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-Happy? -Yeah. | 0:00:02 | 0:00:04 | |
Me too. | 0:00:04 | 0:00:05 | |
I've never felt this way about anyone. | 0:00:06 | 0:00:09 | |
I know we've not known each other that long, but I know that | 0:00:09 | 0:00:14 | |
this feels right. | 0:00:14 | 0:00:16 | |
And I... This might sound crazy. | 0:00:16 | 0:00:20 | |
But what would you say to us moving in together? | 0:00:21 | 0:00:24 | |
DOG BARKS | 0:00:39 | 0:00:40 | |
-It's not like you're getting any younger. -Give it a rest, Mum. | 0:01:17 | 0:01:20 | |
-You got plans this weekend? -You trying to get shot of me? | 0:01:20 | 0:01:22 | |
-I'm just saying - it's time you went to bed with something other than work. -Mum! | 0:01:22 | 0:01:26 | |
Well, last night, you feel asleep with the light on. Again. | 0:01:26 | 0:01:28 | |
With your glasses on. Again. | 0:01:28 | 0:01:30 | |
With work papers falling out of your hand. | 0:01:30 | 0:01:32 | |
Morning. | 0:01:32 | 0:01:33 | |
Oh, you tell her, Davey. She won't listen to her mother. | 0:01:33 | 0:01:35 | |
What, and you think she'd listen to me? | 0:01:35 | 0:01:37 | |
You're not here this early to gang up on me. | 0:01:37 | 0:01:39 | |
No. No, I wish. | 0:01:39 | 0:01:41 | |
A body's been found near Baillie's Causeway. | 0:01:41 | 0:01:44 | |
OK, give me five minutes. | 0:01:44 | 0:01:46 | |
Honestly, Davey. Tell her to give herself a shake. | 0:01:46 | 0:01:49 | |
Get a life. | 0:01:49 | 0:01:50 | |
I heard that. | 0:01:50 | 0:01:51 | |
No ID on him. | 0:02:10 | 0:02:12 | |
Pathologist reckons he's been there for several hours. | 0:02:12 | 0:02:15 | |
If you look at his clothes, they're wet. | 0:02:15 | 0:02:17 | |
It was raining last night, but they think it stopped about 1am, apparently. | 0:02:17 | 0:02:21 | |
-So he's been here all night? -Yeah. | 0:02:21 | 0:02:24 | |
We think he lost control of the car, swerved off the road. | 0:02:24 | 0:02:27 | |
Probably drunk driving. | 0:02:27 | 0:02:28 | |
Got out and was hit by a passing vehicle. | 0:02:28 | 0:02:31 | |
Hit and run? | 0:02:32 | 0:02:34 | |
Looks that way. No CCTV this far out of town, though. | 0:02:34 | 0:02:38 | |
PHONE RINGS | 0:02:38 | 0:02:39 | |
Excuse me. | 0:02:41 | 0:02:42 | |
Hello. ..Yeah, go on, let's have it. | 0:02:42 | 0:02:45 | |
..All right, OK. Good work. | 0:02:45 | 0:02:47 | |
We've got an ID from the registration number. | 0:02:49 | 0:02:52 | |
Jason Daniels. | 0:02:53 | 0:02:54 | |
"JD is king". | 0:02:56 | 0:02:58 | |
Poor old JD. | 0:03:00 | 0:03:01 | |
Are you sure this is all right, Mrs Daniels? He has sustained some serious facial injuries. | 0:03:04 | 0:03:10 | |
I need to see him. | 0:03:10 | 0:03:11 | |
Is this your husband, Jason Daniels? | 0:03:18 | 0:03:20 | |
SHE LAUGHS | 0:03:22 | 0:03:23 | |
No. No, no, it's not him. | 0:03:23 | 0:03:26 | |
It's the shock. | 0:03:26 | 0:03:28 | |
Sorry. Sorry, I, er... | 0:03:28 | 0:03:30 | |
It's fine. Take as long as you need. | 0:03:30 | 0:03:32 | |
Do you know who this man is? | 0:03:32 | 0:03:33 | |
No. No, can you cover him up? | 0:03:33 | 0:03:36 | |
Are you sure? | 0:03:36 | 0:03:38 | |
Yes, quite sure. Can you cover him up now, please? | 0:03:38 | 0:03:42 | |
I'm very sorry. Is there anything I can do? | 0:03:42 | 0:03:45 | |
No. I... I need to go. | 0:03:45 | 0:03:47 | |
I-I want to talk to my husband. | 0:03:47 | 0:03:49 | |
So do we. | 0:03:49 | 0:03:51 | |
Davey... | 0:03:51 | 0:03:53 | |
-Yes. Sorry, Mrs Daniels. If you'd like to follow me out. -Thank you. | 0:03:54 | 0:03:58 | |
I knew I'd find you in here. | 0:04:04 | 0:04:06 | |
Yeah. I'll be there in a minute. | 0:04:06 | 0:04:07 | |
Whoa. | 0:04:09 | 0:04:10 | |
Have you seen this? | 0:04:13 | 0:04:14 | |
What? | 0:04:14 | 0:04:16 | |
Well, I've heard of blowing your own trumpet, but even still. | 0:04:16 | 0:04:19 | |
Seriously, Clint, can you show some respect? | 0:04:19 | 0:04:22 | |
No, look. | 0:04:22 | 0:04:23 | |
"Paradise awaits". | 0:04:28 | 0:04:30 | |
OK. We're back to square one. | 0:04:35 | 0:04:37 | |
So I'm going to need you to get me everything you can on Jason Daniels. | 0:04:37 | 0:04:40 | |
Where he went to school, how he made his money. | 0:04:40 | 0:04:41 | |
Did he owe money? Did he have a driver? | 0:04:41 | 0:04:44 | |
Anything. OK? | 0:04:44 | 0:04:46 | |
Have the forensic guys finished? | 0:04:46 | 0:04:47 | |
Yeah, all secured, Sarge. | 0:04:47 | 0:04:48 | |
All right. | 0:04:48 | 0:04:49 | |
We've traced it to a Fred Clegg. | 0:05:22 | 0:05:23 | |
And we found "Dad" in his list of contacts | 0:05:23 | 0:05:25 | |
so his folks are on the way in now. | 0:05:25 | 0:05:27 | |
Can you do me a favour? | 0:05:27 | 0:05:28 | |
Can you speak to them for me, please? | 0:05:28 | 0:05:31 | |
Yes, of course. | 0:05:31 | 0:05:32 | |
Thanks. I've got Jason Daniels coming in for interview. | 0:05:32 | 0:05:35 | |
Who is this "A" person? | 0:05:35 | 0:05:37 | |
"CAN'T W8 2 C U AGAIN". | 0:05:37 | 0:05:39 | |
Well, it's his girlfriend, by the looks of it. | 0:05:39 | 0:05:41 | |
What makes you so sure it's a woman? | 0:05:41 | 0:05:43 | |
Judging by the picture she sent. | 0:05:43 | 0:05:45 | |
PHONE BEEPS | 0:05:45 | 0:05:46 | |
Oh, yeah, that would clinch it. | 0:05:46 | 0:05:48 | |
Yeah, it would, wouldn't it? And there's the text messages. | 0:05:48 | 0:05:51 | |
"Can't stop thinking about you." | 0:05:51 | 0:05:52 | |
"Can't wait to see you again." Really lovey-dovey. | 0:05:52 | 0:05:54 | |
Up until last night and then it's... | 0:05:54 | 0:05:56 | |
"Sorry about what I said." "I didn't mean to push you away." | 0:05:56 | 0:05:59 | |
"Please can we go back to the way we were?" | 0:05:59 | 0:06:01 | |
