Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
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This programme contains strong language | 0:00:03 | 0:00:08 | |
There can be no greater sacrifice | 0:01:26 | 0:01:29 | |
than to willingly give your life for king and country. | 0:01:29 | 0:01:33 | |
We do not come to mourn | 0:01:35 | 0:01:38 | |
but to rejoice in the devotion of these men. | 0:01:38 | 0:01:41 | |
Their bodies lie here | 0:01:43 | 0:01:45 | |
but their souls will be gathered unto God | 0:01:45 | 0:01:49 | |
and they will shine in glory, | 0:01:49 | 0:01:51 | |
their names recorded for all eternity. | 0:01:51 | 0:01:55 | |
So let us rejoice | 0:01:55 | 0:01:58 | |
and let us pray. | 0:01:58 | 0:01:59 | |
There's no rejoicing in good men gone down | 0:02:18 | 0:02:21 | |
but we're still standing. | 0:02:21 | 0:02:23 | |
Why? | 0:02:24 | 0:02:25 | |
Because we're the Lucky 13. | 0:02:25 | 0:02:28 | |
Now, we came out here together. | 0:02:28 | 0:02:30 | |
We stay together and we stay alive. | 0:02:30 | 0:02:33 | |
Now that's the way it's going to be. | 0:02:34 | 0:02:37 | |
Yes? | 0:02:37 | 0:02:39 | |
-ALL: -Yes, Dad. -Yes? | 0:02:39 | 0:02:41 | |
We'll always be 13. | 0:02:41 | 0:02:42 | |
Now, let's bow our heads | 0:02:44 | 0:02:45 | |
for these lads that didn't have our luck. | 0:02:45 | 0:02:48 | |
'Are we making a fuss about this birthday?' | 0:03:09 | 0:03:11 | |
'She says she doesn't want a fuss.' | 0:03:11 | 0:03:13 | |
I've arranged for a cake. | 0:03:13 | 0:03:14 | |
Very wise. | 0:03:14 | 0:03:16 | |
And it would be nice if you could say a few words to her today. | 0:03:16 | 0:03:18 | |
Just to let her know how important she is here, | 0:03:18 | 0:03:21 | |
how highly she's valued. | 0:03:21 | 0:03:22 | |
There's nothing like being prompted into spontaneous well-wishing. | 0:03:24 | 0:03:27 | |
-I'm not. -You are. | 0:03:27 | 0:03:28 | |
You prompt me quite a lot on the subject of Sister Quayle. | 0:03:28 | 0:03:31 | |
In fact, you appear to be constantly apologising | 0:03:31 | 0:03:33 | |
that it was you who got my recommendation for matron | 0:03:33 | 0:03:36 | |
-and not her. -Not at all. | 0:03:36 | 0:03:37 | |
I am simply reminding you | 0:03:37 | 0:03:39 | |
that people like to know when they're appreciated. | 0:03:39 | 0:03:41 | |
Very well. | 0:03:41 | 0:03:43 | |
I shall start as I mean to go on. | 0:03:43 | 0:03:45 | |
Sister Livesey, you're very much appreciated. | 0:03:46 | 0:03:50 | |
Thank you. | 0:03:50 | 0:03:52 | |
All being well, you shall all be leaving us today. | 0:03:53 | 0:03:55 | |
Yes, Sir. Sister's got us all better. | 0:03:55 | 0:03:58 | |
For the second time, I hear. | 0:03:58 | 0:04:01 | |
Sir. Fell off me bike, Sir, back at home | 0:04:01 | 0:04:03 | |
and Sister patched me up in the hospital. | 0:04:03 | 0:04:05 | |
He says it was me. | 0:04:05 | 0:04:07 | |
But I don't know, I think he just wants special treatment. | 0:04:07 | 0:04:11 | |
All right, go ahead. Get yourself some breakfast. | 0:04:11 | 0:04:13 | |
Tell the cooks I said double bacon for you all. | 0:04:13 | 0:04:16 | |
Oh, thanks, Sister. Sir. | 0:04:16 | 0:04:17 | |
I feel rather protective. | 0:04:19 | 0:04:21 | |
Don't we all. | 0:04:21 | 0:04:22 | |
LAUGHTER AND CHATTER | 0:04:22 | 0:04:25 | |
Do you have free time this afternoon? | 0:04:31 | 0:04:33 | |
We all do. | 0:04:33 | 0:04:34 | |
Do you have plans? | 0:04:35 | 0:04:36 | |
I thought I might tidy the tent, maybe do some darning. | 0:04:38 | 0:04:41 | |
Would you meet me? | 0:04:49 | 0:04:50 | |
(Yes.) | 0:04:57 | 0:04:58 | |
(Where?) | 0:05:01 | 0:05:02 | |
I hadn't really thought much beyond asking the question! | 0:05:04 | 0:05:07 | |
The woods? | 0:05:09 | 0:05:11 | |
About two? | 0:05:11 | 0:05:13 | |
All right, lad, that's yours. There you go. | 0:05:16 | 0:05:20 | |
Very good eggs! | 0:05:20 | 0:05:21 | |
Talking a good game back there, Dad. | 0:05:26 | 0:05:28 | |
Talking plain fact. | 0:05:28 | 0:05:29 | |
What you doing about this medical? | 0:05:31 | 0:05:33 | |
We'll be all right. | 0:05:34 | 0:05:36 | |
I know we will. | 0:05:36 | 0:05:37 | |
It's not us I'm worried about, it's you. | 0:05:37 | 0:05:39 | |
-There you go. -Thank you. | 0:05:39 | 0:05:41 | |
Just some of that, please. | 0:05:41 | 0:05:42 | |
Did you find out who's doing it? | 0:05:42 | 0:05:44 | |
-Which doctor is signing us out? -Sister said it were a new one. | 0:05:44 | 0:05:47 | |
-What new one? -I don't know, Raymond, a new doctor! | 0:05:49 | 0:05:52 | |
So long as he doesn't listen to your chest. | 0:05:54 | 0:05:56 | |
Eh! | 0:05:57 | 0:05:58 | |
I hope you're keeping your gob shut. | 0:06:00 | 0:06:02 | |
No, I'm telling everyone, | 0:06:02 | 0:06:04 | |
because what I really want is them all going to pieces, | 0:06:04 | 0:06:07 | |
which they will, by the way, if you get caught out. | 0:06:07 | 0:06:10 | |
It'll be all right. | 0:06:10 | 0:06:12 | |
Now, you're forgetting something. | 0:06:12 | 0:06:14 | |
I'm blessed, me! | 0:06:14 | 0:06:16 | |
I'm charmed, we all are. | 0:06:16 | 0:06:19 | |
We're the Lucky 13. | 0:06:19 | 0:06:22 | |
I'll be all right. | 0:06:22 | 0:06:23 | |
