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CHURCH BELL TOLLS | 0:00:14 | 0:00:16 | |
Leah? | 0:01:52 | 0:01:53 | |
Two minutes past six. | 0:02:17 | 0:02:19 | |
-I'm impressed. -One word - why? | 0:02:19 | 0:02:21 | |
Yeah, she's hot. My mate reckons she's a selkie. | 0:02:26 | 0:02:29 | |
-A what? -A selkie. A seal who takes a beautiful human form. | 0:02:29 | 0:02:33 | |
-A seal? -Yeah. | 0:02:33 | 0:02:34 | |
They come on shore when there's a problem they need to sort out. | 0:02:34 | 0:02:37 | |
They're mostly found off the coast of Scotland. | 0:02:37 | 0:02:39 | |
Did you learn that in biology? | 0:02:39 | 0:02:41 | |
No. I didn't say that I think she's a selkie. | 0:02:41 | 0:02:44 | |
Well, it's definitely a mystery. | 0:02:44 | 0:02:47 | |
This is the PM report of a female corpse | 0:02:47 | 0:02:49 | |
that floated into Brixham seven months ago. | 0:02:49 | 0:02:52 | |
She was formally identified as Leah Walker. | 0:02:52 | 0:02:54 | |
-How? -DNA match. | 0:02:54 | 0:02:56 | |
I didn't think two people could have the same DNA. | 0:02:56 | 0:02:58 | |
No, they can't - well, unless they're identical twins - | 0:02:58 | 0:03:01 | |
but Leah was an only child. | 0:03:01 | 0:03:03 | |
-Right. So...? -So, we've got a big question to answer. | 0:03:03 | 0:03:07 | |
Is the person who walked out of the sea really Leah Walker? | 0:03:07 | 0:03:10 | |
Try again. | 0:03:12 | 0:03:13 | |
Who was buried in Leah's place? | 0:03:14 | 0:03:16 | |
-There we go. -Right. | 0:03:16 | 0:03:17 | |
Good morning. | 0:03:17 | 0:03:19 | |
OK, can you bring her over to the mortuary? | 0:03:26 | 0:03:28 | |
Oh, my days. | 0:03:33 | 0:03:35 | |
No way... | 0:03:39 | 0:03:41 | |
I know it's you! | 0:03:41 | 0:03:42 | |
Beth! | 0:03:42 | 0:03:44 | |
So, this is what you look like at 6am. | 0:03:46 | 0:03:49 | |
Hilarious(!) | 0:03:49 | 0:03:51 | |
-Hi, Clint. -Beth. | 0:03:51 | 0:03:53 | |
So, is there a body in Leah's grave, then? | 0:03:53 | 0:03:55 | |
-As if we're going to tell you... -Yeah. -Clint! -Sorry. | 0:03:55 | 0:03:58 | |
So, a seal really has stolen Leah's skin? | 0:03:58 | 0:04:01 | |
Your face! Did you honestly think I'd believe that rubbish? | 0:04:03 | 0:04:06 | |
Was there anything else, before you go home? | 0:04:06 | 0:04:09 | |
Yeah. Have you ever declared someone dead while they're still alive? | 0:04:09 | 0:04:12 | |
No. It should never happen. | 0:04:12 | 0:04:15 | |
You were all on your boat, moored off Bolt Head. | 0:04:20 | 0:04:23 | |
Your parents were asleep and you went for a swim. | 0:04:23 | 0:04:26 | |
-Yes. -At 1am? | 0:04:26 | 0:04:27 | |
I love swimming at night. | 0:04:27 | 0:04:29 | |
We always made her well aware of the risks. | 0:04:29 | 0:04:32 | |
I remember lying on my back, | 0:04:32 | 0:04:34 | |
my head in the water, | 0:04:34 | 0:04:36 | |
looking up at this amazing, clear sky. | 0:04:36 | 0:04:39 | |
Then suddenly, the water started shaking. | 0:04:40 | 0:04:44 | |
I lifted my head and there was a boat right there, | 0:04:45 | 0:04:49 | |
headed straight for me. | 0:04:49 | 0:04:52 | |
And then... | 0:04:52 | 0:04:53 | |
..the stars, everything... | 0:04:55 | 0:04:57 | |
It just went black. | 0:04:57 | 0:04:58 | |
All right. And what's the next thing you remember? | 0:05:00 | 0:05:03 | |
This. | 0:05:05 | 0:05:07 | |
Her memory seems to be resetting itself every few hours. | 0:05:07 | 0:05:10 | |
OK, let me get this straight. | 0:05:13 | 0:05:15 | |
You remember everything up until being hit on the head a year ago, | 0:05:15 | 0:05:18 | |
but nothing since? | 0:05:18 | 0:05:19 | |
When we first saw her, she said she'd been close to the sea. | 0:05:20 | 0:05:23 | |
-Did I? -You said it had been dark and you could hear waves. | 0:05:23 | 0:05:27 | |
Waves? | 0:05:27 | 0:05:29 | |
Right. | 0:05:29 | 0:05:30 | |
And you have absolutely no recollection | 0:05:30 | 0:05:32 | |
as to how you washed up on Lighthaven beach two days ago? | 0:05:32 | 0:05:36 | |
Sorry. | 0:05:37 | 0:05:39 | |
Show him your arms, Leah. | 0:05:39 | 0:05:40 | |
Any idea how you got those? | 0:05:48 | 0:05:50 | |
No. | 0:05:50 | 0:05:52 | |
They don't hurt. | 0:05:52 | 0:05:54 | |
OK. Thanks. | 0:05:54 | 0:05:56 | |
We need to know what happened to her. | 0:06:04 | 0:06:06 | |
I understand. We'll do our best, Mrs Walker. | 0:06:06 | 0:06:08 | |
So, we can expect a formal apology in due course, can we? | 0:06:10 | 0:06:13 | |
-Well, I'm sure the coroner will be in touch... -I mean, from you! | 0:06:13 | 0:06:17 | |
I'm sorry? | 0:06:17 | 0:06:18 | |
For the harassment and insinuation you subjected us to last summer. | 0:06:18 | 0:06:21 | |
-Peter... -See, we were going through hell... | 0:06:21 | 0:06:23 | |
