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I understand your concern | 0:00:06 | 0:00:08 | |
but I think you'll find her blood pressure will stabilise | 0:00:08 | 0:00:10 | |
over the next 24 hours... | 0:00:10 | 0:00:12 | |
..given the correct course of antibiotics. | 0:00:14 | 0:00:16 | |
We will, of course, continue to monitor her condition. | 0:00:16 | 0:00:21 | |
Do shut up. | 0:00:22 | 0:00:24 | |
DOOR OPENS AND CLOSES | 0:00:29 | 0:00:32 | |
SHE CHUCKLES | 0:00:34 | 0:00:35 | |
-Are you sure? -Yeah. | 0:00:37 | 0:00:38 | |
-Are you sure? -Yeah, why not? | 0:00:38 | 0:00:40 | |
-What are you doing? -I slipped. | 0:00:44 | 0:00:46 | |
-Help me up. -Come on. | 0:00:46 | 0:00:48 | |
There's something on the floor. | 0:00:50 | 0:00:52 | |
SHE SCREAMS | 0:01:04 | 0:01:07 | |
A doctor and a nurse found him. | 0:01:59 | 0:02:02 | |
Right. | 0:02:02 | 0:02:03 | |
What were they doing down here? | 0:02:03 | 0:02:05 | |
HE CLEARS THROAT | 0:02:05 | 0:02:07 | |
No. | 0:02:08 | 0:02:09 | |
-Really, here? -Mm-hm. | 0:02:09 | 0:02:12 | |
We've taken statements. | 0:02:12 | 0:02:14 | |
Well...wound to the back of the head. | 0:02:14 | 0:02:19 | |
Looks like he fell here obviously. Might explain the blood, eh? | 0:02:19 | 0:02:22 | |
Or it was slippery. | 0:02:22 | 0:02:23 | |
Yes, maybe. | 0:02:24 | 0:02:26 | |
Excuse me, who are you? | 0:02:28 | 0:02:31 | |
Hugh Stevens, sir. I'm the new assistant. | 0:02:31 | 0:02:33 | |
-Where's Ron? -Ron doesn't work here any more. | 0:02:33 | 0:02:37 | |
-Why not? -I do now. | 0:02:37 | 0:02:39 | |
I'll leave you to it. | 0:02:40 | 0:02:42 | |
Right, well, I'm Dr Lucien Blake. | 0:02:46 | 0:02:49 | |
Let's get him up on the table, shall we? | 0:02:49 | 0:02:51 | |
Well, how do we do that? | 0:02:52 | 0:02:54 | |
You'll be taking his legs. | 0:02:55 | 0:02:57 | |
Right. We ready, Hugh? | 0:03:04 | 0:03:07 | |
I guess so. | 0:03:07 | 0:03:09 | |
Good. | 0:03:09 | 0:03:10 | |
Now I'm going to ask you to hand me the bone saw. | 0:03:10 | 0:03:13 | |
You're going to cut him open? | 0:03:13 | 0:03:15 | |
No, I thought I might tear him apart with my teeth. | 0:03:15 | 0:03:18 | |
You do know what a bone saw looks like, yes? | 0:03:18 | 0:03:20 | |
-I can't find it. -It's a saw. | 0:03:25 | 0:03:27 | |
It's not here. | 0:03:27 | 0:03:28 | |
-Any other saws there? -No. | 0:03:28 | 0:03:30 | |
You sure you're looking in the right place, Hugh? | 0:03:30 | 0:03:33 | |
This is where the tools go. T-They're not here. | 0:03:33 | 0:03:36 | |
-Nothing at all? -Nothing. | 0:03:36 | 0:03:38 | |
No saws? No clamps? | 0:03:38 | 0:03:40 | |
No. | 0:03:40 | 0:03:41 | |
You're new to all this, aren't you? | 0:03:44 | 0:03:45 | |
Hugh? | 0:03:47 | 0:03:48 | |
What's wrong? | 0:03:48 | 0:03:50 | |
I just never thought I'd have to watch Uncle Bert being cut open. | 0:03:50 | 0:03:53 | |
That's all. | 0:03:53 | 0:03:54 | |
Apparently, Bert sacked Ron Jackson a couple of days ago. | 0:03:56 | 0:03:59 | |
We know. | 0:03:59 | 0:04:01 | |
Hugh wasn't sure but I can't imagine | 0:04:01 | 0:04:03 | |
-Ron would have been too happy about that. -He wasn't. | 0:04:03 | 0:04:06 | |
Parks has been asking questions. | 0:04:06 | 0:04:08 | |
People heard him threaten to come back and kill Bert. | 0:04:08 | 0:04:11 | |
Well, I'm guessing he came back and took the autopsy instruments too. | 0:04:11 | 0:04:16 | |
-Well, most of them. -Most? | 0:04:16 | 0:04:18 | |
It's a long story. Do you think it's worth... | 0:04:18 | 0:04:21 | |
Dragging Ron Jackson into the station? | 0:04:21 | 0:04:23 | |
-Yes. -Hobart's been to his place. | 0:04:23 | 0:04:25 | |
-There's no-one there. -You've been busy. | 0:04:25 | 0:04:28 | |
Oh, you don't know the half of it. | 0:04:28 | 0:04:30 | |
Really? Do tell. | 0:04:30 | 0:04:32 | |
The brass are coming in from all over the place for Anzac Day. | 0:04:32 | 0:04:35 | |
The Army's on my back. | 0:04:35 | 0:04:36 | |
Two soldiers have buggered off from the base | 0:04:36 | 0:04:38 | |
down in South Australia. | 0:04:38 | 0:04:39 | |
Official bloody Secrecy Act. | 0:04:39 | 0:04:41 | |
Happy times. I'll perform that autopsy tomorrow | 0:04:41 | 0:04:44 | |
-with my own instruments. -Right. | 0:04:44 | 0:04:47 | |
Oh, Doc. | 0:04:47 | 0:04:49 | |
You know Mattie, she went on a date with Ron Jackson. | 0:04:49 | 0:04:53 | |
Danny, you're not to tease her about this. | 0:04:53 | 0:04:56 | |
No, no, no, no, of course not. No, this is a serious matter. | 0:04:56 | 0:04:59 | |
No, well, it is. He might have murdered someone. | 0:04:59 | 0:05:03 | |
Oh, Mr Bradley. Would you mind? | 0:05:14 | 0:05:17 | |
HE CLEARS THROAT | 0:05:35 | 0:05:37 | |
Yes, look, I know you have my best interests at heart, Cec, | 0:05:42 | 0:05:46 | |
but I am perfectly comfortable right here. | 0:05:46 | 0:05:49 | |
Oh, I understand, sir. | 0:05:49 | 0:05:50 | |
But I do believe that you'll find the new armchair in the club bar | 0:05:50 | 0:05:54 | |
just as accommodating. | 0:05:54 | 0:05:57 | |
Why don't you throw caution to the wind and try calling me Lucien? | 0:05:57 | 0:06:00 | |
After all, we've only known each other since I was five. | 0:06:00 | 0:06:04 | |
Of course, sir. | 0:06:04 | 0:06:05 | |
Now, about that armchair. | 0:06:07 | 0:06:10 | |
I accept defeat. Where is this bloody chair? | 0:06:10 | 0:06:12 | |
This way, sir. | 0:06:12 | 0:06:13 | |
How's that knee of yours, by the way? | 0:06:15 | 0:06:17 | |
Oh, much improved, sir. And thank you for this. | 0:06:17 | 0:06:20 | |
I needed to clear the reading room for Anzac Day. | 0:06:20 | 0:06:23 | |
There's some army people in town. | 0:06:23 | 0:06:25 | |
Of course. Anything else I have to give up? | 0:06:25 | 0:06:27 | |
-A few personal liberties, perhaps? -Controversial, sir. | 0:06:27 | 0:06:30 | |
Not at all. We should give up our armchairs | 0:06:30 | 0:06:33 | |
whenever the powers that be ask us to. | 0:06:33 | 0:06:35 | |
