Episode 5 The Crimson Field


Episode 5

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Transcript


LineFromTo

Write to him.

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How long will it take to get to Germany?

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I shouldn't let you do this.

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Why are you doing this for me?

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We are both exiles in a strange land.

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If we can't be human to each other then what are we?

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Where am I to leave the reply?

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If one comes.

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BUGLE CALL IN DISTANCE

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CHATTER AND LAUGHTER IN DISTANCE

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I want the commanding officer.

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You are just an orderly and therefore of no use to me.

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With all due respect, sir, you're making it rather difficult

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for us to do our job. If you could come with me to the ward...

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And you're not the CO, unless the Army's completely lost its mind.

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Matron Carter. Might I have your name?

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Ballard. Major. J. 5th Punjab Rifles.

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I'm not supposed to be here. I'm not like these poor devils.

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I need to get out and get back to the front immediately.

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I'll tell Colonel Brett you want to speak to him.

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In the meantime, I must ask that you go quietly to the ward.

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And I must also ask that you give me your revolver.

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It's not Army issue. It's mine. Belongs to me. It's private property.

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Nonetheless, before you go to the ward, I still need to take it.

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I do not enjoy being given orders by a woman.

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There is no point in you standing there with your little paw out.

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So, why don't you go and find the CO?

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Now, step to it. HE SPEAKS PUNJABI

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SHE SPEAKS PUNJABI

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Well, well, well.

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She speaks Punjabi.

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The gun...is mine.

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You'll do, Matron Carter.

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-Thank you, Nurse.

-Orderly, can you take him? He can't walk.

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Hold up.

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-He's still himself.

-What, you know him?

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Yeah. Me and him got business.

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An Indian Army officer, Ballard, wants to see you.

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Him and several hundred others. I'll put him on my list.

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I'd like it if you could see him quite promptly.

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He's the type to make his presence felt.

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He'll go on my list.

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-Have you been running?

-I never run.

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DOOR OPENS

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That officer, Ballard. You give him a message for us?

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Depends on the message.

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Just tell him Gorman the sniper's here.

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Tell him I said hello.

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-Is he going to want to say hello to you?

-I reckon.

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So, will you tell him?

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Most important you get yourself sorted out and have a kip first.

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I'm nowhere near that yet.

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-Tomorrow, we'll have been here for three months.

-I know.

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Don't you think we should throw a do?

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I mean, we don't need a reason, but it's the perfect reason.

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-We can invite the patients and the staff.

-What kind of do?

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You know, just something little and fun.

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Charades, songs round a piano.

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Everybody loves a singsong.

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People can do their party pieces.

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Bet you have a party piece, don't you, Corporal?

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Yeah. Mopping.

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Well, I'll organise it. It will just be small.

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But you can tell people, and whoever wants to come can come.

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-I'm not singing.

-No, nor me.

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Oh, for heaven's sake! I'll start the singing.

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We want them to get better, not worse.

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I'll have you know that at home,

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I'm actually considered rather tuneful.

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What just happened?

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I think we're throwing a do.

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I'll pick some flowers to decorate it,

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and maybe even put up a stage.

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And, of course, there'll be a pianist, but not me.

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I'm not very good at the piano, but someone who IS good at the piano.

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Have you put on concerts before?

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Oh, yes, I have a great deal of experience in theatricals.

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I was in the Worthing Operatic Society

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where I took the role of a pirate in Pirates Of Penzance.

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Everyone commented on it... very favourably.

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I just thought it would be fun.

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Give everyone a boost and bring us all together.

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Yes. Well, carry on, Marshall. I shall watch and applaud.

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Morning, Major Ballard. Time to have your dressing changed.

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No.

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-Why not, Major?

-Because I said not.

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Where's the commanding officer? Has he fallen down a hole?

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What have I got to do to speak to him?

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He'll be round as soon as he's ready.

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Why doesn't anybody in this place do what they're told?!

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If I could just dress your arm...

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Colonel Brett.

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-Delighted you could finally make it.

-I did warn you.

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I don't appreciate being summoned by the sound of smashing crockery.

