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SCREAMING AND SOBBING | 0:00:07 | 0:00:09 | |
TEARING | 0:00:09 | 0:00:12 | |
You made it, then? Should have sent a man for you. | 0:01:44 | 0:01:48 | |
I didn't need a man, I had Clint. | 0:01:48 | 0:01:50 | |
I heard that. | 0:01:50 | 0:01:51 | |
-All right, Don, clear to go in? -Yeah. Help yourself. | 0:01:52 | 0:01:55 | |
Shall we? | 0:01:55 | 0:01:57 | |
Er, no thanks. It's just, the adult ones are bad enough. | 0:01:57 | 0:02:01 | |
Yeah, all right. | 0:02:01 | 0:02:02 | |
See you later. | 0:02:02 | 0:02:05 | |
Over there. | 0:02:06 | 0:02:09 | |
Thanks. | 0:02:11 | 0:02:13 | |
So small. | 0:02:21 | 0:02:23 | |
Wrapped in 1970s newspaper. | 0:02:25 | 0:02:27 | |
Elderly couple lived here way back in the '60's, | 0:02:27 | 0:02:29 | |
but it's been empty since. | 0:02:29 | 0:02:31 | |
And way off the beaten track. | 0:02:32 | 0:02:34 | |
Condemned - due to coastal erosion. | 0:02:34 | 0:02:37 | |
A couple more years and the sea would probably have it. | 0:02:37 | 0:02:41 | |
Bury the evidence forever. | 0:02:41 | 0:02:43 | |
Well, it looks newborn, or near enough. | 0:02:45 | 0:02:47 | |
And if the birth happened way out here in the middle of nowhere, | 0:02:47 | 0:02:51 | |
then the mum would have been pretty frightened... | 0:02:51 | 0:02:55 | |
confused. | 0:02:55 | 0:02:57 | |
Managed to hide the body, though, didn't she? | 0:02:57 | 0:03:00 | |
That kind of suggests foul play. | 0:03:00 | 0:03:03 | |
Well, not necessarily. We don't know the circumstances. | 0:03:03 | 0:03:06 | |
Childbirth can be pretty traumatic. | 0:03:06 | 0:03:08 | |
You know women don't have an easy ride. | 0:03:09 | 0:03:11 | |
-Yeah, neither do men, having to put up with them. -Ha! | 0:03:11 | 0:03:14 | |
Must have been pretty nice here, once upon a time. | 0:03:18 | 0:03:21 | |
Poor little thing, abandoned in such a lonely place. | 0:03:21 | 0:03:26 | |
Yeah. What sort of person does that, eh? | 0:03:28 | 0:03:32 | |
WHIRRING OF PROPELLERS | 0:03:50 | 0:03:53 | |
-TV: -Remains of the baby were found early this morning, | 0:03:56 | 0:04:00 | |
hidden in a condemned cottage at Bluff Point. | 0:04:00 | 0:04:03 | |
Demolition workers onsite said that the remains had been sealed | 0:04:03 | 0:04:07 | |
up in a small nook in a chimney breast. | 0:04:07 | 0:04:10 | |
Police are yet to identify, but a forensic investigation is underway. | 0:04:10 | 0:04:15 | |
Detective Sergeant Higgins said that the... | 0:04:15 | 0:04:17 | |
It's not much to go on. | 0:04:20 | 0:04:22 | |
Sex is undetermined, maybe a month premature, but perfectly formed. | 0:04:22 | 0:04:26 | |
Apart from the broken ribs. | 0:04:26 | 0:04:29 | |
Well, there's no way to tell whether that happened post mortem. | 0:04:29 | 0:04:32 | |
Or prior to death. | 0:04:32 | 0:04:34 | |
You know, the longer I do this job, | 0:04:34 | 0:04:35 | |
the more I realise some people just shouldn't be allowed to have kids. | 0:04:35 | 0:04:39 | |
Well, at least we got a date. | 0:04:41 | 0:04:42 | |
Yeah, 1976. Decades back, so DNA's doubtful. | 0:04:44 | 0:04:48 | |
Well, a full nuclear they said, but we might get something from | 0:04:48 | 0:04:52 | |
the bone marrow, and the baby had hair. | 0:04:52 | 0:04:54 | |
Actually, Clint, can you get the lab to put a rush on that, please? | 0:04:54 | 0:04:57 | |
-Yeah, on it. -Thanks. | 0:04:57 | 0:05:00 | |
So there's a chance we'll get mitochondrial DNA to check | 0:05:00 | 0:05:03 | |
against potential mothers. | 0:05:03 | 0:05:04 | |
Good. Cos it's the mother we're after. | 0:05:04 | 0:05:07 | |
CHILDREN SHOUT | 0:05:09 | 0:05:11 | |
-CAR RADIO: -..it may have been there for up to 40 years... | 0:05:11 | 0:05:13 | |
We won't be going at all at this rate! | 0:05:13 | 0:05:15 | |
..hidden in a cottage which has been derelict since the 1960s. | 0:05:15 | 0:05:18 | |
Shush! Shush! Shush! | 0:05:18 | 0:05:20 | |
..Police say that although the condition of the baby's | 0:05:20 | 0:05:23 | |
remains makes determining cause of death difficult, they have | 0:05:23 | 0:05:26 | |
reason to suspect foul play. Talking to reporters... | 0:05:26 | 0:05:28 | |
Detective Sgt Higgins said the police are appealing for information. | 0:05:28 | 0:05:33 | |
The national information line number is... | 0:05:33 | 0:05:36 | |
TURNS RADIO OFF | 0:05:36 | 0:05:38 | |
I just don't see why it's always the woman's fault. | 0:05:55 | 0:05:58 | |
Yeah, me neither. | 0:05:58 | 0:05:59 | |
In your case, because you got caught. You've missed a bit. | 0:05:59 | 0:06:02 | |
