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BIG BAND MUSIC PLAYS | 0:00:07 | 0:00:10 | |
My money's on McDougal by three lengths. | 0:00:11 | 0:00:14 | |
Geldings are the ones to watch. | 0:00:14 | 0:00:15 | |
Being a gelding doesn't guarantee a win, Mr Nicholson. | 0:00:15 | 0:00:18 | |
They're stronger, statistically. | 0:00:18 | 0:00:20 | |
And fillies generally develop faster than colts, statistically. | 0:00:20 | 0:00:23 | |
Well, it also depends on the terrain. | 0:00:23 | 0:00:26 | |
I read somewhere that horses that run over dirt | 0:00:26 | 0:00:29 | |
are more muscular than turf horses. | 0:00:29 | 0:00:31 | |
Regardless, it's unusual for a race mare to mix it with the boys. | 0:00:31 | 0:00:35 | |
Makes you wonder how a mare won the Cup in '56, then. | 0:00:35 | 0:00:38 | |
Hazel, you don't have a hope | 0:00:40 | 0:00:42 | |
of getting your funding application through. | 0:00:42 | 0:00:45 | |
May the best horse win. | 0:00:45 | 0:00:46 | |
Mahoney - 1 Nicholson - 0. | 0:00:48 | 0:00:51 | |
Do you think Nicholson will ever give you any peace? | 0:00:52 | 0:00:54 | |
Not in my lifetime. | 0:00:54 | 0:00:56 | |
Oh! The race has started, everyone! | 0:00:58 | 0:01:01 | |
RADIO: Into the straight for the Cup coming up, | 0:01:01 | 0:01:03 | |
was in front and going great guns, showed the way around the corner. | 0:01:03 | 0:01:07 | |
Travel Boy further out. That's Sir Acron! | 0:01:07 | 0:01:09 | |
They're followed by Dabbr Gold, Grand Gary, Valeria Choctaw, | 0:01:09 | 0:01:13 | |
and then Royal Jasper and McDougal finishing fourth, | 0:01:13 | 0:01:15 | |
throwing out Travel Boy... | 0:01:15 | 0:01:18 | |
They're coming up on Travel Boy... | 0:01:18 | 0:01:21 | |
And McDougal wins the Cup from Dabber Gold! | 0:01:31 | 0:01:33 | |
I've never won anything before. | 0:01:36 | 0:01:38 | |
Oh, Milana came last. What does that say about my betting skills? | 0:01:38 | 0:01:41 | |
I'm buying the drinks tonight. | 0:01:41 | 0:01:43 | |
Listen, I can't believe you did it to someone else. | 0:01:43 | 0:01:45 | |
-What are you talking about? -You know exactly what I'm talking about. | 0:01:45 | 0:01:48 | |
You had a responsibility as her mentor! | 0:01:48 | 0:01:50 | |
Instead of supporting her, you let her down! | 0:01:50 | 0:01:52 | |
How dare you! How do you know - have you been going through my things? | 0:01:52 | 0:01:55 | |
I had to know, and I was right. You did to her what you did to me. | 0:01:55 | 0:01:58 | |
I have got enough responsibilities without having to deal with this... | 0:01:58 | 0:02:01 | |
You know what? You are going to pay for what you've done. | 0:02:01 | 0:02:04 | |
Hey. Do you want to come for a drink at the Royal Arms? | 0:02:10 | 0:02:14 | |
Oh, can't. Some of us are rostered first thing tomorrow. | 0:02:14 | 0:02:17 | |
Suit yourself. | 0:02:17 | 0:02:19 | |
Oh! | 0:02:43 | 0:02:45 | |
SHE WEEPS | 0:02:51 | 0:02:54 | |
LADIES GIGGLE | 0:02:56 | 0:02:57 | |
Shh! Shh! | 0:02:57 | 0:02:59 | |
-Hey, thanks for walking us. -I promised I would. | 0:02:59 | 0:03:02 | |
