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-EVE: -In our pursuit of the truth, we must protect the unknown. | 0:00:13 | 0:00:16 | |
There must be a pristine separation of fact from fiction. | 0:00:19 | 0:00:23 | |
And when we are not safe in our findings... | 0:00:26 | 0:00:30 | |
let us give full heart to the assumption of innocence | 0:00:30 | 0:00:33 | |
until proven guilty. | 0:00:33 | 0:00:35 | |
MAN OVER RADIO: Rescue One to base. | 0:01:00 | 0:01:02 | |
Rescue One to base. | 0:01:03 | 0:01:04 | |
We have a body in the water. | 0:01:04 | 0:01:07 | |
Repeat, we have a body in the water, over. | 0:01:07 | 0:01:10 | |
-EVE: -Hale. | 0:01:54 | 0:01:55 | |
Who is he? | 0:01:55 | 0:01:57 | |
Er, Connor Ryan. Aged 35, | 0:01:57 | 0:02:00 | |
-recovered dead from the water. -And his boat was found adrift | 0:02:00 | 0:02:03 | |
-with no other crew on board? -Well, it's not his boat. | 0:02:03 | 0:02:06 | |
It belonged to his brother-in-law, Rob Fay. | 0:02:06 | 0:02:08 | |
He's at home nursing a hangover. Turns out it was being skippered | 0:02:08 | 0:02:12 | |
by a Patsy Fay, | 0:02:12 | 0:02:14 | |
who's banned because of a previous for drug smuggling. | 0:02:14 | 0:02:18 | |
Did 18 months, came out about a year ago. | 0:02:18 | 0:02:19 | |
-And she's missing? -Yeah. Her and a guy called Tom Wilkes. | 0:02:19 | 0:02:22 | |
Seems odd. No life raft on the boat | 0:02:22 | 0:02:25 | |
and the coxswain here reckons the boat was in perfect working order. | 0:02:25 | 0:02:28 | |
So what do you think they were doing out there? | 0:02:28 | 0:02:30 | |
I think they were collecting the post. | 0:02:30 | 0:02:32 | |
Ships go past from South America, crew dump the drugs overboard. | 0:02:32 | 0:02:35 | |
This lot go out there, dive, pick it up, bring it back on shore. | 0:02:35 | 0:02:37 | |
Dad! | 0:02:45 | 0:02:48 | |
Dad! | 0:02:48 | 0:02:49 | |
Dad, I think they found them! | 0:02:50 | 0:02:53 | |
-Dad! -What? | 0:02:53 | 0:02:54 | |
-I think they've found them! -All right. Calm down. Come here. | 0:02:54 | 0:02:57 | |
-They should be OK. -Breathe. Breathe, son. | 0:02:57 | 0:03:00 | |
They just pulled a body from the sea, Rob! | 0:03:00 | 0:03:03 | |
I think it's Connor, and they've just took him away. Where is he? | 0:03:03 | 0:03:06 | |
Oh, God, what's happened? | 0:03:06 | 0:03:08 | |
I'll phone the police, Susan. I'll find out. | 0:03:08 | 0:03:10 | |
Oh... | 0:03:10 | 0:03:11 | |
Yeah. Everything's changing, you know? | 0:03:17 | 0:03:20 | |
No-one's ever home. | 0:03:22 | 0:03:24 | |
Eve and Mike are always out doing stuff, and Rosa... | 0:03:24 | 0:03:27 | |
-OVER WALKIE-TALKIE: -Oggy? | 0:03:27 | 0:03:29 | |
Oggy, where are you? | 0:03:30 | 0:03:32 | |
Mate, don't ignore me. | 0:03:32 | 0:03:34 | |
I swear, | 0:03:36 | 0:03:37 | |
if I have to come out there, Oggy... | 0:03:37 | 0:03:39 | |
I'm actually really rather busy. I'm working with Old Tom. | 0:03:41 | 0:03:44 | |
Well, Old Tom can wait. | 0:03:44 | 0:03:45 | |
We need you in the lab. | 0:03:45 | 0:03:47 | |
We?! | 0:03:47 | 0:03:49 | |
Yeah. Eve's coming in with a body. | 0:03:49 | 0:03:51 | |
VEHICLE APPROACHES | 0:03:51 | 0:03:53 | |
-EVE: -OK. Time is 07.12. | 0:03:55 | 0:03:59 | |
Beginning autopsy of one Connor Ryan, male, aged 35. | 0:03:59 | 0:04:04 | |
He was recovered from sea at 0230 hours and pronounced dead at scene. | 0:04:04 | 0:04:09 | |
Initially, we want to establish time and cause of death. | 0:04:09 | 0:04:12 | |
Does he have a family? | 0:04:12 | 0:04:13 | |
-Yeah. -There's something very restless about him. | 0:04:13 | 0:04:16 | |
Oggy, we need to focus. | 0:04:16 | 0:04:18 | |
Yeah, he's got invertebrates - sea worms in his ears. | 0:04:20 | 0:04:23 | |
With a bit of luck, mate, you were submerged long enough | 0:04:23 | 0:04:26 | |
-to attract sea anemones. -I think he's been in a kelp forest. | 0:04:26 | 0:04:29 | |
His suit's just covered in sargassum. I'll run it. | 0:04:29 | 0:04:32 | |
I'll draw blood and run serology and toxicology. | 0:04:32 | 0:04:36 | |
-Rosa, marine botany. Oggy? -Parasitic sea life. I'm on it. | 0:04:36 | 0:04:39 | |
Right, once you've gathered, I'll start the autopsy. | 0:04:39 | 0:04:41 | |
-OK. -Great. | 0:04:41 | 0:04:42 | |
What the hell are you doing? | 0:04:51 | 0:04:53 | |
Cooking. | 0:04:53 | 0:04:54 | |
What? | 0:04:59 | 0:05:00 | |
What?! Look at the state you're in, is what! | 0:05:00 | 0:05:03 | |
-Can't a man have a drink? -That depends on the man, doesn't it? | 0:05:04 | 0:05:07 | |
You can't forgive me, can you? | 0:05:07 | 0:05:09 | |
-You think I'm a coward. -I think you're an alcoholic! | 0:05:09 | 0:05:10 | |
- I'm a man! | 0:05:10 | 0:05:12 | |
A man earns and he puts food on the table | 0:05:12 | 0:05:15 | |
and he puts a roof overhead and he's dependable! | 0:05:15 | 0:05:17 | |
You are a liability! | 0:05:17 | 0:05:19 | |
I'm sorry. | 0:05:21 | 0:05:22 | |
I'm so sorry. | 0:05:24 | 0:05:26 | |
I am tired hearing it, Rob, and I can't eat it! | 0:05:32 | 0:05:36 | |
And it doesn't pay the bills. | 0:05:36 | 0:05:38 | |
Sorry. | 0:05:39 | 0:05:41 | |
Really sorry. | 0:05:42 | 0:05:43 | |
Making an examination of the lungs. | 0:05:56 | 0:05:59 | |
Trachea is undamaged. | 0:06:00 | 0:06:02 | |
Entering the lungs. | 0:06:05 | 0:06:06 | |
Everyone, stop what you're doing. | 0:06:22 | 0:06:24 | |
PHONE RINGS | 0:06:31 | 0:06:33 | |
What is it? | 0:06:33 | 0:06:34 | |
Connor's lungs are void of water. | 0:06:34 | 0:06:37 | |
Does that mean he didn't die from drowning? | 0:06:37 | 0:06:39 | |
No. No blows, no defensive wounds. The mechanism of death must be internal. | 0:06:39 | 0:06:44 | |
-I'll check his blood for CO2 levels. -OK. | 0:06:44 | 0:06:47 | |
-Are we looking at a murder here? -I don't know. | 0:06:47 | 0:06:49 | |
Argh! | 0:06:52 | 0:06:54 | |
Look at the state of him! | 0:06:58 | 0:07:00 | |
I'm not his keeper, you know. | 0:07:02 | 0:07:04 | |
-Well, he's been dry for 18 months and then you show up. -Yeah? | 0:07:04 | 0:07:07 | |
I showed up with some work! | 0:07:07 | 0:07:08 | |
Look, I told Wilkes that I knew people who were dependable. | 0:07:13 | 0:07:17 | |
You told me he could do this. | 0:07:17 | 0:07:20 | |
Who's going to skipper now, huh? | 0:07:20 | 0:07:22 | |
I'll take you out. | 0:07:24 | 0:07:26 | |
-You're banned. -Well, I'm going to do it. It has to be done. | 0:07:26 | 0:07:28 | |
Wilkes knows all about him. | 0:07:28 | 0:07:29 | |
Wilkes will just have to know what he needs to know. | 0:07:29 | 0:07:32 | |
Just leave it at that. | 0:07:32 | 0:07:34 | |
What the hell do you see in him, huh? | 0:07:38 | 0:07:40 | |
Connor, you're my brother and I love you dearly, | 0:07:40 | 0:07:42 | |
but he's my husband, and don't forget that. | 0:07:42 | 0:07:45 | |
-He's an alcoholic. -You watch your mouth! | 0:07:45 | 0:07:47 | |
Or as God is my witness, I will put my fist through your... | 0:07:47 | 0:07:50 | |
There he is! Hey, come here. Give us a hug. | 0:07:51 | 0:07:55 | |
See you later, yeah? | 0:07:58 | 0:08:00 | |
Eve. | 0:08:09 | 0:08:10 | |
Yep? | 0:08:10 | 0:08:12 | |
Connor's blood is loaded with CO2. | 0:08:17 | 0:08:20 | |
So he died of oxygen deprivation. Anoxia. | 0:08:20 | 0:08:22 | |
