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MOBILE NOTIFICATION | 0:00:36 | 0:00:38 | |
Who's that? | 0:00:38 | 0:00:39 | |
Sorry. Didn't want to wake you. | 0:00:40 | 0:00:43 | |
What's happening? | 0:00:43 | 0:00:44 | |
It's work. They've called me in for the early shift. | 0:00:44 | 0:00:47 | |
They left it a bit late, didn't they? | 0:00:47 | 0:00:49 | |
One of the porters called in sick. | 0:00:49 | 0:00:51 | |
Oh, come on. Why else am I sneaking out at 5am? | 0:00:53 | 0:00:56 | |
Check my phone if you don't believe me. | 0:00:58 | 0:01:01 | |
Sorry. You're right. | 0:01:01 | 0:01:03 | |
I'll see you tonight. | 0:01:07 | 0:01:08 | |
Hey, I thought you had to leave? | 0:01:12 | 0:01:14 | |
Love you. | 0:01:15 | 0:01:17 | |
You too. | 0:01:19 | 0:01:20 | |
Mum, have you seen my tongs? I look like Motley Crue without them. | 0:01:28 | 0:01:31 | |
What's that, love? | 0:01:31 | 0:01:33 | |
I wish you'd put things back after you've finished borrowing them. | 0:01:33 | 0:01:36 | |
Look at this. Some freighter's capsized just off shore. | 0:01:36 | 0:01:39 | |
That's terrible. Is everyone all right? | 0:01:39 | 0:01:41 | |
Look at all that loot. | 0:01:41 | 0:01:43 | |
They say there's containers washed up all along the coast, | 0:01:43 | 0:01:45 | |
-chock full of goodies. -Your concern for the crew is touching. | 0:01:45 | 0:01:48 | |
Hey, that's Billy Claxton, from down the road. | 0:01:48 | 0:01:51 | |
-I might get down there. Take a look. -You're not serious? | 0:01:51 | 0:01:53 | |
It's fine. Shipwrecks have been washing up here for centuries. | 0:01:53 | 0:01:57 | |
-The words "vulture" and "carcass" spring to mind. -Yeah, Gran. | 0:01:57 | 0:02:00 | |
Sounds like something only a real lowlife would think of doing. | 0:02:00 | 0:02:03 | |
Jude! It's time to go shopping. My treat. | 0:02:03 | 0:02:07 | |
Whoo-hoo! | 0:02:07 | 0:02:08 | |
Sarge. | 0:03:05 | 0:03:06 | |
CAR PULLS UP | 0:03:06 | 0:03:08 | |
Jogger found him this morning. Male, 20s. | 0:03:21 | 0:03:24 | |
Looks like he broke into the container, probably looting, | 0:03:24 | 0:03:28 | |
dislodged one of those metal lockboxes there, | 0:03:28 | 0:03:30 | |
knocked himself out cold. | 0:03:30 | 0:03:31 | |
Died when the tide came in, filling up the container. | 0:03:31 | 0:03:34 | |
-Was there anything on him? -No. | 0:03:34 | 0:03:36 | |
No wallet or ID, we got house and car keys, mobile phone. | 0:03:36 | 0:03:39 | |
But that's damp, so lab guys are working on that as we speak. | 0:03:39 | 0:03:42 | |
And we found this in his pocket. | 0:03:43 | 0:03:46 | |
That's an engagement ring. | 0:03:46 | 0:03:48 | |
Right now it's evidence. | 0:03:48 | 0:03:50 | |
At least we know why he was in there. | 0:03:51 | 0:03:53 | |
So, nothing suspicious? | 0:03:53 | 0:03:55 | |
Nope. Just your average, pointless death. | 0:03:55 | 0:03:58 | |
I don't understand. He died by accident? | 0:03:59 | 0:04:03 | |
You mean thieving? | 0:04:03 | 0:04:04 | |
I'm sorry to say we don't know the exact details of why he was there. | 0:04:04 | 0:04:08 | |
But he was supposed to be in Plymouth. | 0:04:08 | 0:04:10 | |
-He had an early shift. -Is that what he told you? | 0:04:10 | 0:04:12 | |
-He wasn't like that. -MOBILE NOTIFICATION | 0:04:12 | 0:04:15 | |
-Abby, is there anything else you'd like to tell us about Ian? -Yes. | 0:04:15 | 0:04:18 | |
That he was a liar and a fraud, | 0:04:18 | 0:04:20 | |
-and that he didn't deserve my daughter. -Dad! | 0:04:20 | 0:04:23 | |
She asked! How about the recent stint in prison? | 0:04:23 | 0:04:25 | |
-And the arrests for drugs and theft, and God knows what else? -MOBILE NOTIFICATION | 0:04:25 | 0:04:29 | |
And he paid for that! | 0:04:29 | 0:04:31 | |
He'd made some mistakes, but he changed in prison. He promised me. | 0:04:32 | 0:04:35 | |
And now look what that's worth. | 0:04:35 | 0:04:38 | |
Out looting the first chance he gets, and the scoundrel | 0:04:38 | 0:04:41 | |
-couldn't even get that right. -He's just died! | 0:04:41 | 0:04:44 | |
Can I go a minute without you putting the boot in, please? | 0:04:44 | 0:04:47 | |
MOBILE NOTIFICATION | 0:04:47 | 0:04:48 | |
Don't let us keep you from work, Dad. | 0:04:48 | 0:04:51 | |
Sorry. Got to go. | 0:04:51 | 0:04:53 | |
Please... I need to know what happened. | 0:04:56 | 0:04:59 | |
I know what my father thinks of Ian, but he's a good man. | 0:05:01 | 0:05:04 | |
He WAS a good man. He wouldn't have been out there looting. | 0:05:07 | 0:05:11 | |
I'll look into it, I promise. | 0:05:13 | 0:05:15 | |
It's the oldest trick in the book. | 0:05:17 | 0:05:19 | |
She turns on the waterworks | 0:05:19 | 0:05:20 | |
and next thing you know you're running around chasing your tail. | 0:05:20 | 0:05:23 | |
She genuinely believed in him. | 0:05:23 | 0:05:24 | |
Of course she does. She loved him. | 0:05:24 | 0:05:26 | |
Doesn't change anything. | 0:05:26 | 0:05:28 | |
Clint? | 0:05:28 | 0:05:31 | |
Clint! Have you called Ian Igby's workplace yet? | 0:05:31 | 0:05:34 | |
Yeah, it's...next on my list. | 0:05:34 | 0:05:37 | |
Can you ask around? | 0:05:37 | 0:05:38 | |
See if anyone saw Ian before he died. | 0:05:38 | 0:05:40 | |
You're a soft touch, Kennedy. | 0:05:40 | 0:05:42 | |
At least it sounds like real police work. | 0:05:42 | 0:05:44 | |
Boss has got me out catching looters. I don't know why. | 0:05:44 | 0:05:47 | |
-We've always done it. -Well, we used to jump off Crabclaw Point | 0:05:47 | 0:05:50 | |
when we were kids. Doesn't mean it's smart, or legal. | 0:05:50 | 0:05:52 | |
I bet you'd love to have a rummage through those containers. | 0:05:52 | 0:05:55 | |
No chance. I'll settle for being a soft touch. | 0:05:55 | 0:05:58 | |
They say they've never heard of Ian. | 0:05:58 | 0:05:59 | |
What? You definitely called the number Abby gave me? | 0:05:59 | 0:06:03 | |
Yeah. It's just a restaurant in Plymouth. They've no idea who he is. | 0:06:03 | 0:06:06 | |
Interesting. I think this calls for a little road trip. | 0:06:06 | 0:06:10 | |