Are you totally sure about Ron? | 0:06:40 | 0:06:42 | |
It doesn't look good for him. Why, what's he like? | 0:06:42 | 0:06:45 | |
He insisted on telling me about boxing. | 0:06:45 | 0:06:49 | |
Boxing? | 0:06:49 | 0:06:50 | |
It was all he talked about. | 0:06:50 | 0:06:53 | |
But he seemed like a gentleman, unlike you. | 0:06:53 | 0:06:56 | |
So does your bloke in Melbourne | 0:06:56 | 0:06:58 | |
know that you're out dancing with a murder suspect? | 0:06:58 | 0:07:00 | |
Which proves my point. | 0:07:00 | 0:07:02 | |
Oh, sorry, a patient left a message for you yesterday. | 0:07:02 | 0:07:05 | |
A Sally Clements. I left a number on your desk. | 0:07:05 | 0:07:08 | |
-Told her you'd call her back. -Right, very good. | 0:07:08 | 0:07:11 | |
Oh, Jean, just while I think of it, | 0:07:11 | 0:07:12 | |
don't suppose you've seen a saw, have you? About... | 0:07:12 | 0:07:15 | |
-Oh, about... -Do you mean this one? | 0:07:15 | 0:07:18 | |
Yes, you used it to carve the roast a couple of days ago. | 0:07:18 | 0:07:21 | |
Oh, I knew I'd used it for something. Thank you. | 0:07:21 | 0:07:24 | |
DOOR BELL RINGS | 0:07:25 | 0:07:28 | |
Is she still going for that job at the Royal Cross Hotel? | 0:07:38 | 0:07:42 | |
Well, I'm sure that's a matter for her. | 0:07:42 | 0:07:44 | |
Oops. | 0:07:47 | 0:07:49 | |
-Will you be here for lunch today? -Um, not sure. | 0:07:55 | 0:08:00 | |
Performing an autopsy this morning - Bert Prentice. | 0:08:00 | 0:08:03 | |
-Oh. -You knew him? | 0:08:03 | 0:08:05 | |
Oh, yes, know the family. Lots of stories about the Prentices. | 0:08:05 | 0:08:10 | |
What kind of stories? | 0:08:10 | 0:08:11 | |
-The kind of stories about people who work in morgues. -Oh. | 0:08:11 | 0:08:14 | |
I thought he was a nice man. Shy. | 0:08:14 | 0:08:17 | |
Um, I have an interview this afternoon | 0:08:19 | 0:08:22 | |
for that new position at the Royal Cross. | 0:08:22 | 0:08:26 | |
Unless you need something? | 0:08:26 | 0:08:28 | |
I don't think so, no. That should be fine. | 0:08:29 | 0:08:32 | |
Yes, a blow to the back of the head. Quite a deep cut. | 0:08:38 | 0:08:43 | |
'Some surface veins severed. | 0:08:44 | 0:08:47 | |
'Extensive blood loss.' | 0:08:47 | 0:08:48 | |
'The indentation matches the edge of an iron stool in there.' | 0:08:50 | 0:08:55 | |
'Skin and blood under the nails, as yet unidentified.' | 0:08:58 | 0:09:01 | |
'Supports the hypothesis that someone else was present.' | 0:09:03 | 0:09:06 | |
The cause of death? | 0:09:07 | 0:09:10 | |
A single well-directed blow to the windpipe, crushing it instantly. | 0:09:10 | 0:09:14 | |
'A blow delivered, I'd say, with a closed fist.' | 0:09:17 | 0:09:20 | |
And I'd suggest left-handed, judging by the angle of impact. | 0:09:20 | 0:09:25 | |
One punch? | 0:09:27 | 0:09:28 | |
Well, this is not your usual barney after a break and enter. | 0:09:28 | 0:09:32 | |
I mean, this was a very, very particular blow. | 0:09:32 | 0:09:35 | |
Ron Jackson. | 0:09:39 | 0:09:41 | |
Mattie said he's a keen boxer. | 0:09:41 | 0:09:43 | |
Keen? | 0:09:43 | 0:09:45 | |
Bloody regional champion. | 0:09:45 | 0:09:47 | |
No-one's laid a glove on him. | 0:09:47 | 0:09:48 | |
-Any sign of him? -Not yet. | 0:09:50 | 0:09:52 | |
Parks is searching old Bert Prentice's place | 0:09:52 | 0:09:54 | |
for any other evidence linked to Jackson. | 0:09:54 | 0:09:57 | |
Well, I might warn your men. | 0:09:57 | 0:10:00 | |
If this is the work of Ron Jackson, he's dangerous. | 0:10:00 | 0:10:03 | |
"Laughs and Lovelies." | 0:10:28 | 0:10:30 | |
DOOR OPENS | 0:10:52 | 0:10:54 | |
FOOTSTEPS | 0:10:58 | 0:11:01 | |
CUTLERY RATTLES IN KITCHEN | 0:11:01 | 0:11:03 | |
Police! Hey... | 0:11:16 | 0:11:18 | |
Ah! | 0:11:19 | 0:11:21 | |
Hey! Stay where you are! | 0:11:21 | 0:11:23 | |
Hey! | 0:11:23 | 0:11:25 | |
Stop, you bloody idiot! | 0:11:27 | 0:11:29 | |
McRae? Gordon McRae? | 0:11:33 | 0:11:35 | |
-Yes? -Sally Clements left another message for you. | 0:11:49 | 0:11:52 | |
And? | 0:11:52 | 0:11:53 | |
She's wondering whether you prescribe medicine over the phone. | 0:11:53 | 0:11:56 | |
-'Course I don't. -Yes, well, I told her that. | 0:11:56 | 0:11:58 | |
Now you get her to make an appointment. | 0:11:58 | 0:11:59 | |
-I told her that too. -Or I can make a house call. | 0:11:59 | 0:12:02 | |
It's not rocket science. | 0:12:02 | 0:12:03 | |
-Anything else? -I don't think so. | 0:12:03 | 0:12:05 | |
Right, well I'll call her back. | 0:12:05 | 0:12:07 | |
PHONE RINGS | 0:12:07 | 0:12:09 | |
Oh, honestly. | 0:12:09 | 0:12:10 | |
Tell her I examine patients first, then I prescribe, | 0:12:10 | 0:12:14 | |
not the other way around. It's ridic... | 0:12:14 | 0:12:16 | |
-What now? -Superintendent Lawson for you. | 0:12:17 | 0:12:20 | |
Yes? | 0:12:25 | 0:12:27 | |
-Gordon McRae. -I didn't do anything. | 0:12:31 | 0:12:34 | |
Break and enter. Assault. | 0:12:37 | 0:12:39 | |
-Resist arrest. -That copper came at me! | 0:12:39 | 0:12:42 | |
I was minding my own business. | 0:12:43 | 0:12:45 | |
At Bert Prentice's house? | 0:12:45 | 0:12:47 | |
Argh! | 0:12:47 | 0:12:49 | |
Ah, tender, eh? | 0:12:49 | 0:12:51 | |
But otherwise all right. | 0:12:51 | 0:12:53 | |
-He's given you quite a tap. -Oh, come on. | 0:12:53 | 0:12:55 | |
-Don't you start. -I didn't say anything. | 0:12:55 | 0:12:57 | |
I just wouldn't have let the bloke get a swing at me, that's all. | 0:12:57 | 0:13:00 | |
-Yeah. Yeah, yeah. -Who is this bloke? | 0:13:00 | 0:13:03 | |
Small-time crim. You know, a bit of black market, | 0:13:03 | 0:13:06 | |
the usual stolen stuff. | 0:13:06 | 0:13:07 | |
McRae's had it in for Bert for years. | 0:13:07 | 0:13:10 | |
Assault with intent. Assault with weapon. | 0:13:11 | 0:13:14 | |
Property damage. Property damage again. | 0:13:14 | 0:13:16 | |
All this against Bert Prentice. | 0:13:16 | 0:13:18 | |
