Browse content similar to Life. Check below for episodes and series from the same categories and more!
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DIALLING TONE | 0:00:05 | 0:00:07 | |
Emergency services. What service do you require? | 0:00:13 | 0:00:15 | |
-Police, ambulance? -It's about that girl, Sophie Marks. | 0:00:15 | 0:00:19 | |
The one that went missing. | 0:00:19 | 0:00:22 | |
You need to look up at Salt's Quarry, on the moor. | 0:00:22 | 0:00:26 | |
Sorry, sir. Police or ambulance? | 0:00:26 | 0:00:28 | |
Listen! Under the Three Hares. | 0:00:28 | 0:00:31 | |
That's where she is. | 0:00:31 | 0:00:33 | |
I'm sorry, that's all I know. | 0:00:33 | 0:00:36 | |
LINE GOES DEAD | 0:00:36 | 0:00:38 | |
Cheers. | 0:00:38 | 0:00:40 | |
Call that tea? | 0:00:46 | 0:00:47 | |
I've tasted better rainwater. | 0:00:49 | 0:00:50 | |
-You need to let me past. -Sorry, ma'am. | 0:00:55 | 0:00:56 | |
-That might be my daughter! -Sorry, ma'am, you can't go down there. | 0:00:56 | 0:00:59 | |
Oh, no. | 0:00:59 | 0:01:01 | |
What's she doing here? | 0:01:01 | 0:01:02 | |
Is nothing in that office confidential? | 0:01:04 | 0:01:06 | |
Yvonne! | 0:01:06 | 0:01:08 | |
-Yvonne, you can't be here, love. -Is this it? Is this is where she is? | 0:01:10 | 0:01:13 | |
We've had an anonymous tip-off, that's all. | 0:01:13 | 0:01:15 | |
This is the place. | 0:01:18 | 0:01:20 | |
I know it is. | 0:01:21 | 0:01:23 | |
-Don't get your hopes up, love. -Found something, Phil. | 0:01:24 | 0:01:27 | |
-Guv? -Yeah? -I think we've found something. | 0:01:27 | 0:01:30 | |
Oh! | 0:01:30 | 0:01:31 | |
No need to renew, Charlie. Won't be needing these any more. | 0:01:58 | 0:02:02 | |
Judge Farley, isn't it, in charge of the appeal? | 0:02:02 | 0:02:05 | |
I'd hang on to those, if I were you. | 0:02:05 | 0:02:07 | |
I've looked that judge square in the eyes | 0:02:07 | 0:02:09 | |
and he knows an innocent man when he sees one. | 0:02:09 | 0:02:12 | |
I'm sure he does. | 0:02:12 | 0:02:14 | |
So, like I said, best hang on to them. | 0:02:14 | 0:02:18 | |
I reckon you're the one who's going to be ending his days in here, Mr Arnold. | 0:02:18 | 0:02:21 | |
Not me. | 0:02:21 | 0:02:23 | |
Get back to your cell. | 0:02:25 | 0:02:26 | |
What you got for me? | 0:02:40 | 0:02:42 | |
Oh! | 0:02:55 | 0:02:57 | |
I will catch the joker that phoned this in, Yvonne. I promise. | 0:02:59 | 0:03:03 | |
I thought this was it. | 0:03:04 | 0:03:06 | |
I thought we'd found her this time! | 0:03:08 | 0:03:10 | |
Well, we won't rest until we do. | 0:03:10 | 0:03:13 | |
This is your fault! The lot of you! | 0:03:13 | 0:03:16 | |
If you'd done your job in the first place, she'd still be alive! | 0:03:17 | 0:03:20 | |
SHOUTING | 0:03:29 | 0:03:32 | |
He's not breathing! Get an ambulance! | 0:03:32 | 0:03:34 | |
Step away! | 0:03:37 | 0:03:39 | |
ALL TALK AT ONCE | 0:03:39 | 0:03:41 | |
Get him off him! Get him off! | 0:03:55 | 0:03:56 | |
Step away! Step away! | 0:03:56 | 0:03:58 | |
BEEP | 0:04:33 | 0:04:35 | |
I've...I've got my bellybutton pierced. | 0:04:35 | 0:04:37 | |
-Last week, actually. It really hurt. -You carrying anything sharp? | 0:04:37 | 0:04:41 | |
Anything that could be used as a weapon? | 0:04:41 | 0:04:43 | |
Couldn't they, you know, like, file it down and use it as a knife? | 0:04:45 | 0:04:50 | |
-Ms Fordham-Bryce? -Oh, please, call me Mags. | 0:04:50 | 0:04:52 | |
Thanks for coming so quickly. If you'd just follow me? | 0:04:52 | 0:04:55 | |
I understand it was a suspected overdose? | 0:04:59 | 0:05:01 | |
Heroin. It's the governor's curse. | 0:05:01 | 0:05:04 | |
Can't keep the damn stuff out of the place. | 0:05:04 | 0:05:06 | |
It's tragic. He was eligible for parole next year. | 0:05:06 | 0:05:09 | |
Was he, like, super dangerous? | 0:05:09 | 0:05:12 | |
Not unless you were a jeweller or a pawnbroker. | 0:05:12 | 0:05:15 | |
Charlie Macendrick was serving three years for burglary. | 0:05:15 | 0:05:19 | |
And, between ourselves, it sounds like he was bloody good at it. | 0:05:19 | 0:05:22 | |
There's even a rumour he had a secret stash hidden on the outside. | 0:05:22 | 0:05:26 | |
Did he? | 0:05:26 | 0:05:28 | |
In my experience, | 0:05:28 | 0:05:29 | |
drug addicts aren't known for their financial prudence. | 0:05:29 | 0:05:32 | |
Keep moving. | 0:05:34 | 0:05:36 | |
If there's, like, an emergency, | 0:05:38 | 0:05:40 | |
or I need to, you know, get out now, what do I do? | 0:05:40 | 0:05:46 | |
Shouting, "Help" usually does the trick. | 0:05:46 | 0:05:49 | |
-Wouldn't you say, Mr Arnold? -Works a treat. -Right. | 0:05:49 | 0:05:52 | |
Yep. | 0:05:57 | 0:05:59 | |
This was their cell. | 0:06:03 | 0:06:04 | |
That was Charlie's bed. | 0:06:04 | 0:06:06 | |
Malik Negasi said that he was unconscious when he found him. | 0:06:06 | 0:06:11 | |
You don't believe him. | 0:06:11 | 0:06:12 | |
26 years, I've been doing this. | 0:06:12 | 0:06:14 | |
You learn to take everything with a pinch of salt. | 0:06:14 | 0:06:17 | |
Wow, that's ages. That's, like, before I was born. | 0:06:17 | 0:06:20 | |
My mates call it a life sentence, but without the free meals. | 0:06:20 | 0:06:23 | |
I knew he was a dead man the minute I laid eyes on him. | 0:06:26 | 0:06:29 | |
Dead men all look the same, don't they? | 0:06:30 | 0:06:33 | |
