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It's just a preliminary draft. | 0:01:30 | 0:01:33 | |
HE MUTTERS ANGRILY | 0:02:12 | 0:02:14 | |
OPERATIC ARIA PLAYS | 0:02:20 | 0:02:22 | |
DOOR OPENS | 0:02:43 | 0:02:44 | |
Olivia! | 0:02:56 | 0:02:58 | |
Olivia! | 0:03:00 | 0:03:02 | |
Olivia! | 0:03:03 | 0:03:05 | |
How was London? | 0:03:05 | 0:03:07 | |
You're leaving. Now. | 0:03:07 | 0:03:09 | |
-What? -Come on! | 0:03:09 | 0:03:11 | |
No! You know I can't. | 0:03:11 | 0:03:13 | |
-Come along. -Father! -Chop chop. | 0:03:13 | 0:03:16 | |
-Should've done this years ago. -I can't! | 0:03:16 | 0:03:19 | |
Please! | 0:03:19 | 0:03:21 | |
Someone's got to put a stop to this nonsense. | 0:03:21 | 0:03:23 | |
-People are saying that you're mad, Olivia. -Let go! | 0:03:23 | 0:03:25 | |
-Stop it! -A crackpot. A raving lunatic! | 0:03:25 | 0:03:28 | |
Get outside! | 0:03:29 | 0:03:31 | |
Edward! | 0:03:31 | 0:03:32 | |
Pull yourself together! Stop being so bloody weak. | 0:03:32 | 0:03:35 | |
Stop, stop, stop. Take your hands off her. | 0:03:35 | 0:03:38 | |
Or what? | 0:03:38 | 0:03:40 | |
Stop. | 0:03:44 | 0:03:46 | |
I... I... | 0:03:46 | 0:03:47 | |
I want you gone. | 0:03:49 | 0:03:52 | |
All of you. | 0:03:52 | 0:03:55 | |
Gone! | 0:03:55 | 0:03:56 | |
MUSIC: Gloomy Sunday by Billie Holiday | 0:04:05 | 0:04:08 | |
RECORD STICKS | 0:04:15 | 0:04:17 | |
Key's in. Can't see a damn thing. | 0:04:29 | 0:04:32 | |
Well, I-I could, y'know, break the door down. | 0:04:32 | 0:04:34 | |
It's 200 years old! | 0:04:34 | 0:04:36 | |
Excuse me. | 0:04:46 | 0:04:48 | |
Call the police! | 0:05:17 | 0:05:19 | |
DOOR OPENS | 0:05:55 | 0:05:58 | |
Right, this is our coroner, Jane Kennedy. | 0:05:58 | 0:06:01 | |
-I'm so sorry for your loss. -Thank you. | 0:06:01 | 0:06:03 | |
Olivia. | 0:06:03 | 0:06:05 | |
My brother, Edward. | 0:06:05 | 0:06:07 | |
His daughter, Lily. | 0:06:07 | 0:06:09 | |
Hi, Lily. | 0:06:09 | 0:06:11 | |
She's in shock. We all are. | 0:06:11 | 0:06:13 | |
-Sorry, you are...? -Er, Terence. Terence Brooks. | 0:06:16 | 0:06:19 | |
A writer. A very good one, too. | 0:06:19 | 0:06:22 | |
Writing a book on the Sidwell history. | 0:06:22 | 0:06:25 | |
I don't know the protocol for this. Should I offer you a drink? | 0:06:25 | 0:06:28 | |
No, no, we're fine. Thank you. | 0:06:28 | 0:06:30 | |
-We were having dinner when it happened. -Together. | 0:06:30 | 0:06:32 | |
The four of us. | 0:06:32 | 0:06:35 | |
Is anything missing? | 0:06:35 | 0:06:37 | |
-Robbery? -We haven't looked. We thought we shouldn't touch anything. | 0:06:37 | 0:06:40 | |
No, that's right. CSI are still doing their thing, | 0:06:40 | 0:06:42 | |
and we don't want to disturb a crime scene. | 0:06:42 | 0:06:44 | |
Have we met before? | 0:06:44 | 0:06:46 | |
No. No, no. I don't think so. | 0:06:46 | 0:06:48 | |
You look very familiar. Can't place you. | 0:06:48 | 0:06:52 | |
Did you used to sweep our chimneys? | 0:06:53 | 0:06:55 | |
I'll, erm... I'll show you where he is. Excuse me. | 0:06:57 | 0:07:01 | |
I can't believe he doesn't remember me. | 0:07:09 | 0:07:11 | |
50 quid, my dad paid. 50 quid for a broken window. | 0:07:11 | 0:07:15 | |
And I had to pay it back. A pound a week from my paper round. | 0:07:15 | 0:07:18 | |
-It took me months. -You did break into their summerhouse. | 0:07:18 | 0:07:21 | |
Lucky they didn't catch you, then, wasn't it? | 0:07:21 | 0:07:23 | |
You'd have been harder to forget, seeing as you were in the buff. | 0:07:23 | 0:07:26 | |
Stop it! | 0:07:26 | 0:07:27 | |
I can still see you now. How long were you trapped in there again? | 0:07:27 | 0:07:31 | |
Shall we examine the body? | 0:07:31 | 0:07:32 | |
Changing the subject...! | 0:07:32 | 0:07:34 | |
Single stab wound. | 0:07:42 | 0:07:45 | |
Looks like it's to the heart. | 0:07:45 | 0:07:47 | |
He's got defensive marks on his hand. | 0:07:47 | 0:07:49 | |
The chair was stabbed four times. | 0:07:49 | 0:07:52 | |
Must've put up a bit of a fight. | 0:07:52 | 0:07:55 | |
-Record player drowned out the noise? -Why so many stabs? | 0:07:55 | 0:07:59 | |
Well, maybe he hid behind it. | 0:07:59 | 0:08:01 | |
Looks like murder, so it's one of yours. | 0:08:01 | 0:08:04 | |
Don't you think it's weird, | 0:08:04 | 0:08:05 | |
them all living together? It's like they've never grown up. | 0:08:05 | 0:08:08 | |
What adult still lives with their parents? | 0:08:08 | 0:08:10 | |
People who don't have a choice. | 0:08:10 | 0:08:12 | |
-Yeah. -Have your guys found the murder weapon? | 0:08:12 | 0:08:15 | |
No. Door was locked from the inside, window was wide open. | 0:08:15 | 0:08:18 | |
No fingerprints. | 0:08:18 | 0:08:19 | |
-I didn't mean you. -OK, well, let's move the body. | 0:08:19 | 0:08:22 | |
-We'll get a forensic PM. -Righto. | 0:08:22 | 0:08:25 | |
You must know the Sidwells. | 0:08:28 | 0:08:31 | |
I thought you went to one of their open gardens. | 0:08:31 | 0:08:33 | |
Er, no, no. First time there yesterday. Definitely. | 0:08:33 | 0:08:36 | |
Donald was a nasty old git. Figured just cos he had a fancy house | 0:08:36 | 0:08:40 | |