You must really hate the bloke. | 0:13:20 | 0:13:22 | |
Don't have to answer that. | 0:13:22 | 0:13:23 | |
Well, you'd better start thinking of some answers, Gordon. | 0:13:23 | 0:13:27 | |
What were you doing at Bert's house? | 0:13:27 | 0:13:29 | |
Having a beer. | 0:13:29 | 0:13:30 | |
With your old mate Bert, is that right? | 0:13:32 | 0:13:34 | |
If we went to the hospital, do you think we could find someone | 0:13:36 | 0:13:38 | |
who saw you there last night? | 0:13:38 | 0:13:40 | |
What were you doing at the hospital? | 0:13:44 | 0:13:47 | |
I never said I was there. | 0:13:47 | 0:13:49 | |
You didn't have to. | 0:13:49 | 0:13:51 | |
Any sign of Ron Jackson yet? | 0:13:51 | 0:13:53 | |
No. I guess that makes things a little less cut and dried. | 0:13:53 | 0:13:56 | |
Maybe. | 0:13:56 | 0:13:57 | |
McRae can stew in the interview room for a while. | 0:13:57 | 0:13:59 | |
We're still looking for Ron Jackson. | 0:13:59 | 0:14:01 | |
Hmm. You thought about contacting some of the regional hospitals? | 0:14:01 | 0:14:04 | |
You think he's been going around murdering mortuary assistants? | 0:14:04 | 0:14:07 | |
No. Just selling autopsy instruments. That's where I'd go. | 0:14:07 | 0:14:11 | |
Bendigo, Geelong, Shepparton. Call them. | 0:14:13 | 0:14:15 | |
-Right. -And you can go home. | 0:14:15 | 0:14:16 | |
-I've got enough on my plate. -Boss. | 0:14:16 | 0:14:18 | |
Oh, never stops. Go home. | 0:14:23 | 0:14:25 | |
Major Alderton, Matthew Lawson. | 0:14:36 | 0:14:38 | |
-Sergeant Robert Hannam. -Very nice to meet you. | 0:14:38 | 0:14:41 | |
Now, Canberra's briefed you? | 0:14:41 | 0:14:43 | |
Oh, we've received a description of the two deserters. | 0:14:43 | 0:14:45 | |
Just one now but the same conditions apply. | 0:14:45 | 0:14:49 | |
The station's resources are at your disposal. | 0:14:49 | 0:14:51 | |
-Thank you very much. -Not quite. | 0:14:51 | 0:14:54 | |
Not me. | 0:14:54 | 0:14:55 | |
Well, you just said we're all at his disposal. I'm certainly not. | 0:14:56 | 0:15:00 | |
For Christ's sake, Blake... | 0:15:00 | 0:15:01 | |
You employ this man, Superintendent? | 0:15:01 | 0:15:04 | |
Uh... | 0:15:04 | 0:15:05 | |
Well, then my opinion of your station | 0:15:05 | 0:15:08 | |
has just taken a dramatic improvement. | 0:15:08 | 0:15:11 | |
I don't see you for years | 0:15:11 | 0:15:14 | |
and suddenly you appear out of nowhere. | 0:15:14 | 0:15:16 | |
It's my town, Derek. What's your excuse? | 0:15:16 | 0:15:18 | |
Oh, official business and all that. | 0:15:18 | 0:15:21 | |
But if you're free later, there WILL be whisky. | 0:15:21 | 0:15:24 | |
-Love it. -Excellent. | 0:15:24 | 0:15:25 | |
Give your telephone number and address to the Sergeant here. | 0:15:25 | 0:15:28 | |
Come on through to the office. | 0:15:28 | 0:15:30 | |
I'll see you later, Lucien. | 0:15:33 | 0:15:35 | |
Certainly. | 0:15:35 | 0:15:37 | |
TYPEWRITER KEYS CLICK | 0:15:37 | 0:15:40 | |
Doctor. | 0:15:45 | 0:15:47 | |
Sally Clements. She called earlier. | 0:15:47 | 0:15:50 | |
Yes, of course. | 0:15:51 | 0:15:53 | |
Mrs Clements, come on through. | 0:15:53 | 0:15:56 | |
Nice to meet you. | 0:15:57 | 0:15:58 | |
-And these lesions? -Sores. | 0:15:59 | 0:16:02 | |
Yes, sores. You've had them around your mouth? | 0:16:03 | 0:16:07 | |
And inside. And in my throat. | 0:16:07 | 0:16:11 | |
-And now they're gone? -Yeah. | 0:16:11 | 0:16:13 | |
And the, uh, the bleeding from the gums? | 0:16:15 | 0:16:17 | |
Well, it came on at the same time. | 0:16:17 | 0:16:20 | |
And that's cleared up too? | 0:16:20 | 0:16:22 | |
For now. | 0:16:22 | 0:16:24 | |
I see. | 0:16:25 | 0:16:27 | |
Well, may I, um...? I'll help you down. | 0:16:27 | 0:16:32 | |
May I, um, suggest we run some blood tests? | 0:16:32 | 0:16:37 | |
No. I just... | 0:16:37 | 0:16:40 | |
I just need something for it and I'll go home. | 0:16:40 | 0:16:43 | |
I can't prescribe medicine if I don't know what you've got. | 0:16:43 | 0:16:47 | |
Please, Doctor. | 0:16:47 | 0:16:48 | |
I'm not even sure you're sick. | 0:16:49 | 0:16:51 | |
I am. | 0:16:51 | 0:16:53 | |
Look, these symptoms you speak of, | 0:16:55 | 0:16:58 | |
it could be any number of complaints and right now, | 0:16:58 | 0:17:00 | |
you don't have any of them. | 0:17:00 | 0:17:02 | |
They're real. | 0:17:02 | 0:17:03 | |
Lesions leave marks. And as for hair loss... | 0:17:03 | 0:17:06 | |
Please, Mrs Clements. | 0:17:09 | 0:17:11 | |
Tell me what's really going on because you're not sick, | 0:17:16 | 0:17:20 | |
not in the way you've described. | 0:17:20 | 0:17:22 | |
Mrs Clements? | 0:17:24 | 0:17:25 | |
-Parks. -Yeah? | 0:17:31 | 0:17:33 | |
Just had a call from Bendigo Hospital. | 0:17:35 | 0:17:37 | |
There's a bloke over there trying to sell autopsy tools. | 0:17:37 | 0:17:39 | |
-Oh, what, Jackson? -Well, he fits the description. | 0:17:39 | 0:17:41 | |
Apparently, he's on his way here. | 0:17:41 | 0:17:43 | |
Boss wants us to intercept him out of town. | 0:17:43 | 0:17:45 | |
We don't know how dangerous this bloke is | 0:17:45 | 0:17:47 | |
but I don't want civilians involved if it goes arse up. | 0:17:47 | 0:17:49 | |
-What, so are we armed, then, sir? -Too bloody right. | 0:17:49 | 0:17:51 | |
The uniforms are with the army so you two are on your own. | 0:17:51 | 0:17:55 | |
But you know the drill - eyes open. | 0:17:55 | 0:17:56 | |
You cover each other. | 0:17:56 | 0:17:58 | |
Don't let this guy get the drop on you, right? | 0:17:58 | 0:18:00 | |
Right. | 0:18:00 | 0:18:01 | |
Are you up for it? | 0:18:03 | 0:18:04 | |
Yeah, 'course I am. | 0:18:04 | 0:18:06 | |
What did you say to her? She looked as if she was ready to cry. | 0:18:11 | 0:18:14 | |
Well, I'm really not sure. Do you know her? | 0:18:14 | 0:18:16 | |
I know of her. She fell in with a lad from out of town. | 0:18:16 | 0:18:20 | |
Got pregnant. Lost the baby. | 0:18:20 | 0:18:22 | |
-Family? -They never married so... | 0:18:22 | 0:18:26 | |