Have a bit of faith, Peacock. | 0:06:24 | 0:06:26 | |
THEY YELL AND LAUGH | 0:06:34 | 0:06:37 | |
I'm not getting involved in this! | 0:06:37 | 0:06:39 | |
I could bloody kiss you for this, Tom. | 0:06:46 | 0:06:48 | |
Please don't. | 0:06:48 | 0:06:50 | |
God knows why you want to give up your pass | 0:06:50 | 0:06:52 | |
but I'm not complaining. | 0:06:52 | 0:06:53 | |
I leave a broken man, spirit diminished, full of despair | 0:06:53 | 0:06:57 | |
but I shall return with renewed optimism and vigour. | 0:06:57 | 0:07:00 | |
Most likely you'll return with a dose of the pox. | 0:07:00 | 0:07:03 | |
You'll be sweating mercury for weeks. | 0:07:03 | 0:07:05 | |
It is a small price to pay. | 0:07:05 | 0:07:08 | |
What are you going to do? | 0:07:08 | 0:07:09 | |
Tidy the tent... | 0:07:09 | 0:07:11 | |
Do some darning. | 0:07:11 | 0:07:12 | |
Go on, you're wasting precious moments. Piss off! | 0:07:14 | 0:07:17 | |
Why Captain Gillan has seen fit to give you his two o'clock pass | 0:07:34 | 0:07:38 | |
is beyond my comprehension. | 0:07:38 | 0:07:40 | |
You'll be back by seven and I do not want another incident, | 0:07:40 | 0:07:44 | |
not like last time. | 0:07:44 | 0:07:46 | |
Leave the absinthe well alone. | 0:07:46 | 0:07:48 | |
Yes, Sir. | 0:07:48 | 0:07:49 | |
Thank you. | 0:07:52 | 0:07:53 | |
What is it? | 0:07:56 | 0:07:57 | |
Someone has connections on high. | 0:07:57 | 0:07:59 | |
I wonder... | 0:08:11 | 0:08:13 | |
what ward you might be going to! | 0:08:13 | 0:08:16 | |
Let me guess. | 0:08:16 | 0:08:18 | |
I don't know what you mean. | 0:08:18 | 0:08:19 | |
He likes you too. | 0:08:19 | 0:08:21 | |
Really? Do you think so? | 0:08:21 | 0:08:22 | |
No, he doesn't! He never even looks at me. | 0:08:22 | 0:08:25 | |
And we're not supposed to get sweet on any of the boys. | 0:08:25 | 0:08:27 | |
There's a lot of things we're not supposed to do. | 0:08:27 | 0:08:29 | |
Do you really think he might like me? | 0:08:29 | 0:08:31 | |
-Are you prattling, Marshall? -No, Matron. | 0:08:31 | 0:08:34 | |
Your uniform is incorrect. How many times do I have to tell you? | 0:08:34 | 0:08:38 | |
Do you know a Mr Elliot Vincent? | 0:08:41 | 0:08:43 | |
I do, Matron. | 0:08:48 | 0:08:50 | |
Why? | 0:08:50 | 0:08:51 | |
As this has come from headquarters | 0:08:51 | 0:08:53 | |
it makes it not so much a request as a command. | 0:08:53 | 0:08:55 | |
Clearly Mr Vincent has some influence. | 0:08:55 | 0:08:58 | |
He's insisted that you meet him in town today. | 0:08:58 | 0:09:01 | |
-Is he a relative? -Yes. | 0:09:02 | 0:09:05 | |
Someone who could help with your family situation, | 0:09:05 | 0:09:07 | |
with regards to your child? | 0:09:07 | 0:09:09 | |
Potentially. | 0:09:09 | 0:09:10 | |
If you're at the entrance by two o'clock | 0:09:12 | 0:09:14 | |
there may be a lift for you. | 0:09:14 | 0:09:15 | |
ANIMATED CHATTER | 0:09:28 | 0:09:31 | |
Put your cards down, Charlie. | 0:09:33 | 0:09:35 | |
Dad. | 0:09:35 | 0:09:37 | |
Two reds. | 0:09:37 | 0:09:39 | |
THEY GROAN | 0:09:42 | 0:09:44 | |
Will you stop helping him? | 0:09:44 | 0:09:45 | |
You stop fleecing him. | 0:09:45 | 0:09:47 | |
Eh, up! Eh, up! | 0:09:49 | 0:09:51 | |
-Morning! -ALL: Morning, Nurse. | 0:09:51 | 0:09:54 | |
Here, Nurse, seeing as it's our last day, | 0:09:54 | 0:09:56 | |
tell us your first name. | 0:09:56 | 0:09:58 | |
-I'm not really supposed to... -I'm Raymond. | 0:09:58 | 0:10:01 | |
I know these lot call me Peacock being as I'm so handsome | 0:10:01 | 0:10:04 | |
but my given name's Raymond. | 0:10:04 | 0:10:06 | |
That means king of the world, that. | 0:10:06 | 0:10:08 | |
Ray - king, mond - world. | 0:10:08 | 0:10:12 | |
So what's your name, then? | 0:10:12 | 0:10:15 | |
Flora. | 0:10:15 | 0:10:16 | |
That means flower. | 0:10:16 | 0:10:17 | |
That's a perfect name for you, that. | 0:10:17 | 0:10:20 | |
Don't you reckon, Charlie? | 0:10:20 | 0:10:22 | |
Don't you reckon Nurse's name's perfect for her? | 0:10:22 | 0:10:24 | |
Yeah, I suppose. | 0:10:26 | 0:10:27 | |
Gosh, look at all these beds. I must get on. | 0:10:30 | 0:10:33 | |
Take no notice, Charlie. | 0:10:37 | 0:10:38 | |
Where's this MO then, Sister? | 0:10:38 | 0:10:40 | |
-Get off! -War'll be over by the time he turns up. | 0:10:40 | 0:10:43 | |
You've got the forms. Can't you just...? | 0:10:43 | 0:10:45 | |
No, I can't. | 0:10:45 | 0:10:47 | |
You just want to keep us here longer. | 0:10:47 | 0:10:50 | |
Admit it, you're going to miss us. | 0:10:50 | 0:10:51 | |
Oh, I am. Especially you. | 0:10:51 | 0:10:53 | |
I'll miss you like a hole in the head! | 0:10:53 | 0:10:56 | |
You love me really. | 0:10:57 | 0:10:58 | |
No, Private Deeley, YOU love you really. | 0:10:58 | 0:11:01 | |
I can't apologise enough, I got completely lost. | 0:11:01 | 0:11:05 | |
-Captain Osberton. -Do forgive me for keeping you waiting, chaps. | 0:11:05 | 0:11:08 | |
All of you have had trench fever. | 0:11:08 | 0:11:10 | |
From the crusades onwards, damn lice... | 0:11:10 | 0:11:13 | |
curse of the soldier... | 0:11:13 | 0:11:15 | |
What do you reckon? | 0:11:15 | 0:11:16 | |
Reckon your luck's in, Dad. | 0:11:16 | 0:11:18 | |
-Burt? -Here, Sir. | 0:11:19 | 0:11:21 | |
