Browse content similar to Pieces of Eight. Check below for episodes and series from the same categories and more!
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BIRDSONG | 0:00:02 | 0:00:04 | |
I thought I asked you to change the filter! | 0:00:53 | 0:00:55 | |
-Oh, I'm sorry. I was just about to do it. -Well, chop chop! | 0:00:55 | 0:00:58 | |
-Don't talk to her like that. -Oh, look who's up before noon! | 0:00:58 | 0:01:01 | |
I'm serious. She's a cleaner, not your slave. | 0:01:01 | 0:01:03 | |
Oh, please, I pay her enough, don't I? | 0:01:03 | 0:01:05 | |
HE SPEAKS FOREIGN LANGUAGE | 0:01:05 | 0:01:08 | |
Hm? | 0:01:08 | 0:01:11 | |
Be useful, then you can criticise. | 0:01:11 | 0:01:12 | |
I told you, I've got a job. | 0:01:12 | 0:01:15 | |
Oh, yeah. A whipping boy at a local pub. | 0:01:15 | 0:01:17 | |
A real, honest job. Do you know what that is? | 0:01:17 | 0:01:21 | |
Yeah, but you're worth so much more. | 0:01:21 | 0:01:23 | |
If you just tried, you could be someone! | 0:01:23 | 0:01:25 | |
What, like you - a bully? | 0:01:25 | 0:01:28 | |
-No wonder Mum left. -What did you say? | 0:01:30 | 0:01:32 | |
You know, he's right. | 0:01:32 | 0:01:34 | |
It's not my job to make your breakfast. | 0:01:34 | 0:01:36 | |
No, you're right. | 0:01:38 | 0:01:40 | |
Cleaning...is your job. | 0:01:42 | 0:01:44 | |
You have some serious issues! | 0:01:44 | 0:01:47 | |
You know what else your mother left behind? You! | 0:01:49 | 0:01:52 | |
-What did you say? -Ah! You want to hit me, huh? | 0:01:54 | 0:01:56 | |
You see, that's what I want to see! I want to see some fight in you! | 0:01:56 | 0:01:59 | |
Where you going? Kass! | 0:02:02 | 0:02:04 | |
JAUNTY INSTRUMENTAL | 0:02:11 | 0:02:13 | |
Avast, me hearties! | 0:02:17 | 0:02:19 | |
If you're looking for freebooting fun for all the family, | 0:02:19 | 0:02:22 | |
head to the Black Dog! Ha-ha-harr! | 0:02:22 | 0:02:25 | |
-Free grog at the Dog. -And a leaflet for you. | 0:02:25 | 0:02:27 | |
And one for you, sir. | 0:02:27 | 0:02:29 | |
And one for you, madam. Have one of these. | 0:02:29 | 0:02:31 | |
Thank you very much, sir. Ha-ha-harr! | 0:02:31 | 0:02:34 | |
Hey. Where's your gusto, hearty lass? | 0:02:34 | 0:02:38 | |
Look at me. It's embarrassing! | 0:02:38 | 0:02:41 | |
You should've thought of that when you took my money. | 0:02:41 | 0:02:43 | |
Drop anchor at the Black Dog, ma'am! You'll love it! | 0:02:43 | 0:02:47 | |
Go on, heave to! | 0:02:47 | 0:02:48 | |
Show me what you've got. Come on! | 0:02:48 | 0:02:51 | |
Want to know what scurvy feels like? | 0:02:51 | 0:02:54 | |
Come and try our food at the Black Dog Inn! | 0:02:54 | 0:02:57 | |
Maybe you should carry on getting supplies. | 0:02:57 | 0:02:58 | |
Thanks for all your help. Brilliant(!) | 0:02:58 | 0:03:00 | |
Come to the Black Dog! | 0:03:02 | 0:03:03 | |
Come one, come all! Come have a ball! | 0:03:03 | 0:03:06 | |
All your liver could require and more! Ha-harr! | 0:03:06 | 0:03:09 | |
GULLS CRY | 0:03:17 | 0:03:19 | |
BRAKES SCREECH | 0:03:23 | 0:03:25 | |
Get out! Get out! Don't make me hurt him! | 0:03:28 | 0:03:32 | |
Get out! | 0:03:32 | 0:03:34 | |
Come on, get out! Go, go! Go, go! | 0:03:34 | 0:03:35 | |
(Ssh!) | 0:03:35 | 0:03:37 | |
-Kill-switch! -Where does it go?! | 0:03:37 | 0:03:39 | |
Go! All right, go! | 0:03:39 | 0:03:40 | |
Do as you're told, get in! Get in! | 0:03:42 | 0:03:44 | |
CHEERING | 0:03:47 | 0:03:48 | |
All right, people, look lively. | 0:03:51 | 0:03:53 | |
I want the van's exact location radioed through en route, please. | 0:03:53 | 0:03:56 | |
Jen you're with me. Let's go, let's go! | 0:03:56 | 0:03:58 | |
SIRENS WAIL | 0:04:08 | 0:04:11 | |
Don't worry, short cut! | 0:04:11 | 0:04:13 | |
Get out! | 0:04:20 | 0:04:22 | |
Easy! Easy! | 0:04:22 | 0:04:23 | |
Go on, then, move! | 0:04:25 | 0:04:27 | |
-Now, open it! -All right, all right! -Don't you look at me! Do it! | 0:04:28 | 0:04:32 | |
SIRENS WAIL | 0:04:39 | 0:04:41 | |
Get your hands through! Don't you fight me! | 0:04:43 | 0:04:45 | |
Keep still! | 0:04:47 | 0:04:49 | |
Stop wriggling, or I'll have you, boy! | 0:04:50 | 0:04:52 | |
Don't look at me! | 0:04:58 | 0:04:59 | |
Come on, we got to go! Come on! | 0:04:59 | 0:05:01 | |
SIRENS WAIL | 0:05:03 | 0:05:05 | |
Check out that camper for me, Jen, will you? | 0:05:15 | 0:05:18 | |
-You all right, my friend? -Yeah, yeah. They went out the back. | 0:05:25 | 0:05:28 | |
Jen? | 0:05:28 | 0:05:30 | |
SIRENS WAIL | 0:05:30 | 0:05:32 | |
Mike Oscar Two, suspects have fled out the back of the old fish market on foot. | 0:05:32 | 0:05:36 | |
Do you have eyes on them? Over. | 0:05:36 | 0:05:38 | |
-RADIO: -Sorry, sir, there's hundreds of pirates out here. | 0:05:38 | 0:05:41 | |
So, who am I looking for exactly? | 0:05:41 | 0:05:43 | |
Morning. | 0:05:50 | 0:05:51 | |
Jane Kennedy. | 0:05:51 | 0:05:53 | |
Hi. Thanks. Right. | 0:05:53 | 0:05:56 | |
-Morning. -Morning. -Good morning. | 0:06:00 | 0:06:03 | |
Oh! Why's it always the gruesome ones in the morning? | 0:06:03 | 0:06:07 | |
Right. White male, mid 40s. | 0:06:07 | 0:06:10 | |
-No other clothes or -ID. And no face. | 0:06:11 | 0:06:13 | |
Most likely cause of death, severe blunt trauma to the head. | 0:06:13 | 0:06:17 | |
-That's going to make it harder to identify him. -Oh! | 0:06:17 | 0:06:19 | |
Come on, Clint, it's your job. Make yourself useful. | 0:06:21 | 0:06:24 | |
What do you see? | 0:06:24 | 0:06:26 | |
Er...well, he's definitely dead. | 0:06:26 | 0:06:28 | |
You're a natural(!) | 0:06:28 | 0:06:30 | |
Look, a tattoo on his forearm. | 0:06:30 | 0:06:33 | |
It's like a skull crossed with arrows. That could help us. | 0:06:34 | 0:06:38 | |
-See anything else? -Er... | 0:06:38 | 0:06:40 | |
-There. There's a laceration on the lower leg. -Good. | 0:06:42 | 0:06:45 | |
Like maybe something was tied around it. | 0:06:45 | 0:06:48 | |
Oh, like a kill-switch for a jet ski. | 0:06:48 | 0:06:52 | |
Yeah! He...he takes a midnight jaunt at high speed, | 0:06:52 | 0:06:56 | |
falls off and bashes his head, | 0:06:56 | 0:06:59 | |
then comes loose and drifts to shore? | 0:06:59 | 0:07:02 | |
Very good. | 0:07:02 | 0:07:04 | |
Except, why's he in his pants? | 0:07:04 | 0:07:06 | |
-Ah. -Why's he not in trunks or a wet suit? | 0:07:06 | 0:07:09 | |
-PHONE RINGS -It's a mystery. | 0:07:10 | 0:07:11 | |