Ah. So the family has nothing to do with her. | 0:18:26 | 0:18:28 | |
Hmm. | 0:18:28 | 0:18:29 | |
-Did she leave an address? -Hmm. | 0:18:29 | 0:18:32 | |
Oh, very good. | 0:18:32 | 0:18:33 | |
I might take that, call in on her later. | 0:18:34 | 0:18:37 | |
Staying for lunch? | 0:18:43 | 0:18:45 | |
Um, well... | 0:18:45 | 0:18:47 | |
About that, I, um... | 0:18:50 | 0:18:52 | |
I don't think I will be. | 0:18:53 | 0:18:54 | |
But listen, good luck with that interview this afternoon. | 0:18:54 | 0:18:58 | |
DOOR CLOSES | 0:19:01 | 0:19:03 | |
-Sergeant Hannam. -Doctor. | 0:19:05 | 0:19:07 | |
The Major's done quite well for himself. | 0:19:08 | 0:19:10 | |
Yes, sir. | 0:19:10 | 0:19:12 | |
You know, my dad's old car is just that, old and slow. | 0:19:23 | 0:19:29 | |
I'm guessing this isn't? | 0:19:29 | 0:19:31 | |
That's right, sir. | 0:19:31 | 0:19:33 | |
How about you show me what you can do, eh? | 0:19:35 | 0:19:37 | |
-Come on. -Bloody come on. | 0:19:49 | 0:19:51 | |
Ah! | 0:19:53 | 0:19:54 | |
-You all right? -Yeah, yeah, yeah. | 0:19:58 | 0:19:59 | |
So you call yourself a boxer? | 0:20:02 | 0:20:04 | |
Come on! Give me your best shot! | 0:20:04 | 0:20:06 | |
You know, I had hoped we'd be able to persuade you | 0:20:12 | 0:20:15 | |
back into the fold. | 0:20:15 | 0:20:17 | |
We need skilled intelligence more than ever. | 0:20:17 | 0:20:20 | |
Tell me, are we looking to America now? | 0:20:23 | 0:20:27 | |
Or is it still the old country? | 0:20:27 | 0:20:28 | |
Oh, you know the story. There's only ten million of us. | 0:20:28 | 0:20:32 | |
We need big friends. | 0:20:32 | 0:20:34 | |
Still, setting off nuclear bombs in the desert for Mother England. | 0:20:37 | 0:20:43 | |
How does that keep the red hordes at bay? | 0:20:43 | 0:20:45 | |
Ah! | 0:20:47 | 0:20:48 | |
You're involved and you can't talk about it. | 0:20:49 | 0:20:52 | |
Well, I'm simply an army serviceman, working in... | 0:20:52 | 0:20:56 | |
You're working in administration, yes, I remember. | 0:20:56 | 0:20:59 | |
Come on, admit it. You miss the work. | 0:21:01 | 0:21:05 | |
Suits that labyrinthine brain of yours. | 0:21:05 | 0:21:07 | |
You know you only have to say the word. | 0:21:07 | 0:21:10 | |
Did they ever find them? | 0:21:19 | 0:21:20 | |
No. | 0:21:21 | 0:21:23 | |
Bad business. | 0:21:23 | 0:21:25 | |
Well, they weren't the only ones to go missing when Singapore fell. | 0:21:26 | 0:21:29 | |
I made enquiries. | 0:21:32 | 0:21:33 | |
Every now and then, someone thinks they've seen them. | 0:21:35 | 0:21:38 | |
Believe it or not, Derek, my little girl would be 23 now. | 0:21:43 | 0:21:48 | |
And you never remarried? | 0:21:53 | 0:21:55 | |
No. | 0:21:55 | 0:21:57 | |
You always were too tragically heroic for this world. | 0:21:58 | 0:22:02 | |
Me, I prefer to leave the past where it belongs. | 0:22:02 | 0:22:06 | |
-Hmm! -Thank you. | 0:22:09 | 0:22:10 | |
-And you believe this? -Not really, no. | 0:22:10 | 0:22:13 | |
We lost some people, didn't we, Lucien? | 0:22:15 | 0:22:18 | |
Friends. | 0:22:18 | 0:22:20 | |
A lot of friends. | 0:22:21 | 0:22:23 | |
Here's to all of them. | 0:22:25 | 0:22:26 | |
To all of them. | 0:22:27 | 0:22:29 | |
Nothing like being legless by two o'clock. | 0:22:32 | 0:22:35 | |
Cec. | 0:22:37 | 0:22:38 | |
Sir, there's another phone call from Inspector Lawson. | 0:22:38 | 0:22:41 | |
Something about a Ron Jackson. | 0:22:41 | 0:22:44 | |
Thank you. | 0:22:44 | 0:22:45 | |
We've recovered the autopsy tools. | 0:23:04 | 0:23:05 | |
He'd tried to sell them in Bendigo. | 0:23:05 | 0:23:08 | |
Apparently he resisted. | 0:23:08 | 0:23:10 | |
Are the cuffs really necessary? | 0:23:10 | 0:23:12 | |
Well, you were the one who warned us he was dangerous. | 0:23:14 | 0:23:17 | |
Have you been drinking? | 0:23:19 | 0:23:20 | |
I'll need the usual incident report on Jackson. | 0:23:23 | 0:23:25 | |
Ah, yes, the report. | 0:23:25 | 0:23:27 | |
The one that mentions how | 0:23:28 | 0:23:29 | |
he savagely attacked your men with his face? | 0:23:29 | 0:23:32 | |
The bloke made threats against Bert Prentice | 0:23:32 | 0:23:34 | |
and stole tools from the morgue the night he was murdered. | 0:23:34 | 0:23:36 | |
-Your men beat him up, Lawson. -I've got enough to deal with. | 0:23:36 | 0:23:39 | |
Report on my desk. | 0:23:39 | 0:23:41 | |
And no drinking while on call. | 0:23:41 | 0:23:43 | |
I don't know about this. | 0:24:03 | 0:24:05 | |
And I don't know about Ron Jackson. | 0:24:05 | 0:24:07 | |
Didn't stop you beating him up, though, did it? | 0:24:07 | 0:24:09 | |
-It's hard to explain. -Hmm. | 0:24:09 | 0:24:12 | |
Have the photos I asked for? | 0:24:12 | 0:24:13 | |
Thank you. | 0:24:15 | 0:24:16 | |
Come lie down for me, Danny. | 0:24:19 | 0:24:21 | |
Like this. | 0:24:21 | 0:24:22 | |
Good. | 0:24:30 | 0:24:31 | |
Just that way a little. | 0:24:31 | 0:24:34 | |
Excellent. | 0:24:36 | 0:24:38 | |
So why are you doing this? | 0:24:40 | 0:24:42 | |
Because I'm obsessive about the cleanliness of hospital floors. | 0:24:42 | 0:24:47 | |
Ron Jackson didn't attack you, did he? | 0:24:47 | 0:24:50 | |
No bruising on his hands, no grazed skin on his knuckles. | 0:24:50 | 0:24:54 | |
-What happened? -He smacked he across the face. | 0:24:54 | 0:24:57 | |
Oh, really? How hard? With a closed fist? | 0:24:57 | 0:25:00 | |
You try bringing in a guy who's just punched in someone's throat. | 0:25:00 | 0:25:03 | |
All right? | 0:25:03 | 0:25:05 | |
Danny. | 0:25:05 | 0:25:07 | |
Well, that's interesting. | 0:25:14 | 0:25:15 | |
-What is? -Blood flow. | 0:25:17 | 0:25:19 | |
You see here? The back of his head. | 0:25:25 | 0:25:28 | |
The blood pools out, follows the fall of the floor to the waste. | 0:25:28 | 0:25:33 | |
So? | 0:25:33 | 0:25:34 | |
So, why is there blood... | 0:25:34 | 0:25:37 | |
..over here on the grouting? | 0:25:39 | 0:25:41 | |