Yeah, but look at this. The blood samples from his spinal cord indicate | 0:08:22 | 0:08:26 | |
that it was flooded with nitrogen bubbles. | 0:08:26 | 0:08:28 | |
Heads up, boys. This is your five-minute warning. | 0:08:31 | 0:08:33 | |
Five minutes of air left. Do you copy? | 0:08:33 | 0:08:36 | |
'Copy that. Five minutes. On our way up.' | 0:08:36 | 0:08:39 | |
Roger. | 0:08:39 | 0:08:40 | |
Mum? | 0:08:45 | 0:08:47 | |
-Mum, are you there? -I'm here. What's wrong? | 0:08:49 | 0:08:51 | |
Nothing. Just checking everything's all right. | 0:08:51 | 0:08:55 | |
I'm fine. Is your dad OK? | 0:08:55 | 0:08:59 | |
Yeah. | 0:09:00 | 0:09:01 | |
Is he drinking? | 0:09:01 | 0:09:03 | |
No, he's asleep. When will you be home? | 0:09:05 | 0:09:07 | |
'I'll be home tonight.' | 0:09:07 | 0:09:09 | |
I've got to go, darling. | 0:09:09 | 0:09:11 | |
Love you. | 0:09:11 | 0:09:13 | |
Love you, too. | 0:09:13 | 0:09:14 | |
Firstly, we know that Connor Ryan didn't die from drowning. | 0:09:20 | 0:09:24 | |
But the CO2 levels in his blood show he did die from oxygen deprivation. | 0:09:24 | 0:09:27 | |
So...he was suffocated? | 0:09:27 | 0:09:29 | |
Well, also, there was a huge quantity of nitrogen bubbles in his blood. The bends. | 0:09:29 | 0:09:32 | |
All right. So he's diving, runs out of oxygen, rushes to the surface | 0:09:32 | 0:09:36 | |
-and dies of the bends. -Yeah, but the nitro | 0:09:36 | 0:09:38 | |
wasn't moving through his lungs, so he wasn't breathing when he made his ascent. | 0:09:38 | 0:09:41 | |
So the nitro bubbles tells us he was dead down there before he shoots up? | 0:09:41 | 0:09:46 | |
-Maybe. -Somebody held him down there until he ran out of oxygen? | 0:09:46 | 0:09:49 | |
Yeah, or some thing. He could've been snared and broken free. | 0:09:49 | 0:09:53 | |
He wasn't wearing his dive belt when he was recovered, was he? | 0:09:53 | 0:09:55 | |
-And he'd need his belt to dive. -He's working at depths of 300 feet. | 0:09:55 | 0:09:58 | |
There's no way he could've done that without dive weight. | 0:09:58 | 0:10:00 | |
And the samples from his suit say he was definitely deep in a kelp forest. | 0:10:00 | 0:10:03 | |
Yeah, and those forests are as dense and dangerous as tropical jungles. | 0:10:03 | 0:10:06 | |
OK. So he's looking for the drugs and he gets stuck. Yeah? | 0:10:06 | 0:10:11 | |
-Time of death? -I can answer that. | 0:10:11 | 0:10:13 | |
When diving, kelp algae cells contaminate the skin, | 0:10:13 | 0:10:15 | |
but the body's defences fight against them. | 0:10:15 | 0:10:17 | |
However, once we enter decomposition mode | 0:10:17 | 0:10:19 | |
the cells begin to grow. So we have the beginning of a time map. | 0:10:19 | 0:10:22 | |
-He's been dead for 14 hours. -OK. So we've got a time of death. | 0:10:23 | 0:10:28 | |
Great. We've got a cause of death. Even better. Was he murdered? | 0:10:28 | 0:10:31 | |
I don't know. I don't know the manner of death yet. | 0:10:31 | 0:10:34 | |
All right. Look, are you happy to say | 0:10:34 | 0:10:37 | |
that the manner of death was accidental, natural or suicide? | 0:10:37 | 0:10:41 | |
No, I'm not. | 0:10:41 | 0:10:42 | |
Great. So I'm going to organise a forensic sweep | 0:10:42 | 0:10:46 | |
of the skipper's house. | 0:10:46 | 0:10:47 | |
-Well, have you got a warrant? -Just about to get one. | 0:10:47 | 0:10:50 | |
All right. Come on. Mike, grab your things. We're going. | 0:10:50 | 0:10:54 | |
Going to do more samples on his suit. | 0:10:54 | 0:10:57 | |
Are you all right? | 0:11:01 | 0:11:03 | |
-Everyone's gone again! -Oggy, we've got an investigation. | 0:11:03 | 0:11:05 | |
I know. Just go. | 0:11:05 | 0:11:07 | |
-Are you going to be OK on your own? -I'll be fine. | 0:11:07 | 0:11:11 | |
Anyway, actually, I'm not on my own. | 0:11:11 | 0:11:14 | |
-I've got Connor. -Ah, yeah. Connor. | 0:11:14 | 0:11:17 | |
-Are you all right? -Thanks. -Off we go. | 0:11:25 | 0:11:28 | |
(GURGLING) | 0:11:41 | 0:11:43 | |
What is it? | 0:11:57 | 0:11:59 | |
Is it Connor? | 0:12:15 | 0:12:16 | |
Yeah. | 0:12:18 | 0:12:19 | |
And what about Patsy? | 0:12:21 | 0:12:22 | |
Can we talk alone? | 0:12:24 | 0:12:26 | |
Robbie, go and stick the kettle on, will you? There's a good lad. | 0:12:26 | 0:12:29 | |
OK. | 0:12:29 | 0:12:30 | |
You do the kitchen, I'll start upstairs. | 0:12:30 | 0:12:32 | |
-What are you doing, love? -Just going to take a look around. | 0:12:33 | 0:12:37 | |
Why? | 0:12:37 | 0:12:38 | |
Look, I've got a warrant, but I'd rather do it with your co-operation. | 0:12:38 | 0:12:41 | |
Go on. | 0:12:43 | 0:12:45 | |
But me brother-in-law's been pulled from the sea dead, | 0:12:45 | 0:12:47 | |
me wife's still missing out there and you've come in here | 0:12:47 | 0:12:49 | |
-with a warrant?! -It's a police investigation. | 0:12:49 | 0:12:51 | |
-Into what? -Well, a family of colourful characters | 0:12:51 | 0:12:54 | |
who are involved in something very suspicious. | 0:12:54 | 0:12:56 | |
What do you mean "colourful"? | 0:12:56 | 0:12:58 | |
-Connor's got previous. ABH. -What, a fight in a pub? | 0:12:58 | 0:13:00 | |
-What about your wife? -I'm not even going to go there, mate. | 0:13:00 | 0:13:03 | |
So you've read her file. Well done(!) | 0:13:03 | 0:13:04 | |
What was she doing, skippering a boat? She's banned. | 0:13:04 | 0:13:08 | |
-There's nothing illegal. -Sorry, did you miss the part | 0:13:08 | 0:13:11 | |
about being banned? The fact that she's out there at all is illegal. | 0:13:11 | 0:13:14 | |
The fact that she's out there is my fault. | 0:13:14 | 0:13:17 | |
She was covering for me. I was supposed to do it, but I was...unwell. | 0:13:17 | 0:13:20 | |
She just didn't want to lose the job. | 0:13:20 | 0:13:22 | |
-Job? -Yeah, this guy - Wilkes. | 0:13:22 | 0:13:26 | |
Tom Wilkes. He's a marine biologist. | 0:13:26 | 0:13:29 | |
He wanted to collect soil samples from the seabed. | 0:13:29 | 0:13:31 | |
-Why? -I don't know. I really don't care. | 0:13:31 | 0:13:34 | |
He hired the boat to dive and that's it. | 0:13:34 | 0:13:37 | |
This guy Wilkes...and your wife... | 0:13:37 | 0:13:41 | |
they're missing, along with the inflatable. | 0:13:41 | 0:13:45 | |
And yet the boat's in perfect working order. Don't you find that a bit odd, mate? | 0:13:45 | 0:13:49 | |
Where could they be going? | 0:13:50 | 0:13:52 | |
I don't know. | 0:13:54 | 0:13:56 | |
BEEPING | 0:13:56 | 0:13:58 | |
INDISTINCT RADIO MESSAGE | 0:14:15 | 0:14:17 | |
-What's that you've got there? -It's my ship-to-shore. | 0:14:17 | 0:14:22 | |
-I always have it on when me mam or dad are out at sea. -Good idea. | 0:14:22 | 0:14:25 | |
Just cos me Uncle Connor's dead doesn't mean me mam is, does it? | 0:14:27 | 0:14:31 | |
We just don't know. | 0:14:32 | 0:14:33 | |
That's good then. | 0:14:36 | 0:14:37 | |
Is me mam in trouble with the police? | 0:14:40 | 0:14:43 | |
-No. Not that I know of. -Then why are you here? | 0:14:44 | 0:14:47 | |
Well, um... | 0:14:49 | 0:14:52 | |
..when an accident occurs, we have to look for an explanation. | 0:14:53 | 0:14:58 | |
What are you looking for? | 0:14:58 | 0:15:00 | |
Robbie, in my job, um... there are a lot of rules | 0:15:00 | 0:15:04 | |
and one of the rules is that I can't tell you what I'm looking for. | 0:15:04 | 0:15:08 | |
OK. | 0:15:11 | 0:15:12 | |