That's what makes this job so interesting. | 0:07:11 | 0:07:13 | |
-It's too early for mysteries. -Jane Kennedy. | 0:07:13 | 0:07:16 | |
Is she all right? | 0:07:20 | 0:07:21 | |
No, I'm...I'm on my way. | 0:07:23 | 0:07:24 | |
-I'll be back, I'll be back! -Where are you going? | 0:07:24 | 0:07:27 | |
Jane! | 0:07:27 | 0:07:29 | |
Right, get statements from the tourists, will you? | 0:07:29 | 0:07:31 | |
And I need CCTV from that shop. | 0:07:31 | 0:07:32 | |
Oh, and do us a favour, make us a decent cup of tea, I'm coughing feathers here. | 0:07:32 | 0:07:36 | |
Beth! Are you all right? I was so worried! | 0:07:36 | 0:07:39 | |
-I'm fine, don't stress. -How come whenever there's trouble, | 0:07:39 | 0:07:42 | |
I always find you in the middle of it? | 0:07:42 | 0:07:43 | |
I just wish I could've done something. It happened so fast. | 0:07:43 | 0:07:46 | |
You did the right thing, you kept your head down. | 0:07:46 | 0:07:48 | |
You wouldn't have. You'd have seen something that would have them locked up. | 0:07:48 | 0:07:51 | |
Oh, sweetheart, it's all right to be scared. | 0:07:51 | 0:07:54 | |
-None of us know how we'll react under pressure. -I do. | 0:07:54 | 0:07:56 | |
You never saw your mum get caught sneaking down a drainpipe by my old man. | 0:07:56 | 0:08:00 | |
-Talk about a rabbit in headlights. -What?! Mum! | 0:08:00 | 0:08:03 | |
-Er...can I take her home? -Yeah, we're done. | 0:08:03 | 0:08:05 | |
PHONE RINGS Can I just finish this tweet? | 0:08:05 | 0:08:07 | |
-I really want to get us trending. -Come on. | 0:08:07 | 0:08:09 | |
Oh, no! Oh! | 0:08:09 | 0:08:11 | |
What's wrong? | 0:08:11 | 0:08:13 | |
It's Annette. Wants me to pick up some lamb shanks for dinner. | 0:08:13 | 0:08:16 | |
Not a chance of that now, is there? | 0:08:16 | 0:08:18 | |
Have you got any leads? | 0:08:18 | 0:08:19 | |
I could try the butcher's, I suppose, or the supermarket. | 0:08:19 | 0:08:22 | |
No. How do you find three pirates in a town full of pirates? | 0:08:22 | 0:08:25 | |
FAINT DISPATCHER | 0:08:25 | 0:08:27 | |
BANGING AND GRUNTING | 0:08:30 | 0:08:32 | |
-Open it! -GRUNTING | 0:08:32 | 0:08:34 | |
GULLS CRY | 0:08:35 | 0:08:37 | |
-Morning. -Morning. | 0:08:40 | 0:08:41 | |
-These need your signature. -Right. | 0:08:41 | 0:08:43 | |
-And how's Beth? -Yeah, she's OK. | 0:08:44 | 0:08:47 | |
-Any news on our John Doe? -Er...not yet. | 0:08:47 | 0:08:50 | |
There aren't any matching missing persons at present. | 0:08:50 | 0:08:53 | |
No hits on DNA comparison? | 0:08:53 | 0:08:55 | |
Nothing from police database or Interpol. | 0:08:55 | 0:08:57 | |
Also, nothing on fingerprints or dental records. | 0:08:57 | 0:09:00 | |
You've misspelt "excoriate". | 0:09:00 | 0:09:03 | |
-What about cause of death? -Er...not yet. | 0:09:03 | 0:09:05 | |
They're testing the blood for...microbial DNA? | 0:09:05 | 0:09:12 | |
Microscopic life forms. | 0:09:12 | 0:09:13 | |
They're usually present in the bloodstream if you've drowned. | 0:09:13 | 0:09:16 | |
Lovely. Well, we'll get the results in a few hours. | 0:09:16 | 0:09:18 | |
He's a genuine mystery. | 0:09:18 | 0:09:20 | |
You know what this means? | 0:09:20 | 0:09:22 | |
It means we've already got three open inquests that have names. | 0:09:22 | 0:09:25 | |
Can't we just pop this one to the bottom of the pile? | 0:09:25 | 0:09:27 | |
SHE TUTS | 0:09:27 | 0:09:29 | |
No. I'm on it! | 0:09:29 | 0:09:30 | |
Hold still, or I'll have your eye out! | 0:09:33 | 0:09:35 | |
We don't want that, now, do we? | 0:09:35 | 0:09:37 | |
You've got longer lashes than I do. | 0:09:37 | 0:09:39 | |
I'm jealous. | 0:09:39 | 0:09:41 | |
They were here, on the table. | 0:09:43 | 0:09:44 | |
I'm off now, Mr Shapur. | 0:09:44 | 0:09:46 | |
Remember? I asked to leave early for the festival. | 0:09:46 | 0:09:49 | |
Yeah, yeah. Go. | 0:09:49 | 0:09:51 | |
You lost something? | 0:09:56 | 0:09:57 | |
-What's that supposed to mean? -Nothing. Forget I asked. | 0:10:00 | 0:10:03 | |
Kass? It is time to get the apple keelhauling set up. | 0:10:10 | 0:10:14 | |
HE CHUCKLES | 0:10:14 | 0:10:15 | |
Shouldn't you be curled up at home? | 0:10:17 | 0:10:18 | |
Why? Don't think I can handle a few kids? | 0:10:18 | 0:10:20 | |
-I heard you had it rough, is all. -I'm fine, OK? | 0:10:20 | 0:10:23 | |
Mum and Gran are already treating me like I'm the victim. | 0:10:23 | 0:10:25 | |
Yeah, well, they're not tough like you and me, are they? | 0:10:25 | 0:10:28 | |
-A little scare don't keep us down. -Exactly. | 0:10:28 | 0:10:30 | |
Go on, then, weigh your anchor. | 0:10:30 | 0:10:32 | |
Davy Jones' pinata won't fill itself. | 0:10:32 | 0:10:34 | |
-Aye-aye, Captain! -Yeah. | 0:10:34 | 0:10:36 | |
JANE SIGHS | 0:10:38 | 0:10:40 | |
Ah. You don't miss a trick, do you, Mick? | 0:10:46 | 0:10:49 | |
Those poor tourists don't see him coming. | 0:10:49 | 0:10:51 | |
I'm just proud of our cultural heritage, that's all. | 0:10:51 | 0:10:54 | |
Here, have you seen the parrot I got in? | 0:10:54 | 0:10:56 | |
Ho-ho-ho! The kids love him! | 0:10:56 | 0:10:58 | |
£5 a photo. My beauty! | 0:10:58 | 0:11:01 | |
Just don't try the grog. | 0:11:01 | 0:11:02 | |
Bottom-shelf booze he can't get rid of. | 0:11:02 | 0:11:04 | |
Tastes like paint-stripper. | 0:11:04 | 0:11:06 | |
Nonsense! That's fine Latvian cherry brandy. | 0:11:06 | 0:11:08 | |
And a healthy and refreshing soft drink called Digest. | 0:11:08 | 0:11:12 | |
I'll pass, thanks. I'm here for work. | 0:11:12 | 0:11:14 | |
You ever seen anyone with that tattoo? | 0:11:14 | 0:11:16 | |
Mick! | 0:11:16 | 0:11:18 | |
Here, well, I'm not sure I can say. | 0:11:20 | 0:11:22 | |
I mean, people are entitled to their privacy in their local. | 0:11:22 | 0:11:25 | |
They'll steer clear if they think I'm passing on information to you lot. | 0:11:25 | 0:11:29 | |
They won't be coming at all if Food Standards find out you have a parrot for a bartender. | 0:11:29 | 0:11:33 | |
Well, now I look at it, | 0:11:35 | 0:11:37 | |
the Bull's-eye Buccaneers have a similar tattoo. | 0:11:37 | 0:11:39 | |
They're a darts team who play here sometimes. | 0:11:39 | 0:11:42 | |
Got any names? | 0:11:42 | 0:11:44 | |
Yeah, Dick, Tony, I think. | 0:11:44 | 0:11:46 | |
And old Blackbeard. | 0:11:46 | 0:11:48 | |
He's always hanging out on that rust bucket of his down Catch Quay. | 0:11:48 | 0:11:51 | |