How did it get here? And it's faded. | 0:25:41 | 0:25:45 | |
Well, maybe it's old. | 0:25:45 | 0:25:47 | |
Hmm. | 0:25:49 | 0:25:50 | |
Danny. | 0:25:56 | 0:25:57 | |
Well, it's Bert's blood type. | 0:26:12 | 0:26:14 | |
Mm-hm, so what does that mean? | 0:26:14 | 0:26:16 | |
It means that someone cleaned the floor, | 0:26:16 | 0:26:20 | |
well, at least one section of it, before the police got here. | 0:26:20 | 0:26:25 | |
What was Bert doing down here anyway? | 0:26:25 | 0:26:27 | |
Well, he would have been working on a body. | 0:26:27 | 0:26:29 | |
Which one? | 0:26:29 | 0:26:31 | |
Danny? | 0:27:00 | 0:27:02 | |
Inspector Lawson in a good mood today? | 0:27:02 | 0:27:04 | |
What are you talking about? | 0:27:07 | 0:27:08 | |
Look, the ambos brought in a body yesterday in pretty bad condition. | 0:27:08 | 0:27:12 | |
In fact, their incident report says, | 0:27:12 | 0:27:14 | |
"Body a total mess, vomit and faeces, multiple lesions. | 0:27:14 | 0:27:18 | |
"Cause of death unknown." Well? | 0:27:18 | 0:27:20 | |
Hello! | 0:27:24 | 0:27:26 | |
-Where's the body? -Well, how the hell should I know? | 0:27:26 | 0:27:29 | |
Well, I checked with Hugh. He doesn't know either. | 0:27:29 | 0:27:31 | |
-Blake... -Look, someone killed Bert | 0:27:31 | 0:27:33 | |
and then cleaned a small area of floor | 0:27:33 | 0:27:36 | |
between the body and the front of the locker. | 0:27:36 | 0:27:41 | |
Now, why would you do that? | 0:27:41 | 0:27:43 | |
Well, to cover up the evidence of a murder. | 0:27:43 | 0:27:47 | |
Well, wouldn't you clean the entire floor? | 0:27:47 | 0:27:49 | |
And wouldn't you at least try to hide the body? | 0:27:49 | 0:27:54 | |
Look, maybe they're not trying to hide Bert's murder. | 0:27:54 | 0:27:57 | |
Maybe they're trying to hide something else. | 0:27:57 | 0:28:00 | |
Like stealing a body. | 0:28:00 | 0:28:01 | |
HE SIGHS | 0:28:01 | 0:28:03 | |
Oh, and I have Ron Jackson's incident report. | 0:28:03 | 0:28:07 | |
Look, I've got Ron Jackson and Gordon McRae in custody. | 0:28:07 | 0:28:10 | |
I've got the Army breathing down my neck about this deserter... | 0:28:10 | 0:28:13 | |
Weren't there two? | 0:28:13 | 0:28:14 | |
And I have a police surgeon who's been drinking | 0:28:14 | 0:28:17 | |
since two o'clock in the afternoon. | 0:28:17 | 0:28:19 | |
Ron Jackson is out of bounds. | 0:28:20 | 0:28:23 | |
Go home and sober up. | 0:28:23 | 0:28:25 | |
Parks. | 0:28:26 | 0:28:28 | |
-What'd you tell the doc? -Nothing. | 0:28:47 | 0:28:49 | |
-Mate... -Constable. | 0:28:49 | 0:28:51 | |
Ron Jackson was apprehended on the Midland Highway | 0:28:51 | 0:28:53 | |
at approximately 12.50pm, correct? | 0:28:53 | 0:28:55 | |
Yeah. | 0:28:55 | 0:28:56 | |
While being escorted to the police cells, | 0:28:56 | 0:28:58 | |
-the prisoner attempted escape. -Well, he panicked, sir. | 0:28:58 | 0:29:01 | |
The prisoner attempted escape. He struck you a number of times. | 0:29:01 | 0:29:05 | |
Sergeant Hobart managed to subdue him. | 0:29:05 | 0:29:08 | |
The bloke hit you. | 0:29:08 | 0:29:10 | |
He managed to place the prisoner in the cell | 0:29:10 | 0:29:12 | |
and the police surgeon was notified. | 0:29:12 | 0:29:14 | |
Is this correct? | 0:29:14 | 0:29:16 | |
-Yes, sir. -There's your report. Write it up. | 0:29:16 | 0:29:18 | |
You, go to the hospital. | 0:29:18 | 0:29:20 | |
No-one gets to see Ron Jackson unless they're a nurse or a copper. | 0:29:20 | 0:29:23 | |
Sir. | 0:29:23 | 0:29:24 | |
-MATTIE: -Danny and his mates? They beat him up? | 0:29:28 | 0:29:30 | |
Yes. It's called resisting arrest. | 0:29:30 | 0:29:34 | |
Would you hold that for me, please, Mattie? | 0:29:34 | 0:29:36 | |
But Ron just isn't the sort of person who would hurt anybody. | 0:29:36 | 0:29:39 | |
Is he the sort of person who'd steal a body from the morgue? | 0:29:39 | 0:29:42 | |
I didn't think so. Would you plug that in for me over there, Mattie? | 0:29:42 | 0:29:46 | |
And then just pop it on the stool. | 0:29:46 | 0:29:48 | |
What is that? | 0:29:50 | 0:29:52 | |
One of the benefits of living and working in a mining town. | 0:29:52 | 0:29:54 | |
It's called luminol. | 0:29:54 | 0:29:56 | |
Picks up traces of iron. | 0:29:57 | 0:29:59 | |
Invented last century. | 0:30:02 | 0:30:04 | |
Used to locate iron ore. | 0:30:04 | 0:30:06 | |
The Nazis worked out they could also use it | 0:30:09 | 0:30:11 | |
to detect the presence of blood... | 0:30:11 | 0:30:13 | |
..even when it had been cleaned away. | 0:30:15 | 0:30:17 | |
Whoever killed Bert, seems they stole a body | 0:30:20 | 0:30:24 | |
and I want to know why. Lights, please. | 0:30:24 | 0:30:26 | |
Well, looks like someone's made a trip to the fridge. | 0:30:37 | 0:30:42 | |
We need to get a match for this shoe size. | 0:30:42 | 0:30:44 | |
Whoa, whoa, whoa, I can't let you in. | 0:30:53 | 0:30:55 | |
-Why not? -Well, it's off limits. | 0:30:55 | 0:30:58 | |
It's nursing staff only. | 0:30:58 | 0:31:00 | |
That's fine by me. You can do this and I'll stand guard. | 0:31:00 | 0:31:03 | |
I don't think so. | 0:31:03 | 0:31:05 | |
You don't work here. Don't do this to me, all right? | 0:31:05 | 0:31:09 | |
The boss said Ron's off limits so just leave it. | 0:31:09 | 0:31:11 | |
Well, did the boss also tell you | 0:31:11 | 0:31:13 | |
to beat the living daylights out of him? | 0:31:13 | 0:31:15 | |
So who else are you going to beat up? | 0:31:16 | 0:31:17 | |
Are you going to throw a punch at me? | 0:31:17 | 0:31:19 | |
-It's complicated. -No, it's simple. I'm going in to see him. | 0:31:19 | 0:31:21 | |
Mattie. | 0:31:21 | 0:31:23 | |
Be quick. | 0:31:26 | 0:31:27 | |
Mattie? | 0:31:31 | 0:31:33 | |
-Mattie O'Brien? -Ron. | 0:31:33 | 0:31:35 | |
How did you get in here? They haven't let me see anyone. | 0:31:35 | 0:31:38 | |
-What did they do to your face? -They think I killed someone. | 0:31:39 | 0:31:43 | |
I didn't do it. | 0:31:43 | 0:31:45 | |
