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Write to him. | 0:00:33 | 0:00:35 | |
How long will it take to get to Germany? | 0:00:46 | 0:00:48 | |
I shouldn't let you do this. | 0:00:53 | 0:00:54 | |
Why are you doing this for me? | 0:00:56 | 0:00:58 | |
We are both exiles in a strange land. | 0:00:58 | 0:01:00 | |
If we can't be human to each other then what are we? | 0:01:02 | 0:01:06 | |
Where am I to leave the reply? | 0:01:08 | 0:01:10 | |
If one comes. | 0:01:10 | 0:01:12 | |
BUGLE CALL IN DISTANCE | 0:01:33 | 0:01:35 | |
CHATTER AND LAUGHTER IN DISTANCE | 0:01:41 | 0:01:44 | |
I want the commanding officer. | 0:01:50 | 0:01:52 | |
You are just an orderly and therefore of no use to me. | 0:01:52 | 0:01:55 | |
With all due respect, sir, you're making it rather difficult | 0:01:55 | 0:01:57 | |
for us to do our job. If you could come with me to the ward... | 0:01:57 | 0:02:00 | |
And you're not the CO, unless the Army's completely lost its mind. | 0:02:00 | 0:02:04 | |
Matron Carter. Might I have your name? | 0:02:04 | 0:02:06 | |
Ballard. Major. J. 5th Punjab Rifles. | 0:02:07 | 0:02:11 | |
I'm not supposed to be here. I'm not like these poor devils. | 0:02:11 | 0:02:14 | |
I need to get out and get back to the front immediately. | 0:02:14 | 0:02:17 | |
I'll tell Colonel Brett you want to speak to him. | 0:02:17 | 0:02:20 | |
In the meantime, I must ask that you go quietly to the ward. | 0:02:20 | 0:02:23 | |
And I must also ask that you give me your revolver. | 0:02:23 | 0:02:26 | |
It's not Army issue. It's mine. Belongs to me. It's private property. | 0:02:26 | 0:02:30 | |
Nonetheless, before you go to the ward, I still need to take it. | 0:02:30 | 0:02:33 | |
I do not enjoy being given orders by a woman. | 0:02:36 | 0:02:39 | |
There is no point in you standing there with your little paw out. | 0:02:39 | 0:02:42 | |
So, why don't you go and find the CO? | 0:02:42 | 0:02:44 | |
Now, step to it. HE SPEAKS PUNJABI | 0:02:44 | 0:02:46 | |
SHE SPEAKS PUNJABI | 0:02:46 | 0:02:48 | |
Well, well, well. | 0:02:52 | 0:02:53 | |
She speaks Punjabi. | 0:02:55 | 0:02:57 | |
The gun...is mine. | 0:03:14 | 0:03:17 | |
You'll do, Matron Carter. | 0:03:23 | 0:03:25 | |
-Thank you, Nurse. -Orderly, can you take him? He can't walk. | 0:03:33 | 0:03:36 | |
Hold up. | 0:03:38 | 0:03:39 | |
-He's still himself. -What, you know him? | 0:03:41 | 0:03:44 | |
Yeah. Me and him got business. | 0:03:44 | 0:03:46 | |
An Indian Army officer, Ballard, wants to see you. | 0:03:50 | 0:03:53 | |
Him and several hundred others. I'll put him on my list. | 0:03:53 | 0:03:55 | |
I'd like it if you could see him quite promptly. | 0:03:55 | 0:03:58 | |
He's the type to make his presence felt. | 0:03:58 | 0:04:00 | |
He'll go on my list. | 0:04:00 | 0:04:01 | |
-Have you been running? -I never run. | 0:04:01 | 0:04:03 | |
DOOR OPENS | 0:04:37 | 0:04:39 | |
That officer, Ballard. You give him a message for us? | 0:04:47 | 0:04:50 | |
Depends on the message. | 0:04:50 | 0:04:52 | |
Just tell him Gorman the sniper's here. | 0:04:52 | 0:04:55 | |
Tell him I said hello. | 0:04:55 | 0:04:57 | |
-Is he going to want to say hello to you? -I reckon. | 0:04:57 | 0:04:59 | |
So, will you tell him? | 0:05:01 | 0:05:02 | |
Most important you get yourself sorted out and have a kip first. | 0:05:02 | 0:05:05 | |
I'm nowhere near that yet. | 0:05:05 | 0:05:07 | |
-Tomorrow, we'll have been here for three months. -I know. | 0:05:10 | 0:05:13 | |
Don't you think we should throw a do? | 0:05:13 | 0:05:16 | |
I mean, we don't need a reason, but it's the perfect reason. | 0:05:16 | 0:05:19 | |
-We can invite the patients and the staff. -What kind of do? | 0:05:19 | 0:05:22 | |
You know, just something little and fun. | 0:05:22 | 0:05:24 | |
Charades, songs round a piano. | 0:05:24 | 0:05:27 | |
Everybody loves a singsong. | 0:05:27 | 0:05:29 | |
People can do their party pieces. | 0:05:29 | 0:05:31 | |
Bet you have a party piece, don't you, Corporal? | 0:05:31 | 0:05:34 | |
Yeah. Mopping. | 0:05:34 | 0:05:36 | |
Well, I'll organise it. It will just be small. | 0:05:36 | 0:05:39 | |
But you can tell people, and whoever wants to come can come. | 0:05:39 | 0:05:43 | |
-I'm not singing. -No, nor me. | 0:05:43 | 0:05:45 | |
Oh, for heaven's sake! I'll start the singing. | 0:05:45 | 0:05:48 | |
We want them to get better, not worse. | 0:05:48 | 0:05:50 | |
I'll have you know that at home, | 0:05:50 | 0:05:52 | |
I'm actually considered rather tuneful. | 0:05:52 | 0:05:53 | |
What just happened? | 0:05:59 | 0:06:01 | |
I think we're throwing a do. | 0:06:01 | 0:06:02 | |
I'll pick some flowers to decorate it, | 0:06:02 | 0:06:05 | |
and maybe even put up a stage. | 0:06:05 | 0:06:07 | |
And, of course, there'll be a pianist, but not me. | 0:06:07 | 0:06:09 | |
I'm not very good at the piano, but someone who IS good at the piano. | 0:06:09 | 0:06:12 | |
