right. I'm on the list for a transplant... | 0:40:24 | 0:40:28 | |
Oh, and what if you don't get it? | 0:40:28 | 0:40:30 | |
What then? More infections, more pain? | 0:40:30 | 0:40:32 | |
Yeah, but that, that is my decision, isn't it? That's my life. | 0:40:32 | 0:40:36 | |
Tess, I don't need you or anybody. | 0:40:40 | 0:40:42 | |
You see, that's where you're wrong and that is what worries me. | 0:40:42 | 0:40:45 | |
Because it's all right being independent, | 0:40:45 | 0:40:47 | |
but what are you gonna do when you really, really need help? | 0:40:47 | 0:40:49 | |
Ben. | 0:40:49 | 0:40:51 | |
-He'll tire of it, Caitlin. He will. -No, he won't. -He will. | 0:40:51 | 0:40:55 | |
-Everyone does. -And did you? -No. -No. | 0:40:55 | 0:40:57 | |
But you did what you thought was for the best for me. | 0:40:57 | 0:41:01 | |
But you were wrong, Tess, weren't you? | 0:41:01 | 0:41:03 | |
OK. | 0:41:12 | 0:41:14 | |
Just listen to me. | 0:41:15 | 0:41:16 | |
The truth is... | 0:41:21 | 0:41:23 | |
I need to be able to just go, but I can't unless... | 0:41:23 | 0:41:26 | |
Unless! | 0:41:26 | 0:41:28 | |
Unless you know that I've got someone to look after me? | 0:41:28 | 0:41:31 | |
Yeah. | 0:41:31 | 0:41:33 | |
Is that what all this is all about? | 0:41:37 | 0:41:39 | |
For God's sake. | 0:41:46 | 0:41:48 | |
Yes, I'm with someone that I love | 0:41:49 | 0:41:52 | |
and who loves me. | 0:41:52 | 0:41:53 | |
You probably won't understand this, but this is what normal people do. | 0:41:56 | 0:41:59 | |
They take care of each other. | 0:42:00 | 0:42:02 | |
I don't need you, so you can go... | 0:42:04 | 0:42:06 | |
go and do whatever it is that you need to do, | 0:42:06 | 0:42:09 | |
but just leave us to get on with our lives, please. | 0:42:09 | 0:42:12 | |
OK. | 0:42:13 | 0:42:15 | |
If we're testing some sort of hypothesis, | 0:42:21 | 0:42:23 | |
-don't you think I should know? -Sure, just... | 0:42:23 | 0:42:25 | |
Eve questions everything I say, so I want to be certain | 0:42:25 | 0:42:27 | |
before I start making any announcements, so...please? | 0:42:27 | 0:42:31 | |
Just the lungs? | 0:42:31 | 0:42:33 | |
Yeah. | 0:42:33 | 0:42:34 | |
Um, first I wanna know what's going on with you and Eve. | 0:42:35 | 0:42:39 | |
Nothing. We just had a difference of opinion. | 0:42:39 | 0:42:42 | |
Eve is very...anal-ytical. | 0:42:42 | 0:42:45 | |
-CHUCKLES -And you're not? | 0:42:45 | 0:42:47 | |
No, I... Well, maybe. | 0:42:47 | 0:42:49 | |
-But not exclusively, you know. I...I'm open to other aspects of us that make us who we are. -Such as? | 0:42:49 | 0:42:56 | |
Eve sees things very simply, you know. For her, it's just cause and effect. | 0:42:56 | 0:42:59 | |
This happens here and that happens there, | 0:42:59 | 0:43:02 | |
and somehow it all leaves an evidence trail | 0:43:02 | 0:43:04 | |
and all we have to do, Oggy, is be clever enough to find it. | 0:43:04 | 0:43:07 | |
Get to the point. This difference of opinion, that's about this girl, Tess, innit? | 0:43:07 | 0:43:10 | |
Yeah. | 0:43:13 | 0:43:14 | |
Look... | 0:43:17 | 0:43:18 | |
I believe people can recover | 0:43:18 | 0:43:21 | |
and people can be motivated to do right by others | 0:43:21 | 0:43:24 | |
and the particular thing you did at a particular time | 0:43:24 | 0:43:26 | |
shouldn't damn you for the rest of your life. | 0:43:26 | 0:43:28 | |
Look, I'm sorry to bring you both back to basics, | 0:43:28 | 0:43:31 | |