Er...Jane? | 0:06:33 | 0:06:34 | |
It's addressed to you. | 0:06:36 | 0:06:38 | |
Dear Ms Kennedy. | 0:06:45 | 0:06:46 | |
Sincere apologies, I'm not able to meet you in person today, | 0:06:46 | 0:06:49 | |
but I have a prior engagement. | 0:06:49 | 0:06:52 | |
I wish to share some information relating to | 0:06:52 | 0:06:54 | |
Charlie Macendrick's death. | 0:06:54 | 0:06:57 | |
If you could return of your earliest convenience, I'd be most obliged. | 0:06:57 | 0:07:01 | |
Yours sincerely, Sidney. | 0:07:01 | 0:07:02 | |
-Who's Sidney? -Sidney Sutton, Charlie's cellmate. | 0:07:04 | 0:07:07 | |
-The Sidney Sutton? -There's only one, thank God. | 0:07:08 | 0:07:11 | |
-Isn't he in the middle of an appeal? -Exactly. | 0:07:11 | 0:07:13 | |
So whatever it is he's so desperate to tell you, | 0:07:13 | 0:07:15 | |
it'll have to wait till the morning. | 0:07:15 | 0:07:17 | |
Creepy, him knowing you'd be there like that. | 0:07:36 | 0:07:38 | |
It's what all the papers said about him, one step ahead. | 0:07:38 | 0:07:41 | |
He was convicted of murdering one of his pupils, wasn't he? | 0:07:41 | 0:07:43 | |
-Yeah. Sophie Marks. -That's it. | 0:07:43 | 0:07:46 | |
She used to live around the corner from us when I was a kid. | 0:07:46 | 0:07:48 | |
-What, you knew her? -Yeah. Everyone knew Sophie. | 0:07:48 | 0:07:51 | |
She was one of the cool kids. | 0:07:51 | 0:07:53 | |
She used to hang around the pub and smoke dope on the beach. | 0:07:53 | 0:07:56 | |
They never found a body, did they? | 0:07:56 | 0:07:57 | |
No, but somebody did see her getting a lift with Sidney the night she disappeared. | 0:07:57 | 0:08:01 | |
And then the police found that strand of her hair in his car. | 0:08:01 | 0:08:05 | |
Circumstantial evidence. That'll be why he's appealing his conviction. | 0:08:05 | 0:08:08 | |
Hey, have you got Charlie Macendrick's PM results yet? | 0:08:08 | 0:08:11 | |
-I've got the DCI breathing down my neck. -They rushed them through. | 0:08:11 | 0:08:13 | |
It was a heroin overdose, as we suspected. | 0:08:13 | 0:08:15 | |
But he had a needle puncture in his upper arm, | 0:08:15 | 0:08:17 | |
which is unusual for an addict. | 0:08:17 | 0:08:19 | |
Also, significant amounts of opiates in his bloodstream. | 0:08:19 | 0:08:22 | |
Over four times the normal amount. | 0:08:22 | 0:08:24 | |
And also, it noted bruising to his ribcage, | 0:08:24 | 0:08:26 | |
but they think that's from when they tried to resuscitate him. | 0:08:26 | 0:08:30 | |
I'll e-mail it to you. | 0:08:30 | 0:08:32 | |
Jane's got a pen pal - Sidney Sutton. | 0:08:32 | 0:08:35 | |
Ah. What's that about? | 0:08:36 | 0:08:38 | |
I don't know. He wants to see me. | 0:08:38 | 0:08:40 | |
Well, you be careful. He's a nasty bit of work. | 0:08:40 | 0:08:44 | |
Excuse me. | 0:08:44 | 0:08:45 | |
Lights going out! | 0:08:47 | 0:08:50 | |
SEAGULLS CALL | 0:09:10 | 0:09:12 | |
-Have you seen the car keys? -Haven't you got a spare? | 0:09:17 | 0:09:19 | |
-That was the spare. -Still going, then? | 0:09:19 | 0:09:22 | |
Oh, Mum, not this again. | 0:09:22 | 0:09:23 | |
I'm a grown woman, a respected professional. | 0:09:23 | 0:09:25 | |
I don't need anyone holding my hand. | 0:09:25 | 0:09:27 | |
I don't want that man getting into your head. He's evil. | 0:09:27 | 0:09:30 | |
He is. | 0:09:30 | 0:09:31 | |
Poor Yvonne. Imagine not knowing | 0:09:31 | 0:09:33 | |
what happened to your daughter for all these years. | 0:09:33 | 0:09:36 | |
-Beth, have you seen the car key? -Mum! Can't you use the spare? | 0:09:36 | 0:09:39 | |
If he gets off and shows his face around here, | 0:09:39 | 0:09:41 | |
I might not be responsible for my actions. | 0:09:41 | 0:09:43 | |
Hey, Gran, look, it's Stace. | 0:09:43 | 0:09:45 | |
She cracks me up. | 0:09:45 | 0:09:47 | |
-Morning, all. -Morning. | 0:09:47 | 0:09:49 | |
-Charlie Macendrick's records. -Ah. -So you're up to speed. -Thanks. | 0:09:49 | 0:09:52 | |
I put some selfies up like that. I got 23 followers now. | 0:09:52 | 0:09:55 | |
Don't tell me you're on Instagram, too? | 0:09:55 | 0:09:57 | |
All the kids are doing it. | 0:09:57 | 0:09:59 | |
Oh, I give up. I'll order a taxi. | 0:09:59 | 0:10:01 | |
All the way to Hamley Moor? | 0:10:01 | 0:10:03 | |
Why not let Davey drive you? | 0:10:03 | 0:10:05 | |
-He can sit in on the interview an' all. -Mum! | 0:10:05 | 0:10:07 | |
-No, I don't think Jane wants me sticking my oar in. -Hm! | 0:10:07 | 0:10:10 | |
But if I could just sit in on the interview, | 0:10:12 | 0:10:15 | |
it might be beneficial to our investigation, as well. | 0:10:15 | 0:10:18 | |
You know, only if you're OK with that? | 0:10:18 | 0:10:20 | |
Er...yeah, but it's my interview. Is that clear? | 0:10:21 | 0:10:24 | |
-Yeah, crystal. -Good. | 0:10:24 | 0:10:25 | |
Oh, look. They were under my nose the whole time. | 0:10:28 | 0:10:31 | |
We'll take my car. | 0:10:33 | 0:10:35 | |
He was a good man. | 0:10:43 | 0:10:45 | |
First cellmate I've had in years, which was a joy. | 0:10:45 | 0:10:49 | |
He'd worked so long in the prison library, | 0:10:49 | 0:10:51 | |
there was nothing he didn't know. | 0:10:51 | 0:10:53 | |
So it was a meeting of minds. | 0:10:53 | 0:10:55 | |
But he was weak, and, er...he couldn't kick that junk habit. | 0:10:57 | 0:11:01 | |
Heroin? Cocaine? | 0:11:01 | 0:11:04 | |