Do you need me to walk you home? | 0:03:03 | 0:03:05 | |
-No! -Good. | 0:03:05 | 0:03:07 | |
Cos while they were setting up, | 0:03:09 | 0:03:11 | |
I snuck a bottle of champagne from the car park! | 0:03:11 | 0:03:13 | |
It's in my room! | 0:03:13 | 0:03:15 | |
Shh! | 0:03:15 | 0:03:17 | |
Shh! | 0:03:21 | 0:03:23 | |
-Just let me go to the bathroom. -Oh, OK. | 0:03:23 | 0:03:25 | |
-I'll be back. -OK. Bye! | 0:03:25 | 0:03:28 | |
SHE SCREAMS | 0:03:36 | 0:03:39 | |
Linda! Hey! | 0:03:41 | 0:03:43 | |
Hey, what is it? What's happened? | 0:03:43 | 0:03:45 | |
Come on, up you get. That's it. | 0:03:45 | 0:03:48 | |
Dear God, Hazel! | 0:03:50 | 0:03:52 | |
Grab the rope! Come on! | 0:03:55 | 0:03:57 | |
Quick, loosen it! | 0:03:57 | 0:03:59 | |
Further, further, further! | 0:03:59 | 0:04:01 | |
Oh! | 0:04:02 | 0:04:04 | |
It's Mahoney! | 0:04:04 | 0:04:06 | |
Please be all right! Please! | 0:04:08 | 0:04:09 | |
Come on, Hazel! | 0:04:09 | 0:04:11 | |
Mattie, we're too late! | 0:04:14 | 0:04:15 | |
Hazel? | 0:04:15 | 0:04:17 | |
Please, she's gone! | 0:04:17 | 0:04:19 | |
SHE CRIES | 0:04:19 | 0:04:22 | |
Who found her? | 0:05:24 | 0:05:26 | |
Linda Butler and Mattie O'Brien. | 0:05:26 | 0:05:29 | |
Thank you all for your assistance. | 0:05:32 | 0:05:34 | |
If you'd like to make your way back to your dorm rooms. | 0:05:34 | 0:05:37 | |
Superintendent Lawson? Geoffrey Nicholson. | 0:05:39 | 0:05:41 | |
I'm the chief surgeon at this hospital. | 0:05:41 | 0:05:43 | |
I'd like to stay, if I may. | 0:05:43 | 0:05:45 | |
This IS my hospital. | 0:05:45 | 0:05:47 | |
It may be your hospital, | 0:05:47 | 0:05:49 | |
but I'm the police surgeon and I'm asking you to leave. | 0:05:49 | 0:05:51 | |
The deceased is Hazel Mahoney. You know her? | 0:05:51 | 0:05:54 | |
Yes, we served on the hospital board together. Suicide? | 0:05:54 | 0:06:00 | |
Blake, I'd like a word later. | 0:06:00 | 0:06:02 | |
Of course. My surgery hours are nine to five, seven days a week. | 0:06:02 | 0:06:05 | |
Feel free to make an appointment with my receptionist. | 0:06:05 | 0:06:08 | |
I need to know numbers for the monthly board meeting. | 0:06:08 | 0:06:10 | |
-Will be you be attending? -Interesting, isn't it? | 0:06:10 | 0:06:13 | |
A colleague's body lies a few feet away | 0:06:13 | 0:06:15 | |
and all you can think about is a board meeting. | 0:06:15 | 0:06:17 | |
Maybe you need to learn a thing or two about post-mortem etiquette. | 0:06:17 | 0:06:19 | |
Excuse me, Geoffrey. | 0:06:19 | 0:06:21 | |
The little step-stool in the laundry... | 0:06:39 | 0:06:41 | |
I moved it out of the way so I could get to her. | 0:06:41 | 0:06:44 | |
Right. Do you remember which way the steps were facing? | 0:06:44 | 0:06:49 | |
Uh...they were facing the door. | 0:06:49 | 0:06:52 | |
The door. | 0:06:53 | 0:06:55 | |
That's interesting. | 0:06:57 | 0:06:59 | |
Mattie, how about you let me walk you home? | 0:06:59 | 0:07:02 | |
Is there anything else I can help you with? | 0:07:03 | 0:07:05 | |
No, no, you let Danny take you home. Try and get a good night's sleep, eh? | 0:07:05 | 0:07:10 | |