Why don't you go and bother him? | 0:11:51 | 0:11:53 | |
Thank you(!) | 0:11:55 | 0:11:56 | |
PARROT: Pieces of eight! | 0:11:56 | 0:11:58 | |
Pieces of eight! | 0:11:58 | 0:12:00 | |
That's the one. She's a nasty lady, ain't she? | 0:12:00 | 0:12:02 | |
Kisses. | 0:12:02 | 0:12:04 | |
Hey, hey, Davey! | 0:12:05 | 0:12:07 | |
Jane thought you might recognise this tattoo. It's from our John Doe. | 0:12:07 | 0:12:11 | |
No idea, no. Sorry. | 0:12:11 | 0:12:13 | |
How's it going? | 0:12:15 | 0:12:16 | |
Yeah, it's all right. | 0:12:16 | 0:12:18 | |
It's a shame. | 0:12:20 | 0:12:21 | |
This place used to be the soul of the town. | 0:12:21 | 0:12:24 | |
My uncle used to work here. | 0:12:26 | 0:12:27 | |
When I was a kid, he used to bring back fish heads and hide them in the garden. | 0:12:27 | 0:12:31 | |
It gave me nightmares. | 0:12:31 | 0:12:32 | |
Look at that! I didn't think the press would be so bothered. | 0:12:33 | 0:12:37 | |
Hey! You want to tell me what you're doing walking on my crime scene? | 0:12:37 | 0:12:41 | |
Oh! Er...Don Shapur, Corporate Acquisitions. I own this. | 0:12:41 | 0:12:45 | |
DS Davey Higgins. I called your office hours ago. | 0:12:45 | 0:12:47 | |
And here I am. Um...if we could get this done quickly, | 0:12:47 | 0:12:51 | |
I want to chat to the hacks, get some free advertising. | 0:12:51 | 0:12:53 | |
What, for an armed robbery? | 0:12:53 | 0:12:55 | |
No publicity is bad publicity. | 0:12:55 | 0:12:56 | |
All right, you want to tell me why they used this building as cover? | 0:12:58 | 0:13:01 | |
How would I know? I've only been here a couple of times, with potential buyers. | 0:13:01 | 0:13:05 | |
No regular maintenance staff or builders, or...? | 0:13:05 | 0:13:08 | |
No. I bought this dump for the real estate | 0:13:08 | 0:13:11 | |
and I'll flip it, turn a cheeky profit, then move on. | 0:13:11 | 0:13:13 | |
That's a shame, isn't it, for all those locals you're throwing out of work? | 0:13:13 | 0:13:16 | |
Oh, please! What about the jobs at the new holiday resort? | 0:13:16 | 0:13:19 | |
Well, you want to tell a third-generation fisherman | 0:13:19 | 0:13:22 | |
to wait tables, you be my guest. | 0:13:22 | 0:13:24 | |
So, what sort of compensation am I looking at? | 0:13:24 | 0:13:27 | |
They broke into my property, I'm a victim here. | 0:13:27 | 0:13:29 | |
No-one broke in, they just came straight through the front door. | 0:13:29 | 0:13:32 | |
-They had keys? -Yeah. | 0:13:33 | 0:13:35 | |
And as the owner, you're responsible for who has access. | 0:13:35 | 0:13:38 | |
You don't think...?! | 0:13:38 | 0:13:40 | |
Anyone who worked here could have a copy. | 0:13:40 | 0:13:42 | |
Er...no. All the external locks, they use restricted keys. | 0:13:42 | 0:13:45 | |
Can't be cut by just anyone. | 0:13:45 | 0:13:47 | |
So someone made off with a key. | 0:13:47 | 0:13:49 | |
Do I have to do your job for you? | 0:13:49 | 0:13:51 | |
Rest assured, I'll be covering every angle. | 0:13:51 | 0:13:54 | |
Actually, could I see your set? | 0:13:54 | 0:13:56 | |
Um...I don't have them right now. | 0:13:57 | 0:13:59 | |
Oh. Missing? | 0:13:59 | 0:14:02 | |
Misplaced. I don't have time to search for keys, that's your job. | 0:14:02 | 0:14:06 | |
Now, if we're done here, I'd like to chat to the press. | 0:14:06 | 0:14:08 | |
Thank you, David. | 0:14:08 | 0:14:09 | |
REPORTERS ALL TALK AT ONCE | 0:14:09 | 0:14:12 | |
BELLS TOLL | 0:14:14 | 0:14:16 | |
Ahoy there! Welcome to Captain Blackbeard's boat. | 0:14:16 | 0:14:19 | |
Well, as I live and breathe, young Jane Kennedy! | 0:14:20 | 0:14:23 | |
How are thee, luvver? | 0:14:23 | 0:14:25 | |
I'm fine, thanks. How are you, Mr Fraser? | 0:14:25 | 0:14:27 | |
You know to call me Blackbeard. Come aboard! | 0:14:27 | 0:14:29 | |
JANE CHUCKLES | 0:14:29 | 0:14:30 | |
Whatever happened to that snaggletoothed little girl who stole my pipe? | 0:14:34 | 0:14:38 | |
Your old mum'll never forgive me for letting you have that puff. | 0:14:38 | 0:14:41 | |
I'd stay clear still. So, what's all this? | 0:14:41 | 0:14:44 | |
You moved into children's parties? | 0:14:44 | 0:14:47 | |
Well, I'd be twiddling my thumbs else. | 0:14:47 | 0:14:50 | |
No demand for my catch. | 0:14:51 | 0:14:53 | |
Oh. I'm sorry to hear that. | 0:14:53 | 0:14:55 | |
I used to love my dad's stories of your adventures on the high seas. | 0:14:56 | 0:14:59 | |
I'd complain, but who'd listen? | 0:14:59 | 0:15:01 | |
Shane! Betty! Stop running around, or you'll fall in! | 0:15:01 | 0:15:04 | |
That's Ruby. I'll introduce you. | 0:15:04 | 0:15:06 | |
Nothing sordid. She's the wife of a dear friend. | 0:15:08 | 0:15:11 | |
We've teamed up to get the grockles aboard. | 0:15:11 | 0:15:14 | |
Ruby, come and meet Jane, our coroner. | 0:15:14 | 0:15:16 | |
I used to fish with her old man, God rest him. | 0:15:16 | 0:15:20 | |
A pleasure. | 0:15:20 | 0:15:21 | |
I won't stay long. I was told you're part of a darts team? | 0:15:21 | 0:15:25 | |
I'm asking after a man with this tattoo. | 0:15:25 | 0:15:28 | |
Well, look no further. | 0:15:28 | 0:15:30 | |
And your team-mates have the same design? | 0:15:30 | 0:15:32 | |
We got tipsy one night after checking out on a nine-dart finish. | 0:15:32 | 0:15:36 | |
-Woke up with one apiece. -What's this about? | 0:15:36 | 0:15:39 | |
I'm sorry to say, but a body's been found and they have this tattoo. | 0:15:39 | 0:15:43 | |
When did you last see Dick and Tony? | 0:15:43 | 0:15:45 | |
Well, last night. We played a game at the Captain's Pipe. | 0:15:47 | 0:15:50 | |
I haven't seen either since. | 0:15:50 | 0:15:52 | |
I'm sorry, I don't understand. | 0:15:52 | 0:15:55 | |
I'm Dick's wife. What's this about a body? | 0:15:55 | 0:15:58 | |
Er...when did you last see your husband? | 0:15:58 | 0:16:02 | |
Yesterday. | 0:16:02 | 0:16:03 | |
He usually gets in around dawn, but I didn't see him this morning. | 0:16:03 | 0:16:07 | |
Ms Kennedy, where's my husband? | 0:16:09 | 0:16:12 | |
TV: Robbers dressed as pirates... | 0:16:25 | 0:16:28 | |
There you go, my love. | 0:16:28 | 0:16:30 | |
And remember, only £5 for a photo with Princess Polly. | 0:16:30 | 0:16:34 | |
Polly? Where are you, girl? Polly? | 0:16:36 | 0:16:40 | |
-Where are you, girl? -If they'd have hurt our Beth, | 0:16:41 | 0:16:44 | |