-Mr Walker... -..but that didn't stop you lot, did it? | 0:06:23 | 0:06:26 | |
Muckraking your way through every facet of our lives. | 0:06:26 | 0:06:29 | |
I bet you wish you'd spent a bit longer trying to find Leah now. | 0:06:29 | 0:06:32 | |
With all due respect, sir, | 0:06:32 | 0:06:33 | |
you and your wife were the last people to see Leah. | 0:06:33 | 0:06:35 | |
We needed to understand the nature of your relationship with her. | 0:06:35 | 0:06:38 | |
-Now, I can understand... -Hang on, our relationship with our daughter has always been first class! | 0:06:38 | 0:06:43 | |
You'd better find out who did this. | 0:06:43 | 0:06:45 | |
I'm in total shock, Jane. I've got to be honest. | 0:06:53 | 0:06:57 | |
Yeah? So are Leah's parents. | 0:06:57 | 0:06:58 | |
Seven months ago, you told my predecessor | 0:06:58 | 0:07:00 | |
it was their daughter on the slab. | 0:07:00 | 0:07:02 | |
I had a DNA match. | 0:07:02 | 0:07:04 | |
The lab must have mixed up the samples. | 0:07:04 | 0:07:06 | |
Come on. We both know how unlikely that is. | 0:07:06 | 0:07:09 | |
Well, I can't think what else it could be. | 0:07:09 | 0:07:11 | |
Look, I was stressed, OK? Fiona and I... | 0:07:15 | 0:07:18 | |
..our IVF had just failed. The fourth cycle. | 0:07:20 | 0:07:22 | |
Unless you've been through it... | 0:07:22 | 0:07:24 | |
It's not an excuse, | 0:07:24 | 0:07:27 | |
but my mind was scrambled. | 0:07:27 | 0:07:29 | |
What I'm saying is, it could have been my mistake. | 0:07:29 | 0:07:32 | |
I might have mixed up the samples myself. | 0:07:32 | 0:07:34 | |
-How are you feeling now? -A lot better. | 0:07:37 | 0:07:40 | |
Fiona and I gave it one more go and... | 0:07:40 | 0:07:43 | |
Well, success. | 0:07:44 | 0:07:47 | |
-When's the baby due? -Four weeks. | 0:07:47 | 0:07:49 | |
Congratulations. | 0:07:51 | 0:07:52 | |
I'm guessing you're going to have to file a report? | 0:07:52 | 0:07:56 | |
Yes. | 0:07:56 | 0:07:58 | |
Look, I know I don't deserve it, but go easy on me? | 0:07:58 | 0:08:03 | |
Fiona and I are going to need the money more than ever now. | 0:08:03 | 0:08:06 | |
Dark place, somewhere near the sea. | 0:08:22 | 0:08:25 | |
You got any ideas? | 0:08:25 | 0:08:26 | |
Lighthaven Swingers Club? | 0:08:27 | 0:08:29 | |
Oh, you're a member too, then? | 0:08:29 | 0:08:31 | |
-Needle in a haystack job, is it? -It's worse than that, actually. | 0:08:31 | 0:08:35 | |
It's like I'm looking for a haystack that a needle used to be in. | 0:08:35 | 0:08:38 | |
Right, what can I do for you? No, don't tell me. | 0:08:38 | 0:08:41 | |
You want to use my missing persons database. | 0:08:41 | 0:08:43 | |
You've forgotten your password and you locked yourself out. | 0:08:43 | 0:08:46 | |
What can I tell you? I'm a detective genius. | 0:08:46 | 0:08:48 | |
-Clint called you. -He did. | 0:08:48 | 0:08:50 | |
You got anything to go on yet, with your corpse? | 0:08:52 | 0:08:55 | |
-Angela? No, nothing yet. -You've given her a name? | 0:08:55 | 0:08:58 | |
-Yeah. Is that Leah's medical report? -Yeah. | 0:08:58 | 0:09:01 | |
"Early diagnosis, anterograde amnesia". | 0:09:05 | 0:09:08 | |
Yeah, or in layman's terms, chronic short-term memory loss. | 0:09:08 | 0:09:11 | |
It's like she remembers everything up until | 0:09:11 | 0:09:13 | |
the point of being hit on her head, but nothing since. | 0:09:13 | 0:09:15 | |
Her memory keeps resetting. | 0:09:15 | 0:09:17 | |
Like Dory in Finding Nemo? | 0:09:17 | 0:09:19 | |
Yeah - or me, after three pints of Mick's scrumpy. | 0:09:19 | 0:09:21 | |
It's a bit...convenient, isn't it? | 0:09:23 | 0:09:26 | |
I thought that. Then I looked at the results. | 0:09:26 | 0:09:29 | |
Fractured skull. | 0:09:31 | 0:09:33 | |
Now, it has healed over, | 0:09:33 | 0:09:34 | |
but it wasn't there before she went off the boat. | 0:09:34 | 0:09:37 | |
And she's got a whole chemist's worth of diazepam in her system. | 0:09:37 | 0:09:41 | |
Good for depression. Not great for short-term memory. | 0:09:41 | 0:09:44 | |
Yeah. Well, if the diazepam is responsible | 0:09:44 | 0:09:46 | |
for her short-term memory loss, | 0:09:46 | 0:09:48 | |
then, hopefully, the effects will be wearing off by now. | 0:09:48 | 0:09:50 | |
It's a sedative, isn't it? | 0:09:50 | 0:09:52 | |
Kind of fits, because, wherever Leah's been, | 0:09:52 | 0:09:54 | |
I don't think she was there by choice. | 0:09:54 | 0:09:56 | |
You think she was held against her will? | 0:09:56 | 0:09:59 | |
Look, there it is. | 0:09:59 | 0:10:01 | |
"Indentations on the subject's wrists | 0:10:03 | 0:10:05 | |
"suggest prolonged restraint by metallic instrument." | 0:10:05 | 0:10:09 | |
I'd love to come up with another theory. | 0:10:09 | 0:10:11 | |
How was she, when she disappeared? | 0:10:11 | 0:10:13 | |