Well, given the circumstances, | 0:07:19 | 0:07:24 | |
I could accompany the body to the morgue and perform the autopsy now. | 0:07:24 | 0:07:27 | |
No, no. Hazel was a close colleague of yours. | 0:07:27 | 0:07:30 | |
We need someone impartial for the job. | 0:07:30 | 0:07:32 | |
Think of it as post-mortem etiquette. | 0:07:32 | 0:07:36 | |
Only one of you need to do the autopsy. I'm sure Gus can handle it. | 0:07:36 | 0:07:39 | |
Just make sure you keep Mr Nicholson happy, all right? | 0:07:43 | 0:07:46 | |
Why is that? | 0:07:46 | 0:07:48 | |
-It arrived for you today. -Thank you. | 0:08:13 | 0:08:16 | |
Everything all right? | 0:08:17 | 0:08:19 | |
There's been a death at the hospital. Hazel Mahoney. | 0:08:19 | 0:08:23 | |
No! | 0:08:23 | 0:08:26 | |
-Yes. One of the good ones. -What happened? | 0:08:26 | 0:08:29 | |
-Suicide. -No, she doesn't seem the type. | 0:08:29 | 0:08:33 | |
My thoughts exactly. | 0:08:33 | 0:08:36 | |
And it's put me in the firing line of bloody Geoffrey Nicholson. | 0:08:36 | 0:08:39 | |
Oh, on top of everything else? | 0:08:39 | 0:08:42 | |
I'm terribly sorry to hear about Hazel. | 0:08:42 | 0:08:45 | |
Me too. Me too. | 0:08:45 | 0:08:48 | |
-Well, goodnight, Jean. -Goodnight. | 0:08:51 | 0:08:54 | |
-Morning, Mattie. -Morning. | 0:09:23 | 0:09:25 | |
Thought you might be taking the day off. | 0:09:25 | 0:09:28 | |
I wanted to see if there was anything I could do to help. | 0:09:28 | 0:09:33 | |
Hazel's family will be arriving today to make funeral arrangements. | 0:09:33 | 0:09:37 | |
Yes. I expect it'll be quite a sizeable turnout. | 0:09:38 | 0:09:42 | |
Well, first female surgeon at Ballarat hospital. | 0:09:42 | 0:09:45 | |
Quite an achievement in itself. | 0:09:45 | 0:09:47 | |
Yes. She made such a difference. | 0:09:47 | 0:09:49 | |
Indeed, and she would have made even more of a difference | 0:09:49 | 0:09:53 | |
if that damned Geoffrey Nicholson hadn't gotten in the way. | 0:09:53 | 0:09:56 | |
Well, not the easiest man to work with, I don't imagine. | 0:09:56 | 0:09:59 | |
Do you think Geoffrey Nicholson is the reason | 0:09:59 | 0:10:01 | |
why Hazel did what she did? | 0:10:01 | 0:10:04 | |
I think that man could drive anyone to the brink. I'll see you later. | 0:10:05 | 0:10:10 | |
Clearly ignoring orders again. | 0:10:16 | 0:10:18 | |
Hazel Mahoney was a colleague of yours too, Gus. | 0:10:18 | 0:10:20 | |
Perhaps you shouldn't be here either. | 0:10:20 | 0:10:22 | |
Yes. Maybe she could do her own autopsy. | 0:10:22 | 0:10:25 | |
-What do we know? -She dropped from about three feet. | 0:10:25 | 0:10:28 | |
Corresponding ligature furrow around the neck. | 0:10:28 | 0:10:30 | |
No hangman's fracture? | 0:10:30 | 0:10:32 | |
It was only a three-foot drop. | 0:10:32 | 0:10:34 | |
We need to take body weight into account. Look here, Gus. | 0:10:34 | 0:10:37 | |
Abrasion to the neck, matches the rope. | 0:10:37 | 0:10:40 | |
Ah. Fresh puncture marks, the upper leg region. | 0:10:42 | 0:10:47 | |
-We'll need a toxicology report. -Good suggestion. | 0:10:47 | 0:10:51 | |