-Grounded again? -Yes. -Yep. | 0:06:02 | 0:06:04 | |
Still rolling in at all hours, | 0:06:04 | 0:06:06 | |
so I have had to leave her in the care of a responsible adult. | 0:06:06 | 0:06:09 | |
I'm not saying it's definitely the mother. | 0:06:10 | 0:06:13 | |
Just, if that baby was newborn then she must have been part of | 0:06:13 | 0:06:15 | |
what happened. | 0:06:15 | 0:06:17 | |
-Yeah. Or maybe the father or someone else. -Yeah, no-one reported it missing, did they? | 0:06:17 | 0:06:20 | |
What mother's not going do that, unless she did it? | 0:06:20 | 0:06:23 | |
Lonely old place, that cottage. | 0:06:23 | 0:06:26 | |
HE SNIFFS | 0:06:26 | 0:06:27 | |
Touch of the man-flu? | 0:06:27 | 0:06:29 | |
Touch of the Ebola, more like. | 0:06:29 | 0:06:30 | |
As generously shared by your mother last week - along with her | 0:06:30 | 0:06:34 | |
delectables. | 0:06:34 | 0:06:35 | |
You know it, then, Mick? Bluff Point? | 0:06:35 | 0:06:38 | |
Yeah. My old man used to do jobs up | 0:06:38 | 0:06:40 | |
there back in the '60s when I was a nipper. | 0:06:40 | 0:06:43 | |
Nice old couple, but miles from anywhere. | 0:06:43 | 0:06:46 | |
Apart from that great big old house up on the hill. | 0:06:46 | 0:06:49 | |
Who was living there then? | 0:06:49 | 0:06:51 | |
Uh, yeah... | 0:06:51 | 0:06:53 | |
Grey... something, Greyvale? Ron Tate's old place. | 0:06:53 | 0:06:56 | |
Shut down late '70s? | 0:06:56 | 0:07:00 | |
Children's home. | 0:07:00 | 0:07:02 | |
Right. I might see if I can turn up some contact details, | 0:07:03 | 0:07:05 | |
see if there's anyone still around. | 0:07:05 | 0:07:07 | |
I might take a spin past. | 0:07:07 | 0:07:09 | |
-Where's my super-strength Day Nurse? -Cancel my chips, Mum. | 0:07:09 | 0:07:11 | |
BLOWS NOSE LOUDLY | 0:07:11 | 0:07:14 | |
Hi, Clint, did you get hold of the lab? | 0:07:21 | 0:07:23 | |
And any progress on the Grosvenor court date? | 0:07:26 | 0:07:28 | |
Listen, see if you can find any council records on | 0:07:30 | 0:07:32 | |
a Greyvale Children's Home, will you? | 0:07:32 | 0:07:35 | |
Yep, that's it. Active in the '70s. | 0:07:35 | 0:07:37 | |
Just anything you can turn up, really. | 0:07:38 | 0:07:42 | |
DOG BARKS | 0:07:42 | 0:07:44 | |
What're you after? | 0:07:46 | 0:07:49 | |
-RADIO: -..police are appealing for any information from locals... | 0:07:49 | 0:07:52 | |
I know... | 0:07:52 | 0:07:54 | |
I know I just have to find the right time. | 0:07:54 | 0:07:58 | |
'..the remains have yet to be identified but speculation is...' | 0:07:58 | 0:08:01 | |
OK. OK. | 0:08:01 | 0:08:03 | |
'..any information should be directed to the police either | 0:08:03 | 0:08:07 | |
'locally or on the national crime number...' | 0:08:07 | 0:08:09 | |
They know. | 0:08:09 | 0:08:11 | |
Pull! | 0:08:12 | 0:08:13 | |
Seems to be working fine! | 0:08:15 | 0:08:18 | |
Perhaps a touch of performance anxiety? | 0:08:20 | 0:08:22 | |
Quite a place you've got. | 0:08:25 | 0:08:28 | |
Yes, of course it's open to the masses these days, | 0:08:28 | 0:08:32 | |
traipsing through the Great Hall. | 0:08:32 | 0:08:35 | |
But it pays the bills! | 0:08:35 | 0:08:38 | |
So, Greyvale? You were listed on an old police database as... | 0:08:38 | 0:08:41 | |
Yes, a Trustee. Yes. | 0:08:41 | 0:08:44 | |
-Pull! -GUNSHOTS | 0:08:44 | 0:08:45 | |
Always getting myself "volunteered" for worthy causes. | 0:08:45 | 0:08:49 | |
Price of being a straight shooter, I suppose. | 0:08:49 | 0:08:51 | |
So what can you tell me about the place? | 0:08:51 | 0:08:54 | |
Gosh, now we're going back. | 0:08:54 | 0:08:57 | |
Well, it seemed well-run, insofar as I could tell. Ron... | 0:09:00 | 0:09:06 | |
Ron Tate, the manager. | 0:09:06 | 0:09:09 | |
He seemed to like a free hand, as I recall. | 0:09:09 | 0:09:15 | |
And what about the kids? | 0:09:15 | 0:09:17 | |
Any troubled girls in particular, getting themselves into bother? | 0:09:17 | 0:09:21 | |
Well, of course they were all vulnerable by definition, but... | 0:09:21 | 0:09:25 | |
GUNSHOTS CONTINUE | 0:09:25 | 0:09:27 | |
..I can't remember any names. | 0:09:27 | 0:09:30 | |
It's been so long ago. | 0:09:30 | 0:09:32 | |
All lost in the mists of time. | 0:09:32 | 0:09:35 | |
-Pull! -GUNSHOTS | 0:09:35 | 0:09:39 | |
No! No, no! Go back. | 0:09:39 | 0:09:44 | |
Do excuse me, they cannot be left unattended. | 0:09:46 | 0:09:50 | |
Oh, if you see old Ron, tell him Charles Gower says hello. | 0:09:53 | 0:09:59 | |
So you're Ron Tate's son? | 0:10:03 | 0:10:06 | |
Phil. Greyvale closed yonks back. | 0:10:06 | 0:10:09 | |