I'd have shoved a cutlass where the sun don't shine. | 0:16:44 | 0:16:47 | |
Clever, though, dressing like pirates. | 0:16:47 | 0:16:50 | |
Looks like they took a leaf out of your book, Mick. | 0:16:50 | 0:16:53 | |
Here, come on, that's enough of that. | 0:16:53 | 0:16:55 | |
Come on. We've got work to do. | 0:16:55 | 0:16:57 | |
Come on. Come on! | 0:16:59 | 0:17:02 | |
-Going somewhere? -What? No. | 0:17:07 | 0:17:09 | |
You're holding a bag. | 0:17:09 | 0:17:11 | |
Yeah, er...yeah. I'm going to go see my mum. | 0:17:12 | 0:17:15 | |
-Oh. Is your dad letting you out, then? -No. | 0:17:15 | 0:17:19 | |
And if he finds out, I'm going to be stuck, so keep it between us, yeah? | 0:17:19 | 0:17:22 | |
Well, I normally report on your every move(!) | 0:17:22 | 0:17:24 | |
I mean it. Keep quiet! | 0:17:24 | 0:17:26 | |
OK. | 0:17:26 | 0:17:28 | |
I'd just like to take a minute to explain how this works. | 0:17:36 | 0:17:40 | |
-It will be disturbing. -Can we just do it? | 0:17:40 | 0:17:43 | |
Please. I have to know. | 0:17:43 | 0:17:46 | |
Of course. | 0:17:47 | 0:17:48 | |
What happened to him? | 0:17:57 | 0:17:59 | |
I'm afraid we don't know. | 0:18:00 | 0:18:01 | |
But we will find out, I promise. | 0:18:01 | 0:18:03 | |
Is this your husband? | 0:18:05 | 0:18:07 | |
Yeah. | 0:18:08 | 0:18:10 | |
Yeah, that's him. | 0:18:12 | 0:18:14 | |
You don't think he...? | 0:18:15 | 0:18:17 | |
-Oh, God, I can't even say it! -Think he what? | 0:18:18 | 0:18:20 | |
He's been so depressed since he lost his job. | 0:18:20 | 0:18:23 | |
He was a shucker down the fish market. | 0:18:25 | 0:18:27 | |
When that shut, something inside him just turned off. | 0:18:28 | 0:18:32 | |
If we step outside, we can take a moment to... | 0:18:33 | 0:18:35 | |
It's all right, I can manage until I get home. | 0:18:35 | 0:18:38 | |
Sorry, I meant just a moment to complete the paperwork. | 0:18:38 | 0:18:41 | |
Oh. | 0:18:41 | 0:18:42 | |
Yeah. Course. | 0:18:42 | 0:18:44 | |
Thank you. This way. | 0:18:44 | 0:18:47 | |
I'll just be a moment. | 0:18:49 | 0:18:51 | |
Clint? It's me. The wife just confirmed. | 0:19:05 | 0:19:08 | |
Let's get a DNA match as soon as we can. | 0:19:08 | 0:19:11 | |
We've got the who, just not the how. | 0:19:11 | 0:19:13 | |
She gave me a photo of him. | 0:19:13 | 0:19:15 | |
OK. Just keep your eye on the place, will you, in case he comes back? | 0:19:17 | 0:19:20 | |
Never far behind, is she? | 0:19:20 | 0:19:22 | |
Fancy seeing you here. | 0:19:26 | 0:19:27 | |
If you're looking for the elusive Tony, he's not in. | 0:19:27 | 0:19:29 | |
I am. He's one of the last people to have seen my body. | 0:19:29 | 0:19:32 | |
Not my body, obv... Davey! | 0:19:32 | 0:19:35 | |
-Whatever you get up to after hours is none of my business. -Grow up! | 0:19:35 | 0:19:38 | |
-Haven't you got work to do? -Yeah. I'm on the clock. | 0:19:38 | 0:19:41 | |
Tony was the caretaker at the fish market. | 0:19:41 | 0:19:43 | |
So, who better to have a key than him, eh? | 0:19:43 | 0:19:46 | |
Why, do you think our cases are linked? | 0:19:46 | 0:19:47 | |
You'd like that, wouldn't you? Then I could solve it for you. | 0:19:47 | 0:19:50 | |
Oh, please! I got here first. | 0:19:50 | 0:19:52 | |
-But there's no Tony. -Yeah, I know that, | 0:19:52 | 0:19:54 | |
but did you know Tony had a sweet old nan who passed away recently? | 0:19:54 | 0:19:57 | |
And she had a cottage sitting empty. | 0:19:57 | 0:20:00 | |
Perfect hiding place. | 0:20:00 | 0:20:01 | |
-What are you doing? -Oh, I'm just, er...just taking notes. | 0:20:04 | 0:20:06 | |
-Don't touch anything. -No. | 0:20:06 | 0:20:08 | |
-Don't let him touch anything. -He's coming with us! Clint? | 0:20:10 | 0:20:13 | |
Seriously? | 0:20:13 | 0:20:15 | |
Come on, my lovely bird. Come on. | 0:20:17 | 0:20:19 | |
Or you'll be Sunday's roast! | 0:20:19 | 0:20:21 | |
-HE WHISTLES -Come on! | 0:20:21 | 0:20:23 | |
-PARROT: Kisses. -Another customer's come back with a dickey tummy! | 0:20:23 | 0:20:26 | |
I told you, it's that vegan hot dog stand across the road. | 0:20:26 | 0:20:29 | |
Who knows what goes into them? | 0:20:29 | 0:20:30 | |
It's your bleedin' grog, and you know it! | 0:20:30 | 0:20:32 | |
SQUAWKING We've had another throw-up. | 0:20:32 | 0:20:35 | |
All right, all right. Close up shop and get rid of the grog. | 0:20:35 | 0:20:38 | |
Can't you see I'm in serious negotiations here with the talent?! | 0:20:38 | 0:20:41 | |
PARROT: Pieces of eight! | 0:20:41 | 0:20:43 | |
Right, now, come on, beautiful. | 0:20:43 | 0:20:44 | |
-SQUAWKING -Come on. | 0:20:44 | 0:20:46 | |
Are you running away? | 0:20:46 | 0:20:48 | |
So what if I am? | 0:20:48 | 0:20:49 | |
Well, where are you going to, to your mum? | 0:20:51 | 0:20:53 | |
-If you know where she is, you have to tell me. -I don't! | 0:20:53 | 0:20:55 | |
I don't know where she is. | 0:20:55 | 0:20:57 | |
But why did she leave, hm? | 0:20:57 | 0:20:59 | |
What did you do? | 0:21:01 | 0:21:02 | |
I don't know. She left without a word. | 0:21:02 | 0:21:04 | |
She wouldn't do that. | 0:21:04 | 0:21:06 | |
No. She wouldn't just leave me, unless you made her. | 0:21:06 | 0:21:08 | |
Don't you think I want to know why, huh? | 0:21:08 | 0:21:11 | |
I can't sleep. I keep thinking, "What went wrong?" | 0:21:11 | 0:21:14 | |
-You can blame me, but she is the one that walked out on us. -Liar! | 0:21:15 | 0:21:19 | |
What did you do? Did you hit her, or did you cheat? | 0:21:19 | 0:21:22 | |
What did you do? What did you do?! | 0:21:24 | 0:21:27 | |
Kass! Stop it! | 0:21:27 | 0:21:28 | |
Now that Mum's gone, I've got nothing left here. | 0:21:31 | 0:21:33 | |
-How are you getting signal out here? -It's my alarm. | 0:22:11 | 0:22:14 | |
I forgot to pick up those lamb shanks for Annette yesterday. | 0:22:14 | 0:22:18 | |
I don't want to let her down again. | 0:22:18 | 0:22:20 | |
Right, when we get there, I want you to stay on the boat. | 0:22:20 | 0:22:23 | |
I don't need the paperwork if you get hurt. | 0:22:23 | 0:22:25 | |
What, and miss out on all the fun? | 0:22:25 | 0:22:27 | |
How are you so sure Tony's inside? | 0:22:27 | 0:22:29 | |
Hey! Looks like someone's triggered the dye pack. | 0:22:36 | 0:22:39 | |
Wait a minute, that's not Tony. | 0:22:39 | 0:22:41 | |
That's...that's Richard Hamilton. That's Ruby's husband! | 0:22:41 | 0:22:43 | |
He's dead, isn't he? | 0:22:43 | 0:22:45 | |