She's got it bad, hasn't she? | 0:06:01 | 0:06:02 | |
Have you spoken to her? | 0:06:02 | 0:06:03 | |
No, not yet. | 0:06:03 | 0:06:04 | |
I want to get a positive ID from his parents first. | 0:06:04 | 0:06:07 | |
-KNOCK ON DOOR -Yeah? | 0:06:07 | 0:06:08 | |
Jason Daniels. | 0:06:08 | 0:06:09 | |
Ah, right. Thank you. Mr Daniels. DS Higgins. | 0:06:09 | 0:06:12 | |
My colleague, Jane Kennedy, the coroner. | 0:06:12 | 0:06:15 | |
Pleased to meet you. I'll leave you to it. | 0:06:15 | 0:06:17 | |
Yeah. Have a seat. | 0:06:20 | 0:06:21 | |
Right. I won't beat around the bush. | 0:06:23 | 0:06:25 | |
Do you know this man? | 0:06:26 | 0:06:28 | |
Is that the guy that stole my car? | 0:06:28 | 0:06:29 | |
Are you saying your car was stolen? | 0:06:29 | 0:06:31 | |
While I was away, obviously. Is there any damage? | 0:06:31 | 0:06:35 | |
No. It's just a slight bump. | 0:06:35 | 0:06:37 | |
That's a relief. When can I get it back? | 0:06:37 | 0:06:39 | |
A day or two, I should think. | 0:06:39 | 0:06:41 | |
So, the man in the photo. You don't know him, no? | 0:06:41 | 0:06:44 | |
No. | 0:06:44 | 0:06:45 | |
Right, OK. | 0:06:45 | 0:06:46 | |
Look, I'm very sorry about the mix-up this morning. | 0:06:46 | 0:06:48 | |
Your wife tried to call you. So did we. | 0:06:48 | 0:06:50 | |
But we just got the answerphone. | 0:06:50 | 0:06:52 | |
Have you any idea what you put her through this morning? | 0:06:52 | 0:06:54 | |
Ah, well, like I said, I'm very sorry. | 0:06:54 | 0:06:56 | |
We just have to go with the information that's in front of us. | 0:06:56 | 0:06:59 | |
Yeah, I appreciate that, Sergeant. | 0:06:59 | 0:07:00 | |
So I won't be taking it any further - for the moment. | 0:07:00 | 0:07:04 | |
Terrible business. | 0:07:07 | 0:07:09 | |
He might've been a thief, but to leave him at the side of the road, like a dog... | 0:07:10 | 0:07:14 | |
If there's anything I can do to help with your enquiries? | 0:07:14 | 0:07:16 | |
Ah, yeah, actually. It would be handy to get your fingerprints. | 0:07:16 | 0:07:20 | |
Just for the purposes of elimination. | 0:07:20 | 0:07:21 | |
Should take about ten minutes. | 0:07:21 | 0:07:23 | |
Of course. | 0:07:23 | 0:07:24 | |
And if you need anything else, you can get me in the office. | 0:07:24 | 0:07:27 | |
Ah, right. OK, great, thanks. | 0:07:29 | 0:07:31 | |
OK, I'll show you the way. | 0:07:31 | 0:07:33 | |
I'll let you know as soon as we have any information. | 0:07:34 | 0:07:36 | |
Take care. | 0:07:36 | 0:07:37 | |
Thanks, Sheila. | 0:07:41 | 0:07:43 | |
Hey. | 0:07:43 | 0:07:44 | |
That his folks? | 0:07:44 | 0:07:45 | |
Yes. We've got a positive ID. | 0:07:45 | 0:07:48 | |
Everyone knew him as Fred, but to his mum, he was always Freddy. | 0:07:48 | 0:07:51 | |
PM results. | 0:07:53 | 0:07:55 | |
Right, shall we? | 0:07:56 | 0:07:57 | |
"Examination of the scalp shows evidence of bruising. | 0:08:01 | 0:08:03 | |
"Scalp lacerations with comminuted, depressed skull fractures. | 0:08:03 | 0:08:08 | |
"Extradural and subdural bleeding..." | 0:08:08 | 0:08:10 | |
I can read, Davey. | 0:08:10 | 0:08:11 | |
"Not compatible with a pedestrian road traffic collision." | 0:08:16 | 0:08:19 | |
We've got blood where his head was banged on the door. | 0:08:23 | 0:08:26 | |
There are two sets of prints all over the car. | 0:08:26 | 0:08:28 | |
But there's a third set on the driver's side door handle there, | 0:08:28 | 0:08:31 | |
and on the seat there. | 0:08:31 | 0:08:32 | |
And if you come round here... | 0:08:32 | 0:08:34 | |
..we've got some scratches there. Traces of black paint. | 0:08:35 | 0:08:39 | |
So...? | 0:08:40 | 0:08:41 | |
We think he was run off the road, dragged from the car, beaten up. | 0:08:41 | 0:08:44 | |
And left for dead. | 0:08:44 | 0:08:46 | |
Yeah, well, we know that he lay there for several hours. | 0:08:46 | 0:08:48 | |
So, it's either a murder or a serious assault gone wrong. | 0:08:48 | 0:08:51 | |
Or it wasn't meant for him? | 0:08:51 | 0:08:53 | |
Yeah. Well... | 0:08:54 | 0:08:55 | |
..that number plate does rather scream, "Here I am. | 0:08:56 | 0:08:59 | |
"Come and get me," doesn't it? | 0:08:59 | 0:09:01 | |
So... Fred steals a car for whatever reason. | 0:09:01 | 0:09:05 | |
Takes a hit for Jason Daniels. | 0:09:05 | 0:09:07 | |
Yeah. Either way, a serious crime. | 0:09:07 | 0:09:09 | |
So, what's next? | 0:09:09 | 0:09:11 | |
Well, I'm going to go to Fred Clegg's flat. | 0:09:11 | 0:09:13 | |
Then I've gotta see this "A" woman. | 0:09:13 | 0:09:15 | |
Give her the bad news. | 0:09:15 | 0:09:16 | |
OK. I'll see you later, then. | 0:09:16 | 0:09:18 | |
Hang on. | 0:09:18 | 0:09:20 | |
-What? -Well, are you busy just now? | 0:09:20 | 0:09:22 | |
Why? | 0:09:23 | 0:09:25 | |
Oh, come on. You know this is the bit I hate. | 0:09:25 | 0:09:28 | |
Breaking bad news? Or asking me for help? | 0:09:28 | 0:09:30 | |
Both. You're much better at it than I am. | 0:09:30 | 0:09:33 | |
-Is that a please? -Is that a yes? | 0:09:33 | 0:09:34 | |
Yes, go on, then. | 0:09:34 | 0:09:35 | |
Oh, wow! "J Daniels Developments"? | 0:09:37 | 0:09:40 | |
Yeah, he's converting an old church into 40 new harbourside flats. | 0:09:40 | 0:09:44 | |
And he owns a nightclub, too. | 0:09:44 | 0:09:47 | |
The Lighthouse, you know it? | 0:09:47 | 0:09:48 | |
No. | 0:09:48 | 0:09:49 | |
He's Mr Big Shot, you know. A player. | 0:09:49 | 0:09:53 | |
I don't know any Fred Clegg. What's this about? | 0:10:06 | 0:10:09 | |
Do you know this man? | 0:10:11 | 0:10:12 | |
That's Jeremy. | 0:10:12 | 0:10:14 | |
Jeremy? | 0:10:14 | 0:10:15 | |
Jeremy Dutton. Why do you want to know? | 0:10:15 | 0:10:18 | |
