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# Well, I'm just outta school | 0:00:05 | 0:00:08 | |
# Like I'm real, real cool | 0:00:08 | 0:00:09 | |
# Gotta shake, gotta jive | 0:00:09 | 0:00:10 | |
# Got the message that I gotta be wild | 0:00:10 | 0:00:12 | |
-# I'm a wild one... # -Woo! | 0:00:12 | 0:00:14 | |
# Ooh, yeah, I'm a wild one | 0:00:14 | 0:00:15 | |
# Ooh, baby, gonna break loose | 0:00:16 | 0:00:18 | |
# I'm gonna keep 'em moving wild | 0:00:18 | 0:00:20 | |
# I'm gonna keep 'em shaking, baby | 0:00:20 | 0:00:21 | |
# I'm a real wild child | 0:00:21 | 0:00:23 | |
# I meet all the guys I'm gonna meet all the chicks | 0:00:23 | 0:00:25 | |
# A shiver and a shake... # | 0:00:25 | 0:00:27 | |
BICYCLE BELL RINGS | 0:00:27 | 0:00:29 | |
All right, guys, turn it down. | 0:00:30 | 0:00:33 | |
-ALL COMPLAIN -Turn it down. | 0:00:33 | 0:00:34 | |
ALL SPEAK INDISTINCTLY | 0:00:34 | 0:00:38 | |
MUSIC CONTINUES | 0:00:38 | 0:00:40 | |
And there we are. Isn't she lovely? | 0:01:25 | 0:01:28 | |
Oh, yes, sir, yes. Magnificent. | 0:01:28 | 0:01:30 | |
Oh, steady on, Blake. That's a bit strong, isn't it? | 0:01:30 | 0:01:33 | |
Keith! Didn't know you were an art critic. | 0:01:33 | 0:01:36 | |
I thought you were a chemist. | 0:01:36 | 0:01:38 | |
Ah, Patrick! | 0:01:40 | 0:01:42 | |
-Get it down. -The painting stays. | 0:01:42 | 0:01:44 | |
Too far this time, Blake. That is offensive. | 0:01:44 | 0:01:47 | |
-Oh, you don't like it? -Of course not. This is a gentlemen's club. | 0:01:47 | 0:01:50 | |
-And that's the problem. -Come on, be reasonable. | 0:01:50 | 0:01:52 | |
Oh, Keith! What's wrong? | 0:01:52 | 0:01:53 | |
Worried a scandal will derail your election to council? | 0:01:53 | 0:01:56 | |
You can't just walk into the club and do whatever you want. | 0:01:56 | 0:01:59 | |
Actually, I can. | 0:01:59 | 0:02:01 | |
I refer you to item six of the club's constitution, | 0:02:01 | 0:02:03 | |
under Rights and Privileges re club decoration. | 0:02:03 | 0:02:07 | |
I think he may be correct. | 0:02:07 | 0:02:09 | |
You never come to the club. | 0:02:09 | 0:02:10 | |
You clearly despise everything it stands for. Why do all this? | 0:02:10 | 0:02:14 | |
Because it's a beautiful painting. She's a very promising young artist. | 0:02:14 | 0:02:17 | |
This was painted by a woman? | 0:02:18 | 0:02:20 | |
Yes, a woman. | 0:02:20 | 0:02:23 | |
Just think... | 0:02:24 | 0:02:26 | |
you'll have to let THEM join one day. | 0:02:28 | 0:02:30 | |
Never bloody well happen while I'm alive. | 0:02:31 | 0:02:34 | |
INDISTINCT CHATTER | 0:03:13 | 0:03:15 | |
WOMAN SHOUTS INDISTINCTLY | 0:03:21 | 0:03:24 | |
ENGINE REVS | 0:03:36 | 0:03:38 | |
Lawson, what have we got? | 0:05:02 | 0:05:05 | |
-Parks? -Young woman, sir. | 0:05:05 | 0:05:08 | |
HE STRAINS | 0:05:08 | 0:05:10 | |
Heard about what happened at the club. | 0:05:12 | 0:05:14 | |
Can't help yourself, can you? | 0:05:16 | 0:05:18 | |
Turn her over for me, would you? | 0:05:28 | 0:05:30 | |
I'll need time of death, approximate. | 0:05:40 | 0:05:43 | |
Shouldn't take you too long. | 0:05:43 | 0:05:44 | |
I need to perform an autopsy. | 0:05:45 | 0:05:47 | |
She drowned. What more do you need? | 0:05:47 | 0:05:49 | |
Ann Fitzgerald. | 0:06:02 | 0:06:04 | |
-Age? -17. | 0:06:04 | 0:06:07 | |
How long at she been at the reformatory? | 0:06:08 | 0:06:11 | |
It's a reform school, Constable. Five years. | 0:06:11 | 0:06:14 | |
Any family? | 0:06:17 | 0:06:19 | |
Well, thanks, Miss Patterson. We'll be in touch. | 0:06:22 | 0:06:25 | |
Lawson said it was a drowning. Doesn't need the two of us, does it? | 0:06:28 | 0:06:31 | |
Ever tried to drown yourself, Gus? | 0:06:31 | 0:06:33 | |
Not recently. | 0:06:33 | 0:06:36 | |
Not easy in three feet of water. | 0:06:36 | 0:06:37 | |
You're all right if I stay, aren't you? | 0:06:40 | 0:06:41 | |
-Do I have a choice? -No, not really. | 0:06:41 | 0:06:44 | |
Let's have a look, eh? | 0:06:44 | 0:06:45 | |
Ah, substantial haematomas, both legs. | 0:06:48 | 0:06:52 | |
Possible broken tibia. | 0:06:54 | 0:06:55 | |
What were you doing floating in Lake Wendouree? | 0:07:01 | 0:07:03 | |
Haematomas to the neck, shoulders and upper chest. | 0:07:03 | 0:07:08 | |
I'm sorry about this. It's not very dignified, is it? | 0:07:10 | 0:07:13 | |
Would you not do that? | 0:07:13 | 0:07:15 | |
-What? -Talking to the body. | 0:07:15 | 0:07:17 | |
You should always talk to your patients, Gus. | 0:07:17 | 0:07:20 | |
Oh, Gus. | 0:07:25 | 0:07:27 | |
Look. Cuts to the right palm. Evidence of gravel. | 0:07:28 | 0:07:31 | |
And...just bear with me a second. | 0:07:31 | 0:07:35 | |
Now, look at that. | 0:07:39 | 0:07:41 | |
Fragments of glass. | 0:07:41 | 0:07:43 | |
What happened to you? | 0:07:50 | 0:07:52 | |
-I am sorry. -What? | 0:08:03 | 0:08:06 | |
I think she was pregnant. | 0:08:09 | 0:08:11 | |
-Poor kid. -Yes. | 0:08:13 | 0:08:15 | |
No fluid in the lungs. Significant internal damage. | 0:08:15 | 0:08:19 | |
Actual cause of death was penetration of the heart | 0:08:19 | 0:08:23 | |
-by one of the ribs. -So she didn't drown. | 0:08:23 | 0:08:24 | |
No. She was... She was run over. | 0:08:24 | 0:08:28 | |
Height of impact on the legs suggest whoever hit her | 0:08:29 | 0:08:32 | |
was accelerating at the time. | 0:08:32 | 0:08:34 | |
Which makes it deliberate. | 0:08:34 | 0:08:36 | |
Yes, if they saw her. Yes. | 0:08:36 | 0:08:38 | |
So how did she end up in the lake? | 0:08:38 | 0:08:40 | |
I have absolutely no idea. | 0:08:42 | 0:08:44 | |