Just pull in over there for us, will you? | 0:22:45 | 0:22:47 | |
GULLS CRY | 0:22:55 | 0:22:57 | |
Hey! | 0:23:30 | 0:23:31 | |
GULLS CRY | 0:23:33 | 0:23:35 | |
Dick! | 0:23:37 | 0:23:39 | |
-You see this area, get around the back there and cut him off! -Yeah! | 0:23:39 | 0:23:42 | |
Dick! I'm getting too old for this! | 0:23:42 | 0:23:45 | |
-I'll take that! -Out of the way, out of the way! -Oi! | 0:23:50 | 0:23:53 | |
Move! Move! | 0:23:53 | 0:23:54 | |
Out of the way! Not now, not now! Out of the way! | 0:23:54 | 0:23:56 | |
Clear! | 0:23:56 | 0:23:57 | |
-Did you see where he went? -No. | 0:23:59 | 0:24:02 | |
-THEY BREATHE HARD -Argh! | 0:24:02 | 0:24:03 | |
Any joy? | 0:24:16 | 0:24:18 | |
Oh-ho-ho-ho! Whoa! | 0:24:18 | 0:24:20 | |
This is an actual thieves' hideout! | 0:24:20 | 0:24:23 | |
Oh, it's amazing. | 0:24:23 | 0:24:25 | |
Can I take a selfie? | 0:24:25 | 0:24:27 | |
Sorry. | 0:24:28 | 0:24:29 | |
Well, it looks like there's only one cash security box here. | 0:24:31 | 0:24:34 | |
We're still missing £50,000. | 0:24:34 | 0:24:36 | |
It's not much use to them now they're covered in paint. | 0:24:36 | 0:24:39 | |
No, the dye packs are randomised. | 0:24:39 | 0:24:41 | |
I suspect the others will be clean. | 0:24:41 | 0:24:42 | |
Hey, could you put that down, please? This is a crime scene! | 0:24:44 | 0:24:46 | |
I need to call Forensics. | 0:24:46 | 0:24:48 | |
So, if we just chased off Dick Hamilton, | 0:24:50 | 0:24:52 | |
who's lying in the mortuary? | 0:24:52 | 0:24:54 | |
My guess is Tony. | 0:24:54 | 0:24:56 | |
He's the only member of the darts team unaccounted for. | 0:24:56 | 0:24:58 | |
Yeah. So that puts your Buccaneers well and truly in the frame. | 0:24:58 | 0:25:01 | |
I don't think Blackbeard would be capable of anything so violent. | 0:25:01 | 0:25:04 | |
Well, none of them are, really. | 0:25:04 | 0:25:06 | |
The kind of fellas you tick off for being drunk and disorderly, | 0:25:06 | 0:25:09 | |
not playing Ocean's Eleven. | 0:25:09 | 0:25:10 | |
-Er...guys? -Hey, put that... What are you, part-magpie? | 0:25:10 | 0:25:14 | |
Look, I think there might be details | 0:25:14 | 0:25:18 | |
of the robbery written on the back of these. | 0:25:18 | 0:25:20 | |
Oh, yeah. | 0:25:23 | 0:25:25 | |
I'd recognise that handwriting anywhere. | 0:25:25 | 0:25:28 | |
Yesterday's heist...your handwriting. | 0:25:29 | 0:25:32 | |
What are you on about? | 0:25:32 | 0:25:34 | |
Come on, Mick, don't play games! | 0:25:34 | 0:25:36 | |
Give over, Davey, Mick wouldn't hurt a fly. | 0:25:36 | 0:25:38 | |
This is like having a smoking gun that's signed, "Love Mick". | 0:25:38 | 0:25:40 | |
You've got it sideways. | 0:25:40 | 0:25:42 | |
Look, it is possible that I may, I say may, | 0:25:42 | 0:25:45 | |
-have got a bit mixed up with it. -You what?! | 0:25:45 | 0:25:48 | |
Look, I didn't mean to, all right? | 0:25:48 | 0:25:49 | |
I was having a couple of drinks with the boys from the darts team a couple of weeks back | 0:25:49 | 0:25:52 | |
and we got talking about the perfect crime, like you do. | 0:25:52 | 0:25:56 | |
Yours was playing pirates. | 0:25:56 | 0:25:58 | |
It's only bloomin' worked, ain't it? | 0:25:58 | 0:26:00 | |
And what about the kill-switch? That's confidential. | 0:26:00 | 0:26:03 | |
You want to try telling that to the guards, gossiping over their pints. | 0:26:03 | 0:26:06 | |
You never know who's listening. | 0:26:06 | 0:26:08 | |
It were pub talk. Just drunken banter with the lads. | 0:26:08 | 0:26:11 | |
I didn't think they'd go out and do anything! | 0:26:11 | 0:26:13 | |
You know me, Davey, I mean, I might bend the rules a bit here and there, | 0:26:13 | 0:26:16 | |
but I...I'd never hurt anyone. | 0:26:16 | 0:26:18 | |
I'm sorry! | 0:26:18 | 0:26:19 | |
Come on, Davey, it's me. | 0:26:21 | 0:26:23 | |
All right. But I'll be watching you. | 0:26:26 | 0:26:29 | |
And if I want intel, I expect your help, | 0:26:29 | 0:26:32 | |
otherwise you're going straight to the top of Lighthaven's most wanted. Fair enough? | 0:26:32 | 0:26:35 | |
-And I'll be watching you an' all! -Oh, good(!) | 0:26:38 | 0:26:41 | |
Davey, I think I can help. | 0:26:41 | 0:26:43 | |
Ah, no, I've got enough of your family involved already. | 0:26:43 | 0:26:45 | |
I'm serious. It's Kass. Something's not right. | 0:26:45 | 0:26:48 | |
Go on, then, lead on, Nancy Drew. | 0:26:48 | 0:26:51 | |
So, we're saying this is Tony now? | 0:26:53 | 0:26:55 | |
No. Not until we get a DNA confirmation. | 0:26:55 | 0:26:58 | |
But the pathologist confirms the cause of death | 0:26:58 | 0:27:01 | |
was a blunt trauma to the head. | 0:27:01 | 0:27:03 | |
And then the crabs ate his face. | 0:27:03 | 0:27:05 | |
We can't be blamed for not identifying this. | 0:27:05 | 0:27:07 | |
Not this, him. | 0:27:07 | 0:27:09 | |
We should've waited for DNA confirmation. | 0:27:10 | 0:27:11 | |
Now we've got two families in distress. | 0:27:11 | 0:27:13 | |
Well, look at it like this, now Dick's family are going to be over the moon he's OK. | 0:27:13 | 0:27:18 | |
Ugh! It's disgusting! | 0:27:18 | 0:27:20 | |
It's not a freak show. | 0:27:20 | 0:27:22 | |
He's not here for your amusement! | 0:27:22 | 0:27:24 | |
All right, don't be annoyed at me for your mix-up. | 0:27:24 | 0:27:26 | |
No, I'm annoyed because you're being disrespectful. | 0:27:26 | 0:27:29 | |
-This is a human being! -Yeah, a really dead one. | 0:27:29 | 0:27:31 | |
Look, I didn't sign up for this. | 0:27:31 | 0:27:33 | |
Yes, you did! We don't just push paper around, | 0:27:33 | 0:27:35 | |
it is our duty to find out how and why someone died. | 0:27:35 | 0:27:38 | |
Yes, I know, we speak for the dead. | 0:27:38 | 0:27:41 | |
-Right, and do you know what that means? -Yes! | 0:27:41 | 0:27:43 | |
Well...? | 0:27:43 | 0:27:44 | |
It means he was someone's son. | 0:27:47 | 0:27:49 | |
Someone's dad. | 0:27:51 | 0:27:52 | |
And it's for the family. | 0:27:54 | 0:27:56 | |
No-one deserves to die forgotten or ignored. | 0:27:59 | 0:28:02 | |
JANE SIGHS | 0:28:04 | 0:28:05 | |
Are you calling me a thief? | 0:28:08 | 0:28:09 | |
Do I need a solicitor? | 0:28:09 | 0:28:11 | |
I don't know. Do you? | 0:28:11 | 0:28:13 | |
Only if you've got something to hide. | 0:28:13 | 0:28:15 | |
Typical pig. | 0:28:15 | 0:28:17 | |