No... He can't be. No! | 0:10:27 | 0:10:29 | |
-What's going on? -Oh, Steve! | 0:10:29 | 0:10:31 | |
Hey, it's all right. | 0:10:31 | 0:10:33 | |
Jeremy. He's dead! | 0:10:33 | 0:10:34 | |
What? Dead? | 0:10:34 | 0:10:36 | |
Oh, yeah, sorry. DS Higgins, South Dart Police. | 0:10:36 | 0:10:39 | |
This is my colleague, Jane Kennedy. She's the coroner. | 0:10:39 | 0:10:42 | |
You're? | 0:10:42 | 0:10:43 | |
Steve Johnson. | 0:10:43 | 0:10:44 | |
My ex. | 0:10:44 | 0:10:46 | |
Look, I understand this is very difficult, | 0:10:46 | 0:10:47 | |
but we really need you to tell us | 0:10:47 | 0:10:50 | |
everything you know about, er, Jeremy? | 0:10:50 | 0:10:52 | |
He was an airline pilot. | 0:10:52 | 0:10:55 | |
Er, no, actually. He was a window cleaner. | 0:10:55 | 0:10:57 | |
What? | 0:10:57 | 0:10:58 | |
And his name wasn't Jeremy. It was Fred. Fred Clegg. | 0:10:58 | 0:11:02 | |
How did you meet him? | 0:11:02 | 0:11:03 | |
On a dating site - Perfect Pair. | 0:11:03 | 0:11:07 | |
Look, there must be some mistake. | 0:11:08 | 0:11:10 | |
He was loaded. That car of his, | 0:11:10 | 0:11:13 | |
I mean, the starting price is 70 grand. | 0:11:13 | 0:11:16 | |
Well, we have reason to believe that he stole it. | 0:11:16 | 0:11:18 | |
When? | 0:11:18 | 0:11:19 | |
Last night. | 0:11:19 | 0:11:20 | |
No, you're wrong. It's his car. | 0:11:20 | 0:11:23 | |
He's always got it. | 0:11:23 | 0:11:25 | |
He can't be a window cleaner. He can't be. | 0:11:26 | 0:11:30 | |
Can you think of anyone who would want to hurt him? | 0:11:30 | 0:11:32 | |
Look, she hardly knew the guy. | 0:11:32 | 0:11:33 | |
Excuse me, but how did you hurt your hand? | 0:11:33 | 0:11:36 | |
Comes with the job. I'm a bouncer. | 0:11:38 | 0:11:41 | |
Where? | 0:11:41 | 0:11:42 | |
Pubs, mostly. | 0:11:42 | 0:11:43 | |
I can't believe he's dead. | 0:11:43 | 0:11:46 | |
Look, she's upset. You better leave. | 0:11:46 | 0:11:49 | |
Yeah, sorry. | 0:11:49 | 0:11:50 | |
Yeah, but you were one of the last people to see him alive. | 0:11:50 | 0:11:52 | |
So we will want to talk to you again. All right. | 0:11:52 | 0:11:55 | |
We'll be in touch. | 0:11:55 | 0:11:57 | |
-Wow. -Ooh. Classy. | 0:12:10 | 0:12:14 | |
Yeah, looks like he's going for the old sexy bachelor pad vibe. | 0:12:14 | 0:12:19 | |
What? | 0:12:19 | 0:12:21 | |
I don't think anyone says "pad" any more. | 0:12:21 | 0:12:23 | |
Don't they? | 0:12:23 | 0:12:24 | |
No! | 0:12:24 | 0:12:25 | |
Come and have a look at this! | 0:12:29 | 0:12:31 | |
This room looks like it's seen some action. | 0:12:31 | 0:12:34 | |
-Or don't we say "action" anymore? -How would I know? | 0:12:34 | 0:12:38 | |
-He's certainly got a one-track mind. -Yeah. | 0:12:38 | 0:12:40 | |
Looks like he broke the bed. | 0:12:45 | 0:12:46 | |
What are you doing? | 0:12:46 | 0:12:48 | |
PHONE RINGS | 0:12:58 | 0:13:00 | |
Hello, Yes? | 0:13:00 | 0:13:02 | |
..No, it's all right, go on. | 0:13:02 | 0:13:04 | |
Really? | 0:13:05 | 0:13:07 | |
..No, OK, good. Good work. OK, bye. | 0:13:07 | 0:13:11 | |
Bye. | 0:13:11 | 0:13:12 | |
We've got it. The connection between Fred Clegg and Jason Daniels. | 0:13:13 | 0:13:17 | |
Sergeant. | 0:13:48 | 0:13:50 | |
I asked you specifically to come and see me in the office. | 0:13:52 | 0:13:55 | |
Surely this can wait till tomorrow? | 0:13:55 | 0:13:56 | |
I'm afraid it can't, no. | 0:13:56 | 0:13:58 | |
I'm sorry about this, darling. | 0:13:58 | 0:14:00 | |
OK, I'm back. Where were we? | 0:14:01 | 0:14:03 | |
Sorry, Mrs Daniels, could you stay? | 0:14:03 | 0:14:04 | |
You need to hear this. | 0:14:04 | 0:14:06 | |
I'll call you back in ten minutes. | 0:14:06 | 0:14:08 | |
We now know that Fred Clegg's death wasn't caused | 0:14:10 | 0:14:13 | |
by a hit and run, but by a vicious attack. | 0:14:13 | 0:14:15 | |
That's awful. | 0:14:15 | 0:14:17 | |
Yeah. | 0:14:17 | 0:14:18 | |
But what we don't know is if that attack was meant for him or for you. | 0:14:18 | 0:14:21 | |
What? | 0:14:21 | 0:14:22 | |
So, can you think of anyone who might want to harm you? | 0:14:22 | 0:14:25 | |
Well, you don't get to be this successful without making a few enemies. | 0:14:25 | 0:14:28 | |
What do you mean "enemies"? | 0:14:28 | 0:14:30 | |
You know, business rivals, resentful losers, | 0:14:30 | 0:14:32 | |
that kind of thing. | 0:14:32 | 0:14:33 | |
Look, if the attack was meant for you, | 0:14:33 | 0:14:35 | |
then you might still be at risk. | 0:14:35 | 0:14:36 | |
That's what you've come to say, isn't it? | 0:14:36 | 0:14:38 | |
So you need to be extra careful. Promise me. | 0:14:38 | 0:14:41 | |
PHONE RINGS | 0:14:41 | 0:14:42 | |
I'm sorry, I really need to take this. | 0:14:43 | 0:14:47 | |
She's a very busy woman, my wife. | 0:14:47 | 0:14:49 | |
She's a fund manager, you know. One of the best. | 0:14:51 | 0:14:54 | |
Er, could you do me a favour? | 0:14:55 | 0:14:57 | |
Would you mind looking at this photo again, please? | 0:14:57 | 0:14:59 | |
Actually. I wonder... Could be the window cleaner at my offices. Is it? | 0:15:04 | 0:15:11 | |
-It is. Yes. -That's it. | 0:15:13 | 0:15:15 | |
He cleaned the windows inside and out. | 0:15:15 | 0:15:18 | |
Actually, he's been in my office. | 0:15:18 | 0:15:20 | |
He could've taken my car keys, stolen my car. | 0:15:21 | 0:15:24 | |
Well, that car was used on several occasions. | 0:15:24 | 0:15:27 | |
Are you saying he stole it repeatedly? | 0:15:27 | 0:15:29 | |
-He must've done. -I find that hard to believe. | 0:15:29 | 0:15:32 | |
I know. It's outrageous. | 0:15:32 | 0:15:34 | |
But now I come to think of it, I lost a set of car keys a few months ago. | 0:15:34 | 0:15:38 | |