and a village named after him, he was better than everyone else. | 0:08:40 | 0:08:43 | |
Dead touchy, too. | 0:08:43 | 0:08:45 | |
He kicked off in Dot Saunders' pharmacy a few months ago. | 0:08:45 | 0:08:49 | |
Knocked over a display and accused everyone of laughing at him. | 0:08:49 | 0:08:54 | |
They're all a bit, y'know... | 0:08:54 | 0:08:56 | |
Inbred. | 0:08:56 | 0:08:57 | |
And then there's the sister. Olive. | 0:08:57 | 0:09:00 | |
-Olivia. -Vampire. So Ron the milk says. | 0:09:00 | 0:09:03 | |
She always makes him bring the milk inside. | 0:09:03 | 0:09:06 | |
Hasn't left the hall in years. | 0:09:06 | 0:09:08 | |
-Doesn't make her a vampire. -Ron don't take any chances, though. | 0:09:08 | 0:09:11 | |
Always wears a crucifix and eats a bulb of garlic before he delivers. | 0:09:11 | 0:09:14 | |
I thought he was French for years. | 0:09:14 | 0:09:16 | |
It's the granddaughter I feel sorry for, living with that lot. | 0:09:16 | 0:09:20 | |
They took her out of her posh boarding school last year, | 0:09:20 | 0:09:22 | |
-put her in the local comp. -Why? | 0:09:22 | 0:09:24 | |
I dunno. Maybe she was expelled. | 0:09:24 | 0:09:27 | |
Bingo Paula said she's always on her tod | 0:09:27 | 0:09:29 | |
and doesn't want to make friends. | 0:09:29 | 0:09:31 | |
And then there's her dad. | 0:09:31 | 0:09:33 | |
He strangled his missus. | 0:09:33 | 0:09:36 | |
Hid the body. Never been found. | 0:09:36 | 0:09:39 | |
Then how do you know she was strangled? | 0:09:39 | 0:09:41 | |
She drowned. Allegedly. | 0:09:47 | 0:09:49 | |
-Poor Lily. -Yeah, I looked it up this morning, funny enough. | 0:09:49 | 0:09:52 | |
I was stationed in Penzance at the time she'd been reported missing. | 0:09:52 | 0:09:55 | |
They found her boat washed up at Gorra Point, smashed to pieces. | 0:09:55 | 0:09:59 | |
Never found her body. | 0:09:59 | 0:10:02 | |
Did anyone suspect Edward of being involved? | 0:10:02 | 0:10:04 | |
Yeah, everyone did. He wasn't very co-operative, actually. | 0:10:04 | 0:10:07 | |
-It was Olivia that phoned the police. -But he was investigated. | 0:10:07 | 0:10:10 | |
Yeah, but his dad had influence. | 0:10:10 | 0:10:12 | |
Once they found the boat, it was an open verdict. | 0:10:12 | 0:10:15 | |
Convenient, though, isn't it? | 0:10:15 | 0:10:17 | |
His wife dies mysteriously, and now his father, too. | 0:10:17 | 0:10:21 | |
Meaning? | 0:10:21 | 0:10:22 | |
He was a bit antsy last night. | 0:10:22 | 0:10:23 | |
-His father had just been murdered! -Acting suspicious, if you ask me. | 0:10:23 | 0:10:28 | |
Oh, bad news about the forensic postmortem. | 0:10:28 | 0:10:31 | |
Geoff Reid's our pathologist, so don't expect anything quick. | 0:10:31 | 0:10:34 | |
Or expect him to do anything but state the blindingly obvious. | 0:10:34 | 0:10:37 | |
-Can't we ask for a new one? -They're all busy. Geoff's all we've got. | 0:10:37 | 0:10:41 | |
Listen... | 0:10:41 | 0:10:43 | |
About the summerhouse. You never told anyone, did you? | 0:10:43 | 0:10:47 | |
"Don't tell my mum, Davey! Don't tell my mum!" | 0:10:47 | 0:10:49 | |
I did not sound like that. | 0:10:49 | 0:10:51 | |
Did you? | 0:10:51 | 0:10:53 | |
What do you think? | 0:10:53 | 0:10:55 | |
You forgot something? | 0:10:58 | 0:11:00 | |
Court! | 0:11:00 | 0:11:01 | |
Olivia served supper at 7:30. | 0:11:05 | 0:11:08 | |
And your father wasn't eating with you? | 0:11:08 | 0:11:10 | |
He'd eaten earlier. Been at his club in London for the day. | 0:11:10 | 0:11:14 | |
We'd started pudding when we heard the record jumping | 0:11:14 | 0:11:17 | |
just before eight. Thought it strange Father didn't stop it. | 0:11:17 | 0:11:21 | |
Oh, and there is something that's been stolen. | 0:11:23 | 0:11:26 | |
Napoleon's violin. | 0:11:26 | 0:11:29 | |
-THE Napoleon? -It was a gift to Sir George Sidwell. | 0:11:29 | 0:11:33 | |
He was one of Napoleon's jailers on St Helena. | 0:11:33 | 0:11:36 | |
Napoleon said he was the only Englishman he'd shake hands with. | 0:11:36 | 0:11:39 | |
Gave it to him as a token of their friendship. | 0:11:39 | 0:11:41 | |
-And it's definitely missing? -We just said so, didn't we? | 0:11:41 | 0:11:44 | |
Was your father meeting anyone at his club? | 0:11:46 | 0:11:49 | |
-I don't know. -He kept his business to himself. | 0:11:49 | 0:11:52 | |
-Really? You've got absolutely no idea? -I'm not his secretary! | 0:11:52 | 0:11:55 | |
Did he keep a diary, do you know? | 0:11:56 | 0:11:58 | |
Would that be it over there? | 0:12:00 | 0:12:02 | |
-Those were his personal papers. -I don't think he'd mind. | 0:12:04 | 0:12:08 | |
Why aren't you out there, looking for whoever did this? | 0:12:09 | 0:12:13 | |
Who's Herriot? | 0:12:14 | 0:12:16 | |
-Yeah? -Here's that report for Donald Sidwell. -Oh, right, OK. | 0:12:32 | 0:12:36 | |
Thanks, Jim. | 0:12:36 | 0:12:38 | |
Bloody hell! | 0:12:46 | 0:12:48 | |
DOOR OPENS | 0:12:58 | 0:12:59 | |
Guess how much Napoleon's violin is worth. | 0:12:59 | 0:13:01 | |
-70p. -Hello? It's Napoleon's! It'd be, like, two grand. | 0:13:01 | 0:13:05 | |
3.6 million. | 0:13:05 | 0:13:07 | |