Have you put on concerts before? | 0:06:12 | 0:06:14 | |
Oh, yes, I have a great deal of experience in theatricals. | 0:06:14 | 0:06:18 | |
I was in the Worthing Operatic Society | 0:06:18 | 0:06:21 | |
where I took the role of a pirate in Pirates Of Penzance. | 0:06:21 | 0:06:24 | |
Everyone commented on it... very favourably. | 0:06:24 | 0:06:28 | |
I just thought it would be fun. | 0:06:28 | 0:06:29 | |
Give everyone a boost and bring us all together. | 0:06:29 | 0:06:32 | |
Yes. Well, carry on, Marshall. I shall watch and applaud. | 0:06:35 | 0:06:39 | |
Morning, Major Ballard. Time to have your dressing changed. | 0:06:42 | 0:06:45 | |
No. | 0:06:45 | 0:06:47 | |
-Why not, Major? -Because I said not. | 0:06:47 | 0:06:49 | |
Where's the commanding officer? Has he fallen down a hole? | 0:06:49 | 0:06:52 | |
What have I got to do to speak to him? | 0:06:52 | 0:06:54 | |
He'll be round as soon as he's ready. | 0:06:54 | 0:06:56 | |
Why doesn't anybody in this place do what they're told?! | 0:06:56 | 0:06:59 | |
If I could just dress your arm... | 0:06:59 | 0:07:01 | |
Colonel Brett. | 0:07:22 | 0:07:23 | |
-Delighted you could finally make it. -I did warn you. | 0:07:25 | 0:07:28 | |
I don't appreciate being summoned by the sound of smashing crockery. | 0:07:28 | 0:07:31 | |
You have to sign me out and send me back up to the front | 0:07:31 | 0:07:34 | |
-as a matter of urgency. -Do I, indeed? | 0:07:34 | 0:07:35 | |
I've left 400 sepoys under the command of a young lieutenant | 0:07:35 | 0:07:38 | |
two months out of school, who has perfect Greek and Latin, | 0:07:38 | 0:07:40 | |
but not a word of the bloody lingo spoken by my Sikh Lions. | 0:07:40 | 0:07:44 | |
Matron here speaks more Punjabi than he does. | 0:07:44 | 0:07:46 | |
You have an open wound in your arm. You're staying here. | 0:07:47 | 0:07:50 | |
Colonel... | 0:07:50 | 0:07:52 | |
This is confidential. There's going to be a push. | 0:07:52 | 0:07:55 | |
How in hell are my men supposed to execute that push | 0:07:55 | 0:07:57 | |
if there's no-one there who can understand them? | 0:07:57 | 0:07:59 | |
There's nothing leaving until dawn tomorrow. | 0:08:01 | 0:08:04 | |
But you won't be going anywhere | 0:08:04 | 0:08:05 | |
unless you pipe down and get treated. | 0:08:05 | 0:08:07 | |
Well, in that case. I want Matron to do it. | 0:08:07 | 0:08:09 | |
Matron has far too much work to be dancing attendance on you. | 0:08:09 | 0:08:12 | |
Well, shall we ask her. | 0:08:12 | 0:08:14 | |
If it will mean less trouble. | 0:08:18 | 0:08:20 | |
-You never said! -You never asked, sir. | 0:08:34 | 0:08:36 | |
I don't know why you're so surprised. | 0:08:36 | 0:08:38 | |
You know I began my service in India. | 0:08:38 | 0:08:40 | |
-Yes, but I didn't know you grew up there. I'm quite envious. -Why? | 0:08:40 | 0:08:44 | |
Well...tigers and elephants. | 0:08:44 | 0:08:47 | |
We didn't have them in Godalming. | 0:08:47 | 0:08:49 | |
It was a perfectly ordinary childhood. | 0:08:49 | 0:08:51 | |
-You're a dark horse, Grace Carter. -I'm nothing of the sort. | 0:08:51 | 0:08:55 | |
Oh, Sister, when this chap of yours gets some leave, you must tell us. | 0:08:55 | 0:08:59 | |
We can arrange something so you can scoot off and join him. | 0:08:59 | 0:09:03 | |
Oh, sorry, of course. | 0:09:03 | 0:09:04 | |
I don't want you to think that we're gossiping about you. | 0:09:04 | 0:09:07 | |
No, no, not at all. It's very kind of you, sir. | 0:09:07 | 0:09:09 | |
It's bribery. We want to keep you. | 0:09:09 | 0:09:11 | |
-I need you to cover night duty tonight. -Tonight, Matron? | 0:09:12 | 0:09:16 | |
Is that a problem? | 0:09:16 | 0:09:17 | |
No, of course not. | 0:09:17 | 0:09:18 | |
So, what sort of do is this going to be? | 0:09:25 | 0:09:28 | |
Depravity and absinthe? Will I plumb new depths of shame? | 0:09:28 | 0:09:33 | |
More tea and biscuits, songs and charades, I'm afraid. | 0:09:33 | 0:09:36 | |
Hardly the last days of Rome. | 0:09:36 | 0:09:38 | |
-They're ready for us in theatre. -Yep. Two minutes. | 0:09:42 | 0:09:45 | |
Are you musical, Captain? | 0:09:46 | 0:09:48 | |
No. | 0:09:48 | 0:09:49 | |
Two minutes. | 0:09:51 | 0:09:52 | |
Don't mind my friend. | 0:09:54 | 0:09:56 | |
One of the best, but the word "abrupt" was coined for him. | 0:09:56 | 0:09:59 | |
-I don't mind him. -We could do a duet. | 0:09:59 | 0:10:03 | |
A lush, swooning, romantic duet. Gazing into each other's eyes. | 0:10:03 | 0:10:06 | |
Followed by a quick engagement, | 0:10:06 | 0:10:08 | |
become the most talked about people in the place | 0:10:08 | 0:10:10 | |
and knock Sister Livesey here right off her pedestal. | 0:10:10 | 0:10:12 | |
For God's sake. Can't everyone find another subject to discuss? | 0:10:12 | 0:10:16 | |
Has everyone got such boring little lives | 0:10:16 | 0:10:18 | |
that the only thing they can talk about is me?! | 0:10:18 | 0:10:20 | |
God, is that the time? | 0:10:24 | 0:10:25 | |