What does that machine do? Oh. You're not allowed to tell me that? | 0:15:12 | 0:15:17 | |
It, um...sucks in the air and analyses it. | 0:15:17 | 0:15:21 | |
If you're finding anything bad, it'll be me Uncle Connor's. | 0:15:24 | 0:15:26 | |
-What sort of thing? -His wacky baccy. | 0:15:26 | 0:15:30 | |
Wacky baccy? | 0:15:30 | 0:15:32 | |
Yeah. He was smoking it out the back with me dad. | 0:15:32 | 0:15:34 | |
Me mam hates that stuff. She has nothing to do with it. | 0:15:34 | 0:15:37 | |
I see. | 0:15:37 | 0:15:38 | |
I don't want me mam to go back in prison. | 0:15:38 | 0:15:40 | |
Are they your drawings? | 0:15:42 | 0:15:43 | |
-Mermaids, yeah? -They're selkies. | 0:15:47 | 0:15:49 | |
-Irish mermaids. -Ah. | 0:15:50 | 0:15:53 | |
They're brilliant. | 0:15:54 | 0:15:56 | |
Tom, this is Patsy, my sister. | 0:16:04 | 0:16:07 | |
-Patsy, Tom Wilkes. -Hey. How are you? | 0:16:07 | 0:16:09 | |
-Nice to meet you. -Hi. -Our new skipper. | 0:16:09 | 0:16:12 | |
-Con? -What? | 0:16:16 | 0:16:18 | |
A second. | 0:16:18 | 0:16:20 | |
What happened to Rob? | 0:16:24 | 0:16:26 | |
He came down with something. | 0:16:27 | 0:16:28 | |
-Is he OK? -Yeah. He'll be fine. | 0:16:28 | 0:16:32 | |
-Are we good to go? -Yeah, yeah. Nearly there. | 0:16:32 | 0:16:35 | |
It'll be all right. | 0:16:37 | 0:16:39 | |
-Have you co-ordinated the GPS? -Yeah, it's done. | 0:16:40 | 0:16:44 | |
Diving. | 0:16:54 | 0:16:56 | |
I think that would freak me out, you know. Underwater. | 0:16:56 | 0:16:59 | |
You're still here, aren't you? | 0:17:03 | 0:17:05 | |
You have to go soon, you know. | 0:17:07 | 0:17:09 | |
If you linger too long, you get stuck. You end up being a ghost. | 0:17:09 | 0:17:13 | |
You don't want to do that. | 0:17:13 | 0:17:15 | |
Some of the ghosts that hang around here aren't right in the head, | 0:17:15 | 0:17:19 | |
if you know what I mean. | 0:17:19 | 0:17:21 | |
Apart from Old Tom, who's pretty cool. | 0:17:21 | 0:17:24 | |
RADIO: 'Can anybody hear me?' | 0:17:24 | 0:17:26 | |
'Can anybod... Can anybody hear me?' | 0:17:27 | 0:17:29 | |
-Oh, right. It's the mask. -'Mayday!' | 0:17:30 | 0:17:33 | |
'This is the coastguard. We have you. Seelonce, seelonce. | 0:17:33 | 0:17:38 | |
'This channel is now for emergency use only.' | 0:17:38 | 0:17:41 | |
-OGGY: -'Eve, Eve, come in.' -Yep, Oggy. | 0:17:41 | 0:17:42 | |
-'The dive radio in the mask...' -Calm down. | 0:17:42 | 0:17:44 | |
-What is it? -MASK RADIO: -'We have your location.' | 0:17:44 | 0:17:46 | |
What? | 0:17:46 | 0:17:47 | |
-'We have your location.' -'I'm adrift on the water. | 0:17:47 | 0:17:50 | |
'My name is Tom Wilkes.' | 0:17:50 | 0:17:52 | |
They've found Wilkes. | 0:17:52 | 0:17:54 | |
-Can I help you? -Yeah. DI Hale. | 0:17:57 | 0:18:01 | |
-Looking for the guy who was pulled out of the water? -He's in Ward... -Thank you. -..B. -B. Good. | 0:18:01 | 0:18:06 | |
-Tom Wilkes? -Yeah. | 0:18:10 | 0:18:12 | |
Hi. | 0:18:12 | 0:18:14 | |
I'm, er... | 0:18:14 | 0:18:15 | |
-I'm DI Hale. Do you mind if I ask you a few questions? -No, no. | 0:18:15 | 0:18:20 | |
-Is this his dive suit? -Yes. | 0:18:20 | 0:18:23 | |
-A selkie can become a person. -Really? | 0:18:23 | 0:18:26 | |
Yeah, but they have to go back to sea one day. | 0:18:26 | 0:18:28 | |
Hm. | 0:18:28 | 0:18:29 | |
You know, at the end of their human life. | 0:18:29 | 0:18:31 | |
Oh, I see. | 0:18:31 | 0:18:33 | |
Do you think selkies and mermaids exist? | 0:18:34 | 0:18:38 | |
Who knows? | 0:18:38 | 0:18:39 | |
Have you got your radio on? Robbie, turn your radio on. They're alive! | 0:18:41 | 0:18:45 | |
-What? -They've found Wilkes! | 0:18:45 | 0:18:47 | |
-Did they say they found Patsy? -No... | 0:18:47 | 0:18:50 | |
But if he's alive, then she is too, right? | 0:18:50 | 0:18:52 | |
-Ssh! -Right? | 0:18:52 | 0:18:54 | |
Yeah...I don't remember too much about it, you know. | 0:19:00 | 0:19:04 | |
Connor got snagged up down there and... | 0:19:04 | 0:19:06 | |
..I quickly grabbed another bottle, dived in again to help him, | 0:19:08 | 0:19:11 | |
but it was, er... It was very deep. | 0:19:11 | 0:19:14 | |
Looked like he was snared in an old fishing net or something. | 0:19:16 | 0:19:19 | |
It was just drifting. | 0:19:19 | 0:19:21 | |
I tried to cut him out, but he was just sinking all the time. | 0:19:21 | 0:19:24 | |
And when I got to about 300 feet, I just... | 0:19:26 | 0:19:28 | |
-..I just blacked out. -You're a marine biologist? | 0:19:29 | 0:19:32 | |
No. No, I'm a marine geologist. | 0:19:34 | 0:19:35 | |
And you hired Robert Fay to take you and Connor diving? | 0:19:36 | 0:19:40 | |
No. Er, um...Connor arranged for the boat. | 0:19:40 | 0:19:43 | |
OK. But you were diving. | 0:19:43 | 0:19:45 | |
Why was that? | 0:19:45 | 0:19:47 | |
Er, I've a research permit to look for sustainable resources. | 0:19:47 | 0:19:50 | |
You say you're a geologist. So you were looking at | 0:19:50 | 0:19:53 | |
-sub-sea bedrock and not marine life? -Yeah, that's right, yeah. | 0:19:53 | 0:19:56 | |
Taking samples for the environmental impact of industrial activity along the coast. | 0:19:56 | 0:20:01 | |
-Who pays for all that, then? -The GSSP. | 0:20:01 | 0:20:04 | |
It's an NGO. | 0:20:04 | 0:20:05 | |
The project has a worldwide fund. I've got a grant. | 0:20:05 | 0:20:09 | |
I see. | 0:20:10 | 0:20:12 | |
-How are they? -Who? | 0:20:12 | 0:20:14 | |
-Connor and Patsy? -Oh, I can't tell you that. | 0:20:14 | 0:20:17 | |
Right. I'm pretty much done here. | 0:20:17 | 0:20:19 | |
Before I go, I just need to take a picture of that. | 0:20:19 | 0:20:23 | |
Won't hurt. | 0:20:24 | 0:20:25 | |
Argh! | 0:20:27 | 0:20:29 | |
Thanks. | 0:20:29 | 0:20:30 | |
Oh, um, the samples you found on the seabed - where are they? | 0:20:32 | 0:20:36 | |
Where I was staying. Um, Connor's place. | 0:20:36 | 0:20:38 | |
-Spare room. -Thank you. | 0:20:38 | 0:20:41 | |
They're saying on the radio that Wilkes was found in the water. | 0:20:47 | 0:20:50 | |
That means me mam is in the life raft, doesn't it? | 0:20:50 | 0:20:53 | |
Right now, you probably know as much as I do, Robbie. | 0:20:53 | 0:20:56 | |
Found anything yet? | 0:20:56 | 0:20:58 | |
Nope. | 0:20:58 | 0:20:59 | |
So that means me mam's not in trouble? | 0:20:59 | 0:21:02 | |
-RADIO: -'Harbour Master, be advised we are towing the abandoned vessel, | 0:21:02 | 0:21:05 | |
'The Clara, into port, over. | 0:21:05 | 0:21:07 | |
-'Harbour master, be advised...' -Dad! | 0:21:07 | 0:21:09 | |
-Dad, the radio! -All right, Robbie. Calm down. | 0:21:09 | 0:21:12 | |
-But they're bringing her in! -All right, Robbie. | 0:21:12 | 0:21:14 | |
-You finished? -Um, yeah. | 0:21:14 | 0:21:15 | |
-Good. -Thank you for the tea. | 0:21:15 | 0:21:18 | |
-Dad, can I go down to the docks? -No, son. | 0:21:18 | 0:21:20 | |
-Why? -Because I need you here. | 0:21:20 | 0:21:21 | |
-What about Mam? -I'll go and find out. | 0:21:21 | 0:21:24 | |
Are you going to the pub? | 0:21:24 | 0:21:25 | |
No, Robbie. I'm not going to go to the pub. | 0:21:25 | 0:21:27 | |
-I'm giving up the drink, all right? -You always say that and go back on it. -Yeah, I know... | 0:21:27 | 0:21:31 | |
but this time I really, really mean it, OK? | 0:21:31 | 0:21:33 | |
So where are you going? | 0:21:35 | 0:21:37 | |