Yes. | 0:10:09 | 0:10:10 | |
Investment for some yuppy Londoners now. I'm just caretaking. | 0:10:10 | 0:10:15 | |
But you were living here when it was a children's home? | 0:10:15 | 0:10:18 | |
Working. | 0:10:18 | 0:10:20 | |
As what, if you don't mind me asking? | 0:10:20 | 0:10:22 | |
Whatever my dad needed. Handyman mostly. | 0:10:22 | 0:10:26 | |
You would have been a young man yourself then? | 0:10:27 | 0:10:30 | |
And there were teenage girls living here? | 0:10:30 | 0:10:32 | |
Yeah, not that kind of handy. | 0:10:32 | 0:10:36 | |
I don't remember none of them girls being pregnant. | 0:10:36 | 0:10:39 | |
So, where's your dad now? | 0:10:43 | 0:10:45 | |
Nursing home. Not well. | 0:10:46 | 0:10:49 | |
Oh, I'm sorry. Which one? | 0:10:49 | 0:10:52 | |
You deaf? I said he's ill. | 0:10:52 | 0:10:54 | |
It's just possible your dad might remember something you can't. | 0:10:54 | 0:10:58 | |
My dad worked himself into the ground looking after them kids, | 0:10:58 | 0:11:01 | |
so you're not to go bothering him! | 0:11:01 | 0:11:04 | |
I'm sorry, but I have to go where my investigation takes me. | 0:11:04 | 0:11:07 | |
Well, what about records, or notes? | 0:11:12 | 0:11:15 | |
Would your dad have kept anything on Greyvale? | 0:11:15 | 0:11:17 | |
Suppose there might be some old photos in the shed. | 0:11:19 | 0:11:22 | |
No, you watch my dinner, or he'll have it. | 0:11:24 | 0:11:28 | |
DOG GROWLS | 0:11:30 | 0:11:33 | |
LAUGHTER AND CHATTING | 0:11:33 | 0:11:35 | |
Thanks. Mum? | 0:11:35 | 0:11:37 | |
Babe... I think I need a chest rub. | 0:11:37 | 0:11:41 | |
I got that congestion. | 0:11:41 | 0:11:43 | |
You're not the only one. | 0:11:43 | 0:11:44 | |
-Mum. -Wow! What are they wearing?! | 0:11:44 | 0:11:47 | |
-Loons. -Yeah. No kidding. | 0:11:47 | 0:11:49 | |
No, I mean the trousers, silly! | 0:11:49 | 0:11:51 | |
I had a pair in crushed velvet. | 0:11:51 | 0:11:53 | |
My glory days. Gallivanting about, not a care in the world back then. | 0:11:53 | 0:11:57 | |
Babe? | 0:11:57 | 0:11:58 | |
Mum, you were 15 in 1976, weren't you? | 0:11:58 | 0:12:01 | |
D'you know any of these girls? | 0:12:01 | 0:12:03 | |
Got your message. | 0:12:03 | 0:12:05 | |
This Greyvale? | 0:12:05 | 0:12:07 | |
Yeah. | 0:12:07 | 0:12:08 | |
I think these two were in my year. | 0:12:09 | 0:12:12 | |
Karen Shaw. | 0:12:12 | 0:12:15 | |
And Sarah Millar. | 0:12:15 | 0:12:17 | |
Not sure about the other one. | 0:12:17 | 0:12:20 | |
Lucy? May have been the year above. | 0:12:20 | 0:12:23 | |
D'you remember anything about them? | 0:12:23 | 0:12:25 | |
I had me own crowd. | 0:12:25 | 0:12:27 | |
And then I got busy for the next eighteen years, didn't I? | 0:12:27 | 0:12:30 | |
Well, would any of your old crowd know her? | 0:12:30 | 0:12:33 | |
Ooh, I haven't seem 'em for years. | 0:12:33 | 0:12:35 | |
Ask the other two. I think they live local. | 0:12:35 | 0:12:37 | |
Babe, I think I got a temperature now! | 0:12:37 | 0:12:40 | |
Well, you know where to stick the thermometer, don't you! | 0:12:40 | 0:12:43 | |
So, looks like these three girls would be the right age at the | 0:12:43 | 0:12:47 | |
-right time. -Hmm. | 0:12:47 | 0:12:49 | |
Thanks. | 0:12:49 | 0:12:51 | |
Where are you going? Wait. | 0:12:51 | 0:12:53 | |
Davey! | 0:12:54 | 0:12:56 | |
A bit of warning might have been nice. | 0:12:56 | 0:12:59 | |
This is supposed to be a fun day out - | 0:12:59 | 0:13:01 | |
watching your foster mother hunted down by the police isn't fun. | 0:13:01 | 0:13:04 | |
No-one's hunting anyone, love. | 0:13:04 | 0:13:06 | |
I just asked your neighbours where you were. | 0:13:06 | 0:13:08 | |
Well, they shouldn't have said. There's child-protection issues. | 0:13:08 | 0:13:11 | |
Which bring us back to the matter in hand. | 0:13:11 | 0:13:14 | |
Karen, do you recognise this girl from Greyvale? | 0:13:14 | 0:13:16 | |
No, I dunno. | 0:13:23 | 0:13:26 | |
Really? You two look thick as thieves to me. | 0:13:26 | 0:13:29 | |
I can't remember. It was a long time ago. | 0:13:29 | 0:13:31 | |
-Anything else? -Yeah, how about a DNA sample? | 0:13:32 | 0:13:35 | |
Just to rule you out of our enquiries? | 0:13:35 | 0:13:37 | |
I think I'd remember if I'd been pregnant. | 0:13:37 | 0:13:40 | |
I'm sorry, but this is about a baby. | 0:13:40 | 0:13:42 | |
A technician, two seconds and we won't bother you again. | 0:13:42 | 0:13:45 | |
Fine. | 0:13:45 | 0:13:46 | |
Thank you very much. Much obliged. | 0:13:46 | 0:13:49 | |
She has got her hands full. | 0:13:49 | 0:13:51 | |