Resuscitation marks on her chest. Not sure why. | 0:10:51 | 0:10:53 | |
Well, that'd be Mattie O'Brien. | 0:10:53 | 0:10:55 | |
The other nurses said there were early signs of rigor mortis. | 0:10:55 | 0:10:58 | |
Nurse O'Brien would have known it was too late... | 0:10:58 | 0:11:00 | |
They were friends, Gus. Anything else? | 0:11:00 | 0:11:03 | |
Yes. I'm moving to Melbourne. | 0:11:03 | 0:11:06 | |
Why, because I asked you for a toxicology report? | 0:11:07 | 0:11:09 | |
I've been offered a job at Royal Melbourne Hospital. | 0:11:09 | 0:11:12 | |
Congratulations. What do you make of all this? | 0:11:12 | 0:11:15 | |
She was highly ambitious. | 0:11:15 | 0:11:17 | |
It's no secret Geoffrey Nicholson stood in her way. | 0:11:17 | 0:11:19 | |
-She couldn't handle it. -Yes, I agree. | 0:11:19 | 0:11:22 | |
At least, I would if it was, in fact, suicide. | 0:11:23 | 0:11:28 | |
Remnants of a saliva trail here. | 0:11:28 | 0:11:31 | |
That's fairly standard. | 0:11:31 | 0:11:33 | |
Not when it runs out of her mouth and around the back of her head. | 0:11:33 | 0:11:36 | |
This suggests she died horizontally. | 0:11:36 | 0:11:39 | |
Hazel died before she was hanged. | 0:11:41 | 0:11:44 | |
You might still have a few things to learn, Gus, | 0:11:45 | 0:11:48 | |
before you head off to impress Melbourne. | 0:11:48 | 0:11:50 | |
-Fancy a trip to the police station? -Why? | 0:11:50 | 0:11:53 | |
We need to report all this to Lawson. I'm not meant to be here, remember? | 0:11:53 | 0:11:57 | |
Antecedent female, Caucasian, 40 years old, weight - 140 pounds. | 0:11:59 | 0:12:04 | |
Various injuries are consistent with a crime, | 0:12:04 | 0:12:06 | |
such as bruising of the strap muscle, | 0:12:06 | 0:12:09 | |
fracture of the superior horns of the thyroid cartilage... | 0:12:09 | 0:12:12 | |
Gus? Gus, I tell you what. | 0:12:12 | 0:12:13 | |
How about you just skip to the part he's interested in? | 0:12:13 | 0:12:17 | |
A ligature mark about the front of the neck, | 0:12:20 | 0:12:23 | |
livor mortis blanched to light pressure | 0:12:23 | 0:12:25 | |
and was consistent with the position found. | 0:12:25 | 0:12:28 | |
-In English? -It's irrelevant. | 0:12:28 | 0:12:30 | |
Someone strung her up. | 0:12:30 | 0:12:32 | |
Hazel's death was made to look like suicide. | 0:12:32 | 0:12:36 | |
Any more good news I could tell the family? | 0:12:36 | 0:12:39 | |
There were puncture marks on her legs, evidence of recent injections. | 0:12:39 | 0:12:43 | |
I'll get back into that toxicology report. | 0:12:43 | 0:12:46 | |
Er, you need to sign the autopsy report. | 0:12:46 | 0:12:48 | |
Imagine working with that every day. | 0:12:58 | 0:13:00 | |
At least he's fairly laidback - almost as laidback as his patients. | 0:13:00 | 0:13:04 | |
-How do you manage it? -Well, the fact that he's about to start | 0:13:04 | 0:13:06 | |
an impressive new job in Melbourne helps no end. | 0:13:06 | 0:13:09 | |
Listen, I really want to find out who did this. | 0:13:09 | 0:13:11 | |
Just as long as you leave | 0:13:11 | 0:13:13 | |