Three Carricks... Can that be right, Sister? | 0:11:21 | 0:11:24 | |
-Brothers, Sir. -Brothers. -A Pals Battalion, Captain. | 0:11:24 | 0:11:27 | |
-All from the same street in my city. -Oh, well, in that case, | 0:11:27 | 0:11:30 | |
I will take extra care. | 0:11:30 | 0:11:31 | |
Now, you may need to speak up. I'm a little hard of hearing. | 0:11:31 | 0:11:35 | |
Dear me! | 0:11:35 | 0:11:36 | |
You're a jammy bugger, Dad! | 0:11:37 | 0:11:39 | |
Eh? He's really nice. Why are you laughing at him? | 0:11:40 | 0:11:42 | |
Oh, no, it's not like that. No... | 0:11:42 | 0:11:44 | |
Old bloke like that, could be at home with his feet up | 0:11:44 | 0:11:47 | |
but he's out here with t' rest of us. | 0:11:47 | 0:11:49 | |
-It does your heart proud. Doesn't it? -It does. | 0:11:49 | 0:11:52 | |
No name. | 0:11:53 | 0:11:54 | |
No pay book. | 0:11:54 | 0:11:56 | |
-Driver said he's been heavily sedated. -Why? | 0:11:56 | 0:11:59 | |
Bit of a handful. | 0:11:59 | 0:12:00 | |
He's been here before. | 0:12:01 | 0:12:03 | |
Don't know the name but I recognise the face. | 0:12:03 | 0:12:06 | |
Well... | 0:12:08 | 0:12:09 | |
we'll find out when he wakes up. Won't we? | 0:12:09 | 0:12:11 | |
Here they come! | 0:12:40 | 0:12:41 | |
-Ward tent two. -Smashing. Ward two, lads. | 0:12:54 | 0:12:57 | |
Well, the gods are smiling on me today, Miss Trevelyan. | 0:13:09 | 0:13:13 | |
Hop in. | 0:13:18 | 0:13:19 | |
Special circumstances. | 0:13:26 | 0:13:27 | |
Setting a very dangerous precedent. | 0:13:27 | 0:13:29 | |
Now every nurse will want trips into town | 0:13:29 | 0:13:32 | |
with no female chaperone. | 0:13:32 | 0:13:33 | |
It won't be long before someone gets a belly full of arms and legs. | 0:13:34 | 0:13:38 | |
This way. | 0:13:44 | 0:13:46 | |
This way, we're going this way. | 0:13:46 | 0:13:48 | |
I do wish you'd stop chattering, Miss Trevelyan, | 0:13:53 | 0:13:55 | |
I can barely hear myself think(!) | 0:13:55 | 0:13:57 | |
-No, thank you, Captain. -Miles. | 0:14:02 | 0:14:04 | |
I've told you, call me Miles. | 0:14:04 | 0:14:06 | |
Do you know the hotel in town? | 0:14:08 | 0:14:09 | |
I do. | 0:14:09 | 0:14:11 | |
L'Hotel Rose Sur Mer. | 0:14:11 | 0:14:12 | |
I keep a room there for myself and Tom - Captain Gillan. | 0:14:12 | 0:14:15 | |
Why? | 0:14:15 | 0:14:16 | |
I heard it was... | 0:14:18 | 0:14:19 | |
a nice place to take tea. | 0:14:19 | 0:14:20 | |
Oh, God, it's delightful! | 0:14:20 | 0:14:22 | |
My plans? | 0:14:39 | 0:14:40 | |
Well, since you ask, | 0:14:40 | 0:14:42 | |
I have some rather pressing private business to attend to. | 0:14:42 | 0:14:45 | |
And then I'm going to go straight to my room at the hotel | 0:14:45 | 0:14:48 | |
and run a bath. | 0:14:48 | 0:14:49 | |
And then I'm going to enjoy a steak | 0:14:49 | 0:14:51 | |
and a bottle, possibly two, of wine | 0:14:51 | 0:14:53 | |
and if you would care to join me | 0:14:53 | 0:14:55 | |
then that would be really rather marvellous. | 0:14:55 | 0:14:57 | |
I meant in a restaurant, of course. | 0:15:01 | 0:15:02 | |
Slight slip of the tongue, there. | 0:15:02 | 0:15:04 | |
But obviously I meant steak and wine in a restaurant. | 0:15:04 | 0:15:07 | |
Though were you to fling caution to the winds | 0:15:07 | 0:15:09 | |
and join me in the bath | 0:15:09 | 0:15:10 | |
then as gallantry is my constant watchword, | 0:15:10 | 0:15:12 | |
I would of course take the tap end. | 0:15:12 | 0:15:14 | |
-What the hell are you doing? -I'm getting out! | 0:15:14 | 0:15:17 | |
Oh, come on. Please, it was a joke! | 0:15:20 | 0:15:22 | |
Please get back in the car. | 0:15:25 | 0:15:26 | |
I'll walk. | 0:15:26 | 0:15:27 | |
You can't bloody walk! | 0:15:29 | 0:15:30 | |
Watch me. And I'll walk back, as well. | 0:15:30 | 0:15:33 | |
I promise I won't say anything more, just get back in the car... | 0:15:33 | 0:15:36 | |
Take your damn hands off me. | 0:15:36 | 0:15:38 | |
You are being ridiculous! | 0:15:39 | 0:15:40 | |
Bloody woman! | 0:15:41 | 0:15:43 | |
I'll be outside the hotel at five. | 0:15:57 | 0:15:59 | |
And much as I would happily leave you to walk, I can't. | 0:15:59 | 0:16:01 | |
So you'll be there and we'll travel back in stony silence. | 0:16:01 | 0:16:05 | |
Oh, and one final thing, | 0:16:06 | 0:16:08 | |
I give up. | 0:16:08 | 0:16:09 | |
A1. | 0:16:33 | 0:16:34 | |
BACKGROUND CHATTER | 0:16:39 | 0:16:41 | |
Now's your chance, lad. | 0:16:44 | 0:16:46 | |
Now's the time. | 0:16:46 | 0:16:48 | |
Thank you, Captain. | 0:16:48 | 0:16:50 | |
-Have you got a match? -There you go. | 0:16:52 | 0:16:55 | |
I'll come and wave you all off. | 0:16:57 | 0:16:59 | |
Aye, make sure you do. | 0:17:01 | 0:17:02 | |
Well, then. | 0:17:04 | 0:17:06 | |
Dawlish! | 0:17:09 | 0:17:10 | |
Go on. | 0:17:12 | 0:17:13 | |
Tell me something, droopy drawers, | 0:17:13 | 0:17:16 | |
does a day go by when you don't drop a bollock? | 0:17:16 | 0:17:18 | |
Shut up, Raymond! | 0:17:18 | 0:17:19 | |
And stop calling me droopy drawers! | 0:17:19 | 0:17:22 | |
Doc's not listening. | 0:17:27 | 0:17:29 | |
He's not listening! | 0:17:30 | 0:17:32 | |
You're a jammy bugger, Dad. | 0:17:32 | 0:17:34 | |
Jammy nothing. | 0:17:34 | 0:17:35 | |
I told you, | 0:17:35 | 0:17:37 | |