Messed up her life. | 0:10:13 | 0:10:15 | |
Split up with her boyfriend, failed her A-levels. | 0:10:15 | 0:10:17 | |
Sounds like most of the girls I knew at 18. | 0:10:17 | 0:10:20 | |
The boyfriend, you obviously chased up... | 0:10:20 | 0:10:22 | |
-In America, yeah. -The parents? | 0:10:22 | 0:10:24 | |
She was an only child. They're academics. | 0:10:24 | 0:10:26 | |
Prefer stones to people, you know the type. | 0:10:26 | 0:10:30 | |
Funny, though - | 0:10:30 | 0:10:31 | |
cos I could have sworn they were holding something back last summer. | 0:10:31 | 0:10:34 | |
-Really? -Hmm. | 0:10:34 | 0:10:36 | |
Not that it matters now, though. | 0:10:36 | 0:10:38 | |
I'm dusting off the "known psychopath" file | 0:10:38 | 0:10:40 | |
for this one, aren't I? | 0:10:40 | 0:10:42 | |
WAVE RECORDING PLAYS | 0:10:43 | 0:10:46 | |
Nothing. Sorry. | 0:10:48 | 0:10:51 | |
-I don't want to do this any more. -OK. | 0:10:55 | 0:10:57 | |
Peter? | 0:10:57 | 0:10:59 | |
RECORDING STOPS | 0:11:03 | 0:11:05 | |
-Leah, if you do think of anything... -I know. | 0:11:05 | 0:11:07 | |
Mum... Why have you got a stick? | 0:11:10 | 0:11:13 | |
You've told me already. | 0:11:18 | 0:11:20 | |
Sorry. | 0:11:21 | 0:11:22 | |
I've got cancer, darling. | 0:11:25 | 0:11:27 | |
Is it serious? | 0:11:27 | 0:11:29 | |
Yeah. | 0:11:30 | 0:11:31 | |
Did you get it because of worrying about me? | 0:11:32 | 0:11:35 | |
I was just unlucky. | 0:11:35 | 0:11:37 | |
But the important thing is that, having you back, | 0:11:37 | 0:11:39 | |
I feel so much better. | 0:11:39 | 0:11:41 | |
DOORBELL RINGS | 0:11:42 | 0:11:45 | |
I thought you'd taken your own life. | 0:11:50 | 0:11:52 | |
We both did. | 0:11:53 | 0:11:54 | |
Because of what was happening to you and... | 0:11:56 | 0:11:59 | |
what we said. | 0:11:59 | 0:12:01 | |
-DOOR SHUTS -Come on through. She's in here. | 0:12:02 | 0:12:05 | |
Leah? | 0:12:05 | 0:12:07 | |
Someone to see you. | 0:12:07 | 0:12:09 | |
My lord... | 0:12:14 | 0:12:15 | |
You remember your godfather, Tim? | 0:12:17 | 0:12:18 | |
Of course. | 0:12:18 | 0:12:20 | |
I hope she does! I never missed a birthday. | 0:12:20 | 0:12:22 | |
Come here, you. | 0:12:24 | 0:12:25 | |
And it's lovely to see you both. | 0:12:35 | 0:12:37 | |
Mmm? | 0:12:37 | 0:12:39 | |
There's a do for Leah Walker later, up at the Sailing Club. | 0:12:39 | 0:12:42 | |
-I've got to work, love. -But I want to go. | 0:12:42 | 0:12:45 | |
Here. Scotch Wendy reckons there's male selkies, as well. | 0:12:45 | 0:12:49 | |
These male selkies come onshore and seek out sexually unsatisfied women. | 0:12:50 | 0:12:54 | |
They're completely irresistible and totally insatiable. | 0:12:54 | 0:12:57 | |
Isn't that right, Mick? | 0:12:57 | 0:12:58 | |
What can I say? I've been rumbled. | 0:12:58 | 0:13:01 | |
So, Angela, you were Caucasian, | 0:13:15 | 0:13:18 | |
somewhere between 17 and 19. | 0:13:18 | 0:13:20 | |
Most likely cause of death, drowning. | 0:13:20 | 0:13:23 | |
Signs of a slight curvature in the spine. | 0:13:24 | 0:13:27 | |
Not yet managed to get a DNA sample from you, | 0:13:29 | 0:13:32 | |
but that's normally a problem | 0:13:32 | 0:13:33 | |
when you've been in damp soil for a while. | 0:13:33 | 0:13:35 | |
So, here's what's confusing - you're five foot three. | 0:13:39 | 0:13:42 | |
That's three inches shorter than Leah Walker. | 0:13:42 | 0:13:45 | |
So, of all the people that George Flemington examined, | 0:13:47 | 0:13:49 | |
why did he get you so wrong? | 0:13:49 | 0:13:51 | |
-Mum, hurry up! -Oh! No! Not over that! | 0:13:51 | 0:13:55 | |
-Thanks for that! -What? How is that my fault? | 0:13:55 | 0:13:58 | |
The party started half an hour ago, by the way. | 0:13:58 | 0:14:00 | |
Yes, all right! | 0:14:00 | 0:14:01 | |
-All right? -Hey. | 0:14:25 | 0:14:27 | |
What are you doing here? I thought you were working. | 0:14:27 | 0:14:29 | |
-Beth insisted. -Beth? | 0:14:29 | 0:14:31 | |
She and Mum are a bit obsessed with the miracle girl. | 0:14:31 | 0:14:34 | |
Right. And you have absolutely no interest whatsoever, right? | 0:14:34 | 0:14:38 | |
She's alive, isn't she? Why would I be? | 0:14:38 | 0:14:41 | |
That's right, I forgot. Of course. | 0:14:41 | 0:14:43 | |
Where's Annette? | 0:14:43 | 0:14:45 | |
Oh, you know - EastEnders is on tonight, isn't it? | 0:14:45 | 0:14:48 | |
-Ah. -DS Higgins? | 0:14:48 | 0:14:51 | |
Yeah, that's right. | 0:14:51 | 0:14:52 | |
Tim Morris. We met last summer. | 0:14:52 | 0:14:55 | |
Yeah, Leah. | 0:14:55 | 0:14:57 | |
Right. | 0:14:57 | 0:14:58 | |
So, what do you think? Where's she been? | 0:15:00 | 0:15:02 | |
We're investigating a couple of avenues, you know? | 0:15:04 | 0:15:07 | |
Well, I'm very glad that you and your beautiful wife could make it. | 0:15:09 | 0:15:13 | |