I'm going to go find out what happened out there. | 0:21:37 | 0:21:40 | |
EERIE HOWLING | 0:21:49 | 0:21:51 | |
Eve, I'm on my way to the Clara. | 0:22:02 | 0:22:04 | |
'Right. I'll meet you there in five.' | 0:22:04 | 0:22:07 | |
What the hell happened out there? Where's Patsy? | 0:22:16 | 0:22:19 | |
-Is she not on the boat? -No! | 0:22:19 | 0:22:22 | |
-Well, maybe she took the dinghy. -No. She wouldn't do that. | 0:22:23 | 0:22:28 | |
The boat isn't holed. | 0:22:28 | 0:22:29 | |
I don't know, Rob. | 0:22:31 | 0:22:33 | |
What happened to Connor? | 0:22:36 | 0:22:37 | |
We dived. Er... | 0:22:42 | 0:22:44 | |
He got snagged. I tried to help him, but it was just so deep. | 0:22:46 | 0:22:50 | |
You know...I blacked out. | 0:22:50 | 0:22:52 | |
Well, where the hell is she? | 0:22:57 | 0:22:58 | |
Rob... | 0:23:03 | 0:23:06 | |
there's, er... | 0:23:06 | 0:23:08 | |
something I really need you to do for me. | 0:23:08 | 0:23:12 | |
-Rob. Rob? Hey, what's going on? -I can't talk, Susan. | 0:23:20 | 0:23:24 | |
Oh, for God's sake! Connor's dead! | 0:23:24 | 0:23:27 | |
What am I going to do? | 0:23:28 | 0:23:30 | |
I'm sorry. I'm so sorry! | 0:23:31 | 0:23:34 | |
-I'll look after you. -You can't even look after yourself. | 0:23:37 | 0:23:41 | |
That's going to change. | 0:23:42 | 0:23:43 | |
-Where's Robbie? -I don't know. He's at home, I think. | 0:23:43 | 0:23:47 | |
-You think?! -Rob, he needs you to look after him right now, not... | 0:23:47 | 0:23:52 | |
-What? -Running off, getting hammered, | 0:23:52 | 0:23:54 | |
sticking your head in a bottle. | 0:23:54 | 0:23:56 | |
I'm off the drink. | 0:23:56 | 0:23:58 | |
If you had a tune to that, you know, you could sing it. | 0:24:01 | 0:24:04 | |
I've got to go. | 0:24:05 | 0:24:07 | |
Mum, can I go out with you in the morning? | 0:25:09 | 0:25:12 | |
I'd love that, but I need my main man on land. | 0:25:12 | 0:25:16 | |
I need you to look after your daddy. | 0:25:16 | 0:25:19 | |
-Why's he like that? -I don't know, love. | 0:25:19 | 0:25:23 | |
We can only do our best. | 0:25:23 | 0:25:24 | |
How long will you be gone for? | 0:25:24 | 0:25:27 | |
-Just the day. I promise. -But why do you even need to go? | 0:25:27 | 0:25:30 | |
-Because we need the money. -I hate money. | 0:25:30 | 0:25:33 | |
Why? | 0:25:33 | 0:25:35 | |
Cos everyone's always arguing about it, trying to get it, | 0:25:35 | 0:25:38 | |
and no-one ever has enough of it. | 0:25:38 | 0:25:40 | |
Yeah, well... | 0:25:40 | 0:25:42 | |
that's about the way of it. | 0:25:42 | 0:25:45 | |
Yeah, I'd say Wilkes was in the same kelp forest as Connor. | 0:25:57 | 0:26:01 | |
Oggy! | 0:26:02 | 0:26:04 | |
-Did you feel that? -What? | 0:26:04 | 0:26:07 | |
Connor's presence is changing. | 0:26:07 | 0:26:09 | |
Connor? | 0:26:09 | 0:26:11 | |
Yeah. Connor's been hanging round since he came in, but now... | 0:26:11 | 0:26:15 | |
Now he's angry. | 0:26:15 | 0:26:16 | |
Angry. | 0:26:16 | 0:26:19 | |
Yeah. I wouldn't be surprised | 0:26:21 | 0:26:23 | |
if we started to see some paranormal activity. | 0:26:23 | 0:26:25 | |
Oh, yeah? Like what? | 0:26:25 | 0:26:27 | |
A drop in the room temperature. | 0:26:28 | 0:26:31 | |
SHE SCOFFS | 0:26:30 | 0:26:31 | |
You can feel it here, close to Connor. | 0:26:32 | 0:26:35 | |
Have you taken your medication? | 0:26:35 | 0:26:37 | |
FAINT RADIO CRACKLE | 0:26:37 | 0:26:39 | |
Did you hear that? | 0:26:39 | 0:26:41 | |
I think the kinetic energy from the presence | 0:26:41 | 0:26:43 | |
is coming through the radio. | 0:26:43 | 0:26:45 | |
RADIO NOISE | 0:26:45 | 0:26:47 | |
Ha! | 0:26:49 | 0:26:50 | |
Oggy, what are you doing? | 0:26:54 | 0:26:56 | |
Dad? | 0:27:06 | 0:27:07 | |
-I told you to stay inside, Robbie. -Are you in trouble? | 0:27:07 | 0:27:10 | |
I don't know, son. | 0:27:13 | 0:27:16 | |
It'll be OK. When mum gets back, she'll know what to do, | 0:27:18 | 0:27:21 | |
-won't she? -Yeah. | 0:27:21 | 0:27:23 | |
I've really messed things up, son. | 0:27:26 | 0:27:27 | |
RADIO INTERFERENCE | 0:27:32 | 0:27:34 | |
Come on. Come on, where are you? | 0:27:34 | 0:27:36 | |
Come on, come on. Talk to me. | 0:27:36 | 0:27:39 | |
Talk to me! | 0:27:42 | 0:27:43 | |
RADIO CRACKLES | 0:27:43 | 0:27:47 | |
Hello? | 0:27:48 | 0:27:50 | |
'Is anyone there?' | 0:27:51 | 0:27:52 | |
'Can you hear me? | 0:27:54 | 0:27:57 | |
'Mum? Mum, is that you?' | 0:27:57 | 0:27:59 | |
Oh, no, no, no. | 0:27:59 | 0:28:01 | |
Mum, talk to me! | 0:28:01 | 0:28:04 | |
Talk to me. Please! | 0:28:05 | 0:28:06 | |
'Hello.' | 0:28:12 | 0:28:13 | |
-Who's this? -My name is Oggy. | 0:28:15 | 0:28:18 | |
What are you doing on this channel? | 0:28:21 | 0:28:23 | |
This is Connor's radio. I'm a scientist. I've been trying to help him. | 0:28:23 | 0:28:28 | |
But he's dead! | 0:28:28 | 0:28:30 | |
I know, er... | 0:28:31 | 0:28:33 | |
I'm a scientist that helps people when they're dead. | 0:28:33 | 0:28:36 | |
-How do you help someone when they're dead? -I find out how they died. | 0:28:36 | 0:28:41 | |
My name's Robbie. | 0:28:41 | 0:28:43 | |
Oggy, what are you doing? | 0:28:46 | 0:28:48 | |
-We've got work to do! -OK! | 0:28:48 | 0:28:50 | |
OK, I'll be there in a minute. | 0:28:50 | 0:28:52 | |
Since when did you become the boss of me? | 0:28:52 | 0:28:55 | |
'So, what do you do? | 0:28:55 | 0:28:56 | |
'I mean, like what sort of tests?' | 0:28:56 | 0:28:58 | |
Well, I specialise in entomology. | 0:28:58 | 0:29:02 | |
-What? -You're joking me, right? | 0:29:09 | 0:29:12 | |
-No! -How can you need money that badly? | 0:29:12 | 0:29:14 | |
-It's complicated! -Oh, I bet it is. | 0:29:14 | 0:29:17 | |
-Where's the food? -So when do you get paid? | 0:29:17 | 0:29:20 | |
-Soon, OK? -No, it's not OK. -It's not OK! | 0:29:20 | 0:29:22 | |
You have been on the rigs for six months and not sent her a penny! | 0:29:22 | 0:29:24 | |
Listen, I told you I invested the money, all right? | 0:29:24 | 0:29:27 | |
-In what? -New equipment for this dive job! | 0:29:27 | 0:29:30 | |
-So when do you get paid? -Three days! | 0:29:30 | 0:29:32 | |
-We need to buy food, Connor! -Shut your mouth! | 0:29:32 | 0:29:35 | |
Do you have you any idea how skint we are? | 0:29:35 | 0:29:37 | |
-I know. -No, you don't know. | 0:29:37 | 0:29:39 | |
How could you bloody know? You're never here! | 0:29:39 | 0:29:41 | |
-Keep pushing me! -Hey, none of that. None of it! | 0:29:41 | 0:29:44 | |
-OK? -Sorry. | 0:29:44 | 0:29:47 | |
The money - when? | 0:29:51 | 0:29:54 | |
It's in the post. | 0:29:54 | 0:29:55 | |
And that's the expression he used, was it? "It's in the post"? | 0:30:00 | 0:30:05 | |
Yeah, hm. | 0:30:05 | 0:30:06 | |
Yeah, and I've checked the post, and there's nothing in it but bills. | 0:30:06 | 0:30:09 | |
Gosh, this doesn't seem real. | 0:30:11 | 0:30:14 | |
You know? I'm even afraid to take a nap because... | 0:30:14 | 0:30:17 | |
when I wake up, I just think it's all been a bad dream. | 0:30:17 | 0:30:20 | |
Do you know what happened to Connor? | 0:30:24 | 0:30:26 | |
We think he was involved in smuggling. | 0:30:26 | 0:30:28 | |
-Do you know anything about that? -You what? No! | 0:30:30 | 0:30:32 | |
Because if you did and you were lying, that would make you | 0:30:32 | 0:30:34 | |