Andrea Matteo? Sorry. Didn't mean to startle you. I'm Jane Kennedy, | 0:06:36 | 0:06:40 | |
coroner for Lighthaven. This is my assistant, Clint. | 0:06:40 | 0:06:42 | |
-How's it going? -I hope you don't mind. I called your office. | 0:06:42 | 0:06:45 | |
They said we could find you here. | 0:06:45 | 0:06:46 | |
Not at all. Please excuse my appearance. | 0:06:46 | 0:06:49 | |
You're Ian Igby's probation officer? | 0:06:50 | 0:06:53 | |
Ever since he came out of prison. | 0:06:55 | 0:06:57 | |
I help him adjust to life outside, | 0:06:57 | 0:07:00 | |
to ease his re-entry into the community. | 0:07:00 | 0:07:02 | |
I'm very sorry to have to tell you, but Ian has died. | 0:07:02 | 0:07:07 | |
What? I saw him last week. | 0:07:07 | 0:07:10 | |
Sorry, I just can't believe it. | 0:07:11 | 0:07:13 | |
I understand. It's always a shock. | 0:07:13 | 0:07:16 | |
I presume you didn't come all this way just to tell me that? | 0:07:16 | 0:07:19 | |
We've hit a snag trying to find out where Ian worked. | 0:07:19 | 0:07:22 | |
As I recall, Ian had problems finding work, which is | 0:07:22 | 0:07:24 | |
common for recent convicts. | 0:07:24 | 0:07:27 | |
We found him a job as a clerk in a local shipping firm. | 0:07:27 | 0:07:31 | |
Prion Freight, I think. | 0:07:31 | 0:07:34 | |
I can get you the address. | 0:07:34 | 0:07:35 | |
Perfect. Thank you. | 0:07:35 | 0:07:37 | |
He was one of the good ones. | 0:07:37 | 0:07:39 | |
People that come out, you just know they're going straight back in. | 0:07:39 | 0:07:42 | |
But...he was different. | 0:07:42 | 0:07:44 | |
Davey! Delivered straight to my door! | 0:07:47 | 0:07:51 | |
Hey... | 0:07:51 | 0:07:52 | |
-Give us a hand with this. -I can't do that, Judith. | 0:07:54 | 0:07:56 | |
-You've got to take this stuff back. -Giss on! We've got salvage rights. | 0:07:56 | 0:08:00 | |
Had 'em since Good Queen Bess sent them ruddy Dagos to the rocks | 0:08:00 | 0:08:03 | |
back in 1588, and had us search the shipwrecks. | 0:08:03 | 0:08:07 | |
Look, I don't think quoting | 0:08:07 | 0:08:08 | |
the Spanish Armada as an excuse is going to stand up in court. | 0:08:08 | 0:08:11 | |
Sea's our livelihood. This is a gift, this is. | 0:08:11 | 0:08:14 | |
Yeah, I understand that and if it were up to me, | 0:08:14 | 0:08:16 | |
-I'd say, what's the harm? But it's not.... -Got you, Davey. Cheers. | 0:08:16 | 0:08:19 | |
-We understand what you're saying. -Great. Thanks, Mick. | 0:08:19 | 0:08:22 | |
No. Thank you. | 0:08:22 | 0:08:24 | |
A nod's as good as a wink, as they say. | 0:08:24 | 0:08:26 | |
No, no! Judith, there's no nods. No winks. | 0:08:26 | 0:08:28 | |
From a child's lips to God's ears. Thank you, Davey. | 0:08:28 | 0:08:33 | |
What do you want? | 0:08:54 | 0:08:55 | |
Mr Brubaker. You're expanding. | 0:08:55 | 0:08:59 | |
Free microwave with every bucket and spade? | 0:08:59 | 0:09:01 | |
That's salvage, that is. | 0:09:01 | 0:09:03 | |
Apparently, it's theft. | 0:09:03 | 0:09:05 | |
I didn't nick 'em. I got them off old Mick. | 0:09:05 | 0:09:08 | |
And where'd you think he got them from? | 0:09:08 | 0:09:10 | |
Mick suddenly becomes flush with kitchen appliances? | 0:09:10 | 0:09:13 | |
Didn't ask, did I? | 0:09:13 | 0:09:15 | |
Just get them out of my sight, will you? | 0:09:15 | 0:09:17 | |
I don't mind people taking a piece for themselves, | 0:09:17 | 0:09:20 | |
but I can't have any serious profiteering. | 0:09:20 | 0:09:22 | |
Thanks, Davey. Here, have a pasty, on the arm. | 0:09:22 | 0:09:25 | |
You got beef and onion? | 0:09:26 | 0:09:28 | |
Did you hear anything about | 0:09:29 | 0:09:31 | |
that body that turned up on Sherford Sands? | 0:09:31 | 0:09:33 | |
Aye. | 0:09:35 | 0:09:36 | |
Quickest way down there is just down from your shop, innit? | 0:09:36 | 0:09:39 | |
You didn't see anyone go down there? | 0:09:39 | 0:09:41 | |
Probably the early hours of the morning? | 0:09:41 | 0:09:44 | |
I was in bed, like all decent people. | 0:09:44 | 0:09:46 | |
And you didn't hear anything? Anyone shouting for help? | 0:09:46 | 0:09:49 | |
I'm too old to jump up at the sound of every young 'eller making a fuss. | 0:09:49 | 0:09:52 | |
I didn't say they were young. | 0:09:53 | 0:09:56 | |
Haven't you got better things to do than harass an old man? | 0:09:56 | 0:09:59 | |
MICROWAVE PINGS | 0:09:59 | 0:10:01 | |
Oh, hello, Davey. | 0:10:14 | 0:10:16 | |
-Ah, Davey boy, nice to see you. Usual? -No. | 0:10:27 | 0:10:29 | |
It's official business today, Mick. | 0:10:29 | 0:10:30 | |
I should've known you'd be in the middle of all this. | 0:10:30 | 0:10:33 | |
I don't know what you're talking about. I just pull the pints, mate. | 0:10:33 | 0:10:36 | |
Well, you want to have a little break, then. In a prison cell. | 0:10:36 | 0:10:38 | |
I mean, this is too much, mate. | 0:10:38 | 0:10:40 | |
I can't have you turning a shipwreck into your own personal marketplace. | 0:10:40 | 0:10:43 | |
Really? Well, maybe you ain't read this. | 0:10:43 | 0:10:46 | |
What's that? Latest Dan Brown? | 0:10:46 | 0:10:48 | |
That's the Merchant Shipping Act 1995, which states, | 0:10:48 | 0:10:53 | |
"Any person taking possession of any wreck in UK waters shall give | 0:10:53 | 0:10:57 | |
"notice that he has taken possession and hold it for the receiver." | 0:10:57 | 0:11:01 | |
But, of course, you know all that, don't you? | 0:11:01 | 0:11:03 | |
The finer details escape me. | 0:11:03 | 0:11:05 | |
Well, for the layman, it means that my customers have got a month | 0:11:05 | 0:11:09 | |
to hang on to what they've found before you can even touch them. | 0:11:09 | 0:11:12 | |
Only if they've filled out a declaration form. | 0:11:12 | 0:11:15 | |
I've got a stack of 'em here | 0:11:15 | 0:11:16 | |
It's not my problem if they forget to take it, is it? | 0:11:16 | 0:11:19 | |
-Just make sure everyone fills out a form, will you? -Yeah, course I will. | 0:11:20 | 0:11:23 | |
Good luck, mate. | 0:11:23 | 0:11:24 | |
Oi! What do you think you're up to? | 0:11:27 | 0:11:29 | |
Salvage. | 0:11:29 | 0:11:30 | |
Er... | 0:11:30 | 0:11:32 | |