-CLINT LAUGHS INCREDULOUSLY -What was it made out of? Gold? | 0:13:07 | 0:13:10 | |
And the preliminary CSI report's in. Like I said, no fingerprints. | 0:13:10 | 0:13:14 | |
No clear footprints in the beds outside the window. | 0:13:14 | 0:13:16 | |
Family claim they were all together when it happened. We've got nothing. | 0:13:16 | 0:13:20 | |
Apart from the violin and that Donald met a man in London. | 0:13:20 | 0:13:23 | |
-Herriot. -Who's he? Could he have followed him back? | 0:13:23 | 0:13:26 | |
To Devon? I doubt it. I've put a call in, left a message. | 0:13:26 | 0:13:29 | |
Clint's been on the phone to the solicitors. | 0:13:29 | 0:13:33 | |
Clint? Solicitors? | 0:13:33 | 0:13:34 | |
Sorry. The main beneficiary is Edward, his son. | 0:13:34 | 0:13:37 | |
-Inherits everything. -Everything? -There's this entailment thingy. | 0:13:37 | 0:13:40 | |
-All assets go to the male heir. -That's interesting. | 0:13:40 | 0:13:43 | |
I'm waiting on the financial records. | 0:13:43 | 0:13:45 | |
-PHONE BLEEPS -You got the medical ones? | 0:13:45 | 0:13:47 | |
He had a private doctor. All requests need to be in writing. | 0:13:47 | 0:13:50 | |
Bank are the same with his financial ones. It's like he's the Queen. | 0:13:50 | 0:13:53 | |
-Whoa, hey, hey, I haven't finished. -Well, you'll have to come with me. | 0:13:53 | 0:13:56 | |
Where? | 0:13:57 | 0:13:59 | |
-So you're moving out of your mum's? -Mm. Can't stay there for ever. | 0:14:03 | 0:14:07 | |
I'm telling you, it's Edward. He's got a motive. | 0:14:08 | 0:14:12 | |
-The will. -So why's the violin missing? | 0:14:12 | 0:14:15 | |
He could've sold it, argued with Donald about it. | 0:14:15 | 0:14:19 | |
Are you sure this isn't about the summerhouse? It was a long time ago. | 0:14:19 | 0:14:22 | |
No! No, I'm not that petty. | 0:14:22 | 0:14:23 | |
Or maybe I am. It's just their stories are straight. | 0:14:25 | 0:14:28 | |
They're too straight. They're hiding something. | 0:14:28 | 0:14:32 | |
I need your help. | 0:14:32 | 0:14:34 | |
You're asking me for help? Are you feeling all right? | 0:14:34 | 0:14:36 | |
I want you to talk to them. | 0:14:36 | 0:14:37 | |
They might slip up if they're not talking to the police. | 0:14:37 | 0:14:41 | |
What do you say? | 0:14:41 | 0:14:43 | |
Well? | 0:14:43 | 0:14:44 | |
Now, that's more like it. | 0:14:44 | 0:14:45 | |
Is that a yes or a no? | 0:14:48 | 0:14:49 | |
-OLIVIA: -He was a... | 0:14:55 | 0:14:57 | |
strong character. | 0:14:57 | 0:14:59 | |
Shall we talk in the garden? It's a lovely day. | 0:15:02 | 0:15:04 | |
I'd rather not. | 0:15:04 | 0:15:06 | |
We could sit in the shade. | 0:15:06 | 0:15:08 | |
Olivia? | 0:15:13 | 0:15:15 | |
No, I can't. | 0:15:15 | 0:15:16 | |
-SHE SHUDDERS -I can't go outside. I... | 0:15:16 | 0:15:19 | |
I'm agoraphobic. | 0:15:21 | 0:15:23 | |
-Ah. -It's diagnosed. It's not something I have any control over. | 0:15:24 | 0:15:28 | |
-No. -I can't just pull myself together. -Of course not. | 0:15:28 | 0:15:31 | |
Who said you could? | 0:15:31 | 0:15:33 | |
Your father? | 0:15:34 | 0:15:36 | |
No. | 0:15:37 | 0:15:39 | |
Well, he didn't really understand it. | 0:15:40 | 0:15:43 | |
Well, I don't think I'll be much help, because | 0:15:46 | 0:15:49 | |
I've only known them two months. | 0:15:49 | 0:15:51 | |
I was just wondering how you got the job here. | 0:15:51 | 0:15:54 | |
Can't imagine it was advertised in a Jobcentre. | 0:15:54 | 0:15:56 | |
No, there was an advert in Literature Today. | 0:15:56 | 0:15:59 | |
It's not paid, just board and lodgings. | 0:15:59 | 0:16:03 | |
Olivia liked an article I'd written on Napoleon's last years, so... | 0:16:03 | 0:16:07 | |
-Didn't matter it wasn't paid? -No. | 0:16:07 | 0:16:10 | |
It's fascinating subject matter, isn't it? | 0:16:10 | 0:16:12 | |
Half the royalties, no overheads. | 0:16:12 | 0:16:15 | |
How did you find Donald? | 0:16:15 | 0:16:17 | |
Olivia said he was difficult... | 0:16:17 | 0:16:20 | |
telling her to pull herself together. It wasn't her fault. | 0:16:20 | 0:16:24 | |
Well... | 0:16:24 | 0:16:26 | |
He had a... | 0:16:26 | 0:16:27 | |
malicious streak. | 0:16:27 | 0:16:29 | |
You understand, a woman like Olivia, you know, she... | 0:16:30 | 0:16:35 | |
she really needs looking after. | 0:16:35 | 0:16:37 | |
Who by? | 0:16:37 | 0:16:39 | |
You? | 0:16:39 | 0:16:40 | |
Hm? No, no. No. | 0:16:40 | 0:16:43 | |
Of course not. | 0:16:43 | 0:16:45 | |
KNOCK ON DOOR | 0:16:51 | 0:16:53 | |
Hi, Lily. We met last night. I'm Jane. | 0:16:53 | 0:16:56 | |
Can I come in? | 0:16:57 | 0:16:59 | |
I'm very sorry about your grandfather. | 0:17:06 | 0:17:08 | |
I'm not. Couldn't stand him. | 0:17:08 | 0:17:10 | |
Sorry. I know you're not meant to say stuff like that. | 0:17:11 | 0:17:15 | |
It's fine. Just makes me think you're being honest. | 0:17:15 | 0:17:18 | |
Most people lie. | 0:17:18 | 0:17:21 | |
Why didn't you like him? | 0:17:21 | 0:17:22 | |
He didn't like children. Don't think he liked anyone. | 0:17:22 | 0:17:27 | |
Sounds like fun(!) | 0:17:27 | 0:17:28 | |
Who's that? Is that your mum? | 0:17:34 | 0:17:36 | |
Wow. | 0:17:38 | 0:17:40 | |