I need to ask you something. | 0:31:46 | 0:31:48 | |
You don't believe me. | 0:31:49 | 0:31:51 | |
I need some answers. Is that OK? | 0:31:51 | 0:31:54 | |
Yeah. | 0:31:55 | 0:31:56 | |
You stole the instruments from the morgue. Is that right? | 0:31:56 | 0:31:59 | |
I'd just been sacked. I had no money. | 0:31:59 | 0:32:02 | |
Did you see anything there? Anything suspicious? | 0:32:02 | 0:32:05 | |
No. | 0:32:05 | 0:32:06 | |
-Was anyone else there? -No. | 0:32:06 | 0:32:08 | |
Bert was on his break. Mattie, I really didn't do it. | 0:32:08 | 0:32:11 | |
-I really... -One more thing. | 0:32:11 | 0:32:13 | |
-What size shoe are you? -What? | 0:32:13 | 0:32:16 | |
What size shoe? | 0:32:16 | 0:32:17 | |
I don't know, like, ten, I think. | 0:32:20 | 0:32:21 | |
Excuse me. | 0:32:23 | 0:32:25 | |
What are you doing? | 0:32:26 | 0:32:27 | |
Mattie? | 0:32:37 | 0:32:39 | |
He's the same boot size. | 0:33:08 | 0:33:10 | |
You do realise that life was a lot simpler | 0:33:15 | 0:33:17 | |
when your father was here? | 0:33:17 | 0:33:18 | |
So people keep telling me. | 0:33:20 | 0:33:22 | |
I really thought this wouldn't fit Ron Jackson. | 0:33:23 | 0:33:26 | |
Maybe he's not the only one who wears boots this size. | 0:33:26 | 0:33:30 | |
You still thinking Gordon McRae? | 0:33:30 | 0:33:32 | |
People saw him skulking around the hospital. | 0:33:32 | 0:33:35 | |
We searched his place. | 0:33:35 | 0:33:36 | |
Apparently, he's been knocking off hospital blankets. | 0:33:36 | 0:33:38 | |
But I gather you don't think it's Gordon McRae's style? | 0:33:38 | 0:33:41 | |
No, there's something very planned about all of it. | 0:33:41 | 0:33:45 | |
Yes. | 0:33:45 | 0:33:46 | |
Mattie doesn't think Ron Jackson has it in him either. | 0:33:47 | 0:33:50 | |
Is that because you don't want to be proved wrong? | 0:33:50 | 0:33:53 | |
Probably. | 0:33:54 | 0:33:56 | |
Shaping up to be an interesting Anzac Day, isn't it? | 0:33:56 | 0:33:58 | |
Listen, are you still looking for that deserter? | 0:33:58 | 0:34:01 | |
Well, the Army's handling it. | 0:34:01 | 0:34:03 | |
We're just here to add local colour. | 0:34:03 | 0:34:05 | |
Yes. | 0:34:05 | 0:34:06 | |
Do you think there's anything in the fact | 0:34:06 | 0:34:08 | |
that originally they were looking for two deserters | 0:34:08 | 0:34:11 | |
and now it's just the one? | 0:34:11 | 0:34:12 | |
Bloody hell, Blake, don't go there. | 0:34:12 | 0:34:14 | |
Your man's got clearance all the way up to Canberra. | 0:34:14 | 0:34:17 | |
So what are you going to do? | 0:34:17 | 0:34:19 | |
I'm going to leave Ron Jackson in the hospital | 0:34:19 | 0:34:21 | |
and Gordon McRae in a cell. | 0:34:21 | 0:34:23 | |
I'm going to go home, get a good night's sleep | 0:34:23 | 0:34:25 | |
and not think about it till after the parade. | 0:34:25 | 0:34:27 | |
I suggest you do the same. | 0:34:27 | 0:34:29 | |
Body a total mess, multiple lesions, cause of death unknown. | 0:34:31 | 0:34:35 | |
Well? Where's the body? | 0:34:35 | 0:34:38 | |
Lesions leave marks. | 0:34:41 | 0:34:42 | |
And right now, you don't have any of them. | 0:34:42 | 0:34:44 | |
KNOCKS ON DOOR | 0:35:15 | 0:35:17 | |
Yes? | 0:35:25 | 0:35:26 | |
Mrs Clements, I know what's wrong. | 0:35:26 | 0:35:29 | |
The skin lesions, hair loss, nausea, gastric upset. | 0:35:29 | 0:35:34 | |
All classic symptoms of radiation sickness. | 0:35:34 | 0:35:36 | |
But it's not you who's sick. It's your husband. | 0:35:37 | 0:35:41 | |
Please, your husband is desperately ill. | 0:35:41 | 0:35:44 | |
The man he deserted with has died already | 0:35:45 | 0:35:47 | |
-and so will your husband if we don't get him to a hospital... -No. | 0:35:47 | 0:35:50 | |
Mrs Clements... | 0:35:50 | 0:35:52 | |
I'm an ex-serviceman. | 0:35:52 | 0:35:54 | |
I give you my word, my word. | 0:35:55 | 0:35:57 | |
I'll look after him. | 0:35:57 | 0:35:59 | |
I've been so scared. | 0:36:02 | 0:36:04 | |
I thought the Army might come looking in the house. | 0:36:08 | 0:36:10 | |
I don't think they had any idea you were married. | 0:36:10 | 0:36:12 | |
-We're not. -Well, that's what saved you. | 0:36:12 | 0:36:15 | |
Hey, Jimmy. | 0:36:21 | 0:36:22 | |
Doctor's here now. | 0:36:23 | 0:36:25 | |
Hello, Jimmy. | 0:36:31 | 0:36:32 | |
Jimmy, I'm Dr Lucien Blake... | 0:36:39 | 0:36:41 | |
..and I'm going to do everything I can to help you get better. | 0:36:42 | 0:36:46 | |
All right? | 0:36:47 | 0:36:48 | |
Yeah. | 0:36:50 | 0:36:51 | |
Good man. | 0:36:53 | 0:36:54 | |
MUSIC PLAYS FROM RADIO IN OTHER ROOM | 0:37:04 | 0:37:08 | |
Yes? | 0:37:31 | 0:37:32 | |
Um, I couldn't help but hear the wireless. | 0:37:32 | 0:37:35 | |
Oh. | 0:37:35 | 0:37:37 | |
-May I...? -Of course, yeah. | 0:37:39 | 0:37:41 | |
Thank you. | 0:37:43 | 0:37:44 | |
Um... | 0:37:47 | 0:37:49 | |
-How did the interview go? -Fine. | 0:37:51 | 0:37:54 | |
Fine? | 0:37:54 | 0:37:55 | |
Yes, it's a lovely building | 0:37:55 | 0:37:56 | |
and I'm sure there'll be plenty of work. | 0:37:56 | 0:37:58 | |
-And they'll treat you well? -Apparently. | 0:38:00 | 0:38:02 | |
Good. | 0:38:02 | 0:38:04 | |
Good. Um... | 0:38:04 | 0:38:06 | |
-May I...? -Oh, yes. | 0:38:08 | 0:38:10 | |
Thank you. | 0:38:10 | 0:38:11 | |
Uh, look, I've... | 0:38:13 | 0:38:16 | |
I've had some time to think, | 0:38:16 | 0:38:18 | |
uh, about whether or not I... I need a housekeeper... | 0:38:18 | 0:38:23 | |
..and the truth is... | 0:38:24 | 0:38:27 | |
probably not. | 0:38:27 | 0:38:29 | |
I mean, it's lovely, really lovely, having you look after me. | 0:38:29 | 0:38:35 | |
That's probably just, you know, very lazy on my part. | 0:38:37 | 0:38:42 | |
Right. | 0:38:42 | 0:38:44 | |
How do I...? | 0:38:46 | 0:38:49 | |
What I do need is help. | 0:38:49 | 0:38:51 | |
A blind eye every now and then, | 0:38:53 | 0:38:55 | |
a damned good talking to at other times. | 0:38:55 | 0:38:57 | |