Surfing? We're there to deliver bad news, and you wittering on | 0:11:34 | 0:11:38 | |
-about catching a wave? -Well, when you say it like that... -Ms Kennedy? | 0:11:38 | 0:11:42 | |
Mr Naseby? What're you doing here? | 0:11:42 | 0:11:44 | |
Well, I could ask you the same question. | 0:11:44 | 0:11:46 | |
Ian Igby. He lied to your daughter about where he worked. | 0:11:46 | 0:11:50 | |
Sorry, I thought you people just signed the death certificate? | 0:11:50 | 0:11:53 | |
-It's all part of the service. -You'd better come with me. | 0:11:53 | 0:11:55 | |
Well, no, because we need to speak to someone in charge. | 0:11:55 | 0:11:58 | |
I am in charge. I'm the owner of Prion Freight. | 0:11:58 | 0:12:01 | |
And, for my sins, I hired Ian. | 0:12:01 | 0:12:04 | |
It was my ship that sank out there. | 0:12:07 | 0:12:10 | |
Millions in cargo lost at sea. | 0:12:10 | 0:12:12 | |
And the only people angrier than the clients are my shareholders. | 0:12:12 | 0:12:16 | |
We are close to ruin. | 0:12:16 | 0:12:18 | |
Why didn't you tell me earlier that Ian worked for you? | 0:12:18 | 0:12:20 | |
Why hire him? | 0:12:20 | 0:12:22 | |
I did it for love. | 0:12:22 | 0:12:23 | |
Not Ian's, I take it? | 0:12:23 | 0:12:25 | |
No. For my daughter. Look, she met him a year ago. | 0:12:25 | 0:12:28 | |
He was a bad boy, he was fresh out of prison. | 0:12:28 | 0:12:30 | |
He was every father's nightmare. | 0:12:30 | 0:12:32 | |
I had just hoped it was just a rebellious stage. | 0:12:32 | 0:12:34 | |
So, you gave him a job? | 0:12:34 | 0:12:35 | |
Wow. I must remember that when my daughter brings home a boy. | 0:12:35 | 0:12:38 | |
If Abby's going to fall for an idiot, at least he can be | 0:12:38 | 0:12:40 | |
an employed idiot. Anyway, I thought I could teach him | 0:12:40 | 0:12:43 | |
some responsibility. More fool me. | 0:12:43 | 0:12:44 | |
I don't get why you didn't just tell Abby. | 0:12:44 | 0:12:47 | |
You would've scored some major parent points for that. | 0:12:47 | 0:12:49 | |
Ian didn't want Abby knowing he'd taken a hand-out from Daddy. | 0:12:49 | 0:12:53 | |
-MOBILE RINGS -The man had some pride. | 0:12:53 | 0:12:54 | |
It was the one reason I respected him. | 0:12:54 | 0:12:56 | |
It sounds like she wasn't the only one who got hurt. | 0:12:56 | 0:12:58 | |
I opened my home to that boy. I gave him a job. | 0:12:58 | 0:13:02 | |
And this is how he repays me! | 0:13:02 | 0:13:04 | |
-By dying? -By betraying me! And Abby. | 0:13:04 | 0:13:09 | |
Now, if you'll excuse me, I have got a company to save. | 0:13:09 | 0:13:12 | |
It's Davey. Your phone was off. | 0:13:14 | 0:13:16 | |
OK. Thanks. Hey. | 0:13:16 | 0:13:18 | |
I thought I heard shouting. Are you causing trouble again? | 0:13:18 | 0:13:21 | |
Just helping a man grieve. What's up? | 0:13:21 | 0:13:23 | |
We've got Ian's call logs. | 0:13:23 | 0:13:25 | |
There's a lot of calls from one number sent the morning | 0:13:25 | 0:13:27 | |
that he died, from a Brent Hess. | 0:13:27 | 0:13:30 | |
He's also sent a strange text, | 0:13:30 | 0:13:31 | |
'sent about an hour before. So I've sent that over. | 0:13:31 | 0:13:34 | |
'Now, it's a container number, from a capsized ship. | 0:13:34 | 0:13:38 | |
'The ship's manifest lists its contents as perishables, | 0:13:38 | 0:13:40 | |
'but that could mean anything. | 0:13:40 | 0:13:42 | |
'I presume you'd want to speak to Hess?' | 0:13:42 | 0:13:43 | |
-You know me so well. -'All right, you want me to send his address?' | 0:13:43 | 0:13:46 | |
No need. I won't have to go far. | 0:13:46 | 0:13:48 | |
Excuse me, Mr Hess? | 0:13:56 | 0:13:58 | |
-Did you not hear me calling? -I'm working. | 0:14:10 | 0:14:13 | |
I'm here about Ian Igby. | 0:14:13 | 0:14:15 | |
And? | 0:14:15 | 0:14:16 | |
You know he's dead? | 0:14:16 | 0:14:18 | |
You made a dozen calls to his phone the night he died. Why? | 0:14:18 | 0:14:21 | |
-It's none of your business. -You can tell me now or the police later. | 0:14:21 | 0:14:24 | |
It's your choice. | 0:14:24 | 0:14:25 | |
We were mates. All right? He had my back. | 0:14:27 | 0:14:30 | |
What? Here? | 0:14:30 | 0:14:31 | |
-Prison. You were together in prison. -So what? -If it's no big deal, | 0:14:33 | 0:14:36 | |
-you can tell me what the phone calls were about. -I was just saying hello. | 0:14:36 | 0:14:40 | |
At four in the morning? | 0:14:40 | 0:14:41 | |
I said stay out of my business! | 0:14:43 | 0:14:46 | |
Excuse me, mate! Mate! I'm recording this, just so you know. | 0:14:46 | 0:14:49 | |
So if you touch my boss, this goes straight to the police. | 0:14:49 | 0:14:52 | |
-Thanks. -Any time. | 0:14:57 | 0:14:59 | |
This field work is pretty dangerous. | 0:14:59 | 0:15:02 | |
Do we get hazard pay? | 0:15:02 | 0:15:03 | |
No? | 0:15:04 | 0:15:06 | |
So, Ian and Brent are both ex-cons, | 0:15:06 | 0:15:09 | |
both working on the docks. | 0:15:09 | 0:15:11 | |
-Smells like a smuggling operation to me. -I thought Ian | 0:15:11 | 0:15:14 | |
was more your "pinch-a-purse" type. | 0:15:14 | 0:15:16 | |
Prison's like college for these blokes, innit? | 0:15:16 | 0:15:18 | |
You graduate to bigger things. | 0:15:18 | 0:15:21 | |
And Brent's record reads like a... | 0:15:21 | 0:15:22 | |
-Eh! -What? Sorry, I haven't eaten. | 0:15:22 | 0:15:25 | |
I'm just going to order two portions from now on. | 0:15:25 | 0:15:28 | |
-Brent's record? -It's like a Hows To of hurting people. | 0:15:28 | 0:15:31 | |
In and out of prison his whole life. | 0:15:31 | 0:15:33 | |
Definitely the muscle, making Ian the brains. | 0:15:33 | 0:15:35 | |
-Hate to say I told you so. -You haven't proven anything yet. | 0:15:35 | 0:15:38 | |
You and your lost causes. | 0:15:38 | 0:15:40 | |
Sometimes it does exactly what it says on the tin. | 0:15:40 | 0:15:43 | |
-We'll see. -I thought you might say that, which is why I checked out | 0:15:43 | 0:15:46 | |
our friendly shopkeeper Brubaker, who was a little bit shifty. | 0:15:46 | 0:15:50 | |
Turns out he was the victim of a robbery about three years back. | 0:15:50 | 0:15:53 | |