DOOR CLOSES | 0:10:33 | 0:10:34 | |
You're shaking. What's wrong? | 0:10:36 | 0:10:37 | |
Joan, what is it? | 0:10:39 | 0:10:41 | |
Can't you leave me alone? | 0:10:41 | 0:10:43 | |
I just want everyone to leave me alone. | 0:10:43 | 0:10:45 | |
Is that too much to ask? | 0:10:47 | 0:10:48 | |
BANGING ON DOOR | 0:10:49 | 0:10:51 | |
It all rather blossomed into something more extravagant, | 0:10:54 | 0:10:57 | |
which means we've got far more to be getting on with. | 0:10:57 | 0:11:01 | |
-This is for you to do, and you. -Flora, I'm on the wards. | 0:11:01 | 0:11:04 | |
I don't have time to argue about this. I'm far too busy! | 0:11:04 | 0:11:07 | |
I've got to organise the acts and turns. | 0:11:07 | 0:11:10 | |
I thought we could sing something... together. | 0:11:10 | 0:11:13 | |
What do you mean, together? On a stage? | 0:11:15 | 0:11:17 | |
I'm not singing. | 0:11:17 | 0:11:19 | |
Ah, Matron. | 0:11:24 | 0:11:27 | |
I hope you can forgive me | 0:11:29 | 0:11:30 | |
for taking you away from all those other vital duties. | 0:11:30 | 0:11:34 | |
Major, you don't care if I forgive you or not. | 0:11:36 | 0:11:39 | |
You just want to be the centre of attention | 0:11:39 | 0:11:41 | |
and have everything your own way. | 0:11:41 | 0:11:42 | |
What else would I expect of a man from the regiment | 0:11:42 | 0:11:45 | |
who call themselves The Fire-Eaters. | 0:11:45 | 0:11:47 | |
How would you know the nickname of our regiment? | 0:11:53 | 0:11:56 | |
-I expect someone told me. -I expect they didn't. | 0:11:57 | 0:12:00 | |
That name hasn't been used for 20 years. How would you know it? | 0:12:00 | 0:12:03 | |
You know, I had flattered myself you might be interested in me, | 0:12:08 | 0:12:11 | |
but now I think you're interested in the company of men that I keep. | 0:12:11 | 0:12:14 | |
Is there a question you want to ask me? | 0:12:17 | 0:12:19 | |
Someone you want to know about? | 0:12:21 | 0:12:23 | |
I have no question for you, sir. | 0:12:27 | 0:12:28 | |
No. | 0:12:28 | 0:12:30 | |
Now you're lying. | 0:12:30 | 0:12:31 | |
I always know when a woman is lying. | 0:12:33 | 0:12:35 | |
You consider yourself an expert? | 0:12:35 | 0:12:37 | |
Real women, yes. | 0:12:38 | 0:12:40 | |
Not your type. | 0:12:40 | 0:12:41 | |
And what type are we, sir? | 0:12:42 | 0:12:44 | |
Army virgins. | 0:12:45 | 0:12:47 | |
Professional cold fish. | 0:12:48 | 0:12:50 | |
Unbreached. | 0:12:52 | 0:12:54 | |
Untouched. | 0:12:54 | 0:12:56 | |
Unloved. | 0:12:57 | 0:12:58 | |
You're trying to provoke me. | 0:13:01 | 0:13:03 | |
You let your guard down when you spoke Punjabi. | 0:13:05 | 0:13:08 | |
There's something going on underneath your armour plating. | 0:13:12 | 0:13:15 | |
As you said yourself. You're no expert on types like us. | 0:13:15 | 0:13:19 | |
Then educate me. | 0:13:19 | 0:13:20 | |
What makes a woman like you put on a uniform and behave like a nun? | 0:13:22 | 0:13:27 | |
At least a nun gets the ecstasy of religious rapture. | 0:13:32 | 0:13:34 | |
What do you get? | 0:13:34 | 0:13:35 | |
I help people. | 0:13:37 | 0:13:39 | |
Yes, well, I don't need your help. | 0:13:41 | 0:13:43 | |
I'm only submitting to be good and get out of here. | 0:13:45 | 0:13:48 | |
Then be good... and you'll get what you want. | 0:13:48 | 0:13:51 | |
DOOR OPENS AND CLOSES | 0:14:18 | 0:14:20 | |
-Excuse me, sir. -Mm? | 0:14:23 | 0:14:25 | |
Um, there's a Private Gorman outside. He says he knows you. | 0:14:25 | 0:14:28 | |
-Who? -Gorman, sir. He's hoping to talk to you. | 0:14:28 | 0:14:33 | |
The name means nothing to me. | 0:14:33 | 0:14:35 | |
That's what he said, is it? | 0:14:45 | 0:14:46 | |
What is he to you? | 0:14:47 | 0:14:49 | |
He's a marksman. | 0:14:50 | 0:14:52 | |
He's the shot. | 0:14:52 | 0:14:54 | |
Even one-eyed. | 0:14:54 | 0:14:56 | |
No-one can bloody touch him. | 0:14:56 | 0:14:58 | |
Well, you see, I'm the shot too, and he knows it, and he knows me. | 0:14:58 | 0:15:02 | |
Don't matter what he told you. He knows me. | 0:15:02 | 0:15:05 | |
Think someone was going to cut them up as rugs for the horses. | 0:15:09 | 0:15:12 | |
-They'll need a bit of a shake. -Need more than a good shake. | 0:15:12 | 0:15:14 | |
There's going to be a lot of people going to this concert | 0:15:15 | 0:15:18 | |
wanting to hear Miss Marshall singing. | 0:15:18 | 0:15:20 | |
-I take it the colonel will be attending. -I believe so. | 0:15:20 | 0:15:23 | |
That's nice. | 0:15:23 | 0:15:24 | |
Shows the proper spirit of camaraderie. | 0:15:24 | 0:15:27 | |
Will you going to be joining in? | 0:15:27 | 0:15:29 | |
I've often been complimented on my baritone | 0:15:29 | 0:15:32 | |
but, sadly, a quartermaster's work is never done. | 0:15:32 | 0:15:34 | |
Sure it will be a very jolly event. | 0:15:35 | 0:15:37 | |
Watch out for that mud. | 0:15:38 | 0:15:40 | |
Are you all right? | 0:15:45 | 0:15:46 | |