I'm...not his wife. | 0:15:13 | 0:15:15 | |
Aren't you? | 0:15:18 | 0:15:19 | |
Well, then...have fun. | 0:15:23 | 0:15:25 | |
He's such an idiot. | 0:15:28 | 0:15:30 | |
So, are you getting anywhere? | 0:15:32 | 0:15:35 | |
We've identified a couple of males in the area. | 0:15:35 | 0:15:38 | |
Both out of prison in the last two years, | 0:15:38 | 0:15:40 | |
both with previous that suggests they're capable of kidnap. | 0:15:40 | 0:15:42 | |
So, I'll give them a visit tomorrow. | 0:15:42 | 0:15:44 | |
I just got a flashback, then. | 0:15:46 | 0:15:48 | |
Ian Twitchett's 18th birthday party. | 0:15:48 | 0:15:51 | |
We were standing right here. | 0:15:51 | 0:15:53 | |
You don't remember? | 0:15:56 | 0:15:57 | |
No. | 0:15:57 | 0:15:58 | |
Course I do! | 0:16:01 | 0:16:02 | |
We were going through everyone at the party, | 0:16:03 | 0:16:05 | |
predicting where they'd be in 20 years' time. | 0:16:05 | 0:16:08 | |
I'll go and get a drink. | 0:16:12 | 0:16:14 | |
Yeah, I could use one myself. | 0:16:15 | 0:16:18 | |
-Hello, Leah. -Hi. | 0:16:21 | 0:16:24 | |
-Sorry, have we...? -I'm Beth. I moved here not long ago. | 0:16:24 | 0:16:27 | |
Oh. Right. | 0:16:27 | 0:16:29 | |
Look, if you ever want to chat, you know, | 0:16:29 | 0:16:31 | |
-to someone who's not the police, or someone in a white coat... -Thanks. | 0:16:31 | 0:16:35 | |
There is something about her, isn't there? | 0:16:39 | 0:16:42 | |
Yeah. | 0:16:42 | 0:16:43 | |
Hey, I wonder if she used to surf. | 0:16:43 | 0:16:45 | |
What's he doing here? | 0:16:48 | 0:16:50 | |
His wife's about to drop. It's his last night out this decade. | 0:16:50 | 0:16:54 | |
All right, George? | 0:16:54 | 0:16:55 | |
Blimey. That's not his first drink of the evening. | 0:16:57 | 0:17:00 | |
He's got a nerve. | 0:17:00 | 0:17:02 | |
-Maybe he's come to say sorry. -"Sorry"? | 0:17:02 | 0:17:04 | |
George is a good man. He's in my Black Dog darts team. | 0:17:04 | 0:17:07 | |
He screwed up, big time. | 0:17:07 | 0:17:09 | |
Don't hang the bloke. | 0:17:09 | 0:17:11 | |
You never messed things up and regretted it straightaway? | 0:17:11 | 0:17:13 | |
I know I have. | 0:17:13 | 0:17:14 | |
Please don't tell me what to think. | 0:17:17 | 0:17:19 | |
I used to do a lot of boarding, actually - at my school. | 0:17:26 | 0:17:29 | |
Cool. Where did you go? | 0:17:29 | 0:17:30 | |
St Tristan's. | 0:17:30 | 0:17:32 | |
St Tristan's does surfing? | 0:17:32 | 0:17:35 | |
I thought you were all just a bunch of swots there. | 0:17:35 | 0:17:38 | |
Oh! BOARDING school. Right! | 0:17:38 | 0:17:42 | |
Wait... St Tristan's is, like, ten miles from here. | 0:17:43 | 0:17:46 | |
Why were you boarding there, if you live here? | 0:17:46 | 0:17:50 | |
My parents are into two things - their jobs and each other. | 0:17:50 | 0:17:53 | |
I just got in the way. | 0:17:53 | 0:17:55 | |
Hi, Clint. Want to grab a drink? | 0:17:55 | 0:17:57 | |
I'm fine, thanks. | 0:17:57 | 0:17:59 | |
That's my boss. | 0:17:59 | 0:18:01 | |
-Hello. I'm Jane. Welcome back. -Jane's a coroner. | 0:18:01 | 0:18:04 | |
She's trying to work out who was buried in your grave. | 0:18:04 | 0:18:07 | |
Right. | 0:18:07 | 0:18:09 | |
Well, it was nice to meet you, Clint. Bye. | 0:18:10 | 0:18:13 | |
Too much information? | 0:18:16 | 0:18:18 | |
Don't worry about it. | 0:18:18 | 0:18:19 | |
In an hour, she'll forget she ever met you. | 0:18:19 | 0:18:21 | |
Leah. Leah! They're going to laugh at you. | 0:18:46 | 0:18:49 | |
Do you want them to laugh at you? | 0:18:49 | 0:18:51 | |
Leah, please! | 0:18:51 | 0:18:53 | |
Stop being such a child! I am sorry. | 0:18:53 | 0:18:56 | |
Get off me! | 0:18:56 | 0:18:58 | |
Can we just talk about it? | 0:19:00 | 0:19:02 | |
Leah! | 0:19:03 | 0:19:04 | |
MUSIC PLAYS | 0:19:07 | 0:19:10 | |
-That was a great party, Gina. -Thank you. | 0:19:37 | 0:19:39 | |
Hey. You all right? | 0:19:39 | 0:19:41 | |
Yeah. Why shouldn't I be? | 0:19:41 | 0:19:43 | |
Just asking. | 0:19:43 | 0:19:45 | |
Thought you went ages ago, George! | 0:19:45 | 0:19:46 | |
-I forgot something. -Mind scrambled again? | 0:19:46 | 0:19:50 | |
-Bit harsh, isn't it? -Fair. | 0:19:50 | 0:19:51 | |
You need to hear this. | 0:19:53 | 0:19:55 | |
-What's that, Mr Walker? -Leah's remembered something. | 0:19:55 | 0:19:57 | |
Leah? | 0:19:57 | 0:19:58 | |
It's the painting. | 0:20:00 | 0:20:01 | |
-Leah? -I've seen this recently. | 0:20:04 | 0:20:06 | |
You mean, since your accident? | 0:20:07 | 0:20:09 | |
-This exact picture? -Yes. | 0:20:11 | 0:20:13 | |
Did you see it here? | 0:20:14 | 0:20:16 | |
No. | 0:20:16 | 0:20:17 | |
It was in a room. | 0:20:19 | 0:20:21 | |
MAN BREATHES HEAVILY | 0:20:21 | 0:20:22 | |