but, um...I've finished testing Beth's clothes | 0:43:31 | 0:43:33 | |
and there is plant material on it, | 0:43:33 | 0:43:36 | |
maybe the same as you found in Tess's cell. | 0:43:36 | 0:43:38 | |
Er, would you mind, Rosa? | 0:43:38 | 0:43:40 | |
Yeah, yeah, I'll be right there. | 0:43:40 | 0:43:42 | |
(Sorry.) | 0:43:44 | 0:43:45 | |
All right, go. It's fine. | 0:43:45 | 0:43:47 | |
In my head these last few years... | 0:43:54 | 0:43:56 | |
..I've always been here with you. | 0:43:58 | 0:44:00 | |
I know. | 0:44:01 | 0:44:02 | |
But we have to move on. Both of us. | 0:44:05 | 0:44:07 | |
And this responsibility thing that I keep talking about... | 0:44:15 | 0:44:18 | |
Well, it makes you do strange things. | 0:44:21 | 0:44:23 | |
It becomes like an obsession. | 0:44:25 | 0:44:27 | |
I only ever wanted to help you. | 0:44:34 | 0:44:36 | |
I hope you know that. | 0:44:38 | 0:44:40 | |
But there's been a price to pay. | 0:44:49 | 0:44:51 | |
And it's not just for me. | 0:44:54 | 0:44:56 | |
So, like you say... | 0:45:01 | 0:45:02 | |
..it's time we moved on. | 0:45:04 | 0:45:05 | |
Enough. | 0:45:05 | 0:45:07 | |
Enough. | 0:45:11 | 0:45:12 | |
It's time it all stopped. | 0:45:14 | 0:45:16 | |
LOCK CLUNKS | 0:45:26 | 0:45:28 | |
BUZZ OF CHATTER | 0:46:03 | 0:46:06 | |
Er, Professor Olsen? Excuse me, I'm so sorry. | 0:46:06 | 0:46:10 | |
-I'm Dr Eve Lockhart. -Oh, hello. | 0:46:10 | 0:46:12 | |
This DI Hale. We need to talk to you somewhere private. | 0:46:12 | 0:46:15 | |
Is there somewhere suitable we could go? | 0:46:15 | 0:46:17 | |
Excuse me. Um, come this way, please, it's more private. | 0:46:17 | 0:46:20 | |
Dr Fields, could you join us? | 0:46:20 | 0:46:22 | |
Yeah, I work in genetics. It's part of what I do. | 0:46:25 | 0:46:28 | |
We think it's genetically modified V cholerae. | 0:46:28 | 0:46:33 | |
-Modified for what purpose? -That's what we're hoping you can tell us. | 0:46:36 | 0:46:40 | |
-We found it postmortem in a local patient. -Contracted in this country? -It appears so, yes. | 0:46:40 | 0:46:44 | |
This woman, have you seen ever her before? | 0:46:44 | 0:46:47 | |
-Was she the person infected? -Yeah, it was. -No. | 0:46:48 | 0:46:51 | |
What about that one? | 0:46:51 | 0:46:53 | |
No. | 0:46:53 | 0:46:55 | |
Thank you. Look, does anyone else do this kind of work here? | 0:46:57 | 0:47:01 | |
-There's a whole department. -There's people all over the country. -No, I said here. | 0:47:01 | 0:47:04 | |
These women, they can't travel. | 0:47:04 | 0:47:05 | |
Well, if the question is am I responsible for this work, | 0:47:05 | 0:47:08 | |
then the answer's no - I'm not doing any research right now. | 0:47:08 | 0:47:10 | |
If you want confirmation of that, check with the IREC. | 0:47:10 | 0:47:13 | |
-The ethics committee. -PHONE RINGS | 0:47:13 | 0:47:15 | |
-Research has to be approved and registered. -I'm sorry, but we're needed. | 0:47:15 | 0:47:19 | |
You're needed here. We need help. | 0:47:19 | 0:47:20 | |
-I'm making a speech. -Hello? | 0:47:20 | 0:47:23 | |
-We're running out of time. Please. -Where? | 0:47:23 | 0:47:25 | |
My details. | 0:47:26 | 0:47:27 | |
-Send me what else you've got, I'll look at it tonight. -Right. | 0:47:27 | 0:47:31 | |
Jim Ryan, they've got another suspected case of cholera. | 0:47:31 | 0:47:33 | |
OK, thank you. | 0:47:33 | 0:47:35 | |
She's positive - same strain as Tess and Beth. | 0:47:38 | 0:47:41 | |
But she's not to be told, OK? We don't want a panic. | 0:47:41 | 0:47:44 | |