your personal feelings for Geoffrey Nicholson out of it. | 0:13:13 | 0:13:16 | |
Geoffrey is very much in this. | 0:13:16 | 0:13:18 | |
-You got any proof? -I'll find it. | 0:13:18 | 0:13:21 | |
Mattie O'Brien. Just a couple of routine questions, Mattie. | 0:13:23 | 0:13:26 | |
Just come through here. | 0:13:26 | 0:13:28 | |
Hazel was at the Melbourne Cup party, | 0:13:28 | 0:13:31 | |
and, yes, she had been drinking, and then I saw her leave. | 0:13:31 | 0:13:36 | |
-What time was that? -Umm, I couldn't say, really. | 0:13:36 | 0:13:40 | |
When was the last time you saw her? | 0:13:41 | 0:13:43 | |
-In the corridor? -Was she with anyone? | 0:13:43 | 0:13:46 | |
Take your time, Mattie. | 0:13:47 | 0:13:49 | |
Parks. | 0:13:49 | 0:13:51 | |
Carol Stanning. She's a nurse in the hospital. | 0:13:51 | 0:13:55 | |
Was there anything unusual about their exchange? | 0:13:55 | 0:13:59 | |
-They were having a disagreement. -What about? | 0:13:59 | 0:14:03 | |
I don't know. | 0:14:03 | 0:14:05 | |
They usually disagree? | 0:14:06 | 0:14:08 | |
I can't... I don't really know. | 0:14:09 | 0:14:12 | |
Can you remember anything about the conversation? | 0:14:12 | 0:14:15 | |
Well, Carol said, I think, "You're going to pay for this." | 0:14:16 | 0:14:20 | |
What was the last interaction you had with the deceased? | 0:14:21 | 0:14:24 | |
I asked her if she thought | 0:14:24 | 0:14:28 | |
Mr Nicholson would ever give her any peace. | 0:14:28 | 0:14:32 | |
What was her response? | 0:14:32 | 0:14:33 | |
She said not in her lifetime. | 0:14:35 | 0:14:39 | |
Thanks for your help. | 0:14:44 | 0:14:46 | |
You all right? | 0:14:49 | 0:14:51 | |
The knot! The knot in the noose! | 0:14:51 | 0:14:55 | |
It wasn't tied properly. | 0:14:55 | 0:14:57 | |
If you're a doctor, you would tie it in such a way | 0:14:58 | 0:15:02 | |
that you would severe the spinal cord so you die instantly. | 0:15:02 | 0:15:05 | |
Surgeons know all about knots. | 0:15:07 | 0:15:09 | |
They use them in their work all the time for sutures and things. | 0:15:09 | 0:15:13 | |
It's like...the rope was just there for show. | 0:15:13 | 0:15:17 | |
Parks, see what you can find out about Carol Stanning. | 0:15:19 | 0:15:23 | |
I found Hazel's record book. It was hidden in Carol Stanning's room. | 0:16:06 | 0:16:10 | |
Get her down here. | 0:16:10 | 0:16:12 | |
-Well, she's on duty, sir. -I don't care. | 0:16:12 | 0:16:15 | |
-Mattie? -They sent me home. | 0:16:27 | 0:16:30 | |
Well, perhaps not a bad idea, eh? | 0:16:33 | 0:16:35 | |
I didn't realise how many of my photos had Hazel in them. | 0:16:35 | 0:16:39 | |
Yes. | 0:16:39 | 0:16:40 | |
You know she was on the verge of implementing | 0:16:43 | 0:16:45 | |
a new surgical checklist procedure. | 0:16:45 | 0:16:48 | |
Would have reduced the number of avoidable deaths. | 0:16:48 | 0:16:51 | |
Let me guess. Most of the surgeons found it insulting? | 0:16:52 | 0:16:57 | |
Plus, not to mention to mention the amount of paperwork | 0:16:57 | 0:17:00 | |
that would have been involved. | 0:17:00 | 0:17:01 | |
Well, some surgeons didn't like a woman telling them how to improve. | 0:17:01 | 0:17:04 | |