She's very beautiful. | 0:17:40 | 0:17:41 | |
She died when I was four. | 0:17:41 | 0:17:44 | |
I was 14 when my dad died. | 0:17:44 | 0:17:46 | |
What happened? | 0:17:46 | 0:17:47 | |
He was a trawlerman. He drowned. | 0:17:48 | 0:17:52 | |
I didn't mean... | 0:17:52 | 0:17:53 | |
No, it's fine. It was a long time ago. | 0:17:53 | 0:17:55 | |
I try to remember the happy times. | 0:17:55 | 0:17:58 | |
I can hardly remember her. | 0:17:58 | 0:18:00 | |
Just... | 0:18:00 | 0:18:01 | |
she was funny. Made me laugh. | 0:18:01 | 0:18:04 | |
Sorry. Keep meaning to tidy up. | 0:18:07 | 0:18:10 | |
I eat up here. | 0:18:10 | 0:18:12 | |
Hate being down there. | 0:18:12 | 0:18:13 | |
My daughter would, too, if I let her. | 0:18:13 | 0:18:16 | |
All your meals? | 0:18:16 | 0:18:17 | |
Yeah. They're always so formal downstairs. | 0:18:17 | 0:18:20 | |
-And last night? -Yeah, I... | 0:18:20 | 0:18:23 | |
I mean no. I... | 0:18:23 | 0:18:25 | |
If they lied about being together, | 0:18:27 | 0:18:29 | |
they could've lied about everything else. | 0:18:29 | 0:18:31 | |
-It's Edward. -Don't jump to conclusions. | 0:18:31 | 0:18:34 | |
-Could've been the sister. -She can't go outside. | 0:18:34 | 0:18:36 | |
I'm going to check with her doctor about that. | 0:18:36 | 0:18:39 | |
-Don't know why Terence lied, though. -Because he's in love with Olivia. | 0:18:39 | 0:18:43 | |
How do you know? | 0:18:43 | 0:18:45 | |
It's obvious. | 0:18:45 | 0:18:46 | |
-Is it? -It's all in the subtext. | 0:18:46 | 0:18:48 | |
CSI have drawn a blank, | 0:18:51 | 0:18:54 | |
come up with nothing apart from some air-rifle pellets | 0:18:54 | 0:18:56 | |
-and a few broken bottles. -Lily's? -Likes shooting. | 0:18:56 | 0:18:59 | |
Shooting? Bit violent. | 0:18:59 | 0:19:01 | |
Only if you're a champagne bottle. | 0:19:01 | 0:19:02 | |
There's no CCTV. Nearest camera's a mile away. | 0:19:02 | 0:19:06 | |
Did Donald's club call back? | 0:19:06 | 0:19:08 | |
No. I'm going to chase them about that. | 0:19:08 | 0:19:10 | |
I'm kind of concentrating closer to home, though. It's an inside job. | 0:19:10 | 0:19:13 | |
Someone must have known about the violin. | 0:19:13 | 0:19:16 | |
Clint, why don't you keep calling till they answer? | 0:19:16 | 0:19:19 | |
I'll split 'em up tomorrow, rattle them. | 0:19:21 | 0:19:24 | |
Starting with Edward. | 0:19:24 | 0:19:26 | |
-Do you want a chip? -Mm. -Ohhh! | 0:19:26 | 0:19:28 | |
PHONE RINGS | 0:19:29 | 0:19:31 | |
Jane Kennedy. | 0:19:33 | 0:19:35 | |
Yes. It's about Bay View Cottage. | 0:19:36 | 0:19:38 | |
CLOCK STRIKES THE HOUR | 0:19:41 | 0:19:45 | |
I'm just asking you politely to accompany me to the station. | 0:20:33 | 0:20:35 | |
Demanding I go with you? You can't think I'm a suspect. | 0:20:35 | 0:20:39 | |
Even you can't be that dim! | 0:20:39 | 0:20:41 | |
Well, you all lied about being together when your father died. | 0:20:41 | 0:20:44 | |
Just makes me wonder what else you lied about. | 0:20:44 | 0:20:46 | |
Officers investigating your wife's disappearance said you | 0:20:46 | 0:20:48 | |
were uncooperative, as well. | 0:20:48 | 0:20:49 | |
So you can either come with me now voluntarily, | 0:20:49 | 0:20:52 | |
or I'm going to arrest you | 0:20:52 | 0:20:53 | |
for attempting to pervert the course of justice. | 0:20:53 | 0:20:56 | |
The choice, my friend, is yours. | 0:20:56 | 0:20:58 | |
Fine. Have it your way. | 0:21:00 | 0:21:03 | |
Why did he bring Mum up? | 0:21:10 | 0:21:12 | |
Does he think Dad killed her? | 0:21:13 | 0:21:16 | |
What? | 0:21:17 | 0:21:18 | |
No! Of course not. Don't be... | 0:21:18 | 0:21:20 | |
Well, he must do. Why mention it? | 0:21:20 | 0:21:22 | |
It'd make sense. He never talks about her. | 0:21:23 | 0:21:26 | |
Refuses. | 0:21:26 | 0:21:28 | |
-Lily, please. -Every time I try, he cuts me off. | 0:21:28 | 0:21:30 | |
Did he murder her? | 0:21:33 | 0:21:35 | |
Lily, no, stop this. Your aunt has been through enough! | 0:21:35 | 0:21:39 | |
You would take her side. | 0:21:39 | 0:21:41 | |
Seeing as you're sleeping with her! | 0:21:41 | 0:21:43 | |
Lily! I'm so sorry. | 0:21:47 | 0:21:49 | |
-So why did you all lie to me? -Wanted to make it simple for you. | 0:21:55 | 0:21:58 | |
You need all the help you can get. You should be thanking me. | 0:21:58 | 0:22:01 | |
I should be charging you! | 0:22:01 | 0:22:02 | |
So where were you? | 0:22:02 | 0:22:04 | |
In the library. | 0:22:04 | 0:22:06 | |
And the others? | 0:22:06 | 0:22:07 | |
Lily and Terence were in their rooms. Olivia was upstairs. | 0:22:07 | 0:22:11 | |
She hasn't left the house in years. | 0:22:11 | 0:22:13 | |
That's right. Doctor says she hasn't been out the house in...ten years? | 0:22:13 | 0:22:16 | |
12. After my wife... When she... | 0:22:16 | 0:22:18 | |
Oh, your wife, yeah. | 0:22:18 | 0:22:19 | |
Convenient, that. They never found her body. | 0:22:19 | 0:22:22 | |
Can't do a postmortem without one, can you? | 0:22:22 | 0:22:25 | |
Or did you lie about that, as well? | 0:22:25 | 0:22:27 | |
I want my solicitor. | 0:22:30 | 0:22:32 | |
His number. | 0:22:34 | 0:22:35 | |