I'm charmed. | 0:17:37 | 0:17:38 | |
Would you like me to help? | 0:17:40 | 0:17:42 | |
I've done this before, | 0:17:42 | 0:17:43 | |
you could sign the forms once I've filled them in. | 0:17:43 | 0:17:46 | |
Oh, I'm unconscionably slow, aren't I? | 0:17:46 | 0:17:49 | |
Yes, please, Sister. | 0:17:49 | 0:17:50 | |
Otherwise these poor chaps will never get out of here! | 0:17:50 | 0:17:53 | |
Two heads are better than one. | 0:17:55 | 0:17:57 | |
So... | 0:17:57 | 0:17:58 | |
Harris! | 0:18:01 | 0:18:02 | |
A1. | 0:19:08 | 0:19:10 | |
Thank you. | 0:19:10 | 0:19:11 | |
Good lad. | 0:19:14 | 0:19:15 | |
Tyrell. | 0:19:17 | 0:19:18 | |
Come on then, Dad. | 0:19:18 | 0:19:20 | |
You're all right there, Sister. | 0:19:20 | 0:19:22 | |
You've got plenty to be getting on with. | 0:19:22 | 0:19:24 | |
I don't mind waiting for the Captain. | 0:19:24 | 0:19:26 | |
It won't take long, don't be daft. Come on! | 0:19:26 | 0:19:28 | |
No, honestly... | 0:19:28 | 0:19:29 | |
CHAIR LEG CLICKS | 0:19:29 | 0:19:31 | |
What happened? | 0:19:38 | 0:19:40 | |
Did you fall out? | 0:19:40 | 0:19:41 | |
It's coming. | 0:19:41 | 0:19:42 | |
What is? | 0:19:42 | 0:19:44 | |
Help me. | 0:19:47 | 0:19:48 | |
There you go. | 0:19:55 | 0:19:56 | |
He's one of them poor sods, isn't he? | 0:19:59 | 0:20:01 | |
Stand back. Give him room. | 0:20:01 | 0:20:02 | |
What on Earth's going on? | 0:20:02 | 0:20:04 | |
Prentiss? | 0:20:10 | 0:20:11 | |
Par ici, Madame. | 0:20:28 | 0:20:31 | |
...quelque chose? | 0:20:33 | 0:20:35 | |
Monsieur, voila. | 0:20:50 | 0:20:52 | |
Ah, thank you. | 0:20:52 | 0:20:54 | |
-Send my usual up. -Oui, monsieur. | 0:20:54 | 0:20:56 | |
Hey, Charlie! | 0:21:39 | 0:21:40 | |
-A1! -How's the food? | 0:21:41 | 0:21:43 | |
Yeah, it's good. | 0:21:43 | 0:21:44 | |
MEN YELL | 0:22:00 | 0:22:02 | |
Hello, Nurse. | 0:22:10 | 0:22:12 | |
Hello, Dawlish. | 0:22:12 | 0:22:13 | |
Are you going for a ride then? | 0:22:14 | 0:22:17 | |
Oh, no... | 0:22:17 | 0:22:18 | |
No, I can't really ride it. | 0:22:18 | 0:22:20 | |
I mean, I've had a few lessons | 0:22:21 | 0:22:23 | |
but I'm not very good at going round the corners. | 0:22:23 | 0:22:25 | |
I'm just turning the engine over. | 0:22:25 | 0:22:27 | |
Joan, I mean, Sister said that could be my job because... | 0:22:27 | 0:22:30 | |
Well, it needs to be turned over everyday | 0:22:30 | 0:22:32 | |
because of the sea air. | 0:22:32 | 0:22:33 | |
It's not very good for it. | 0:22:33 | 0:22:35 | |
This is the throttle | 0:22:37 | 0:22:39 | |
and that's how you turn it on! | 0:22:39 | 0:22:41 | |
You're quite the expert. | 0:22:41 | 0:22:42 | |
Well, I'm rather a modern girl actually, Dawlish. | 0:22:42 | 0:22:45 | |
That's good. | 0:22:48 | 0:22:51 | |
Yes...it is... | 0:22:51 | 0:22:53 | |
very good. | 0:22:53 | 0:22:55 | |
You see, Dawlish, in the future, we'll all be modern. | 0:22:55 | 0:22:58 | |
Er... | 0:22:58 | 0:23:00 | |
I'd best be going now. | 0:23:00 | 0:23:03 | |
Yes. | 0:23:04 | 0:23:05 | |
You know it's Sister Quayle's birthday today? | 0:23:14 | 0:23:17 | |
I thought I might pick her some blackberries. | 0:23:17 | 0:23:20 | |
She's been very good to me. | 0:23:20 | 0:23:21 | |
You know, Flora, I saw you... | 0:23:21 | 0:23:25 | |
doing this. | 0:23:25 | 0:23:26 | |
You'll give that young man ideas. | 0:23:27 | 0:23:30 | |
-And he's a different class to you. -Oh, well done, Rosalie. | 0:23:30 | 0:23:34 | |
You're not talking to Kitty or Joan and now I'm not talking to you. | 0:23:34 | 0:23:38 | |
HE PANTS RAPIDLY | 0:23:44 | 0:23:45 | |
That was quick work. Thank you, both. | 0:23:51 | 0:23:53 | |
Keep an eye. | 0:23:55 | 0:23:56 | |
Can you lift your shirt up for me? | 0:24:05 | 0:24:07 | |
Um... | 0:24:07 | 0:24:08 | |
You don't need to do that. Doctor's not doing it. | 0:24:11 | 0:24:13 | |
I am. | 0:24:13 | 0:24:15 | |
Why don't you want me to listen to your chest? | 0:24:24 | 0:24:26 | |
A1, Dad, good lad, I'll see you out there. | 0:24:27 | 0:24:30 | |
Pleurisy. Double pneumonia. | 0:24:36 | 0:24:39 | |
Few years back. | 0:24:39 | 0:24:41 | |
It's left me with a rattle, but it's... | 0:24:41 | 0:24:44 | |
It sounds much worse than it is, | 0:24:50 | 0:24:53 | |
it's nothing, honest. | 0:24:53 | 0:24:55 | |
Breathe in. | 0:24:59 | 0:25:00 | |
How did you get through your medical? | 0:25:09 | 0:25:12 | |
Shoved a half crown across table. | 0:25:12 | 0:25:14 | |
Hey, no, no, don't. Please don't. | 0:25:15 | 0:25:17 | |
Don't tell him, let it be just between me and you. | 0:25:17 | 0:25:21 | |
It's just a rattle, it don't mean anything, it don't matter. | 0:25:21 | 0:25:26 | |
Yes, it does. | 0:25:26 | 0:25:27 | |
Captain. | 0:25:40 | 0:25:42 | |
-Sister Quayle. -Sir. | 0:25:46 | 0:25:50 | |
Do you recall Lance Corporal Lawrence Prentiss? | 0:25:50 | 0:25:53 | |
I gave you a Blighty Ticket to give to him | 0:25:53 | 0:25:55 | |
so he could get on a convoy back to England. | 0:25:55 | 0:25:58 | |
You told me you gave him that ticket. | 0:25:58 | 0:26:00 | |
But if that was true, it would be impossible | 0:26:00 | 0:26:04 | |
for Lance Corporal Lawrence Prentiss | 0:26:04 | 0:26:06 | |
to be here. | 0:26:06 | 0:26:08 | |