-I understand your frustration, ma'am. -Phillip's spent a lot of money on that car. | 0:08:44 | 0:08:47 | |
Those idiots think they can take whatever they want. | 0:08:47 | 0:08:50 | |
-We don't know they took it, Mum. -Then who else was it? | 0:08:50 | 0:08:52 | |
-When did you last see the car? -Last night, outside the house. | 0:08:52 | 0:08:55 | |
-When did you notice it was gone? -This morning. | 0:08:55 | 0:08:57 | |
They race up and down Lydiard Street, they're rude | 0:08:57 | 0:08:59 | |
-and the way the girls dress... -Mum! | 0:08:59 | 0:09:01 | |
They're sluts, Phillip. There's no other word for it. | 0:09:01 | 0:09:03 | |
Mrs Morrisey. Problem here? | 0:09:03 | 0:09:05 | |
Phillip's car's been stolen. It's those tearaways parked outside the picture theatre all day. | 0:09:05 | 0:09:10 | |
-You saw them? -Well, who else would steal it? | 0:09:10 | 0:09:14 | |
-Parks, sort it out. -Yes, sir. | 0:09:14 | 0:09:17 | |
-Make and model. -It's a Standard Vanguard two tone. | 0:09:17 | 0:09:21 | |
Can I help you there? | 0:09:54 | 0:09:56 | |
Oh, sorry. I was... just cleaning up your desk. | 0:09:56 | 0:10:00 | |
Right. | 0:10:00 | 0:10:02 | |
You really don't need to hide all of these, you know. | 0:10:04 | 0:10:07 | |
There aren't many consolations in life, Jean. | 0:10:10 | 0:10:14 | |
Good whisky happens to be one of the few. | 0:10:14 | 0:10:16 | |
There's rather a lot of consolation here. | 0:10:16 | 0:10:19 | |
Perhaps I should take responsibility | 0:10:21 | 0:10:23 | |
for disposing of the empty bottles, eh? | 0:10:23 | 0:10:26 | |
Dinner's nearly ready. | 0:10:26 | 0:10:28 | |
Yes, look, I may have to skip that. I have a meeting down at the club. | 0:10:28 | 0:10:32 | |
Your father liked dinner on the table at half past five on the dot. | 0:10:34 | 0:10:38 | |
I'm not my father, Jean. | 0:10:38 | 0:10:39 | |
No. | 0:10:40 | 0:10:41 | |
DISTANT ROCK MUSIC PLAYS | 0:10:55 | 0:10:58 | |
Hard at work, are we? | 0:11:03 | 0:11:04 | |
You know, you almost look grown-up in that uniform. | 0:11:06 | 0:11:10 | |
Thank you. | 0:11:10 | 0:11:11 | |
-Is it a good book? -SHE SIGHS | 0:11:12 | 0:11:15 | |
Are you taking interest in literature? | 0:11:16 | 0:11:18 | |
That book's banned. | 0:11:18 | 0:11:19 | |
Well, you can have it when I'm finished with it. | 0:11:19 | 0:11:21 | |
-I could arrest you if I wanted to. -SHE SCOFFS | 0:11:21 | 0:11:24 | |
Well, you'll have to arrest the Doctor too, because it's his. | 0:11:24 | 0:11:27 | |
Something smells good! | 0:11:31 | 0:11:33 | |
Danny, you're just in time. | 0:11:33 | 0:11:34 | |
-Aunty Jean. -Did you have a good day? | 0:11:34 | 0:11:37 | |
Oh, spent the morning pulling a dead girl out of the lake. | 0:11:37 | 0:11:40 | |
Oh, how awful! | 0:11:40 | 0:11:42 | |
-She's from the bad girls' home. -The what? | 0:11:42 | 0:11:44 | |
You know, up on the highway. | 0:11:44 | 0:11:45 | |
I think you mean the reform school. No-one calls it the bad girls' home. | 0:11:45 | 0:11:49 | |
-I do. -Thank you. | 0:11:49 | 0:11:52 | |
OK, so if she's a bad girl, | 0:11:52 | 0:11:53 | |
does that mean that she deserves everything she gets? | 0:11:53 | 0:11:55 | |
No-one deserves to be in that place, I tell you. | 0:11:55 | 0:11:58 | |
If you're not bad going in, chances are you will be when you come out. | 0:11:58 | 0:12:01 | |
-I'll keep that in mind. -Oh, this from the boyfriend, how is he? | 0:12:01 | 0:12:04 | |
He's fine. He just got admitted to the Bar. | 0:12:04 | 0:12:06 | |
So? I do that every Saturday night. | 0:12:06 | 0:12:08 | |
-There's some mail for you. -I can tell. | 0:12:08 | 0:12:10 | |
Another letter from Singapore. | 0:12:10 | 0:12:11 | |
Thank you. | 0:12:15 | 0:12:17 | |
Are you eating? | 0:12:18 | 0:12:19 | |
HUBBUB | 0:12:21 | 0:12:24 | |
This is an extraordinary meeting of the disciplinary committee, Blake. | 0:12:24 | 0:12:28 | |
You weren't invited. | 0:12:28 | 0:12:29 | |
Well actually, as a member, I'm allowed to sit and observe, | 0:12:29 | 0:12:33 | |
especially in this case, as it concerns me. | 0:12:33 | 0:12:38 | |
In that case, I propose that club member Doctor Lucien Blake | 0:12:38 | 0:12:42 | |
be censured for bringing the club into disrepute. | 0:12:42 | 0:12:45 | |
Namely, for displaying an unauthorised article | 0:12:45 | 0:12:48 | |
on club property, and then refusing to remove it when asked to do so. | 0:12:48 | 0:12:53 | |
It WAS unauthorised. | 0:12:53 | 0:12:54 | |
All those in favour? | 0:12:54 | 0:12:56 | |
Carried. | 0:12:58 | 0:12:59 | |
Gentlemen. | 0:13:04 | 0:13:06 | |
Fellow members. | 0:13:07 | 0:13:09 | |
She goes back to the bar. | 0:13:09 | 0:13:12 | |
Thank you, Cec. | 0:13:12 | 0:13:13 | |
Drugs? | 0:13:51 | 0:13:53 | |
Yes, amphetamines of some kind. | 0:13:53 | 0:13:55 | |
There's a margin of error of course, it's a fairly primitive test. | 0:13:55 | 0:13:58 | |
Did you find any on her or in her clothing? | 0:13:58 | 0:14:00 | |
-No. -So that's the story then. | 0:14:00 | 0:14:03 | |
Amphetamines and cars. | 0:14:03 | 0:14:05 | |
There's still the fact that she was pregnant. | 0:14:07 | 0:14:09 | |
Oh, that's not what killed her. | 0:14:09 | 0:14:11 | |
We've given them warnings. Public nuisance, obstructing traffic. | 0:14:11 | 0:14:14 | |
This is a step up for these kids. | 0:14:14 | 0:14:16 | |
So what, you just pluck some suspects out of thin air | 0:14:16 | 0:14:19 | |
because you don't like their attitude? | 0:14:19 | 0:14:21 | |
Parks, who's the jacket? | 0:14:21 | 0:14:23 | |
Ricky Arnott, sir. | 0:14:23 | 0:14:24 | |