There were no windows. | 0:20:22 | 0:20:24 | |
There was an orange lamp. | 0:20:24 | 0:20:26 | |
GIRL'S SOBBING ECHOES | 0:20:26 | 0:20:28 | |
MUSIC: I'm Not The Only One by Sam Smith | 0:20:33 | 0:20:37 | |
KNOCKS AT DOOR | 0:20:42 | 0:20:44 | |
Morning. | 0:20:44 | 0:20:45 | |
Morning. | 0:20:45 | 0:20:47 | |
-Mind if I turn this down? -Well... | 0:20:47 | 0:20:49 | |
Right, so last night, I went to see that artist that did the painting. | 0:20:50 | 0:20:55 | |
Turns out he lives in Westchurch. | 0:20:55 | 0:20:57 | |
Do you know it's 7.30? | 0:20:57 | 0:20:59 | |
Yeah. Anyway... Helpful bloke. | 0:20:59 | 0:21:02 | |
Gave me a list of people that he knows that bought the prints. | 0:21:03 | 0:21:07 | |
-Tim Morris has one? -Yup. | 0:21:08 | 0:21:11 | |
Bit of a coincidence, isn't it? | 0:21:11 | 0:21:13 | |
You don't think he kidnapped Leah, though, do you? | 0:21:13 | 0:21:15 | |
Well, it might be worth checking out, | 0:21:15 | 0:21:17 | |
especially since you heard them rowing. | 0:21:17 | 0:21:19 | |
-Gina Morris would have noticed. -Not necessarily. | 0:21:19 | 0:21:21 | |
Right, have a look at this. | 0:21:21 | 0:21:23 | |
Tim Morris's holiday homes. | 0:21:25 | 0:21:27 | |
All in the South Hams. I got it off the internet. | 0:21:27 | 0:21:30 | |
You have been a busy boy. | 0:21:30 | 0:21:32 | |
Have a look at this one. | 0:21:32 | 0:21:33 | |
According to the lettings agent's website, | 0:21:35 | 0:21:37 | |
it was taken off the market last summer. It's being "upgraded". | 0:21:37 | 0:21:40 | |
Now, I can't get a search warrant with what I've got. | 0:21:40 | 0:21:43 | |
And the lettings agent guy, he knows me. | 0:21:43 | 0:21:46 | |
You want me to get the keys? | 0:21:46 | 0:21:48 | |
Well, you've got a lower profile than I have around here, no offence. | 0:21:48 | 0:21:51 | |
And a nicer pair of pins. | 0:21:51 | 0:21:53 | |
Come on, what do you say? You can come with me, if you like? | 0:21:53 | 0:21:57 | |
All right, I'll get dressed. | 0:21:57 | 0:21:59 | |
Nice one, Davey. | 0:22:04 | 0:22:05 | |
Jane! | 0:22:30 | 0:22:32 | |
Not exactly a dungeon, is it? | 0:22:58 | 0:23:01 | |
More like a love nest. | 0:23:02 | 0:23:04 | |
Davey. | 0:23:17 | 0:23:19 | |
They can't find Tim Morris? | 0:23:20 | 0:23:22 | |
No. I was the last one to see him head out of the Sailing Club. | 0:23:22 | 0:23:25 | |
-So, what's this lead on Angela? -Ah, French girl. | 0:23:25 | 0:23:28 | |
Isabelle Freres. 19. | 0:23:28 | 0:23:30 | |
Got on a ferry at Roscoff in June last year, no record of her since. | 0:23:30 | 0:23:33 | |
And check out the height. | 0:23:33 | 0:23:35 | |
Ah, five foot three. Look at you, Sherlock. | 0:23:35 | 0:23:38 | |
-OK, let's get her records sent through from France. -OK. | 0:23:38 | 0:23:42 | |
Leah, is this where you were? | 0:23:55 | 0:23:57 | |
I'll kill him. | 0:24:01 | 0:24:03 | |
Come on. | 0:24:03 | 0:24:04 | |
She wasn't faking it, so I've doubled up the team out looking for Morris. | 0:24:07 | 0:24:12 | |
I'm getting that face. | 0:24:12 | 0:24:14 | |
What face? | 0:24:14 | 0:24:15 | |
I don't make that face! | 0:24:15 | 0:24:17 | |
So what you're saying is, Morris kidnapped Leah | 0:24:19 | 0:24:22 | |
-after he hit her with the boat? -Yeah. | 0:24:22 | 0:24:24 | |
-Did he hit her deliberately? -Possibly. | 0:24:24 | 0:24:26 | |
-So she'd lose her memory? -No. He got lucky there. | 0:24:26 | 0:24:30 | |
My point is, he would have kidnapped her whatever. | 0:24:30 | 0:24:33 | |
I didn't hear waves from that basement? | 0:24:33 | 0:24:35 | |
All I know is, something really bad happened to Leah down there. | 0:24:35 | 0:24:39 | |
Her memory comes back and Morris does a runner. How does that look to you? | 0:24:39 | 0:24:42 | |
Not good for Morris. | 0:24:42 | 0:24:44 | |
Do I really make that face? | 0:24:44 | 0:24:46 | |
-Any joy identifying your skeleton? -Fingers crossed. | 0:24:47 | 0:24:49 | |
There's a French girl. She's the right age. | 0:24:49 | 0:24:52 | |
MOBILE PHONE Hello, Sylvie? | 0:24:52 | 0:24:54 | |
Yeah, I know. You're all right. | 0:24:54 | 0:24:56 | |
You're kidding. | 0:24:59 | 0:25:02 | |
Forensics reckon he's been dead between eight and 14 hours. | 0:25:14 | 0:25:18 | |
-They think he was pushed, hit his head on that. -Ouch. | 0:25:18 | 0:25:22 | |
Maybe they didn't want him to finish this. | 0:25:23 | 0:25:25 | |
"Dear Peter and Molly, this is the hardest note..." | 0:25:25 | 0:25:28 | |
I didn't think people wrote letters any more. | 0:25:28 | 0:25:31 | |
I guess they do if it's important. Any sign of forced entry? | 0:25:31 | 0:25:34 | |
No. I think he knew the killer pretty well. | 0:25:34 | 0:25:37 | |
He must have dropped this in the struggle. | 0:25:38 | 0:25:40 | |