You know, I'm sure there may well be days when it's all a bit... | 0:38:59 | 0:39:03 | |
-Confusing? -Yes. | 0:39:03 | 0:39:05 | |
Yes. | 0:39:07 | 0:39:08 | |
It won't be like it was with my father with me. | 0:39:11 | 0:39:16 | |
With me, it will always be... | 0:39:18 | 0:39:22 | |
somewhat messier. | 0:39:22 | 0:39:24 | |
-So you're trying to say that... -Yes, I... | 0:39:28 | 0:39:30 | |
-Yes. -Yes. | 0:39:30 | 0:39:33 | |
You said you needed some help? | 0:39:35 | 0:39:37 | |
Yes. | 0:39:37 | 0:39:39 | |
What can you tell me about the Royal Cross Hotel? | 0:39:40 | 0:39:43 | |
-Rather grand, isn't it? -Yes, it is. | 0:39:59 | 0:40:02 | |
Keys are at the porter's desk. | 0:40:02 | 0:40:04 | |
-Right. Well, good luck. -You too. | 0:40:04 | 0:40:08 | |
Better make yourself scarce, eh? | 0:40:10 | 0:40:13 | |
-Derek! -There you are. | 0:40:19 | 0:40:22 | |
Lucien. What the devil? | 0:40:22 | 0:40:25 | |
We were interrupted earlier. | 0:40:25 | 0:40:27 | |
Come and sit down. | 0:40:27 | 0:40:28 | |
Hannam's welcome to join us, of course. | 0:40:28 | 0:40:30 | |
He's already in there, although he's not one for drinking. | 0:40:30 | 0:40:33 | |
Nonsense. I insist. | 0:40:33 | 0:40:35 | |
You always were a pushy beggar. Come on. | 0:40:35 | 0:40:38 | |
Derek, I've been thinking about your offer. | 0:41:21 | 0:41:24 | |
Coming back into the fold. | 0:41:25 | 0:41:28 | |
I might call it a night, sir. | 0:41:28 | 0:41:30 | |
-Of course. -Sergeant, stay, please. I insist. | 0:41:30 | 0:41:34 | |
Anyone serving with the Major is most certainly a friend of mine. | 0:41:34 | 0:41:40 | |
A toast, eh? | 0:41:40 | 0:41:41 | |
To soldiers. | 0:41:43 | 0:41:45 | |
All soldiers, past and present. | 0:41:45 | 0:41:49 | |
Hear, hear. | 0:41:49 | 0:41:51 | |
'About those bombs of yours in the desert, Derek.' | 0:42:29 | 0:42:32 | |
They're not MY bombs, Lucien. | 0:42:32 | 0:42:34 | |
That's right, they're England's bombs. | 0:42:34 | 0:42:38 | |
Of course, sir. | 0:42:38 | 0:42:40 | |
You want to set off nuclear warheads in our country? | 0:42:40 | 0:42:43 | |
We're honoured. | 0:42:43 | 0:42:44 | |
Anything we can do to help, eh? | 0:42:44 | 0:42:47 | |
Strange coincidence, though. | 0:42:47 | 0:42:48 | |
I had a woman come into my surgery today, | 0:42:48 | 0:42:50 | |
claiming all manner of symptoms. | 0:42:50 | 0:42:53 | |
Hair loss, skin lesions, nausea. | 0:42:53 | 0:42:57 | |
Of course, the only thing I could think of was radiation poisoning. | 0:42:57 | 0:43:00 | |
Completely absurd, I know. | 0:43:00 | 0:43:02 | |
And, of course, she was making the whole thing up. | 0:43:02 | 0:43:05 | |
Wouldn't even let me take bloods. | 0:43:05 | 0:43:07 | |
-Who was she? -Oh, just some patient of mine. | 0:43:08 | 0:43:13 | |
I suspect she's read about the tests | 0:43:13 | 0:43:15 | |
and now she thinks she's poisoned. | 0:43:15 | 0:43:18 | |
Some people, eh? | 0:43:18 | 0:43:20 | |
Was there a name? | 0:43:20 | 0:43:22 | |
Yes, now, um... | 0:43:23 | 0:43:25 | |
Gosh, I'm blowed if I can remember. Why? | 0:43:26 | 0:43:28 | |
Well, part of our role is public education. | 0:43:28 | 0:43:30 | |
If some people need reassurance, we're only too happy to help. | 0:43:30 | 0:43:34 | |
Are you? | 0:43:34 | 0:43:36 | |
Well, I'm sure I have her details, | 0:43:36 | 0:43:37 | |
-address, back at the surgery. -Good. | 0:43:37 | 0:43:40 | |
Now, unfortunately, we have got a very early start in the morning. | 0:43:42 | 0:43:45 | |
Dawn service and all of that. | 0:43:45 | 0:43:47 | |
So if you don't mind, I'll get the Sergeant | 0:43:47 | 0:43:49 | |
-to give you a lift home. -Certainly. Thank you. | 0:43:49 | 0:43:52 | |
And while you're there, why don't you give him that address? | 0:43:53 | 0:43:57 | |
We'll see her first thing after the parade. | 0:43:57 | 0:44:00 | |
Put her mind at rest. | 0:44:00 | 0:44:01 | |
What a splendid idea. I'm sure she'd appreciate it. | 0:44:01 | 0:44:04 | |
Whenever you're ready, sir. | 0:44:04 | 0:44:06 | |
-Derek. -Lucien. | 0:44:10 | 0:44:13 | |
You sleep well. | 0:44:13 | 0:44:15 | |
Thank you, Sergeant. | 0:44:17 | 0:44:19 | |
-Interesting. -What's that, sir? | 0:44:44 | 0:44:46 | |
Left-handed. | 0:44:46 | 0:44:48 | |
That's right. Why? | 0:44:49 | 0:44:51 | |
No particular reason. | 0:44:51 | 0:44:54 | |
Just surprised they didn't beat that out of you in school. | 0:44:54 | 0:44:57 | |
They tried, sir. | 0:44:58 | 0:45:00 | |
Sergeant. | 0:45:13 | 0:45:15 | |
Right. Now, that address. | 0:45:17 | 0:45:22 | |
It'll just take me a moment to remember where I left it. | 0:45:23 | 0:45:26 | |
Shall I help you look for it, sir? | 0:45:29 | 0:45:31 | |
Ah, that would be grand. Yes, thank you. | 0:45:31 | 0:45:33 | |
Probably won't find it there, Sergeant. | 0:45:37 | 0:45:40 | |
Of course. | 0:45:40 | 0:45:41 | |
-Any luck? -Not yet, no. | 0:45:44 | 0:45:46 | |
I'll keep looking. | 0:45:47 | 0:45:49 | |
You might want to take your gloves off, Sergeant. | 0:45:53 | 0:45:56 | |
I gather, from all accounts... | 0:45:57 | 0:45:59 | |
..radiation sickness is a terrible way to die. | 0:46:01 | 0:46:04 | |
But of course, you'd know that, wouldn't you, | 0:46:05 | 0:46:08 | |
from the condition of the body you stole from the morgue. | 0:46:08 | 0:46:12 | |
I beg your pardon, sir? | 0:46:12 | 0:46:14 | |
It's interesting, isn't it? | 0:46:16 | 0:46:18 | |
One blow to the throat was all it took | 0:46:18 | 0:46:21 | |
to kill that morgue attendant. | 0:46:21 | 0:46:22 | |
Ah, is that it? | 0:46:27 | 0:46:29 | |
No. | 0:46:31 | 0:46:32 | |
Bugger, I'll keep looking. | 0:46:32 | 0:46:34 | |
The Major would like that address, sir. | 0:46:36 | 0:46:40 | |
And we mustn't disappoint him, is that what you're saying? | 0:46:40 | 0:46:43 | |
The man you killed had his throat crushed by a single blow. | 0:46:49 | 0:46:53 | |
A blow delivered by a left-handed punch. | 0:46:55 | 0:46:58 | |