We went to school together. | 0:14:24 | 0:14:26 | |
-Tell him I want a word. -Yes, sir. | 0:14:27 | 0:14:29 | |
Hey, Parksy. Blue's a good look on you. | 0:14:38 | 0:14:41 | |
Bet the girls just wet themselves when you turn up. | 0:14:41 | 0:14:44 | |
You hit something, Ricky? | 0:14:44 | 0:14:45 | |
Hey, get away from the car. | 0:14:45 | 0:14:47 | |
-Are you bloody deaf or something? -What happened here? | 0:14:47 | 0:14:49 | |
-What's it to you? -Mate, just tell me what happened to the front of your car. | 0:14:49 | 0:14:53 | |
You're not my mate, you... | 0:14:53 | 0:14:55 | |
Stay still! Calm down. | 0:14:56 | 0:14:59 | |
My boss, he wants you down at the station. | 0:14:59 | 0:15:01 | |
He's interested in any cars with front end damage. | 0:15:01 | 0:15:03 | |
So either you come with me easy | 0:15:03 | 0:15:05 | |
or I'll drag you down there by your bloody ears! | 0:15:05 | 0:15:07 | |
Can I help you there, Doctor? | 0:15:12 | 0:15:14 | |
What's this? | 0:15:14 | 0:15:16 | |
That is cochineal. | 0:15:16 | 0:15:17 | |
Boiled insects. Perfect. | 0:15:17 | 0:15:19 | |
And that is our last box of sugar cubes. | 0:15:19 | 0:15:22 | |
I promise I'll bring some back. | 0:15:22 | 0:15:25 | |
-Mattie! -Mm-hm? | 0:15:25 | 0:15:27 | |
-Does the district nurse have a busy morning? -Not terribly. Why? | 0:15:27 | 0:15:30 | |
Mm, do you think she might accompany me on a little visit | 0:15:30 | 0:15:33 | |
to the reformatory? | 0:15:33 | 0:15:34 | |
I'll see if she is free. | 0:15:34 | 0:15:36 | |
-She's free. -Good. | 0:15:37 | 0:15:39 | |
Is your car actually working right now? | 0:15:39 | 0:15:42 | |
Today, yes. Tomorrow, who knows? | 0:15:42 | 0:15:44 | |
I think Jean's rather worried about you. | 0:16:02 | 0:16:05 | |
-Really? -Yes. | 0:16:05 | 0:16:07 | |
You don't look after yourself. And you know she does try. | 0:16:07 | 0:16:10 | |
I know. | 0:16:10 | 0:16:11 | |
Maybe I'm just not cut out to have a housekeeper. | 0:16:11 | 0:16:14 | |
Now, come on. Bad girls are waiting. | 0:16:14 | 0:16:16 | |
I thought that your father saw to the girls' polio boosters last year. | 0:16:17 | 0:16:21 | |
Yes, well, unfortunately, I think dear old Dad | 0:16:21 | 0:16:24 | |
may have let a few things slide toward the end. | 0:16:24 | 0:16:27 | |
I always thought he was very thorough. | 0:16:27 | 0:16:29 | |
Yes, he was. | 0:16:29 | 0:16:31 | |
How are the girls, Miss Patterson? | 0:16:33 | 0:16:35 | |
They're upset. We all are. You can see them in here. | 0:16:35 | 0:16:37 | |
Thank you. | 0:16:38 | 0:16:39 | |
Let me ask you, did you know Ann Fitzgerald? | 0:16:46 | 0:16:49 | |
OK. | 0:16:53 | 0:16:54 | |
Kathleen. | 0:16:57 | 0:16:59 | |
Did you know Ann Fitzgerald? | 0:17:01 | 0:17:03 | |
Oh. | 0:17:05 | 0:17:06 | |
Didn't fancy that, eh? | 0:17:06 | 0:17:08 | |
-Good. -Good. | 0:17:09 | 0:17:11 | |
There you go. | 0:17:11 | 0:17:12 | |
Josie, just while you're here, | 0:17:14 | 0:17:16 | |
can I ask you - did you know Ann Fitzgerald? | 0:17:16 | 0:17:18 | |
Yeah, I knew her. | 0:17:18 | 0:17:20 | |
Was she a friend of yours? | 0:17:21 | 0:17:23 | |
Oh, I am sorry. | 0:17:27 | 0:17:29 | |
It's not your fault. | 0:17:29 | 0:17:31 | |
Miss Patterson probably wants me back on kitchen duty. Can I go now? | 0:17:32 | 0:17:36 | |
Yes, of course you can. | 0:17:36 | 0:17:37 | |
Ann was pregnant when she died. | 0:17:39 | 0:17:41 | |
Do you know who the father might have been? | 0:17:44 | 0:17:46 | |
One of those boys who...parks down at the Regent Theatre, perhaps? | 0:17:49 | 0:17:53 | |
What do you think? | 0:17:53 | 0:17:55 | |
Ask Mr Morrisey. | 0:17:56 | 0:17:58 | |
She was a bright girl. It's a tragedy for the school. | 0:18:02 | 0:18:06 | |
Any problems teaching her? | 0:18:06 | 0:18:07 | |
Well, all of these girls have problems. | 0:18:07 | 0:18:10 | |
They're written off the moment they set foot in here. | 0:18:10 | 0:18:12 | |
And personally, I... | 0:18:12 | 0:18:15 | |
You know, I don't think that's fair. | 0:18:15 | 0:18:17 | |
But I was specifically asking you about Ann. | 0:18:17 | 0:18:20 | |
She was a good student. | 0:18:21 | 0:18:23 | |
Must be difficult, eh? | 0:18:25 | 0:18:27 | |
Why's that? | 0:18:27 | 0:18:29 | |
Well, hope you don't mind me saying, but you're a good-looking chap. | 0:18:29 | 0:18:32 | |
And these are young women. | 0:18:32 | 0:18:35 | |
I imagine things could get a bit tricky. | 0:18:35 | 0:18:38 | |
These girls develop crushes. It's fairly normal. | 0:18:40 | 0:18:45 | |
Did Ann have a crush on you, Phillip? | 0:18:45 | 0:18:47 | |
I really wouldn't know about that. | 0:18:49 | 0:18:50 | |
I...I simply tried to teach her as best as I could. | 0:18:51 | 0:18:55 | |
Are we done here, Doctor? | 0:18:57 | 0:18:58 | |
Yes. | 0:18:58 | 0:18:59 | |
Yes. Thank you for your time. | 0:19:01 | 0:19:03 | |
Mattie. | 0:19:04 | 0:19:05 | |
I didn't like Miss Patterson at all. | 0:19:11 | 0:19:13 | |
No. And what did you make of him? | 0:19:13 | 0:19:15 | |
Well, it's nice to hear someone defending those girls for a change. | 0:19:15 | 0:19:19 | |
Hang on a minute. If you were a bad girl here, | 0:19:19 | 0:19:22 | |
and he was teaching you... | 0:19:22 | 0:19:24 | |
Well, I'd probably have a crush on him too. | 0:19:24 | 0:19:27 | |
Oh, Mattie. Get in the car. | 0:19:27 | 0:19:29 | |
Ann Fitzgerald? Don't know her. | 0:19:36 | 0:19:38 | |
Really? | 0:19:38 | 0:19:40 | |
So you didn't talk to her the day before yesterday? | 0:19:41 | 0:19:44 | |
Nope. | 0:19:44 | 0:19:45 | |