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You have to sign me out and send me back up to the front

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-as a matter of urgency.

-Do I, indeed?

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I've left 400 sepoys under the command of a young lieutenant

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two months out of school, who has perfect Greek and Latin,

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but not a word of the bloody lingo spoken by my Sikh Lions.

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Matron here speaks more Punjabi than he does.

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You have an open wound in your arm. You're staying here.

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Colonel...

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This is confidential. There's going to be a push.

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How in hell are my men supposed to execute that push

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if there's no-one there who can understand them?

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There's nothing leaving until dawn tomorrow.

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But you won't be going anywhere

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unless you pipe down and get treated.

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Well, in that case. I want Matron to do it.

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Matron has far too much work to be dancing attendance on you.

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Well, shall we ask her.

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If it will mean less trouble.

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-You never said!

-You never asked, sir.

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I don't know why you're so surprised.

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You know I began my service in India.

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-Yes, but I didn't know you grew up there. I'm quite envious.

-Why?

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Well...tigers and elephants.

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We didn't have them in Godalming.

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It was a perfectly ordinary childhood.

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-You're a dark horse, Grace Carter.

-I'm nothing of the sort.

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Oh, Sister, when this chap of yours gets some leave, you must tell us.

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We can arrange something so you can scoot off and join him.

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Oh, sorry, of course.

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I don't want you to think that we're gossiping about you.

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No, no, not at all. It's very kind of you, sir.

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It's bribery. We want to keep you.

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-I need you to cover night duty tonight.

-Tonight, Matron?

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Is that a problem?

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No, of course not.

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So, what sort of do is this going to be?

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Depravity and absinthe? Will I plumb new depths of shame?

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More tea and biscuits, songs and charades, I'm afraid.

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Hardly the last days of Rome.

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-They're ready for us in theatre.

-Yep. Two minutes.

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Are you musical, Captain?

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No.

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Two minutes.

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Don't mind my friend.

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One of the best, but the word "abrupt" was coined for him.

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-I don't mind him.

-We could do a duet.

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A lush, swooning, romantic duet. Gazing into each other's eyes.

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Followed by a quick engagement,

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become the most talked about people in the place

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and knock Sister Livesey here right off her pedestal.

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For God's sake. Can't everyone find another subject to discuss?

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Has everyone got such boring little lives

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that the only thing they can talk about is me?!

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God, is that the time?

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DOOR CLOSES

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You're shaking. What's wrong?

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Joan, what is it?

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Can't you leave me alone?

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I just want everyone to leave me alone.

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Is that too much to ask?

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BANGING ON DOOR

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It all rather blossomed into something more extravagant,

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which means we've got far more to be getting on with.

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-This is for you to do, and you.

-Flora, I'm on the wards.

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I don't have time to argue about this. I'm far too busy!

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I've got to organise the acts and turns.

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I thought we could sing something... together.

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What do you mean, together? On a stage?

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I'm not singing.

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Ah, Matron.

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I hope you can forgive me

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for taking you away from all those other vital duties.

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Major, you don't care if I forgive you or not.

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You just want to be the centre of attention

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and have everything your own way.

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What else would I expect of a man from the regiment

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who call themselves The Fire-Eaters.

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How would you know the nickname of our regiment?

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-I expect someone told me.

-I expect they didn't.

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That name hasn't been used for 20 years. How would you know it?

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You know, I had flattered myself you might be interested in me,

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but now I think you're interested in the company of men that I keep.

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Is there a question you want to ask me?

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Someone you want to know about?

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I have no question for you, sir.

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No.

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Now you're lying.

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I always know when a woman is lying.

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You consider yourself an expert?

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Real women, yes.

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Not your type.

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And what type are we, sir?

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Army virgins.

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Professional cold fish.

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Unbreached.

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Untouched.

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Unloved.

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You're trying to provoke me.

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You let your guard down when you spoke Punjabi.

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There's something going on underneath your armour plating.

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As you said yourself. You're no expert on types like us.

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Then educate me.

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What makes a woman like you put on a uniform and behave like a nun?