Yeah. But some people foster for the money, though, don't they? | 0:13:51 | 0:13:55 | |
Maybe she's trying to give them the loving home she never had. | 0:13:55 | 0:13:58 | |
-Or maybe she couldn't have one of her own? -Or maybe she did, and something happened to it? | 0:13:58 | 0:14:02 | |
We've got to do something! | 0:14:07 | 0:14:09 | |
There's nothing we can do. | 0:14:09 | 0:14:11 | |
Here, take these, everything is going to be OK. | 0:14:11 | 0:14:15 | |
No, it's not! How's it ever going to be OK again? | 0:14:15 | 0:14:18 | |
They don't know anything. There is nothing to connect us. | 0:14:18 | 0:14:22 | |
KNOCK AT DOOR | 0:14:23 | 0:14:25 | |
Go in. | 0:14:25 | 0:14:28 | |
Hello. | 0:14:35 | 0:14:37 | |
Sorry to bother you. I'm DS Higgins. | 0:14:37 | 0:14:39 | |
This is my colleague, Jane Kennedy, the Lighthaven coroner. | 0:14:39 | 0:14:42 | |
-We're looking for a Sarah Millar. -W-What's this about? | 0:14:42 | 0:14:46 | |
Headache. | 0:14:52 | 0:14:55 | |
If you'd rather talk without your husband here... | 0:14:55 | 0:14:58 | |
Oh! Sorry... No, Lee's my brother. | 0:14:58 | 0:15:02 | |
I'm just visiting. From the States. | 0:15:02 | 0:15:05 | |
It's horrible... I heard on the news. | 0:15:10 | 0:15:14 | |
But I don't know what I can tell you. | 0:15:14 | 0:15:16 | |
I don't know anything about a baby. | 0:15:16 | 0:15:18 | |
We were hoping you might remember these two girls. | 0:15:18 | 0:15:23 | |
Karen Shaw? | 0:15:23 | 0:15:25 | |
-No. -Yeah. | 0:15:25 | 0:15:27 | |
Were you at Greyvale, too? | 0:15:28 | 0:15:30 | |
Are you in there? | 0:15:33 | 0:15:34 | |
No. I hated having my picture taken back then. | 0:15:36 | 0:15:39 | |
Karen says she doesn't remember you. | 0:15:41 | 0:15:43 | |
It's a lifetime ago, isn't it? | 0:15:44 | 0:15:47 | |
And being in care isn't generally a memory you cherish. | 0:15:47 | 0:15:50 | |
What about this girl? Can you give us a name? | 0:15:54 | 0:15:57 | |
Sorry. | 0:15:59 | 0:16:01 | |
Are you sure? Do you want a closer look? | 0:16:03 | 0:16:06 | |
No, sorry. | 0:16:06 | 0:16:08 | |
Is that it? | 0:16:08 | 0:16:10 | |
We'd like a DNA sample. | 0:16:10 | 0:16:13 | |
To compare with what? It's 40 years ago. | 0:16:13 | 0:16:16 | |
Well, we might get something back. | 0:16:16 | 0:16:19 | |
OK. | 0:16:21 | 0:16:23 | |
Lovely, smashing. Shall we? | 0:16:23 | 0:16:26 | |
She seemed a bit...flaky? | 0:16:35 | 0:16:38 | |
Yeah. Dependent, even. | 0:16:38 | 0:16:40 | |
But she did agree to a DNA test, which suggests nothing to hide. | 0:16:40 | 0:16:43 | |
Karen, too. | 0:16:43 | 0:16:44 | |
We need to ID this third girl. | 0:16:44 | 0:16:46 | |
And seeing as Clint hasn't turned up anything yet, | 0:16:46 | 0:16:49 | |
there's only one person left to ask. | 0:16:49 | 0:16:51 | |
Although Phil Tate's not going to be happy... | 0:16:51 | 0:16:54 | |
It's been a long time. | 0:17:19 | 0:17:21 | |
I need a favour. | 0:17:35 | 0:17:37 | |
No, I'm working on it. | 0:17:43 | 0:17:46 | |
Basically, it's too long ago for current records, | 0:17:46 | 0:17:50 | |
but I am into the council archive room now. | 0:17:50 | 0:17:54 | |
So don't worry, it's all under control. | 0:17:54 | 0:17:57 | |
Yes, I'll see you later. Bye. | 0:17:57 | 0:17:59 | |
Ah, spiders! | 0:18:01 | 0:18:03 | |
Right, nurse said he can't speak much since the stroke. | 0:18:06 | 0:18:09 | |
Mr Tate, | 0:18:14 | 0:18:16 | |
I know communication's difficult, but can you remember this girl? | 0:18:16 | 0:18:21 | |
Her name, perhaps? Or anything about her? | 0:18:21 | 0:18:24 | |
We think one of these girls might have had a baby | 0:18:29 | 0:18:32 | |
when they were living at Greyvale. | 0:18:32 | 0:18:33 | |
We've identified Karen and Sarah. | 0:18:33 | 0:18:36 | |
What about any boyfriends on the scene? | 0:18:42 | 0:18:44 | |
-All right. Thanks, Ron. -Sorry to have bothered you. | 0:18:48 | 0:18:51 | |
Oh. | 0:18:52 | 0:18:54 | |
Charles Gower - sends his regards. | 0:18:54 | 0:18:56 | |
Well, another door closes. | 0:19:05 | 0:19:07 | |
Maybe that's just how it's going to be | 0:19:07 | 0:19:09 | |
until we get something back from the public appeal. | 0:19:09 | 0:19:11 | |
Clint! What've you got? | 0:19:11 | 0:19:13 | |
Really? | 0:19:15 | 0:19:17 | |
Mr Gower. | 0:19:17 | 0:19:18 | |
-Hello. -Can we have a word? | 0:19:20 | 0:19:22 | |
Of course. | 0:19:22 | 0:19:25 | |
Charles Gower. | 0:19:25 | 0:19:26 | |
Jane Kennedy. Coroner for Lighthaven. | 0:19:26 | 0:19:28 | |
Right, Mr Gower, you'll be very pleased to know | 0:19:28 | 0:19:31 | |