You write it down. You can write? | 0:22:35 | 0:22:38 | |
Yeah, I can. | 0:22:38 | 0:22:40 | |
It's just I'm not your secretary. | 0:22:40 | 0:22:42 | |
One too many last night, was it? | 0:22:50 | 0:22:51 | |
It's early-onset Parkinson's. | 0:22:52 | 0:22:55 | |
All right. All right. | 0:22:58 | 0:23:01 | |
What's the name of your doctor? | 0:23:06 | 0:23:08 | |
I'm going to need new statements and fingerprints from you all. | 0:23:14 | 0:23:17 | |
Fingerprints? What, er... What for? | 0:23:17 | 0:23:19 | |
Elimination. We'll use the library. | 0:23:19 | 0:23:22 | |
Oh! Oh, no. | 0:23:33 | 0:23:34 | |
I thought you were working late. | 0:23:34 | 0:23:36 | |
Yeah. I changed my mind. | 0:23:36 | 0:23:37 | |
Erm, did you have a good day at work, love? Beth's out. | 0:23:37 | 0:23:41 | |
We're having film night. | 0:23:41 | 0:23:43 | |
Nine And A Half Weeks. She's Mickey Rourke, I'm Kim Basinger. | 0:23:43 | 0:23:46 | |
-What, in here? -Well, we've got to be near the fridge, ain't we? | 0:23:46 | 0:23:49 | |
Come on, give us a hug before it gets messy. | 0:23:49 | 0:23:52 | |
Oh, please! | 0:23:52 | 0:23:53 | |
-THEY CHUCKLE -C'mere, lover. | 0:23:53 | 0:23:56 | |
-Olivia! Please! -How could you be so stupid? | 0:24:04 | 0:24:07 | |
I didn't tell you because I didn't want to hurt you. | 0:24:07 | 0:24:10 | |
I did it for us. | 0:24:10 | 0:24:12 | |
Us? | 0:24:12 | 0:24:13 | |
There is no us. | 0:24:13 | 0:24:15 | |
You were just convenient. | 0:24:15 | 0:24:17 | |
You've ruined everything! | 0:24:17 | 0:24:19 | |
What's happened? | 0:24:19 | 0:24:21 | |
We have a problem. | 0:24:27 | 0:24:29 | |
LOUD MUSIC FROM UPSTAIRS: You Sexy Thing by Hot Chocolate | 0:24:33 | 0:24:36 | |
-Donald's club said what? -'He was only there 20 minutes. Seemed agitated.' | 0:24:36 | 0:24:39 | |
-There's no members called Herriot. -'Strange.' | 0:24:39 | 0:24:43 | |
His doctor diagnosed him with anxiety and depression. | 0:24:43 | 0:24:46 | |
Was he on antidepressants? | 0:24:46 | 0:24:48 | |
Yeah. It's all in the report. | 0:24:48 | 0:24:49 | |
Yeah, I know that, but I can't read it. | 0:24:49 | 0:24:51 | |
'Yes, for 18 months.' | 0:24:51 | 0:24:52 | |
What? Can't hear you. | 0:24:52 | 0:24:53 | |
Yes! For 18 months! | 0:24:53 | 0:24:57 | |
OK. Thanks, Clint. | 0:24:57 | 0:24:59 | |
Have I told you that I love you yet this evening? | 0:25:03 | 0:25:06 | |
Three times. The second time, you knocked my coffee over. | 0:25:06 | 0:25:09 | |
It's lovely to be here all together. | 0:25:09 | 0:25:13 | |
One big, happy family! | 0:25:13 | 0:25:16 | |
-Mum, I'm trying to work. -Ooh. Right. | 0:25:16 | 0:25:20 | |
Yeah. | 0:25:20 | 0:25:21 | |
Ooh, sorry. | 0:25:21 | 0:25:23 | |
I love you. | 0:25:26 | 0:25:27 | |
MUSIC OFF | 0:25:34 | 0:25:35 | |
Finally! | 0:25:35 | 0:25:37 | |
MUSIC RESTARTS | 0:25:37 | 0:25:38 | |
RAUCOUS LAUGHTER | 0:25:38 | 0:25:40 | |
Geoff Reid just called. | 0:25:49 | 0:25:51 | |
He's finally going to do the postmortem this morning. | 0:25:51 | 0:25:54 | |
Did you know Donald was depressed? | 0:25:55 | 0:25:58 | |
Are you listening? | 0:25:58 | 0:25:59 | |
I just ran Terence Brooks's fingerprints through the database. | 0:25:59 | 0:26:02 | |
-And guess what. -Surprise me. | 0:26:02 | 0:26:04 | |
He's got a criminal record. Did 18 months in Strangeways for fraud. | 0:26:04 | 0:26:07 | |
He's a writer. | 0:26:07 | 0:26:09 | |
Cover story. He hears about the violin. Sees an advert. | 0:26:09 | 0:26:12 | |
Goes there to steal it. | 0:26:12 | 0:26:13 | |
Well, why kill Donald? Why not just steal it? And why now? | 0:26:13 | 0:26:16 | |
Well, obviously there's a few gaps. | 0:26:16 | 0:26:18 | |
I'll just ask him to fill them in. | 0:26:18 | 0:26:21 | |
I'm here for Terence. | 0:26:37 | 0:26:39 | |
He's gone. | 0:26:39 | 0:26:40 | |
Where? | 0:26:40 | 0:26:41 | |
No idea. Got up this morning and he'd vanished. | 0:26:41 | 0:26:46 | |
Mind if I come in? | 0:26:46 | 0:26:47 | |
'Fraud?' | 0:26:50 | 0:26:51 | |
I can't believe it. | 0:26:51 | 0:26:53 | |
We trusted him. Treated him like a member of the family. | 0:26:53 | 0:26:56 | |
To steal from us... | 0:26:56 | 0:26:58 | |
murder Father. | 0:26:58 | 0:27:00 | |
They argued, you know, the night Father died. | 0:27:00 | 0:27:04 | |
Father tried to drag me outside. Terence stopped him. | 0:27:04 | 0:27:06 | |
Thought Terence was going to punch him! | 0:27:06 | 0:27:09 | |
Something else you forgot to mention? | 0:27:09 | 0:27:12 | |
Odd, though. | 0:27:12 | 0:27:14 | |
Well, he had a thing for me. | 0:27:14 | 0:27:16 | |
No, I knew that. | 0:27:16 | 0:27:17 | |
I meant your father dragging you outside. | 0:27:17 | 0:27:20 | |
No sign of Terence. He's like the Invisible Man. | 0:27:22 | 0:27:25 | |
Still, we know his motive. And he was defending Olivia. | 0:27:25 | 0:27:28 | |
So it wasn't Edward? | 0:27:28 | 0:27:30 | |
Well, they could've been in on it together. | 0:27:30 | 0:27:32 | |
Checked with his doctor. He wasn't entirely sure he could have done it. | 0:27:32 | 0:27:35 | |
And I got Donald's financial records. | 0:27:35 | 0:27:37 | |