Rosalie Berwick, you are a Right Honourable! You're really a Lady. | 0:15:52 | 0:15:57 | |
What judgment are you going to make of that, I wonder? | 0:15:57 | 0:16:00 | |
It was just a passing remark. | 0:16:02 | 0:16:04 | |
You always think I'm insulting you. | 0:16:04 | 0:16:05 | |
Let's just get on with this, shall we? | 0:16:05 | 0:16:08 | |
Ohh! Oh! | 0:16:08 | 0:16:09 | |
SHE LAUGHS | 0:16:09 | 0:16:12 | |
DOOR SHUTS | 0:17:17 | 0:17:18 | |
Major Ballard! | 0:17:25 | 0:17:27 | |
Sir. You remember me? | 0:17:27 | 0:17:29 | |
Let me jog your memory. | 0:17:32 | 0:17:34 | |
My officer put me in a wager against you, | 0:17:34 | 0:17:36 | |
see who had the best shot. | 0:17:36 | 0:17:38 | |
Long-range and short. | 0:17:38 | 0:17:39 | |
-Be a good six months ago now. -Yes. | 0:17:39 | 0:17:42 | |
And I won, as I recall. | 0:17:43 | 0:17:45 | |
You did, sir. It was close, but you won. | 0:17:46 | 0:17:50 | |
My officer lost a fair few quid. He weren't best pleased. | 0:17:50 | 0:17:53 | |
Yeah, sniper's feet. | 0:17:56 | 0:17:58 | |
Stood in a hole full of water for five days without moving. | 0:17:58 | 0:18:01 | |
Skin split in me boots. | 0:18:01 | 0:18:03 | |
Still, got me man, though. He moved first. | 0:18:03 | 0:18:05 | |
HE MIMICS A GUNSHOT | 0:18:05 | 0:18:07 | |
Got him. | 0:18:07 | 0:18:08 | |
Sir, you might have beaten me back then, but now, I never miss. | 0:18:08 | 0:18:12 | |
Perhaps we might have that wager again. | 0:18:12 | 0:18:15 | |
Yes, well, you're just going to have to stay beaten. | 0:18:18 | 0:18:21 | |
-I'm due back at the front imminently. -I'll see you up there, then, sir. | 0:18:21 | 0:18:24 | |
At your convenience. I can wait. | 0:18:25 | 0:18:27 | |
I can wait for ever when I've got a man in me sights. | 0:18:27 | 0:18:31 | |
Sir. | 0:18:31 | 0:18:32 | |
I can't believe you haven't thought of something | 0:18:50 | 0:18:52 | |
for us to do together yet, especially when I'm so busy. | 0:18:52 | 0:18:55 | |
I told you, I'm not... | 0:18:55 | 0:18:56 | |
I don't see why you won't sing. I bet you can. | 0:18:56 | 0:18:59 | |
And I know you can play the piano. I've heard you in the church. | 0:18:59 | 0:19:03 | |
If someone hummed a tune, I bet you could pick it up. | 0:19:03 | 0:19:05 | |
You're the one that's used to performing. | 0:19:05 | 0:19:07 | |
I just... I don't like being looked at very much. | 0:19:07 | 0:19:10 | |
I just really hoped we could all do something together. | 0:19:13 | 0:19:17 | |
The three of us. I just thought it would be so lovely. | 0:19:17 | 0:19:20 | |
All right. I'll sing with you. | 0:19:27 | 0:19:29 | |
I suppose I'll play. | 0:19:31 | 0:19:32 | |
PIANO PLAYS IN DISTANCE | 0:19:39 | 0:19:40 | |
Not rehearsing your party piece, Sister? | 0:19:45 | 0:19:48 | |
I've got night duty. He should be on the ward. | 0:19:48 | 0:19:51 | |
He won't come in yet. He's got a score to settle. | 0:19:51 | 0:19:54 | |
-# Two little maids... # -Are you all right? -Yes. | 0:20:00 | 0:20:02 | |
SINGING AND CHATTER | 0:20:02 | 0:20:05 | |
-Why are they staying? -They want to watch you rehearse. | 0:20:08 | 0:20:10 | |
Oh, I never rehearse in front of an audience. | 0:20:11 | 0:20:14 | |
Goodness me, Flora, you are precious. | 0:20:14 | 0:20:18 | |
It was Worthing Opera Society, not Covent Garden. | 0:20:18 | 0:20:20 | |
Well, I'm just thinking of you two, and you're more shy than I am. | 0:20:20 | 0:20:24 | |
Just tell them it has to be a surprise for tomorrow. | 0:20:24 | 0:20:27 | |
SHE SIGHS Where's Kitty? | 0:20:27 | 0:20:29 | |
Good evening. | 0:20:34 | 0:20:36 | |
Tom, are we really going to ignore each other? | 0:20:53 | 0:20:55 | |
I'd prefer it, Miss Trevelyan. | 0:20:56 | 0:20:58 | |
You're in my way. | 0:21:02 | 0:21:03 | |
Can't we at least be civil? | 0:21:09 | 0:21:11 | |
I avoid you for a reason. | 0:21:13 | 0:21:14 | |
That's got to be clear. | 0:21:15 | 0:21:17 | |
But now you're in my way, wanting me to do...what? | 0:21:18 | 0:21:23 | |
Come running when you click your fingers? | 0:21:23 | 0:21:25 | |
I'm sorry to ruin your fun. | 0:21:25 | 0:21:27 | |
You think I'm having fun? | 0:21:29 | 0:21:30 | |
I don't know. Maybe it's entertaining for you. | 0:21:30 | 0:21:33 | |
Maybe you collect men and tie us up in knots for your amusement. | 0:21:33 | 0:21:36 | |
Well, find someone else to dance to your tune, | 0:21:36 | 0:21:38 | |
because it's not going to be me. | 0:21:38 | 0:21:40 | |
SHE PLAYS NOTES DELICATELY | 0:22:14 | 0:22:16 | |
What's the matter with you? | 0:22:24 | 0:22:25 | |
Everybody's really rather good, you know? | 0:22:26 | 0:22:29 | |
That's supposed to make you happy, not miserable. | 0:22:29 | 0:22:31 | |
Can we rehearse now everyone's gone? | 0:22:34 | 0:22:36 | |
You know, I think you'd be much better off doing it on your own. | 0:22:37 | 0:22:41 | |
-Don't you dare. -You... | 0:22:41 | 0:22:44 | |
You were the one that persuaded us. You practically forced us into it. | 0:22:44 | 0:22:48 | |