What, you don't think she's got a right to know what's going on with her own body? | 0:47:44 | 0:47:47 | |
-No, no, she forfeited that right when she was sent down. -Big hairy bollocks. Tell you what. | 0:47:47 | 0:47:52 | |
This is now a police investigation and members of the public... | 0:47:52 | 0:47:55 | |
are not invited. Thank you very much. | 0:47:55 | 0:47:58 | |
OK, this is what happened. | 0:48:08 | 0:48:11 | |
Tess killed Beth, showed you the body, | 0:48:11 | 0:48:13 | |
you stuck a couple of women on the roof to buy her time. | 0:48:13 | 0:48:15 | |
Tactical genius, me. | 0:48:15 | 0:48:18 | |
Tess told you that they'd had a fight and she'd stabbed her, right? | 0:48:18 | 0:48:20 | |
Wrong. | 0:48:20 | 0:48:22 | |
She was stringing you along. Beth was already dead by the time she knifed her. | 0:48:22 | 0:48:27 | |
Why would she do that? | 0:48:32 | 0:48:33 | |
-Why would she lie to me? -Like I said, to get you to help her. | 0:48:33 | 0:48:36 | |
Nicole... | 0:48:38 | 0:48:40 | |
Beth died of cholera. | 0:48:40 | 0:48:43 | |
And you've got it. | 0:48:43 | 0:48:44 | |
Tess has got it too, and she knows it. | 0:48:46 | 0:48:49 | |
If she knew she's got cholera, then why would she just leave? | 0:48:51 | 0:48:55 | |
She would get help. Why would she leave? | 0:48:55 | 0:48:57 | |
Because she can't live without her girlfriend? | 0:48:57 | 0:49:00 | |
Because she wants to go and see her sister before she dies? | 0:49:00 | 0:49:03 | |
You tell me. Whatever, the clock is ticking | 0:49:03 | 0:49:05 | |
and the longer you hold out on me, | 0:49:05 | 0:49:07 | |
the less chance she has of surviving, and it's also true for you. | 0:49:07 | 0:49:10 | |
Tell me about the cholera, then. | 0:49:13 | 0:49:15 | |
You must've all got it from the same source. | 0:49:15 | 0:49:18 | |
Why should I help her? She lied to me. | 0:49:21 | 0:49:25 | |
Because you told me she's a good person | 0:49:25 | 0:49:27 | |
and she taught you how to care about people. | 0:49:27 | 0:49:29 | |
You owe her this. | 0:49:31 | 0:49:32 | |
I don't know where she's gone, I swear. I swear. | 0:49:34 | 0:49:36 | |
Look... | 0:49:36 | 0:49:38 | |
This is, um... This is an engineered version of the disease. | 0:49:39 | 0:49:43 | |
It's not responding to treatment. | 0:49:43 | 0:49:47 | |
You and Tess will both need help. And that's why we need to find whoever planted it in you. | 0:49:47 | 0:49:51 | |
OK. | 0:49:53 | 0:49:55 | |
Tess got me and Beth involved in drug trials. | 0:49:55 | 0:49:58 | |
What were they for? | 0:49:58 | 0:50:00 | |
I don't know. | 0:50:00 | 0:50:01 | |
Who conducted the trials? Was it Professor Olsen? | 0:50:01 | 0:50:04 | |
Some woman in his department. But I don't remember her name. | 0:50:04 | 0:50:10 | |
I'll be fine, right? | 0:50:12 | 0:50:13 | |
Please find her. | 0:50:14 | 0:50:16 | |
We will. | 0:50:16 | 0:50:18 | |
I'm gonna go and get you some help. | 0:50:21 | 0:50:22 | |
No. | 0:50:22 | 0:50:24 | |
Look, if this gets out, | 0:50:24 | 0:50:26 | |
they're gonna transfer you back to maximum security. | 0:50:26 | 0:50:29 | |
We won't see each other again. | 0:50:29 | 0:50:32 | |
Look... | 0:50:32 | 0:50:34 | |
we'll just... we'll get out in the morning and we'll sort it then, OK? | 0:50:34 | 0:50:37 | |
OK. | 0:50:40 | 0:50:42 | |
Try and get some rest. | 0:50:42 | 0:50:43 | |
-PHONE RINGS -Yep, go ahead, Oggy. | 0:50:45 | 0:50:48 | |
What part of the body does cholera target? | 0:50:48 | 0:50:51 | |