we finally managed to track down the council records on Greyvale. | 0:19:31 | 0:19:34 | |
Oh, did you? Splendid! | 0:19:34 | 0:19:36 | |
Yeah, it's not all good news, though, I'm afraid. | 0:19:36 | 0:19:38 | |
Most of the records on residents were flood-damaged. | 0:19:38 | 0:19:41 | |
However, due to the miracle of plastic folders, | 0:19:41 | 0:19:43 | |
other things survived. | 0:19:43 | 0:19:45 | |
Including your resignation letter from 1976, | 0:19:45 | 0:19:47 | |
citing "financial difficulties." | 0:19:47 | 0:19:49 | |
Oh, yes? | 0:19:49 | 0:19:50 | |
Yeah, but the real head-scratcher is | 0:19:50 | 0:19:53 | |
your company records showed a profit. | 0:19:53 | 0:19:55 | |
So I was just wondering where the money went. | 0:19:56 | 0:19:59 | |
Whether someone's holding your feet to the flames over something | 0:19:59 | 0:20:02 | |
-or... -Something at Greyvale? | 0:20:02 | 0:20:03 | |
No, no, no, no, no..! | 0:20:07 | 0:20:09 | |
No, it wasn't like that. | 0:20:09 | 0:20:12 | |
I had what is today called an addiction. | 0:20:14 | 0:20:18 | |
But my father laughingly called "a defect in my moral character." | 0:20:18 | 0:20:24 | |
A defect? | 0:20:24 | 0:20:26 | |
Yes. | 0:20:26 | 0:20:27 | |
Well, gambling. | 0:20:29 | 0:20:31 | |
I got myself into quite a pickle. Had to resign. | 0:20:34 | 0:20:38 | |
Shameful, I know... | 0:20:38 | 0:20:41 | |
But I had nothing to do with this business. | 0:20:41 | 0:20:44 | |
I was merely a trustee, simple as that. | 0:20:44 | 0:20:47 | |
Never hands-on with any of the young people, like... | 0:20:47 | 0:20:51 | |
Like who? | 0:20:51 | 0:20:52 | |
There were rumours, later on, that Greyvale... | 0:20:55 | 0:20:59 | |
wasn't so well run by the family concerned, | 0:20:59 | 0:21:04 | |
and HAD to close. | 0:21:04 | 0:21:07 | |
That's all I know... | 0:21:08 | 0:21:10 | |
Right, OK. Thanks for your time. | 0:21:11 | 0:21:13 | |
-He didn't name any names. -No. But he was clearly talking about the Tates. | 0:21:20 | 0:21:24 | |
Yeah, but which one? Ron or Phil? And either way it's not enough | 0:21:24 | 0:21:27 | |
to bring them in for questioning, is it? And then he clammed up. | 0:21:27 | 0:21:30 | |
Like he was scared, maybe, or holding something back? | 0:21:30 | 0:21:32 | |
Just like everyone else we've talked to. | 0:21:32 | 0:21:34 | |
You think the third girl could be the mother? | 0:21:37 | 0:21:41 | |
She just looks so lost. No-one seems to remember | 0:21:41 | 0:21:44 | |
who she is, or what happened to her. Or the baby. | 0:21:44 | 0:21:48 | |
Two lost souls. | 0:21:49 | 0:21:50 | |
What the hell're you playing at, eh?! I got a call | 0:21:52 | 0:21:55 | |
from my dad's nursing home! They had to sedate him after you left! | 0:21:55 | 0:21:58 | |
All right, all right! Take it easy, my friend! | 0:21:58 | 0:22:00 | |
We were only there for five minutes and he was fine. | 0:22:00 | 0:22:02 | |
I ain't your friend. I told her to stay away. | 0:22:02 | 0:22:05 | |
All right, Come on. Come on. | 0:22:05 | 0:22:07 | |
-You owe me counselling, for the spiders. -Ugh... | 0:22:09 | 0:22:14 | |
-And the women... -There she is! | 0:22:14 | 0:22:17 | |
How are you, my baby? | 0:22:17 | 0:22:19 | |
Still cute and cuddly as the day you were born. | 0:22:19 | 0:22:21 | |
Yeah, and house-trained now. Mum, what are you up to? | 0:22:21 | 0:22:23 | |
Oh, rebelling! Recapturing our lost youth. | 0:22:23 | 0:22:27 | |
Or any other youth. | 0:22:29 | 0:22:30 | |
-All right? -You lot causing trouble? | 0:22:30 | 0:22:32 | |
'70s night at The Captain's Pipe! | 0:22:32 | 0:22:34 | |
You got me thinking. Round up the old gang, | 0:22:34 | 0:22:37 | |
paint the town red like we used to do in the old days! | 0:22:37 | 0:22:40 | |
We were underage back then. | 0:22:41 | 0:22:43 | |
Are they your old school friends? | 0:22:43 | 0:22:45 | |
Tina's still got her old disco tapes. | 0:22:45 | 0:22:47 | |
We're off now for a few more bevvies and a boogie. | 0:22:47 | 0:22:50 | |
I'll give you girls a lift. | 0:22:50 | 0:22:51 | |
Come on, you can save your platforms for Barry White. | 0:22:52 | 0:22:56 | |
Great idea! | 0:22:56 | 0:22:57 | |
You always were a good girl. | 0:22:59 | 0:23:02 | |
Yeah. We'll catch up on the good old days. | 0:23:02 | 0:23:04 | |
Look at some old photos. | 0:23:04 | 0:23:06 | |
I see you, Davey. | 0:23:06 | 0:23:09 | |
WOMEN CONTINUE CACKLING | 0:23:09 | 0:23:11 | |
It's OK, Dad. I've sorted the police. | 0:23:19 | 0:23:22 | |
They won't be bothering you again. | 0:23:22 | 0:23:24 | |
Lee? | 0:23:41 | 0:23:43 | |
Lee who? | 0:23:43 | 0:23:44 | |