-Nice(!) -You ever heard of due process? | 0:28:17 | 0:28:19 | |
I bet you miss the good old days, where you beat your confessions out of people. | 0:28:19 | 0:28:23 | |
Ask me one I do know. | 0:28:23 | 0:28:25 | |
Did you take a set of market keys from your house? | 0:28:26 | 0:28:29 | |
They're my dad's keys, why aren't you asking him? | 0:28:29 | 0:28:31 | |
Why are you packed up, ready to leave? | 0:28:31 | 0:28:33 | |
You told him! | 0:28:35 | 0:28:36 | |
Look, if you suspect anyone, it should be my dad. | 0:28:39 | 0:28:42 | |
He acts like the big man, but he's broke. | 0:28:42 | 0:28:45 | |
All he's got left is that dump in town. | 0:28:45 | 0:28:46 | |
You might want to redefine your definition of broke. | 0:28:46 | 0:28:48 | |
-I've seen his car. -It's all a con. | 0:28:48 | 0:28:51 | |
All he cares about is his image. | 0:28:51 | 0:28:53 | |
Now he's lost his cash and my mum, he's got nothing. | 0:28:53 | 0:28:56 | |
He's got you. | 0:28:56 | 0:28:57 | |
Why should I care? | 0:28:59 | 0:29:01 | |
It's not like he ever did. | 0:29:01 | 0:29:03 | |
GULLS CRY | 0:29:06 | 0:29:08 | |
What's in the files? | 0:29:11 | 0:29:13 | |
Mr Shapur's business history. | 0:29:13 | 0:29:15 | |
Might as well be written in Latin, for all the good it does me. | 0:29:15 | 0:29:19 | |
Why? What's up? I've got to brief the top brass, | 0:29:19 | 0:29:21 | |
then I've got to pop by the butcher's. | 0:29:21 | 0:29:23 | |
Er...pathologist report. | 0:29:23 | 0:29:25 | |
Tony, if it is Tony, died of a severe head injury, not drowning. | 0:29:25 | 0:29:29 | |
Right, so, we can add murder to the list, then. | 0:29:29 | 0:29:31 | |
Yeah, but there's more. | 0:29:31 | 0:29:32 | |
He's been dead for over 12 hours, which means... | 0:29:32 | 0:29:34 | |
He can't have been part of the robbery. | 0:29:34 | 0:29:36 | |
So you're looking for two more thieves, not one. | 0:29:36 | 0:29:39 | |
And I still need an explanation on how Tony died. | 0:29:39 | 0:29:41 | |
Right. Well, I need to speak to Blackbeard. | 0:29:41 | 0:29:44 | |
I know how you feel about him, but if the tattoo fits... | 0:29:44 | 0:29:48 | |
Yeah. I'll come with you. | 0:29:48 | 0:29:50 | |
I've got an uncomfortable conversation to have with a premature widow. | 0:29:50 | 0:29:53 | |
You must be barmy, I'm no thief! | 0:29:58 | 0:30:00 | |
There's three Buccaneers. One's dead, one's on the run. | 0:30:00 | 0:30:03 | |
Where else am I going to go? | 0:30:03 | 0:30:04 | |
If you want a real pirate, | 0:30:04 | 0:30:06 | |
go and arrest the jackal who bought up our livelihood! | 0:30:06 | 0:30:09 | |
He's living it up while the rest of us suffer! | 0:30:09 | 0:30:11 | |
Suffered enough to steal £60,000? | 0:30:11 | 0:30:14 | |
Mrs Hamilton, I'm so sorry, there's been a mistake. | 0:30:14 | 0:30:17 | |
Your husband is still alive. | 0:30:17 | 0:30:19 | |
-But I saw him. -So did I. | 0:30:19 | 0:30:21 | |
About an hour ago, running away from the police. | 0:30:21 | 0:30:23 | |
But he had the same big gut, the same tattoo. | 0:30:23 | 0:30:26 | |
It's understandable, you were in shock. | 0:30:26 | 0:30:28 | |
-It's not your fault. -No, it's yours! | 0:30:28 | 0:30:31 | |
You come down here, you get me all worried, what am I supposed to think?! | 0:30:31 | 0:30:34 | |
I'm...I'm truly sorry. | 0:30:34 | 0:30:36 | |
Oh, you're sorry? | 0:30:36 | 0:30:38 | |
Oh, well, that's all right, then(!) | 0:30:38 | 0:30:39 | |
I just had to tell my kids their dad's dead. | 0:30:39 | 0:30:42 | |
Can your sorry make up for that? | 0:30:42 | 0:30:44 | |
We've searched the boat, we're satisfied there's no illegal materials. | 0:30:44 | 0:30:47 | |
What did I tell you? | 0:30:47 | 0:30:49 | |
Ruby...your husband's a suspect in a robbery and he's on the run. | 0:30:50 | 0:30:54 | |
So if you've seen him or heard from him, now's a good time to tell me. | 0:30:54 | 0:30:58 | |
-All right. You ready? -Yep. | 0:31:00 | 0:31:02 | |
Don't leave town, eh? By land or sea. | 0:31:04 | 0:31:06 | |
You should be ashamed. | 0:31:08 | 0:31:09 | |
Protecting them in their ivory towers. | 0:31:09 | 0:31:12 | |
But they laugh at you! | 0:31:12 | 0:31:14 | |
Take off that uniform, you're just the same as us, Davey! | 0:31:14 | 0:31:17 | |
-SQUAWKING -He's in the food! Stupid bird! | 0:31:24 | 0:31:28 | |
LOW CHATTER | 0:31:35 | 0:31:37 | |
Ah, Mr Shapur. | 0:31:40 | 0:31:41 | |
I wondered if you wouldn't mind accompanying me to the station, please. | 0:31:41 | 0:31:44 | |
Answer some questions about the robbery yesterday. | 0:31:44 | 0:31:47 | |
Keep your voice down. I've got a reporter from the Lighthaven Gazette here. | 0:31:47 | 0:31:50 | |
Oh, right. You're still profiting from the crime, then, I see. | 0:31:50 | 0:31:53 | |
Perhaps more than I first thought. | 0:31:53 | 0:31:55 | |
Are you so desperate for leads that you've come here to harass me? | 0:31:55 | 0:31:59 | |
Well, I don't know, you tell me. | 0:31:59 | 0:32:01 | |
It's just I've done some homework and you're near bankrupt. | 0:32:01 | 0:32:05 | |
Do I look bankrupt? | 0:32:05 | 0:32:06 | |
Oh, no, you've got the nice clothes and the fancy car, | 0:32:06 | 0:32:08 | |
but I've seen the debts. | 0:32:08 | 0:32:10 | |
-How dare you go snooping...? -You've even sold this house, haven't you? | 0:32:10 | 0:32:13 | |
On condition you'd rent it back. | 0:32:13 | 0:32:15 | |
I'd have downsized, myself, but, you know, I'm a simple man. | 0:32:15 | 0:32:18 | |
How do you know...? | 0:32:18 | 0:32:20 | |
My own son. | 0:32:23 | 0:32:25 | |
And I work night and day to give my family everything. | 0:32:25 | 0:32:27 | |
It's what a man's supposed to do, you know. | 0:32:27 | 0:32:29 | |
Where did I go wrong? | 0:32:30 | 0:32:32 | |
Am I under arrest? | 0:32:34 | 0:32:35 | |
Well, you've got motive, no alibi, | 0:32:35 | 0:32:37 | |
access to the market. | 0:32:37 | 0:32:39 | |
Found your keys yet? No? | 0:32:39 | 0:32:42 | |
No? OK, then. | 0:32:42 | 0:32:44 | |
-Let's try jogging your memory down the station, then. -Don't touch me! | 0:32:44 | 0:32:47 | |
You can't wait to tear me down, can you?! | 0:32:47 | 0:32:49 | |
Whatever I've lost, I will make back again! | 0:32:49 | 0:32:51 | |
You and your pathetic little town, I will buy you a dozen times over! | 0:32:51 | 0:32:55 | |
You might want to keep your voice down. | 0:32:55 | 0:32:58 | |
I'll see you on the front page. | 0:32:58 | 0:33:00 | |