Would it not? | 0:26:09 | 0:26:10 | |
With me, Sister Quayle. | 0:26:14 | 0:26:16 | |
Now. | 0:26:16 | 0:26:17 | |
-You lied to me. -I missed him, Sir. | 0:26:39 | 0:26:43 | |
The convoy left and I couldn't find the Lance Corporal in time. | 0:26:43 | 0:26:46 | |
Sir, this is not Sister Quayle's fault. | 0:26:46 | 0:26:48 | |
I did everything in my power to find him in time, I truly did. | 0:26:48 | 0:26:53 | |
I lied... | 0:26:56 | 0:26:57 | |
..because I wanted you to think well of me, Sir. | 0:26:59 | 0:27:02 | |
I would have thought better of you if you'd told me the truth. | 0:27:02 | 0:27:05 | |
Prentiss is now under the expert care of Sister Livesey. | 0:27:05 | 0:27:08 | |
Dismissed. | 0:27:08 | 0:27:10 | |
That ticket was rescinded by Colonel Purbright. | 0:27:17 | 0:27:20 | |
And you wrote out another one? You countermanded your Senior Officer. | 0:27:20 | 0:27:25 | |
Have you completely lost your mind? | 0:27:25 | 0:27:27 | |
Prentiss needed to go home. | 0:27:27 | 0:27:29 | |
He had a chance, Grace. | 0:27:30 | 0:27:32 | |
Now he has grand mal seizures and no control over his limbs | 0:27:33 | 0:27:37 | |
unless he is doped to his eyeballs. | 0:27:37 | 0:27:39 | |
He had a chance and now he hasn't. | 0:27:39 | 0:27:42 | |
If she'd told me the truth, I could have done something. | 0:27:42 | 0:27:45 | |
-Like what? -I don't know! | 0:27:45 | 0:27:46 | |
Something! | 0:27:46 | 0:27:48 | |
If she'd told me the truth, but she didn't. She lied. She lied. | 0:27:49 | 0:27:52 | |
HE PANTS | 0:28:54 | 0:28:56 | |
I can't stand this. | 0:28:56 | 0:28:58 | |
I can't make it stop. | 0:28:58 | 0:29:00 | |
I'll sit with him now, Sister. Thank you very much. | 0:29:03 | 0:29:06 | |
HE PANTS | 0:29:10 | 0:29:11 | |
Lawrence? | 0:29:13 | 0:29:15 | |
Laurie? | 0:29:15 | 0:29:17 | |
When you were here before, listening to this helped. | 0:29:18 | 0:29:22 | |
I don't know why but it did. | 0:29:22 | 0:29:24 | |
Perhaps it will help again. | 0:29:24 | 0:29:26 | |
MUSIC: "Un Bel Di Vedremo" by Puccini | 0:29:30 | 0:29:32 | |
HE SCREAMS | 0:29:43 | 0:29:44 | |
It's all right, it's all right. | 0:29:46 | 0:29:49 | |
It's all right, Lawrence. Lawrence. Hold the blanket. | 0:29:49 | 0:29:52 | |
Lawrence. | 0:29:53 | 0:29:55 | |
Katherine. | 0:30:37 | 0:30:39 | |
Elliot. | 0:30:40 | 0:30:41 | |
You look well. | 0:30:44 | 0:30:46 | |
Mademoiselle, the pour deux, s'il vous plait. | 0:30:49 | 0:30:52 | |
A nurse. | 0:30:55 | 0:30:57 | |
A ministering angel. I could hardly believe it when I heard. | 0:30:57 | 0:31:00 | |
I would have thought you would have been too busy to leave England. | 0:31:03 | 0:31:05 | |
I am. But it was imperative to see you. | 0:31:05 | 0:31:09 | |
Proceedings can begin. | 0:31:13 | 0:31:14 | |
You need to acknowledge your confession. | 0:31:16 | 0:31:19 | |
I want the whole squalid business cleared up quickly. | 0:31:19 | 0:31:22 | |
I want to marry again. | 0:31:22 | 0:31:24 | |
I didn't write this. | 0:31:29 | 0:31:31 | |
But they are the facts, are they not? | 0:31:31 | 0:31:34 | |
You did have an affair? | 0:31:34 | 0:31:36 | |
Of course, you can contest it... | 0:31:39 | 0:31:41 | |
Good. | 0:32:07 | 0:32:09 | |
-Go ahead and ask me, I know you want to. -How is she? | 0:32:16 | 0:32:19 | |
She's very well. | 0:32:21 | 0:32:22 | |
Getting taller. Losing her baby teeth. | 0:32:24 | 0:32:27 | |
She lives with my sister and all her cousins. It's better for a child. | 0:32:28 | 0:32:33 | |
She has the very best. | 0:32:33 | 0:32:35 | |
She's happy. | 0:32:35 | 0:32:37 | |
Does she ask for me? | 0:32:46 | 0:32:48 | |
You scared her, Kitty. | 0:32:52 | 0:32:53 | |
You scared me. | 0:32:55 | 0:32:56 | |
You shouldn't have taken her away. | 0:32:58 | 0:33:00 | |
I didn't know what else to do. | 0:33:00 | 0:33:02 | |
May I write to her? | 0:33:02 | 0:33:03 | |
Saying what? | 0:33:05 | 0:33:07 | |
I just don't want her to think that I've forgotten her... | 0:33:07 | 0:33:10 | |
..that I don't... | 0:33:12 | 0:33:14 | |
love her more than my own life, | 0:33:14 | 0:33:17 | |
that I don't think about her every minute of every day. | 0:33:17 | 0:33:20 | |
You can tell her yourself. | 0:33:20 | 0:33:21 | |
She's here? | 0:33:27 | 0:33:29 | |
Go easy, though. It's been a long day and she's tired. | 0:33:29 | 0:33:32 | |
Sylvie? | 0:34:17 | 0:34:19 | |
Sylvie, my little monkey. | 0:34:20 | 0:34:24 | |
Sylvie, it's Mummy. | 0:34:24 | 0:34:27 | |
It's Mummy. | 0:34:27 | 0:34:28 | |
DOOR OPENS | 0:34:33 | 0:34:34 | |
SHE SOBS | 0:34:50 | 0:34:51 | |
You're not going to let me see her, are you? | 0:35:03 | 0:35:05 | |
They're expecting me back at the hospital. | 0:35:16 | 0:35:21 | |
Someone is driving me there and if I don't... | 0:35:21 | 0:35:24 | |
If I don't turn up, they will come looking. | 0:35:24 | 0:35:29 | |
So, I'm going to leave this room | 0:35:29 | 0:35:32 | |
and you're going to let me leave. | 0:35:32 | 0:35:34 | |
SHE WHIMPERS | 0:35:46 | 0:35:47 | |
I'm not playing this game any more. | 0:35:52 | 0:35:54 | |
Aren't you? | 0:35:54 | 0:35:56 | |
SHE WHIMPERS | 0:36:04 | 0:36:05 | |
Ouch! Bitch! | 0:36:09 | 0:36:11 | |
SHE SCREAMS | 0:36:13 | 0:36:15 | |
SHE PANTS | 0:36:20 | 0:36:22 | |