I'm just waiting on the insurance. But he was broke. | 0:27:37 | 0:27:40 | |
What? Sidwell Hall must be worth a fortune! | 0:27:40 | 0:27:43 | |
No. He's been remortgaging that for the last ten years. | 0:27:43 | 0:27:45 | |
It's in negative equity. The only thing of any value was the violin. | 0:27:45 | 0:27:49 | |
Actually, I've just had MY mortgage approved. | 0:27:49 | 0:27:52 | |
Oh, right! So you're finally moving out? | 0:27:52 | 0:27:54 | |
Well, they've accepted my offer on Bay View House. | 0:27:54 | 0:27:57 | |
Don't tell my mum. | 0:27:57 | 0:27:58 | |
"Don't tell my mum, Davey! Don't tell my mum!" | 0:27:58 | 0:28:00 | |
Stop it! | 0:28:00 | 0:28:01 | |
No, you're all right, I can keep a secret. | 0:28:01 | 0:28:03 | |
I never told anyone about the summerhouse. | 0:28:03 | 0:28:06 | |
I've been doing some research. After you said you thought it was | 0:28:09 | 0:28:13 | |
strange there was no Herriot at Donald's club, I called every | 0:28:13 | 0:28:17 | |
Herriot in London. Dead end. | 0:28:17 | 0:28:18 | |
-All of them? -Yeah. So I researched violins. | 0:28:18 | 0:28:22 | |
Buyers, dealers, auctions, etc, etc. | 0:28:22 | 0:28:26 | |
I found some closed sites, sites that don't come up in a search? | 0:28:26 | 0:28:29 | |
-Right. Is this going anywhere? -Obviously! And bingo. | 0:28:29 | 0:28:32 | |
That's where I came to this, an article about offline | 0:28:32 | 0:28:35 | |
antique dealers specialising in rare string instruments. | 0:28:35 | 0:28:40 | |
Herriots! What did they say? | 0:28:40 | 0:28:42 | |
Nothing yet. The owner's on a flight from Dubai. Back in four hours. | 0:28:42 | 0:28:45 | |
Great. Talk to him the minute he lands. | 0:28:45 | 0:28:47 | |
-I would, but I've got some rellies at the morgue. -Shame. | 0:28:47 | 0:28:50 | |
No, I'll look after them. I can ask Geoff for the PM. | 0:28:50 | 0:28:53 | |
-Watch out for the... -Yes, thank you. | 0:28:53 | 0:28:55 | |
Why did they mention Mum? | 0:29:08 | 0:29:10 | |
I thought you were avoiding me. | 0:29:10 | 0:29:13 | |
Did you kill her? | 0:29:13 | 0:29:15 | |
Mummy? | 0:29:15 | 0:29:16 | |
Well, did you? | 0:29:17 | 0:29:18 | |
Edward, she should know the truth. | 0:29:22 | 0:29:24 | |
We can't keep hiding it from her. | 0:29:25 | 0:29:27 | |
Your father didn't do anything. | 0:29:30 | 0:29:32 | |
She had an affair. | 0:29:35 | 0:29:36 | |
With the gardener. | 0:29:36 | 0:29:38 | |
Adam. | 0:29:38 | 0:29:40 | |
She... | 0:29:40 | 0:29:42 | |
They... | 0:29:42 | 0:29:44 | |
ran away together. Abroad somewhere. Somewhere we wouldn't find them. | 0:29:44 | 0:29:49 | |
She's alive? | 0:29:50 | 0:29:52 | |
Why didn't you tell me? | 0:29:52 | 0:29:54 | |
Your grandfather didn't want the scandal. | 0:29:54 | 0:29:57 | |
Worried it would harm our reputation. | 0:29:57 | 0:29:59 | |
You know your grandfather. | 0:29:59 | 0:30:01 | |
Who cares about our reputation? | 0:30:01 | 0:30:03 | |
How dare you let me think she was dead! How dare you! | 0:30:03 | 0:30:06 | |
I thought she was dead! You let me! | 0:30:06 | 0:30:08 | |
It's not your father you should be angry with, it's her. | 0:30:08 | 0:30:11 | |
Because she left this hellhole? | 0:30:11 | 0:30:14 | |
Because she left you. | 0:30:14 | 0:30:15 | |
He wouldn't let her take me. He... | 0:30:17 | 0:30:20 | |
She didn't want you. | 0:30:20 | 0:30:21 | |
-Please, Olivia. -That's not true. | 0:30:21 | 0:30:23 | |
He asked her. | 0:30:23 | 0:30:25 | |
You were four years old. You needed your mother. | 0:30:25 | 0:30:29 | |
But she wanted to be alone... | 0:30:29 | 0:30:31 | |
just the two of them. | 0:30:31 | 0:30:33 | |
Father was worried about the shame. | 0:30:34 | 0:30:37 | |
We were worried about you. That's why we pretended she was dead. | 0:30:37 | 0:30:42 | |
I'm sorry. | 0:30:44 | 0:30:46 | |
I'm so, so sorry. | 0:30:47 | 0:30:48 | |
-ENGINE STRUGGLES -Oi! That's my boat! | 0:31:17 | 0:31:20 | |
Oi! | 0:31:20 | 0:31:21 | |
Hello, Donald. I hope they've been looking after you. | 0:31:32 | 0:31:35 | |
So, let's see what Geoff had to say. | 0:31:38 | 0:31:40 | |
You weren't taking your antidepressants. No trace. | 0:31:43 | 0:31:47 | |
I wonder why that was. | 0:31:47 | 0:31:48 | |
Let's see. | 0:31:53 | 0:31:54 | |
That's strange. PHONE RINGS | 0:32:12 | 0:32:14 | |
Clint? Hi. | 0:32:18 | 0:32:19 | |
Could you get hold of Davey for me, please? | 0:32:19 | 0:32:22 | |
Why did you go to Sidwell Hall? | 0:32:22 | 0:32:23 | |
They needed a writer. | 0:32:25 | 0:32:27 | |
Did they know you'd been inside for fraud? | 0:32:27 | 0:32:30 | |
Did you go there to steal the violin? | 0:32:30 | 0:32:31 | |
No. | 0:32:31 | 0:32:32 | |
Just to kill Donald? | 0:32:32 | 0:32:35 | |
Why did you kill him? Because he hurt Olivia? | 0:32:35 | 0:32:37 | |
Look, I... | 0:32:37 | 0:32:39 | |
No comment. | 0:32:41 | 0:32:42 | |
Did Edward ask you to do it? | 0:32:42 | 0:32:44 | |
Did she? | 0:32:45 | 0:32:47 | |
No comment. | 0:32:48 | 0:32:49 | |
And why did you do a runner? | 0:32:49 | 0:32:51 | |
Come on, Terence! I can play this game all day. | 0:32:51 | 0:32:55 | |
Why did you murder Donald Sidwell? | 0:32:55 | 0:32:57 | |