And guess who got himself arrested for it? | 0:15:53 | 0:15:55 | |
Your lost cause. | 0:16:01 | 0:16:02 | |
Hello, my beauty. | 0:16:26 | 0:16:28 | |
What are you hiding? | 0:16:33 | 0:16:35 | |
You've always been trouble. | 0:16:40 | 0:16:43 | |
Ever since you were knee-high, racing around my shop. | 0:16:43 | 0:16:46 | |
Davey thought I was lying then, did he? | 0:16:47 | 0:16:50 | |
Well, just holding something back. Call it gut instinct. | 0:16:50 | 0:16:55 | |
Tell him to take some Rennies instead of harassing old men. | 0:16:55 | 0:16:59 | |
What happened on the night of that break-in? | 0:17:01 | 0:17:03 | |
It was just idiots messing about. | 0:17:03 | 0:17:06 | |
I came down to catch them dipping in the till, swiping my cigarettes. | 0:17:06 | 0:17:10 | |
They pushed me over and scarpered. | 0:17:10 | 0:17:11 | |
That's awful. | 0:17:11 | 0:17:13 | |
I remember 'em laughing and hollering when they went. | 0:17:13 | 0:17:16 | |
I wanted to beat them half to buggery, | 0:17:16 | 0:17:18 | |
but I couldn't get up off the floor. | 0:17:18 | 0:17:20 | |
I cried for help, but... | 0:17:20 | 0:17:22 | |
I stayed on that floor till morning. | 0:17:23 | 0:17:26 | |
Five hours, just waiting. | 0:17:26 | 0:17:28 | |
Thinking... | 0:17:28 | 0:17:29 | |
..will they come back? | 0:17:31 | 0:17:32 | |
So...if Davey's sixth sense picked up that | 0:17:34 | 0:17:39 | |
I wasn't too teary-eyed over Ian Igby, then now you know why. | 0:17:39 | 0:17:44 | |
Ian drowned in one of those containers. | 0:17:44 | 0:17:47 | |
Water slowly rising. | 0:17:48 | 0:17:51 | |
Probably took a couple of hours. | 0:17:51 | 0:17:53 | |
Would have been dark. | 0:17:53 | 0:17:54 | |
And? | 0:17:54 | 0:17:55 | |
He was alone, too. | 0:17:56 | 0:17:58 | |
-Hiya. -Hello, darling. | 0:18:24 | 0:18:26 | |
Erm...what's this? | 0:18:27 | 0:18:29 | |
Oh, that's my new hotrod. I got it off the beach. | 0:18:29 | 0:18:32 | |
You can't even ride a bike! | 0:18:32 | 0:18:33 | |
So I'll learn. | 0:18:33 | 0:18:35 | |
I'm not some old fogey. | 0:18:35 | 0:18:37 | |
Careful! Mind my Adonis. | 0:18:41 | 0:18:43 | |
-What the hell is this doing here? -Oh, he's lovely, isn't he? | 0:18:43 | 0:18:45 | |
Really adds some culture. | 0:18:45 | 0:18:47 | |
It takes up half the living room! | 0:18:47 | 0:18:49 | |
Nonsense. | 0:18:49 | 0:18:51 | |
Maybe we could push it into the corner a bit more, | 0:18:51 | 0:18:54 | |
but he adds a certain "raisin dextrous." | 0:18:54 | 0:18:57 | |
It's raison d'etre, and I don't want Beth facing his... | 0:18:57 | 0:19:01 | |
well, every time she walks past. | 0:19:01 | 0:19:03 | |
Come on, she's a big girl. She's seen it all before. | 0:19:03 | 0:19:05 | |
When I said I wanted her to be an art lover, this isn't what I meant. | 0:19:05 | 0:19:08 | |
Oh, nonsense. It's only a bit of marble. | 0:19:08 | 0:19:11 | |
There. | 0:19:11 | 0:19:12 | |
-Can I help you? -Aye. | 0:19:19 | 0:19:22 | |
A mate of mine got into a bit of trouble here a few nights back. | 0:19:22 | 0:19:26 | |
Did you see him around? | 0:19:28 | 0:19:30 | |
I'm not the bloomin' missing persons bureau. | 0:19:30 | 0:19:32 | |
-If you're not buying, then... -How much for just the bat? | 0:19:32 | 0:19:37 | |
I was asleep. I didn't see anyone. | 0:19:39 | 0:19:41 | |
He was looking for something. Something I need to find. | 0:19:41 | 0:19:44 | |
I don't know what you're talking about. | 0:19:44 | 0:19:47 | |
Who would? | 0:19:48 | 0:19:49 | |
Try the Black Dog. | 0:19:49 | 0:19:51 | |
The landlord there knows everything that goes on. Please. | 0:19:51 | 0:19:54 | |
On second thoughts, I don't play cricket. | 0:19:56 | 0:20:00 | |
You're trying to keep me from him. I know my rights. | 0:20:02 | 0:20:04 | |
You will spend the night in the cells! | 0:20:04 | 0:20:07 | |
I got salvage rights! | 0:20:07 | 0:20:09 | |
What the hell's going on?! | 0:20:09 | 0:20:10 | |
I just caught this old woman pilfering whisky from my containers. | 0:20:10 | 0:20:13 | |
Oi! Who are you calling old? | 0:20:13 | 0:20:15 | |
Half the town are down there, looting from my cargo. | 0:20:15 | 0:20:18 | |
Profiting from my hard work. | 0:20:18 | 0:20:19 | |
Profiteering? You're just shipping coffee beans that some poor | 0:20:19 | 0:20:23 | |
farmer from somewhere's paid three pence a day to grow. | 0:20:23 | 0:20:26 | |
Can I handle this, please? | 0:20:26 | 0:20:27 | |
Well, I don't think that you can! | 0:20:27 | 0:20:29 | |
This lot are too lazy to make their own lives, so they just go round | 0:20:29 | 0:20:32 | |
-nicking from what's mine. -You're like all those bankers and fat cats, | 0:20:32 | 0:20:35 | |
keeping the poor working man down. Like Russell Booky Wooky says, | 0:20:35 | 0:20:39 | |
-I reckon we deserve some of the good stuff. -That's enough, Judith. | 0:20:39 | 0:20:42 | |
-Oi! -Judith! | 0:20:42 | 0:20:44 | |
-CROWD CHANT: -Judith! Judith! | 0:20:44 | 0:20:46 | |
CHANTING CONTINUES | 0:20:46 | 0:20:47 | |
-Mr Brubaker? What's wrong? -There's a...brute snooping around. | 0:20:59 | 0:21:02 | |
-Who is he? Are you hurt? -If I were ten years younger... | 0:21:02 | 0:21:05 | |
If you've been threatened, we need to talk to Davey. | 0:21:05 | 0:21:07 | |
Then I would've gone to see Davey! Stop fussing. | 0:21:07 | 0:21:10 | |
Do you want to sit down? | 0:21:10 | 0:21:12 | |
Here. | 0:21:22 | 0:21:23 | |
I saw him the other night. | 0:21:25 | 0:21:27 | |
I don't sleep. Any noise gets me up. | 0:21:27 | 0:21:31 | |
I saw him on the coastal path about 5:30, arguing with a woman. | 0:21:31 | 0:21:35 | |
-Did you recognise her? -She had her back to me. | 0:21:35 | 0:21:38 | |
But she was wearing a brightly coloured jacket. Like a jogger. | 0:21:38 | 0:21:42 | |
There was a logo on the back. | 0:21:42 | 0:21:43 | |
Do you know what sort of logo? | 0:21:43 | 0:21:45 | |
A bird, I think. My eyes aren't what they were. | 0:21:45 | 0:21:48 | |
They were shouting something fierce. They tussled. | 0:21:48 | 0:21:51 | |
That's when he dropped the wallet. | 0:21:51 | 0:21:52 | |