what we call an accomplice. | 0:30:34 | 0:30:35 | |
-I don't know anything about it. -You could go to prison. | 0:30:35 | 0:30:39 | |
No... | 0:30:42 | 0:30:43 | |
Tell me about Patsy. | 0:30:45 | 0:30:47 | |
Patsy is a decent person. | 0:30:50 | 0:30:52 | |
But she's a drug smuggler who's banned from skippering a boat. | 0:30:52 | 0:30:57 | |
-Yeah, and she was innocent of that. -How do you know? | 0:30:57 | 0:30:59 | |
I just... Well, she said. | 0:30:59 | 0:31:03 | |
She had to collect a boat from France, but she didn't know what was in it. | 0:31:03 | 0:31:07 | |
A hull full of drugs. | 0:31:08 | 0:31:10 | |
What if she lied to you? | 0:31:12 | 0:31:14 | |
I... | 0:31:14 | 0:31:16 | |
I don't know. | 0:31:17 | 0:31:19 | |
Look, tell the truth and you stay out of prison. | 0:31:19 | 0:31:23 | |
I swear... | 0:31:23 | 0:31:26 | |
I swear I don't know anything. | 0:31:26 | 0:31:28 | |
All right. | 0:31:30 | 0:31:32 | |
This guy Wilkes, tell me about him. | 0:31:33 | 0:31:35 | |
Er, Wilkes works with Connor, diving on the oil rigs. | 0:31:35 | 0:31:39 | |
So Connor finished his stint on the oil rigs and came back with Wilkes. | 0:31:39 | 0:31:43 | |
Yeah, and this job to do, this exploration thing. | 0:31:43 | 0:31:46 | |
And all his stuff is upstairs, yeah? | 0:31:48 | 0:31:50 | |
Yeah, it's upstairs in the back bedroom. | 0:31:50 | 0:31:53 | |
-HALE: You don't see them any more. EVE: -What's that? | 0:31:54 | 0:31:56 | |
Stamps in a passport. | 0:31:56 | 0:31:58 | |
Venezuela, Kazakhstan, Angola, Siberia. | 0:31:58 | 0:32:01 | |
BLEEPING | 0:32:01 | 0:32:02 | |
Oil fields. | 0:32:02 | 0:32:03 | |
Yeah. He is in demand. | 0:32:03 | 0:32:05 | |
Where was he last? | 0:32:05 | 0:32:08 | |
Um...Venezuela. Six months ago. | 0:32:08 | 0:32:11 | |
History of his dive hours. | 0:32:11 | 0:32:13 | |
Been in the North Sea for the last two months. | 0:32:16 | 0:32:19 | |
Working the same rigs as Connor. | 0:32:19 | 0:32:22 | |
Hmm, that's unusual. | 0:32:22 | 0:32:23 | |
-What? -The chemical signature. | 0:32:23 | 0:32:26 | |
-A complex mixture of hydrocarbons. -Drugs? | 0:32:26 | 0:32:30 | |
Not unless they've been masked with petrol. | 0:32:30 | 0:32:32 | |
Of course, mermaids could be the descendents of Neanderthals | 0:32:33 | 0:32:36 | |
forced from dry land by the arrival of the Cro-Magnon. | 0:32:36 | 0:32:38 | |
-Who are you talking to? -Robbie. | 0:32:38 | 0:32:41 | |
-Robbie... Robbie who? -Robbie Fay. | 0:32:41 | 0:32:42 | |
The skipper's son? | 0:32:43 | 0:32:45 | |
'Oggy, are you still there?' | 0:32:48 | 0:32:49 | |
-Yeah. -Oggy, you need to disconnect. | 0:32:49 | 0:32:52 | |
What's wrong? | 0:32:53 | 0:32:54 | |
Look, just tell him you're really busy. | 0:32:54 | 0:32:57 | |
We've got to present our findings to Eve now, so...disconnect. | 0:32:59 | 0:33:04 | |
Thank you. | 0:33:06 | 0:33:08 | |
-Mike? -Yeah. | 0:33:11 | 0:33:14 | |
-Can you give us a hand? -Yeah. | 0:33:14 | 0:33:17 | |
Thanks. | 0:33:17 | 0:33:18 | |
-Dive weights. Rosa? -Yeah, here. | 0:33:29 | 0:33:32 | |
Can you check Wilkes's dive belt and see if there are | 0:33:32 | 0:33:35 | |
-'any weights missing?' -Yeah, I've got it right here. | 0:33:35 | 0:33:37 | |
-Yeah, it's missing two. -'OK, good.' | 0:33:45 | 0:33:48 | |
Give the pockets a thorough examination, OK? | 0:33:48 | 0:33:51 | |
-'OK, will do.' -Right, Eve, over here. | 0:33:51 | 0:33:53 | |
On the anchor, blood, hair and skin. | 0:33:53 | 0:33:56 | |
Consistent with the violent contact of a scalp, I'd say. | 0:33:56 | 0:33:58 | |
-Any drugs on board? -No, absolutely no traces. | 0:33:58 | 0:34:01 | |
Whatever it was, it wasn't drugs. | 0:34:01 | 0:34:04 | |
-'Eve?' -Yeah, go ahead, Rosa. -Can you get a visual? | 0:34:08 | 0:34:11 | |
-'Er... Yep, got you.' -'OK, so we ran some tests | 0:34:11 | 0:34:15 | |
on Connor and Wilkes' dive suits and came up with some interesting stuff. | 0:34:15 | 0:34:17 | |
We think Wilkes held Connor underwater until he ran out of oxygen. | 0:34:17 | 0:34:21 | |
You have my undivided attention, Rosa. | 0:34:21 | 0:34:23 | |
So a wetsuit has a layer of air between it and you, and when you dive, | 0:34:23 | 0:34:26 | |
that layer's filled with water and then it's heated by your body | 0:34:26 | 0:34:30 | |
to maintain your temperature. | 0:34:30 | 0:34:31 | |
Connor's suit had a layer of liquid, but it wasn't sea water, it was his own urine. | 0:34:31 | 0:34:36 | |
Suffocation causes contortions in the neuromuscular junctions, | 0:34:36 | 0:34:41 | |
which in turn compresses the bladder, causing urination in the victim. | 0:34:41 | 0:34:45 | |
-And this links to Wilkes how? -The outside of Wilkes's dive suit | 0:34:45 | 0:34:48 | |
is also covered in Connor's urine. | 0:34:48 | 0:34:50 | |
Rosa, everyone knows divers piss their wetsuits all the time. | 0:34:50 | 0:34:53 | |
Yeah, but they're not normally hugging each other when they do it. | 0:34:53 | 0:34:56 | |
You see here? Wilkes would have to be really close | 0:34:56 | 0:35:00 | |
to Connor when he's suffocating. | 0:35:00 | 0:35:02 | |
And then there's the nitro in his blood. | 0:35:02 | 0:35:04 | |
Connor was found floating without his weight belt. | 0:35:04 | 0:35:07 | |
Because when he was dead underwater, Wilkes removed it to allow him | 0:35:07 | 0:35:10 | |
-to return to the surface. -Yeah. | 0:35:10 | 0:35:11 | |
But the inside of Wilkes's weight belt is much more interesting. | 0:35:11 | 0:35:15 | |
-Oh, yeah? Why? -The empty pockets were heavily contaminated | 0:35:15 | 0:35:19 | |
with strong traces of sodium hydroxide and polycyclic hydrocarbons. | 0:35:19 | 0:35:23 | |
We ran them, and they're the chemical signature of currency. | 0:35:23 | 0:35:26 | |
Unique to the denomination of 500 euro notes. | 0:35:26 | 0:35:29 | |
'That makes sense.' | 0:35:29 | 0:35:30 | |
The 500 euro note is the chosen currency for international drug dealers. | 0:35:30 | 0:35:33 | |
I thought British banks weren't issuing them any more. | 0:35:33 | 0:35:35 | |
They don't, but our European friends | 0:35:35 | 0:35:37 | |
still make them. But if you want to do your drugs deals, | 0:35:37 | 0:35:40 | |
you have to smuggle them in. What do you think? | 0:35:40 | 0:35:42 | |
Do you think this cross-contamination of urine is enough to tie | 0:35:42 | 0:35:46 | |
-Wilkes in to the killing of Connor? -No, I don't. | 0:35:46 | 0:35:49 | |
The contact could have meant that Wilkes was trying to save his life. | 0:35:49 | 0:35:52 | |
It would still have resulted in cross-contamination, | 0:35:52 | 0:35:54 | |
-and it fits with his story. -Yeah, but Rosa said... | 0:35:54 | 0:35:56 | |
Rosa's got a lot to learn. | 0:35:56 | 0:35:58 | |
I'm going off to see Wilkes. | 0:36:01 | 0:36:03 | |
-MIKE: -Eve. | 0:36:06 | 0:36:07 | |
Right. An underwater beacon. | 0:36:13 | 0:36:15 | |
And a tracker. | 0:36:19 | 0:36:20 | |
Good. | 0:36:21 | 0:36:23 | |
OK, we need to pack up here. | 0:36:23 | 0:36:24 | |
I got us a couple of rooms over at the pub. | 0:36:24 | 0:36:27 | |
SIGHS | 0:36:27 | 0:36:28 | |
What's up? | 0:36:30 | 0:36:33 | |
Hmm? Ah, it's...just Robbie. | 0:36:33 | 0:36:35 | |
He's terrified his mum is going to go back to prison, and now it seems | 0:36:35 | 0:36:39 | |
we're going to connect her to a crime. It just feels like | 0:36:39 | 0:36:43 | |