He must've nicked them and taken the car whenever he liked. | 0:15:38 | 0:15:41 | |
You must have a high level of security there, though. | 0:15:41 | 0:15:44 | |
Yes, but I'm out and about all day and I'm often away on business. | 0:15:44 | 0:15:46 | |
I leave it all over the place. | 0:15:46 | 0:15:49 | |
I find that very hard to believe. | 0:15:49 | 0:15:50 | |
It's just a car. I'm not precious about it. | 0:15:50 | 0:15:54 | |
"It's just a car. I'm not precious about it." | 0:16:00 | 0:16:02 | |
I mean, how crass is that? | 0:16:02 | 0:16:03 | |
I don't think his wife would disagree with you. | 0:16:03 | 0:16:05 | |
-What do you mean? -You didn't see the way she looked at him? | 0:16:05 | 0:16:07 | |
No, but I saw her reaction when she saw the body. | 0:16:07 | 0:16:10 | |
She was pretty shaken. | 0:16:10 | 0:16:11 | |
Could be because it wasn't him. | 0:16:11 | 0:16:13 | |
I think she's worth checking out. | 0:16:13 | 0:16:14 | |
Oh, right, so you think she's hired a hitman and he's got the wrong guy because of the stolen car. | 0:16:14 | 0:16:18 | |
Pretty rubbish hitman. | 0:16:18 | 0:16:19 | |
I've got a feeling about her. | 0:16:19 | 0:16:21 | |
Wrong tree, love. | 0:16:21 | 0:16:23 | |
Hey! What do you think you're doing? | 0:16:30 | 0:16:33 | |
I believe this is your car? | 0:16:33 | 0:16:35 | |
What if it is? | 0:16:35 | 0:16:36 | |
How did you get that dent on the side? | 0:16:36 | 0:16:39 | |
Some woman ran into me. Why? | 0:16:39 | 0:16:42 | |
What's this about? | 0:16:42 | 0:16:43 | |
Where were you on Sunday night? | 0:16:43 | 0:16:45 | |
Last Sunday? At my mum's. | 0:16:45 | 0:16:47 | |
Putting up her curtains. | 0:16:47 | 0:16:48 | |
Oh, that's nice. Till when? | 0:16:48 | 0:16:50 | |
Early hours. Four. Five. | 0:16:50 | 0:16:53 | |
She fed me that much I fell asleep on her couch, didn't I? | 0:16:53 | 0:16:56 | |
Do you know this guy? | 0:16:58 | 0:17:00 | |
No. Should I? | 0:17:01 | 0:17:03 | |
His name's Jason Daniels. Ring any bells? | 0:17:03 | 0:17:05 | |
Never heard of him. | 0:17:05 | 0:17:07 | |
How about you, love? | 0:17:07 | 0:17:09 | |
Sorry. | 0:17:09 | 0:17:10 | |
There's no need to be sorry. | 0:17:10 | 0:17:12 | |
I just want to eliminate you from our enquiries. | 0:17:12 | 0:17:14 | |
Actually, would you mind coming down to the station | 0:17:14 | 0:17:16 | |
so I can take your fingerprints? | 0:17:16 | 0:17:18 | |
-Are you charging me? -No. | 0:17:18 | 0:17:19 | |
So I'll pass. | 0:17:19 | 0:17:21 | |
Come on, let's go. | 0:17:21 | 0:17:23 | |
I will need to take a statement from you, though, love. | 0:17:23 | 0:17:25 | |
So probably best that you come down to the station. | 0:17:25 | 0:17:28 | |
On your own. | 0:17:29 | 0:17:30 | |
Oh, good. | 0:17:37 | 0:17:38 | |
Oh, back off, Mum. It's for work. | 0:17:38 | 0:17:40 | |
I'm looking for someone specific. | 0:17:40 | 0:17:43 | |
How are you meant to find someone on this, anyway? | 0:17:43 | 0:17:45 | |
Well, you gotta register. Put in your e-mail address. | 0:17:45 | 0:17:47 | |
-Uh, no way. -Well, use mine. Budge over. | 0:17:47 | 0:17:51 | |
Right... | 0:17:58 | 0:17:59 | |
We're in. | 0:18:04 | 0:18:06 | |
What's his age? | 0:18:06 | 0:18:08 | |
-36. -35 to 37. | 0:18:08 | 0:18:11 | |
Do you want his name? | 0:18:11 | 0:18:12 | |
People don't use their names. Only usernames. | 0:18:12 | 0:18:15 | |
-Have you never used a dating site before? -No. | 0:18:15 | 0:18:18 | |
-Seriously? -Seriously. | 0:18:18 | 0:18:19 | |
-Seriously? -Seriously. | 0:18:19 | 0:18:20 | |
Distance? | 0:18:22 | 0:18:23 | |
Er...five miles. | 0:18:23 | 0:18:25 | |
Here we go | 0:18:25 | 0:18:26 | |
No. | 0:18:28 | 0:18:29 | |
There's more. | 0:18:29 | 0:18:31 | |
That's him. | 0:18:31 | 0:18:33 | |
DOOR OPENS | 0:18:33 | 0:18:35 | |
Only me. | 0:18:35 | 0:18:36 | |
All right, my lover. | 0:18:38 | 0:18:40 | |
What's all this nonsense? | 0:18:42 | 0:18:44 | |
Er, nothing. | 0:18:44 | 0:18:45 | |
Oh, you're not thinking of buying a flat from this fly-boy, are ya? | 0:18:45 | 0:18:49 | |
I mean, yeah, it's time you had your own place. | 0:18:49 | 0:18:51 | |
Bit embarrassing living at home with your mum at your age. | 0:18:51 | 0:18:55 | |
-You know Jason Daniels? -Oh, yeah. | 0:18:55 | 0:18:57 | |
Wide-boy. It's all dirty tricks and dodgy deals with him. | 0:18:57 | 0:19:00 | |
You say that about every successful businessman. | 0:19:00 | 0:19:02 | |
No, I don't. Anyway, I've had dealings with this little runt. | 0:19:02 | 0:19:06 | |
-Oh, yeah? -Yeah. Tried to do me out of the Black Dog. | 0:19:06 | 0:19:09 | |
Oh, yes. I remember that. | 0:19:09 | 0:19:10 | |
Yeah. Offers to buy me out for a ridiculously low price. | 0:19:10 | 0:19:13 | |
I refuse. Next thing, there's bother. Fights every night. | 0:19:13 | 0:19:17 | |
Break-ins. Place getting trashed. | 0:19:17 | 0:19:20 | |
-Couldn't prove anything, of course. -It was terrible. | 0:19:20 | 0:19:22 | |
But you didn't sell, obviously. | 0:19:22 | 0:19:24 | |
No. I just threatened to tell his wife. | 0:19:24 | 0:19:26 | |
How would you know his wife? | 0:19:26 | 0:19:28 | |
Oh, it's not hard to find out about her. | 0:19:28 | 0:19:30 | |
Real high-flyer. Stocks and shares and all that kind of stuff. | 0:19:30 | 0:19:33 | |
Look her up. | 0:19:33 | 0:19:34 | |
Yeah, I don't think she'd like to find out how much of | 0:19:34 | 0:19:37 | |
a low-life he really is. | 0:19:37 | 0:19:38 | |
Tidy little wife she is, too. | 0:19:39 | 0:19:41 | |
Not as tidy as you, my love. Not even close. | 0:19:43 | 0:19:46 | |
Well, there's Davey's car. | 0:19:49 | 0:19:50 | |
-Yeah, and here he is. -All right, Davey! | 0:19:50 | 0:19:53 | |
What are you doing here? What are you hoping to find? | 0:19:53 | 0:19:56 | |