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At least a nun gets the ecstasy of religious rapture.

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What do you get?

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I help people.

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Yes, well, I don't need your help.

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I'm only submitting to be good and get out of here.

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Then be good... and you'll get what you want.

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DOOR OPENS AND CLOSES

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-Excuse me, sir.

-Mm?

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Um, there's a Private Gorman outside. He says he knows you.

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-Who?

-Gorman, sir. He's hoping to talk to you.

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The name means nothing to me.

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That's what he said, is it?

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What is he to you?

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He's a marksman.

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He's the shot.

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Even one-eyed.

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No-one can bloody touch him.

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Well, you see, I'm the shot too, and he knows it, and he knows me.

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Don't matter what he told you. He knows me.

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Think someone was going to cut them up as rugs for the horses.

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-They'll need a bit of a shake.

-Need more than a good shake.

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There's going to be a lot of people going to this concert

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wanting to hear Miss Marshall singing.

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-I take it the colonel will be attending.

-I believe so.

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That's nice.

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Shows the proper spirit of camaraderie.

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Will you going to be joining in?

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I've often been complimented on my baritone

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but, sadly, a quartermaster's work is never done.

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Sure it will be a very jolly event.

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Watch out for that mud.

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Are you all right?

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Rosalie Berwick, you are a Right Honourable! You're really a Lady.

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What judgment are you going to make of that, I wonder?

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It was just a passing remark.

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You always think I'm insulting you.

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Let's just get on with this, shall we?

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Ohh! Oh!

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SHE LAUGHS

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DOOR SHUTS

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Major Ballard!

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Sir. You remember me?

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Let me jog your memory.

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My officer put me in a wager against you,

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see who had the best shot.

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Long-range and short.

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-Be a good six months ago now.

-Yes.

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And I won, as I recall.

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You did, sir. It was close, but you won.

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My officer lost a fair few quid. He weren't best pleased.

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Yeah, sniper's feet.

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Stood in a hole full of water for five days without moving.

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Skin split in me boots.

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Still, got me man, though. He moved first.

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HE MIMICS A GUNSHOT

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Got him.

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Sir, you might have beaten me back then, but now, I never miss.

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Perhaps we might have that wager again.

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Yes, well, you're just going to have to stay beaten.

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-I'm due back at the front imminently.

-I'll see you up there, then, sir.

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At your convenience. I can wait.

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I can wait for ever when I've got a man in me sights.

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Sir.

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I can't believe you haven't thought of something

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for us to do together yet, especially when I'm so busy.

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I told you, I'm not...

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I don't see why you won't sing. I bet you can.

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And I know you can play the piano. I've heard you in the church.

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If someone hummed a tune, I bet you could pick it up.

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You're the one that's used to performing.

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I just... I don't like being looked at very much.

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I just really hoped we could all do something together.

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The three of us. I just thought it would be so lovely.

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All right. I'll sing with you.

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I suppose I'll play.

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PIANO PLAYS IN DISTANCE

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Not rehearsing your party piece, Sister?

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I've got night duty. He should be on the ward.

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He won't come in yet. He's got a score to settle.

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-# Two little maids... #

-Are you all right?

-Yes.

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SINGING AND CHATTER

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-Why are they staying?

-They want to watch you rehearse.

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Oh, I never rehearse in front of an audience.

0:20:110:20:14

Goodness me, Flora, you are precious.

0:20:140:20:18

It was Worthing Opera Society, not Covent Garden.

0:20:180:20:20

Well, I'm just thinking of you two, and you're more shy than I am.

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Just tell them it has to be a surprise for tomorrow.

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SHE SIGHS Where's Kitty?

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Good evening.

0:20:340:20:36

Tom, are we really going to ignore each other?

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I'd prefer it, Miss Trevelyan.

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You're in my way.

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Can't we at least be civil?

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I avoid you for a reason.

0:21:130:21:14

That's got to be clear.

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But now you're in my way, wanting me to do...what?

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Come running when you click your fingers?

0:21:230:21:25

I'm sorry to ruin your fun.

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You think I'm having fun?

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I don't know. Maybe it's entertaining for you.