But... | 0:23:48 | 0:23:50 | |
did you...? | 0:23:50 | 0:23:51 | |
It's all OK now, I promise. | 0:23:51 | 0:23:53 | |
We're safe? | 0:23:53 | 0:23:55 | |
Yeah, see? | 0:23:55 | 0:23:57 | |
I made it all go away, like always. | 0:23:57 | 0:24:00 | |
Shh. Come on. | 0:24:01 | 0:24:03 | |
BANGING ON DOOR | 0:24:03 | 0:24:04 | |
Oi! You in there? | 0:24:04 | 0:24:06 | |
I don't know what your game is, | 0:24:06 | 0:24:07 | |
but you stay away from my dad or I'll have you! | 0:24:07 | 0:24:11 | |
(You should leave tonight. | 0:24:20 | 0:24:22 | |
(There's nothing more you can do here. | 0:24:22 | 0:24:25 | |
(Lee!) | 0:24:27 | 0:24:28 | |
WOMEN EXCLAIM EXCITEDLY DISCO MUSIC PLAYS | 0:24:39 | 0:24:42 | |
Davey, it's me again. | 0:25:03 | 0:25:05 | |
Listen, Mum's friend ID'd the third girl, | 0:25:05 | 0:25:07 | |
and I want to hit Sarah with it. | 0:25:07 | 0:25:08 | |
She's obviously the weak link, but I can't split them up on my own. | 0:25:08 | 0:25:11 | |
I need you to call me back. | 0:25:11 | 0:25:13 | |
Look, call me back. | 0:25:16 | 0:25:18 | |
Samson! | 0:25:27 | 0:25:29 | |
Sammy? | 0:25:29 | 0:25:31 | |
Here, boy! | 0:25:31 | 0:25:32 | |
It was Lisa, wasn't it? The third girl. | 0:25:57 | 0:26:00 | |
-Do you remember her now? -No... | 0:26:02 | 0:26:05 | |
Maybe a bit. | 0:26:05 | 0:26:07 | |
-No-one really knew her. -A bit? | 0:26:08 | 0:26:11 | |
She was your sister. | 0:26:11 | 0:26:12 | |
That's what I've heard from your school friends. | 0:26:14 | 0:26:17 | |
-So where is she, Sarah? Where's Lisa? What happened? -I don't know. | 0:26:17 | 0:26:21 | |
-I can't say. -Is it Lee? -No! -Keeping you quiet? | 0:26:21 | 0:26:25 | |
No! Lisa's gone. | 0:26:25 | 0:26:29 | |
-Gone where? -She's dead! | 0:26:29 | 0:26:31 | |
Dead? | 0:26:32 | 0:26:34 | |
How? | 0:26:34 | 0:26:35 | |
Sarah, how? | 0:26:35 | 0:26:37 | |
PARTY MUSIC PLAYS | 0:26:42 | 0:26:44 | |
SHE SNORES | 0:26:45 | 0:26:47 | |
Busted! | 0:26:58 | 0:26:59 | |
My responsible adult. | 0:27:00 | 0:27:02 | |
SNORING CONTINUES | 0:27:02 | 0:27:04 | |
Having a clearout? | 0:27:23 | 0:27:25 | |
It's just we've had a tip-off you might be hiding evidence. | 0:27:27 | 0:27:29 | |
Where are you, Lisa? | 0:27:54 | 0:27:55 | |
Hello? | 0:28:00 | 0:28:01 | |
Hello? | 0:28:04 | 0:28:06 | |
You were caught, bang to rights, my friend, | 0:28:32 | 0:28:34 | |
-with this lock of hair in your shed. -No, I've never seen that before! | 0:28:34 | 0:28:37 | |
The preliminary forensic examination of which suggests it comes from | 0:28:37 | 0:28:40 | |
the hair of that baby. And I'll bet the DNA backs it up. | 0:28:40 | 0:28:42 | |
-I've never seen it! -Then what's it doing in your shed? -I don't know! | 0:28:42 | 0:28:45 | |
KNOCK ON DOOR What?! | 0:28:45 | 0:28:46 | |
All right. | 0:28:53 | 0:28:54 | |
Interview suspended at 10:34. | 0:28:56 | 0:28:58 | |
You have a good think about what you want to say next. | 0:29:00 | 0:29:03 | |
And it better be a darned sight better than "I've been framed." | 0:29:03 | 0:29:06 | |
-What is it? -Did you get my messages? -No, I've been kind of busy here. | 0:29:13 | 0:29:16 | |
I think we need to get CSI back to the cottage | 0:29:16 | 0:29:19 | |
-with ground-penetrating radar. -Why? -Sorry, my messages. | 0:29:19 | 0:29:22 | |
So, mum's friend recognised the third girl. Her name is Lisa. | 0:29:22 | 0:29:25 | |
She was Sarah and Lee's sister. | 0:29:25 | 0:29:28 | |
I just went to confront Sarah with it and she told me | 0:29:29 | 0:29:31 | |
-that Lisa's dead. -Dead? How? | 0:29:31 | 0:29:33 | |
She wouldn't say but, Davey, something's not right. | 0:29:33 | 0:29:37 | |
And then it got me thinking - I know mitochondrial DNA is the same | 0:29:38 | 0:29:42 | |
between sisters, but what if Sarah was the mum, she... | 0:29:42 | 0:29:44 | |
Whoa, Sarah is the mum. The DNA's just come back. | 0:29:44 | 0:29:48 | |
-It's a match. -She would have been underage. | 0:29:48 | 0:29:50 | |
And if the father wasn't, that's rape, | 0:29:50 | 0:29:53 | |
and the baby would have been proof. | 0:29:53 | 0:29:55 | |
So, what if Lisa found out who the father was | 0:29:55 | 0:29:57 | |
and he killed her and the baby to hush it all up? | 0:29:57 | 0:30:00 | |
All right. | 0:30:00 | 0:30:02 | |
OK. | 0:30:02 | 0:30:03 | |
So who are you looking at for the father? | 0:30:03 | 0:30:05 | |
Phil? | 0:30:05 | 0:30:06 | |
He's denying everything, of course. | 0:30:06 | 0:30:08 | |
Said someone drugged his dog and Lee Millar hassled his dad. | 0:30:08 | 0:30:12 | |
Ron? | 0:30:13 | 0:30:15 | |