He'd lick the polish off the floor if he thought he'd get high off it. | 0:11:04 | 0:11:08 | |
And the dealers in here, they, er...they knew how to play him. | 0:11:08 | 0:11:11 | |
When he was desperate, he would do anything. | 0:11:12 | 0:11:15 | |
Anything. | 0:11:15 | 0:11:16 | |
Could I have some water, Mr Arnold, if you don't mind? | 0:11:18 | 0:11:21 | |
Chilled. | 0:11:25 | 0:11:27 | |
All right, Mr Sutton, we haven't got all day. | 0:11:27 | 0:11:29 | |
So, if you do have any information, perhaps you could tell us? | 0:11:29 | 0:11:32 | |
His dealer knew. | 0:11:32 | 0:11:34 | |
About Charlie's stash. | 0:11:34 | 0:11:36 | |
And they weren't going to stop until they had every last penny. | 0:11:36 | 0:11:39 | |
-Charlie didn't have any money. -How would you know? | 0:11:39 | 0:11:42 | |
Well, he spent everything he robbed. | 0:11:42 | 0:11:44 | |
Why do you think he carried on doing it? | 0:11:44 | 0:11:46 | |
You're wrong. He had some put by for when he got out. | 0:11:46 | 0:11:49 | |
Only, his dealer wanted it all for himself. | 0:11:51 | 0:11:54 | |
Are you saying Charlie Macendrick was murdered for his money? | 0:11:54 | 0:11:57 | |
Not a very clever move, though, is it? Killing your best customer. | 0:11:57 | 0:12:00 | |
You'll have to do better than that, Sid. | 0:12:00 | 0:12:03 | |
I might be out of here in a few days. I don't need this aggravation. | 0:12:03 | 0:12:06 | |
I simply want justice for Charlie. | 0:12:06 | 0:12:09 | |
If you have any concrete information... | 0:12:09 | 0:12:11 | |
I know what I know. | 0:12:11 | 0:12:13 | |
-That man will stop at nothing. -Who? | 0:12:13 | 0:12:15 | |
Malik Negasi, of course. | 0:12:15 | 0:12:17 | |
The one who found him. | 0:12:17 | 0:12:19 | |
-Where's your proof? -He's already done his due diligence on you, Ms Kennedy. | 0:12:19 | 0:12:23 | |
Smuggled a phone in yesterday. He knows all about you. | 0:12:23 | 0:12:26 | |
And your daughter. | 0:12:26 | 0:12:28 | |
-Sorr...? -Hang on. -No. My daughter? | 0:12:29 | 0:12:32 | |
-Beth, isn't it? -All right, that's enough. | 0:12:32 | 0:12:34 | |
I think that's what I heard him say. | 0:12:34 | 0:12:36 | |
-"Know your enemy", that's his motto. -Enough. | 0:12:36 | 0:12:39 | |
And once he's tracked her down online, who knows what he'll do? | 0:12:39 | 0:12:42 | |
-What, to Beth? -Stop this! | 0:12:42 | 0:12:43 | |
He'll find out all about her, go through her photos, | 0:12:43 | 0:12:46 | |
-share them with his mates. -That's enough! | 0:12:46 | 0:12:48 | |
Pretty soon, she'll be a pin-up for all the weirdos in here. | 0:12:48 | 0:12:50 | |
-THAT'S ENOUGH! -You need to calm down, Sergeant. | 0:12:50 | 0:12:54 | |
You see, this is what they're like. | 0:12:54 | 0:12:57 | |
They'll do anything to get a conviction. | 0:12:57 | 0:12:59 | |
They will use their fists, plant evidence. | 0:12:59 | 0:13:02 | |
They don't give a damn about the truth. | 0:13:02 | 0:13:04 | |
-Yeah? Why don't you start talking about the truth? -Davey, stop it! | 0:13:04 | 0:13:08 | |
-I need you to leave. -What? | 0:13:09 | 0:13:11 | |
-Get out. -You serious? -Get out! | 0:13:11 | 0:13:14 | |
HE CLEARS HIS THROAT | 0:13:23 | 0:13:24 | |
Thanks. | 0:13:31 | 0:13:33 | |
Beth. Hi, it's me. Um... | 0:13:33 | 0:13:36 | |
Just checking in to see how your day's going. | 0:13:36 | 0:13:39 | |
Give me a call back if you get a chance. | 0:13:39 | 0:13:40 | |
Otherwise, I'll see you tonight. OK, bye. | 0:13:40 | 0:13:43 | |
You promised. That was my interview. | 0:13:50 | 0:13:53 | |
He was playing games, Jane, that's what he does. | 0:13:53 | 0:13:55 | |
He wasn't going to tell you anything. | 0:13:55 | 0:13:57 | |
You think the thought of that lot knowing about Beth | 0:13:57 | 0:13:59 | |
doesn't get to me as well? | 0:13:59 | 0:14:01 | |
But the minute we let them push our buttons, | 0:14:01 | 0:14:03 | |
we may as well give up and go home. | 0:14:03 | 0:14:04 | |
I mean, did he say anything after I left? Huh? Did he? | 0:14:04 | 0:14:09 | |
No, of course he didn't. | 0:14:09 | 0:14:12 | |
Oi! Oi! | 0:14:14 | 0:14:16 | |
Charming. | 0:14:16 | 0:14:18 | |
Prohibited item! | 0:14:28 | 0:14:30 | |
-That's got nothing to do with me. -You've disappointed me, Malik. I believed in you. | 0:14:34 | 0:14:37 | |
This is the one. | 0:14:37 | 0:14:39 | |
Segregation unit. Removal of privileges for one week. | 0:14:40 | 0:14:43 | |
-This is a stitch-up! -You can shut up! | 0:14:43 | 0:14:45 | |
-Get your hands off me, man! -Come on, son. | 0:14:45 | 0:14:47 | |
Don't let them pin this on me. This has got nothing to do with me! | 0:14:47 | 0:14:51 | |
-Ms Kennedy? I'm Yvonne Marks. -Mrs Marks. How can I help? | 0:15:02 | 0:15:06 | |
They're saying you've interviewed Sidney Sutton. | 0:15:06 | 0:15:09 | |
Who's saying? | 0:15:10 | 0:15:11 | |
There's not a lot about that man that gets past me. | 0:15:11 | 0:15:14 | |
Is this to do with the appeal? Is there new evidence? | 0:15:14 | 0:15:17 | |
Oh. Er...no. | 0:15:17 | 0:15:19 | |
Mr Sutton's helping us on an unrelated case. | 0:15:19 | 0:15:21 | |
It has nothing to do with your daughter. | 0:15:21 | 0:15:23 | |
I thought... When I heard... | 0:15:23 | 0:15:25 | |
He didn't even mention Sophie? | 0:15:28 | 0:15:30 | |
There was an incident at the prison, that's all. | 0:15:30 | 0:15:33 | |