I get such awful stage fright. | 0:22:48 | 0:22:50 | |
I told Colonel Brett | 0:22:51 | 0:22:52 | |
that I'd been really good in Pirates Of Penzance, | 0:22:52 | 0:22:55 | |
but I froze and nothing came out of my mouth | 0:22:55 | 0:22:58 | |
and I fell over some scenery and everybody laughed. | 0:22:58 | 0:23:01 | |
Well, we just won't sing anything at all, then. | 0:23:03 | 0:23:06 | |
Oh, no. No, you have to. I've told everybody now. | 0:23:06 | 0:23:10 | |
Everybody's expecting it. You'll be fine. | 0:23:10 | 0:23:13 | |
Where are you going? | 0:23:16 | 0:23:17 | |
I'm going to see Cook about the sandwiches, | 0:23:17 | 0:23:21 | |
and I'll look after the decorations too. | 0:23:21 | 0:23:24 | |
That's wonderful. | 0:23:24 | 0:23:26 | |
EXPLOSIONS BOOM IN FAR DISTANCE | 0:23:26 | 0:23:28 | |
Could I take a moment? | 0:24:01 | 0:24:03 | |
Can I get you anything, sir? | 0:24:20 | 0:24:23 | |
You just can't stay away, can you? Hm? | 0:24:23 | 0:24:25 | |
I'm not an invalid. If I need something, I can get it myself. | 0:24:27 | 0:24:30 | |
I beg your pardon. | 0:24:30 | 0:24:32 | |
Good night, sir. | 0:24:33 | 0:24:34 | |
HUSHED FOOTSTEPS | 0:25:18 | 0:25:21 | |
DOOR CLOSES | 0:25:25 | 0:25:28 | |
VOICES IN THE DISTANCE | 0:25:35 | 0:25:37 | |
-What is it? What's gone wrong? -Nothing. | 0:25:58 | 0:26:00 | |
-Is there anything for me? -No. And I'm sorry. | 0:26:00 | 0:26:03 | |
There was never any guarantee that it would get through and... | 0:26:03 | 0:26:06 | |
it might have been stopped in Switzerland. | 0:26:06 | 0:26:09 | |
But even if a letter comes now... | 0:26:09 | 0:26:12 | |
..I won't be able to get it to you. | 0:26:13 | 0:26:15 | |
We're leaving. | 0:26:17 | 0:26:18 | |
We have passes for England. We won't stand out so much. | 0:26:19 | 0:26:23 | |
What do you mean, stand out? Are you having trouble? | 0:26:23 | 0:26:26 | |
We have to leave. It's not safe here any more. | 0:26:27 | 0:26:30 | |
I'm glad for you both. | 0:26:32 | 0:26:35 | |
I truly am. | 0:26:35 | 0:26:37 | |
It's so late for her to be out. | 0:26:37 | 0:26:39 | |
Yes. We leave now. | 0:26:40 | 0:26:42 | |
I wish I could have brought you a reply. | 0:26:44 | 0:26:47 | |
I wish I could have helped. | 0:26:47 | 0:26:49 | |
I think I know in my heart... | 0:26:52 | 0:26:54 | |
..that he's dead. | 0:26:55 | 0:26:56 | |
I think I know it. | 0:26:58 | 0:27:00 | |
Good luck, Mr Tillens, and thank you for trying. | 0:27:04 | 0:27:08 | |
BIRDSONG | 0:27:43 | 0:27:45 | |
Crocuses, daffodils and hyacinths. | 0:28:12 | 0:28:15 | |
I'm going to plant them everywhere, but I'll start here. | 0:28:15 | 0:28:18 | |
It'll be something to look forward to, during the winter, | 0:28:18 | 0:28:21 | |
when everything's so dreary, and it's going to get ever so cold. | 0:28:21 | 0:28:25 | |
But in the spring, there'll be a carpet of colour. | 0:28:25 | 0:28:27 | |
I feel very bad... | 0:28:33 | 0:28:37 | |
about letting it slip about your engagement ring. | 0:28:37 | 0:28:39 | |
I wanted to try to make it up to you a little. | 0:28:41 | 0:28:43 | |
-It's probably a bit silly. -No. | 0:28:45 | 0:28:48 | |
No. | 0:28:50 | 0:28:51 | |
It's lovely. | 0:28:55 | 0:28:56 | |
I just might not be here to see it. | 0:28:59 | 0:29:00 | |
You're not going to leave, are you? | 0:29:02 | 0:29:04 | |
I mean, none of us might be here. | 0:29:05 | 0:29:08 | |
Oh, yes, of course! | 0:29:08 | 0:29:10 | |
The war might all be over. | 0:29:12 | 0:29:14 | |
Anything's possible. | 0:29:15 | 0:29:17 | |
Nearly anything. | 0:29:19 | 0:29:21 | |
MEN SPEAK FRENCH | 0:29:52 | 0:29:56 | |
Cours a l'hopital, va chercher l'infirmiere. | 0:29:59 | 0:30:01 | |
On part. On part aujourd'hui. | 0:30:01 | 0:30:04 | |
MAN SPEAKS FRENCH | 0:30:04 | 0:30:06 | |
S'il vous plait... | 0:30:06 | 0:30:07 | |
-Pitie... -Regardez ca. -Pitie! -C'est l'allemand. -Oui. | 0:30:10 | 0:30:13 | |
Ce n'est que de la poesie. | 0:30:13 | 0:30:14 | |
Ah! C'est quoi, ca?! Hein? Hein?! | 0:30:14 | 0:30:17 | |
I see what you mean. Leave it with me. | 0:31:11 | 0:31:13 | |
Ballard. | 0:31:21 | 0:31:23 | |
One moment, Major. I need to check something. | 0:31:23 | 0:31:26 | |
-What's all this about? -It's just routine. | 0:31:32 | 0:31:35 | |
-Read this for me, if you would. -Oh, for God's sake! | 0:31:41 | 0:31:43 | |
-Haven't you got better things to do? -Just read it for me, please. | 0:31:43 | 0:31:46 | |
Feel free to turn your head, if it makes it any easier. | 0:31:50 | 0:31:53 | |
This is her, isn't it? | 0:32:00 | 0:32:01 | |
I knew she was watching me. | 0:32:03 | 0:32:04 | |
It could be a variety of conditions. | 0:32:05 | 0:32:07 | |
It could be Stargardt's disease, although, of course, | 0:32:07 | 0:32:10 | |
we're not allowed to call it that now, because Stargardt was German. But... | 0:32:10 | 0:32:13 | |
call it what you will. You're losing your sight, aren't you? | 0:32:13 | 0:32:17 | |