DOOR OPENS | 0:36:30 | 0:36:32 | |
I rather think not. | 0:36:33 | 0:36:34 | |
This is private. Don't interfere. | 0:36:34 | 0:36:37 | |
I'm afraid I must. | 0:36:37 | 0:36:38 | |
Please step back, there's a good chap. | 0:36:38 | 0:36:41 | |
This is a fine way for an Englishman to behave towards a serving nurse. | 0:36:44 | 0:36:47 | |
A whore in nurse's uniform is still a whore. Isn't that right? | 0:36:47 | 0:36:51 | |
On your back, knees to the sky. | 0:36:52 | 0:36:55 | |
Might I have your name, Sir? | 0:36:55 | 0:36:57 | |
Don't turn your back on me, I hold the King's Commission. | 0:36:59 | 0:37:01 | |
A Captain in the RAMC? MOCKS SHUDDER | 0:37:01 | 0:37:03 | |
Come back when you're Field Marshal. | 0:37:03 | 0:37:06 | |
I think it's time we should be heading back. | 0:37:25 | 0:37:27 | |
Are you all right? | 0:37:30 | 0:37:31 | |
Well, Sister's absolutely right. You shouldn't have been here at all. | 0:37:40 | 0:37:45 | |
Your lungs are a mess, man. | 0:37:45 | 0:37:46 | |
We have to stay together, we have to. The Lucky 13s. | 0:37:46 | 0:37:49 | |
That's just a superstition, there's nothing lucky about a number. | 0:37:49 | 0:37:53 | |
No, there's everything's lucky about it! | 0:37:53 | 0:37:55 | |
We've been where we've been, and there's no lad around us | 0:37:55 | 0:37:58 | |
that's gotten out of there alive and all we've got is scratches... | 0:37:58 | 0:38:02 | |
..and trench fever. | 0:38:04 | 0:38:05 | |
You'd best believe that we're lucky! | 0:38:06 | 0:38:09 | |
I'm an old man, me, I'm Dad. | 0:38:12 | 0:38:14 | |
I hold my boys together. | 0:38:16 | 0:38:18 | |
-My dear fellow... -No. -..you'll be dragging your boys down. | 0:38:18 | 0:38:21 | |
They'll be looking after you and not themselves. | 0:38:21 | 0:38:23 | |
It won't be long before winter comes and that chest of yours | 0:38:23 | 0:38:26 | |
isn't going to cope. | 0:38:26 | 0:38:28 | |
It was fine before, weren't it? And we're not going to get | 0:38:28 | 0:38:30 | |
another winter out here like we did last time. | 0:38:30 | 0:38:32 | |
It'd be bloody madness, wouldn't it? Please. | 0:38:32 | 0:38:34 | |
Private Tyrrell, it's commendable that you want to serve | 0:38:34 | 0:38:37 | |
but...I'm sure there's still plenty you can do. | 0:38:37 | 0:38:40 | |
Sister will give that to the clerk... | 0:38:47 | 0:38:49 | |
..and they'll make the arrangements. | 0:38:52 | 0:38:54 | |
I'm so sorry, | 0:38:57 | 0:38:59 | |
but they'll understand. | 0:38:59 | 0:39:00 | |
So I just go home now then, do I? | 0:39:09 | 0:39:11 | |
Sit in the house, and wait for them telegrams to arrive, | 0:39:16 | 0:39:20 | |
knowing it's my fault? | 0:39:20 | 0:39:21 | |
I have to do what's right for you. | 0:39:23 | 0:39:25 | |
Over here! Come on, over here! | 0:39:46 | 0:39:49 | |
Pass it, go on! | 0:39:53 | 0:39:55 | |
THEY CHEER | 0:39:59 | 0:40:01 | |
What? | 0:40:10 | 0:40:11 | |
I failed. | 0:40:15 | 0:40:17 | |
No. | 0:40:17 | 0:40:18 | |
-Sorry, lad. -No. | 0:40:18 | 0:40:20 | |
Raymond, what's the matter? | 0:40:22 | 0:40:25 | |
Hey? | 0:40:25 | 0:40:26 | |
We're all dead men! | 0:40:32 | 0:40:33 | |
Hey, stop him. | 0:40:33 | 0:40:35 | |
Hey, come back, Deeley! | 0:40:35 | 0:40:37 | |
SHOUTING | 0:40:40 | 0:40:41 | |
You're going to be shot, Deeley! | 0:40:41 | 0:40:42 | |
Listen to me! Raymond! | 0:40:42 | 0:40:45 | |
Raymond, you run, you're going to get bloody shot. | 0:40:45 | 0:40:49 | |
Shoot me anyway, we're fucked, we're dead! | 0:40:49 | 0:40:53 | |
You're not going to run, I'm not going to bloody let you! | 0:40:53 | 0:40:55 | |
Now, you get up and you walk! | 0:40:55 | 0:40:59 | |
Get him up. | 0:40:59 | 0:41:00 | |
HE STRUGGLES FOR BREATH | 0:41:00 | 0:41:03 | |
You're all right. You're all right. | 0:41:03 | 0:41:05 | |
Pulse and temperature. | 0:41:22 | 0:41:23 | |
HE SHIVERS | 0:41:23 | 0:41:25 | |
You know him? | 0:41:28 | 0:41:29 | |
I nursed him when he was here before. | 0:41:31 | 0:41:34 | |
I'm very sorry to see him back. | 0:41:36 | 0:41:38 | |
Well, I'll do my best for him. | 0:41:41 | 0:41:43 | |
I'm sorry about Roland, Margaret. | 0:42:22 | 0:42:25 | |
It's the situation he's angry with, not you. | 0:42:25 | 0:42:27 | |
The Colonel couldn't make it plainer what he thinks of me. | 0:42:27 | 0:42:31 | |
But I'm not going to let that ruin my day. | 0:42:32 | 0:42:35 | |
Not after you've gone to so much trouble. | 0:42:35 | 0:42:37 | |
Margaret, the Blighty Ticket... | 0:42:39 | 0:42:43 | |
you did destroy it, didn't you? | 0:42:43 | 0:42:46 | |
Well, of course I did, Grace. | 0:42:46 | 0:42:48 | |
I never wanted it put into my hands in the first place. | 0:42:48 | 0:42:52 | |
Why would I keep such a thing? | 0:42:53 | 0:42:55 | |
You show 'em what your made of. All right? | 0:42:57 | 0:43:00 | |
-Thanks, Dad. -That's it, all right. | 0:43:00 | 0:43:02 | |
-Next! -57946 Reynolds, P. | 0:43:02 | 0:43:05 | |
Off you go. | 0:43:05 | 0:43:07 | |
-Chin up, all right, you'll be all right. -Yep. | 0:43:08 | 0:43:11 | |
Now, you look after yourselves... for me. | 0:43:15 | 0:43:18 | |
Where's Charlie? | 0:43:19 | 0:43:21 | |
DOOR OPENS | 0:43:21 | 0:43:22 | |
I won't gossip. | 0:43:28 | 0:43:30 | |