-we're tearing him to shreds, you know? -Yeah, well, | 0:36:43 | 0:36:45 | |
we're forensic investigators, not social workers. | 0:36:45 | 0:36:47 | |
Yeah, and I signed up to run a research facility. | 0:36:47 | 0:36:49 | |
Yeah, and we don't have that luxury any more. | 0:36:49 | 0:36:51 | |
Yeah, I'm very aware of that. | 0:36:51 | 0:36:54 | |
Thank you. Yeah, yeah, of course I will. Thanks. | 0:37:09 | 0:37:13 | |
-Where was I? -I told you, I really don't know anything about this money. | 0:37:16 | 0:37:19 | |
-You're lying. -I've got no reason... -Ah-ah! | 0:37:19 | 0:37:21 | |
I know you're lying. | 0:37:21 | 0:37:23 | |
It's one of my special powers. | 0:37:24 | 0:37:26 | |
Oh, and you're contaminated with the evidence. | 0:37:26 | 0:37:29 | |
-Search the place, there's no money. -Tom, | 0:37:31 | 0:37:33 | |
I don't care about the money. | 0:37:33 | 0:37:35 | |
That bit's easy. | 0:37:35 | 0:37:36 | |
I spoke to the doctor. I know Rob Fay was in here, I know you gave it to him. | 0:37:36 | 0:37:41 | |
But what I'd like to know is... | 0:37:47 | 0:37:49 | |
are you willing to go down for the murder of Connor Ryan? | 0:37:49 | 0:37:52 | |
I want to speak to a solicitor. | 0:37:52 | 0:37:54 | |
Yeah, you do that, that's the right thing to do. | 0:37:54 | 0:37:56 | |
And he'll tell you exactly the same as I'm telling you now. | 0:37:56 | 0:37:59 | |
Make a deal. | 0:37:59 | 0:38:01 | |
Give up the rest of your crew and reduce your sentence. | 0:38:02 | 0:38:05 | |
Of course... | 0:38:05 | 0:38:07 | |
..you could just stay silent, let Rob and Patsy keep the money. | 0:38:08 | 0:38:12 | |
I'm sure they'll send you a Christmas card every year. | 0:38:12 | 0:38:15 | |
KNOCK ON DOOR | 0:38:27 | 0:38:29 | |
-What's this? -I want you to take it. | 0:38:35 | 0:38:37 | |
It's euros. You can change it in the bank. | 0:38:38 | 0:38:40 | |
I don't understand. Rob, what is going on? | 0:38:40 | 0:38:43 | |
I've got to go, Susan. | 0:38:43 | 0:38:44 | |
Oh, my God. | 0:38:48 | 0:38:49 | |
LOW CHATTER | 0:38:51 | 0:38:53 | |
I'm sorry. | 0:39:09 | 0:39:10 | |
I was out of order. | 0:39:10 | 0:39:12 | |
It's OK. | 0:39:12 | 0:39:14 | |
No, it's not. | 0:39:14 | 0:39:15 | |
All right. | 0:39:18 | 0:39:20 | |
Apology accepted. | 0:39:20 | 0:39:21 | |
Good. | 0:39:21 | 0:39:23 | |
Do you want a drink? | 0:39:25 | 0:39:27 | |
Yeah. | 0:39:27 | 0:39:28 | |
Hi there, could I have a glass of...white wine | 0:39:33 | 0:39:37 | |
and a lager, pint of lager, please? | 0:39:37 | 0:39:39 | |
APPLAUSE | 0:39:56 | 0:39:59 | |
MUFFLED VOICE OVER MICROPHONE | 0:40:00 | 0:40:03 | |
# ..In yonder garden grows... # | 0:40:21 | 0:40:25 | |
Hey. | 0:40:25 | 0:40:26 | |
Have you been drinking? | 0:40:27 | 0:40:28 | |
No. I'm high. | 0:40:28 | 0:40:30 | |
Jesus, Rob! | 0:40:30 | 0:40:31 | |
-On life! -What are you talking about? | 0:40:31 | 0:40:33 | |
-I got a job. -What? | 0:40:33 | 0:40:35 | |
A job! An earner. | 0:40:35 | 0:40:37 | |
-Doing what? -Skipper. | 0:40:37 | 0:40:39 | |
Three days' charter. What do you think? | 0:40:39 | 0:40:41 | |
That's great! | 0:40:43 | 0:40:44 | |
-That's great! That's great! -Yeah, it's a big payout. | 0:40:44 | 0:40:47 | |
What are you like?! | 0:40:47 | 0:40:51 | |
-I'm going to take you out. -Can't you just wait | 0:40:51 | 0:40:53 | |
till we've earned the money? | 0:40:53 | 0:40:55 | |
I am made of money! | 0:40:55 | 0:40:57 | |
You are. You are! | 0:40:57 | 0:40:59 | |
I guess I owe Connor for bringing in the job, eh? | 0:41:00 | 0:41:02 | |
Oh, I feel like a man again. | 0:41:02 | 0:41:04 | |
You are a man. | 0:41:05 | 0:41:07 | |
Eh? You're my man. | 0:41:07 | 0:41:08 | |
# Red is the rose in yonder garden grows | 0:41:13 | 0:41:18 | |
# Fair is the lily of the valley | 0:41:18 | 0:41:23 | |
# Clear is the water that flows from the Boyne | 0:41:23 | 0:41:27 | |
# And my love is fairer than any | 0:41:27 | 0:41:32 | |
# Come over the hills My bonnie Irish lass | 0:41:32 | 0:41:37 | |
# And I'll be your true love for ever.... # | 0:41:37 | 0:41:41 | |
Oggy, you there? | 0:41:53 | 0:41:54 | |
Hey, Robbie. | 0:41:56 | 0:41:57 | |
-'How are you?' -Waiting, you know. | 0:41:57 | 0:42:01 | |
-Yeah, I know. -MAN: -'Launch to base. | 0:42:01 | 0:42:04 | |
'Launch to base. Be advised, | 0:42:04 | 0:42:08 | |
'we're coming into port with Patsy Fay. | 0:42:08 | 0:42:11 | |
'Be advised, we're coming into port with Patsy Fay.' | 0:42:11 | 0:42:14 | |
-Oggy, it's me mam! -Robbie! | 0:42:14 | 0:42:17 | |
'No, don't go down there, Robbie. Robbie, don't go down there!' | 0:42:17 | 0:42:21 | |
What's going on? | 0:42:21 | 0:42:23 | |
-What's wrong? -I can't get a signal. | 0:42:24 | 0:42:26 | |
They're bringing in Patsy. | 0:42:26 | 0:42:28 | |
Robbie! Robbie! | 0:42:28 | 0:42:30 | |
Robbie! Robbie! | 0:42:30 | 0:42:31 | |
-Oggy... -Robbie! | 0:42:31 | 0:42:33 | |
'Don't go down there, Robbie! Robbie, Robbie, no...' | 0:42:33 | 0:42:35 | |
'We're bringing in the body of Patsy Fay.' | 0:42:35 | 0:42:37 | |
-'Robbie!' -Oggy, stop! | 0:42:37 | 0:42:38 | |
What's the matter with you? | 0:42:38 | 0:42:40 | |
-Eve. -Yep. Go ahead. | 0:42:41 | 0:42:44 | |
'Patsy's boy, Robbie, he's heard she's coming in.' | 0:42:44 | 0:42:46 | |
He's heading to the harbour. | 0:42:46 | 0:42:48 | |
He thinks she's alive. | 0:42:48 | 0:42:50 | |
Hey! | 0:42:50 | 0:42:52 | |
-Stop, stop! Stop, Robbie! -Mam! | 0:42:52 | 0:42:54 | |
-Stop, stop, stop, stop. -Mam! | 0:42:54 | 0:42:57 | |
Get off! Mam! | 0:42:57 | 0:42:58 | |
-Robbie... Robbie, she's dead. -No, get off! | 0:42:58 | 0:43:00 | |
-I'm sorry. I'm sorry. -No, I heard them! | 0:43:00 | 0:43:03 | |
I know. I know. | 0:43:03 | 0:43:05 | |
-I'm sorry. -Why? | 0:43:07 | 0:43:09 | |
Hey, hey. I don't know yet, mate, | 0:43:10 | 0:43:12 | |
but I promise you I'm going to find out, OK? | 0:43:12 | 0:43:15 | |
Here's your dad. | 0:43:15 | 0:43:17 | |
Can I see her? | 0:43:28 | 0:43:29 | |
Yeah, yeah, of course. Hold on one moment. | 0:43:29 | 0:43:32 | |
Is it all right? | 0:43:34 | 0:43:36 | |
Yeah. | 0:43:36 | 0:43:38 | |
-Oh, Patsy... -Mam. | 0:43:43 | 0:43:46 | |
What have I done? | 0:43:46 | 0:43:47 | |
-Mam! -I'm so sorry. | 0:43:47 | 0:43:50 | |
We need to take care of her now. | 0:43:50 | 0:43:53 | |
Mam! | 0:43:53 | 0:43:54 | |
-It's all right, son. -Yep. | 0:43:54 | 0:43:57 | |
ROBBIE SOBS | 0:43:57 | 0:44:00 | |
I'm sorry. | 0:44:03 | 0:44:05 | |
You're going to have to come with me. | 0:44:06 | 0:44:08 | |
I'd rather do this without any fuss. Do you understand me? | 0:44:08 | 0:44:12 | |
Listen...I've got to go. | 0:44:14 | 0:44:18 | |
Dad's going to come with me and do some paperwork. | 0:44:18 | 0:44:20 | |
I'll take him. I'll look after him. | 0:44:20 | 0:44:23 | |
Thanks. Now you stay with your Auntie Susan until I come back, OK? | 0:44:23 | 0:44:26 | |
Good lad. | 0:44:28 | 0:44:29 | |
ROBBIE SOBS | 0:44:34 | 0:44:35 | |
Come on. | 0:44:35 | 0:44:36 | |
Come on, come on. Let's go home. | 0:44:40 | 0:44:42 | |
ROBBIE CONTINUES TO SOB | 0:44:42 | 0:44:45 | |
EERIE HOWLING | 0:44:57 | 0:45:00 | |
Oggy... | 0:45:11 | 0:45:13 | |
Robbie's going to be OK, you know. | 0:45:15 | 0:45:18 | |
-Come in. -Rosa... | 0:45:19 | 0:45:22 | |