How in hell have you been coping? | 0:32:18 | 0:32:20 | |
That man in the purple dressing gown, I can see perfectly well. | 0:32:20 | 0:32:23 | |
You have peripheral sight. You can see here and here. | 0:32:23 | 0:32:26 | |
No wonder you were in such a rush to get out of here | 0:32:34 | 0:32:36 | |
before anyone noticed. | 0:32:36 | 0:32:38 | |
There's no push, is there? | 0:32:38 | 0:32:40 | |
How long's it been getting worse for? | 0:32:43 | 0:32:45 | |
Perhaps over the last year. | 0:32:45 | 0:32:48 | |
And perhaps a rapid deterioration over the last couple of months. | 0:32:48 | 0:32:51 | |
I'm afraid not answering won't change the facts. This does happen. | 0:32:56 | 0:33:00 | |
Not to me. | 0:33:00 | 0:33:01 | |
I understand that this is a cruel blow. | 0:33:03 | 0:33:05 | |
No, of course I don't. How could I? I'm sorry. | 0:33:07 | 0:33:09 | |
But you can't stay here in France. | 0:33:13 | 0:33:15 | |
Don't send me back to some hospital in England. | 0:33:17 | 0:33:20 | |
There's nowhere else I CAN send you. | 0:33:20 | 0:33:22 | |
When? | 0:33:25 | 0:33:26 | |
Tonight. | 0:33:26 | 0:33:28 | |
What's the matter? | 0:34:06 | 0:34:07 | |
-Anglaise? -What's she doing here? | 0:34:07 | 0:34:10 | |
Cherie, ou est ton papa? | 0:34:10 | 0:34:12 | |
Ou est ton papa, cherie? | 0:34:12 | 0:34:14 | |
FOOTSTEPS APPROACH | 0:34:22 | 0:34:24 | |
That was a low trick. | 0:34:31 | 0:34:33 | |
That was underhand. | 0:34:33 | 0:34:35 | |
-It was necessary. -You know, we're both the same, you and I. | 0:34:37 | 0:34:40 | |
Army, no other life, above and beyond. | 0:34:40 | 0:34:44 | |
You, more than anybody, should understand why I needed to go back. | 0:34:44 | 0:34:47 | |
And you're an empty husk, all rules and duty. | 0:34:47 | 0:34:51 | |
You know nothing about me! | 0:34:51 | 0:34:53 | |
Oh, look. Some passion. | 0:34:53 | 0:34:56 | |
Yes, it's a bit too late for that, though, isn't it? | 0:34:56 | 0:34:59 | |
You need help. | 0:35:00 | 0:35:02 | |
Well... | 0:35:03 | 0:35:05 | |
..when I'm in England, | 0:35:06 | 0:35:08 | |
a country where I've never lived, | 0:35:08 | 0:35:11 | |
when I'm having my food cut up for me | 0:35:11 | 0:35:14 | |
and being poked and prodded by pitying hands, | 0:35:14 | 0:35:17 | |
when I'm just a diagnosis on a scrap of paper... | 0:35:17 | 0:35:21 | |
..I shall think of you standing here... | 0:35:22 | 0:35:25 | |
..and your remorseless help. | 0:35:27 | 0:35:29 | |
DOOR SLAMS | 0:35:39 | 0:35:40 | |
Still with us, then, sir? | 0:35:47 | 0:35:48 | |
All you've got to do is agree to meet me with a backup. | 0:35:48 | 0:35:51 | |
Shot for shot, prove who's best. | 0:35:51 | 0:35:53 | |
Just agree to meet me. Shake on it and I'll leave you alone, sir. | 0:35:53 | 0:35:55 | |
You're always yapping at my heels, aren't you? | 0:35:55 | 0:35:57 | |
Every king must fall. | 0:35:57 | 0:35:59 | |
Must they? | 0:35:59 | 0:36:00 | |
It's just the way of the world, sir. | 0:36:00 | 0:36:03 | |
Now, will you shake on it? | 0:36:03 | 0:36:04 | |
All right, Gorman. | 0:36:07 | 0:36:08 | |
I'll agree to meet you. | 0:36:08 | 0:36:10 | |
You can have your wager. | 0:36:10 | 0:36:12 | |
You can have it right now. | 0:36:12 | 0:36:13 | |
Tu restes la. | 0:36:39 | 0:36:40 | |
Shit. | 0:36:49 | 0:36:51 | |
Sit tight. I'll be back. | 0:36:51 | 0:36:52 | |
Oh, it's Joan. | 0:37:00 | 0:37:01 | |
Go to the house. | 0:37:02 | 0:37:04 | |
Go to the house. | 0:37:05 | 0:37:06 | |
Waiting for you. | 0:37:08 | 0:37:10 | |
-Waiting for you. -Sh. -Waiting... | 0:37:10 | 0:37:14 | |
And here was me, happy to settle for an handshake. | 0:37:14 | 0:37:17 | |
I might have known you'd always be ready. | 0:37:19 | 0:37:20 | |
When I beat you, I won't be crowing about it. | 0:37:22 | 0:37:25 | |
You'll have your dignity. ..It's good there, lads. | 0:37:25 | 0:37:28 | |
This do for you, sir? | 0:37:38 | 0:37:39 | |
Set it up. | 0:37:41 | 0:37:42 | |
GUNSHOT ECHOES | 0:38:07 | 0:38:09 | |
Sister Livesey... He was found on the road. | 0:38:20 | 0:38:23 | |
Where's Mathilde? Where's his little girl? | 0:38:23 | 0:38:26 | |
She's in Matron's office, being looked after in the quiet. | 0:38:26 | 0:38:28 | |
She's unhurt, at least physically. I need to ask you some questions. | 0:38:28 | 0:38:32 | |
-Hello there. Here you go, Miss. -Thank you. | 0:38:35 | 0:38:38 | |
-It's obvious they think he was spying. -It's just poetry. | 0:38:54 | 0:38:57 | |
No, it's not just anything if it's found by the wrong people. | 0:38:57 | 0:39:00 | |
Do you know where they would have been going? | 0:39:00 | 0:39:03 | |
Yes. He said they had friends in London they were hoping to get to. | 0:39:03 | 0:39:07 | |
When did he tell you that? | 0:39:07 | 0:39:09 | |
The last time I treated him, sir. | 0:39:09 | 0:39:12 | |
Right. | 0:39:12 | 0:39:14 | |
Well, try and get these into some sort of order. | 0:39:14 | 0:39:17 | |