Anything to give us a handle on Fred Clegg. You? | 0:19:56 | 0:19:59 | |
Speaking to the neighbours. Killing time, really. | 0:19:59 | 0:20:01 | |
-Till I can nail Steve Johnson. -Really? | 0:20:01 | 0:20:03 | |
Who's Steve Johnson? | 0:20:03 | 0:20:04 | |
Er, Adele Lesley's ex. | 0:20:04 | 0:20:06 | |
I got a bad feeling about that guy from the word go. | 0:20:06 | 0:20:09 | |
I've seen enough domestic violence in my time. | 0:20:09 | 0:20:11 | |
You think he hits her? | 0:20:11 | 0:20:12 | |
Well, maybe not yet. But he's got it in him. | 0:20:12 | 0:20:14 | |
He did it, Jane. | 0:20:14 | 0:20:15 | |
He's got a flimsy alibi, he's got a motive. | 0:20:15 | 0:20:17 | |
He refused to co-operate with the police. | 0:20:17 | 0:20:19 | |
He's got a black car, it's got a dent in it. | 0:20:19 | 0:20:21 | |
I just gotta get forensics to put that car at the crime scene, | 0:20:21 | 0:20:24 | |
game over. | 0:20:24 | 0:20:25 | |
Whoa, hold on. Keys to Fred Clegg's flat? | 0:20:26 | 0:20:29 | |
Well, I suppose I can't stop you, but you're wasting your time. | 0:20:31 | 0:20:36 | |
It's in the bag. | 0:20:36 | 0:20:37 | |
You know, Davey's too confident. | 0:20:44 | 0:20:46 | |
We're missing something with Fred Clegg. | 0:20:46 | 0:20:48 | |
I mean, money under the bed, false ID. | 0:20:48 | 0:20:51 | |
Who are you? | 0:21:15 | 0:21:16 | |
Stay back! | 0:21:19 | 0:21:21 | |
-All right. -Back! -All right. All right. | 0:21:21 | 0:21:22 | |
-Let me go. -Keep calm. Let it go. Let it go. | 0:21:22 | 0:21:25 | |
You go, I'll get Davey. | 0:21:27 | 0:21:28 | |
OK. | 0:21:28 | 0:21:29 | |
Enough! Enough! | 0:21:51 | 0:21:53 | |
Calm down! | 0:21:56 | 0:21:57 | |
It was a one-night stand, all right? | 0:21:59 | 0:22:01 | |
But I couldn't find my bracelet. | 0:22:01 | 0:22:02 | |
Didn't have his number. | 0:22:02 | 0:22:04 | |
Then I read in the paper the guy's dead, recognised the name. | 0:22:04 | 0:22:07 | |
Hit and run, it said. | 0:22:07 | 0:22:08 | |
So, I'm thinking better take matters into your own hands, Jinty, my girl. | 0:22:08 | 0:22:12 | |
Once the family swoop in, you'll never see that bracelet again. | 0:22:12 | 0:22:15 | |
So you broke in? | 0:22:15 | 0:22:16 | |
No. I told you. | 0:22:16 | 0:22:17 | |
That lock was broke when I got there. | 0:22:17 | 0:22:19 | |
Why didn't you call the police? | 0:22:19 | 0:22:20 | |
Respect for the guy's memory. Fred, that's right. Fred's memory. | 0:22:20 | 0:22:26 | |
Didn't want the fuzz digging into his sex life and that. | 0:22:26 | 0:22:29 | |
Really. Is that the best you can do? | 0:22:29 | 0:22:30 | |
It's the truth. | 0:22:30 | 0:22:32 | |
Well, you may have had a one-night stand. | 0:22:32 | 0:22:33 | |
And you may have thought the guy had a bit of money stashed away. | 0:22:33 | 0:22:36 | |
And you may have read he was dead, so you saw your opportunity and you broke in. | 0:22:36 | 0:22:39 | |
-I never. How many times? -Well, you didn't report a break-in to the police, did you? | 0:22:39 | 0:22:42 | |
Two witnesses saw you ransacking the place. | 0:22:42 | 0:22:45 | |
And I know you've got a criminal record. | 0:22:45 | 0:22:47 | |
Joyriding. Shoplifting. | 0:22:47 | 0:22:48 | |
So, I may just charge you with burglary with intent. | 0:22:48 | 0:22:51 | |
-No way. -Come on, Jinty. Sit down. | 0:22:51 | 0:22:53 | |
I think you can help us. | 0:22:55 | 0:22:56 | |
How? | 0:22:56 | 0:22:57 | |
Tell us about Fred Clegg. | 0:22:58 | 0:23:00 | |
Did you meet him on a dating site? | 0:23:00 | 0:23:02 | |
No way. Creeps and losers, that's all you find on there. | 0:23:02 | 0:23:05 | |
Great! My mum keeps trying to get me to join one. | 0:23:05 | 0:23:07 | |
-Your mum? -Yeah, I know. | 0:23:07 | 0:23:10 | |
Look, Jinty, Fred Clegg was killed in suspicious circumstances, | 0:23:10 | 0:23:12 | |
so anything you can tell us, you know, that would help us. | 0:23:12 | 0:23:15 | |
Anything, anything at all. | 0:23:15 | 0:23:17 | |
He liked it rough. The rougher the better. | 0:23:17 | 0:23:21 | |
I mean rough. | 0:23:21 | 0:23:22 | |
Slapping, hitting, | 0:23:24 | 0:23:25 | |
shoving, slamming you right up the... | 0:23:25 | 0:23:27 | |
Yeah, all right. I get the idea. | 0:23:27 | 0:23:29 | |
I knew sex was important to him when I saw that tattoo. | 0:23:29 | 0:23:32 | |
What tattoo? | 0:23:32 | 0:23:33 | |
Fred Clegg? Can you describe him to me? | 0:23:35 | 0:23:38 | |
About five ten. Dark hair. | 0:23:41 | 0:23:44 | |
Blue eyes. Smooth skin. No tattoos. | 0:23:44 | 0:23:47 | |
Remind you of anyone? | 0:23:47 | 0:23:49 | |
Now, we can test Fred Clegg's sheets for your DNA | 0:23:49 | 0:23:51 | |
or we can do this the easy way. | 0:23:51 | 0:23:54 | |
All right, I'll tell you. | 0:23:57 | 0:24:01 | |
Then you can back off. | 0:24:01 | 0:24:02 | |
Go on. | 0:24:02 | 0:24:04 | |
I love my wife. I really do. | 0:24:05 | 0:24:07 | |
I adore her. | 0:24:07 | 0:24:08 | |
But, well, she's a workaholic. | 0:24:10 | 0:24:12 | |
She never switches off and when she does, she's just too tired. | 0:24:12 | 0:24:15 | |
Anyway, in my position, women throw themselves at me | 0:24:17 | 0:24:20 | |
all the time. I've fallen for it before. Gold-diggers. | 0:24:20 | 0:24:25 | |
The type that want Anna to find out so they can get their hooks in. | 0:24:25 | 0:24:28 | |
I've nearly lost her because of them. | 0:24:28 | 0:24:30 | |
So? | 0:24:30 | 0:24:32 | |
Then I hooked up with Fred. | 0:24:32 | 0:24:34 | |
Turns out we're from the same council estate. | 0:24:34 | 0:24:36 | |
Fancy that. | 0:24:36 | 0:24:38 | |
Fred was footloose and fancy-free, but no money. | 0:24:38 | 0:24:40 | |