Thank you, Miles. | 0:43:33 | 0:43:35 | |
Nothing to thank me for. | 0:43:36 | 0:43:38 | |
Charlie, I know what you're going to say and I am sorry, but really | 0:43:50 | 0:43:54 | |
there's nothing can be done, he can't go back up with you... | 0:43:54 | 0:43:57 | |
I never fell off my bike. I never got smashed up. I just said that. | 0:43:57 | 0:44:00 | |
SHE GASPS | 0:44:00 | 0:44:01 | |
You don't know me from the hospital. | 0:44:01 | 0:44:04 | |
I work at a restaurant back home. | 0:44:04 | 0:44:07 | |
At the chophouse. I wait a bit of table when they're busy. | 0:44:07 | 0:44:11 | |
It's no surprise you couldn't place me. | 0:44:12 | 0:44:15 | |
You don't have eyes for anyone else really... | 0:44:16 | 0:44:19 | |
when you're with him. | 0:44:19 | 0:44:20 | |
He's a nice man. Friendly, lovely manners, | 0:44:25 | 0:44:28 | |
always left a big tip. | 0:44:28 | 0:44:30 | |
You could hardly hear his accent. | 0:44:31 | 0:44:33 | |
I mean, it was all right back then, | 0:44:35 | 0:44:37 | |
we was all friends, but it's different now. | 0:44:37 | 0:44:40 | |
And here's you... | 0:44:41 | 0:44:44 | |
in an Army hospital... | 0:44:44 | 0:44:47 | |
and him, a German... | 0:44:47 | 0:44:49 | |
Well, he could be so close, couldn't he? | 0:44:49 | 0:44:52 | |
Trenches are only 50 miles away. | 0:44:52 | 0:44:54 | |
And people do talk. | 0:44:55 | 0:44:57 | |
They do like to point the finger. | 0:44:57 | 0:44:59 | |
Are you blackmailing me? | 0:45:07 | 0:45:09 | |
Eh...two weeks I've been here and I've not breathed a word. | 0:45:09 | 0:45:13 | |
And I wouldn't have done, not ever, but now... | 0:45:13 | 0:45:16 | |
now I'm in a predicament. | 0:45:16 | 0:45:19 | |
My mates...my brothers are in bits. | 0:45:19 | 0:45:23 | |
So I've got to put the big boots on, haven't I? | 0:45:23 | 0:45:25 | |
I don't take no pleasure from doing this, Sister, | 0:45:26 | 0:45:29 | |
but we all stay together, we all stay alive. | 0:45:29 | 0:45:32 | |
So, I've got to use what I've got. | 0:45:32 | 0:45:35 | |
And this is what I've got. | 0:45:35 | 0:45:36 | |
-What do you want? -You know what I want. | 0:45:36 | 0:45:39 | |
-I can't. -Yes, you can. | 0:45:41 | 0:45:43 | |
Tear that one up and copy one of the other ones. | 0:45:43 | 0:45:46 | |
It won't be nothing to you. | 0:45:46 | 0:45:48 | |
But it is. | 0:45:48 | 0:45:50 | |
Well, then you'll have to work out what's worth more. | 0:45:53 | 0:45:56 | |
And you'd best hurry cos they're lining us up. | 0:45:56 | 0:45:58 | |
SHE SIGHS | 0:46:13 | 0:46:15 | |
All A1. | 0:46:39 | 0:46:41 | |
Like I said... | 0:46:46 | 0:46:47 | |
I don't take no pleasure in doing this. It... | 0:46:48 | 0:46:51 | |
It just had to be done. | 0:46:53 | 0:46:55 | |
You and him... you look good together. | 0:47:00 | 0:47:04 | |
Right? | 0:47:05 | 0:47:06 | |
Some people just do, don't they? | 0:47:06 | 0:47:09 | |
They just look right with each other. | 0:47:11 | 0:47:14 | |
SHE SOBS | 0:47:29 | 0:47:31 | |
Thank you. | 0:47:35 | 0:47:37 | |
CHATTER | 0:47:37 | 0:47:39 | |
-Where have you been? -Get in the line. Don't ask. | 0:47:39 | 0:47:41 | |
CHARLIE CLEARS HIS THROAT | 0:47:41 | 0:47:43 | |
Dawlish and Tyrell, Sergeant. | 0:47:43 | 0:47:46 | |
Next. | 0:47:51 | 0:47:52 | |
-59268, Carrick. -Next. | 0:47:59 | 0:48:02 | |
Hey, how did you manage that? | 0:48:02 | 0:48:04 | |
CHATTER | 0:48:04 | 0:48:06 | |
Isn't this such a treat? | 0:48:09 | 0:48:11 | |
CHATTER | 0:48:11 | 0:48:13 | |
-Now, Sister Livesey? -Hm? -Since it's my birthday, you have to indulge me. | 0:48:15 | 0:48:20 | |
I'm all agog because it transpires that you are a woman of mystery. | 0:48:20 | 0:48:26 | |
-There's nothing mysterious about me. -Oh, but there is. | 0:48:28 | 0:48:31 | |
You haven't breathed a word about the fact that you're betrothed. | 0:48:31 | 0:48:33 | |
PIANO STOPS APPLAUSE | 0:48:35 | 0:48:38 | |
I'm not. | 0:48:39 | 0:48:41 | |
Oh, come now. Dear Miss Berwick has seen the ring. | 0:48:41 | 0:48:44 | |
Tell us all about him. Is he in uniform? | 0:48:44 | 0:48:47 | |
Ohh! | 0:48:54 | 0:48:55 | |
Do show us. We love a romance. | 0:48:55 | 0:48:59 | |
And there's nothing more romantic | 0:48:59 | 0:49:01 | |
than a nurse in love with her brave, brave man. | 0:49:01 | 0:49:04 | |
Show us. | 0:49:04 | 0:49:07 | |
NURSES GASP | 0:49:25 | 0:49:28 | |
Ohh! And what's his name? | 0:49:28 | 0:49:31 | |
-Charlie. -And which regiment? Is he...an officer? | 0:49:34 | 0:49:39 | |
He's a Lance Corporal... Royal Engineers. | 0:49:39 | 0:49:43 | |
Oh, my dear! I've upset you! | 0:49:45 | 0:49:48 | |
I didn't mean to. | 0:49:48 | 0:49:50 | |
-SHE SIGHS -Please, excuse me. | 0:49:50 | 0:49:53 | |
Oh, no! Ohh! | 0:49:53 | 0:49:56 | |
That is the last thing I wanted. | 0:49:56 | 0:49:59 | |
Oh, well! | 0:49:59 | 0:50:00 | |
Who hasn't had any? | 0:50:05 | 0:50:07 | |
-Thank you, Sister. -There you are. | 0:50:07 | 0:50:09 | |
CICADAS CHIRRUP | 0:50:31 | 0:50:33 | |
My, God! | 0:50:43 | 0:50:46 | |
What, pray, is the meaning of this? | 0:50:47 | 0:50:50 | |
You know what I'm looking for. | 0:50:50 | 0:50:52 | |
I destroyed it. | 0:50:52 | 0:50:54 | |
I've known you for a very long time. | 0:50:54 | 0:50:57 | |