I'm sorry. | 0:45:22 | 0:45:23 | |
Come on. | 0:45:23 | 0:45:25 | |
Patsy needs our help now. | 0:45:25 | 0:45:26 | |
She's waiting for us. | 0:45:26 | 0:45:29 | |
Cause of death was a fracture to the skull just here. | 0:45:42 | 0:45:45 | |
I've matched the samples from the anchor to her scalp. | 0:45:45 | 0:45:48 | |
-For Patsy? -Yep. | 0:45:48 | 0:45:50 | |
-And she was dead before she hit the water, right? -Maybe. | 0:45:50 | 0:45:53 | |
I'm saying there's only one way that she went into the water with Wilkes, dead or alive, | 0:46:07 | 0:46:11 | |
-and that's if he took her in. -Yeah, but we can't prove that forensically. | 0:46:11 | 0:46:14 | |
-Hey, I've got a hit on the prints from the flask. -Wilkes? | 0:46:14 | 0:46:17 | |
No, Patsy! | 0:46:17 | 0:46:19 | |
And I can prove the money | 0:46:19 | 0:46:20 | |
was in the flask before it was in Wilkes's dive belt. | 0:46:20 | 0:46:23 | |
Right, so it was dropped off at a pre-designated spot with the beacon, | 0:46:23 | 0:46:26 | |
they dive with the tracker and bring it up. | 0:46:26 | 0:46:28 | |
Yeah, if you knew the GPS and you didn't go below 300 feet, | 0:46:28 | 0:46:30 | |
-it would be relatively easy to find. -Yeah. | 0:46:30 | 0:46:32 | |
-So they were collecting the post. -No, but look at the size of the flask. | 0:46:32 | 0:46:34 | |
The amount of money you could get in here, | 0:46:34 | 0:46:36 | |
even in 500 euro notes, would only be about half a million. | 0:46:36 | 0:46:38 | |
I know. | 0:46:38 | 0:46:39 | |
It's not big enough for currency smuggling. I think | 0:46:39 | 0:46:42 | |
-it's a payoff. -But for what? | 0:46:42 | 0:46:43 | |
I have absolutely no idea. | 0:46:43 | 0:46:45 | |
Oggy, pull up the picture of Wilkes's eye injury. | 0:46:45 | 0:46:49 | |
Look. | 0:46:49 | 0:46:50 | |
What? | 0:46:51 | 0:46:53 | |
It's an imprint of Patsy's wedding ring. | 0:46:53 | 0:46:56 | |
GRUNTS | 0:46:56 | 0:46:58 | |
Look, I'm not stupid. The most you can charge me for is having that money. | 0:47:05 | 0:47:09 | |
We both know it probably won't even go to court. | 0:47:09 | 0:47:11 | |
Yeah. No, you're right. | 0:47:11 | 0:47:12 | |
Your lawyer will tell you to say you found it | 0:47:12 | 0:47:14 | |
and that you know nothing more about it. | 0:47:14 | 0:47:16 | |
The thing is, we can prove | 0:47:16 | 0:47:17 | |
that Wilkes killed Connor and Patsy. | 0:47:17 | 0:47:20 | |
He's going down. | 0:47:20 | 0:47:22 | |
Killed? | 0:47:23 | 0:47:24 | |
Yeah. | 0:47:25 | 0:47:26 | |
Y-You sure? | 0:47:26 | 0:47:29 | |
Oh, I'm sure, mmm. | 0:47:29 | 0:47:30 | |
Tom Wilkes killed Connor and your wife. | 0:47:32 | 0:47:37 | |
But the problem is, Rob, we don't have motive. | 0:47:37 | 0:47:40 | |
We don't know what Wilkes and Connor were doing out there. | 0:47:40 | 0:47:43 | |
What that means is we can't prove Patsy's innocence, | 0:47:43 | 0:47:46 | |
so it'll be assumed she was part of the crime Wilkes committed. | 0:47:46 | 0:47:49 | |
I believe there's something very important at stake here, Rob. | 0:47:51 | 0:47:55 | |
Patsy's memory. | 0:47:59 | 0:48:00 | |
That's all that Robbie has left of his mother now, | 0:48:00 | 0:48:04 | |
and if she is indeed an innocent in all of this, | 0:48:04 | 0:48:07 | |
he needs it to be proven. | 0:48:07 | 0:48:09 | |
He deserves that. | 0:48:11 | 0:48:12 | |
So does she. | 0:48:12 | 0:48:14 | |
No, she... She deserves more than that. | 0:48:16 | 0:48:18 | |
Tell us where the samples are... | 0:48:22 | 0:48:24 | |
..what you know about it. | 0:48:26 | 0:48:27 | |
We dived for two days. | 0:48:28 | 0:48:30 | |
-For the samples? -No. | 0:48:30 | 0:48:32 | |
Well, they weren't bringing anything back up, | 0:48:34 | 0:48:36 | |
so I asked Wilkes what it was they were looking for down there. | 0:48:36 | 0:48:39 | |
What did he say? | 0:48:39 | 0:48:41 | |
'He told me to mind my own business, he'd paid for my time. | 0:48:43 | 0:48:46 | |
'First thing I thought was drugs.' You know, there's a lot of questions | 0:48:46 | 0:48:49 | |
-I could ask and I don't. -What do you mean? | 0:48:49 | 0:48:51 | |
It means I want my money. I'm in the hole for £1,000 already. | 0:48:51 | 0:48:56 | |
It costs 500 quid a day to run the boat. | 0:48:56 | 0:48:57 | |
-So? -You'll get paid. | 0:48:57 | 0:48:59 | |
-When? -When I say so. | 0:48:59 | 0:49:01 | |
Now, go home to me sister. | 0:49:05 | 0:49:06 | |
Did you tell Patsy? | 0:49:08 | 0:49:10 | |
No. No. | 0:49:10 | 0:49:13 | |
I should have just turned them in to the police right away. | 0:49:16 | 0:49:19 | |
But I didn't. | 0:49:19 | 0:49:20 | |
'I took the coward's way out. I got pissed | 0:49:21 | 0:49:22 | |
'so I didn't have to skipper the boat.' | 0:49:22 | 0:49:24 | |
Bottle, Jimmy. | 0:49:24 | 0:49:25 | |
I didn't think Patsy would take them out cos she's...banned. | 0:49:31 | 0:49:34 | |
Obviously needed the money more than I thought. | 0:49:36 | 0:49:39 | |
So I went round to see Wilkes at the hospital to find out what happened | 0:49:40 | 0:49:44 | |
and that's when he gave it to me. | 0:49:44 | 0:49:46 | |
The money. | 0:49:47 | 0:49:48 | |
So I figured that's what they were looking for down there. | 0:49:50 | 0:49:52 | |
What was the money for? | 0:49:52 | 0:49:54 | |
I don't know. I've got no idea. | 0:49:54 | 0:49:56 | |
I swear if I knew, I'd tell you. | 0:49:56 | 0:49:58 | |
But there's something else I want to put on record here. | 0:50:00 | 0:50:03 | |
Patsy's previous for smuggling. | 0:50:03 | 0:50:05 | |
It was me. | 0:50:06 | 0:50:07 | |
I brought that boat into port and she covered for me | 0:50:09 | 0:50:11 | |
-because she knew that I couldn't handle the time. -Yeah, great. | 0:50:11 | 0:50:14 | |
Do you know where the samples are? | 0:50:14 | 0:50:16 | |
Hey, what are you doing? | 0:50:22 | 0:50:24 | |
Just having a look at something. | 0:50:27 | 0:50:28 | |
What are they? | 0:50:30 | 0:50:31 | |
What is it? | 0:50:31 | 0:50:33 | |
-Soil samples from the sea bed. -That's what he said he was collecting. | 0:50:33 | 0:50:36 | |
Yeah, these are not from our waters. | 0:50:36 | 0:50:38 | |
Oof! | 0:51:01 | 0:51:03 | |
These soil samples aren't from round here. They're loaded with petroleum. | 0:51:07 | 0:51:10 | |
We've got Rob's statement. We can prove that | 0:51:13 | 0:51:15 | |
you killed Connor and Patsy. | 0:51:15 | 0:51:17 | |
And the soil samples. | 0:51:20 | 0:51:22 | |
They're from an oil field in Scotland. Every court in the land | 0:51:24 | 0:51:27 | |
is going to know that you're up here fiddling your claims. | 0:51:27 | 0:51:30 | |
So you get a choice. | 0:51:31 | 0:51:33 | |
You can go to court, having said nothing, | 0:51:33 | 0:51:35 | |
you can be perceived as a cold-blooded killer | 0:51:35 | 0:51:37 | |
who took two lives to cover his crime. | 0:51:37 | 0:51:39 | |
Or you can tell me what happened. | 0:51:40 | 0:51:42 | |
If you don't tell me the truth now, I'll still prove you guilty, | 0:51:47 | 0:51:51 | |
and without a plea from you, | 0:51:51 | 0:51:52 | |
you're looking at an extra 20 years on top of what you would have got. So... | 0:51:52 | 0:51:56 | |
Get your sample? | 0:52:02 | 0:52:04 | |
Yes, thanks. | 0:52:04 | 0:52:06 | |
Hey! Hey! | 0:52:07 | 0:52:09 | |
Rich soil we have down there. | 0:52:11 | 0:52:13 | |