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Maybe you collect men and tie us up in knots for your amusement.

0:21:330:21:36

Well, find someone else to dance to your tune,

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because it's not going to be me.

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SHE PLAYS NOTES DELICATELY

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What's the matter with you?

0:22:240:22:25

Everybody's really rather good, you know?

0:22:260:22:29

That's supposed to make you happy, not miserable.

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Can we rehearse now everyone's gone?

0:22:340:22:36

You know, I think you'd be much better off doing it on your own.

0:22:370:22:41

-Don't you dare.

-You...

0:22:410:22:44

You were the one that persuaded us. You practically forced us into it.

0:22:440:22:48

I get such awful stage fright.

0:22:480:22:50

I told Colonel Brett

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that I'd been really good in Pirates Of Penzance,

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but I froze and nothing came out of my mouth

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and I fell over some scenery and everybody laughed.

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Well, we just won't sing anything at all, then.

0:23:030:23:06

Oh, no. No, you have to. I've told everybody now.

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Everybody's expecting it. You'll be fine.

0:23:100:23:13

Where are you going?

0:23:160:23:17

I'm going to see Cook about the sandwiches,

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and I'll look after the decorations too.

0:23:210:23:24

That's wonderful.

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EXPLOSIONS BOOM IN FAR DISTANCE

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Could I take a moment?

0:24:010:24:03

Can I get you anything, sir?

0:24:200:24:23

You just can't stay away, can you? Hm?

0:24:230:24:25

I'm not an invalid. If I need something, I can get it myself.

0:24:270:24:30

I beg your pardon.

0:24:300:24:32

Good night, sir.

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HUSHED FOOTSTEPS

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DOOR CLOSES

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VOICES IN THE DISTANCE

0:25:350:25:37

-What is it? What's gone wrong?

-Nothing.

0:25:580:26:00

-Is there anything for me?

-No. And I'm sorry.

0:26:000:26:03

There was never any guarantee that it would get through and...

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it might have been stopped in Switzerland.

0:26:060:26:09

But even if a letter comes now...

0:26:090:26:12

..I won't be able to get it to you.

0:26:130:26:15

We're leaving.

0:26:170:26:18

We have passes for England. We won't stand out so much.

0:26:190:26:23

What do you mean, stand out? Are you having trouble?

0:26:230:26:26

We have to leave. It's not safe here any more.

0:26:270:26:30

I'm glad for you both.

0:26:320:26:35

I truly am.

0:26:350:26:37

It's so late for her to be out.

0:26:370:26:39

Yes. We leave now.

0:26:400:26:42

I wish I could have brought you a reply.

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I wish I could have helped.

0:26:470:26:49

I think I know in my heart...

0:26:520:26:54

..that he's dead.

0:26:550:26:56

I think I know it.

0:26:580:27:00

Good luck, Mr Tillens, and thank you for trying.

0:27:040:27:08

BIRDSONG

0:27:430:27:45

Crocuses, daffodils and hyacinths.

0:28:120:28:15

I'm going to plant them everywhere, but I'll start here.

0:28:150:28:18

It'll be something to look forward to, during the winter,

0:28:180:28:21

when everything's so dreary, and it's going to get ever so cold.

0:28:210:28:25

But in the spring, there'll be a carpet of colour.

0:28:250:28:27

I feel very bad...

0:28:330:28:37

about letting it slip about your engagement ring.

0:28:370:28:39

I wanted to try to make it up to you a little.

0:28:410:28:43

-It's probably a bit silly.

-No.

0:28:450:28:48

No.

0:28:500:28:51

It's lovely.

0:28:550:28:56

I just might not be here to see it.

0:28:590:29:00

You're not going to leave, are you?

0:29:020:29:04

I mean, none of us might be here.

0:29:050:29:08

Oh, yes, of course!

0:29:080:29:10

The war might all be over.

0:29:120:29:14

Anything's possible.

0:29:150:29:17

Nearly anything.

0:29:190:29:21

MEN SPEAK FRENCH

0:29:520:29:56

Cours a l'hopital, va chercher l'infirmiere.