I'll make sure they both get to where they're supposed to be. | 0:39:17 | 0:39:20 | |
You don't think he's a spy? | 0:39:21 | 0:39:23 | |
I think he's been incredibly naive and stupid. | 0:39:23 | 0:39:25 | |
Must have stood out like sore thumbs in that village. | 0:39:26 | 0:39:29 | |
They look different, they sound different. | 0:39:29 | 0:39:32 | |
What a world... | 0:39:33 | 0:39:34 | |
..where you're beaten up for a book. | 0:39:35 | 0:39:38 | |
Mind you, he's lucky they didn't hang him. | 0:39:38 | 0:39:40 | |
DOOR OPENS AND CLOSES | 0:39:45 | 0:39:48 | |
-Near miss. -Still a hit. | 0:39:53 | 0:39:57 | |
I told you I got better, sir. | 0:39:57 | 0:39:59 | |
Yours might have been a hit, but... I think I might just have the edge. | 0:39:59 | 0:40:02 | |
Shall we up the stakes? | 0:40:03 | 0:40:04 | |
FOOTSTEPS | 0:40:06 | 0:40:07 | |
GUNSHOT IN DISTANCE | 0:40:22 | 0:40:24 | |
I like you, sir. | 0:40:41 | 0:40:43 | |
I really do. | 0:40:43 | 0:40:44 | |
GUNSHOT REVERBERATES | 0:41:01 | 0:41:03 | |
My turn. | 0:41:09 | 0:41:11 | |
Well, you said you wanted a wager. You changed your mind? | 0:41:16 | 0:41:19 | |
Never, sir. | 0:41:21 | 0:41:22 | |
(Stop.) | 0:42:06 | 0:42:08 | |
Don't move. | 0:42:09 | 0:42:12 | |
Can you even see him? | 0:42:18 | 0:42:20 | |
Can he what? What did she just say? | 0:42:20 | 0:42:22 | |
-I can do this. -And if you can't... | 0:42:22 | 0:42:25 | |
..you'll kill him. | 0:42:26 | 0:42:28 | |
Put it down. | 0:42:31 | 0:42:33 | |
You poor bastard. | 0:42:47 | 0:42:49 | |
I can't even call it a victory. | 0:42:50 | 0:42:52 | |
-Where's Kitty? -How should I know? | 0:43:08 | 0:43:11 | |
Oh! Why did I even say I'd do this? | 0:43:11 | 0:43:13 | |
Well, you did and now we're doing it. | 0:43:13 | 0:43:15 | |
Leave them! | 0:43:17 | 0:43:18 | |
If Kitty doesn't come, you'll have to sing. | 0:43:18 | 0:43:21 | |
Go ahead. I'll be there. | 0:43:21 | 0:43:23 | |
-Mr Tillens... -Joan. | 0:43:39 | 0:43:41 | |
You're still going to get to your friends. | 0:43:41 | 0:43:43 | |
-I am so, so sorry. -No, no, no, no, no, no. | 0:43:45 | 0:43:48 | |
Go to the house. | 0:43:48 | 0:43:50 | |
Waiting for you. | 0:43:56 | 0:43:58 | |
Oh, why didn't you just let me go back to my men? | 0:44:05 | 0:44:09 | |
Why did you have to be such a bloody nurse? | 0:44:11 | 0:44:13 | |
My father... | 0:44:17 | 0:44:18 | |
..was a very difficult... | 0:44:20 | 0:44:22 | |
and a very unhappy man. | 0:44:22 | 0:44:24 | |
I grew up in a house full of guns. | 0:44:26 | 0:44:28 | |
Guns everywhere. | 0:44:28 | 0:44:30 | |
I spent my childhood... | 0:44:31 | 0:44:33 | |
..unloading his guns and trying to hide the bullets from him. | 0:44:34 | 0:44:37 | |
Of course, the inevitable happened... | 0:44:39 | 0:44:41 | |
..and I spent a long time blaming myself for his death. | 0:44:44 | 0:44:50 | |
So, you feel compelled to save everybody else. | 0:44:54 | 0:44:56 | |
Was it your father in the regiment? | 0:45:02 | 0:45:05 | |
No. | 0:45:07 | 0:45:08 | |
Are you ready now? | 0:45:13 | 0:45:14 | |
I don't even know which direction I'm facing. | 0:45:20 | 0:45:22 | |
You know, I still think you have a question for me. | 0:45:44 | 0:45:47 | |
If you do, you need to ask it now. | 0:45:47 | 0:45:50 | |
The Blighty convoy is here, Major. | 0:45:52 | 0:45:54 | |
Sir, in your regiment... | 0:46:00 | 0:46:02 | |
..do you know of a Subedar Major Amar Singh? | 0:46:04 | 0:46:07 | |
Yes, I do. | 0:46:11 | 0:46:13 | |
He's fallen, I'm afraid. | 0:46:13 | 0:46:15 | |
-Friend of yours? -A passing acquaintance of many years ago. | 0:46:19 | 0:46:23 | |
More than that. | 0:46:28 | 0:46:30 | |
Of course more than that. | 0:46:31 | 0:46:33 | |
Of course. | 0:46:36 | 0:46:37 | |
I always thought... | 0:46:41 | 0:46:43 | |
I'd know if he fell. | 0:46:43 | 0:46:45 | |
Somehow, I always thought I'd know. | 0:46:52 | 0:46:54 | |
-You announce it. -It's your concert. | 0:47:25 | 0:47:27 | |
-No, you announce it. I don't want to. -You're in charge. | 0:47:27 | 0:47:30 | |
Get up there and introduce it. | 0:47:30 | 0:47:32 | |
First, we have a musical treat from The Mikado. | 0:47:35 | 0:47:37 | |
Welcome to the concert. | 0:47:39 | 0:47:41 | |
CHEERING | 0:47:41 | 0:47:43 | |
# One little maid is a bride Yum-Yum | 0:47:50 | 0:47:52 | |
# Two little maids in attendance come | 0:47:52 | 0:47:55 | |
# Three little maids is the total sum | 0:47:55 | 0:47:57 | |
# Three little maids from school | 0:47:57 | 0:47:59 | |
# Three little maids from school... # | 0:47:59 | 0:48:01 | |
SINGING CONTINUES IN DISTANCE | 0:48:01 | 0:48:03 | |
-What are you doing in here? -Why are you going to their house? | 0:48:11 | 0:48:14 | |
-To get Mathilde's storybook. -The father thought I was you. | 0:48:16 | 0:48:19 | |
He said, "Go to the house. Waiting for you." What's waiting for you, Joan? | 0:48:19 | 0:48:22 | |
He'd just been beaten. Of course he wasn't making sense. | 0:48:22 | 0:48:25 | |