Or the day before that, at approximately 10:15 | 0:19:45 | 0:19:49 | |
in the morning and then again at 4:50 later that afternoon? | 0:19:49 | 0:19:52 | |
I don't know what you're talking about. | 0:19:54 | 0:19:56 | |
-HE SIGHS -You're starting to try my patience. | 0:19:58 | 0:20:00 | |
That's your problem. | 0:20:00 | 0:20:02 | |
No, son. It's your problem. | 0:20:03 | 0:20:06 | |
Now if I were you, I'd start remembering | 0:20:06 | 0:20:08 | |
Ann Fitzgerald pretty bloody quickly. | 0:20:08 | 0:20:10 | |
-G'day, Doc. -Danny. | 0:20:12 | 0:20:15 | |
-What's she doing here? -Yeah, she's a bit of all right, isn't she? | 0:20:16 | 0:20:19 | |
She's more than all right, Danny. She's exquisite. | 0:20:20 | 0:20:23 | |
This is Tyneman's doing, isn't it? | 0:20:23 | 0:20:25 | |
Yeah, the boss wants her out of here. | 0:20:25 | 0:20:27 | |
Of course he does. Philistine. | 0:20:27 | 0:20:29 | |
I've just been up to the reformatory. | 0:20:29 | 0:20:31 | |
Seems Ann Fitzgerald had more than just a crush | 0:20:31 | 0:20:34 | |
on that science teacher, Morrisey. I think we should be talking to him. | 0:20:34 | 0:20:38 | |
Morrisey, he was in here yesterday. Someone stole his car. | 0:20:38 | 0:20:40 | |
Really? | 0:20:40 | 0:20:41 | |
Where's Lawson? | 0:20:41 | 0:20:44 | |
Ah, he's talking with Ricky Arnott. | 0:20:44 | 0:20:45 | |
The kid from outside the picture theatre? | 0:20:45 | 0:20:47 | |
Yeah. His car's out the front if you want to take a squiz. | 0:20:47 | 0:20:50 | |
There's some damage to the front. | 0:20:50 | 0:20:51 | |
Ah, he still thinks this is about the pills, does he? | 0:20:54 | 0:20:56 | |
Oh, maybe this will convince you. | 0:20:56 | 0:20:58 | |
We found them on Ricky when we brought him in. | 0:21:01 | 0:21:03 | |
Boss wants to know what they are. | 0:21:06 | 0:21:07 | |
Any idea? | 0:21:11 | 0:21:13 | |
What are you doing?! Are you insane? | 0:21:14 | 0:21:17 | |
Give me a minute. I'll tell you. | 0:21:21 | 0:21:23 | |
Don't go in there. Don't! Don't you go in there! | 0:21:25 | 0:21:28 | |
Please, Doc! | 0:21:28 | 0:21:29 | |
-My dear Lawson, I'm here to drum sense into you. -Sorry, sir. | 0:21:29 | 0:21:32 | |
There are two issues to this investigation | 0:21:32 | 0:21:34 | |
-and so far you've only thought of one of them. -Outside! | 0:21:34 | 0:21:36 | |
Well, look! | 0:21:36 | 0:21:38 | |
First of all, there's the issue of the running down of the girl, yes? | 0:21:38 | 0:21:41 | |
And then there's the question of the... | 0:21:41 | 0:21:44 | |
-What is it? -Are you talking about pills? | 0:21:44 | 0:21:45 | |
Yes! Amphetamines, to be precise. | 0:21:45 | 0:21:47 | |
I'm sorry to be pedantic but accuracy is important. | 0:21:47 | 0:21:49 | |
You mention anything about this, you'll be dialling numbers out your quoit for weeks! | 0:21:49 | 0:21:53 | |
-Lawson, this is important! -Outside! | 0:21:53 | 0:21:55 | |
What the bloody hell do you think you're doing? | 0:21:57 | 0:21:59 | |
Alpha-methylpehenethylamine. | 0:21:59 | 0:22:01 | |
Trade name Benzedrine, bennies, depending on how hip you are. | 0:22:01 | 0:22:03 | |
-I know what they're called. -Well, I've conducted an analysis. -That was quick. | 0:22:03 | 0:22:07 | |
Yes, well, increased blood flow, feelings of euphoria. | 0:22:07 | 0:22:10 | |
Tendency to indulge in high-risk behaviour | 0:22:10 | 0:22:12 | |
with overwhelming sense of invincibility. | 0:22:12 | 0:22:14 | |
-Definitely amphetamines. -Marvellous. -Yes. But it leads us to this point. | 0:22:14 | 0:22:18 | |
What is the point? | 0:22:18 | 0:22:19 | |
Ann Fitzgerald. Yes, amphetamines. | 0:22:19 | 0:22:21 | |
Are the two issues linked? | 0:22:21 | 0:22:23 | |
Which leads us to this question - who is the father? | 0:22:23 | 0:22:26 | |
Possibly Phillip Morrisey. | 0:22:26 | 0:22:27 | |
-Huh? -I've pushed him as far as I felt was appropriate on that, | 0:22:27 | 0:22:30 | |
but short of tackling the man to the ground | 0:22:30 | 0:22:32 | |
-and forcibly getting blood... -Go home! | 0:22:32 | 0:22:34 | |
And take that bloody painting with you. | 0:22:34 | 0:22:36 | |
There's something else going on here, Lawson. | 0:22:36 | 0:22:38 | |
Something we're missing. | 0:22:38 | 0:22:40 | |
Home! | 0:22:40 | 0:22:41 | |
Oh, seize the day, Lawson. | 0:22:41 | 0:22:43 | |
Seize it with both hands! | 0:22:43 | 0:22:44 | |
What are you smiling at? | 0:22:45 | 0:22:47 | |
Ah! I surrender. | 0:22:50 | 0:22:53 | |
If you can't appreciate the wonder of that painting, | 0:22:53 | 0:22:55 | |
there's no hope for you, and that's speaking as a doctor. | 0:22:55 | 0:22:58 | |
Your father would have hated it. | 0:22:58 | 0:23:00 | |
Well, neither of us can speak for dear old Dad, so let's not try, eh? | 0:23:00 | 0:23:03 | |
Nakedness, Patrick! | 0:23:03 | 0:23:04 | |
She was gloriously naked and you couldn't bear it. | 0:23:04 | 0:23:06 | |
Grow up, Blake. I couldn't give a damn what she was wearing. | 0:23:06 | 0:23:09 | |
As long as you're authorised, | 0:23:09 | 0:23:11 | |
you can put your arse up there for all I care. | 0:23:11 | 0:23:13 | |
That's exactly the hypocrisy I'm talking about. | 0:23:13 | 0:23:15 | |
Oh, don't you ever get tired of always making a mess? | 0:23:15 | 0:23:19 | |
Oh, I'm so sorry, Mrs Clasby. He seems to have been delayed. | 0:23:23 | 0:23:27 | |
Oh, that's perfectly all right. | 0:23:27 | 0:23:29 | |
I can't imagine Lucien is the easiest person to work for. | 0:23:29 | 0:23:33 | |
Would you like a magazine? | 0:23:33 | 0:23:36 | |
Oh, thank you. That'd be lovely. | 0:23:36 | 0:23:38 | |