0:29:590:30:01

On part. On part aujourd'hui.

0:30:010:30:04

MAN SPEAKS FRENCH

0:30:040:30:06

S'il vous plait...

0:30:060:30:07

-Pitie...

-Regardez ca.

-Pitie!

-C'est l'allemand.

-Oui.

0:30:100:30:13

Ce n'est que de la poesie.

0:30:130:30:14

Ah! C'est quoi, ca?! Hein? Hein?!

0:30:140:30:17

I see what you mean. Leave it with me.

0:31:110:31:13

Ballard.

0:31:210:31:23

One moment, Major. I need to check something.

0:31:230:31:26

-What's all this about?

-It's just routine.

0:31:320:31:35

-Read this for me, if you would.

-Oh, for God's sake!

0:31:410:31:43

-Haven't you got better things to do?

-Just read it for me, please.

0:31:430:31:46

Feel free to turn your head, if it makes it any easier.

0:31:500:31:53

This is her, isn't it?

0:32:000:32:01

I knew she was watching me.

0:32:030:32:04

It could be a variety of conditions.

0:32:050:32:07

It could be Stargardt's disease, although, of course,

0:32:070:32:10

we're not allowed to call it that now, because Stargardt was German. But...

0:32:100:32:13

call it what you will. You're losing your sight, aren't you?

0:32:130:32:17

How in hell have you been coping?

0:32:180:32:20

That man in the purple dressing gown, I can see perfectly well.

0:32:200:32:23

You have peripheral sight. You can see here and here.

0:32:230:32:26

No wonder you were in such a rush to get out of here

0:32:340:32:36

before anyone noticed.

0:32:360:32:38

There's no push, is there?

0:32:380:32:40

How long's it been getting worse for?

0:32:430:32:45

Perhaps over the last year.

0:32:450:32:48

And perhaps a rapid deterioration over the last couple of months.

0:32:480:32:51

I'm afraid not answering won't change the facts. This does happen.

0:32:560:33:00

Not to me.

0:33:000:33:01

I understand that this is a cruel blow.

0:33:030:33:05

No, of course I don't. How could I? I'm sorry.

0:33:070:33:09

But you can't stay here in France.

0:33:130:33:15

Don't send me back to some hospital in England.

0:33:170:33:20

There's nowhere else I CAN send you.

0:33:200:33:22

When?

0:33:250:33:26

Tonight.

0:33:260:33:28

What's the matter?

0:34:060:34:07

-Anglaise?

-What's she doing here?

0:34:070:34:10

Cherie, ou est ton papa?

0:34:100:34:12

Ou est ton papa, cherie?

0:34:120:34:14

FOOTSTEPS APPROACH

0:34:220:34:24

That was a low trick.

0:34:310:34:33

That was underhand.

0:34:330:34:35

-It was necessary.

-You know, we're both the same, you and I.

0:34:370:34:40

Army, no other life, above and beyond.

0:34:400:34:44

You, more than anybody, should understand why I needed to go back.

0:34:440:34:47

And you're an empty husk, all rules and duty.

0:34:470:34:51

You know nothing about me!

0:34:510:34:53

Oh, look. Some passion.

0:34:530:34:56

Yes, it's a bit too late for that, though, isn't it?

0:34:560:34:59

You need help.

0:35:000:35:02

Well...

0:35:030:35:05

..when I'm in England,

0:35:060:35:08

a country where I've never lived,

0:35:080:35:11

when I'm having my food cut up for me

0:35:110:35:14

and being poked and prodded by pitying hands,

0:35:140:35:17

when I'm just a diagnosis on a scrap of paper...

0:35:170:35:21

..I shall think of you standing here...

0:35:220:35:25

..and your remorseless help.

0:35:270:35:29

DOOR SLAMS

0:35:390:35:40

Still with us, then, sir?

0:35:470:35:48

All you've got to do is agree to meet me with a backup.

0:35:480:35:51

Shot for shot, prove who's best.

0:35:510:35:53

Just agree to meet me. Shake on it and I'll leave you alone, sir.