I looked under your bed and I found your samples, | 0:52:13 | 0:52:16 | |
the oil-rich ones that you brought with you from God knows where! | 0:52:16 | 0:52:18 | |
-You don't know what you're talking about! -Huh! Well, let me guess. | 0:52:18 | 0:52:21 | |
You have an exploration licence for this area, | 0:52:21 | 0:52:25 | |
and if you happen to hit upon a potential drilling site, | 0:52:25 | 0:52:28 | |
you can sell it on and make your millions. Have you any idea | 0:52:28 | 0:52:31 | |
what'll happen to what's left of our fishing industries here | 0:52:31 | 0:52:34 | |
-if major explorations begin? -They won't stay here! | 0:52:34 | 0:52:37 | |
There's nothing down there! They'll think it was a fluke. | 0:52:37 | 0:52:39 | |
What, after you've made your millions and cleared off, | 0:52:39 | 0:52:41 | |
and they've wrecked the sea bed and we're left with nothing? | 0:52:41 | 0:52:43 | |
I'll cut you in, yeah? | 0:52:43 | 0:52:45 | |
What? No way, mate! | 0:52:45 | 0:52:47 | |
Look, listen. Oi! Oi! | 0:52:47 | 0:52:48 | |
Hey! Hey! Hey, what you doing? What are you doing?! | 0:52:48 | 0:52:52 | |
Get off! Get off! | 0:52:52 | 0:52:54 | |
Get off me! Get off! | 0:52:54 | 0:52:56 | |
You fool! | 0:53:00 | 0:53:01 | |
-Are you all right? -Get off me! | 0:53:03 | 0:53:05 | |
'Mam? | 0:53:11 | 0:53:12 | |
'Mam, are you there?' | 0:53:12 | 0:53:13 | |
'Mam? | 0:53:15 | 0:53:17 | |
'Mam?' | 0:53:17 | 0:53:18 | |
'Mam, are you there?' | 0:53:20 | 0:53:21 | |
'Mam?' | 0:53:23 | 0:53:24 | |
I-It was an accident. | 0:53:26 | 0:53:28 | |
I believe you. | 0:53:28 | 0:53:30 | |
So... | 0:53:32 | 0:53:33 | |
..Patsy was an accident, you're looking at between, what, four and seven? | 0:53:35 | 0:53:38 | |
But Connor wasn't an accident, was he? | 0:53:38 | 0:53:40 | |
Well, I killed his sister, so... | 0:53:42 | 0:53:44 | |
So what? What, he was going to kill you?! | 0:53:44 | 0:53:47 | |
Yeah. | 0:53:47 | 0:53:48 | |
You don't know Connor. | 0:53:48 | 0:53:50 | |
I saw him slice a guy up once with a knife on the rigs, | 0:53:52 | 0:53:54 | |
just over a game of cards. | 0:53:54 | 0:53:56 | |
'So it's safe to say that he'd have put that six-inch diving knife | 0:53:56 | 0:53:59 | |
'to good use on you, then?' | 0:53:59 | 0:54:01 | |
'I knew he was nearly out of air, so I quickly grabbed another bottle. | 0:54:01 | 0:54:06 | |
'I dived in and... | 0:54:06 | 0:54:08 | |
'and took him way back down.' | 0:54:08 | 0:54:10 | |
Held him under till he was dead. | 0:54:12 | 0:54:13 | |
'And then you came up to the surface, got on the boat, | 0:54:13 | 0:54:16 | |
'you transferred the money into your dive belt. | 0:54:16 | 0:54:20 | |
'Then you got hold of Patsy, | 0:54:20 | 0:54:22 | |
'took her back over the side, down to a depth where you thought' | 0:54:22 | 0:54:24 | |
-she'd never be found, is that right? -Yeah. | 0:54:24 | 0:54:28 | |
OK, look, this is where we're at, OK? | 0:54:29 | 0:54:32 | |
Connor is murder, Patsy is an accident. | 0:54:32 | 0:54:35 | |
You're look at between 7 and 14, but - and it is a very big but, Tom - | 0:54:35 | 0:54:40 | |
with a full and frank confession from you... | 0:54:40 | 0:54:43 | |
..you might get a bit of time knocked off, | 0:54:44 | 0:54:47 | |
if you tell me what happened. | 0:54:47 | 0:54:49 | |
Who gave you the money? | 0:54:49 | 0:54:50 | |
Wish I knew. | 0:54:50 | 0:54:52 | |
It was all set up by an agent. | 0:54:52 | 0:54:54 | |
This was supposed to be so simple. | 0:54:55 | 0:54:58 | |
Just dive for three days, look like you're bringing up samples. | 0:54:58 | 0:55:01 | |
The payoff's dropped for you on the third day, pay the crew, go home. | 0:55:01 | 0:55:05 | |
An agent? | 0:55:05 | 0:55:06 | |
Just some middleman for another middleman, you know. | 0:55:08 | 0:55:10 | |
I suppose if you did trace it back, | 0:55:10 | 0:55:13 | |
it would come out to some Russian broker | 0:55:13 | 0:55:15 | |
who would sell the duff claim on to the Chinese. | 0:55:15 | 0:55:17 | |
I mean, they're buying up every exploration long shot they can get their hands on. | 0:55:17 | 0:55:22 | |
WOMAN: We find the defendant, Tom Wilkes, | 0:55:26 | 0:55:29 | |
guilty of conspiring to commit an act of fraud. | 0:55:29 | 0:55:33 | |
Guilty of the manslaughter of Patsy Fay. | 0:55:33 | 0:55:37 | |
Guilty of the murder of Connor Ryan. | 0:55:37 | 0:55:40 | |
-JUDGE: -And how do you find Robert Fay? | 0:55:44 | 0:55:46 | |
WOMAN: Your Honour, we find Robert Fay | 0:55:46 | 0:55:49 | |
guilty of being an accomplice to conspiring to commit an act of fraud | 0:55:49 | 0:55:53 | |
and attempting to pervert the course of justice. | 0:55:53 | 0:55:56 | |
-JUDGE: -You may sit down. | 0:55:56 | 0:55:58 | |
-Dad. -Robbie. | 0:56:12 | 0:56:15 | |
-Dad... -R... | 0:56:15 | 0:56:16 | |
I made you this for your wall. | 0:56:16 | 0:56:18 | |
It's Mam, back in the sea. That's what she said. | 0:56:18 | 0:56:20 | |
A selkie has to go back to sea one day. | 0:56:20 | 0:56:23 | |
She was right. | 0:56:24 | 0:56:26 | |
Can I come with you? | 0:56:27 | 0:56:28 | |
I don't think they're going TO allow it, son. | 0:56:28 | 0:56:31 | |
-What will happen now? -I'm going to go to prison for a few months. | 0:56:31 | 0:56:34 | |
Susan's going to look after you. When I get out, I'm going TO be sober | 0:56:34 | 0:56:37 | |
and you and me are going to make a fresh start, OK? | 0:56:37 | 0:56:40 | |
OK. | 0:56:40 | 0:56:42 | |
OK? Good lad. | 0:56:42 | 0:56:44 | |
ROBBIE: 'Why did your daddy say you were a selkie?' | 0:56:57 | 0:57:00 | |
-PATSY: -'Well, one time I was out playing on the shore | 0:57:00 | 0:57:05 | |
'and a big wave came and took me out to sea,' | 0:57:05 | 0:57:08 | |
and they all knew there was no way a young child could survive that. | 0:57:08 | 0:57:11 | |
But you did survive it? | 0:57:11 | 0:57:14 | |
CHUCKLES | 0:57:12 | 0:57:14 | |
Of course I did! | 0:57:15 | 0:57:17 | |
Well, it got about that I must have been dead | 0:57:17 | 0:57:21 | |
and brought back to life by a selkie, | 0:57:21 | 0:57:24 | |
making me a half-selkie. | 0:57:24 | 0:57:26 | |
So, that would make me... | 0:57:26 | 0:57:28 | |
That would make you a half-selkie as well. | 0:57:28 | 0:57:31 | |
-EVE: -'This is how we go on. | 0:57:33 | 0:57:35 | |
'We find our private truth that becomes a shared truth. | 0:57:35 | 0:57:39 | |
'The truth is our salvation, so that the memory of our lost loved one | 0:57:39 | 0:57:42 | |
'is served justice and at peace. | 0:57:42 | 0:57:46 | |
'This is our only comfort.' | 0:57:46 | 0:57:48 | |
HALE: Her name's Beth Fox. Somebody got into her cell last night, | 0:57:51 | 0:57:53 | |
slit her throat, etc. No witnesses. The body's a mess. It's not pretty. | 0:57:53 | 0:57:57 | |
-'Tell me about Tess.' -'She's up on the roof.' | 0:57:57 | 0:57:59 | |
You can nip up there and ask her yourself. | 0:57:59 | 0:58:00 | |
I have the Home Secretary on my back about this. | 0:58:00 | 0:58:03 | |
Do you want me to make something up to get the press off your back? | 0:58:03 | 0:58:06 | |
Is that what you want me to do? | 0:58:06 | 0:58:07 | |
I need to know where Tess is, Nicole. Where is she? | 0:58:07 | 0:58:11 | |
Subtitles by Red Bee Media Ltd | 0:58:22 | 0:58:25 | |
Email [email protected] | 0:58:25 | 0:58:28 |