Wait. I saw someone leaving the nursing home | 0:30:15 | 0:30:17 | |
just before we spoke to Ron. | 0:30:17 | 0:30:19 | |
That could have been Lee. | 0:30:19 | 0:30:21 | |
He was at Greyvale. | 0:30:21 | 0:30:23 | |
And he does seem to be going around keeping everyone quiet. | 0:30:23 | 0:30:26 | |
I mean, Sarah, Ron Tate? | 0:30:26 | 0:30:27 | |
Yeah, but Lee Millar, the dad. | 0:30:27 | 0:30:30 | |
That's incest. | 0:30:30 | 0:30:32 | |
If Lisa found out and was going to tell, | 0:30:34 | 0:30:36 | |
maybe he had to keep her quiet... | 0:30:36 | 0:30:38 | |
permanently. | 0:30:38 | 0:30:39 | |
Well, well. Gang's all here. | 0:30:52 | 0:30:54 | |
Going somewhere? Only I could do with a chat. | 0:31:01 | 0:31:05 | |
I've got a plane to catch. | 0:31:05 | 0:31:07 | |
Oh, right, OK. Don't worry. | 0:31:08 | 0:31:11 | |
We'll talk to your sister instead. | 0:31:11 | 0:31:13 | |
So you do all know each other? | 0:31:22 | 0:31:24 | |
You reminded us, so we got back in touch. | 0:31:24 | 0:31:27 | |
Hm. | 0:31:27 | 0:31:28 | |
We've matched Sarah's DNA to the baby. | 0:31:29 | 0:31:31 | |
No, you haven't. It was 40 years ago. | 0:31:31 | 0:31:33 | |
Yeah, well, DNA's come on a lot. | 0:31:33 | 0:31:35 | |
We know the mother was either Sarah or Lisa. | 0:31:35 | 0:31:37 | |
Yeah, you know your sister... who died? | 0:31:37 | 0:31:39 | |
-Or have you forgotten her again already? -No. | 0:31:39 | 0:31:41 | |
What happened to her, then? Cos there's no record of her death. | 0:31:41 | 0:31:43 | |
-Am I going to find her buried out at that cottage, too? -Leave her alone. | 0:31:43 | 0:31:46 | |
-Is Lisa the mother, Sarah, or are you? -Stop! | 0:31:46 | 0:31:48 | |
-What did you do to that baby? -She didn't do anything! | 0:31:48 | 0:31:51 | |
I went to the cottage. | 0:32:00 | 0:32:02 | |
Someone cared about that baby. | 0:32:07 | 0:32:09 | |
But who left the third? | 0:32:20 | 0:32:21 | |
I did. | 0:32:29 | 0:32:30 | |
Cos it's your baby? | 0:32:34 | 0:32:35 | |
-You were the father. -No. | 0:32:37 | 0:32:38 | |
-You're lying! -Lee, you have to go now. | 0:32:38 | 0:32:41 | |
We know you went to Ron Tate, tried to shut him up. | 0:32:41 | 0:32:43 | |
-Lee, please. -Did you hurt Lisa or that baby? | 0:32:43 | 0:32:46 | |
-I'd never have hurt him. -Him? | 0:32:46 | 0:32:47 | |
Oh, no, no... | 0:32:47 | 0:32:49 | |
How do you know it was a boy? | 0:32:49 | 0:32:52 | |
SOBBING | 0:32:52 | 0:32:53 | |
Because it was your baby. | 0:33:00 | 0:33:02 | |
You were Lisa. | 0:33:05 | 0:33:07 | |
I can't keep doing this. | 0:33:17 | 0:33:19 | |
No more lies. | 0:33:21 | 0:33:22 | |
I was...Lisa... | 0:33:50 | 0:33:53 | |
..once upon a time. | 0:33:55 | 0:33:57 | |
But now I'm Lee. | 0:34:01 | 0:34:02 | |
Like I should have been, from the start. | 0:34:04 | 0:34:07 | |
HE SIGHS | 0:34:12 | 0:34:13 | |
There was a man... | 0:34:19 | 0:34:21 | |
..at Greyvale. | 0:34:25 | 0:34:26 | |
Someone... | 0:34:29 | 0:34:31 | |
we were supposed to be able to trust. | 0:34:31 | 0:34:34 | |
Charles Gower? | 0:34:37 | 0:34:38 | |
We both caught his eye. | 0:34:43 | 0:34:46 | |
We were too young... | 0:34:46 | 0:34:47 | |
and stupid... | 0:34:47 | 0:34:49 | |
..and petrified to tell anyone. | 0:34:50 | 0:34:52 | |
And no adults noticed? | 0:34:54 | 0:34:55 | |
Later on, | 0:34:58 | 0:34:59 | |
Ron guessed. | 0:34:59 | 0:35:00 | |
Apparently... | 0:35:02 | 0:35:04 | |
Gower made threats. | 0:35:04 | 0:35:07 | |
Friends in high places. | 0:35:07 | 0:35:08 | |
Ron knew that if he rocked the boat, | 0:35:10 | 0:35:13 | |
Greyvale would go down, | 0:35:13 | 0:35:14 | |
and all us kids with it. | 0:35:14 | 0:35:16 | |
Ron was one of the good guys. | 0:35:20 | 0:35:21 | |
But I think it broke him, in the end... | 0:35:24 | 0:35:26 | |
..that it happened on his watch. | 0:35:28 | 0:35:30 | |
And he closed the place down anyway, | 0:35:32 | 0:35:35 | |
while Gower swanned off back to his estate. | 0:35:35 | 0:35:38 | |
He could always spot your weakness. | 0:35:40 | 0:35:44 | |
He'd use anything... | 0:35:44 | 0:35:45 | |
..anyone to get what he wanted. | 0:35:47 | 0:35:49 | |
Yeah, I know. | 0:35:51 | 0:35:53 | |
Poor old Ron Tate needed sedating after just hearing his name. | 0:35:53 | 0:35:57 | |
Lisa was always the strong one. | 0:35:59 | 0:36:01 | |
My big sis, looking out for us. | 0:36:02 | 0:36:05 | |
She... | 0:36:06 | 0:36:07 | |
She distracted him. | 0:36:08 | 0:36:10 | |
She took it all on herself. | 0:36:13 | 0:36:14 | |
OK. | 0:36:18 | 0:36:20 | |
Thank you. | 0:36:21 | 0:36:23 | |