He ran off down the coastal path, and she went after him. | 0:21:52 | 0:21:55 | |
Why did you take the wallet? | 0:21:55 | 0:21:57 | |
I don't know. | 0:21:57 | 0:21:58 | |
Guess I wanted to take something of his. Felt like justice. | 0:22:00 | 0:22:03 | |
Thank you for this. | 0:22:06 | 0:22:07 | |
Now let's get someone to take a look at you. | 0:22:09 | 0:22:11 | |
There you go. Two ales, two shandy halves. | 0:22:14 | 0:22:19 | |
I'll be with you in a sec, love. | 0:22:19 | 0:22:21 | |
There you are! It's pandemonium in there. | 0:22:21 | 0:22:23 | |
-You wouldn't believe the things I've found washed up. -Yeah? | 0:22:23 | 0:22:26 | |
You better find some glass and start doing some work, | 0:22:26 | 0:22:28 | |
or you can find yourself another barmaid, and all. | 0:22:28 | 0:22:31 | |
Anything you say, my lovely. | 0:22:31 | 0:22:33 | |
There's nothing of use in there, but Brubaker's story begs the question - | 0:22:35 | 0:22:39 | |
who was the mystery woman? | 0:22:39 | 0:22:40 | |
If there was one. Oh, wait, I've got something for you. | 0:22:40 | 0:22:44 | |
Oh, yeah? Sorry. | 0:22:44 | 0:22:45 | |
Yes. A thousand times, yes. | 0:22:48 | 0:22:50 | |
Bloody ha, ha, ha. No, it's Ian's ring from lock-up. | 0:22:50 | 0:22:54 | |
If Abby is holding something back, | 0:22:54 | 0:22:56 | |
I thought you could use it for leverage? | 0:22:56 | 0:22:58 | |
But you think Ian's guilty. | 0:22:58 | 0:23:00 | |
I have been wrong before. | 0:23:00 | 0:23:02 | |
Thanks. | 0:23:02 | 0:23:03 | |
Of course, I need time to pick out a dress. | 0:23:03 | 0:23:05 | |
-And then there's the catering... -As long as Mick don't do it. | 0:23:05 | 0:23:08 | |
-RADIO: -'Control to all units, | 0:23:08 | 0:23:10 | |
'reported disturbance at Black Dog pub. | 0:23:10 | 0:23:12 | |
-'Able to respond?' -Speak of the devil. 239 to control, | 0:23:12 | 0:23:15 | |
received that, I'm on my way, over. | 0:23:15 | 0:23:17 | |
I need to find this container. | 0:23:18 | 0:23:20 | |
Mick! Hey! I'm DS Higgins. What's going on? | 0:23:20 | 0:23:23 | |
-I ain't got a clue, Davey. -Don't make me ask you again. | 0:23:23 | 0:23:25 | |
I'd love to help you, but I don't speak gorilla. | 0:23:27 | 0:23:29 | |
Oh, right, Mick, that's not helping. | 0:23:29 | 0:23:31 | |
-Can you take a step back for me, please? -I reckon | 0:23:31 | 0:23:33 | |
he's just a bit overtired. Why don't you take your nap now, boy? | 0:23:33 | 0:23:35 | |
-Tell me where it is! -All right, now that's not helping. | 0:23:35 | 0:23:38 | |
Oh, sh... | 0:23:39 | 0:23:41 | |
I knew he was going to ask. | 0:23:55 | 0:23:57 | |
He kept dropping nervous hints, checking I'd say yes. | 0:23:57 | 0:24:01 | |
Abby, did you fight with Ian that morning? | 0:24:03 | 0:24:05 | |
Maybe follow him down here? | 0:24:05 | 0:24:07 | |
No. No, he left when I was in bed. | 0:24:07 | 0:24:09 | |
That was the last time I saw him. | 0:24:09 | 0:24:11 | |
An eyewitness saw Ian arguing with a woman, | 0:24:11 | 0:24:14 | |
shortly before he died. | 0:24:14 | 0:24:15 | |
A woman? | 0:24:17 | 0:24:18 | |
It's a vague description, but you match it. | 0:24:18 | 0:24:20 | |
She was wearing a colourful running jacket. | 0:24:20 | 0:24:23 | |
That wasn't me. | 0:24:23 | 0:24:25 | |
I'm such an idiot. | 0:24:28 | 0:24:29 | |
He lied about his job, about the looting. | 0:24:31 | 0:24:34 | |
Now he's secretly meeting other women? | 0:24:34 | 0:24:37 | |
-My dad was right. -We don't know that for sure. | 0:24:37 | 0:24:39 | |
It's my own stupid fault. | 0:24:39 | 0:24:40 | |
He kept promising he'd change, I kept believing him. | 0:24:40 | 0:24:43 | |
This is just another lie. | 0:24:44 | 0:24:46 | |
Thank you. | 0:24:47 | 0:24:48 | |
I wanted answers, and now I've got them. | 0:24:48 | 0:24:51 | |
I don't want to waste a second more on him. | 0:24:51 | 0:24:53 | |
Eh! | 0:25:13 | 0:25:14 | |
Where you going with all that food? | 0:25:15 | 0:25:17 | |
Well, it's lunch. | 0:25:19 | 0:25:21 | |
Michael Sturrock, what are you hiding? | 0:25:21 | 0:25:23 | |
Right. It's been a long day, so I'll cut to the chase. | 0:25:33 | 0:25:36 | |
I know you want to talk. | 0:25:36 | 0:25:37 | |
You know how I know this? | 0:25:37 | 0:25:39 | |
Because you haven't asked for a solicitor or a phone call. | 0:25:39 | 0:25:41 | |
And whilst you're giving me your hard-man stare, | 0:25:41 | 0:25:44 | |
your foot's tapping like you're Gene Kelly. | 0:25:44 | 0:25:46 | |
Whatever you're fishing for, you ain't going to get it. | 0:25:47 | 0:25:50 | |
So there is something. | 0:25:52 | 0:25:53 | |
Just lock me up or let me go. | 0:25:53 | 0:25:57 | |
No. | 0:25:57 | 0:25:58 | |
I think I'll take option three, which is where I call your probation | 0:25:58 | 0:26:02 | |
officer and have you put back behind bars before my tea gets cold. | 0:26:02 | 0:26:06 | |
Two years. That's not bad. | 0:26:09 | 0:26:12 | |
I've been married a lot longer. | 0:26:12 | 0:26:14 | |
Of course, you did assault Mick. | 0:26:15 | 0:26:17 | |
Can't really blame you for that, | 0:26:17 | 0:26:19 | |
but that should add a couple more years. | 0:26:19 | 0:26:22 | |
I didn't want to hurt anyone. | 0:26:22 | 0:26:24 | |
And then there's assaulting a police officer, resisting arrest. | 0:26:24 | 0:26:27 | |
You know what? | 0:26:27 | 0:26:29 | |
I think the judge will round it up to a nice even ten. | 0:26:29 | 0:26:32 | |
Wait! | 0:26:34 | 0:26:35 | |
Don't call the parole officer. I can't go back, all right? | 0:26:37 | 0:26:41 | |
I'm looking for a cargo container. | 0:26:45 | 0:26:47 | |
The one you texted Ian? | 0:26:49 | 0:26:51 | |
Was he in on the smuggling operation? | 0:26:53 | 0:26:56 | |
We had to find it before it was too late. | 0:26:56 | 0:26:58 | |
Too late for what? | 0:26:58 | 0:26:59 | |
I... I can't say! | 0:26:59 | 0:27:01 | |
OK. I'm going to make that call. | 0:27:01 | 0:27:05 | |
-Don't do it! -Then tell me the truth! | 0:27:05 | 0:27:07 | |
The cargo. In the container. | 0:27:12 | 0:27:15 | |
They're people. Refugees. | 0:27:16 | 0:27:19 | |