Um...look, look, I didn't mean any of that! | 0:33:01 | 0:33:04 | |
Come on, never mind. Like you say, no publicity is bad publicity. | 0:33:04 | 0:33:08 | |
Do you think Dick's left town? | 0:33:13 | 0:33:15 | |
Gut instinct? No, I don't. I think he's lying low somewhere, panicking. | 0:33:15 | 0:33:18 | |
He's going to need the rest of the money | 0:33:18 | 0:33:19 | |
and I was thinking, couldn't Ruby have taken the market keys? | 0:33:19 | 0:33:23 | |
Er...what's that now? | 0:33:23 | 0:33:25 | |
Her reaction to her husband's body, it didn't feel right. | 0:33:25 | 0:33:28 | |
She was straight back on the boat the same day. | 0:33:28 | 0:33:30 | |
And at the morgue, it was all really rushed. | 0:33:30 | 0:33:32 | |
Well, I've seen my fair share of widows, too, | 0:33:32 | 0:33:35 | |
and no two people react the same way. | 0:33:35 | 0:33:37 | |
Now, could you get out of here, please, and let me do some police work? | 0:33:37 | 0:33:40 | |
Jim, could you make sure Mr Shapur has had the chance to speak to his solicitor, please? | 0:33:40 | 0:33:43 | |
I doubt someone like Don would stoop to burglary. | 0:33:43 | 0:33:45 | |
I can't see him getting his hands dirty. | 0:33:45 | 0:33:48 | |
Well, I won't know until I ask him. | 0:33:48 | 0:33:50 | |
What, you really think he'd risk it all for £60,000? | 0:33:50 | 0:33:52 | |
That is why I'm the cop and you're the coroner. | 0:33:52 | 0:33:54 | |
-What's that supposed to mean? -Well, it's easy to see the good in dead people, innit? | 0:33:54 | 0:33:57 | |
I know that man. He thinks his money can protect him, he thinks he's safe. He's wrong. | 0:33:57 | 0:34:00 | |
But is he guilty? You can't convict a man just because you don't like him. | 0:34:00 | 0:34:03 | |
Oh, can't I? | 0:34:03 | 0:34:05 | |
JANE SIGHS | 0:34:05 | 0:34:07 | |
What is that? | 0:34:11 | 0:34:12 | |
-I don't know, sir. -I picked up your lamb shanks for you. | 0:34:12 | 0:34:15 | |
I didn't want Annette thinking you don't listen to her. | 0:34:15 | 0:34:17 | |
PHONE RINGS | 0:34:51 | 0:34:53 | |
Hey, love. How are you feeling? | 0:34:56 | 0:34:58 | |
Mum, I'm watching Kass Shapur by the old slipway. | 0:34:58 | 0:35:01 | |
-What? -Can you just listen? He's met some woman. | 0:35:01 | 0:35:04 | |
She's older, um...about your age. | 0:35:04 | 0:35:07 | |
-Oh, thanks for that(!) -She's got two little kids with her. | 0:35:07 | 0:35:11 | |
-Oh, they're kissing. -Really? | 0:35:11 | 0:35:13 | |
What does she look like? | 0:35:16 | 0:35:18 | |
Beth, what's happening? | 0:35:18 | 0:35:20 | |
She's left her kids with Kass. | 0:35:27 | 0:35:28 | |
OK. Stay there, I'm on my way. | 0:35:29 | 0:35:31 | |
Right, well, I think we'll leave old Don to sweat a bit. | 0:35:33 | 0:35:35 | |
Hey, I thought I told you to sit outside Mick's place? | 0:35:35 | 0:35:38 | |
I've got to eat sometime, Guv. | 0:35:38 | 0:35:40 | |
Don't worry. I need to find out more about Don and his son from Mick, anyway. | 0:35:40 | 0:35:45 | |
Don't get indigestion, will you(?) | 0:35:47 | 0:35:48 | |
And don't forget your siesta(!) | 0:35:48 | 0:35:50 | |
HE BREATHES HARD | 0:35:52 | 0:35:54 | |
What do you think you're doing, hm? Are you stalking me? | 0:36:06 | 0:36:08 | |
-I'm not the one sneaking about. -Yes you are! | 0:36:08 | 0:36:11 | |
Beth, I told you to mind your own business. | 0:36:11 | 0:36:13 | |
Beth? | 0:36:14 | 0:36:16 | |
You called your mum? | 0:36:16 | 0:36:19 | |
I'm done. Both of you, leave us alone. | 0:36:19 | 0:36:21 | |
Fine. I'll let your dad handle this. | 0:36:21 | 0:36:24 | |
What do you...? Don't call my dad! | 0:36:24 | 0:36:27 | |
What are you doing with Ruby's children? | 0:36:27 | 0:36:29 | |
I love her. She's kind and she's caring, | 0:36:30 | 0:36:33 | |
and when my mum left, SHE was the one that was there for me. | 0:36:33 | 0:36:36 | |
We're running away together. | 0:36:38 | 0:36:40 | |
We're in love. | 0:36:40 | 0:36:42 | |
-Oh, gross! -You're 17. | 0:36:42 | 0:36:45 | |
Did Ruby ask you to take the market keys? | 0:36:45 | 0:36:47 | |
No. | 0:36:47 | 0:36:48 | |
Kass, either she stole them, or you did. | 0:36:48 | 0:36:50 | |
And if it was you, you can forget about running away! | 0:36:50 | 0:36:53 | |
Fine, it was me. | 0:36:53 | 0:36:55 | |
I took the keys, but it's not what you think. | 0:36:55 | 0:36:58 | |
Her husband's a monster. He said he'd kill her if she doesn't take them. | 0:36:58 | 0:37:01 | |
Kass, you idiot. She's manipulating you! | 0:37:01 | 0:37:03 | |
Beth, call Clint. | 0:37:03 | 0:37:05 | |
We'll get him to look after the children while we clear this up. | 0:37:05 | 0:37:07 | |
We ain't going anywhere. She's coming back. | 0:37:07 | 0:37:10 | |
She promised us. | 0:37:10 | 0:37:12 | |
I need to call Davey. | 0:37:13 | 0:37:15 | |
HE SIGHS | 0:37:15 | 0:37:17 | |
Well, I think you just have to admit that you're not always right. | 0:37:20 | 0:37:22 | |
Look, Ruby's involved, I know it. | 0:37:22 | 0:37:24 | |
Get out! I'm warning you! | 0:37:24 | 0:37:28 | |
-Davey, did you hear me? -Yeah. | 0:37:28 | 0:37:30 | |
I think you may be way off beam this time. | 0:37:30 | 0:37:33 | |
-Yeah? What makes you so sure? -Cos I'm in the Black Dog now | 0:37:33 | 0:37:36 | |
and I'm looking at Dick, Blackbeard, and they've both got knives. | 0:37:36 | 0:37:40 | |
-What? -All right, that's enough! Now, you give me that phone! | 0:37:40 | 0:37:42 | |
-All right. -Da...? -DIALLING TONE | 0:37:42 | 0:37:45 | |
You take it easy. | 0:37:45 | 0:37:47 | |
HE BREATHES HARD Here. | 0:37:47 | 0:37:49 | |
SHE SIGHS | 0:37:52 | 0:37:53 | |
PHONE: Emergency services. Which service do you require? | 0:37:53 | 0:37:56 | |
-Police. -What seems to be the problem? | 0:37:56 | 0:37:58 | |
Yes, there's someone with a knife at the Black Dog pub. | 0:37:58 | 0:38:01 | |
All right, put the knives down and we can talk. | 0:38:01 | 0:38:03 | |
Not until Mick gets us out of the country. | 0:38:03 | 0:38:05 | |
-I told you, I can't! -Everyone knows you're the biggest smuggler around. | 0:38:05 | 0:38:09 | |
He says he's the biggest smuggler around. | 0:38:09 | 0:38:11 | |
You keep her quiet. It was all part of the plan. | 0:38:11 | 0:38:14 | |
You said you know every cove and cranny around, | 0:38:14 | 0:38:16 | |
-that you'd get us past the coppers and away. -Oh, did he now? | 0:38:16 | 0:38:19 | |