It wasn't my "real" body, anyway... | 0:36:31 | 0:36:36 | |
so I didn't care... | 0:36:36 | 0:36:38 | |
..till I realised I was pregnant. | 0:36:40 | 0:36:42 | |
Being sick in the toilets, | 0:36:45 | 0:36:48 | |
them holding my hair out of my eyes. | 0:36:48 | 0:36:50 | |
Nicking big sweaters to hide the bump. | 0:36:50 | 0:36:53 | |
We were going to run away to our secret cottage. | 0:36:55 | 0:36:59 | |
Like Whistle Down the Wind. | 0:36:59 | 0:37:01 | |
Be our own family, like we'd always wanted. | 0:37:01 | 0:37:03 | |
And is that why the baby was born? | 0:37:05 | 0:37:07 | |
QUIET SOBBING | 0:37:09 | 0:37:10 | |
Tom. | 0:37:13 | 0:37:14 | |
And he was perfect... | 0:37:16 | 0:37:19 | |
..but still. | 0:37:21 | 0:37:23 | |
Lifeless. | 0:37:26 | 0:37:27 | |
He never made a sound. | 0:37:30 | 0:37:31 | |
And we didn't know what to do. | 0:37:35 | 0:37:37 | |
I couldn't leave him there. | 0:37:39 | 0:37:42 | |
Not in the cold ground. | 0:37:42 | 0:37:43 | |
Losing Tom... | 0:37:50 | 0:37:52 | |
..more than ever, I needed a new start... | 0:37:54 | 0:37:57 | |
a new life... | 0:37:57 | 0:38:00 | |
a new me. | 0:38:00 | 0:38:01 | |
Gender reassignment surgery was available abroad, | 0:38:05 | 0:38:09 | |
but expensive. | 0:38:09 | 0:38:10 | |
Lee... | 0:38:10 | 0:38:11 | |
I went to Gower... | 0:38:13 | 0:38:16 | |
and I told him that I'd tell, | 0:38:16 | 0:38:20 | |
unless he coughed up. | 0:38:20 | 0:38:22 | |
He didn't even believe there was a baby at first... | 0:38:24 | 0:38:26 | |
..till I gave him proof. | 0:38:29 | 0:38:30 | |
The proof you gave to Gower was a lock of Tom's hair. | 0:38:35 | 0:38:40 | |
It's the only piece of him we would have had left. | 0:38:40 | 0:38:42 | |
I blackmailed him. | 0:38:44 | 0:38:45 | |
And made him resign. Saved Greyvale. | 0:38:48 | 0:38:51 | |
Saved us all. | 0:38:51 | 0:38:53 | |
I went to the Philippines. | 0:38:53 | 0:38:56 | |
I had the hormones, | 0:38:57 | 0:39:00 | |
and later the surgery. | 0:39:00 | 0:39:01 | |
And Lisa died... | 0:39:05 | 0:39:06 | |
..but Lee was born. | 0:39:08 | 0:39:10 | |
And we never forgot Tom's birthday... | 0:39:11 | 0:39:13 | |
..and the family we made. | 0:39:19 | 0:39:21 | |
'I only went to the cottage to say goodbye... | 0:39:34 | 0:39:36 | |
'..but he's not there any more.' | 0:39:39 | 0:39:41 | |
What happens now? | 0:39:53 | 0:39:54 | |
Well, I do have good grounds to believe that Lisa may be guilty | 0:40:00 | 0:40:04 | |
of blackmailing Charles Gower. | 0:40:04 | 0:40:06 | |
GASPING | 0:40:06 | 0:40:08 | |
Only problem is, there's no Lisa here, is there? | 0:40:11 | 0:40:13 | |
-I got you this. -Thanks. | 0:40:45 | 0:40:47 | |
So I've released Phil Tate, | 0:40:47 | 0:40:50 | |
told him who framed him, planted the hair. | 0:40:50 | 0:40:52 | |
How did he take that? | 0:40:52 | 0:40:53 | |
He's not best pleased. | 0:40:53 | 0:40:55 | |
Karen and Sarah have both made official complaints against Gower | 0:40:55 | 0:40:58 | |
so, all in all, good work. | 0:40:58 | 0:41:00 | |
Oi! HE WHISTLES | 0:41:00 | 0:41:01 | |
I still don't know how you managed to find those flowers, though, | 0:41:04 | 0:41:07 | |
when my CSI team couldn't. | 0:41:07 | 0:41:09 | |
Well, you just have to learn to see things like a woman. | 0:41:09 | 0:41:12 | |
Anyway, I couldn't have done it without you. | 0:41:14 | 0:41:16 | |
Oh, that's right. Behind every woman is an even greater man? | 0:41:16 | 0:41:19 | |
Maybe. | 0:41:19 | 0:41:21 | |
You know she's talking about me, right? | 0:41:21 | 0:41:23 | |
Yeah, all right, cheers. | 0:41:23 | 0:41:25 | |
We should go to court. | 0:41:26 | 0:41:28 | |
Oh, no. Oh... | 0:41:29 | 0:41:31 | |
That's not going to end well. | 0:41:31 | 0:41:33 | |
Told you. | 0:41:37 | 0:41:38 | |
My mouth feels like I gargled with hamster. | 0:41:54 | 0:41:58 | |
Now who's the lightweight, eh? | 0:41:58 | 0:42:00 | |
-Hair of the dog. -Oh. | 0:42:05 | 0:42:08 | |
Seems like we both had something to get out of our system, eh? | 0:42:10 | 0:42:13 | |
Oh, never again. | 0:42:13 | 0:42:15 | |
Moment of madness. | 0:42:15 | 0:42:16 | |
I was trying to find the wild thing I once was before I got... | 0:42:18 | 0:42:24 | |
busy. | 0:42:24 | 0:42:25 | |
All gone now, though? | 0:42:27 | 0:42:29 | |
No way. | 0:42:29 | 0:42:30 | |
But next time just give us a nudge. | 0:42:32 | 0:42:34 | |
I'll help you find it. | 0:42:34 | 0:42:35 | |
FOOTSTEPS | 0:42:38 | 0:42:39 | |
Oh, you shouldn't have. | 0:42:41 | 0:42:42 | |
-Just to say thanks. -What for? | 0:42:44 | 0:42:46 | |
Everything. | 0:42:48 | 0:42:49 |