Do you know who it belongs to? | 0:25:41 | 0:25:43 | |
I do. | 0:25:43 | 0:25:44 | |
I left that phone... | 0:26:14 | 0:26:17 | |
in my jacket pocket. | 0:26:17 | 0:26:19 | |
When I took my jacket from the cloakroom at the end of the evening, | 0:26:22 | 0:26:26 | |
it wasn't there. It was gone. | 0:26:26 | 0:26:28 | |
There were no-one else's fingerprints on it. | 0:26:28 | 0:26:31 | |
You're loving this, aren't you? | 0:26:36 | 0:26:38 | |
You've dreamed of having me here. | 0:26:39 | 0:26:41 | |
No, not really. | 0:26:41 | 0:26:43 | |
-So where did you go after the party? -Home. | 0:26:45 | 0:26:47 | |
With Molly and Leah. | 0:26:48 | 0:26:50 | |
Molly went to bed. | 0:26:50 | 0:26:53 | |
-Leah and I talked. -All night? | 0:26:53 | 0:26:56 | |
There was a lot to talk about. | 0:26:56 | 0:26:58 | |
Now, Mr Walker... | 0:26:58 | 0:27:00 | |
..I don't have kids. | 0:27:01 | 0:27:03 | |
But I do understand how angry you must feel. | 0:27:04 | 0:27:07 | |
And so will a judge, so I think, if you confess now, | 0:27:07 | 0:27:10 | |
you'll probably have the whole of Devon on your side. | 0:27:10 | 0:27:13 | |
Why would I have killed Tim? | 0:27:15 | 0:27:17 | |
Last night, he was still my best friend. | 0:27:19 | 0:27:22 | |
Yes! | 0:27:26 | 0:27:28 | |
-Someone else die? -No. No! | 0:27:28 | 0:27:31 | |
Some clever scientist has managed to get usable DNA from a corpse. | 0:27:31 | 0:27:35 | |
-How perfectly charming. -I don't want people to die, Mick. | 0:27:35 | 0:27:38 | |
-No, but it keeps you in a job, don't it? -Well, yes. | 0:27:38 | 0:27:41 | |
So if Tim Morris was killed on his boat, | 0:27:45 | 0:27:48 | |
how come that house of his is a crime scene? | 0:27:48 | 0:27:51 | |
-Which house? -Skylight. | 0:27:51 | 0:27:54 | |
Even if I knew, I wouldn't be able to tell you, would I, Mick? | 0:27:55 | 0:27:58 | |
-That's all right. I reckon I could guess. -Go on, then. | 0:27:58 | 0:28:01 | |
-That was Morris' love palace. -What do you mean? | 0:28:01 | 0:28:05 | |
You know, where he took all his "other women". | 0:28:05 | 0:28:07 | |
Morris was a player, Jane. You must have worked that one out. | 0:28:07 | 0:28:11 | |
-Where's all this come from? -John "the Join". | 0:28:12 | 0:28:15 | |
Does odd carpentry jobs for Morris. Did, I should say. | 0:28:15 | 0:28:18 | |
On his holiday lets and the like. | 0:28:18 | 0:28:21 | |
Apparently, Morris stopped renting out Skylight last summer. | 0:28:21 | 0:28:24 | |
Every time John's been in since, he reckons he can smell perfume. | 0:28:24 | 0:28:28 | |
-Really? -Mm. | 0:28:28 | 0:28:30 | |
Not only that, but different perfume every time. | 0:28:30 | 0:28:32 | |
Jane Kennedy from the Coroner's Office. I need to speak to Leah. | 0:28:38 | 0:28:41 | |
She's gone. | 0:28:45 | 0:28:47 | |
Where? | 0:28:47 | 0:28:48 | |
I don't know. | 0:28:48 | 0:28:49 | |
Well, do you know when she'll be back? | 0:28:50 | 0:28:53 | |
She left a note. | 0:28:53 | 0:28:55 | |
-What did she take with her? -Just her bike. | 0:29:03 | 0:29:05 | |
That girl has absolutely nothing to be sorry about. | 0:29:07 | 0:29:10 | |
I've been the worst mother I could be. | 0:29:14 | 0:29:17 | |
Molly, did anything happen between you and Leah last summer? | 0:29:18 | 0:29:21 | |
Any problem you and your husband didn't tell the police about? | 0:29:21 | 0:29:25 | |
Please. It could help us find her. | 0:29:27 | 0:29:29 | |
She came to us, | 0:29:31 | 0:29:33 | |
me and Peter... | 0:29:33 | 0:29:34 | |
a week before she disappeared. | 0:29:34 | 0:29:37 | |
She was pregnant. | 0:29:39 | 0:29:40 | |
A one-night thing, you know, but... | 0:29:41 | 0:29:44 | |
Leah had made up her mind to keep the baby. | 0:29:44 | 0:29:47 | |
And what did you say? | 0:29:48 | 0:29:50 | |
I wasn't sympathetic... | 0:29:54 | 0:29:56 | |
..at all. | 0:29:57 | 0:29:59 | |
Neither of us were. | 0:30:00 | 0:30:02 | |
She'd just messed up her A-levels. | 0:30:03 | 0:30:05 | |
We'd spent a lot of money on her. | 0:30:06 | 0:30:09 | |
We said some terrible, terrible things. | 0:30:10 | 0:30:13 | |
Just when she needed us most. | 0:30:14 | 0:30:16 | |
-What is it? -Leah wasn't held in Skylight. | 0:30:26 | 0:30:29 | |
I've just spoken to a carpenter who swears he's been in and out of there all year. | 0:30:29 | 0:30:33 | |
That doesn't change anything. Peter Walker probably killed Tim Morris. I need to speak to Leah. | 0:30:33 | 0:30:37 | |
-She's his alibi. -Davey, she's run away. -What? | 0:30:37 | 0:30:40 | |
You were right. Her parents were holding something back last summer. | 0:30:40 | 0:30:44 | |
All right, Sarge? | 0:30:52 | 0:30:54 | |
-No sign of anyone. -Right. | 0:30:55 | 0:30:57 | |
Is that it? | 0:30:58 | 0:31:00 | |
TRAIN TOOTS | 0:31:08 | 0:31:10 | |