He's going to get off, isn't he? | 0:15:33 | 0:15:36 | |
-Well, that's for the court to decide. -It's not right. | 0:15:36 | 0:15:40 | |
He'll be walking free and I still won't know what he did to my Sophie. | 0:15:40 | 0:15:43 | |
She used to think she was so grown up. | 0:15:47 | 0:15:49 | |
But she was still a kid deep down. | 0:15:49 | 0:15:51 | |
She must have been so scared. | 0:15:54 | 0:15:56 | |
It's the not knowing I can't live with. | 0:15:58 | 0:16:00 | |
I really wish there was something I could do to help. | 0:16:03 | 0:16:06 | |
But anything he says could give a clue to what he did with her. | 0:16:06 | 0:16:09 | |
Or what he might have done with her. | 0:16:09 | 0:16:11 | |
PHONE RINGS | 0:16:11 | 0:16:13 | |
I'm sorry. | 0:16:13 | 0:16:15 | |
If none of you will help me, I'll have to do it myself, won't I? | 0:16:18 | 0:16:22 | |
KNOCK AT DOOR | 0:16:22 | 0:16:23 | |
It's Maggie Fordham-Bryce on the phone. | 0:16:23 | 0:16:27 | |
-SHE SIGHS -Can you put her through? -Yeah. | 0:16:27 | 0:16:29 | |
PHONE RINGS | 0:16:32 | 0:16:34 | |
Maggie. | 0:16:34 | 0:16:36 | |
Have you got any idea how long I had to wait out there? | 0:16:38 | 0:16:40 | |
Maggie Fordham-Bryce called. They found a phone in Malik's cell. | 0:16:40 | 0:16:44 | |
He'd used it to download some of Beth's Instagram photos, | 0:16:44 | 0:16:46 | |
-so Sutton was right. -About that, maybe. | 0:16:46 | 0:16:49 | |
I'm looking at the facts. | 0:16:49 | 0:16:51 | |
You're the one whose judgement's all over the place. | 0:16:51 | 0:16:53 | |
-Meaning? -Meaning I saw the look on your face | 0:16:53 | 0:16:55 | |
when he said police planted evidence. | 0:16:55 | 0:16:57 | |
Was the evidence tampered with to get a conviction, yes or no? | 0:17:00 | 0:17:03 | |
-Like I said, it was before my time. -Davey! | 0:17:03 | 0:17:05 | |
SHE SIGHS | 0:17:08 | 0:17:09 | |
Between you and me, | 0:17:17 | 0:17:18 | |
the way the evidence turned up that late in the day... | 0:17:18 | 0:17:21 | |
They'd been through the car twice, | 0:17:21 | 0:17:23 | |
they found a strand of hair the third time. | 0:17:23 | 0:17:26 | |
It never really felt right. | 0:17:26 | 0:17:27 | |
What a mess. | 0:17:27 | 0:17:29 | |
But he did it, Jane, he did it. | 0:17:29 | 0:17:32 | |
Sidney Sutton was sacked from his last two jobs | 0:17:32 | 0:17:35 | |
because of inappropriate behaviour. | 0:17:35 | 0:17:36 | |
There was just never enough evidence to convict him. | 0:17:36 | 0:17:38 | |
But he did it. | 0:17:38 | 0:17:40 | |
And I won't rest until I've put him away for good. | 0:17:40 | 0:17:43 | |
I need to talk to Beth. | 0:17:45 | 0:17:47 | |
Are you going to tell her? | 0:17:47 | 0:17:49 | |
You think I want to? | 0:17:49 | 0:17:51 | |
-Well, she doesn't need to know. -It might only scare her. | 0:17:51 | 0:17:53 | |
OK, I'll text you when I've had a look. | 0:18:04 | 0:18:06 | |
OK. Got to go. Bye. | 0:18:06 | 0:18:09 | |
Everyone's gone crazy for Stacey's new photos. | 0:18:12 | 0:18:14 | |
She's got, like, er...300 likes already. | 0:18:14 | 0:18:18 | |
-Can you believe that? -Yeah, I can. | 0:18:18 | 0:18:20 | |
I was looking at your photos earlier. | 0:18:21 | 0:18:24 | |
You know anyone can see what you put up there? | 0:18:24 | 0:18:25 | |
You've been spying on me? | 0:18:25 | 0:18:27 | |
-No, I'm being a responsible parent. -Yeah, same difference. | 0:18:27 | 0:18:30 | |
I don't want you putting photos up for anyone to see. It's not safe. | 0:18:30 | 0:18:33 | |
It's just a few photos. Can you just chill out? | 0:18:33 | 0:18:35 | |
Beth, I'm serious. Either make your account private, or I'm taking your phone away. | 0:18:35 | 0:18:38 | |
-No-one else's mum is like this! -No-one else's mum knows what I know. | 0:18:38 | 0:18:41 | |
KNOCK AT DOOR | 0:18:41 | 0:18:43 | |
-Hello. -Hiya! | 0:18:46 | 0:18:48 | |
The police have sent over the CCTV. | 0:18:48 | 0:18:52 | |
An hour before he died, | 0:18:52 | 0:18:54 | |
Charlie had this massive argument in the library. | 0:18:54 | 0:18:58 | |
Oh, that smells really good. Any going spare? | 0:18:59 | 0:19:00 | |
-Clint, who did he argue with? -Ah. Malik Negasi. | 0:19:00 | 0:19:03 | |
I think it's time we had a word. | 0:19:09 | 0:19:11 | |
Malik Negasi, serving life. | 0:19:11 | 0:19:13 | |
Member of a gang that stabbed a kid outside a multiplex | 0:19:13 | 0:19:16 | |
for dealing grass on their turf... | 0:19:16 | 0:19:19 | |
Huh! Judge said he was the ringleader. | 0:19:19 | 0:19:22 | |
With a taste for teenage girls? | 0:19:22 | 0:19:23 | |
Well, no, not according to this. | 0:19:23 | 0:19:25 | |
So, what if Charlie wasn't killed accidentally, | 0:19:27 | 0:19:30 | |
like Sutton says? Come here a minute. | 0:19:30 | 0:19:33 | |
-Oh, no, here we go. -Come on, stand up. | 0:19:33 | 0:19:35 | |
All right, all right. | 0:19:35 | 0:19:36 | |
-Turn around. -Look, I know we've had our differences, | 0:19:39 | 0:19:41 | |
-but I'm sure we can work it out. -Just do it, you idiot. | 0:19:41 | 0:19:43 | |
OK, so the PM said that there was a puncture wound in his arm, | 0:19:43 | 0:19:46 | |
-which is unusual. -Right. | 0:19:46 | 0:19:48 | |
So, what if Charlie was approached from behind | 0:19:48 | 0:19:51 | |
and someone got him in a headlock...? | 0:19:51 | 0:19:53 | |
Oh, hang on. So...like that? Squeeze. | 0:19:53 | 0:19:56 | |