Yeah, well, that's silly cos something like that | 0:17:04 | 0:17:07 | |
-could've saved people's lives. -That's right. | 0:17:07 | 0:17:10 | |
Very good surgeons often see themselves as gods. | 0:17:10 | 0:17:14 | |
-Geoffrey Nicholson? -Yes. Nicholson's a perfect case in point. | 0:17:14 | 0:17:18 | |
That's a great shot. | 0:17:18 | 0:17:20 | |
That was taken at our Christmas party only last year. | 0:17:22 | 0:17:25 | |
She looks so happy. | 0:17:25 | 0:17:27 | |
You know, Mattie, | 0:17:29 | 0:17:31 | |
I... I think someone else was involved in Hazel's death. | 0:17:31 | 0:17:35 | |
I simply can't believe it was suicide. | 0:17:35 | 0:17:38 | |
Yeah, that would make sense. | 0:17:38 | 0:17:40 | |
And...I'm going to head to the hospital and find out all I can. | 0:17:41 | 0:17:48 | |
Found this in your dorm room. It's Hazel Mahoney's record book. | 0:17:48 | 0:17:53 | |
I don't know how it got there. | 0:17:53 | 0:17:55 | |
It's a pretty valuable piece of stationary. | 0:17:55 | 0:17:58 | |
It has a list of everyone's marks, some of whom failed. | 0:17:58 | 0:18:03 | |
What's your point? | 0:18:05 | 0:18:07 | |
Well, I'm assuming that you passed first time round. | 0:18:07 | 0:18:09 | |
I failed, actually. Miss Mahoney graded me when I did my internship. | 0:18:09 | 0:18:13 | |
Had to repeat a year thanks to her. | 0:18:13 | 0:18:16 | |
Still holding that grudge? | 0:18:16 | 0:18:19 | |
No. | 0:18:19 | 0:18:20 | |
So, why the argument with Hazel on Tuesday night? | 0:18:20 | 0:18:24 | |
Look, we care about our patients, | 0:18:24 | 0:18:26 | |
and we discuss the best way to treat them. | 0:18:26 | 0:18:29 | |
Arguing can be part of that process. | 0:18:29 | 0:18:31 | |
Parks? | 0:18:31 | 0:18:32 | |
"You'll pay for what you've done." | 0:18:34 | 0:18:36 | |
Do you often find yourself in the middle of a fight? | 0:18:38 | 0:18:41 | |
Have to be strong. | 0:18:41 | 0:18:43 | |
It's a man's world out there, and apparently in here as well. | 0:18:43 | 0:18:47 | |
I stand up for myself, | 0:18:49 | 0:18:51 | |
and I'll stand up for anyone else who needs me to. | 0:18:51 | 0:18:53 | |
Right. So, that's why you stole the book? | 0:18:53 | 0:18:56 | |
I didn't take it, and I don't know how it got there. | 0:18:56 | 0:19:01 | |
Right, here we go. | 0:19:03 | 0:19:05 | |
You think they'll miss mashed potato on the cafeteria menu? | 0:19:07 | 0:19:10 | |
-Hospital food is rarely missed. -Too true. | 0:19:10 | 0:19:14 | |
Mattie, you think you could lift that on your own? | 0:19:14 | 0:19:17 | |
No. No, I didn't think so. | 0:19:19 | 0:19:22 | |
That certainly rules out | 0:19:23 | 0:19:25 | |
some of our more slightly built nurses on the ward, | 0:19:25 | 0:19:28 | |
unless, of course, they had some help. | 0:19:28 | 0:19:32 | |
Ah, Danny, how did you go? | 0:19:32 | 0:19:35 | |
What's with the bag of veggies? | 0:19:35 | 0:19:37 | |
It's an experiment to see how she was strung up. | 0:19:37 | 0:19:40 | |
Right. Yeah, well, let me give you a hand. | 0:19:40 | 0:19:43 | |