He is very kind, though, despite what he's been through. | 0:23:38 | 0:23:42 | |
He was such a lovely boy. | 0:23:43 | 0:23:45 | |
I don't think his father knew what to do with him. | 0:23:45 | 0:23:48 | |
I just think he needs looking after. | 0:23:48 | 0:23:51 | |
Would you like a cup of tea? | 0:23:53 | 0:23:54 | |
Oh, that'd be lovely. Thank you. | 0:23:54 | 0:23:57 | |
I keep expecting old Doctor Blake to walk in through the door. | 0:23:58 | 0:24:01 | |
Ah, we can but dream. | 0:24:01 | 0:24:03 | |
Sorry, Dad. | 0:24:29 | 0:24:30 | |
Lucien, where have you been? | 0:24:34 | 0:24:36 | |
Nell Clasby's been sitting in there since four o'clock. | 0:24:36 | 0:24:38 | |
HE CLEARS THROAT Nell, forgive me. | 0:24:40 | 0:24:43 | |
I am so sorry to have kept you waiting. | 0:24:43 | 0:24:45 | |
That's perfectly all right. Jean looked after me. | 0:24:45 | 0:24:48 | |
-Come on through. -Oh! | 0:24:48 | 0:24:50 | |
How are you feeling, Nell? | 0:24:56 | 0:24:57 | |
Not the best. | 0:24:57 | 0:24:59 | |
Your new prescription - it doesn't seem to be agreeing with me. | 0:24:59 | 0:25:02 | |
-Did you bring the pills in with you? -Yes. | 0:25:02 | 0:25:04 | |
But I'm sure I'll pick up. | 0:25:04 | 0:25:06 | |
Well, perhaps you should leave the diagnosis to me. | 0:25:06 | 0:25:09 | |
Are you looking after yourself? | 0:25:11 | 0:25:12 | |
Of course I am. | 0:25:12 | 0:25:14 | |
Always rushing around looking after everybody else. | 0:25:15 | 0:25:18 | |
And I worry sometimes. | 0:25:19 | 0:25:21 | |
Nell, honestly, I'm fine. | 0:25:21 | 0:25:23 | |
It's lovely having you back in town. | 0:25:25 | 0:25:27 | |
And your mum would have been so thrilled. | 0:25:27 | 0:25:30 | |
Parks. | 0:25:40 | 0:25:41 | |
Yes, sir? | 0:25:49 | 0:25:50 | |
Any idea what happened back there? | 0:25:50 | 0:25:53 | |
With the Doc? No, sir. | 0:25:53 | 0:25:56 | |
None at all? | 0:25:57 | 0:25:58 | |
No. | 0:26:01 | 0:26:03 | |
He's an interesting man, Blake. | 0:26:06 | 0:26:08 | |
But that war really made a mess of him. | 0:26:11 | 0:26:13 | |
He's taken you under his wing, hasn't he? | 0:26:20 | 0:26:22 | |
Er... I suppose, sir. | 0:26:22 | 0:26:24 | |
Bit of advice, Parks. | 0:26:24 | 0:26:27 | |
It's not your job to save him from himself. | 0:26:27 | 0:26:29 | |
Your loyalty's to the force, Constable. Don't you forget it. | 0:26:37 | 0:26:40 | |
Yes, sir. | 0:26:42 | 0:26:43 | |
Breakfast. | 0:28:40 | 0:28:42 | |
Mate. | 0:28:48 | 0:28:49 | |
-Quickly. -You gotta help me. | 0:28:50 | 0:28:53 | |
-I didn't kill that girl. -The boss thinks you did. | 0:28:55 | 0:28:59 | |
Thinks you ran her down and you dumped her body in the lake. | 0:28:59 | 0:29:02 | |
He's going to set me up for it, is he? | 0:29:02 | 0:29:04 | |
Not if you tell us the truth, he won't. | 0:29:04 | 0:29:06 | |
Danny, you know me. I wouldn't do anything like this. | 0:29:06 | 0:29:11 | |
What about your headlight? | 0:29:11 | 0:29:12 | |
I ran into a fencepost. I can show you if you want. | 0:29:12 | 0:29:15 | |
How do you know Ann? | 0:29:17 | 0:29:19 | |
I tried to crack onto her a few times, but... | 0:29:19 | 0:29:21 | |
Yeah, and come on, Ricky. I need more than this, mate. | 0:29:21 | 0:29:24 | |
And she sold us bennies. | 0:29:24 | 0:29:26 | |
-Where did she get them from? -I don't bloody know, mate. | 0:29:26 | 0:29:29 | |
Well, why wouldn't you have told us this in the first place? | 0:29:29 | 0:29:31 | |
I didn't touch her. I swear. | 0:29:31 | 0:29:35 | |
I can't see him killing anyone. | 0:29:48 | 0:29:50 | |
Well, Lawson seems to think he did it. | 0:29:50 | 0:29:53 | |
He just bought bennies from the girl. That's all. | 0:29:53 | 0:29:55 | |
And where did she get them from? | 0:29:55 | 0:29:57 | |
No idea. | 0:29:57 | 0:29:59 | |
You know, Danny, you should tell Lawson. | 0:29:59 | 0:30:02 | |
He's not going to like it. | 0:30:02 | 0:30:04 | |
He's a smart man, your boss. | 0:30:04 | 0:30:06 | |
You don't want to get into the habit of going behind his back. | 0:30:06 | 0:30:09 | |
Oh, well, you do. | 0:30:09 | 0:30:11 | |
Yes, well, he wouldn't expect anything else from me. | 0:30:11 | 0:30:13 | |
You don't think it's got anything to do with the pills, do you? | 0:30:13 | 0:30:17 | |
I don't know. It'd be good to have another look at them. | 0:30:18 | 0:30:21 | |
Yeah, well, you swallowed the only ones we had. | 0:30:21 | 0:30:23 | |
Yes. | 0:30:25 | 0:30:27 | |
Do you mind? | 0:31:45 | 0:31:47 | |
Lucien. | 0:31:49 | 0:31:50 | |
I'm sorry. | 0:31:54 | 0:31:55 | |
Yeah, you're a real hero, Danny. | 0:32:19 | 0:32:21 | |
Hey, I stuck my neck out for you. | 0:32:21 | 0:32:23 | |
Yeah, thanks. I owe you one. | 0:32:23 | 0:32:25 | |
Yeah, well, don't let me see you here again. All right? | 0:32:25 | 0:32:28 | |
Sure. | 0:32:28 | 0:32:30 | |
And get that headlight fixed! | 0:32:30 | 0:32:32 | |
ENGINE STARTS | 0:32:33 | 0:32:35 | |
ENGINE REVS | 0:32:40 | 0:32:43 | |
ROCK MUSIC PLAYS | 0:32:48 | 0:32:50 | |
Excuse me. How are you all? | 0:33:02 | 0:33:05 | |
A friend of mine would like to buy some bennies. | 0:33:06 | 0:33:09 | |
-Know where I could buy some? -You're bloody kidding me, right? | 0:33:09 | 0:33:12 | |
-No. -You're not a copper, are you? | 0:33:12 | 0:33:13 | |
No, I'm not a copper. | 0:33:13 | 0:33:15 | |
Then what were you doing at the station? | 0:33:15 | 0:33:17 | |
I'm a doctor. | 0:33:17 | 0:33:18 | |
And I'm ex-army which means I know more about amphetamines | 0:33:18 | 0:33:21 | |
than you kids ever will. | 0:33:21 | 0:33:22 | |