Leah? | 0:31:20 | 0:31:21 | |
MOBILE PHONE | 0:32:03 | 0:32:05 | |
Hi, Beth. You OK? | 0:32:07 | 0:32:09 | |
Are you sure it's her? | 0:32:11 | 0:32:13 | |
OK, Beth, do not let her out of your sight. | 0:32:13 | 0:32:15 | |
It's really important. Do you understand? | 0:32:15 | 0:32:17 | |
We'll be there as soon as we can. OK, love. Bye. | 0:32:17 | 0:32:20 | |
Davey! | 0:32:21 | 0:32:22 | |
She's in Kingsport. | 0:32:23 | 0:32:25 | |
MOBILE PHONE | 0:32:30 | 0:32:32 | |
CAR SCREECHES TO A HALT | 0:33:18 | 0:33:20 | |
I can't see you, Beth. Where are you? | 0:33:25 | 0:33:27 | |
Hurry up. | 0:33:27 | 0:33:29 | |
-Hurry up! -I see you. | 0:33:29 | 0:33:31 | |
Nice one, Beth. | 0:33:50 | 0:33:51 | |
What do we do now? | 0:33:55 | 0:33:57 | |
Water taxi! Water taxi, I need your boat. | 0:34:13 | 0:34:15 | |
Stay here. | 0:34:15 | 0:34:17 | |
-Doesn't this thing go any faster? -Six knots only on the river. | 0:34:36 | 0:34:40 | |
Look, they're heading for that gin palace over there. | 0:34:42 | 0:34:45 | |
Where am I going to find the girl, mate? | 0:34:53 | 0:34:55 | |
-You're going to find her in two. -Room two? -Room two. | 0:34:55 | 0:34:57 | |
Fine. Thanks. | 0:34:57 | 0:34:59 | |
She's in room two, apparently. | 0:35:00 | 0:35:02 | |
Either that or he's telling me to get me off his boat. | 0:35:02 | 0:35:04 | |
It's down there. | 0:35:04 | 0:35:06 | |
-Look, do you want to go and get her? -Why? | 0:35:06 | 0:35:09 | |
I don't know. You're a mother. You've got a daughter. | 0:35:10 | 0:35:13 | |
OK. | 0:35:14 | 0:35:15 | |
Hello again. | 0:35:26 | 0:35:28 | |
Mind if I sit down? | 0:35:29 | 0:35:31 | |
Bit compact, but I guess you get used to it. | 0:35:37 | 0:35:40 | |
I see they kept your things for you. | 0:35:43 | 0:35:45 | |
There was never anything wrong with your memory, was there? | 0:35:47 | 0:35:50 | |
Did Tim always take you to Skylight to do it? | 0:35:51 | 0:35:54 | |
He got you pregnant, didn't he? | 0:35:56 | 0:35:59 | |
Come on, Leah, you can't keep running. | 0:36:06 | 0:36:09 | |
Tim said, if I had the baby, his life would be over. | 0:36:16 | 0:36:19 | |
He was threatening me. | 0:36:19 | 0:36:20 | |
So I finally decided to tell my parents. | 0:36:21 | 0:36:24 | |
That was a big deal, right? | 0:36:24 | 0:36:26 | |
We weren't close. | 0:36:26 | 0:36:28 | |
All right, then what? | 0:36:28 | 0:36:30 | |
They lost it too. | 0:36:30 | 0:36:32 | |
I didn't even mention Tim. | 0:36:33 | 0:36:35 | |
Mum just went off on this rant | 0:36:35 | 0:36:37 | |
about how having me young was her "biggest mistake". | 0:36:37 | 0:36:40 | |
That I'd cost her a "stellar" career. | 0:36:40 | 0:36:42 | |
But at least she had an education. | 0:36:43 | 0:36:46 | |
I've already messed mine up. | 0:36:46 | 0:36:48 | |
And Dad... | 0:36:49 | 0:36:51 | |
just... | 0:36:51 | 0:36:53 | |
sat there. | 0:36:53 | 0:36:55 | |
I never felt like they particularly needed me. | 0:36:55 | 0:36:59 | |
But in that moment... | 0:37:00 | 0:37:02 | |
I felt like I barely existed. | 0:37:02 | 0:37:04 | |
All I could think was that, maybe when I was dead, | 0:37:06 | 0:37:09 | |
they would finally appreciate me. | 0:37:09 | 0:37:11 | |
-But you didn't kill yourself. -I couldn't. | 0:37:12 | 0:37:15 | |
Not with a baby inside me. | 0:37:16 | 0:37:19 | |
So you got yourself a job on this boat. | 0:37:19 | 0:37:21 | |
And you called yourself... | 0:37:21 | 0:37:23 | |
Sally Jefferies. | 0:37:23 | 0:37:25 | |
Where do you go on this thing? | 0:37:25 | 0:37:28 | |
Everywhere. | 0:37:28 | 0:37:29 | |
Someone at school videoed my funeral. | 0:37:31 | 0:37:34 | |
Put it on YouTube. | 0:37:34 | 0:37:36 | |
I watched it. | 0:37:36 | 0:37:37 | |
It was horrible. | 0:37:39 | 0:37:41 | |
My parents... | 0:37:42 | 0:37:44 | |
seeing them like that. | 0:37:44 | 0:37:46 | |
I hardly recognised them. | 0:37:47 | 0:37:49 | |
I think that's why I miscarried. | 0:37:50 | 0:37:52 | |
Didn't you want to go back then and there? | 0:37:54 | 0:37:57 | |
Yes. | 0:37:57 | 0:37:58 | |
But I was scared. | 0:37:58 | 0:38:00 | |
And embarrassed. | 0:38:01 | 0:38:03 | |
So you hid on the boat? | 0:38:03 | 0:38:05 | |
My dad has a Facebook page. | 0:38:07 | 0:38:10 | |
Mostly for his students. | 0:38:10 | 0:38:12 | |
One day he put this message on | 0:38:13 | 0:38:15 | |
saying that Mum had got some bad news from the doctors. | 0:38:15 | 0:38:18 | |
I knew he meant she was dying. | 0:38:18 | 0:38:21 | |
So I decided to come back. | 0:38:22 | 0:38:24 | |
Oleg, the boat owner, said we'd be back in Devon in two months. | 0:38:26 | 0:38:30 | |
But I needed some kind of a story, | 0:38:31 | 0:38:34 | |
so I bought some handcuffs and slept in them every night. | 0:38:34 | 0:38:37 | |