You mean to tell me there are people trapped in one of those containers? | 0:27:22 | 0:27:26 | |
If you let me go, I can find them, I know it. | 0:27:26 | 0:27:29 | |
Stop... Wait! | 0:27:32 | 0:27:34 | |
I can't go back! Please! | 0:27:34 | 0:27:36 | |
Get on the horn to the coastguard, the navy - anyone with a boat. | 0:27:37 | 0:27:40 | |
I want people out scouring those coves. | 0:27:40 | 0:27:42 | |
Derek, call Search and Rescue, will you? | 0:27:42 | 0:27:45 | |
-I want that chopper up in the air. -OK. -I can't believe this. | 0:27:45 | 0:27:47 | |
They've been missing two days. Why didn't he say anything? | 0:27:47 | 0:27:50 | |
Later. Right now we've got 60 miles of coastline to search. | 0:27:50 | 0:27:54 | |
Tam, can you get onto our friends at Dartmouth, please? | 0:27:54 | 0:27:56 | |
I want all hands on deck on this one. | 0:27:56 | 0:27:59 | |
-Do you think there's a chance they're still alive? -I hope so. | 0:27:59 | 0:28:02 | |
Mum? Mick? Are you in there? | 0:28:12 | 0:28:15 | |
Mum? Open up, it's important. | 0:28:21 | 0:28:23 | |
-Yes, dear? -Don't... -Shh! You're in enough trouble already! | 0:28:24 | 0:28:28 | |
-What's wrong? -There's some people missing, | 0:28:28 | 0:28:30 | |
trapped, in one of the containers. | 0:28:30 | 0:28:32 | |
Mick knows the coast better than most. I thought he might help. | 0:28:32 | 0:28:35 | |
Do you hear that, Mick? People missing, Jane says. | 0:28:35 | 0:28:38 | |
-They need your help. -Oh, for goodness' sake... | 0:28:38 | 0:28:40 | |
I think Mick has something to tell you. | 0:28:40 | 0:28:43 | |
I didn't know this was here. | 0:28:47 | 0:28:48 | |
Yep. Use it for storage. | 0:28:48 | 0:28:49 | |
You know, keep bits and bobs I don't want cluttering up the pub. | 0:28:49 | 0:28:52 | |
Bits and bobs, eh? I'll remember that. | 0:28:52 | 0:28:56 | |
Now...try to resist the urge to arrest me, all right? | 0:28:56 | 0:29:00 | |
Don't panic, don't panic. It's OK. Don't panic. | 0:29:03 | 0:29:07 | |
They're friends... | 0:29:07 | 0:29:08 | |
PEOPLE MURMUR | 0:29:08 | 0:29:09 | |
..sort of. | 0:29:09 | 0:29:10 | |
-Mick?! -I know. It was a bit of a shock when I found them. | 0:29:14 | 0:29:16 | |
But I got them blankets, food, drink. | 0:29:16 | 0:29:19 | |
Have you contacted the authorities? | 0:29:19 | 0:29:21 | |
Hey? I've never dobbed anyone in my life! | 0:29:21 | 0:29:23 | |
I ain't going to start now with this lot. | 0:29:23 | 0:29:25 | |
Have you talked to them? Do any of them speak English? | 0:29:25 | 0:29:28 | |
Better than I speak Arabic, that's for sure. | 0:29:28 | 0:29:30 | |
That chap there's a doctor, I think, | 0:29:30 | 0:29:32 | |
and the rest of them are farmers, mainly. | 0:29:32 | 0:29:34 | |
Mick, why didn't you tell me? | 0:29:34 | 0:29:36 | |
I've got this massive search and rescue operation going on! | 0:29:36 | 0:29:38 | |
Yeah, and what would you have done? Hand them straight to Border Force, | 0:29:38 | 0:29:42 | |
-I expect. Then they'd've been sent back home. -And you're planning on | 0:29:42 | 0:29:44 | |
keeping them here for ever, are you? Mick's tree-house | 0:29:44 | 0:29:47 | |
-in Never Never Land? -No, I got a plan! | 0:29:47 | 0:29:49 | |
I called a charity that asks for asylum for people. | 0:29:49 | 0:29:53 | |
-They'll be here in a couple of hours. -Oh, no. These are illegal immigrants. I have to report this. | 0:29:53 | 0:29:57 | |
Right, and then they just get sent back to the country they've just escaped from. | 0:29:57 | 0:30:00 | |
And I'm sorry about that, but my bosses take this seriously. This is well above my pay-grade. | 0:30:00 | 0:30:04 | |
Yeah, we got rules here and all. | 0:30:04 | 0:30:06 | |
This is a safe harbour for ships in distress. | 0:30:06 | 0:30:08 | |
Always has been. These people are under my roof now. | 0:30:08 | 0:30:12 | |
Davey, they nearly died trying to get here. | 0:30:12 | 0:30:16 | |
Yeah, I know that. | 0:30:16 | 0:30:17 | |
This charity only needs a few hours to get their ducks in a row, | 0:30:17 | 0:30:21 | |
then this sorry lot has a chance. | 0:30:21 | 0:30:23 | |
All right, I'll hold off reporting this until | 0:30:28 | 0:30:31 | |
they've had a chance to do their thing, all right? | 0:30:31 | 0:30:33 | |
But, for heaven's sake, get a decent meal inside 'em, will you? | 0:30:33 | 0:30:36 | |
Mick's burgers are enough to make anyone want to throw | 0:30:36 | 0:30:39 | |
-themselves back in the sea. -Oh, very nice. | 0:30:39 | 0:30:41 | |
Everything's going to be all right, promise. All right? | 0:30:42 | 0:30:46 | |
All right. Keep quiet. | 0:30:46 | 0:30:47 | |
I'm not stopping. | 0:31:08 | 0:31:10 | |
Have you seen what number seven's doing? Strutting around like that. | 0:31:10 | 0:31:13 | |
It's shameless. | 0:31:13 | 0:31:14 | |
Gran, this one's mine. Why's it in your wardrobe? | 0:31:14 | 0:31:16 | |
No, no, that one, that's for me. I gave you that lovely dress. | 0:31:16 | 0:31:20 | |
Which one's more me? Black leather or girlie flowers? | 0:31:20 | 0:31:22 | |
It's nice to come home and relax after a hard day. | 0:31:22 | 0:31:25 | |
Mum, she took my jacket! | 0:31:25 | 0:31:26 | |
Look, I'm sure there's plenty for both of you. Make-up, | 0:31:26 | 0:31:28 | |
designer clothes, Greek statues. It's like the duty-free lounge of Olympus. | 0:31:28 | 0:31:32 | |
Exactly. There's plenty of clothes for you, young lady. | 0:31:32 | 0:31:34 | |
-Respect your elders. -Then act your age, Madonna. -Oi! | 0:31:34 | 0:31:36 | |
How was your day, Jane? Well, I just got back from rescuing | 0:31:36 | 0:31:39 | |
a dozen refugees who travelled halfway across the world in a 20x8-foot steel box. | 0:31:39 | 0:31:44 | |
I helped with that. A bit. | 0:31:44 | 0:31:45 | |
Washed up, just the clothes on their back. | 0:31:45 | 0:31:47 | |
I don't really need this. | 0:31:49 | 0:31:51 | |
Brubaker said there was a logo on the jacket. | 0:31:54 | 0:31:57 | |
Who said what now? | 0:31:57 | 0:31:59 | |
The griffin - eagle's head. I should've thought of it sooner. | 0:31:59 | 0:32:03 | |
Thanks! | 0:32:03 | 0:32:04 | |