And I had all this dosh and nothing to do with it. | 0:24:40 | 0:24:42 | |
So you swapped lives? | 0:24:42 | 0:24:44 | |
It's liberating, getting to be someone else. | 0:24:45 | 0:24:48 | |
Fred got to pull all the up-market birds and I got to have | 0:24:48 | 0:24:50 | |
some fun with no strings. | 0:24:50 | 0:24:52 | |
It was an arrangement, that's all. A bit of harmless fun. | 0:24:53 | 0:24:57 | |
I love my wife. I adore her. | 0:24:59 | 0:25:02 | |
So you said. | 0:25:03 | 0:25:05 | |
I've never heard anything like it. | 0:25:07 | 0:25:08 | |
Me neither. It's gross. | 0:25:08 | 0:25:10 | |
He claims to love his wife. | 0:25:10 | 0:25:12 | |
So why go to those lengths to cheat? | 0:25:12 | 0:25:14 | |
Marriage? The eternal mystery. | 0:25:14 | 0:25:16 | |
Who knows what makes people stick it out. | 0:25:16 | 0:25:18 | |
The hold one person has over another. | 0:25:18 | 0:25:20 | |
PHONE RINGS | 0:25:20 | 0:25:22 | |
Hello. ..Yeah, go on, yeah. | 0:25:22 | 0:25:24 | |
Oh, really? | 0:25:26 | 0:25:28 | |
You're sure? | 0:25:28 | 0:25:29 | |
All right, thanks. | 0:25:30 | 0:25:31 | |
Steve Johnson's car. Tyre tread doesn't match the crime scene. | 0:25:33 | 0:25:37 | |
Doesn't mean he didn't do it, though. | 0:25:37 | 0:25:38 | |
It just means he didn't use his own car. | 0:25:38 | 0:25:40 | |
What? | 0:25:42 | 0:25:43 | |
You're fixating on him. You need to look away. | 0:25:43 | 0:25:46 | |
Check out Anna Daniels. | 0:25:46 | 0:25:47 | |
Maybe she found out about this sordid little deal with Fred Clegg. | 0:25:47 | 0:25:50 | |
Well, well. | 0:26:07 | 0:26:09 | |
That's interesting. | 0:26:10 | 0:26:12 | |
Hello, there, could you put me through to the planning department, please? ..Thank you. | 0:26:23 | 0:26:28 | |
What? You got beat up by a girl? | 0:26:31 | 0:26:33 | |
-Come on. It's not funny. -No, it's not. She was like a wildcat. | 0:26:33 | 0:26:36 | |
-Yeah, she was totally out of control. If Jane hadn't pulled her off... -You mean Jane saved you? | 0:26:36 | 0:26:41 | |
Stop it. Pack it in, the pair of you. | 0:26:41 | 0:26:44 | |
Have you got a second? | 0:26:44 | 0:26:45 | |
Jason Daniels' business is in serious trouble. | 0:26:46 | 0:26:50 | |
-Really? -Yeah. You know the 40 new harbour flat conversions? | 0:26:50 | 0:26:53 | |
Well, he's pressed ahead without the right planning permission. | 0:26:53 | 0:26:55 | |
So he's got to rip out the staircases, replace the roof. | 0:26:55 | 0:26:58 | |
Pay back the deposits. And he's got a cash-flow problem. | 0:26:58 | 0:27:00 | |
And, for the record, I take no pleasure in that whatsoever. | 0:27:00 | 0:27:05 | |
What about his wife? | 0:27:05 | 0:27:06 | |
-Yeah, I did some digging on her as well. -Ways and Means Act? | 0:27:06 | 0:27:09 | |
Something like that, yep. She is hugely successful. | 0:27:09 | 0:27:12 | |
Works 24/7 and he plays the field. | 0:27:12 | 0:27:14 | |
No wonder she'd want to get rid of him. | 0:27:14 | 0:27:16 | |
If he was my husband, I would've done him in by now. | 0:27:16 | 0:27:19 | |
Yeah, I don't think she's got the head space to plan a murder. | 0:27:19 | 0:27:21 | |
I think you're missing something. I'm going to see her tomorrow. | 0:27:21 | 0:27:24 | |
See if I can get something out of her. | 0:27:24 | 0:27:26 | |
I doubt it. | 0:27:26 | 0:27:27 | |
PHONE RINGS | 0:27:27 | 0:27:28 | |
Hello, Beth. ..No, your mum's just looking for her phone. | 0:27:30 | 0:27:33 | |
Yeah, OK, I'll tell her. | 0:27:35 | 0:27:37 | |
All right, but I want you back by ten. | 0:27:38 | 0:27:40 | |
OK. Bye-bye. | 0:27:40 | 0:27:42 | |
Beth - she's going to her friend Daisy's house tonight to study. | 0:27:43 | 0:27:46 | |
-PHONE CHIMES -Oh, you've got a message. | 0:27:46 | 0:27:48 | |
Give me my phone. | 0:27:48 | 0:27:49 | |
-Leo? -What? | 0:27:49 | 0:27:51 | |
Perfect Pair. | 0:27:51 | 0:27:52 | |
Give me that! Davey! | 0:27:52 | 0:27:54 | |
Well, hello, Leo. | 0:27:54 | 0:27:56 | |
Ooh, he's muscly! | 0:27:56 | 0:27:57 | |
No. No, no, no. | 0:28:02 | 0:28:03 | |
-I'm not apologising. -"Best feature - long legs." | 0:28:05 | 0:28:08 | |
Mum, how could you? | 0:28:08 | 0:28:09 | |
I did it for you. To help you meet someone. | 0:28:09 | 0:28:11 | |
I don't want to meet someone. | 0:28:11 | 0:28:13 | |
Well, 34 men want to meet you. And look at all these winks. | 0:28:13 | 0:28:16 | |
"So, guys, I'm waiting to hear from you. | 0:28:18 | 0:28:20 | |
"But don't worry, I won't bite - unless you ask me nicely." | 0:28:20 | 0:28:23 | |
It's good, isn't it? | 0:28:23 | 0:28:25 | |
I want this wiped before Beth sees it. | 0:28:25 | 0:28:26 | |
Beth's not here. | 0:28:26 | 0:28:28 | |
It's not the point. Just get me off it! | 0:28:28 | 0:28:30 | |
Ooh, he's nice. | 0:28:32 | 0:28:34 | |
Can I leave that with you? OK, bye. | 0:28:34 | 0:28:36 | |
Bye. | 0:28:36 | 0:28:38 | |
Sorry, I appreciate you're busy, | 0:28:38 | 0:28:39 | |
-I just wondered if you could spare ten minutes. -Five. | 0:28:39 | 0:28:42 | |
Right, the thing is, | 0:28:42 | 0:28:44 | |
we think the attack still might have been meant for your husband. | 0:28:44 | 0:28:47 | |
Are you sure you can't think of anyone who would want to hurt him? | 0:28:47 | 0:28:50 | |
No, I can't think of anyone. | 0:28:50 | 0:28:52 | |
Can I ask how things are between you? | 0:28:54 | 0:28:56 | |
I'm sorry? | 0:28:56 | 0:28:58 | |
You are two very busy people, with two separate, | 0:28:58 | 0:29:01 | |
high-powered businesses to run. | 0:29:01 | 0:29:03 | |
It can put a strain on a marriage. | 0:29:03 | 0:29:06 | |
What are you getting at? | 0:29:07 | 0:29:08 | |
Do you know something about my husband? | 0:29:08 | 0:29:11 | |
I'm sorry, I can't reveal the source. | 0:29:11 | 0:29:13 | |