Primarily the small intestine. Why? | 0:50:51 | 0:50:53 | |
Definitely not the lungs, because we've just examined Beth's lungs | 0:50:53 | 0:50:55 | |
and there's a massive concentration of V cholerae there. | 0:50:55 | 0:50:57 | |
I don't understand that. | 0:50:57 | 0:50:59 | |
Because the lungs are the target. The donkey was programmed to carry the medication there. | 0:50:59 | 0:51:03 | |
Why the lungs? | 0:51:03 | 0:51:04 | |
-Because Tess's sister has... -Has cystic fibrosis. Of course. | 0:51:04 | 0:51:07 | |
They were treating cystic fibrosis. | 0:51:07 | 0:51:09 | |
Yeah, but I still don't understand it. I mean, | 0:51:09 | 0:51:11 | |
-why cholera specifically? -OK, two reasons. | 0:51:11 | 0:51:14 | |
Firstly, it's very fast-acting, and secondly, | 0:51:14 | 0:51:16 | |
because they have a natural resistance to it. | 0:51:16 | 0:51:18 | |
It's a safe option. | 0:51:18 | 0:51:19 | |
Cystic fibrosis sufferers can carry the cholera in the blood | 0:51:19 | 0:51:23 | |
and not actually suffer from the disease. | 0:51:23 | 0:51:25 | |
Look, Eve, I am sorry, but I was right and you were wrong. | 0:51:25 | 0:51:27 | |
Tess is not a threat to anybody. She only got involved to help her sister. | 0:51:27 | 0:51:31 | |
Yeah, well done, Oggy! | 0:51:31 | 0:51:32 | |
Have you checked, is anyone up at the university | 0:51:32 | 0:51:34 | |
researching cystic fibrosis? | 0:51:34 | 0:51:36 | |
Right now, no-one. | 0:51:47 | 0:51:49 | |
But a Dr Fields ran out of money last year. | 0:51:49 | 0:51:52 | |
Same department as Olsen. | 0:51:52 | 0:51:53 | |
Right, we know the bacteria's been engineered. | 0:51:59 | 0:52:02 | |
One woman has already died. | 0:52:02 | 0:52:03 | |
Over here. Look, please. | 0:52:03 | 0:52:06 | |
Two more are infected. We're into damage limitation. | 0:52:15 | 0:52:17 | |
I don't know anything about this, I swear. | 0:52:17 | 0:52:20 | |
-Oh, come on. -Look, it's very simple. | 0:52:20 | 0:52:23 | |
I have witness statements implicating you. Either they're lying or you are. | 0:52:23 | 0:52:26 | |
We need your help to resolve this before anyone else is affected. | 0:52:26 | 0:52:30 | |
OK. | 0:52:35 | 0:52:36 | |
I met Tess when I tutored her on her first degree at Holloway. | 0:52:38 | 0:52:43 | |
I bumped into her a few months back. | 0:52:43 | 0:52:45 | |
The cleaning company she works for have a contract here. | 0:52:45 | 0:52:49 | |
And you thought because you knew Tess and Caitlin's history, | 0:52:49 | 0:52:52 | |
you'd get them to take part in an unregistered trial. | 0:52:52 | 0:52:54 | |
SCOFFS Neil knows | 0:52:54 | 0:52:56 | |
I was perfecting a system for delivering medication. | 0:52:56 | 0:52:59 | |
-I didn't know about these trials. -No, but I'm sure you'll agree, | 0:52:59 | 0:53:02 | |
-this is massively beneficial. -Did you tell Tess it was unregistered? | 0:53:02 | 0:53:05 | |
Absolutely, yes, and she was all for it, for Caitlin. | 0:53:05 | 0:53:09 | |
I mean, do you realise how difficult it is to get funding right now? | 0:53:09 | 0:53:12 | |
-Strangely enough, I do, yeah. -Look, | 0:53:12 | 0:53:14 | |
I deactivated the modified cholera bacteria | 0:53:14 | 0:53:17 | |
before injecting it into the test subjects. | 0:53:17 | 0:53:20 | |
I mean, obviously they have no natural immunity. | 0:53:20 | 0:53:22 | |
I had no idea that the bacteria would reactivate. | 0:53:22 | 0:53:25 | |
If I did, I would've called a halt to the trial. | 0:53:25 | 0:53:27 | |