Now look, I spent two months, two months straight | 0:33:22 | 0:33:26 | |
under fire day and night on the Malay Peninsula. | 0:33:26 | 0:33:29 | |
How do you think we stayed awake? | 0:33:29 | 0:33:31 | |
By the time Singapore finally fell, I'd been awake for three days. | 0:33:32 | 0:33:35 | |
You could say I developed a taste for them. | 0:33:35 | 0:33:37 | |
You blokes were off your heads the whole war? | 0:33:37 | 0:33:39 | |
Until the Japs took us prisoner. | 0:33:39 | 0:33:41 | |
Now, are you selling? | 0:33:41 | 0:33:43 | |
Ten bob. Meet me in the lane in five. | 0:33:49 | 0:33:52 | |
Done. | 0:33:52 | 0:33:54 | |
That true what you were saying about the war? | 0:34:17 | 0:34:20 | |
Absolutely. | 0:34:20 | 0:34:22 | |
This is where you'd meet Ann Fitzgerald and do your business? | 0:34:22 | 0:34:24 | |
Mate, I thought you said you weren't a copper. | 0:34:24 | 0:34:27 | |
What am I looking for? | 0:35:14 | 0:35:16 | |
You see that pill has a groove down the centre, | 0:35:16 | 0:35:20 | |
and there's a little nick, | 0:35:20 | 0:35:22 | |
about a third of the way along the groove there? | 0:35:22 | 0:35:24 | |
Yes. | 0:35:24 | 0:35:25 | |
That's caused by a slight imperfection in the pressing mould. | 0:35:25 | 0:35:29 | |
So every pill that comes from that press will have that same nick. | 0:35:29 | 0:35:32 | |
Now... | 0:35:32 | 0:35:34 | |
tell me what you see there. | 0:35:34 | 0:35:38 | |
-It's a different colour. -Mm-mm. | 0:35:38 | 0:35:41 | |
-But exactly the same imperfection. -Yes. | 0:35:41 | 0:35:43 | |
Now, that pink one, that's one of Nell Clasby's blood pressure pills. | 0:35:43 | 0:35:48 | |
-And the white one? -The white's one a bennie. | 0:35:48 | 0:35:49 | |
I bought it from Ricky in the laneway behind the theatre. | 0:35:49 | 0:35:52 | |
-You did what? -I know, it's a long story. | 0:35:52 | 0:35:54 | |
But look, the thing is... those nicks are like a signature. | 0:35:54 | 0:35:58 | |
So they're going to be on every pill that came out of that press? | 0:35:58 | 0:36:01 | |
Exactly. And who supplied Nell's blood pressure medication? | 0:36:01 | 0:36:05 | |
Keith Morrisey? | 0:36:05 | 0:36:07 | |
Keith Morrisey. | 0:36:07 | 0:36:08 | |
I have no idea. Honestly, I have no idea. | 0:36:08 | 0:36:11 | |
-HE SIGHS -You've seen these pills. | 0:36:11 | 0:36:13 | |
Yes, I have. | 0:36:13 | 0:36:15 | |
And? | 0:36:15 | 0:36:16 | |
There's no question they were made on the same press. | 0:36:16 | 0:36:18 | |
-How does that happen? -I don't know. | 0:36:18 | 0:36:21 | |
-Mr Morrisey... -I don't, I have no idea. | 0:36:21 | 0:36:23 | |
It's a nice little earner, isn't it? | 0:36:23 | 0:36:25 | |
Selling amphetamines to idiots. | 0:36:25 | 0:36:26 | |
God, no. | 0:36:26 | 0:36:28 | |
These pills were made on your press. | 0:36:28 | 0:36:30 | |
And you're saying the science is beyond you? | 0:36:30 | 0:36:33 | |
Anyone with a basic knowledge of science can do this. | 0:36:33 | 0:36:35 | |
Keith, who else has access to your pill press? | 0:36:35 | 0:36:38 | |
Well, this is just bloody marvellous, isn't it? | 0:36:46 | 0:36:48 | |
A science teacher who uses his lab | 0:36:48 | 0:36:50 | |
and his father's pill press to make bennies. | 0:36:50 | 0:36:52 | |
Quite the little operation going there, didn't you? | 0:36:52 | 0:36:56 | |
You know what makes me really angry? | 0:36:56 | 0:36:58 | |
You got one of your students to sell your pills for you. | 0:36:58 | 0:37:00 | |
You get her pregnant, very inconvenient. | 0:37:00 | 0:37:02 | |
You run her down and you dump her body in the lake. | 0:37:02 | 0:37:04 | |
No. I made the pills, but... | 0:37:04 | 0:37:07 | |
..I didn't kill Ann. | 0:37:09 | 0:37:10 | |
We're going to find your car. | 0:37:11 | 0:37:13 | |
If there's the smallest bit of evidence linking her to it, | 0:37:14 | 0:37:18 | |
I'm charging you with murder. | 0:37:18 | 0:37:20 | |
Lucien, what is going on here? Where's Phillip? | 0:37:29 | 0:37:32 | |
Right now he's being interviewed about manufacturing amphetamines. | 0:37:32 | 0:37:35 | |
I want to speak to Superintendent Lawson. | 0:37:35 | 0:37:37 | |
Did you know he was having a relationship with one of his students? | 0:37:37 | 0:37:41 | |
It's impossible. | 0:37:41 | 0:37:43 | |
Really? | 0:37:43 | 0:37:45 | |
She was pregnant. | 0:37:45 | 0:37:47 | |
Someone ran her down and dumped her body in the lake. | 0:37:47 | 0:37:49 | |
You're not suggesting that Phillip would do something like that? | 0:37:51 | 0:37:54 | |
Did he ever talk about her? | 0:37:57 | 0:37:59 | |
He talked about his students all the time. | 0:37:59 | 0:38:02 | |
Specifically, did he talk about Ann Fitzgerald? | 0:38:02 | 0:38:04 | |
No. Absolutely not. | 0:38:04 | 0:38:06 | |
Doc, you might want to have a look at this. | 0:38:06 | 0:38:09 | |
Excuse me, Rosemary. | 0:38:11 | 0:38:13 | |
Lucien, you tell the Superintendent | 0:38:13 | 0:38:15 | |
I am not leaving here until this is cleared up. | 0:38:15 | 0:38:17 | |
It was dumped out near Castlemaine. | 0:38:25 | 0:38:27 | |
It's Morrisey's car. | 0:38:27 | 0:38:29 | |
Right. | 0:38:29 | 0:38:30 | |
Dumped, you say? | 0:38:32 | 0:38:34 | |
Is this blood? | 0:38:37 | 0:38:39 | |
Yes. | 0:38:44 | 0:38:45 | |
Danny, hop in there for me, would you? | 0:38:45 | 0:38:47 | |
-In here? -Yes, please. | 0:38:47 | 0:38:49 | |
Oh, it's tight! | 0:38:50 | 0:38:53 | |
I'm going to have to move the seat back. | 0:38:53 | 0:38:55 | |
No, no, don't adjust anything. | 0:38:55 | 0:38:57 | |
Try to, um...look in the rear vision mirror there for me. | 0:38:57 | 0:39:01 | |