But it has come to light that... | 0:29:13 | 0:29:15 | |
..J Daniels Developments is in serious trouble. | 0:29:16 | 0:29:19 | |
Well, yes. That much I do know. | 0:29:19 | 0:29:21 | |
You do? | 0:29:21 | 0:29:23 | |
Yes, a planning screw-up or some such. Cash-flow problems. | 0:29:23 | 0:29:28 | |
Anyway, I can lend him the money until it all comes good. | 0:29:28 | 0:29:31 | |
Is there anything else? | 0:29:32 | 0:29:34 | |
Are you happy? | 0:29:35 | 0:29:36 | |
I beg your pardon? | 0:29:36 | 0:29:38 | |
I just asked if you're happy? | 0:29:38 | 0:29:40 | |
Well, of course I am. I love my work. | 0:29:40 | 0:29:42 | |
-Hi, there. -What do you want? | 0:29:49 | 0:29:52 | |
Is she in? Your boss? | 0:29:52 | 0:29:54 | |
No. You can leave a message. | 0:29:54 | 0:29:56 | |
I'll just wait. | 0:29:56 | 0:29:57 | |
Well, if you'll excuse me, I really need to get on. | 0:29:59 | 0:30:02 | |
Your poor face. Did I do that? | 0:30:02 | 0:30:04 | |
I'm really very busy. | 0:30:04 | 0:30:05 | |
I'd say I'm sorry, but I'm not. | 0:30:07 | 0:30:09 | |
You felt it, too, didn't you? | 0:30:10 | 0:30:12 | |
I think you should go and come back... | 0:30:12 | 0:30:14 | |
Oh, come on. Remember what it was like? | 0:30:14 | 0:30:17 | |
On the ground? Me on top of you? | 0:30:17 | 0:30:20 | |
That spark? | 0:30:20 | 0:30:21 | |
Imagine we'd kept going. What would that have been like? | 0:30:21 | 0:30:25 | |
Ow, don't... | 0:30:25 | 0:30:27 | |
Everything all right? | 0:30:27 | 0:30:29 | |
Jane, hi. There's someone, someone here to see you. | 0:30:29 | 0:30:32 | |
I'll get you a coffee. | 0:30:32 | 0:30:34 | |
How can I help? | 0:30:36 | 0:30:37 | |
That guy. The one that I thought was Fred. | 0:30:37 | 0:30:39 | |
How do I get in touch? | 0:30:39 | 0:30:41 | |
I'm afraid I can't tell you. | 0:30:41 | 0:30:43 | |
Well, can you do me a favour, then? | 0:30:43 | 0:30:45 | |
Give him this from me. | 0:30:47 | 0:30:49 | |
Gonorrhoea. | 0:30:52 | 0:30:53 | |
Tell him I'm sorry. | 0:30:53 | 0:30:55 | |
This is from Jinty Morgan. | 0:31:16 | 0:31:18 | |
You came all the way over here to give me this? | 0:31:20 | 0:31:22 | |
How thoughtful to go to all that trouble. | 0:31:22 | 0:31:24 | |
I'm investigating a man's death. Nothing is too much trouble. | 0:31:24 | 0:31:27 | |
I appreciate that, but this is my personal life. | 0:31:27 | 0:31:31 | |
If my wife finds out about it, it would finish us. | 0:31:31 | 0:31:34 | |
You're not going to tell her, are you? | 0:31:34 | 0:31:36 | |
Please, I'm begging you. She's everything to me. | 0:31:38 | 0:31:41 | |
I'm nothing without her. | 0:31:41 | 0:31:42 | |
She's out. You are? | 0:32:00 | 0:32:03 | |
Jason Daniels. | 0:32:03 | 0:32:05 | |
Ah. | 0:32:05 | 0:32:06 | |
I take it you've heard all about me? | 0:32:06 | 0:32:09 | |
What a bad boy I've been? | 0:32:09 | 0:32:11 | |
Yes, well... | 0:32:11 | 0:32:13 | |
I'm sorry. You're embarrassed. | 0:32:13 | 0:32:16 | |
But you know what, so am I. | 0:32:17 | 0:32:18 | |
Anyway, the coroner won't be back till later, so... | 0:32:18 | 0:32:21 | |
She despises me, doesn't she? | 0:32:21 | 0:32:23 | |
No. | 0:32:23 | 0:32:24 | |
Why wouldn't she? I've not exactly been co-operative. | 0:32:24 | 0:32:27 | |
That's why I'm here. To apologise. | 0:32:28 | 0:32:31 | |
How do you think she'll take it? | 0:32:33 | 0:32:35 | |
She's quite a scary lady, your boss. | 0:32:35 | 0:32:38 | |
Yeah, she can be. Sometimes. | 0:32:38 | 0:32:40 | |
You OK? | 0:32:42 | 0:32:43 | |
Guts playing up. All this stress. | 0:32:46 | 0:32:48 | |
HE COUGHS | 0:32:57 | 0:32:59 | |
Must've gone down the wrong way. Sorry. | 0:33:02 | 0:33:09 | |
Do you want me to get you something? Some water? | 0:33:09 | 0:33:11 | |
Please. | 0:33:11 | 0:33:13 | |
Look at that car! | 0:33:38 | 0:33:40 | |
Jinty? Remember me? | 0:33:42 | 0:33:44 | |
What do you want? | 0:33:45 | 0:33:47 | |
Get in. | 0:33:49 | 0:33:50 | |
-Hey. -Hey. -Guess what? | 0:34:02 | 0:34:04 | |
-What? -We've found the car that ran Fred Clegg off the road. | 0:34:04 | 0:34:07 | |
-Where? -80 miles away. Stolen vehicle. | 0:34:07 | 0:34:10 | |
And the prints match those on the Porsche. | 0:34:10 | 0:34:11 | |
Did you speak to Anna Daniels? | 0:34:11 | 0:34:13 | |
Yes, but I think you're right. | 0:34:13 | 0:34:15 | |
I don't think it was her. | 0:34:15 | 0:34:16 | |
I need to sit down. You think I'm right? | 0:34:16 | 0:34:18 | |
Yeah, she didn't know about the other woman. | 0:34:20 | 0:34:22 | |
She is spectacularly single-minded. I mean, no personal life. | 0:34:22 | 0:34:26 | |
Work-focused. Totally driven. | 0:34:26 | 0:34:28 | |
Sad, really. | 0:34:28 | 0:34:29 | |
Oh, and I paid Jason Daniels a visit. | 0:34:29 | 0:34:32 | |
Why? | 0:34:32 | 0:34:33 | |
Jinty Morgan's asked me to give him a card from the Berkeley Clinic. | 0:34:33 | 0:34:37 | |
Oh, I'd have done that for you gladly. | 0:34:37 | 0:34:39 | |
Jinty. | 0:34:42 | 0:34:44 | |
Can I help you? | 0:34:44 | 0:34:45 | |
-I just want a quick word. -Sure, come up. | 0:34:45 | 0:34:47 | |
No, you're all right. It won't take long. | 0:34:47 | 0:34:49 | |
What I told you... About the gonorrhoea. | 0:34:50 | 0:34:54 | |
Thing is, I made it up. | 0:34:55 | 0:34:56 | |
Sorry? | 0:34:56 | 0:34:58 | |
I just wanted to get back at the guy. | 0:34:58 | 0:35:00 | |
For lying to me. You know, give him a fright. | 0:35:00 | 0:35:03 | |
But I feel a bit bad about it now so I reckon I should let him off the hook. | 0:35:03 | 0:35:07 | |
He got to you, didn't he? | 0:35:07 | 0:35:08 | |
I don't know what you mean. | 0:35:08 | 0:35:10 | |
How could he? He doesn't know where I live. | 0:35:10 | 0:35:13 | |