-OK. -Reminds me of the time we played Twister, minus the vodka. | 0:19:56 | 0:20:01 | |
OK, so they squeeze until he loses consciousness, | 0:20:01 | 0:20:05 | |
-which means he'd fall back. -Argh! | 0:20:05 | 0:20:07 | |
They pin him down, that would explain the bruising on the ribs, | 0:20:07 | 0:20:10 | |
while they administer the drugs. | 0:20:10 | 0:20:13 | |
Yeah, but by who, and what's the motive? | 0:20:13 | 0:20:16 | |
Maybe Sutton was telling the truth. | 0:20:17 | 0:20:19 | |
About his mythical stash of money? | 0:20:19 | 0:20:20 | |
The only thing that matters is if people believe it exists. That's motive enough. | 0:20:20 | 0:20:24 | |
Maybe they didn't mean to kill him. | 0:20:24 | 0:20:27 | |
Maybe they just wanted information and it went too far. | 0:20:27 | 0:20:30 | |
Well, there is one way to find out. | 0:20:30 | 0:20:33 | |
As long as you promise not to step out of line again. | 0:20:33 | 0:20:35 | |
-Is that clear? -Crystal. -Ohhh! | 0:20:35 | 0:20:38 | |
Could you let me up, please? | 0:20:38 | 0:20:40 | |
So, you want tell us what the argument was about? | 0:20:43 | 0:20:46 | |
My books were overdue. | 0:20:46 | 0:20:48 | |
Malik, you're really not helping yourself. | 0:20:48 | 0:20:50 | |
If you ever want to get your privileges back, you'd better start cooperating. | 0:20:50 | 0:20:54 | |
You're not going to listen to a word I say either way. | 0:20:54 | 0:20:56 | |
And that phone has got nothing to do with me. | 0:20:56 | 0:20:59 | |
Is it true you dealt drugs to Charlie Macendrick? | 0:20:59 | 0:21:01 | |
-Drugs? Me? -Yeah. We read your file. | 0:21:01 | 0:21:04 | |
-Old habits die hard. -I left that all behind. | 0:21:04 | 0:21:07 | |
How Charlie got his fix has got nothing to do with me. | 0:21:07 | 0:21:10 | |
We also heard you were sniffing around Charlie's money. | 0:21:10 | 0:21:12 | |
His what?! | 0:21:12 | 0:21:14 | |
Where you lot getting this from? | 0:21:15 | 0:21:17 | |
Sutton's been stirring the pot again, hasn't he? | 0:21:19 | 0:21:22 | |
This money he had put by on the outside, | 0:21:22 | 0:21:25 | |
you wanted a slice of that for yourself, did you? | 0:21:25 | 0:21:27 | |
You people! Sutton is who me and Charlie were arguing about. | 0:21:27 | 0:21:30 | |
Charlie Mac was terrified of him. | 0:21:30 | 0:21:32 | |
I was trying to get him to transfer to a different cell, | 0:21:32 | 0:21:35 | |
but he was too scared to even do that. | 0:21:35 | 0:21:36 | |
-Oh, so, you were trying to protect him? -Yeah. -Yeah? Really? | 0:21:36 | 0:21:39 | |
MALIK SIGHS | 0:21:39 | 0:21:41 | |
It's true. Yeah, there was money. | 0:21:41 | 0:21:44 | |
He even offered me some to try and protect him. Said he'd pay my fam. | 0:21:46 | 0:21:49 | |
But the truth is, in here, you got to look out for yourself. | 0:21:49 | 0:21:53 | |
Ain't nobody can do that for you. | 0:21:54 | 0:21:56 | |
Good doggy. | 0:22:06 | 0:22:08 | |
Reckon they bought that? | 0:22:08 | 0:22:10 | |
Charlie Mac had money on him all right. | 0:22:12 | 0:22:14 | |
And the fool gone and spilled his guts on where he hid it. | 0:22:14 | 0:22:17 | |
And why should that interest me? | 0:22:17 | 0:22:21 | |
It's no secret you're short on cash, Mr Arnold. | 0:22:23 | 0:22:25 | |
Old threads, battered old motor. | 0:22:25 | 0:22:29 | |
Everybody in here knows about this custody thing with you and your kid. | 0:22:29 | 0:22:32 | |
I'm thinking you might want a piece of the action. | 0:22:32 | 0:22:35 | |
Get in. | 0:22:37 | 0:22:39 | |
ALARM WAILS | 0:22:43 | 0:22:44 | |
Yes, sir. | 0:22:58 | 0:22:59 | |
The police are reporting to us every half an hour | 0:22:59 | 0:23:02 | |
and we've alerted the media. | 0:23:02 | 0:23:03 | |
Yes, sir. Of course. | 0:23:04 | 0:23:06 | |
What a mess! | 0:23:08 | 0:23:10 | |
When did you realise he'd gone? | 0:23:10 | 0:23:12 | |
He failed to answer the wake-up call. | 0:23:12 | 0:23:14 | |
I thought this place was virtually watertight? | 0:23:14 | 0:23:16 | |
Director of Prisons said exactly the same thing. | 0:23:16 | 0:23:19 | |
I put my neck on the line for Malik and this is the thanks I get. | 0:23:19 | 0:23:23 | |
-Any idea where he'd go? -There's a rumour on the wing | 0:23:23 | 0:23:26 | |
that he's heading for Charlie Macendrick's money. | 0:23:26 | 0:23:28 | |
All right, well, we've alerted the ports and airports | 0:23:28 | 0:23:30 | |
in case he tries to leave the country. | 0:23:30 | 0:23:32 | |
I'm going to need a list of his contacts, | 0:23:32 | 0:23:33 | |
any phone calls he's made, visitors he's had in the last three months. | 0:23:33 | 0:23:36 | |
PHONE RINGS | 0:23:36 | 0:23:38 | |
-Looks like Sutton was telling the truth. -Yes? | 0:23:38 | 0:23:41 | |
SHE SIGHS | 0:23:43 | 0:23:45 | |
Thanks. | 0:23:45 | 0:23:46 | |
What is it? | 0:23:46 | 0:23:48 | |
Officer Ben Arnold was here last night. | 0:23:48 | 0:23:51 | |
He hasn't turned up for duty this morning. | 0:23:51 | 0:23:53 | |
A few days ago, Malik and Charlie are having a pop at each other, | 0:25:07 | 0:25:09 | |
now Malik and Ben are planning the great escape together. | 0:25:09 | 0:25:13 | |
Greed makes strange bedfellows. | 0:25:14 | 0:25:16 | |
-Is that Shakespeare? -Game of Thrones. | 0:25:18 | 0:25:20 | |
CHEERING AND APPLAUSE | 0:25:20 | 0:25:22 | |
You hear that, Ms Kennedy? | 0:25:30 | 0:25:32 | |