Right. | 0:39:04 | 0:39:06 | |
Whoever last drove this car, Danny, | 0:39:06 | 0:39:08 | |
how tall would you say they were? | 0:39:08 | 0:39:11 | |
Oh, he would have been a real short arse. | 0:39:11 | 0:39:13 | |
You really think he did this? | 0:39:18 | 0:39:20 | |
You were the one babbling on about Phillip Morrisey yesterday. | 0:39:20 | 0:39:23 | |
BLAKE SIGHS | 0:39:23 | 0:39:26 | |
Yes, I was, wasn't I? | 0:39:26 | 0:39:28 | |
You know it's almost bloody impossible for me to work out | 0:39:28 | 0:39:31 | |
when I should take you seriously. | 0:39:31 | 0:39:32 | |
He's not confessing, is he? | 0:39:32 | 0:39:34 | |
Give him time. | 0:39:34 | 0:39:35 | |
And he reported his car stolen, didn't he? | 0:39:37 | 0:39:40 | |
12 hours after Ann Fitzgerald died. | 0:39:40 | 0:39:42 | |
Her blood was all over the backseat of the car, for Christ's sake. | 0:39:42 | 0:39:45 | |
Yes. Yes, it probably is her blood, | 0:39:47 | 0:39:51 | |
but I don't believe he was the last person to drive that car. | 0:39:51 | 0:39:54 | |
Can you give me any logical reason | 0:39:54 | 0:39:56 | |
why you doubt that Phillip Morrisey didn't kill that girl? | 0:39:56 | 0:39:59 | |
You're never satisfied, are you? | 0:40:01 | 0:40:03 | |
Seems I have a fair bit to catch up on in the old town. | 0:40:10 | 0:40:14 | |
What can you tell me about the Morriseys? | 0:40:14 | 0:40:16 | |
They're...nice. | 0:40:17 | 0:40:19 | |
Jean... | 0:40:20 | 0:40:22 | |
I'm about to make some pretty wild accusations about that family | 0:40:22 | 0:40:25 | |
and if I'm wrong, I may well be run out of this town | 0:40:25 | 0:40:28 | |
wearing nothing more than tar and feathers. | 0:40:28 | 0:40:30 | |
So nice doesn't really help me. | 0:40:30 | 0:40:32 | |
Keith's boorish. | 0:40:32 | 0:40:34 | |
-You don't like him? -I don't respect him. | 0:40:34 | 0:40:36 | |
Phillip seems decent enough, though I don't know where he gets that from. | 0:40:36 | 0:40:40 | |
What about Rosemary? | 0:40:41 | 0:40:43 | |
When she married Keith, there were two chemists on Lydiard Street. | 0:40:43 | 0:40:46 | |
Morrisey's was the smaller shop. | 0:40:46 | 0:40:48 | |
She went to war against them. | 0:40:48 | 0:40:49 | |
They were bankrupt within two years. | 0:40:49 | 0:40:52 | |
Really? How did she manage that? | 0:40:52 | 0:40:53 | |
Oh, she ostracised the wife, spread stories about the children. | 0:40:53 | 0:40:57 | |
She claimed the husband propositioned her. | 0:40:57 | 0:40:59 | |
-And people believed it? -Oh, the men did. | 0:40:59 | 0:41:01 | |
They seem to like her. | 0:41:01 | 0:41:03 | |
Yes. | 0:41:05 | 0:41:06 | |
Thank you, Jean. | 0:41:07 | 0:41:09 | |
My father brought me here for my 19th birthday. | 0:41:15 | 0:41:18 | |
And we sat in silence over brown Windsor soup. | 0:41:18 | 0:41:21 | |
-Ma'am. -How was it? | 0:41:21 | 0:41:23 | |
It was very brown. Thank you, Cec. | 0:41:23 | 0:41:26 | |
Where's your infamous painting? | 0:41:26 | 0:41:28 | |
Oh. | 0:41:28 | 0:41:29 | |
It wasn't appreciated here. | 0:41:29 | 0:41:31 | |
I'll have to find her a new home. | 0:41:31 | 0:41:34 | |
I imagine Keith must be feeling rather out of sorts right now. | 0:41:38 | 0:41:42 | |
Running for council on a law and order platform. | 0:41:42 | 0:41:45 | |
Phillip finding himself in so much trouble. | 0:41:45 | 0:41:47 | |
We'll rise above it. | 0:41:48 | 0:41:50 | |
Yes, I'm sure you will. | 0:41:51 | 0:41:53 | |
Despite everything else that Phillip's done, | 0:41:53 | 0:41:56 | |
there's no way that he killed that awful little slut. | 0:41:56 | 0:41:59 | |
SHE CHUCKLES | 0:41:59 | 0:42:00 | |
Right. | 0:42:01 | 0:42:02 | |
Well, it was someone else. | 0:42:02 | 0:42:05 | |
Who? | 0:42:07 | 0:42:08 | |
Oh, someone who believes her social standing in the town | 0:42:09 | 0:42:13 | |
is more important than the life of a young girl from a reform school. | 0:42:13 | 0:42:17 | |
Someone who could steal her son's car | 0:42:17 | 0:42:19 | |
because she could easily get her hands on the keys. | 0:42:19 | 0:42:22 | |
Someone who lied to me | 0:42:22 | 0:42:25 | |
when they said they had no idea this girl even existed. | 0:42:25 | 0:42:28 | |
You pathetic little man. | 0:42:28 | 0:42:30 | |
How did you arrange to meet Ann? | 0:42:30 | 0:42:31 | |
Were you planning on killing her from the start? | 0:42:31 | 0:42:33 | |
You really believe I did all that? | 0:42:35 | 0:42:37 | |
Well, arrest me then. | 0:42:40 | 0:42:42 | |
I'm a doctor, not a policeman. | 0:42:42 | 0:42:44 | |
And that tells me everything. | 0:42:45 | 0:42:47 | |
You have no proof. | 0:42:48 | 0:42:49 | |
You come back to this town with nothing. | 0:42:50 | 0:42:53 | |
Everything you have is your father's. | 0:42:54 | 0:42:57 | |
His practice, his house, his housekeeper. | 0:42:57 | 0:43:03 | |
And don't forget his car. | 0:43:03 | 0:43:04 | |
Weak, drunk... | 0:43:05 | 0:43:08 | |
..and self-righteous. | 0:43:09 | 0:43:11 | |
You have nothing. | 0:43:12 | 0:43:14 | |
-There's another one. -Thank you, Mattie. | 0:44:12 | 0:44:14 | |
-He wrote her a lot of love letters. -Mm! | 0:44:14 | 0:44:17 | |
Well, I am in no hurry to wade through Lake Wendouree again. | 0:44:17 | 0:44:21 | |
I can tell you. What have we got? | 0:44:21 | 0:44:22 | |
Well, we can't make out many of the words, but they're all love letters from him. | 0:44:22 | 0:44:26 | |
They say things like "Darling Ann", "sweet girl", that sort of thing. | 0:44:26 | 0:44:29 | |
And there's his signatures, there and there. | 0:44:29 | 0:44:31 | |
Yes. | 0:44:31 | 0:44:33 | |