What's waiting for you and why can't it come here? Why do you have to go and get it? | 0:48:25 | 0:48:28 | |
Kitty, get out of my way... | 0:48:30 | 0:48:31 | |
He was beaten up because people thought he was a spy. | 0:48:31 | 0:48:34 | |
-He reads German. -Lots of people do. | 0:48:35 | 0:48:37 | |
This fiance that you tried to keep a secret. | 0:48:37 | 0:48:40 | |
This man that... that you don't like talking about. | 0:48:41 | 0:48:44 | |
He's not British, is he? | 0:48:44 | 0:48:45 | |
They will crucify you, Joan. | 0:48:55 | 0:48:56 | |
-They will crucify you. -It's just a letter. | 0:48:59 | 0:49:01 | |
That's all it is. It's just a letter. | 0:49:03 | 0:49:05 | |
It's going to tell me whether he's dead or alive. | 0:49:09 | 0:49:11 | |
I have to know. | 0:49:13 | 0:49:14 | |
It's just a letter. | 0:49:18 | 0:49:20 | |
Please. | 0:49:22 | 0:49:23 | |
Please. | 0:49:26 | 0:49:28 | |
Any singing of mucky songs, any telling of mucky jokes, | 0:49:48 | 0:49:53 | |
I'll know about it and arses will be kicked. | 0:49:53 | 0:49:57 | |
-Now, bugger off. -Sir. -Thank you, sir. | 0:49:59 | 0:50:02 | |
Come on, Flora. | 0:50:22 | 0:50:24 | |
Kitty's not here yet, so you'll have to sing. | 0:50:24 | 0:50:27 | |
HUSHED CHATTER FROM AUDIENCE | 0:50:27 | 0:50:29 | |
MUSIC: "There's A Long, Long Trail A-Winding" | 0:50:37 | 0:50:41 | |
# Nights are growing very lonely | 0:50:58 | 0:51:03 | |
# Days are very long | 0:51:03 | 0:51:09 | |
# I'm a-growing weary only | 0:51:09 | 0:51:14 | |
TOGETHER: # List'ning for your song | 0:51:14 | 0:51:19 | |
# There's a long, long trail a-winding | 0:51:20 | 0:51:27 | |
# Into the land of my dreams | 0:51:27 | 0:51:32 | |
KITTY JOINS IN # Where the nightingales are singing | 0:51:32 | 0:51:37 | |
# And the white moon beams | 0:51:37 | 0:51:43 | |
# There's a long, long night of waiting | 0:51:43 | 0:51:49 | |
# Until my dreams all come true | 0:51:49 | 0:51:55 | |
# Till the day when I'll be going down | 0:51:55 | 0:52:00 | |
# That long, long trail with you | 0:52:00 | 0:52:06 | |
# All night long I hear you calling | 0:52:08 | 0:52:14 | |
# Calling sweet and low | 0:52:14 | 0:52:17 | |
# Seem to hear your footsteps falling | 0:52:19 | 0:52:24 | |
# Ev'rywhere I go | 0:52:24 | 0:52:29 | |
# There's a long, long trail a-winding | 0:52:31 | 0:52:37 | |
# Into the land of my dreams | 0:52:37 | 0:52:42 | |
# Where the nightingales are singing | 0:52:42 | 0:52:47 | |
# And the white moon beams | 0:52:47 | 0:52:53 | |
# There's a long, long night of waiting | 0:52:53 | 0:52:58 | |
# Until my dreams all come true | 0:52:58 | 0:53:04 | |
# Till the day when I'll be going | 0:53:04 | 0:53:09 | |
# Down that long, long trail with you. # | 0:53:09 | 0:53:16 | |
CREAKING | 0:53:39 | 0:53:41 | |
Liebchen? | 0:53:48 | 0:53:49 | |
SHE SOBS | 0:54:32 | 0:54:34 | |
-Oh, my God! -SHE WAILS | 0:54:37 | 0:54:40 | |
I'm here. | 0:54:41 | 0:54:43 | |
I'm here. | 0:54:44 | 0:54:45 | |
I got your letter. | 0:54:47 | 0:54:49 | |
You're alive. You're alive. | 0:54:54 | 0:54:57 | |
You're alive. | 0:54:57 | 0:54:58 | |
(You're alive.) | 0:55:01 | 0:55:03 | |
Un, deux... | 0:55:12 | 0:55:13 | |
All right? You... | 0:55:15 | 0:55:18 | |
How did you get here? | 0:55:23 | 0:55:25 | |
I was taken prisoner. | 0:55:25 | 0:55:27 | |
I jumped from the train. | 0:55:27 | 0:55:28 | |
It's not safe. | 0:55:28 | 0:55:30 | |
You're going to ride away from the village. There's a crossroads. | 0:55:36 | 0:55:39 | |
Hide yourself there and watch the road for me. | 0:55:39 | 0:55:40 | |
-I'm going to get you different clothes, food, money. -No. | 0:55:40 | 0:55:43 | |
-I'll think of something. -No. No. No. | 0:55:43 | 0:55:44 | |
-I always think of something. -I'm not leaving you alone with them. -Anton. | 0:55:44 | 0:55:48 | |
I'm the one with the British uniform. | 0:55:48 | 0:55:50 | |
I'm not the one they'll hang. | 0:55:52 | 0:55:54 | |
I'm not the one they'll shoot. | 0:55:54 | 0:55:56 | |
You are. | 0:55:59 | 0:56:00 | |
So, you are leaving now. | 0:56:03 | 0:56:05 | |
Watch the road and I will come. | 0:56:18 | 0:56:20 | |
Ich liebe dich. | 0:56:23 | 0:56:25 | |
I love you. | 0:56:25 | 0:56:27 | |
ENGINE STARTS | 0:56:42 | 0:56:43 | |
Good evening, Sister. | 0:57:00 | 0:57:02 | |
What have you been up to? | 0:57:03 | 0:57:05 | |
Your loyalties lie with the enemy. | 0:57:10 | 0:57:12 | |
-You're as much to blame as she is. -What are you going to do? | 0:57:12 | 0:57:15 | |
MAN SCREAMS | 0:57:15 | 0:57:17 | |
All senior staff are to be questioned | 0:57:17 | 0:57:18 | |
as to his ability to lead this hospital. | 0:57:18 | 0:57:20 | |
-How the hell can it get any worse? -Control yourself! | 0:57:20 | 0:57:23 | |
No-one doubts you, Roland. | 0:57:23 | 0:57:24 | |
You understand you're subject to military law. | 0:57:24 | 0:57:26 | |
Conviction by court martial, you'll be liable to suffer death. | 0:57:26 | 0:57:29 |