That's what victory sounds like. | 0:25:32 | 0:25:34 | |
In a few hours, I'll be a free man. | 0:25:34 | 0:25:37 | |
You should have paid attention when I told you about Malik, don't you think? | 0:25:37 | 0:25:40 | |
If we're going to find out what happened to Charlie, we need to find him. | 0:25:40 | 0:25:44 | |
My bet is he's spending all of Charlie's cash with that bent screw. | 0:25:44 | 0:25:48 | |
You'd better keep that daughter of yours locked up. | 0:25:49 | 0:25:53 | |
Things that are precious break so easily. | 0:25:53 | 0:25:55 | |
Haven't you got to be somewhere? | 0:25:55 | 0:25:57 | |
Hm. Hmm... | 0:25:57 | 0:25:59 | |
Here's the list of visitors you were after. | 0:26:01 | 0:26:04 | |
Was all that ruckus was for Sutton? | 0:26:04 | 0:26:06 | |
He seems confident he'll win his appeal. | 0:26:06 | 0:26:08 | |
God help me if he does. | 0:26:08 | 0:26:09 | |
The atmosphere in this place is febrile enough. | 0:26:09 | 0:26:12 | |
Guess who visited Malik twice in the last week? | 0:26:14 | 0:26:17 | |
Beth! Can you call me as soon as you get this message? It's urgent. | 0:26:19 | 0:26:23 | |
-DOORBELL -What? | 0:26:23 | 0:26:25 | |
Well, you can't say urgent, she'll never call. | 0:26:25 | 0:26:27 | |
-I'm busy. -So are we, love. | 0:26:32 | 0:26:35 | |
Malik Negasi. That ring a bell? | 0:26:35 | 0:26:36 | |
'Course. He's escaped. It's all over the news. | 0:26:36 | 0:26:39 | |
Yvonne, we know you went to see him. | 0:26:39 | 0:26:41 | |
Is there a law against that? | 0:26:41 | 0:26:42 | |
A week ago, Malik Negasi may have murdered another prisoner. | 0:26:42 | 0:26:45 | |
-A man called Charlie Macendrick. If you know anything... -Malik didn't murder anyone. | 0:26:45 | 0:26:49 | |
Can't you see Sutton's playing you all for fools? | 0:26:49 | 0:26:51 | |
Well, why don't you help us, then? Tell us what we're missing. | 0:26:51 | 0:26:54 | |
I think I've found it! | 0:27:08 | 0:27:10 | |
Get out, get out! | 0:27:10 | 0:27:12 | |
26 years looking after you lot, | 0:27:12 | 0:27:15 | |
I deserve every penny of this! | 0:27:15 | 0:27:18 | |
Thank you. | 0:27:29 | 0:27:31 | |
So, you were saying Malik e-mailed you? | 0:27:31 | 0:27:33 | |
I run a support group. It's kind of victim support. | 0:27:33 | 0:27:36 | |
We help each other through. He got my address off the website. | 0:27:36 | 0:27:39 | |
What did he say? | 0:27:39 | 0:27:40 | |
He said he was going to help me find my little girl. | 0:27:40 | 0:27:43 | |
I thought it was some sick joke. | 0:27:43 | 0:27:46 | |
But when I found out he was on the same wing as Sutton, I paid him a visit. | 0:27:46 | 0:27:49 | |
He wasn't happy about that, that's for sure. | 0:27:49 | 0:27:52 | |
He said if Sutton knew I'd gone there, he was a dead man walking. | 0:27:52 | 0:27:55 | |
But I told him, I've waited too long for this. | 0:27:55 | 0:27:58 | |
I needed some answers. | 0:27:58 | 0:28:00 | |
All right. And...? | 0:28:00 | 0:28:02 | |
He told me to be patient. Told me to trust him. | 0:28:02 | 0:28:05 | |
And I did. | 0:28:06 | 0:28:08 | |
So, that's why you were so convinced about the tip-off at Salt's Quarry. | 0:28:08 | 0:28:11 | |
I really thought she would be there. | 0:28:11 | 0:28:13 | |
But she wasn't, was she? | 0:28:14 | 0:28:16 | |
Which is why you went back a second time. | 0:28:16 | 0:28:17 | |
I was ready to have it out with him! | 0:28:17 | 0:28:19 | |
But he was a changed man. | 0:28:19 | 0:28:21 | |
Told me about this friend of his, this Charlie. | 0:28:23 | 0:28:26 | |
Said Sutton had murdered him and that he was next. | 0:28:26 | 0:28:29 | |
Malik was scared. Really scared! | 0:28:29 | 0:28:31 | |
Yeah, but that don't make any sense. Why would Sutton take the risk? | 0:28:31 | 0:28:35 | |
Because he talks in his sleep, doesn't he? | 0:28:35 | 0:28:38 | |
Charlie heard him talking about burying something. | 0:28:38 | 0:28:41 | |
He told Malik and the two of them tried to piece it together. | 0:28:41 | 0:28:44 | |
But Sutton cottoned on to what they were up to. | 0:28:44 | 0:28:47 | |
He could have gone to the governor. She would have protected him. | 0:28:47 | 0:28:50 | |
Malik doesn't trust anyone. | 0:28:50 | 0:28:52 | |
Said he'd prefer to sort it all out himself. | 0:28:52 | 0:28:55 | |
Did you know that Malik was going to escape? | 0:28:58 | 0:29:01 | |
You really don't want to be lying about something like that. | 0:29:01 | 0:29:04 | |
You see, Malik broke out of prison this morning with the help of a prison officer, | 0:29:05 | 0:29:09 | |
and we think they were after Charlie's money. | 0:29:09 | 0:29:11 | |
No. Malik wasn't like that. | 0:29:11 | 0:29:14 | |
He wanted to help me. | 0:29:14 | 0:29:16 | |
If he really knows where Sophie's buried, we can help him. | 0:29:16 | 0:29:20 | |
But you need to tell us everything you know. | 0:29:20 | 0:29:22 | |
I left some supplies up at Ballan Tor. | 0:29:28 | 0:29:31 | |
Oh, Yvonne! You could get into serious trouble for something like that. | 0:29:31 | 0:29:34 | |
I don't care. | 0:29:34 | 0:29:36 | |
For eight years, you lot sat on your hands. | 0:29:36 | 0:29:41 | |
Malik is the only one who has ever done anything to help me find Sophie. | 0:29:41 | 0:29:44 | |
So you can do what you want to me, but I don't regret it for a second. | 0:29:44 | 0:29:48 | |