0:35:530:35:55

You're always yapping at my heels, aren't you?

0:35:550:35:57

Every king must fall.

0:35:570:35:59

Must they?

0:35:590:36:00

It's just the way of the world, sir.

0:36:000:36:03

Now, will you shake on it?

0:36:030:36:04

All right, Gorman.

0:36:070:36:08

I'll agree to meet you.

0:36:080:36:10

You can have your wager.

0:36:100:36:12

You can have it right now.

0:36:120:36:13

Tu restes la.

0:36:390:36:40

Shit.

0:36:490:36:51

Sit tight. I'll be back.

0:36:510:36:52

Oh, it's Joan.

0:37:000:37:01

Go to the house.

0:37:020:37:04

Go to the house.

0:37:050:37:06

Waiting for you.

0:37:080:37:10

-Waiting for you.

-Sh.

-Waiting...

0:37:100:37:14

And here was me, happy to settle for an handshake.

0:37:140:37:17

I might have known you'd always be ready.

0:37:190:37:20

When I beat you, I won't be crowing about it.

0:37:220:37:25

You'll have your dignity. ..It's good there, lads.

0:37:250:37:28

This do for you, sir?

0:37:380:37:39

Set it up.

0:37:410:37:42

GUNSHOT ECHOES

0:38:070:38:09

Sister Livesey... He was found on the road.

0:38:200:38:23

Where's Mathilde? Where's his little girl?

0:38:230:38:26

She's in Matron's office, being looked after in the quiet.

0:38:260:38:28

She's unhurt, at least physically. I need to ask you some questions.

0:38:280:38:32

-Hello there. Here you go, Miss.

-Thank you.

0:38:350:38:38

-It's obvious they think he was spying.

-It's just poetry.

0:38:540:38:57

No, it's not just anything if it's found by the wrong people.

0:38:570:39:00

Do you know where they would have been going?

0:39:000:39:03

Yes. He said they had friends in London they were hoping to get to.

0:39:030:39:07

When did he tell you that?

0:39:070:39:09

The last time I treated him, sir.

0:39:090:39:12

Right.

0:39:120:39:14

Well, try and get these into some sort of order.

0:39:140:39:17

I'll make sure they both get to where they're supposed to be.

0:39:170:39:20

You don't think he's a spy?

0:39:210:39:23

I think he's been incredibly naive and stupid.

0:39:230:39:25

Must have stood out like sore thumbs in that village.

0:39:260:39:29

They look different, they sound different.

0:39:290:39:32

What a world...

0:39:330:39:34

..where you're beaten up for a book.

0:39:350:39:38

Mind you, he's lucky they didn't hang him.

0:39:380:39:40

DOOR OPENS AND CLOSES

0:39:450:39:48

-Near miss.

-Still a hit.

0:39:530:39:57

I told you I got better, sir.

0:39:570:39:59

Yours might have been a hit, but... I think I might just have the edge.

0:39:590:40:02

Shall we up the stakes?

0:40:030:40:04

FOOTSTEPS

0:40:060:40:07

GUNSHOT IN DISTANCE

0:40:220:40:24

I like you, sir.

0:40:410:40:43

I really do.

0:40:430:40:44

GUNSHOT REVERBERATES

0:41:010:41:03

My turn.

0:41:090:41:11

Well, you said you wanted a wager. You changed your mind?

0:41:160:41:19

Never, sir.

0:41:210:41:22

(Stop.)

0:42:060:42:08

Don't move.

0:42:090:42:12

Can you even see him?

0:42:180:42:20

Can he what? What did she just say?

0:42:200:42:22

-I can do this.

-And if you can't...

0:42:220:42:25

..you'll kill him.

0:42:260:42:28

Put it down.

0:42:310:42:33

You poor bastard.

0:42:470:42:49

I can't even call it a victory.

0:42:500:42:52

-Where's Kitty?

-How should I know?

0:43:080:43:11

Oh! Why did I even say I'd do this?

0:43:110:43:13

Well, you did and now we're doing it.

0:43:130:43:15

Leave them!