No comment. | 0:32:57 | 0:32:58 | |
-What did he say? -"No comment." | 0:33:07 | 0:33:09 | |
-You can tell me. -No, that's what he said to everything I asked. | 0:33:09 | 0:33:12 | |
I don't think it was him. | 0:33:12 | 0:33:13 | |
He didn't have the violin, he didn't leave straightaway, | 0:33:13 | 0:33:16 | |
and why steal from someone you're in love with? | 0:33:16 | 0:33:18 | |
Unless you're protecting someone. | 0:33:18 | 0:33:20 | |
-Edward? -The forensic PM. Geoff finally finished it. | 0:33:20 | 0:33:24 | |
No conclusions, obviously, but look. | 0:33:24 | 0:33:26 | |
Donald only had cuts on his left hand. | 0:33:26 | 0:33:28 | |
-And they're only millimetres deep. -When were you going to tell me, eh? | 0:33:28 | 0:33:31 | |
What? | 0:33:31 | 0:33:32 | |
This! | 0:33:32 | 0:33:34 | |
Beth found it in your room! | 0:33:36 | 0:33:37 | |
-Special offer on baked beans? -Oh! It's here somewhere. | 0:33:39 | 0:33:42 | |
I thought you liked living with us. What's the matter? | 0:33:47 | 0:33:49 | |
Not fancy enough for you? | 0:33:49 | 0:33:51 | |
-No, Mum, it's not that. -What is it, then? | 0:33:51 | 0:33:54 | |
I talked to Herriots. | 0:33:54 | 0:33:55 | |
Look, Mum, I'm really sorry, can we talk about this later? | 0:33:55 | 0:33:59 | |
The violin's a fake. | 0:34:00 | 0:34:02 | |
-What? -What? It's old. Worth six or seven hundred, | 0:34:02 | 0:34:05 | |
but definitely not Napoleon's. | 0:34:05 | 0:34:07 | |
It's a replica. Donald was devastated. | 0:34:07 | 0:34:09 | |
Come on. Let's go somewhere more private. | 0:34:09 | 0:34:12 | |
Come on! | 0:34:12 | 0:34:14 | |
Can I please just have one drink? | 0:34:14 | 0:34:17 | |
Clint! | 0:34:17 | 0:34:19 | |
MUZAK PLAYS ON PHONE No, your left in front. | 0:34:20 | 0:34:23 | |
Feels weird. You'd want to use both hands to defend yourself. | 0:34:23 | 0:34:26 | |
Why would you just use one? | 0:34:26 | 0:34:28 | |
That wouldn't even cut butter. | 0:34:29 | 0:34:31 | |
-You're trying to kill me! -I don't want to hurt you. | 0:34:33 | 0:34:35 | |
Two of Donald's ribs were broken with one stab wound to the heart. | 0:34:35 | 0:34:38 | |
You've got to give it some welly. Like this. A bit of force. | 0:34:38 | 0:34:41 | |
No, no, no, because the cuts on Donald's hands, they were shallow. | 0:34:41 | 0:34:45 | |
Oh! Oh, that means... | 0:34:45 | 0:34:47 | |
-Money on the side for chips. -I don't want chips. | 0:34:47 | 0:34:50 | |
-And I don't want to move. -Beth, we're in the middle of something. | 0:34:50 | 0:34:52 | |
I've added it up. I've moved 11 times in 15 years. | 0:34:52 | 0:34:55 | |
I'm on hold. Can we talk about it later? | 0:34:55 | 0:34:57 | |
Every time you get a new man or get rid of the last one, we start over. | 0:34:57 | 0:35:00 | |
-'Hello. Thank you for waiting.' -I'm sick of it. | 0:35:00 | 0:35:02 | |
I want to stay with Gran. | 0:35:02 | 0:35:03 | |
-Hold that thought. -'Hello?' | 0:35:03 | 0:35:05 | |
No, no, no, I'm here, I'm here. | 0:35:05 | 0:35:06 | |
I... Erm... | 0:35:06 | 0:35:07 | |
It's about an insurance policy for one of your clients. | 0:35:09 | 0:35:11 | |
Sidwell. Donald Sidwell. | 0:35:11 | 0:35:13 | |
Man, I'd kill to wake up to this every morning. | 0:35:57 | 0:35:59 | |
Not literally, obviously. | 0:35:59 | 0:36:01 | |
Yeah, me, too. | 0:36:01 | 0:36:03 | |
We need to see the Sidwells. | 0:36:05 | 0:36:07 | |
The cuts on Donald's hand, they weren't defensive marks. | 0:36:07 | 0:36:09 | |
-You sure? -Yeah. It's the only thing that makes sense. | 0:36:09 | 0:36:12 | |
And it explains the slashes on the chair. | 0:36:12 | 0:36:13 | |
They were practice marks. | 0:36:13 | 0:36:15 | |
-The call from the insurance company confirmed it. -Confirmed what? | 0:36:15 | 0:36:18 | |
What happened. Well, what I think happened. | 0:36:18 | 0:36:20 | |
We need to see Dot Saunders, from the pharmacy. | 0:36:20 | 0:36:24 | |
Was it Edward? | 0:36:24 | 0:36:25 | |
-I hear you've arrested Terence. -It wasn't Terence. | 0:36:39 | 0:36:42 | |
Did you know your father's depression had got worse? | 0:36:43 | 0:36:45 | |
-Father wasn't depressed. -That would be admitting weakness. | 0:36:45 | 0:36:49 | |
Father never did that. | 0:36:49 | 0:36:50 | |
His doctor diagnosed him last year, prescribed him antidepressants. | 0:36:50 | 0:36:54 | |
But he'd stopped taking them. | 0:36:54 | 0:36:56 | |
He went to Dot Saunders' pharmacy to collect a prescription | 0:36:58 | 0:37:00 | |
when he heard people laughing. | 0:37:00 | 0:37:02 | |
LAUGHTER | 0:37:02 | 0:37:04 | |
'He thought they were laughing at him. | 0:37:04 | 0:37:07 | |
'Well, you know how proud your father was, how private. | 0:37:07 | 0:37:12 | |
'He caused a scene, walked out. | 0:37:12 | 0:37:14 | |
'Too embarrassed to ever go back.' | 0:37:14 | 0:37:16 | |
Shut up! | 0:37:16 | 0:37:17 | |
Did you know he was depressed? | 0:37:18 | 0:37:20 | |
He always seemed so...strong. | 0:37:20 | 0:37:23 | |
I guess he hid it. | 0:37:23 | 0:37:25 | |
And the more he hid it, the more ill he got. | 0:37:25 | 0:37:28 | |
And when he found out Napoleon's violin was a fake, | 0:37:28 | 0:37:31 | |