"Love always, Phillip." | 0:44:33 | 0:44:35 | |
-And lovely handwriting. -Except... | 0:44:36 | 0:44:38 | |
..this one here. | 0:44:38 | 0:44:39 | |
This is the only one that's been typed. | 0:44:39 | 0:44:42 | |
Phillip, I, um... | 0:44:51 | 0:44:53 | |
I found Ann's bag in the lake. | 0:44:55 | 0:44:58 | |
She'd packed a change of clothes. | 0:44:58 | 0:45:00 | |
I think she was going somewhere. | 0:45:02 | 0:45:05 | |
I also found...quite a few of the letters you'd written her. | 0:45:10 | 0:45:15 | |
I mean, they're not in great condition now, obviously, | 0:45:15 | 0:45:20 | |
but you can still make out bits and pieces. | 0:45:20 | 0:45:24 | |
"Darling Ann", | 0:45:24 | 0:45:26 | |
"sweet girl". | 0:45:26 | 0:45:29 | |
I'm sure she loved you. | 0:45:31 | 0:45:33 | |
And I think you loved her. | 0:45:35 | 0:45:38 | |
Phillip, tell me about these letters. | 0:45:41 | 0:45:43 | |
We couldn't be together, so... | 0:45:46 | 0:45:48 | |
..I wrote to her. | 0:45:50 | 0:45:52 | |
And your letters were always handwritten. | 0:45:53 | 0:45:56 | |
Yeah. | 0:45:56 | 0:45:59 | |
Then why is this one typed? | 0:46:01 | 0:46:04 | |
I mean, it's barely legible, | 0:46:08 | 0:46:11 | |
but you can make out a few things, like "Bakery Lane", | 0:46:11 | 0:46:15 | |
and down the bottom here, "From Phillip". | 0:46:15 | 0:46:18 | |
That's not from me. | 0:46:18 | 0:46:20 | |
Who else knew Ann was pregnant? | 0:46:20 | 0:46:22 | |
I mean, certainly her friend Josie at the reform school didn't know. | 0:46:23 | 0:46:29 | |
No. Um... | 0:46:29 | 0:46:31 | |
Ann didn't tell anyone. | 0:46:31 | 0:46:33 | |
But you did, didn't you? | 0:46:35 | 0:46:38 | |
Phillip, did you tell your mother? | 0:46:43 | 0:46:45 | |
-Lawson. -Where's your wife, Keith? | 0:46:52 | 0:46:55 | |
I don't know, but you've got to find her. | 0:46:55 | 0:46:57 | |
-What happened? -She came home beside herself. | 0:46:57 | 0:46:59 | |
I tried to find out what was wrong but she started screaming | 0:46:59 | 0:47:01 | |
and saying it was all my fault. | 0:47:01 | 0:47:03 | |
-Where do you think she might have gone? -I don't know. | 0:47:03 | 0:47:05 | |
-I know she's in a dreadful state. -Mrs Morrisey! | 0:47:05 | 0:47:07 | |
Please find her. | 0:47:07 | 0:47:09 | |
SOBBING | 0:47:15 | 0:47:17 | |
Rosemary. | 0:47:27 | 0:47:29 | |
I found the bag. And the letters. | 0:47:38 | 0:47:41 | |
Go away. | 0:47:43 | 0:47:45 | |
Rosemary, it's over. | 0:47:50 | 0:47:52 | |
Keith and Phillip need me. | 0:47:54 | 0:47:56 | |
They won't survive without me. | 0:47:56 | 0:48:00 | |
Please... | 0:48:00 | 0:48:01 | |
SHE SOBS | 0:48:01 | 0:48:03 | |
Come here. | 0:48:07 | 0:48:09 | |
We should go. | 0:48:19 | 0:48:21 | |
Phillip told me he was in trouble. The girl was pregnant. | 0:48:31 | 0:48:37 | |
He declared his undying love. | 0:48:39 | 0:48:41 | |
That sort of nonsense. | 0:48:42 | 0:48:44 | |
Of course, he was going to do the right thing by her. | 0:48:44 | 0:48:47 | |
He's...he's so... | 0:48:50 | 0:48:54 | |
idealistic. | 0:48:54 | 0:48:56 | |
We had a huge row, | 0:48:59 | 0:49:02 | |
and he just wouldn't see sense. | 0:49:02 | 0:49:06 | |
You sent her a letter pretending it was from your son. | 0:49:06 | 0:49:09 | |
Well, I had to do something. | 0:49:09 | 0:49:11 | |
If he wasn't capable of seeing where this would lead, | 0:49:12 | 0:49:15 | |
I thought that she might. | 0:49:15 | 0:49:17 | |
You took Phillip's car. | 0:49:18 | 0:49:20 | |
Well, she would never have agreed to meet if she knew it was me. | 0:49:20 | 0:49:24 | |
What happened in the lane? | 0:49:31 | 0:49:33 | |
I... | 0:49:35 | 0:49:37 | |
I offered her money to go away. | 0:49:37 | 0:49:41 | |
Start a new life somewhere else. | 0:49:43 | 0:49:46 | |
But she wouldn't take it. | 0:49:47 | 0:49:49 | |
Perhaps I... | 0:49:53 | 0:49:55 | |
I should have been more generous. | 0:49:55 | 0:49:57 | |
Perhaps Ann wasn't for sale, Rosemary. | 0:49:58 | 0:50:01 | |
She told me that she loved Phillip, that she'd go anywhere with him, | 0:50:03 | 0:50:08 | |
as long as they were together. | 0:50:08 | 0:50:10 | |
Imagine that little slut, talking to me, about love! | 0:50:13 | 0:50:19 | |
He's my son. | 0:50:26 | 0:50:28 | |
And she was going to ruin him. | 0:50:31 | 0:50:33 | |
I just couldn't let that happen. | 0:50:38 | 0:50:40 | |
There we are. | 0:51:06 | 0:51:08 | |
I think she's lovely. | 0:51:08 | 0:51:11 | |
I like the colours and the way the light falls on her. | 0:51:11 | 0:51:14 | |
-Yes. -But she's a little bit dominating. | 0:51:14 | 0:51:17 | |
Really? | 0:51:17 | 0:51:19 | |
-Yeah, colours are good. -Yes, I thought you'd like the colours(!) | 0:51:19 | 0:51:22 | |
No, she brings a little light to an otherwise dark world. | 0:51:22 | 0:51:26 | |
-What do you think, Jean? -Oh, I think she's gorgeous. | 0:51:26 | 0:51:29 | |
That's why I've contacted the curator of the gallery. | 0:51:29 | 0:51:31 | |
He'll pick her up tomorrow. | 0:51:31 | 0:51:33 | |
I mean, she's far too lovely to be hidden away here. | 0:51:35 | 0:51:38 | |
You're giving her to the gallery? | 0:51:38 | 0:51:40 | |
I've gifted her. | 0:51:40 | 0:51:42 | |
I mean, she deserves to be seen by lots of people, don't you think? | 0:51:42 | 0:51:45 | |
My mum used to paint. | 0:51:52 | 0:51:54 | |
Perhaps we could mount a little plaque alongside her in Mum's memory. | 0:51:55 | 0:52:01 | |
What do you think? | 0:52:01 | 0:52:02 | |
Do you think she'd approve? | 0:52:02 | 0:52:04 | |
Oh, she would have loved it. | 0:52:04 | 0:52:06 |