0:43:170:43:18

If Kitty doesn't come, you'll have to sing.

0:43:180:43:21

Go ahead. I'll be there.

0:43:210:43:23

-Mr Tillens...

-Joan.

0:43:390:43:41

You're still going to get to your friends.

0:43:410:43:43

-I am so, so sorry.

-No, no, no, no, no, no.

0:43:450:43:48

Go to the house.

0:43:480:43:50

Waiting for you.

0:43:560:43:58

Oh, why didn't you just let me go back to my men?

0:44:050:44:09

Why did you have to be such a bloody nurse?

0:44:110:44:13

My father...

0:44:170:44:18

..was a very difficult...

0:44:200:44:22

and a very unhappy man.

0:44:220:44:24

I grew up in a house full of guns.

0:44:260:44:28

Guns everywhere.

0:44:280:44:30

I spent my childhood...

0:44:310:44:33

..unloading his guns and trying to hide the bullets from him.

0:44:340:44:37

Of course, the inevitable happened...

0:44:390:44:41

..and I spent a long time blaming myself for his death.

0:44:440:44:50

So, you feel compelled to save everybody else.

0:44:540:44:56

Was it your father in the regiment?

0:45:020:45:05

No.

0:45:070:45:08

Are you ready now?

0:45:130:45:14

I don't even know which direction I'm facing.

0:45:200:45:22

You know, I still think you have a question for me.

0:45:440:45:47

If you do, you need to ask it now.

0:45:470:45:50

The Blighty convoy is here, Major.

0:45:520:45:54

Sir, in your regiment...

0:46:000:46:02

..do you know of a Subedar Major Amar Singh?

0:46:040:46:07

Yes, I do.

0:46:110:46:13

He's fallen, I'm afraid.

0:46:130:46:15

-Friend of yours?

-A passing acquaintance of many years ago.

0:46:190:46:23

More than that.

0:46:280:46:30

Of course more than that.

0:46:310:46:33

Of course.

0:46:360:46:37

I always thought...

0:46:410:46:43

I'd know if he fell.

0:46:430:46:45

Somehow, I always thought I'd know.

0:46:520:46:54

-You announce it.

-It's your concert.

0:47:250:47:27

-No, you announce it. I don't want to.

-You're in charge.

0:47:270:47:30

Get up there and introduce it.

0:47:300:47:32

First, we have a musical treat from The Mikado.

0:47:350:47:37

Welcome to the concert.

0:47:390:47:41

CHEERING

0:47:410:47:43

# One little maid is a bride Yum-Yum

0:47:500:47:52

# Two little maids in attendance come

0:47:520:47:55

# Three little maids is the total sum

0:47:550:47:57

# Three little maids from school

0:47:570:47:59

# Three little maids from school... #

0:47:590:48:01

SINGING CONTINUES IN DISTANCE

0:48:010:48:03

-What are you doing in here?

-Why are you going to their house?

0:48:110:48:14

-To get Mathilde's storybook.

-The father thought I was you.

0:48:160:48:19

He said, "Go to the house. Waiting for you." What's waiting for you, Joan?

0:48:190:48:22

He'd just been beaten. Of course he wasn't making sense.

0:48:220:48:25

What's waiting for you and why can't it come here? Why do you have to go and get it?

0:48:250:48:28

Kitty, get out of my way...

0:48:300:48:31

He was beaten up because people thought he was a spy.

0:48:310:48:34

-He reads German.

-Lots of people do.

0:48:350:48:37

This fiance that you tried to keep a secret.

0:48:370:48:40

This man that... that you don't like talking about.

0:48:410:48:44

He's not British, is he?

0:48:440:48:45

They will crucify you, Joan.

0:48:550:48:56

-They will crucify you.

-It's just a letter.

0:48:590:49:01

That's all it is. It's just a letter.

0:49:030:49:05

It's going to tell me whether he's dead or alive.

0:49:090:49:11

I have to know.

0:49:130:49:14

It's just a letter.

0:49:180:49:20

Please.

0:49:220:49:23

Please.

0:49:260:49:28

Any singing of mucky songs, any telling of mucky jokes,

0:49:480:49:53

I'll know about it and arses will be kicked.