Yeah. Up near Ballan Tor. | 0:29:59 | 0:30:01 | |
So at least we know which direction they're travelling in. | 0:30:01 | 0:30:04 | |
Just let me know if you hear anything. All right, thanks. | 0:30:04 | 0:30:07 | |
Do you think Malik really wanted to help her? | 0:30:09 | 0:30:10 | |
I've been coming at this all wrong. Sutton knew I'd get distracted | 0:30:10 | 0:30:14 | |
with a story about Beth, and that's exactly what he gave me. Why didn't I see it?! | 0:30:14 | 0:30:17 | |
There is one way to find out. | 0:30:17 | 0:30:20 | |
DOOR CLOSES | 0:30:34 | 0:30:36 | |
Mum? | 0:30:39 | 0:30:41 | |
Mum? | 0:30:43 | 0:30:45 | |
Gran? | 0:30:50 | 0:30:52 | |
Is that you? | 0:30:52 | 0:30:54 | |
All right. All right, thanks, Maggie, thanks. | 0:31:16 | 0:31:19 | |
Bingo. She's listened to the recording we got of the tip-off. | 0:31:19 | 0:31:22 | |
It's Charlie Macendrick. | 0:31:22 | 0:31:24 | |
-So, Malik's escaped to the right location? -Yeah. | 0:31:24 | 0:31:26 | |
And she thinks Sutton may have planted the phone in Malik's cell to frame him. | 0:31:26 | 0:31:30 | |
So she was right about Malik after all. | 0:31:30 | 0:31:31 | |
Have you heard? They've overturned Sidney Sutton's conviction. | 0:31:31 | 0:31:36 | |
He's been released. | 0:31:36 | 0:31:38 | |
All right, thanks. | 0:31:38 | 0:31:40 | |
Ssh! Ssh! I'm not going to hurt you. All right? | 0:31:49 | 0:31:52 | |
I just need to speak to your mother. | 0:31:52 | 0:31:55 | |
Please, just calm down. Ow! | 0:31:55 | 0:31:58 | |
Argh! Argh! | 0:31:59 | 0:32:01 | |
-Emergency. Which service do you require? -Police! There's a man in my house! | 0:32:03 | 0:32:06 | |
Help! Angel Cove House! | 0:32:07 | 0:32:10 | |
It's like a kick in the guts, isn't it? | 0:32:13 | 0:32:15 | |
He's going to get away with it - Sophie and Charlie, | 0:32:15 | 0:32:17 | |
and I can't touch him. | 0:32:17 | 0:32:19 | |
Malik should have called. | 0:32:19 | 0:32:20 | |
Wherever he was going, he should have been there by now. | 0:32:20 | 0:32:23 | |
Maybe he got it wrong, decided to keep on running. | 0:32:23 | 0:32:25 | |
I knew I had one somewhere. Mum uses it as a doorstop. | 0:32:25 | 0:32:29 | |
This was the book in Malik's cell, his only book. | 0:32:29 | 0:32:31 | |
He'd been underlining, taking notes. | 0:32:31 | 0:32:33 | |
I think Yvonne was right. | 0:32:33 | 0:32:35 | |
I think he was trying to work out where Sophie was buried | 0:32:35 | 0:32:38 | |
based on what Charlie was telling him. | 0:32:38 | 0:32:40 | |
I get you. Well, we could start back at Salt's Quarry, | 0:32:40 | 0:32:42 | |
other quarries around there. | 0:32:42 | 0:32:43 | |
What did they say about Three Hares? | 0:32:43 | 0:32:47 | |
Also known as Tinners' Hares. | 0:32:47 | 0:32:49 | |
An ancient symbol native to Devon | 0:32:49 | 0:32:51 | |
depicting three hares chasing each other's tails | 0:32:51 | 0:32:54 | |
in a never-ending circle. | 0:32:54 | 0:32:55 | |
I know how they feel. | 0:32:55 | 0:32:57 | |
PHONE RINGS | 0:32:57 | 0:32:59 | |
Mum? | 0:32:59 | 0:33:01 | |
Mum, what's wrong? | 0:33:03 | 0:33:04 | |
Get down. Get down! | 0:33:10 | 0:33:12 | |
Stay there! | 0:33:12 | 0:33:13 | |
INDISTINCT VOICES ON POLICE RADIO | 0:33:17 | 0:33:18 | |
All right, just, please, let me know when you get something. OK. | 0:33:23 | 0:33:27 | |
They're trying to find out where Sutton went after he left the court. | 0:33:29 | 0:33:32 | |
It's Sutton, isn't it? | 0:33:32 | 0:33:33 | |
He was the one looking at photos of Beth on that phone, it wasn't Malik! | 0:33:35 | 0:33:39 | |
Sidney Sutton's got Beth? | 0:33:39 | 0:33:41 | |
Sutton knows Malik's on to him. | 0:33:41 | 0:33:43 | |
If he's got any sense, he'll be on the first plane to South America. | 0:33:43 | 0:33:45 | |
I was so stupid not to warn her. | 0:33:45 | 0:33:47 | |
Look, I've got everyone on this. | 0:33:50 | 0:33:52 | |
I won't let anything happen to Beth. I promise you. | 0:33:52 | 0:33:55 | |
I promise you that. | 0:33:57 | 0:33:58 | |
Come on. Out! | 0:34:11 | 0:34:13 | |
What do you want? | 0:34:13 | 0:34:14 | |
I'm sorry, all right? | 0:34:15 | 0:34:18 | |
Your mother is the only person who can help me. Hm? | 0:34:18 | 0:34:22 | |
She'll hear me out. | 0:34:22 | 0:34:24 | |
And she'll know that I'm not a murderer. | 0:34:24 | 0:34:27 | |
What did you do? | 0:34:27 | 0:34:28 | |
It was an accident. | 0:34:30 | 0:34:31 | |
They have to know it was an accident. | 0:34:31 | 0:34:35 | |
Right, call her. | 0:34:35 | 0:34:37 | |
I want to speak to her. Call her. | 0:34:37 | 0:34:40 | |
And just her! | 0:34:40 | 0:34:42 | |
No police. OK? | 0:34:42 | 0:34:44 | |
There's a rumour that he's booked on a flight tomorrow morning. | 0:34:44 | 0:34:48 | |
So, you don't think it's him? | 0:34:48 | 0:34:50 | |
I'm hoping Sutton's got too much to lose. | 0:34:50 | 0:34:53 | |
PHONE RINGS | 0:34:53 | 0:34:55 | |
Jane Kennedy. | 0:34:55 | 0:34:57 | |
-Mum? -Beth! Where are you?! | 0:34:57 | 0:34:59 | |
Um... | 0:34:59 | 0:35:00 | |
Down, down, down! | 0:35:01 | 0:35:03 | |
Mrs Kennedy, this is Ben Arnold. | 0:35:03 | 0:35:07 | |
Now, first, you have to believe me when I say | 0:35:07 | 0:35:09 | |
I never wanted any of this to happen. | 0:35:09 | 0:35:12 | |
So no police. Understand?! | 0:35:12 | 0:35:14 | |
Ben, what have you done with her?! | 0:35:14 | 0:35:16 | |