He doesn't even know my name. | 0:35:13 | 0:35:15 | |
He was here to see you. To apologise. | 0:35:18 | 0:35:20 | |
And you believed him? You idiot. He was here for one thing only. | 0:35:20 | 0:35:23 | |
Jinty Morgan's address. | 0:35:23 | 0:35:25 | |
It's not your fault. You've been played by an expert. | 0:35:29 | 0:35:32 | |
-Goodnight, Guv. -Yeah, night, John. | 0:35:42 | 0:35:44 | |
See you tomorrow. | 0:35:44 | 0:35:47 | |
PHONE RINGS | 0:35:52 | 0:35:53 | |
Sorry, love, I didn't realise the time. | 0:36:00 | 0:36:03 | |
Yeah, still at my desk. | 0:36:05 | 0:36:07 | |
Not getting very far, though, so I'll probably head home soon. | 0:36:08 | 0:36:11 | |
All right. See you shortly. | 0:36:12 | 0:36:14 | |
PHONE RINGS | 0:36:30 | 0:36:31 | |
Hello, yes? | 0:36:31 | 0:36:33 | |
Really? When? | 0:36:35 | 0:36:36 | |
OK, cheers. | 0:36:38 | 0:36:40 | |
KNOCK ON DOOR | 0:36:45 | 0:36:46 | |
-Davey? -Do you fancy going clubbing tonight? | 0:36:46 | 0:36:50 | |
-Did my mum put you up to this? -What? No. | 0:36:50 | 0:36:54 | |
I do not need to "go out and enjoy myself." I do not need to "get a life". | 0:36:54 | 0:36:57 | |
All right, calm down. | 0:36:57 | 0:36:59 | |
-Steve Johnson's been spotted going into Jason Daniels's nightclub. -What? | 0:36:59 | 0:37:02 | |
Yeah, I put a tail on him. Looks like it paid off. | 0:37:02 | 0:37:04 | |
I wouldn't get too excited. He could just be going clubbing. | 0:37:04 | 0:37:07 | |
Well, we've got nothing else to go on, have we? May as well check it out. | 0:37:07 | 0:37:10 | |
Or have you got something more exciting to do? | 0:37:10 | 0:37:12 | |
20 minutes? | 0:37:13 | 0:37:15 | |
20 minutes. | 0:37:15 | 0:37:16 | |
All right, just try and blend in. | 0:37:32 | 0:37:34 | |
Good night, guys. | 0:37:35 | 0:37:37 | |
Hi, there, I think we're on the guest list? Mr and Mrs Higgins? | 0:37:37 | 0:37:41 | |
Yes, they're fine. | 0:37:41 | 0:37:42 | |
-Thanks. -Cheers, mate. | 0:37:43 | 0:37:45 | |
Like a drink? | 0:37:52 | 0:37:53 | |
Um, I'm with someone. | 0:37:53 | 0:37:55 | |
There's not enough fire exits in this place. | 0:37:55 | 0:37:57 | |
Don't leave me on my own again. | 0:37:57 | 0:37:59 | |
And those girls are underage. | 0:38:02 | 0:38:04 | |
Just ignore it. | 0:38:04 | 0:38:05 | |
Look at that. | 0:38:08 | 0:38:10 | |
If that deal goes down, I'm hauling them in. | 0:38:10 | 0:38:12 | |
Here, look, here he is, Steve Johnson. | 0:38:16 | 0:38:19 | |
He works here?! | 0:38:19 | 0:38:21 | |
Right, I'm hauling him in, anyway. | 0:38:26 | 0:38:28 | |
All right, you leave this one to me. | 0:38:49 | 0:38:51 | |
You let me do the talking. | 0:38:51 | 0:38:52 | |
No, Stevie. No, no! | 0:38:52 | 0:38:55 | |
-What did I tell you! -No! Please! | 0:38:55 | 0:38:58 | |
-BANGING ON DOOR -Police! Open the door! Police! | 0:38:58 | 0:39:02 | |
Adele! | 0:39:06 | 0:39:08 | |
It's all right. It's all right. | 0:39:09 | 0:39:11 | |
Ambulance, please. | 0:39:12 | 0:39:13 | |
All right! You're under arrest for assault and GBH with intent. | 0:39:30 | 0:39:34 | |
I want those results as soon as. You got that. | 0:39:41 | 0:39:44 | |
Top priority. | 0:39:44 | 0:39:45 | |
I just gave him a kicking. I didn't kill him. | 0:39:47 | 0:39:49 | |
As good as. Because he wound up dead. | 0:39:49 | 0:39:51 | |
I didn't mean to. I swear. | 0:39:51 | 0:39:53 | |
I was doing it for her. For Adele. | 0:39:53 | 0:39:55 | |
To get her back. | 0:39:55 | 0:39:56 | |
So you could use her as a punchbag? | 0:39:56 | 0:39:58 | |
She should be with me. | 0:39:58 | 0:40:00 | |
Well, right now, she's in A&E | 0:40:00 | 0:40:02 | |
getting her face stitched and her bones set. | 0:40:02 | 0:40:04 | |
I never meant to hurt her. I love her. | 0:40:08 | 0:40:10 | |
She's everything to me. I'm nothing without her. | 0:40:12 | 0:40:15 | |
I don't know what you're talking about. | 0:40:21 | 0:40:23 | |
Yes, you do. Steve Johnson. | 0:40:23 | 0:40:25 | |
He works as a bouncer in your nightclub. | 0:40:25 | 0:40:28 | |
You have any idea how many people work for me? | 0:40:28 | 0:40:30 | |
He's just been arrested for killing Fred Clegg. | 0:40:30 | 0:40:33 | |
Good for you. You got your man. | 0:40:33 | 0:40:36 | |
You can go now. | 0:40:36 | 0:40:37 | |
Any time you like. | 0:40:38 | 0:40:39 | |
You put him up to it. | 0:40:39 | 0:40:40 | |
Fred Clegg knew he was on to a good thing. | 0:40:42 | 0:40:44 | |
But he wanted more. So he threatened to tell your wife. | 0:40:44 | 0:40:47 | |
You paid him off but he wouldn't go away. | 0:40:47 | 0:40:50 | |
When you found the connection with Steve Johnson, that must have | 0:40:50 | 0:40:53 | |
been the answer to your prayers. | 0:40:53 | 0:40:55 | |
-All you had to do was work him from the back. -Oh, please. | 0:40:55 | 0:40:58 | |
Like you did Jinty. And my assistant. | 0:40:58 | 0:41:01 | |
You dripped poison into Steve Johnson's ear. | 0:41:01 | 0:41:03 | |
Then you sat back and let him deal with Fred Clegg for you. | 0:41:03 | 0:41:06 | |
And what if I did? I've committed no crime. | 0:41:08 | 0:41:11 | |
You can't touch me, and you know it. | 0:41:13 | 0:41:15 | |
INAUDIBLE CONVERSATION | 0:41:29 | 0:41:30 | |
Davey? | 0:41:44 | 0:41:46 | |
-Oh, cheers, Judith. -What happened? | 0:41:46 | 0:41:48 | |
Oh, that, it's just a guy resisting arrest. | 0:41:48 | 0:41:51 | |
We got him, though. Nasty bit of work. Killer. | 0:41:51 | 0:41:53 | |
Good on you. | 0:41:53 | 0:41:55 | |
On the house. Action man. | 0:41:56 | 0:41:58 | |
Cheers. | 0:41:58 | 0:41:59 | |
Oh, thanks. | 0:41:59 | 0:42:01 | |
What kept you? | 0:42:02 | 0:42:04 | |
Just a loose end. | 0:42:04 | 0:42:05 | |
WHIRRING | 0:42:12 | 0:42:13 |