0:49:530:49:57

-Now, bugger off.

-Sir.

-Thank you, sir.

0:49:590:50:02

Come on, Flora.

0:50:220:50:24

Kitty's not here yet, so you'll have to sing.

0:50:240:50:27

HUSHED CHATTER FROM AUDIENCE

0:50:270:50:29

MUSIC: "There's A Long, Long Trail A-Winding"

0:50:370:50:41

# Nights are growing very lonely

0:50:580:51:03

# Days are very long

0:51:030:51:09

# I'm a-growing weary only

0:51:090:51:14

TOGETHER: # List'ning for your song

0:51:140:51:19

# There's a long, long trail a-winding

0:51:200:51:27

# Into the land of my dreams

0:51:270:51:32

KITTY JOINS IN # Where the nightingales are singing

0:51:320:51:37

# And the white moon beams

0:51:370:51:43

# There's a long, long night of waiting

0:51:430:51:49

# Until my dreams all come true

0:51:490:51:55

# Till the day when I'll be going down

0:51:550:52:00

# That long, long trail with you

0:52:000:52:06

# All night long I hear you calling

0:52:080:52:14

# Calling sweet and low

0:52:140:52:17

# Seem to hear your footsteps falling

0:52:190:52:24

# Ev'rywhere I go

0:52:240:52:29

# There's a long, long trail a-winding

0:52:310:52:37

# Into the land of my dreams

0:52:370:52:42

# Where the nightingales are singing

0:52:420:52:47

# And the white moon beams

0:52:470:52:53

# There's a long, long night of waiting

0:52:530:52:58

# Until my dreams all come true

0:52:580:53:04

# Till the day when I'll be going

0:53:040:53:09

# Down that long, long trail with you. #

0:53:090:53:16

CREAKING

0:53:390:53:41

Liebchen?

0:53:480:53:49

SHE SOBS

0:54:320:54:34

-Oh, my God!

-SHE WAILS

0:54:370:54:40

I'm here.

0:54:410:54:43

I'm here.

0:54:440:54:45

I got your letter.

0:54:470:54:49

You're alive. You're alive.

0:54:540:54:57

You're alive.

0:54:570:54:58

(You're alive.)

0:55:010:55:03

Un, deux...

0:55:120:55:13

All right? You...

0:55:150:55:18

How did you get here?

0:55:230:55:25

I was taken prisoner.

0:55:250:55:27

I jumped from the train.

0:55:270:55:28

It's not safe.

0:55:280:55:30

You're going to ride away from the village. There's a crossroads.

0:55:360:55:39

Hide yourself there and watch the road for me.

0:55:390:55:40

-I'm going to get you different clothes, food, money.

-No.

0:55:400:55:43

-I'll think of something.

-No. No. No.

0:55:430:55:44

-I always think of something.

-I'm not leaving you alone with them.

-Anton.

0:55:440:55:48

I'm the one with the British uniform.

0:55:480:55:50

I'm not the one they'll hang.

0:55:520:55:54

I'm not the one they'll shoot.

0:55:540:55:56

You are.

0:55:590:56:00

So, you are leaving now.

0:56:030:56:05

Watch the road and I will come.

0:56:180:56:20

Ich liebe dich.

0:56:230:56:25

I love you.

0:56:250:56:27

ENGINE STARTS

0:56:420:56:43

Good evening, Sister.

0:57:000:57:02

What have you been up to?

0:57:030:57:05

Your loyalties lie with the enemy.

0:57:100:57:12

-You're as much to blame as she is.

-What are you going to do?

0:57:120:57:15

MAN SCREAMS

0:57:150:57:17

All senior staff are to be questioned

0:57:170:57:18

as to his ability to lead this hospital.

0:57:180:57:20

-How the hell can it get any worse?

-Control yourself!

0:57:200:57:23

No-one doubts you, Roland.

0:57:230:57:24

You understand you're subject to military law.

0:57:240:57:26

Conviction by court martial, you'll be liable to suffer death.

0:57:260:57:29

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