She's OK. Just do as I ask, OK? | 0:35:16 | 0:35:21 | |
Salt's tin mine. | 0:35:22 | 0:35:24 | |
You come alone and she'll be safe, | 0:35:24 | 0:35:26 | |
just as long as you come alone. So no police. Understand?! | 0:35:26 | 0:35:30 | |
Not until I've told you the truth. | 0:35:30 | 0:35:32 | |
DIALLING TONE Who's Ben?! | 0:35:34 | 0:35:36 | |
It doesn't matter. Beth's at Salt's tin mine. | 0:35:36 | 0:35:38 | |
-Call Davey. -No! | 0:35:38 | 0:35:40 | |
He said come alone. | 0:35:40 | 0:35:41 | |
We have to think of what's best for Beth. | 0:35:41 | 0:35:44 | |
JANE SIGHS | 0:35:46 | 0:35:48 | |
Beth?! | 0:36:06 | 0:36:08 | |
-Mum! Mum! -Shut up! | 0:36:09 | 0:36:12 | |
-Beth! -Mum! -I told you to come alone! | 0:36:12 | 0:36:16 | |
-Stay back! -I'm just here as a friend. | 0:36:16 | 0:36:18 | |
-Ben, please let her go. -Not until you hear me out! | 0:36:18 | 0:36:21 | |
-Argh! -Hey-hey-hey-hey. -Please. Please. -Now, listen to me! | 0:36:21 | 0:36:24 | |
You look for the good in people, hm? | 0:36:24 | 0:36:27 | |
So you have to understand it was an accident. | 0:36:27 | 0:36:32 | |
Malik, he...he told me that we digging for Charlie's stash. | 0:36:32 | 0:36:39 | |
He promised me! | 0:36:39 | 0:36:42 | |
This isn't Charlie's stash! | 0:36:49 | 0:36:51 | |
What is this?! | 0:36:53 | 0:36:54 | |
Ohhhhh! | 0:36:56 | 0:36:58 | |
Her mother has a right to know what happened. | 0:36:58 | 0:37:00 | |
We're giving her peace after what Sutton did. | 0:37:00 | 0:37:03 | |
Oh! I need money! I need money! | 0:37:03 | 0:37:06 | |
I've given up everything for this! | 0:37:06 | 0:37:08 | |
-We're doing a good thing. -A good thing?! | 0:37:08 | 0:37:10 | |
What are you talking about, a good thing?! | 0:37:10 | 0:37:12 | |
-She's dead! -No, no, no, no! -The girl is dead! | 0:37:12 | 0:37:15 | |
You fool! | 0:37:15 | 0:37:18 | |
A-A-A-A-A-A-A-Argh! | 0:37:18 | 0:37:20 | |
Oh! | 0:37:20 | 0:37:23 | |
HE HYPERVENTILATES | 0:37:23 | 0:37:25 | |
BEN GRUNTS | 0:37:39 | 0:37:41 | |
HE SIGHS | 0:38:05 | 0:38:07 | |
Please let her go. I promise, I will give you all the help I can. | 0:38:08 | 0:38:11 | |
We both will. | 0:38:11 | 0:38:13 | |
You don't care about me. | 0:38:13 | 0:38:14 | |
You'd only care about me if I was dead! | 0:38:16 | 0:38:19 | |
All the time and the millions wasted trying to find a dead girl. | 0:38:19 | 0:38:24 | |
Just a few thousand pounds would have sorted me out, hm? | 0:38:25 | 0:38:28 | |
Oh, but no-one listens until it's too late. | 0:38:28 | 0:38:31 | |
No, no, no. We're the same, Ben, you and me. | 0:38:31 | 0:38:34 | |
You think I don't get hacked off with the system? | 0:38:34 | 0:38:37 | |
Where's the breaks for the man on the street, eh? | 0:38:37 | 0:38:39 | |
Exactly. No-one cares. | 0:38:39 | 0:38:41 | |
Oh, I care. I care, Ben. | 0:38:41 | 0:38:44 | |
That's why I'm saying, mate, you've got to let her go. | 0:38:46 | 0:38:49 | |
Stay back, stay back. | 0:38:49 | 0:38:50 | |
Because if you don't, | 0:38:50 | 0:38:52 | |
you're no better than those cons you lock up every day. | 0:38:52 | 0:38:55 | |
And how are you going to look at yourself in the mirror knowing that, huh? | 0:38:55 | 0:38:58 | |
Come on, eh? Come on, Ben. | 0:39:01 | 0:39:03 | |
Too late. | 0:39:15 | 0:39:17 | |
Are you sure? Are you sure, Ben? | 0:39:18 | 0:39:20 | |
Oh, Davey. It's too dangerous. | 0:39:30 | 0:39:32 | |
Yeah, I know, I know that. | 0:39:32 | 0:39:34 | |
Not a lot of choice, though, is there? | 0:39:34 | 0:39:36 | |
Be careful. | 0:39:36 | 0:39:38 | |
Really slow. | 0:39:39 | 0:39:41 | |
DAVEY GRUNTS | 0:39:41 | 0:39:43 | |
Be careful! | 0:39:48 | 0:39:50 | |
I've got a faint pulse! | 0:39:58 | 0:39:59 | |
Yeah. Yeah, he's alive! | 0:40:02 | 0:40:04 | |
All right, young man, come on. Come on, hang in there. | 0:40:06 | 0:40:09 | |
Hey. You get any sleep? | 0:40:24 | 0:40:26 | |
Yeah, some. | 0:40:26 | 0:40:27 | |
I'm fine, Mum, really. | 0:40:27 | 0:40:29 | |
It could have been a lot worse. | 0:40:29 | 0:40:31 | |
Yeah, I know. I just can't believe he tracked me down like that. | 0:40:31 | 0:40:34 | |
-So stupid. -You should listen to your mum once in a while. | 0:40:34 | 0:40:37 | |
You can talk, uploading all those selfies. | 0:40:37 | 0:40:39 | |
Yeah, well, Mick's put a stop to that. | 0:40:39 | 0:40:42 | |
Some of my followers went a bit too far. | 0:40:42 | 0:40:46 | |
THEY LAUGH | 0:40:46 | 0:40:48 | |
-Hey. -Hey. -Davey. | 0:40:48 | 0:40:51 | |
Thanks for yesterday. | 0:40:51 | 0:40:53 | |
Ah, it's all right. All in a day's work, innit? | 0:40:53 | 0:40:56 | |
So, thought you'd want to hear this first hand. | 0:40:56 | 0:40:58 | |
The remains were Sophie Marks', weren't they? | 0:40:58 | 0:41:00 | |
Yeah. DNA's come back, it's a match. | 0:41:00 | 0:41:03 | |
And they arrested Sutton at the airport, so it's over. | 0:41:03 | 0:41:07 | |
Thank God for that. | 0:41:07 | 0:41:09 | |
Do you want to stay for breakfast? There's plenty to go around. | 0:41:09 | 0:41:12 | |
Er...no, I can't. | 0:41:12 | 0:41:14 | |
Annette's bending my ear about cutting the grass. | 0:41:14 | 0:41:17 | |
And it looks like rain later, so... | 0:41:17 | 0:41:19 | |
Maybe another day. | 0:41:19 | 0:41:20 | |
Yeah, another day. | 0:41:21 | 0:41:24 | |
CHEERING AND APPLAUSE | 0:41:51 | 0:41:53 |