You hit back at those that hurt you. | 0:50:57 | 0:51:00 | |
What a little attack dog you are! | 0:51:00 | 0:51:02 | |
You turn on your oldest friend in favour of your new master. | 0:51:02 | 0:51:06 | |
I feel quite sickened. | 0:51:08 | 0:51:10 | |
Then you'll have to feel sickened, | 0:51:11 | 0:51:14 | |
because I think... | 0:51:14 | 0:51:15 | |
No, I'm certain, that you kept it | 0:51:15 | 0:51:18 | |
because you knew the damage it could do to Roland. | 0:51:18 | 0:51:22 | |
To punish him for not making you Matron. | 0:51:22 | 0:51:24 | |
-You should have turned it down! -Well, I didn't! | 0:51:30 | 0:51:34 | |
You let me be humiliated! | 0:51:34 | 0:51:36 | |
There's an order to things. | 0:51:36 | 0:51:38 | |
Everyone was looking at me knowing it was mine, everyone! | 0:51:38 | 0:51:43 | |
You let me endure the shame of being passed over | 0:51:43 | 0:51:47 | |
after everything I've done for you. | 0:51:47 | 0:51:50 | |
You took what was mine and you should have turned it down! | 0:51:50 | 0:51:53 | |
You let me be shamed! | 0:51:53 | 0:51:56 | |
That's how you repay me? | 0:51:56 | 0:51:58 | |
Am I expected to be grateful for ever? | 0:51:58 | 0:52:01 | |
You're expected...to be loyal! | 0:52:01 | 0:52:05 | |
I saved you! | 0:52:08 | 0:52:10 | |
Perhaps I would have been happier if you hadn't! | 0:52:10 | 0:52:13 | |
Ohh! You'd have...been ruined! | 0:52:13 | 0:52:18 | |
A laughing stock, a pariah! | 0:52:18 | 0:52:21 | |
You'd have been nothing! | 0:52:21 | 0:52:24 | |
You certainly wouldn't have been Matron. | 0:52:24 | 0:52:27 | |
Do you know what they say about you? | 0:52:35 | 0:52:37 | |
They say that you and the Colonel are especially close. | 0:52:37 | 0:52:42 | |
But I could tell them otherwise. | 0:52:44 | 0:52:47 | |
Couldn't I? | 0:52:48 | 0:52:49 | |
I could tell them that your tastes... | 0:52:51 | 0:52:55 | |
are far more exotic. | 0:52:55 | 0:52:58 | |
Sister Quayle... | 0:53:08 | 0:53:10 | |
..you've been working very hard and you must be exhausted. | 0:53:12 | 0:53:16 | |
I'm sending you home on two weeks' leave. | 0:53:18 | 0:53:21 | |
And while you are on leave, you will think very carefully | 0:53:21 | 0:53:24 | |
about whether you can continue to work here, | 0:53:24 | 0:53:26 | |
under me. | 0:53:26 | 0:53:28 | |
If you can't, I will arrange for your transfer as far away as possible. | 0:53:29 | 0:53:33 | |
Use the time wisely. | 0:53:35 | 0:53:37 | |
SHE SOBS | 0:54:12 | 0:54:14 | |
CHATTER | 0:54:20 | 0:54:22 | |
LAUGHTER | 0:54:36 | 0:54:38 | |
HORSE SNORTS | 0:54:47 | 0:54:48 | |
I couldn't get a message to you. | 0:54:59 | 0:55:02 | |
I couldn't turn down the pass. | 0:55:02 | 0:55:05 | |
No-one turns down a pass. | 0:55:07 | 0:55:09 | |
It would have made Miles' day. | 0:55:11 | 0:55:13 | |
I only saw him in the car. | 0:55:13 | 0:55:16 | |
He was very polite. | 0:55:16 | 0:55:18 | |
The thing is... | 0:55:21 | 0:55:23 | |
..maybe it was for the best. | 0:55:26 | 0:55:28 | |
Not meeting. | 0:55:28 | 0:55:30 | |
Why? | 0:55:30 | 0:55:32 | |
I'd be the one sent home... | 0:55:34 | 0:55:37 | |
not you. | 0:55:37 | 0:55:39 | |
I don't want to be sent home. | 0:55:40 | 0:55:42 | |
METAL CLICKS | 0:55:42 | 0:55:44 | |
SHE GASPS | 0:55:44 | 0:55:45 | |
WOOD SPLINTERS | 0:56:03 | 0:56:05 | |
-HE SIGHS -I came here to work... | 0:56:21 | 0:56:24 | |
..not to get entangled. | 0:56:27 | 0:56:29 | |
Understood. | 0:56:38 | 0:56:40 | |
-OFFICER: -Left! Right! Left! Right! | 0:56:46 | 0:56:49 | |
Left! Left! Right! Left! Right! Left! Right! | 0:56:49 | 0:56:53 | |
Left! Right! Left! Left! Right! Left! Right! Left! Right! | 0:56:53 | 0:56:58 | |
OFFICER CONTINUES BARKING DRILL | 0:56:58 | 0:57:02 | |
Goodbye! Good luck! | 0:57:06 | 0:57:09 | |
Left! Left! Right! Left! Right! Left! Right! | 0:57:09 | 0:57:13 | |
Oh, sod it! | 0:57:13 | 0:57:15 | |
-Hey. Hey! -Squad halt! | 0:57:15 | 0:57:17 | |
-Get back here now! -It's all right, Sergeant, he'll be back. | 0:57:17 | 0:57:20 | |
-MEN: Ohh! -He did it, Pat. He did it. | 0:57:26 | 0:57:28 | |
-Come on, lad. -Well done, lad. | 0:57:28 | 0:57:31 | |
I reckon you're the prettiest girl ever. | 0:57:31 | 0:57:33 | |
Oh, Charlie Dawlish! | 0:57:33 | 0:57:37 | |
-All right now, Raymond? -Yeah, I'm all good, Dad. | 0:57:43 | 0:57:47 | |
Good lad. | 0:57:47 | 0:57:49 | |
Back in line. Come on, fall in! | 0:57:52 | 0:57:55 | |
-Come on, lover boy. -LAUGHTER | 0:57:55 | 0:57:57 | |
It's about bloody time! | 0:57:57 | 0:58:00 | |
LAUGHTER | 0:58:00 | 0:58:02 | |
Squad, by the left...quick march! | 0:58:02 | 0:58:05 | |
Left! Right! Left! Right! Left! Right! | 0:58:05 | 0:58:09 | |
Left! Left! Right! Left! Right! Left! | 0:58:09 | 0:58:13 | |
We have to leave. | 0:58:28 | 0:58:30 | |
It's not safe here any more. | 0:58:30 | 0:58:32 | |
Find someone else to dance to your tune. | 0:58:34 | 0:58:36 | |
All rules and duty. | 0:58:37 | 0:58:39 | |
-You know nothing about me! -Always yapping at my heels, aren't you? | 0:58:39 | 0:58:42 | |
Every king must fall. | 0:58:42 | 0:58:44 | |
Shit! | 0:58:44 | 0:58:46 | |
I need to ask you some questions. | 0:58:46 | 0:58:47 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |