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This fiance isn't British, is he? | 0:00:02 | 0:00:03 | |
-They'll crucify you. -It's just a letter. | 0:00:03 | 0:00:06 | |
You find Corporal Prentiss and give him that. | 0:00:06 | 0:00:09 | |
I thought it had been rescinded, sir. | 0:00:09 | 0:00:10 | |
I want Prentiss on that convoy. | 0:00:10 | 0:00:12 | |
You know what I'm looking for. | 0:00:12 | 0:00:14 | |
I destroyed it. | 0:00:14 | 0:00:16 | |
No, I'm certain that you kept it, | 0:00:16 | 0:00:18 | |
because you knew the damage it could do to Roland. | 0:00:18 | 0:00:21 | |
You didn't volunteer out of duty. You volunteered to escape. | 0:00:21 | 0:00:24 | |
I was taken prisoner. I jumped from the train. | 0:00:26 | 0:00:29 | |
You're going to ride away from the village. | 0:00:29 | 0:00:31 | |
There's a crossroads. Hide yourself there and watch the road for me. | 0:00:31 | 0:00:35 | |
Good evening, Sister. What have you been up to? | 0:00:35 | 0:00:38 | |
This programme contains some strong language | 0:01:14 | 0:01:22 | |
I can't give you anything for the pain. | 0:01:27 | 0:01:29 | |
You'll just have to grit your teeth. | 0:01:29 | 0:01:31 | |
Have they caught him? | 0:01:34 | 0:01:35 | |
Please. | 0:01:40 | 0:01:41 | |
Not that I've heard. | 0:01:45 | 0:01:46 | |
Be better for you if they had. | 0:01:48 | 0:01:50 | |
I don't know what you thought you were doing. | 0:01:50 | 0:01:52 | |
DOOR OPENS | 0:01:56 | 0:01:57 | |
DOOR CLOSES | 0:02:00 | 0:02:01 | |
Nothing will happen. Too much business, too much shared interest. | 0:02:10 | 0:02:16 | |
The king is a bloody German. Saxe-Coburg-Gotha. | 0:02:18 | 0:02:21 | |
He's more German than me. | 0:02:21 | 0:02:23 | |
No-one's more German than you. | 0:02:26 | 0:02:29 | |
He's ill. | 0:02:36 | 0:02:37 | |
What sort of son would I be | 0:02:39 | 0:02:41 | |
if I didn't go to my father when he's ill? | 0:02:41 | 0:02:43 | |
I'm just so scared. | 0:02:48 | 0:02:49 | |
Liebchen, you're never scared. | 0:02:51 | 0:02:52 | |
Do you think WE'LL get in trouble? | 0:03:28 | 0:03:29 | |
I don't see why we should get in trouble. | 0:03:29 | 0:03:31 | |
We didn't know anything, did we? | 0:03:31 | 0:03:33 | |
If we had, we'd have said so straightaway, | 0:03:33 | 0:03:35 | |
so I don't see why we should get in trouble. | 0:03:35 | 0:03:37 | |
We've been told not to talk about it. | 0:03:37 | 0:03:38 | |
I never would have touched her rotten motorcycle if I'd known, never. | 0:03:38 | 0:03:41 | |
-And I liked her. -And that's all in the past tense, is it? | 0:03:41 | 0:03:44 | |
So quick to turn your back? | 0:03:44 | 0:03:46 | |
I have brothers fighting. | 0:03:46 | 0:03:47 | |
I showed her their photographs, | 0:03:47 | 0:03:49 | |
I told her I had brother's fighting and she just pretended to be lovely. | 0:03:49 | 0:03:53 | |
And you? Are you going to turn your back like Flora? | 0:03:53 | 0:03:56 | |
Matron's strictest orders were that this matter must not be discussed. | 0:03:56 | 0:03:59 | |
KITTY SIGHS | 0:03:59 | 0:04:00 | |
So, I will not be discussing it. | 0:04:00 | 0:04:02 | |
Colonel Purbright is here. | 0:04:05 | 0:04:07 | |
Roland, you should distance yourself from this. | 0:04:07 | 0:04:10 | |
I'll go in with her. She's my nurse and I'm responsible. | 0:04:10 | 0:04:15 | |
No. It's my hospital. | 0:04:15 | 0:04:17 | |
She must have been desperate. | 0:04:21 | 0:04:23 | |
Joan Livesey, | 0:04:59 | 0:05:01 | |
you stand accused of aiding the escape of a German prisoner of war. | 0:05:01 | 0:05:04 | |
I know how it looks, but it really isn't how it looks. It's just... | 0:05:04 | 0:05:09 | |
I swear on my life, it's not how it looks. | 0:05:09 | 0:05:11 | |
You're to comply fully and truthfully with this hearing | 0:05:11 | 0:05:13 | |
so that when Intelligence arrive, | 0:05:13 | 0:05:15 | |
we can present them with a clear and concise exposition of events | 0:05:15 | 0:05:18 | |
and show that the Royal Army Medical Corps | 0:05:18 | 0:05:20 | |
can put its own house in order. Is that clear? Yes, sir. | 0:05:20 | 0:05:23 | |
You understand you're subject to military law? | 0:05:23 | 0:05:26 | |
That law states that any person who treacherously holds | 0:05:27 | 0:05:30 | |
correspondence with or gives intelligence to the enemy | 0:05:30 | 0:05:33 | |
shall, on conviction by court martial, be liable to suffer death. | 0:05:33 | 0:05:36 | |
Do you now understand the situation that you're in? | 0:05:38 | 0:05:41 | |
How is she? | 0:05:53 | 0:05:54 | |
As you'd expect. | 0:05:57 | 0:05:59 | |
What's going to happen to her? | 0:05:59 | 0:06:00 | |
I don't care. | 0:06:00 | 0:06:01 | |
How can you say that? | 0:06:01 | 0:06:03 | |
What do you think we're doing here? | 0:06:06 | 0:06:08 | |
What do you think this is? | 0:06:08 | 0:06:10 | |
I don't hack the limbs off men for fun. | 0:06:12 | 0:06:15 | |
I don't pull shrapnel out of their brains | 0:06:15 | 0:06:17 | |
so they can spend the rest of their lives in a nursing home, | 0:06:17 | 0:06:20 | |
dribbling down themselves, for fun. | 0:06:20 | 0:06:21 | |
They're not dying for fun. | 0:06:21 | 0:06:23 | |
She didn't go to meet him. She thought it was only a letter. | 0:06:23 | 0:06:27 | |
Did she tell you? | 0:06:29 | 0:06:30 | |
I guessed. Didn't take too much to guess. | 0:06:31 | 0:06:34 | |
But you knew and said nothing?! | 0:06:34 | 0:06:36 | |
Why are you so angry? | 0:06:38 | 0:06:40 | |
A good man could lose his job because of this. | 0:06:40 | 0:06:43 | |
My boss. He trusted her and now his neck's on the block. | 0:06:43 | 0:06:47 | |
And you knew and said nothing. | 0:06:47 | 0:06:49 | |
You're as much to blame as she is. | 0:06:51 | 0:06:54 | |
You'll be in serious trouble if they find out. | 0:06:54 | 0:06:56 | |
SHE PUFFS | 0:07:07 | 0:07:09 | |
I have suppliers in the village, sir. Poultry and eggs. | 0:07:09 | 0:07:13 | |
I was returning to the hospital when I saw Livesey. She was with a man. | 0:07:13 | 0:07:17 | |
He spoke German. They embraced. He was wearing her coat. | 0:07:17 | 0:07:23 | |
She gave him her motorcycle and he drove away. | 0:07:23 | 0:07:26 | |
Now, I would have attempted arrest of both of them, sir, | 0:07:26 | 0:07:29 | |
but I was alone and unarmed. | 0:07:29 | 0:07:31 | |
I felt it better to be certain of one apprehension | 0:07:31 | 0:07:34 | |
-than fail with two, sir. -Sergeant. | 0:07:34 | 0:07:37 | |
The prisoner appears to be somewhat marked, Sergeant Soper. | 0:07:39 | 0:07:42 | |
There was a kerfuffle, sir. | 0:07:42 | 0:07:44 | |
The prisoner was required to remove an item of evidence | 0:07:44 | 0:07:47 | |
she wore around her neck. | 0:07:47 | 0:07:49 | |
The prisoner did not wish to remove aforementioned item. | 0:07:49 | 0:07:52 | |
The guards were required to... | 0:07:52 | 0:07:55 | |
to employ some encouragement. | 0:07:55 | 0:07:58 | |
Everybody would have had it different, sir. | 0:07:58 | 0:08:01 | |
Thank you, Soper. Dismissed. | 0:08:01 | 0:08:03 | |
Might we have a chair? | 0:08:08 | 0:08:10 | |
Corporal, if you would. | 0:08:13 | 0:08:14 | |
Livesey, in coming to France, was it your express intention | 0:08:18 | 0:08:22 | |
and premeditated purpose to communicate with the enemy? | 0:08:22 | 0:08:26 | |
No. | 0:08:26 | 0:08:27 | |
I came to France to nurse. | 0:08:28 | 0:08:30 | |
-Take him through. -Watch your step. -Just breathe. | 0:08:32 | 0:08:34 | |
Can't you get down? | 0:08:39 | 0:08:40 | |
I was frying bacon, I was, | 0:08:40 | 0:08:42 | |
and a shell goes off and all the fat spills down me leg. | 0:08:42 | 0:08:46 | |
Sizzling hot. It really hurts. | 0:08:46 | 0:08:48 | |
Well, let's get you settled into bed and then you'll feel better. | 0:08:48 | 0:08:51 | |
Just a minute. | 0:08:51 | 0:08:53 | |
He's a stretcher bearer. Two nights in a shell hole... | 0:08:53 | 0:08:56 | |
-You're burning. -..nibbled by the rats. Look at his ears. | 0:08:56 | 0:08:59 | |
Can someone help me, please? | 0:09:03 | 0:09:05 | |
I can hear them. | 0:09:10 | 0:09:11 | |
Who? | 0:09:13 | 0:09:15 | |
I can hear them calling. | 0:09:17 | 0:09:18 | |
You have a terrible fever. | 0:09:20 | 0:09:21 | |
There's no-one calling. I promise you. | 0:09:22 | 0:09:27 | |
I can hear them. | 0:09:27 | 0:09:28 | |
I can hear them... | 0:09:33 | 0:09:35 | |
I'm sure it does hurt, but it really doesn't look too bad. | 0:09:39 | 0:09:43 | |
Don't you want to take your dirty clothes off | 0:09:43 | 0:09:45 | |
-and have a proper wash first? -No, no. | 0:09:45 | 0:09:48 | |
Do you have a brother? | 0:09:51 | 0:09:52 | |
Rosalie, don't you think we should put aside our differences. | 0:10:00 | 0:10:04 | |
Why? | 0:10:04 | 0:10:05 | |
Because it's not important, not with everything that's going on. | 0:10:05 | 0:10:09 | |
I said that I'm not going to talk about it. | 0:10:14 | 0:10:16 | |
Please! | 0:10:16 | 0:10:18 | |
I have a nasty temper and a sharp tongue. They get me into trouble. | 0:10:21 | 0:10:26 | |
I hurt you and I'm sorry. | 0:10:27 | 0:10:28 | |
I know all about your trouble. | 0:10:28 | 0:10:31 | |
Mrs Vincent. | 0:10:31 | 0:10:32 | |
What did you say? | 0:10:39 | 0:10:41 | |
My crocus and daffodil bulbs came wrapped in old newspaper. | 0:10:41 | 0:10:46 | |
Of course, I remember it all from before the war. | 0:10:46 | 0:10:49 | |
Quite the notorious woman. | 0:10:49 | 0:10:51 | |
Are you trying to wipe the slate clean, | 0:10:51 | 0:10:53 | |
pretend you're something you're not? | 0:10:53 | 0:10:55 | |
Pretend you're decent? | 0:10:55 | 0:10:58 | |
No. | 0:10:58 | 0:10:59 | |
You accuse me of coming here to escape. | 0:11:02 | 0:11:04 | |
What are you doing but hiding? | 0:11:04 | 0:11:06 | |
Five days ago, a group of prisoners of war | 0:11:31 | 0:11:34 | |
were taken for initial interrogation. | 0:11:34 | 0:11:37 | |
One stands out - cultured, intelligent, exceptional English. | 0:11:37 | 0:11:41 | |
Anton Ehrlich. | 0:11:41 | 0:11:43 | |
The prisoners are put on the train and the officer accompanying them | 0:11:44 | 0:11:48 | |
invites this cultured and intelligent German | 0:11:48 | 0:11:50 | |
to his carriage to take tea. | 0:11:50 | 0:11:52 | |
Seeing the coast from the train window, | 0:11:52 | 0:11:54 | |
the prisoner asks where they are, the officer tells him, | 0:11:54 | 0:11:56 | |
whereupon the cultured and intelligent Anton Ehrlich | 0:11:56 | 0:11:59 | |
hits the officer, breaking his jaw, and he escapes. | 0:11:59 | 0:12:02 | |
You know this man? | 0:12:04 | 0:12:06 | |
-Answer, please. -Yes, sir. | 0:12:09 | 0:12:12 | |
This was the man you met last night? | 0:12:12 | 0:12:15 | |
Yes, sir. | 0:12:15 | 0:12:16 | |
DOGS BARK IN DISTANCE | 0:12:19 | 0:12:22 | |
It's so awful, isn't it, what's happening? | 0:12:28 | 0:12:31 | |
"It's so awful." Is that the best you've got? | 0:12:31 | 0:12:34 | |
Well, it is awful. | 0:12:34 | 0:12:36 | |
What do you want, anyway? | 0:12:36 | 0:12:38 | |
Well, I know we're not really speaking, | 0:12:38 | 0:12:42 | |
but I just wondered if you had a brother or a cousin. | 0:12:42 | 0:12:46 | |
What's it to you? | 0:12:46 | 0:12:47 | |
There's a James Foley just come in. | 0:12:47 | 0:12:49 | |
I just thought... | 0:12:51 | 0:12:52 | |
well, something nice when everything's so horrible. | 0:12:52 | 0:12:57 | |
He's not badly hurt. | 0:12:57 | 0:12:59 | |
Oi, oi, slug-a-bed. | 0:13:13 | 0:13:14 | |
THEY LAUGH | 0:13:15 | 0:13:17 | |
Pete! | 0:13:17 | 0:13:18 | |
Ohh! | 0:13:18 | 0:13:20 | |
-I burned me leg, Pete. -Oh. -Bacon fat. | 0:13:20 | 0:13:23 | |
You a doctor? | 0:13:26 | 0:13:27 | |
Course I'm not a bloody doctor, soppy bollocks. | 0:13:27 | 0:13:30 | |
Want to see where I live? | 0:13:32 | 0:13:34 | |
When you arrived at this hospital, you said you'd missed the transport. | 0:13:36 | 0:13:39 | |
I did. I got lost. | 0:13:39 | 0:13:41 | |
It was very chaotic. I told Matron at the time... | 0:13:41 | 0:13:43 | |
In order to get here, you bought a motorcycle | 0:13:43 | 0:13:46 | |
and a British officer's greatcoat. Means of transport and disguise. | 0:13:46 | 0:13:50 | |
You make it sound like I planned it all. | 0:13:50 | 0:13:52 | |
That's because you did. | 0:13:52 | 0:13:54 | |
No, I just wanted to get here and start work. | 0:13:54 | 0:13:57 | |
And what work was that? Identifying potential conspirators? | 0:13:57 | 0:14:02 | |
What do you mean? | 0:14:03 | 0:14:05 | |
Jaco Tillens, Belgian refugee. You treated his daughter here. | 0:14:05 | 0:14:08 | |
-Yes. -Then you went to his house. -To check on the little girl, yes. | 0:14:08 | 0:14:11 | |
The same house where you were arrested. | 0:14:11 | 0:14:13 | |
Did you know Jaco Tillens before coming to France? | 0:14:13 | 0:14:15 | |
No, and any nurse here could have treated him or his daughter. | 0:14:15 | 0:14:19 | |
Yes, but any nurse didn't. You did. | 0:14:19 | 0:14:21 | |
Was his name passed to you from a third party? | 0:14:21 | 0:14:23 | |
Of course not. What third party? | 0:14:23 | 0:14:25 | |
I understand that he was badly beaten, | 0:14:25 | 0:14:27 | |
that he'd become the object of suspicion and hostility. | 0:14:27 | 0:14:30 | |
He'll be arrested for espionage the minute he lands in Britain. | 0:14:30 | 0:14:33 | |
He knew nothing. | 0:14:33 | 0:14:34 | |
I never spoke to him about anything but his daughter's health. | 0:14:34 | 0:14:37 | |
There's no conspiracy, no third party, it was just me. | 0:14:37 | 0:14:40 | |
It was just you. | 0:14:40 | 0:14:41 | |
I didn't plan any of this. | 0:14:46 | 0:14:47 | |
You planned it because your sympathies and your loyalties | 0:14:48 | 0:14:52 | |
lie with the enemy. | 0:14:52 | 0:14:53 | |
It's a palace. | 0:14:59 | 0:15:01 | |
Soppy bollocks. It's a tent. | 0:15:01 | 0:15:04 | |
Can I stay here with you? | 0:15:06 | 0:15:08 | |
Don't be daft. You've got a bed on the ward, make the most of it. | 0:15:08 | 0:15:12 | |
Why did you go, Pete? | 0:15:13 | 0:15:15 | |
Got bored, didn't I? Too much graft, having to scrape for everything. | 0:15:16 | 0:15:22 | |
-The Army's the cushy life. -You never said goodbye. | 0:15:23 | 0:15:27 | |
Spur of the moment, Jimmy. Not enough time. | 0:15:27 | 0:15:30 | |
No-one talks about you. | 0:15:32 | 0:15:33 | |
I asked and Dad fetched me a clump on me ear. | 0:15:35 | 0:15:39 | |
Blood come out. | 0:15:39 | 0:15:41 | |
Well, he's an evil old shit. | 0:15:41 | 0:15:43 | |
Did I do something wrong? | 0:15:43 | 0:15:45 | |
No. Just stop going on about it, all right? I had enough and went. | 0:15:45 | 0:15:48 | |
Would've come with you. | 0:15:48 | 0:15:49 | |
No, you couldn't. | 0:15:49 | 0:15:51 | |
Look, I've got work to do. Come on. Out. | 0:15:57 | 0:15:59 | |
Can I keep my slippers? | 0:16:01 | 0:16:02 | |
Always the same. You get an idea in your head, | 0:16:02 | 0:16:04 | |
you're like a dog with a bone. | 0:16:04 | 0:16:05 | |
This is why you get clumped, Jimmy. | 0:16:05 | 0:16:07 | |
They're comfy. I can wear 'em home. | 0:16:07 | 0:16:09 | |
-You're not going home, Jimmy. -But I burned me leg. It hurt. | 0:16:09 | 0:16:12 | |
Did you burn yourself? | 0:16:17 | 0:16:19 | |
No. | 0:16:19 | 0:16:20 | |
You burned yourself, didn't you? | 0:16:26 | 0:16:29 | |
Oh, fuck! | 0:16:31 | 0:16:33 | |
JIMMY CRIES | 0:16:33 | 0:16:35 | |
-I want to go home. -You can't go home! | 0:16:35 | 0:16:37 | |
You should be wanting to kill 'em with your bare hands, | 0:16:37 | 0:16:39 | |
not sitting here crying, blowing snot bubbles like a baby. | 0:16:39 | 0:16:42 | |
I don't want to! | 0:16:42 | 0:16:43 | |
I'm ashamed of you. My own brother running from the enemy. | 0:16:48 | 0:16:52 | |
How and when did you meet this man? | 0:16:57 | 0:16:59 | |
In Liverpool. '09. | 0:17:00 | 0:17:03 | |
He was working on the foundations of the Liver Building. | 0:17:05 | 0:17:09 | |
He's a civil engineer. | 0:17:09 | 0:17:11 | |
And there's no mention of your relationship with this man | 0:17:11 | 0:17:13 | |
in any of your references from England. | 0:17:13 | 0:17:15 | |
You don't know what it was like after the Lusitania was sunk. | 0:17:15 | 0:17:19 | |
You don't know how bad it was at home. | 0:17:19 | 0:17:21 | |
German families, people that had been living in England for years, | 0:17:22 | 0:17:26 | |
were dragged out into their streets to have their heads stamped on... | 0:17:26 | 0:17:30 | |
So you lied. | 0:17:30 | 0:17:31 | |
If you think that came easy... | 0:17:32 | 0:17:34 | |
..to deny him, if you think that came easy... | 0:17:36 | 0:17:38 | |
But you still lied. | 0:17:38 | 0:17:40 | |
You lied to gain people's trust. | 0:17:42 | 0:17:44 | |
I wasn't expecting you for another two days. What brings you back? | 0:17:55 | 0:17:59 | |
Kent was tedious. | 0:17:59 | 0:18:01 | |
The house is very small, the walls very thin, | 0:18:01 | 0:18:04 | |
and there was nowhere I could not hear my brother and his wife snoring, | 0:18:04 | 0:18:08 | |
or sneezing, or merely breathing. | 0:18:08 | 0:18:11 | |
It isn't home. | 0:18:13 | 0:18:14 | |
The driver told me about Sister Livesey. | 0:18:21 | 0:18:24 | |
What a burden you've had to carry... but I'm here now. | 0:18:27 | 0:18:31 | |
I'll change and get straight to the wards. | 0:18:33 | 0:18:36 | |
Did you think whilst you were away? | 0:18:36 | 0:18:38 | |
I did. | 0:18:41 | 0:18:42 | |
I am deeply ashamed of my outburst. | 0:18:44 | 0:18:47 | |
I hope you can forgive me. I will not challenge you again in any way. | 0:18:47 | 0:18:53 | |
Wait. | 0:19:03 | 0:19:04 | |
This situation has left Colonel Brett's status in doubt. | 0:19:08 | 0:19:12 | |
All senior staff are to be questioned | 0:19:12 | 0:19:14 | |
as to his ability to lead this hospital. | 0:19:14 | 0:19:17 | |
This is not the time for it to be discovered | 0:19:17 | 0:19:20 | |
that he countermanded a senior officer's order. | 0:19:20 | 0:19:22 | |
I just wondered, Margaret, if you took | 0:19:22 | 0:19:25 | |
a certain piece of damning documentation to England with you. | 0:19:25 | 0:19:29 | |
Grace, I destroyed the Blighty ticket. | 0:19:30 | 0:19:33 | |
I destroyed it. | 0:19:38 | 0:19:39 | |
When are you going to trust me? | 0:19:41 | 0:19:42 | |
A show of unity and strength is what's needed now. | 0:19:45 | 0:19:48 | |
You and I will go and speak for the colonel together. | 0:19:48 | 0:19:51 | |
It's good to be back. | 0:19:54 | 0:19:55 | |
-KNOCK ON DOOR -Enter. | 0:19:58 | 0:20:00 | |
What is it, Chinnery? | 0:20:02 | 0:20:03 | |
Telegram for Colonel Brett, Matron. | 0:20:03 | 0:20:05 | |
Well, he can't take it now, can he? Leave it on his desk. | 0:20:05 | 0:20:08 | |
Beg your pardon, Matron, but... | 0:20:08 | 0:20:10 | |
SERIOUSLY: ..a telegram for the colonel. | 0:20:10 | 0:20:13 | |
BUGLE CALL | 0:20:18 | 0:20:20 | |
Did you know he was in France? | 0:20:20 | 0:20:22 | |
I knew he'd been conscripted. | 0:20:24 | 0:20:26 | |
Did you know he was here? | 0:20:26 | 0:20:28 | |
It was thought likely. | 0:20:30 | 0:20:32 | |
-Who told you that? -His family. | 0:20:32 | 0:20:34 | |
I heard nothing else, not a word for nearly a year, | 0:20:34 | 0:20:37 | |
not knowing if he was alive or dead. | 0:20:37 | 0:20:39 | |
Eyes front. | 0:20:56 | 0:20:57 | |
What is it? | 0:20:57 | 0:20:58 | |
There is no good way to do this. | 0:20:59 | 0:21:01 | |
Roland, I'm so sorry. I know you were so proud of him. | 0:21:14 | 0:21:17 | |
DOOR OPENS | 0:21:32 | 0:21:34 | |
I'm so sorry. Please... | 0:21:38 | 0:21:41 | |
You've lied to everybody. The colonel. Your colleagues. | 0:21:50 | 0:21:53 | |
People at home. The men you've cared for, | 0:21:53 | 0:21:56 | |
they believed in you and you betrayed them. | 0:21:56 | 0:21:58 | |
-I didn't... -All the time, pursuing your own agenda. | 0:21:58 | 0:22:01 | |
-So much for the dedicated nurse. -No. No, I am a nurse. | 0:22:01 | 0:22:06 | |
I am a nurse. | 0:22:08 | 0:22:10 | |
You bring me shattered men, with shattered bodies | 0:22:11 | 0:22:15 | |
and shattered minds, and I will try and put them back together again. | 0:22:15 | 0:22:18 | |
And if I can't, I will stay with them till the very last moment and beyond. | 0:22:18 | 0:22:22 | |
No, I am a nurse. | 0:22:22 | 0:22:23 | |
Was it your purpose and intention in coming to France...? | 0:22:23 | 0:22:26 | |
I was desperate. I thought the not knowing would send me mad. | 0:22:26 | 0:22:30 | |
I thought I'd die from it. | 0:22:30 | 0:22:31 | |
Was it your purpose and intention in coming to France | 0:22:31 | 0:22:34 | |
-to communicate with the enemy? -It was just a letter. | 0:22:34 | 0:22:37 | |
That's all it was. It was...it was just a letter. | 0:22:39 | 0:22:43 | |
SHE SOBS | 0:22:46 | 0:22:48 | |
I was just asking if he was still alive. | 0:22:50 | 0:22:53 | |
Was it your purpose and intention in coming to France | 0:22:58 | 0:23:03 | |
to communicate with the enemy? | 0:23:03 | 0:23:04 | |
SHE EXHALES SHARPLY | 0:23:13 | 0:23:15 | |
Yes. | 0:23:19 | 0:23:20 | |
Yes. | 0:23:24 | 0:23:25 | |
It was. | 0:23:27 | 0:23:29 | |
Don't answer me now. | 0:23:57 | 0:23:59 | |
Tell me when I'm home. | 0:24:02 | 0:24:04 | |
Tell me when I'm home. | 0:24:07 | 0:24:09 | |
BIRD SQUAWKS | 0:24:21 | 0:24:23 | |
DISTANT EXPLOSIONS | 0:24:40 | 0:24:41 | |
MEN CHATTER | 0:24:41 | 0:24:43 | |
Condolences, sir. | 0:24:57 | 0:24:59 | |
I beg your pardon, Foley? | 0:25:05 | 0:25:06 | |
Condolences, sir. | 0:25:08 | 0:25:10 | |
For your son. | 0:25:12 | 0:25:13 | |
ROLAND SOBS | 0:25:18 | 0:25:20 | |
Thank you. Thank you, Foley. | 0:25:24 | 0:25:26 | |
ROLAND SOBS | 0:25:30 | 0:25:32 | |
BUGLE CALL | 0:25:42 | 0:25:46 | |
FLORA: He loves you really. | 0:25:46 | 0:25:48 | |
-JIMMY: -He was horrible to me. | 0:25:48 | 0:25:50 | |
I hate him. | 0:25:50 | 0:25:52 | |
My brothers nailed my plait to a table once | 0:25:52 | 0:25:54 | |
and I said I hated them, but I didn't really. | 0:25:54 | 0:25:57 | |
HE SOBS | 0:25:57 | 0:25:59 | |
DOOR OPENS | 0:26:02 | 0:26:04 | |
HE SPITS | 0:26:12 | 0:26:13 | |
Traitor. | 0:26:13 | 0:26:14 | |
-Have you spoken to your staff? -Of course. | 0:26:19 | 0:26:21 | |
Well, you're going to have to speak to them again. | 0:26:21 | 0:26:24 | |
Thank you. | 0:26:24 | 0:26:26 | |
What's happened now? | 0:26:26 | 0:26:27 | |
There's something you should know. | 0:26:52 | 0:26:54 | |
At dawn this morning, Edith Cavell, | 0:26:54 | 0:26:57 | |
a British nurse serving with the Red Cross in German-occupied Belgium, | 0:26:57 | 0:27:01 | |
was executed by enemy firing squad. | 0:27:01 | 0:27:04 | |
RAGGED BREATHING | 0:27:08 | 0:27:10 | |
Um... Why? | 0:27:12 | 0:27:14 | |
Aiding the escape of Allied prisoners of war | 0:27:15 | 0:27:18 | |
from German territory. | 0:27:18 | 0:27:20 | |
Aiding escape. | 0:27:20 | 0:27:21 | |
Treason. | 0:27:23 | 0:27:24 | |
The same crime to which you have confessed. | 0:27:24 | 0:27:27 | |
An official ceremony will be held for Nurse Cavell | 0:27:29 | 0:27:32 | |
once Sister Livesey's hearing is concluded. | 0:27:32 | 0:27:35 | |
There is much here to test our spirit, | 0:27:37 | 0:27:40 | |
but we do not let it break us. | 0:27:40 | 0:27:43 | |
Resume duties. | 0:27:43 | 0:27:44 | |
Military Intelligence will be here soon. | 0:27:55 | 0:27:57 | |
I'm going to be court-martialled for treason, aren't I? | 0:28:00 | 0:28:03 | |
Where is he? | 0:28:14 | 0:28:15 | |
You must have discussed it, made plans. | 0:28:18 | 0:28:20 | |
I keep thinking about that poor nurse. | 0:28:22 | 0:28:25 | |
What must have been going through her mind. | 0:28:25 | 0:28:28 | |
She must have been terrified. All on her own. | 0:28:28 | 0:28:31 | |
Where is he? | 0:28:32 | 0:28:33 | |
He needs to be found. For your sake. | 0:28:36 | 0:28:39 | |
Why for my sake? | 0:28:40 | 0:28:42 | |
They may be lenient if he is found. | 0:28:42 | 0:28:44 | |
Do I need to remind you of the penalty you're facing? | 0:28:44 | 0:28:47 | |
No. | 0:28:48 | 0:28:49 | |
I remember quite clearly. | 0:28:50 | 0:28:53 | |
I could be shot. | 0:28:53 | 0:28:54 | |
Livesey, it is imperative that you are helpful. | 0:28:58 | 0:29:02 | |
-You need to think about... -Are you married? | 0:29:03 | 0:29:06 | |
-That has no relevance. -Colonel Purbright... | 0:29:09 | 0:29:12 | |
both of us know this isn't going to end well, so...humour me. | 0:29:12 | 0:29:17 | |
Are you married? | 0:29:21 | 0:29:22 | |
Naturally. | 0:29:29 | 0:29:31 | |
Do you love her? | 0:29:32 | 0:29:33 | |
Just humour me. | 0:29:36 | 0:29:37 | |
I am inordinately fond of my... | 0:29:42 | 0:29:43 | |
SHE LAUGHS HUMOURLESSLY | 0:29:43 | 0:29:46 | |
SHE SOBS | 0:29:47 | 0:29:49 | |
I feel so sorry for you. | 0:29:51 | 0:29:52 | |
I won't betray him. | 0:29:56 | 0:29:57 | |
I've got nothing more to say. | 0:30:01 | 0:30:02 | |
Private. | 0:30:07 | 0:30:08 | |
-Joan, just tell us where he is. -Wait. | 0:30:08 | 0:30:11 | |
I enjoyed working for you, sir. | 0:30:14 | 0:30:17 | |
You're a kind man. | 0:30:17 | 0:30:18 | |
Sorry for the trouble I've brought upon you. | 0:30:20 | 0:30:22 | |
DOOR CLOSES | 0:30:33 | 0:30:35 | |
PEOPLE CHATTER | 0:30:35 | 0:30:38 | |
Joan's not a spy. | 0:30:51 | 0:30:53 | |
She's just in love with the wrong man at the wrong time. | 0:30:53 | 0:30:56 | |
The machine doesn't care about who she loves. | 0:30:58 | 0:31:01 | |
Mitigating factors blur the edges. | 0:31:01 | 0:31:03 | |
There's got to be clear lines, them and us, | 0:31:03 | 0:31:05 | |
or there won't be a war at all. | 0:31:05 | 0:31:07 | |
You don't think she's a spy, though, do you? | 0:31:07 | 0:31:10 | |
Doesn't matter what I think. | 0:31:10 | 0:31:12 | |
Matters to me. | 0:31:12 | 0:31:13 | |
No. I don't think she's a spy. | 0:31:17 | 0:31:20 | |
But she's been caught. Examples must be made. | 0:31:20 | 0:31:23 | |
Keep the rest of us on our toes. | 0:31:23 | 0:31:26 | |
Like Colonel Brett? | 0:31:26 | 0:31:27 | |
He didn't even know anything. | 0:31:30 | 0:31:31 | |
It makes no odds. He facilitated. | 0:31:31 | 0:31:33 | |
He made it all possible, whether he knew it or not. | 0:31:33 | 0:31:36 | |
I'm glad I got to know you better. | 0:31:42 | 0:31:44 | |
You got my telegram, then, Sister. | 0:31:48 | 0:31:50 | |
I was worried you wouldn't get back in time. | 0:31:50 | 0:31:52 | |
The colonel's not fit to lead this place, he's not able. Mistakes. | 0:31:54 | 0:31:59 | |
Errors of judgment. | 0:31:59 | 0:32:01 | |
He should have chosen you as matron, not Grace Carter. | 0:32:01 | 0:32:05 | |
And a spy under his nose. | 0:32:05 | 0:32:07 | |
I've got his signature on everything. | 0:32:07 | 0:32:10 | |
Petrol orders. Passes. | 0:32:10 | 0:32:12 | |
He might as well have handed that motorbike | 0:32:12 | 0:32:14 | |
over to Fritz himself. | 0:32:14 | 0:32:16 | |
There you go, chummy, and willkommen. | 0:32:16 | 0:32:19 | |
And you can't prove anything without paperwork. | 0:32:19 | 0:32:22 | |
One word from you, Sister, that he's not able, | 0:32:23 | 0:32:26 | |
and you have doubts, he's gone. | 0:32:26 | 0:32:29 | |
Put your medal on and they'll be eating out your hand. | 0:32:32 | 0:32:35 | |
You should be running this whole shooting match. | 0:32:37 | 0:32:42 | |
The hospital or the war? | 0:32:42 | 0:32:45 | |
HE CHUCKLES | 0:32:45 | 0:32:47 | |
We talk the same language, you and me, Matron Quayle. | 0:32:47 | 0:32:50 | |
When Intelligence arrive, they're going to be discreet | 0:32:57 | 0:32:59 | |
when they take Joan away, aren't they? | 0:32:59 | 0:33:01 | |
Why should they be discreet when they can have an audience? | 0:33:03 | 0:33:06 | |
Sister Quayle and I are going to see Colonel Purbright now. | 0:33:09 | 0:33:13 | |
No-one doubts you, Roland. | 0:33:13 | 0:33:15 | |
Margaret, are you ready? | 0:34:12 | 0:34:16 | |
The Royal Red Cross. | 0:34:30 | 0:34:32 | |
Awarded to you, I believe, for distinguished service. | 0:34:34 | 0:34:37 | |
For a woman. DOOR OPENS | 0:34:37 | 0:34:38 | |
Mm. | 0:34:40 | 0:34:42 | |
-My apologies for being late. -Right. | 0:34:42 | 0:34:45 | |
Well, this is difficult, | 0:34:52 | 0:34:53 | |
concerning, as it does, whether Colonel Brett is appropriate | 0:34:53 | 0:34:56 | |
to command this hospital, in light of recent events. | 0:34:56 | 0:34:59 | |
There are crucial issues of security and discipline | 0:34:59 | 0:35:02 | |
and I must compel you both to be honest. | 0:35:02 | 0:35:04 | |
So, Sister Quayle, do you have any cause | 0:35:05 | 0:35:07 | |
to doubt the colonel's judgment on either of these matters? | 0:35:07 | 0:35:11 | |
Colonel Brett... | 0:35:14 | 0:35:16 | |
..is a man of unimpeachable integrity and honour, | 0:35:21 | 0:35:25 | |
his judgment and competence beyond reproach. | 0:35:25 | 0:35:29 | |
I wouldn't care to serve under anyone else. | 0:35:30 | 0:35:33 | |
Right. | 0:35:40 | 0:35:41 | |
DOOR OPENS AND CLOSES | 0:35:46 | 0:35:50 | |
You will be able to join in the hymns from your bed. | 0:35:50 | 0:35:53 | |
Those of you who are returning to Blighty... | 0:35:55 | 0:35:58 | |
..it is your God-given duty | 0:36:00 | 0:36:03 | |
to let any man at home who is not in uniform know | 0:36:03 | 0:36:08 | |
that he has no right to call himself a man. | 0:36:08 | 0:36:13 | |
FLORA: Are you sparkling? | 0:36:14 | 0:36:17 | |
-Yeah. -Good. | 0:36:17 | 0:36:18 | |
Because you can't sing hymns if you're grubby. | 0:36:18 | 0:36:21 | |
So, you get yourself out and dressed | 0:36:21 | 0:36:23 | |
and I'm going to get you some tea with extra sugar. | 0:36:23 | 0:36:26 | |
Nasty bastard, ain't I? | 0:36:43 | 0:36:45 | |
A bit. | 0:36:48 | 0:36:49 | |
I ain't ashamed of you, Jimmy. | 0:36:52 | 0:36:54 | |
I'm proud of you. | 0:36:56 | 0:36:58 | |
Mates again? | 0:37:00 | 0:37:01 | |
PETER LAUGHS | 0:37:03 | 0:37:04 | |
Show us your leg, then. | 0:37:04 | 0:37:06 | |
JIMMY GASPS IN PAIN Ooh. Hurts. Ow. | 0:37:06 | 0:37:08 | |
All right. | 0:37:08 | 0:37:10 | |
That was never going to be enough to get you home. | 0:37:10 | 0:37:13 | |
-It hurt a lot. -I bet. | 0:37:13 | 0:37:15 | |
Come on. | 0:37:16 | 0:37:18 | |
Who looks after you? | 0:37:23 | 0:37:25 | |
You do. | 0:37:25 | 0:37:26 | |
That's right. I'm going to look after you. | 0:37:26 | 0:37:29 | |
I'm going to do enough. | 0:37:31 | 0:37:34 | |
But it's going to really hurt. | 0:37:34 | 0:37:35 | |
What you going to do? | 0:37:36 | 0:37:38 | |
Get on the floor. On your side. | 0:37:43 | 0:37:45 | |
WATER SPLASHES | 0:37:49 | 0:37:51 | |
Put that round your shoulders, in your gob. | 0:37:56 | 0:37:59 | |
BONE SNAPS | 0:38:07 | 0:38:08 | |
MUFFLED SCREAMS | 0:38:08 | 0:38:11 | |
Brave boy. | 0:38:11 | 0:38:12 | |
JIMMY SCREAMS | 0:38:20 | 0:38:22 | |
PIANO MUSIC PLAYS | 0:38:59 | 0:39:01 | |
FIRE ROARS | 0:39:28 | 0:39:30 | |
BIRDS SQUAWK | 0:40:05 | 0:40:07 | |
Excuse me. | 0:40:08 | 0:40:10 | |
Hello? | 0:40:13 | 0:40:15 | |
Where are you going? | 0:40:16 | 0:40:18 | |
I can hear them calling. I have to go to them. | 0:40:20 | 0:40:22 | |
To who? | 0:40:22 | 0:40:24 | |
The men lost out there. | 0:40:24 | 0:40:27 | |
I have to go. I have to fetch them in. | 0:40:27 | 0:40:30 | |
What are you doing in this terrible place? | 0:40:32 | 0:40:35 | |
A lady shouldn't be in this terrible place. | 0:40:36 | 0:40:38 | |
Oh, but you see, it's all right. | 0:40:40 | 0:40:43 | |
I'm not a lady. I'm a nurse. | 0:40:43 | 0:40:46 | |
You must be cold. | 0:40:48 | 0:40:50 | |
How beautiful you are. | 0:40:55 | 0:40:57 | |
Beautiful eyes you have. | 0:40:58 | 0:41:00 | |
That's very kind. Shall we go, then? | 0:41:00 | 0:41:03 | |
I'll come with you. | 0:41:04 | 0:41:06 | |
INDISTINCT CONVERSATION | 0:41:19 | 0:41:21 | |
-KNOCK ON DOOR -Military Intelligence, open up. | 0:41:58 | 0:42:00 | |
PLANE FLIES OVERHEAD | 0:42:13 | 0:42:15 | |
CONGREGATION: Our Father, who art in heaven, hallowed be thy name. | 0:42:18 | 0:42:23 | |
Thy kingdom come. | 0:42:23 | 0:42:25 | |
Thy will be done on earth as it is in heaven. | 0:42:25 | 0:42:29 | |
Give us this day our daily bread, and forgive us our trespasses... | 0:42:29 | 0:42:33 | |
They want you in theatre. | 0:42:33 | 0:42:36 | |
I'm afraid your brother's had a bit of an accident. | 0:42:36 | 0:42:39 | |
Lead us not into temptation, but deliver us from evil. | 0:42:39 | 0:42:43 | |
I burned the newspaper. | 0:42:43 | 0:42:45 | |
The power and the glory... | 0:42:45 | 0:42:47 | |
My step-sister would have sent it to me deliberately | 0:42:47 | 0:42:50 | |
because she knows that I find... | 0:42:50 | 0:42:52 | |
that I found things like that rather shocking. | 0:42:52 | 0:42:56 | |
She likes to shock me. | 0:42:56 | 0:42:59 | |
But I burned it. I didn't show it to anyone else. | 0:42:59 | 0:43:02 | |
PIANO PLAYS | 0:43:02 | 0:43:04 | |
Thank you. | 0:43:04 | 0:43:06 | |
CONGREGATION: # Who would true valour see... # | 0:43:06 | 0:43:08 | |
You're right, of course. I did volunteer to escape. | 0:43:08 | 0:43:12 | |
# One here will constant be... # | 0:43:12 | 0:43:15 | |
So did I. | 0:43:15 | 0:43:17 | |
# Come wind, come weather | 0:43:17 | 0:43:20 | |
# There's no discouragement | 0:43:20 | 0:43:24 | |
# Shall make him once relent | 0:43:24 | 0:43:28 | |
# His first avowed intent | 0:43:28 | 0:43:32 | |
# To be a pilgrim... # | 0:43:32 | 0:43:35 | |
She has not helped me escape. | 0:43:58 | 0:44:00 | |
I'm not at large. I'm here. | 0:44:00 | 0:44:03 | |
SHE MOANS | 0:44:03 | 0:44:05 | |
No! No! | 0:44:05 | 0:44:07 | |
SHE SOBS | 0:44:12 | 0:44:14 | |
What are they doing to him? | 0:44:30 | 0:44:32 | |
You're hurt. | 0:44:42 | 0:44:43 | |
I fell over, it's...it's nothing. | 0:44:46 | 0:44:49 | |
What's happening? What are they doing to you? | 0:44:50 | 0:44:53 | |
Can I go and stand with her? | 0:44:53 | 0:44:55 | |
No, you bloody can't. | 0:44:55 | 0:44:57 | |
An arrangement has been offered. | 0:45:01 | 0:45:04 | |
You would go home. You would be monitored, but you would go home. | 0:45:04 | 0:45:08 | |
And you'd be spying for them? | 0:45:12 | 0:45:13 | |
That's the arrangement. | 0:45:15 | 0:45:16 | |
Do you think I'm going to let you agree to that? | 0:45:18 | 0:45:21 | |
Joan, I'm no longer an escaped prisoner. | 0:45:21 | 0:45:24 | |
You will not be shot, but you will go to prison. | 0:45:24 | 0:45:27 | |
Hard labour. For the duration, at least. | 0:45:27 | 0:45:30 | |
I really don't want you to go to prison. | 0:45:30 | 0:45:32 | |
If you get caught spying for them, they'll have you up against a wall. | 0:45:32 | 0:45:36 | |
And you would get caught... | 0:45:38 | 0:45:40 | |
..because you're a hopeless liar. | 0:45:42 | 0:45:43 | |
I don't care about prison. | 0:45:48 | 0:45:49 | |
I don't care if the duration is 20 years. | 0:45:51 | 0:45:53 | |
I want you to tell them no. | 0:45:53 | 0:45:55 | |
If you think anything of me at all, if you love me at all, | 0:45:57 | 0:46:00 | |
then you'll tell them no. | 0:46:00 | 0:46:01 | |
Then, liebchen... this is what I will tell them. | 0:46:06 | 0:46:12 | |
Are you going to marry me? | 0:46:15 | 0:46:17 | |
SHE LAUGHS | 0:46:17 | 0:46:18 | |
Yes. | 0:46:22 | 0:46:23 | |
THEY BOTH LAUGH | 0:46:23 | 0:46:25 | |
It's only the duration. | 0:46:30 | 0:46:32 | |
It can't last for ever. | 0:46:35 | 0:46:37 | |
Done them serious bloody damage. | 0:46:46 | 0:46:48 | |
She can disappear off, but the damage to our reputation stays | 0:46:50 | 0:46:54 | |
and we have to weather it. | 0:46:54 | 0:46:56 | |
All because of one bloody stupid woman. | 0:46:56 | 0:47:00 | |
Well, she had YOU on the ropes at one point. | 0:47:01 | 0:47:03 | |
And this attitude is your whole damn problem. You're soft. | 0:47:07 | 0:47:14 | |
Lucky for you that Sister Quayle wore her medal. | 0:47:14 | 0:47:17 | |
That sort of thing carries a lot of weight. | 0:47:17 | 0:47:19 | |
For Christ's sake, toughen up. | 0:47:21 | 0:47:24 | |
Stop trying to be a father to everyone. | 0:47:24 | 0:47:26 | |
-I, um... -HE CLEARS THROAT | 0:47:39 | 0:47:42 | |
I meant to ask before, but... didn't seem like the right time. | 0:47:42 | 0:47:46 | |
Which of your boys was it? | 0:47:47 | 0:47:50 | |
Freddie, the eldest. Alexander's still at school. | 0:47:50 | 0:47:55 | |
Does Hetty know? | 0:47:55 | 0:47:56 | |
I would imagine so, yes. | 0:47:58 | 0:48:00 | |
Hmm. Tough for the mothers. | 0:48:00 | 0:48:02 | |
But some comfort in knowing that it wasn't a wasted death. | 0:48:03 | 0:48:06 | |
It meant something. | 0:48:06 | 0:48:08 | |
-The nurse, Miss Cavell... -Yes, it went very hard for her. | 0:48:13 | 0:48:17 | |
Was there no diplomatic intervention? | 0:48:17 | 0:48:20 | |
The Americans tried, as Americans do. | 0:48:20 | 0:48:23 | |
Maybe now they'll finally see what we're up against. | 0:48:23 | 0:48:25 | |
But what about us? Was there nothing from us? | 0:48:25 | 0:48:27 | |
As I understand it, no-one wanted to make it any worse for her. | 0:48:29 | 0:48:33 | |
She was going to be shot! How the hell could it get any worse?! | 0:48:33 | 0:48:36 | |
Control yourself! | 0:48:36 | 0:48:38 | |
Let me give you my assessment of the situation. | 0:48:39 | 0:48:41 | |
-I think you should shut up. -We're going into a second winter | 0:48:41 | 0:48:44 | |
when we weren't supposed to have the first, and there's no end in sight. | 0:48:44 | 0:48:47 | |
But nothing gets the shoulder to the wheel like an executed nurse. | 0:48:47 | 0:48:51 | |
That'll reignite the fervour, | 0:48:51 | 0:48:53 | |
everyone behind the war effort, no matter what. | 0:48:53 | 0:48:56 | |
So, not a wasted death, then. | 0:48:56 | 0:48:59 | |
It meant something. | 0:49:00 | 0:49:02 | |
The shock of your recent bereavement | 0:49:05 | 0:49:06 | |
means that I will ignore that comment. | 0:49:06 | 0:49:08 | |
FOOTSTEPS APPROACH | 0:49:15 | 0:49:18 | |
Hm. | 0:49:42 | 0:49:43 | |
The Blighty ticket. | 0:49:52 | 0:49:55 | |
Of course I kept it. | 0:49:55 | 0:49:56 | |
Why would I get rid of something so invaluably damning? | 0:49:58 | 0:50:02 | |
And now I give it to you... | 0:50:07 | 0:50:09 | |
..as a lesson in the true value and meaning of loyalty. | 0:50:11 | 0:50:15 | |
Colonel Brett is very lucky to have you. | 0:50:19 | 0:50:21 | |
And you're very lucky to have me. | 0:50:23 | 0:50:25 | |
I meant what I said. I will not challenge you again. | 0:50:26 | 0:50:29 | |
I want my share when you sell it. | 0:50:50 | 0:50:52 | |
The Intelligence Officers. | 0:51:29 | 0:51:31 | |
You thought I was bringing them straight for you, didn't you? | 0:51:32 | 0:51:35 | |
Yes. | 0:51:37 | 0:51:38 | |
You actually believed I'd deliver you up and watch them drag you away? | 0:51:41 | 0:51:45 | |
Why would you think that? | 0:51:48 | 0:51:49 | |
You drive me mad, but... | 0:51:51 | 0:51:53 | |
..I'd never hurt you. | 0:51:55 | 0:51:56 | |
-I came here for a reason. -I know. You've said. It's understood. | 0:52:03 | 0:52:07 | |
No. It's not. But I want you to understand. | 0:52:07 | 0:52:11 | |
The reason I came is because in England, | 0:52:15 | 0:52:18 | |
I have a daughter who I'm not allowed to see. | 0:52:18 | 0:52:21 | |
Why not? | 0:52:27 | 0:52:28 | |
Because I made a terrible, terrible mess of things. | 0:52:30 | 0:52:34 | |
I really made such a mess. | 0:52:37 | 0:52:38 | |
What's she like? | 0:52:45 | 0:52:47 | |
Her name is Sylvie. | 0:52:53 | 0:52:55 | |
She's six. | 0:52:57 | 0:52:58 | |
She likes climbing trees. | 0:53:00 | 0:53:02 | |
She hates wearing shoes. | 0:53:04 | 0:53:06 | |
She wants a dragon for Christmas. | 0:53:07 | 0:53:09 | |
She's beautiful... | 0:53:14 | 0:53:15 | |
..and utterly fearless. | 0:53:18 | 0:53:20 | |
She really is such a fierce, spiky little thing. | 0:53:24 | 0:53:30 | |
Can't think where she would get that from. | 0:53:35 | 0:53:38 | |
SHE LAUGHS | 0:53:38 | 0:53:39 | |
DOOR OPENS | 0:53:45 | 0:53:47 | |
Meet me. The place you said before. In an hour. I'll be there. | 0:53:49 | 0:53:55 | |
I'll understand if you're not, but I'll be there. | 0:53:55 | 0:53:57 | |
He was born with a cord around his neck. | 0:54:07 | 0:54:09 | |
He shouldn't be on his own. | 0:54:12 | 0:54:14 | |
He's a lamb. I should never have left him. | 0:54:17 | 0:54:19 | |
Why did you? | 0:54:27 | 0:54:28 | |
Is it because people found out what you are? | 0:54:30 | 0:54:32 | |
What's the matter with you? | 0:54:34 | 0:54:36 | |
Is it because you're a girl that you think | 0:54:37 | 0:54:39 | |
everyone wants their life laid out? | 0:54:39 | 0:54:41 | |
They don't. | 0:54:41 | 0:54:43 | |
You know we're supposed to be 23? | 0:54:48 | 0:54:50 | |
-Mmm? -I'm not. | 0:54:50 | 0:54:53 | |
-I worked that out. -I'm nearly 19. | 0:54:53 | 0:54:56 | |
Well, if there can be boy soldiers, | 0:54:57 | 0:54:59 | |
I don't see why there can't be a girl nurse. | 0:54:59 | 0:55:01 | |
All I had to do was lock myself in my room for two days | 0:55:01 | 0:55:04 | |
and they all decided to lie for me. | 0:55:04 | 0:55:06 | |
Obviously I'm completely spoiled, but I do always use it for good. | 0:55:06 | 0:55:09 | |
It's my secret, so you know I'll keep yours. | 0:55:11 | 0:55:15 | |
You like men, but you do have to be careful. | 0:55:16 | 0:55:20 | |
Where's the fun in that? | 0:55:21 | 0:55:23 | |
For Christ's sake! | 0:55:44 | 0:55:46 | |
Put them in the trucks. | 0:55:49 | 0:55:51 | |
-ENGINE STARTS -Put them in the trucks! -In. | 0:55:51 | 0:55:54 | |
I thought I'd tidy them up for you. | 0:56:27 | 0:56:29 | |
Have we met? | 0:56:31 | 0:56:32 | |
No. | 0:56:35 | 0:56:37 | |
Are you sure? I feel certain I know you. | 0:56:38 | 0:56:41 | |
We're only just meeting now. | 0:56:43 | 0:56:45 | |
Parry. Greville. | 0:56:49 | 0:56:51 | |
Berwick. Rosalie. | 0:56:52 | 0:56:54 | |
HE PUFFS | 0:57:52 | 0:57:54 |