Thanks for coming out here. | 0:32:06 | 0:32:07 | |
-You row, don't you? -Yes. | 0:32:08 | 0:32:10 | |
Is that your team jacket? | 0:32:10 | 0:32:11 | |
The Plymouth Griffins. | 0:32:11 | 0:32:14 | |
I ask because a witness saw Ian arguing with a woman, | 0:32:14 | 0:32:17 | |
right here, just before he died. | 0:32:17 | 0:32:18 | |
The description has your jacket down to a T. | 0:32:18 | 0:32:21 | |
What? You think it was me? That's ridiculous. | 0:32:22 | 0:32:25 | |
Not if it's true. | 0:32:25 | 0:32:27 | |
Look...I can't talk about it. | 0:32:31 | 0:32:32 | |
Andrea, you look like you haven't slept in days. | 0:32:32 | 0:32:35 | |
You can talk to me. | 0:32:35 | 0:32:36 | |
Ian and I, we were... | 0:32:38 | 0:32:40 | |
In my line of work, you don't meet very many good men. | 0:32:41 | 0:32:44 | |
Just exciting ones. My marriage is... | 0:32:44 | 0:32:47 | |
You were having an affair? | 0:32:47 | 0:32:49 | |
The whole cliche. Hotel rooms, dirty phone calls. | 0:32:51 | 0:32:54 | |
All that rubbish. | 0:32:54 | 0:32:55 | |
Then I found out about the human trafficking. | 0:32:56 | 0:32:59 | |
I wish I hadn't. | 0:32:59 | 0:33:01 | |
So I followed him here, tried to talk some sense into him. | 0:33:01 | 0:33:03 | |
You could've told me this earlier. | 0:33:03 | 0:33:05 | |
I didn't want to lose my job. | 0:33:05 | 0:33:07 | |
Rule number one - don't date the ex-cons. | 0:33:07 | 0:33:10 | |
Rule number two being what? Keep quiet while innocent people | 0:33:10 | 0:33:13 | |
are trapped in a giant, steel coffin somewhere? | 0:33:13 | 0:33:15 | |
Ian might not have had a choice, you know. Those trafficking gangs - | 0:33:17 | 0:33:20 | |
they're a different breed. What if he was scared? | 0:33:20 | 0:33:23 | |
Scared of what they'd do to him if he messed up. | 0:33:23 | 0:33:25 | |
Maybe he should've thought about that before jumping into bed with them. | 0:33:25 | 0:33:28 | |
Andrea was a dead-end. We need to talk to Hess again. | 0:33:33 | 0:33:36 | |
No chance. He's surrounded by his defence barristers. | 0:33:36 | 0:33:39 | |
300 quid for a pair of shoes' types, courtesy of Mr Naseby. | 0:33:39 | 0:33:42 | |
I'm just protecting my employee. | 0:33:42 | 0:33:45 | |
Mr Hess is in a vulnerable state. | 0:33:45 | 0:33:47 | |
I don't want him manipulated into bringing my company into disrepute. | 0:33:47 | 0:33:50 | |
You do realise this makes you look like you're trying to cover up your involvement in smuggling? | 0:33:50 | 0:33:54 | |
That's exactly the sort of misguided accusation that I'm here to avoid. | 0:33:54 | 0:33:58 | |
He's got a point, though, hasn't he? | 0:33:58 | 0:33:59 | |
Trafficking gangs are pretty dangerous. | 0:33:59 | 0:34:01 | |
I don't think I'd want any links to them being made public. | 0:34:01 | 0:34:04 | |
Can you imagine what happens to those who fail them? | 0:34:04 | 0:34:06 | |
What? Like losing a cargo of people, you mean? | 0:34:06 | 0:34:09 | |
Another slur like that, sergeant, | 0:34:09 | 0:34:10 | |
-and you'll need a lawyer of your own. -He has one. | 0:34:10 | 0:34:13 | |
My people are expediting the bail process as we speak. | 0:34:15 | 0:34:19 | |
Mr Hess will be out by the end of the day. | 0:34:19 | 0:34:21 | |
Afternoon. | 0:34:21 | 0:34:23 | |
So, what happened on the beach? | 0:34:32 | 0:34:34 | |
Did you go down there to steal for Abby? Or to cheat on her? | 0:34:37 | 0:34:40 | |
Or to find your missing cargo? | 0:34:42 | 0:34:44 | |
See, I want to like you. | 0:34:47 | 0:34:49 | |
Send you off with some dignity. | 0:34:51 | 0:34:53 | |
But you're not giving me much to go on, are you? | 0:34:53 | 0:34:56 | |
OK. One more chance. | 0:35:09 | 0:35:11 | |
More like it, isn't it? | 0:35:28 | 0:35:30 | |
I suspect you'll get in a lot of trouble with your bosses | 0:35:30 | 0:35:33 | |
if they find out you've been helping shelter illegal refugees. | 0:35:33 | 0:35:36 | |
I'll just blame you. Say you're a bad influence. | 0:35:36 | 0:35:38 | |
Speaking of which, I want to see Brent. | 0:35:38 | 0:35:40 | |
No can do, I'm afraid. | 0:35:40 | 0:35:42 | |
I've got Naseby's shysters camped out at the station, | 0:35:42 | 0:35:44 | |
running the clock down until Brent's released. | 0:35:44 | 0:35:46 | |
He seemed genuinely concerned about these people. | 0:35:46 | 0:35:49 | |
-You think you can get him to talk? -Will you let me try? | 0:35:49 | 0:35:52 | |
Come on, then. Like I said. Bad influence. | 0:35:52 | 0:35:55 | |
I'll just be a minute. | 0:36:04 | 0:36:05 | |
-What the...?! -Fancy running into you here. Listen, we found them. | 0:36:16 | 0:36:20 | |
All the refugees, they're safe and sound. Thank God. | 0:36:20 | 0:36:23 | |
We don't have much time. I don't want to bury Ian as a villain. | 0:36:23 | 0:36:26 | |
I think he's worth more than that, and I think you are, too. | 0:36:26 | 0:36:29 | |
-He was. -OK, so tell me. | 0:36:29 | 0:36:31 | |
When he got out, he was dead set on going straight. | 0:36:31 | 0:36:34 | |
-For his girl. -So he wasn't a smuggler? | 0:36:34 | 0:36:37 | |
No. He stayed legit. | 0:36:37 | 0:36:39 | |
I was the one that ballsed it all up. | 0:36:39 | 0:36:42 | |
So what happened on the beach? What was he doing there? | 0:36:42 | 0:36:44 | |
-I... I can't. -Come on! | 0:36:44 | 0:36:45 | |
Do you want his girlfriend thinking he was a slave trader? | 0:36:45 | 0:36:48 | |
BANG ON DOOR | 0:36:48 | 0:36:50 | |
If I talk, my boss puts me away. | 0:36:53 | 0:36:55 | |
You haven't a clue what it's like in there! | 0:36:55 | 0:36:57 | |
I promise you I will do everything I can to help you. | 0:36:57 | 0:37:00 | |
What can you do? You're just a coroner. | 0:37:00 | 0:37:02 | |
It means I get the last word on Ian. | 0:37:02 | 0:37:05 | |
What do you want that to be? | 0:37:05 | 0:37:07 | |
I'm out. | 0:37:09 | 0:37:11 | |
I kept quiet! | 0:37:12 | 0:37:13 | |
I know where the cargo is. | 0:37:14 | 0:37:16 | |
You can still have your goods, but we don't have long. | 0:37:17 | 0:37:20 | |
-Were you followed? -I don't think so. | 0:37:42 | 0:37:46 | |