-And I started taking pills. -What about the fractured skull? | 0:38:37 | 0:38:40 | |
A few weeks after I came on board, I was jumping off the boat | 0:38:40 | 0:38:43 | |
and I hit the side. | 0:38:43 | 0:38:45 | |
I really did have to be fished out the water. | 0:38:45 | 0:38:48 | |
Tim treated you badly over the baby. I get that. | 0:38:48 | 0:38:51 | |
But...framing him for kidnap? | 0:38:51 | 0:38:53 | |
Tim and I only actually had sex once. | 0:38:55 | 0:38:58 | |
And it was... | 0:39:01 | 0:39:03 | |
What? | 0:39:03 | 0:39:04 | |
I liked him. | 0:39:06 | 0:39:07 | |
But I wasn't ready. | 0:39:08 | 0:39:10 | |
I told him, but he... | 0:39:11 | 0:39:14 | |
..insisted. | 0:39:15 | 0:39:17 | |
It was my first time. | 0:39:19 | 0:39:21 | |
I thought that's what it was like. | 0:39:21 | 0:39:24 | |
And this was in that basement? | 0:39:27 | 0:39:29 | |
I grew up a lot on this boat. | 0:39:30 | 0:39:33 | |
When I confronted Tim at the party, | 0:39:35 | 0:39:38 | |
I expected some remorse or... | 0:39:38 | 0:39:41 | |
guilt or something. | 0:39:41 | 0:39:43 | |
You know what you did, Tim. | 0:39:43 | 0:39:46 | |
Darling, you came to that house alone. | 0:39:46 | 0:39:48 | |
-What did you expect? What did you think was going to happen? -Not that! | 0:39:48 | 0:39:51 | |
-I'm going to the police. -Leah. | 0:39:51 | 0:39:53 | |
Leah! They'll laugh at you. Do you want them to laugh at you? | 0:39:53 | 0:39:56 | |
Leah! | 0:39:56 | 0:39:58 | |
That was when I decided he had to pay. | 0:39:58 | 0:40:00 | |
And he did. | 0:40:01 | 0:40:03 | |
Has my dad confessed? | 0:40:06 | 0:40:08 | |
Not the greatest day of Peter Walker's life. | 0:40:19 | 0:40:22 | |
Yes. I've just been handed these, actually. | 0:40:22 | 0:40:25 | |
I think his fortunes might be about to turn a corner. | 0:40:26 | 0:40:29 | |
Davey? | 0:40:30 | 0:40:32 | |
You always said it was taking its toll, George. | 0:40:35 | 0:40:38 | |
The IVF. | 0:40:39 | 0:40:41 | |
Wasn't the stress, though, was it? | 0:40:42 | 0:40:44 | |
-It was the cash. -Sorry, mate, you've lost me. | 0:40:45 | 0:40:48 | |
Your bank statements...mate. | 0:40:48 | 0:40:50 | |
You're skint. | 0:40:51 | 0:40:53 | |
Erm...what's this about? | 0:40:54 | 0:40:56 | |
Tim Morris knew, though, didn't he? | 0:40:56 | 0:40:58 | |
Sailing Club grapevine. | 0:40:58 | 0:41:00 | |
And he was pretty sure he was the reason Leah had committed suicide. | 0:41:00 | 0:41:04 | |
Seeing Peter and Molly suffering every day, that made it worse, | 0:41:04 | 0:41:07 | |
so he made you an offer. | 0:41:07 | 0:41:09 | |
A body for the Walkers to grieve over in exchange for | 0:41:09 | 0:41:12 | |
as many IVF treatments as you needed. You couldn't resist. | 0:41:12 | 0:41:15 | |
Sorry...what exactly are you...? | 0:41:15 | 0:41:18 | |
The money trail, George. It's all here. Tim, you, the IVF clinic. | 0:41:18 | 0:41:22 | |
Everything would have been great until Leah came back to life. | 0:41:24 | 0:41:28 | |
At the party, Tim was convinced she was going to accuse him of rape. | 0:41:28 | 0:41:32 | |
You panicked. | 0:41:32 | 0:41:33 | |
He told you he was going to admit his affair with Leah | 0:41:33 | 0:41:36 | |
to Peter and Molly, try and legitimise the situation, | 0:41:36 | 0:41:38 | |
so he went back to his boat to write a letter, but you knew | 0:41:38 | 0:41:41 | |
the police heat on Morris would expose your collaboration | 0:41:41 | 0:41:44 | |
and you weren't going to miss the birth of your first child. | 0:41:44 | 0:41:47 | |
I'm going to go to prison. | 0:41:48 | 0:41:50 | |
George, right now, you are the last thing I'm bothered about. | 0:41:50 | 0:41:53 | |
Tim... | 0:41:53 | 0:41:55 | |
please! | 0:41:55 | 0:41:57 | |
George! | 0:42:02 | 0:42:03 | |
Must have been terrifying, George. | 0:42:10 | 0:42:13 | |
But somehow you were calm enough to go back to the cloakroom | 0:42:13 | 0:42:16 | |
at the Sailing Club, and you took Peter Walker's mobile phone | 0:42:16 | 0:42:19 | |
from his coat pocket. | 0:42:19 | 0:42:21 | |
A man about to find out his best friend had seduced his daughter. | 0:42:21 | 0:42:25 | |
And you framed him. | 0:42:26 | 0:42:27 | |
George Flemington, I'm arresting you for the murder of Tim Morris. | 0:42:35 | 0:42:39 | |
I am so sorry. | 0:42:54 | 0:42:57 | |
I think your mum and I have... | 0:43:03 | 0:43:05 | |
..I don't know, done a very bad job of showing how much we care. | 0:43:07 | 0:43:11 | |
Damn! | 0:43:17 | 0:43:19 | |
-There's a place in my darts team if you fancy it? -Tempting! | 0:43:26 | 0:43:30 | |
What's up? | 0:43:32 | 0:43:33 | |
I've just heard back from Interpol. Angela's DNA didn't match. | 0:43:33 | 0:43:36 | |
-What, with that French girl? -No. With anyone in the world. | 0:43:36 | 0:43:40 |