The blood and tissue under his fingernails was his own. | 0:46:59 | 0:47:01 | |
He clawed his own throat trying to breathe. | 0:47:01 | 0:47:04 | |
And, yes, you were very careful, Sergeant. | 0:47:04 | 0:47:07 | |
You even managed to mop the floor... | 0:47:09 | 0:47:11 | |
That address, SIR. | 0:47:11 | 0:47:12 | |
Oh, for God's sake, Sergeant. | 0:47:12 | 0:47:14 | |
Did it ever occur to you that one day, one day, | 0:47:14 | 0:47:18 | |
it might be your body rotting from radiation | 0:47:18 | 0:47:21 | |
that has to be stolen from a morgue? | 0:47:21 | 0:47:23 | |
You don't have that address, do you, sir? | 0:47:33 | 0:47:35 | |
-No, I don't. -Let him go. | 0:47:38 | 0:47:40 | |
You'll have to kill both of us to get away, Sergeant. | 0:47:42 | 0:47:44 | |
Are you prepared for that? | 0:47:44 | 0:47:46 | |
My Christopher was a Sergeant too. This is his pistol. | 0:47:46 | 0:47:51 | |
But he died in the Solomons. | 0:47:52 | 0:47:54 | |
I wonder what he'd make of you. | 0:47:56 | 0:47:58 | |
HE PANTS | 0:48:04 | 0:48:06 | |
HE COUGHS | 0:48:06 | 0:48:07 | |
Thank you, Jean. | 0:48:14 | 0:48:15 | |
'Sergeant Robert Hannam, 3rd Regiment, 4th Division.' | 0:48:18 | 0:48:22 | |
You understand, Sergeant, that these boots which we found | 0:48:25 | 0:48:27 | |
in your hotel still have traces | 0:48:27 | 0:48:29 | |
of Albert Prentice's blood on them? | 0:48:29 | 0:48:31 | |
Army number 2-6-0-5-2. | 0:48:31 | 0:48:35 | |
They also match the boot print found in the morgue | 0:48:36 | 0:48:39 | |
next to the locker | 0:48:39 | 0:48:40 | |
from which you stole the body of persons unknown. | 0:48:40 | 0:48:42 | |
Do you have anything to say about that? | 0:48:42 | 0:48:45 | |
Sergeant Robert Hannam, 3rd Regiment, 4th Division. | 0:48:45 | 0:48:50 | |
We also retrieved from your possessions this page, | 0:48:50 | 0:48:54 | |
which you tore from the mortuary log | 0:48:54 | 0:48:55 | |
to hide the fact that the body was there in the first place. | 0:48:55 | 0:48:59 | |
Not all of this is your responsibility, Sergeant. | 0:49:01 | 0:49:04 | |
You were following orders. | 0:49:04 | 0:49:06 | |
Now, tell us who told you to do this... | 0:49:07 | 0:49:11 | |
..and tell us what you did with the body of the serviceman | 0:49:12 | 0:49:14 | |
you took from the morgue. | 0:49:14 | 0:49:16 | |
Sergeant Robert Hannam, 3rd Regiment, 4th Division. | 0:49:19 | 0:49:24 | |
Army number 2-6-0-5-2. | 0:49:24 | 0:49:28 | |
KNOCK ON DOOR DOOR OPENS | 0:49:30 | 0:49:32 | |
Sorry, sir, but there's a Major Alderton here to see you. | 0:49:32 | 0:49:35 | |
Are you quite sure? | 0:49:45 | 0:49:46 | |
I understand the forensic evidence for murder is conclusive. | 0:49:46 | 0:49:50 | |
However, the body that was taken from the morgue is still missing. | 0:49:50 | 0:49:53 | |
Has Sergeant Hannam made any admissions? | 0:49:53 | 0:49:55 | |
No. | 0:49:57 | 0:49:59 | |
Is there anything else you'd like to add to the record? | 0:49:59 | 0:50:01 | |
Well, I'd like to express my complete disapproval | 0:50:01 | 0:50:04 | |
of the Sergeant's actions. | 0:50:04 | 0:50:06 | |
Of course, you understand, Superintendent, | 0:50:06 | 0:50:08 | |
this will now become a matter for a military tribunal. | 0:50:08 | 0:50:11 | |
I'll inform my superiors. | 0:50:13 | 0:50:16 | |
I'll take it from here. | 0:50:16 | 0:50:18 | |
Interesting times, Lucien. | 0:50:28 | 0:50:30 | |
Depressingly familiar. | 0:50:30 | 0:50:32 | |
Soldiers being used and then simply thrown away. | 0:50:32 | 0:50:34 | |
Where have we seen and heard that before? | 0:50:34 | 0:50:37 | |
You know as well as I do that there are bigger issues at stake. | 0:50:40 | 0:50:43 | |
For who? Servicemen dying of radiation poisoning? | 0:50:43 | 0:50:47 | |
Sergeant Hannam being thrown to the wolves? | 0:50:47 | 0:50:49 | |
It doesn't get any bigger for them. | 0:50:49 | 0:50:51 | |
Small-town life has made you soft, Lucien. | 0:50:51 | 0:50:56 | |
Well, I'm starting to think maybe that's not a bad thing. | 0:50:56 | 0:51:00 | |
You and I survived three and a half years in a POW camp together | 0:51:00 | 0:51:04 | |
and what have we learned? | 0:51:04 | 0:51:06 | |
'Come in.' | 0:51:38 | 0:51:40 | |
G'day. | 0:51:44 | 0:51:45 | |
Uh, thought that, uh, you could do with some of this. | 0:51:46 | 0:51:50 | |
-Thanks. -No worries. | 0:51:55 | 0:51:58 | |
Actually, I came to say that I'm sorry. | 0:51:58 | 0:52:00 | |
Sorry, mate. | 0:52:05 | 0:52:07 | |
-Good morning. -And to you. | 0:52:19 | 0:52:21 | |
You look a little tired. | 0:52:23 | 0:52:25 | |
-And you look very smart. -Oh! | 0:52:25 | 0:52:27 | |
Um... | 0:52:29 | 0:52:31 | |
I hope last night I, um, I wasn't asking too much of you? | 0:52:33 | 0:52:39 | |
No. I like to be useful. | 0:52:39 | 0:52:40 | |
Well, you were more than useful, that's for certain. | 0:52:40 | 0:52:43 | |
Did, uh... | 0:52:43 | 0:52:45 | |
Did you, uh, hear anything from the Royal Cross people about... | 0:52:46 | 0:52:50 | |
I don't think they'll be offering me that job now. | 0:52:50 | 0:52:52 | |
Ah. | 0:52:52 | 0:52:54 | |
After last night? | 0:52:54 | 0:52:55 | |
I am sorry. I, um... | 0:52:59 | 0:53:01 | |
Actually... | 0:53:05 | 0:53:07 | |
Actually, I'm rather glad. | 0:53:10 | 0:53:11 | |
It's good to see Christopher's medals. | 0:53:16 | 0:53:18 | |
You could wear yours too, Lucien. | 0:53:20 | 0:53:23 | |
March well today. | 0:53:29 | 0:53:31 | |
MILITARY DRUM BAND PLAYS | 0:53:40 | 0:53:44 | |
G'day, Gary. | 0:54:03 | 0:54:05 | |
G'day, Bill! How are ya? | 0:54:15 | 0:54:17 | |
Cec. | 0:54:25 | 0:54:27 | |
Gentlemen. | 0:54:27 | 0:54:28 | |
-What's this for? -I, um... | 0:54:31 | 0:54:33 | |
Thank you. | 0:54:33 | 0:54:35 | |
I thought you and your mates might enjoy a drink. | 0:54:35 | 0:54:39 | |
Thank you, Lucien. | 0:54:46 | 0:54:48 | |
My pleasure, Cec. | 0:54:52 | 0:54:54 | |
Subtitles by Red Bee Media Ltd | 0:55:06 | 0:55:09 |