Where are they? | 0:37:46 | 0:37:48 | |
Over there. | 0:37:48 | 0:37:49 | |
They're in the village pub? | 0:37:49 | 0:37:52 | |
I thought you meant they were still locked up. How the hell are we supposed to get to them? | 0:37:52 | 0:37:56 | |
You haven't got a clue, do you? | 0:37:56 | 0:37:59 | |
The people I work for - we work for - are killers. | 0:37:59 | 0:38:03 | |
And the minute there's a problem, they'll close the loop. | 0:38:03 | 0:38:06 | |
And now we are the problem because of you! | 0:38:06 | 0:38:09 | |
Who's that? You were followed, you fool! | 0:38:11 | 0:38:14 | |
Miss Matteo. | 0:38:23 | 0:38:25 | |
Just when I think I've seen the worst of human nature, | 0:38:25 | 0:38:27 | |
someone like you comes along and proves me wrong. | 0:38:27 | 0:38:30 | |
I thought... Oh, thank goodness. | 0:38:30 | 0:38:33 | |
Don't thank me. | 0:38:33 | 0:38:35 | |
You're going to spend a long time in a small box. | 0:38:35 | 0:38:37 | |
But don't worry. It'll be a darn site more comfortable than | 0:38:37 | 0:38:40 | |
the one you locked those people in. | 0:38:40 | 0:38:41 | |
The coroner will be sitting in on this, as this relates to her case. | 0:38:47 | 0:38:50 | |
If you want protection from the gangs, | 0:38:52 | 0:38:54 | |
I suggest you tell us everything. | 0:38:54 | 0:38:56 | |
I didn't mean to kill him. | 0:38:58 | 0:38:59 | |
You mean your lover? | 0:38:59 | 0:39:01 | |
I'm sorry I lied about that. I was scared. | 0:39:02 | 0:39:05 | |
I still am. | 0:39:05 | 0:39:06 | |
Scared of who? | 0:39:06 | 0:39:08 | |
The traffickers. | 0:39:08 | 0:39:09 | |
I'm just a middleman. | 0:39:12 | 0:39:14 | |
They have the money. I have access to ex-cons | 0:39:14 | 0:39:17 | |
that I can manipulate, like Hess, | 0:39:17 | 0:39:18 | |
and jobs in the port I can put them in. | 0:39:18 | 0:39:21 | |
The night the boat capsized, Brent called me. | 0:39:21 | 0:39:23 | |
Said he was worried about the refugees drowning, | 0:39:23 | 0:39:26 | |
wanted to go save them. I told him no, but he went anyway. | 0:39:26 | 0:39:29 | |
'I had to stop the idiot before he got us locked up, or worse.' | 0:39:30 | 0:39:35 | |
So you left those refugees there to die? | 0:39:35 | 0:39:38 | |
I left it to fate. | 0:39:38 | 0:39:40 | |
When I got to Lighthaven, I found Ian. | 0:39:42 | 0:39:45 | |
Brent had called him, told him everything, | 0:39:45 | 0:39:47 | |
and he'd run out at five in the morning to help his friend. | 0:39:47 | 0:39:49 | |
He hadn't called your lot straightaway, so I guess he didn't | 0:39:51 | 0:39:54 | |
believe what he was hearing, until he saw me standing there. | 0:39:54 | 0:39:56 | |
Ian, wait! Wait! | 0:39:56 | 0:39:58 | |
'We had a row. He wouldn't listen to me. | 0:39:58 | 0:40:01 | |
'He wanted to wake everyone up, and start a search. | 0:40:03 | 0:40:06 | |
'I kept telling him that these traffickers want their privacy. | 0:40:06 | 0:40:09 | |
'And it's better that the refugees don't turn up, | 0:40:09 | 0:40:11 | |
'or it'll be us that disappears.' | 0:40:11 | 0:40:13 | |
'What happened on the beach?' | 0:40:15 | 0:40:17 | |
He went looking for Brent. | 0:40:18 | 0:40:19 | |
'I followed him, pleading. He wouldn't listen.' | 0:40:19 | 0:40:24 | |
Started dialling on his phone. I... | 0:40:24 | 0:40:26 | |
I panicked. | 0:40:26 | 0:40:28 | |
There were these hard-case boxes spilling out of a container. | 0:40:28 | 0:40:31 | |
'I picked one up and... | 0:40:31 | 0:40:32 | |
'I didn't mean to... | 0:40:32 | 0:40:34 | |
'I made it look like a box had fallen and hit him. | 0:40:40 | 0:40:43 | |
'And the tide was coming in fast. | 0:40:43 | 0:40:45 | |
'I thought it would wash away the evidence. | 0:40:45 | 0:40:47 | |
'And of course no-one would look closely at a lifelong criminal | 0:40:47 | 0:40:50 | |
'falling back on old habits, right?' | 0:40:50 | 0:40:53 | |
And if the refugees were discovered, Ian was the perfect person | 0:40:53 | 0:40:56 | |
to take the blame - someone who could never answer back. | 0:40:56 | 0:40:59 | |
DOORBELL RINGS | 0:41:15 | 0:41:17 | |
Oh. Hello, Davey. Looking for Jane? | 0:41:24 | 0:41:27 | |
Mrs Kennedy, this is Mrs Slithe, | 0:41:27 | 0:41:30 | |
she is the legal representative from the Maritime Authority. | 0:41:30 | 0:41:33 | |
And she is here to collect all items recently salvaged. | 0:41:33 | 0:41:36 | |
Oh. Hello. | 0:41:37 | 0:41:39 | |
As mentioned, any salvage not reported shall be considered theft. | 0:41:39 | 0:41:42 | |
And the perpetrators will be prosecuted | 0:41:42 | 0:41:44 | |
to the full extent of the law. | 0:41:44 | 0:41:46 | |
Theft, you say? My goodness. The thing is... | 0:41:46 | 0:41:49 | |
But as I was saying to Mrs Slithe here, | 0:41:49 | 0:41:52 | |
you were just merely holding on to these things for safe-keeping. | 0:41:52 | 0:41:55 | |
What? | 0:41:55 | 0:41:56 | |
-Oh, yeah, that's right. Anything to help. -See, Judith isn't the type | 0:41:56 | 0:41:59 | |
of person that would take something that doesn't belong to her. | 0:41:59 | 0:42:02 | |
-Are you Judith? -Oh, heavens, no. -No. | 0:42:02 | 0:42:05 | |
I mean, only a complete idiot would think you'd get away with | 0:42:05 | 0:42:08 | |
something like that. | 0:42:08 | 0:42:09 | |
Yes, they would. | 0:42:09 | 0:42:10 | |
All right, then. | 0:42:10 | 0:42:11 | |
Me and Jim here will help you carry the stuff out. | 0:42:11 | 0:42:14 | |
All right? | 0:42:14 | 0:42:15 | |
Davey. | 0:42:15 | 0:42:17 | |
Jim. | 0:42:18 | 0:42:19 | |
Mrs Slithe. | 0:42:20 | 0:42:22 | |
After all that... | 0:42:25 | 0:42:28 | |
he never lied to me. | 0:42:28 | 0:42:29 | |
This belongs to you. | 0:42:32 | 0:42:34 | |
All those terrible things people said he'd done. | 0:42:38 | 0:42:42 | |
I almost believed them. | 0:42:42 | 0:42:44 | |
I had my doubts, too, but I found this in his wallet. | 0:42:44 | 0:42:48 | |
It's a receipt for the ring, bought and paid for. | 0:42:49 | 0:42:53 | |
He never lied to you. | 0:42:55 | 0:42:56 | |
Oh, Ian. | 0:42:58 | 0:42:59 | |
All rise for Her Majesty's Coroner. | 0:43:48 | 0:43:50 |