And the subjects would've been in touch, surely, if there was a problem? | 0:53:27 | 0:53:29 | |
They were in prison. It's not that easy. | 0:53:29 | 0:53:32 | |
I'm sorry. | 0:53:32 | 0:53:34 | |
So, why has it reactivated? | 0:53:34 | 0:53:36 | |
Possible contact with protein cell receptors, I don't know. I'll have to look into it. | 0:53:36 | 0:53:40 | |
Your cholera is not responding to tetracycline or doxycycline. | 0:53:40 | 0:53:43 | |
We could try a combination high dose of tetramethoprim | 0:53:43 | 0:53:47 | |
and sulphamethoxazole - we should start there. | 0:53:47 | 0:53:50 | |
OK. I'm gonna call the prison. | 0:53:50 | 0:53:52 | |
Um... if I could come with you, I could maybe help. | 0:53:52 | 0:53:56 | |
The women are presumably in the hospital. | 0:53:56 | 0:53:58 | |
Nicole is. | 0:53:58 | 0:53:59 | |
Did you pay any of them? | 0:54:01 | 0:54:03 | |
Nicole I did, not the other two. | 0:54:03 | 0:54:05 | |
They weren't in it for the money. | 0:54:05 | 0:54:07 | |
We were all trying to do something decent. | 0:54:07 | 0:54:12 | |
Yep. | 0:54:13 | 0:54:14 | |
Beth. | 0:54:22 | 0:54:23 | |
Beth? | 0:54:25 | 0:54:27 | |
(Beth?) | 0:54:30 | 0:54:31 | |
We found Tess's sister. | 0:54:57 | 0:55:00 | |
-She's OK. -And Tess? | 0:55:00 | 0:55:02 | |
-Well, what are you doing?! You have to find her! -You think we're not trying? | 0:55:04 | 0:55:08 | |
We've looked everywhere that she's got a connection with. We're running out of options, mate. | 0:55:08 | 0:55:12 | |
I've made an analysis from the plant debris on Beth's clothes | 0:55:22 | 0:55:25 | |
and we've got a match with one of the samples from Tess's cell. | 0:55:25 | 0:55:28 | |
I've just got to ID it. | 0:55:28 | 0:55:29 | |
-Taraxacum. -Dandelion. | 0:55:34 | 0:55:36 | |
-And this one? -Could be anything. | 0:55:36 | 0:55:37 | |
Well, guess. We haven't got time to be 100% certain. | 0:55:37 | 0:55:41 | |
-Typha angustifolia? -In English! | 0:55:41 | 0:55:43 | |
Bulrushes. | 0:55:43 | 0:55:45 | |
Well, Nicole did say that Beth had a job in a cafe on the river. | 0:55:45 | 0:55:48 | |
HEART THUMPS SLOWLY | 0:55:56 | 0:55:57 | |
INDISTINCT CHATTER ON POLICE RADIO | 0:56:27 | 0:56:30 | |
SIREN WAILS IN DISTANCE | 0:56:31 | 0:56:33 | |
'The paths we take sometimes lead us away from people we know and love. | 0:56:41 | 0:56:45 | |
'But in the end, what matters is that we affect the lives of others for the better somehow - | 0:56:49 | 0:56:54 | |
'whoever we are, whatever our story. | 0:56:54 | 0:56:58 | |
'Obsession always destroys what it intended to nurture. | 0:57:14 | 0:57:19 | |
'But if you're able to let yourself love honestly and without fear, | 0:57:19 | 0:57:24 | |
'then maybe that huge heart you have will somehow set you free.' | 0:57:24 | 0:57:29 | |
'We pretty much know who this is. Or rather was.' | 0:57:36 | 0:57:39 | |
-Richard Warner. -The barrister? | 0:57:39 | 0:57:40 | |
He was a human rights lawyer. | 0:57:40 | 0:57:42 | |
-I'm not going to invest another penny. -Thanks, Dad. | 0:57:42 | 0:57:44 | |
-Thanks for believing in me(!) -Anything else you're not telling me? | 0:57:44 | 0:57:46 | |
Anything else I don't need to know? | 0:57:46 | 0:57:47 | |
You need to catch this guy! | 0:57:47 | 0:57:48 | |
-I know you, Mr Warner. -Police! Don't move! | 0:57:48 | 0:57:50 | |
You do not know the meaning of pain... | 0:57:50 | 0:57:54 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:19 | |
E-mail - [email protected] | 0:58:19 | 0:58:23 |