Please, Davey, Mick finishes what he started and then we're gone. | 0:38:19 | 0:38:23 | |
For the last time, I'm not involved! | 0:38:23 | 0:38:25 | |
All right, fellas, think, I've got you for robbery and murder. | 0:38:25 | 0:38:29 | |
You're just going to make this worse. | 0:38:29 | 0:38:30 | |
-We didn't kill anyone! -I know about Tony. | 0:38:30 | 0:38:33 | |
-That was an accident! -Shut up! | 0:38:33 | 0:38:35 | |
You know what I think? | 0:38:35 | 0:38:37 | |
I think you three Buccaneers met the day before the robbery, | 0:38:37 | 0:38:39 | |
Tony got cold feet, you argued, | 0:38:39 | 0:38:42 | |
it got physical and you killed him. | 0:38:42 | 0:38:44 | |
We were scared! We didn't mean for anyone to die! | 0:38:44 | 0:38:47 | |
Shut your teeth! This is what he wants! | 0:38:47 | 0:38:50 | |
Your mate's head was smashed to a pulp. | 0:38:50 | 0:38:52 | |
-How could that have been an accident? -He fell overboard. | 0:38:52 | 0:38:54 | |
He got tangled up in the fishing lines. | 0:38:57 | 0:38:59 | |
I tried to winch him up, but he got bashed against the hull! | 0:38:59 | 0:39:01 | |
-That's what did him in! -Oh, right. So you panicked. | 0:39:01 | 0:39:05 | |
You panicked, you threw him in the sea, hoping it'd wash him away. | 0:39:06 | 0:39:09 | |
-Some friends you are! -What choice do we have? | 0:39:09 | 0:39:12 | |
All I wanted was to ply my trade, do right by my family! | 0:39:12 | 0:39:17 | |
And they snatched it away! | 0:39:17 | 0:39:19 | |
Three generations working the sea! | 0:39:19 | 0:39:21 | |
And now what are we? | 0:39:21 | 0:39:24 | |
We're clowns, performing for scraps! | 0:39:24 | 0:39:27 | |
The whole town's become a three-ring circus! | 0:39:27 | 0:39:30 | |
Is that how I'm supposed to raise my kids, Davey, eh? | 0:39:31 | 0:39:34 | |
Scraping and bowing? | 0:39:34 | 0:39:37 | |
Come on. This isn't you. | 0:39:37 | 0:39:40 | |
What would your kids think if they saw you now? | 0:39:42 | 0:39:44 | |
What would Ruby say? | 0:39:44 | 0:39:46 | |
Come on, put the knife down, Dick. | 0:39:48 | 0:39:51 | |
Put the knife down. | 0:39:53 | 0:39:54 | |
Come on, it's over. | 0:39:54 | 0:39:56 | |
Give me the knife, Dick, come on. Give me the knife. | 0:39:59 | 0:40:02 | |
DICK SIGHS | 0:40:02 | 0:40:04 | |
Good man. | 0:40:06 | 0:40:08 | |
It was her idea we came here. A fine mess she got us in! | 0:40:08 | 0:40:11 | |
Stop your yabbering, you old fool! | 0:40:11 | 0:40:12 | |
-Ruby knows? -She was in on the robbery, too! | 0:40:12 | 0:40:15 | |
After Tony, we needed a third man, and she obliged. | 0:40:15 | 0:40:18 | |
-Just shut up! Shut up, shut up, shut up! -All right, all right! | 0:40:18 | 0:40:21 | |
Let go of me! Let go! | 0:40:21 | 0:40:23 | |
Mick? | 0:40:23 | 0:40:25 | |
Richard Hamilton, you're under arrest | 0:40:25 | 0:40:27 | |
for robbery and suspected murder. | 0:40:27 | 0:40:29 | |
You don't have to say anything, but it may harm your defence if you do not mention when questioned | 0:40:29 | 0:40:33 | |
something you later rely on in court. | 0:40:33 | 0:40:35 | |
Anything you do say may be given in evidence. You understand? Come on. | 0:40:35 | 0:40:38 | |
Come on. | 0:40:39 | 0:40:41 | |
X marks the spot. | 0:40:46 | 0:40:48 | |
Nice touch. | 0:40:48 | 0:40:50 | |
Well, I thought so. | 0:40:52 | 0:40:54 | |
-How'd you find out? -Kass told me about the keys, | 0:40:56 | 0:40:58 | |
but really, it was your reaction to the death of your supposed husband. | 0:40:58 | 0:41:03 | |
I didn't buy it. | 0:41:03 | 0:41:04 | |
There's still time, you know, to let me go. | 0:41:04 | 0:41:06 | |
Why would I do that? | 0:41:06 | 0:41:08 | |
My daughter could've been hurt because of your greed! | 0:41:08 | 0:41:11 | |
Look, I'm the victim here. It was Dick's plan. | 0:41:11 | 0:41:14 | |
He killed Tony and forced me into it. | 0:41:14 | 0:41:16 | |
Well, you could've told me that when you lied that your husband was dead. | 0:41:16 | 0:41:20 | |
Well, I was going to. | 0:41:20 | 0:41:22 | |
And then I thought, "How often do you get a chance like this? | 0:41:22 | 0:41:26 | |
"A fresh start?" | 0:41:26 | 0:41:28 | |
See, it's all right for you. | 0:41:29 | 0:41:31 | |
With your high-flying career and your money, freedom. | 0:41:32 | 0:41:37 | |
I've been trapped here all my life. | 0:41:38 | 0:41:41 | |
You've no intention of going back for Kass, have you? | 0:41:41 | 0:41:45 | |
So, it's all right to use a vulnerable boy? | 0:41:45 | 0:41:47 | |
To abandon your own children?! | 0:41:47 | 0:41:48 | |
I never wanted kids! | 0:41:48 | 0:41:50 | |
And guess who got stuck with them? | 0:41:50 | 0:41:52 | |
Besides, they don't deserve a life on the run. | 0:41:52 | 0:41:56 | |
DISTANT SIRENS WAIL | 0:41:56 | 0:41:58 | |
Look, I'll split it with you! | 0:41:58 | 0:42:00 | |
£25,000 to walk away. | 0:42:00 | 0:42:02 | |
I'm not for sale. | 0:42:02 | 0:42:04 | |
Shame! | 0:42:05 | 0:42:07 | |
Yargh! | 0:42:15 | 0:42:17 | |
RUBY BREATHES HARD | 0:42:20 | 0:42:22 | |
Your greedy ways have caused nothing but trouble. | 0:42:27 | 0:42:30 | |
I am relieving you of your command, Captain Mick! | 0:42:30 | 0:42:32 | |
You're lucky I didn't make you swab out the toilets. | 0:42:32 | 0:42:35 | |
-This is still my pub. -Tell that to your parrot. | 0:42:35 | 0:42:38 | |
-SQUAWKING -Winged devil! | 0:42:38 | 0:42:41 | |
The crew has spoken! | 0:42:41 | 0:42:42 | |
Ah. | 0:42:42 | 0:42:44 | |
You made it to the front page. | 0:42:44 | 0:42:46 | |
I haven't got that many chins, have I? | 0:42:46 | 0:42:48 | |
Please! There's nothing of you. | 0:42:48 | 0:42:49 | |
Their last pic of me looked like a grumpy giraffe. | 0:42:49 | 0:42:53 | |
Yeah. Huh! I've got that one framed. | 0:42:53 | 0:42:55 | |
THEY CHUCKLE | 0:42:55 | 0:42:57 | |
-READS: -A group of local entrepreneurs agreed a deal | 0:42:57 | 0:42:59 | |
to buy back the market and return it to its former glory. | 0:42:59 | 0:43:01 | |
Well, let's hope they got a decent discount. | 0:43:01 | 0:43:04 | |
I thought that would cheer you up. | 0:43:04 | 0:43:06 | |
Well, it won't be the same, will it? Things never are. | 0:43:06 | 0:43:09 | |
No? It might be better. | 0:43:09 | 0:43:11 | |
Well, aren't you the sunny optimist! | 0:43:11 | 0:43:13 | |
I just think things have a way of coming back around. | 0:43:13 | 0:43:15 |