well, that was the final straw, nearly. | 0:37:31 | 0:37:33 | |
-It's not a fake. -We talked to Herriots. | 0:37:33 | 0:37:35 | |
They told us what they told your father, that it was a replica. | 0:37:35 | 0:37:38 | |
But I think you already knew that. | 0:37:39 | 0:37:41 | |
That's why he was so upset when he came back from London. | 0:37:41 | 0:37:44 | |
'He knew he was broke. | 0:37:46 | 0:37:49 | |
'And Sidwell Hall was in negative equity. | 0:37:49 | 0:37:52 | |
'I suspect what happened with Terence is what finally pushed him over. | 0:37:52 | 0:37:55 | |
'I doubt anyone had ever stood up to your father the way Terence did. | 0:37:55 | 0:37:59 | |
'It made him feel weak, helpless, | 0:37:59 | 0:38:01 | |
'even more so than he was already feeling. | 0:38:01 | 0:38:03 | |
'He'd lost the violin. knew he would lose his home. He...' | 0:38:03 | 0:38:06 | |
MUSIC: Gloomy Sunday by Billie Holiday | 0:38:06 | 0:38:08 | |
He couldn't cope. So he tested the knife on his hands, | 0:38:08 | 0:38:11 | |
just enough to draw blood, to see if he could go through with it. | 0:38:11 | 0:38:13 | |
'Then he stabbed the chair to check the knife was sharp enough. | 0:38:16 | 0:38:20 | |
'Practice marks. | 0:38:20 | 0:38:22 | |
'And then... | 0:38:22 | 0:38:24 | |
'..then he did it.' | 0:38:25 | 0:38:27 | |
RECORD STICKS | 0:38:27 | 0:38:30 | |
He killed himself. | 0:38:35 | 0:38:37 | |
If he'd committed suicide, don't you think we'd have told you? | 0:38:37 | 0:38:40 | |
-Not if you wanted the payout from the policy. -What policy? | 0:38:40 | 0:38:43 | |
Life-insurance policy. | 0:38:43 | 0:38:45 | |
There's an exclusion for suicide. They won't pay out. | 0:38:45 | 0:38:49 | |
-But they will for murder. -Sidwell Hall wouldn't have to be sold | 0:38:49 | 0:38:52 | |
and you wouldn't have to leave. | 0:38:52 | 0:38:54 | |
When you found the body, you knew what he'd done. Maybe not why. | 0:38:54 | 0:38:56 | |
But you needed the money, so you staged a break-in... | 0:38:56 | 0:38:59 | |
..and you made up your alibis. | 0:39:01 | 0:39:03 | |
That's why you wouldn't let me see him. You knew. | 0:39:03 | 0:39:06 | |
This isn't true. | 0:39:06 | 0:39:08 | |
Tell her. | 0:39:10 | 0:39:11 | |
Please, Edward. | 0:39:12 | 0:39:14 | |
It's over, Livvy. | 0:39:16 | 0:39:17 | |
No... | 0:39:20 | 0:39:21 | |
They know. | 0:39:21 | 0:39:23 | |
No... | 0:39:26 | 0:39:27 | |
Follow me, please. | 0:39:31 | 0:39:33 | |
He wrote it on the back of the valuation for the violin. | 0:39:44 | 0:39:47 | |
And the knife? | 0:39:49 | 0:39:50 | |
"We, like this violin, are worthless. Without Sidwell Hall we are nothing. | 0:39:50 | 0:39:54 | |
"I would rather die than be nothing." | 0:39:54 | 0:39:56 | |
I thought it was about selling the house, that it was stupid pride. | 0:39:56 | 0:40:00 | |
If I'd realised he was depressed, that he was ill, if I'd known... | 0:40:00 | 0:40:03 | |
-He'd never have let you help him. -I'd like to have tried. | 0:40:03 | 0:40:07 | |
Edward and Olivia Sidwell, | 0:40:09 | 0:40:10 | |
I am arresting you for attempting to pervert the course of justice. | 0:40:10 | 0:40:13 | |
-No... -You do not have to say anything, but it may harm your | 0:40:13 | 0:40:16 | |
defence if do not mention when questioned something that you later | 0:40:16 | 0:40:19 | |
rely on in court. Anything you do say may be given in evidence. | 0:40:19 | 0:40:21 | |
Can I come with you, please? | 0:40:33 | 0:40:35 | |
Uh-oh... | 0:40:44 | 0:40:45 | |
At least Olivia got to stay. | 0:40:48 | 0:40:50 | |
Till she's remanded. | 0:40:50 | 0:40:51 | |
-Listen, you can't move out of your mum's. -Davey...! | 0:40:52 | 0:40:55 | |
Come on, it's great. It's got the best view in Devon. | 0:40:55 | 0:40:57 | |
The Sidwells, they had to live together. | 0:40:57 | 0:40:59 | |
But you choose to. I'd love to live at Judith's. | 0:40:59 | 0:41:02 | |
Whatever you do, never tell that to Annette. | 0:41:02 | 0:41:05 | |
You know something? | 0:41:06 | 0:41:08 | |
That 50 quid? | 0:41:08 | 0:41:09 | |
You were worth every mile of that paper round. | 0:41:11 | 0:41:14 | |
JANE SIGHS | 0:41:20 | 0:41:23 | |
Look, I'm sorry, I know I should have talked to you both. | 0:41:23 | 0:41:26 | |
What do I know? I'm only your mother. | 0:41:26 | 0:41:29 | |
You can move if you want to. | 0:41:29 | 0:41:31 | |
Look, three women, one bathroom? It was never going to work. But... | 0:41:32 | 0:41:36 | |
we could put another one in. | 0:41:36 | 0:41:38 | |
There's room downstairs. If you're up for it. | 0:41:38 | 0:41:41 | |
Oh, she's up for it. There's no stopping her. | 0:41:41 | 0:41:43 | |
-Too much information! -Too much information! | 0:41:43 | 0:41:46 | |
You're paying for it, mind. | 0:41:46 | 0:41:47 | |
Ooh! We could get one of those walk-in showers, | 0:41:47 | 0:41:50 | |
-big enough for two. -Ooh, you saucy mare! | 0:41:50 | 0:41:53 | |
Sorted? | 0:41:56 | 0:41:58 | |
What's this? | 0:42:01 | 0:42:02 | |
It's an old debt. | 0:42:02 | 0:42:03 | |
£50. | 0:42:03 | 0:42:05 | |
All rise for Her Majesty's Coroner. | 0:42:36 | 0:42:38 |