No, no, I want to see if it could be done on his or her own. | 0:19:43 | 0:19:49 | |
Watch yourself, Mattie. | 0:19:55 | 0:19:57 | |
So, someone with a bit more strength than you, | 0:19:59 | 0:20:02 | |
and perhaps as much as me. | 0:20:02 | 0:20:04 | |
If Hazel was standing on the step stools with the intention of jumping, | 0:20:04 | 0:20:09 | |
I wonder which way she'd face. | 0:20:09 | 0:20:11 | |
Well, towards the door? | 0:20:11 | 0:20:13 | |
Yes. | 0:20:13 | 0:20:15 | |
I think someone wanting to suicide would face the door in preparation, | 0:20:15 | 0:20:21 | |
in case someone was to walk in, | 0:20:21 | 0:20:23 | |
and if I jumped from this height, | 0:20:23 | 0:20:25 | |
I think there's every possibility my neck would break. | 0:20:25 | 0:20:28 | |
What are they, Danny? | 0:20:28 | 0:20:31 | |
Well, you know that they're staff files, so come on, ask me. | 0:20:31 | 0:20:35 | |
All right. Would you mind opening Geoffrey Nicholson's file for me? | 0:20:35 | 0:20:40 | |
You know I can't do that! | 0:20:40 | 0:20:41 | |
Well, could you do it for Hazel? | 0:20:43 | 0:20:46 | |
I got one more room to check, | 0:20:48 | 0:20:50 | |
so I'll come back and get the file in a few minutes. | 0:20:50 | 0:20:53 | |
Good man. Thank you, Danny. | 0:20:53 | 0:20:55 | |
-Blake. -Geoffrey. | 0:21:07 | 0:21:10 | |
I know you only want to talk about the suicide, | 0:21:10 | 0:21:12 | |
but I need to firm up numbers for the meeting. | 0:21:12 | 0:21:14 | |
-Yes, I'll be there. -Good. I was concerned we might not get a quorum. | 0:21:14 | 0:21:17 | |
To be honest, if we could run this place | 0:21:17 | 0:21:19 | |
without having to answer to a group of board members, | 0:21:19 | 0:21:21 | |
-everyone would be better off. -Like a dictatorship. Bravo(!) | 0:21:21 | 0:21:24 | |
No wonder Hazel and you didn't see eye to eye. | 0:21:24 | 0:21:26 | |
My working relationship with Miss Mahoney | 0:21:26 | 0:21:28 | |
was cordial and professional. | 0:21:28 | 0:21:31 | |
I find that remark offensive, given the circumstances. | 0:21:31 | 0:21:33 | |
The circumstances being that she was murdered. | 0:21:33 | 0:21:36 | |
Someone's gone to a great deal of trouble if that's the case. | 0:21:36 | 0:21:39 | |
Where were you after the party? | 0:21:39 | 0:21:40 | |
I'll give my interview to the police in due course. | 0:21:40 | 0:21:43 | |
Good. In the meantime, | 0:21:43 | 0:21:44 | |
I'll let them know you were evasive when asked the question. | 0:21:44 | 0:21:46 | |
I'll also tell them that a patient died on your watch two years ago, | 0:21:46 | 0:21:49 | |
a Mrs Ferguson, who left you her estate! | 0:21:49 | 0:21:52 | |
Think there'll ever be a day when you and I can converse politely? | 0:21:52 | 0:21:56 | |
-Geoffrey. -Any chance you could get Blake off my back? | 0:22:03 | 0:22:06 | |
Consider it done. | 0:22:08 | 0:22:10 | |
PHONE RINGS | 0:22:22 | 0:22:25 | |
Yes, Dr Lucien Blake. | 0:22:27 | 0:22:29 | |
Joy McDonald. How are you? | 0:22:30 | 0:22:32 | |
Oh, you're in town? | 0:22:32 | 0:22:35 | |
Er, yes, of course. I don't have any more patients this afternoon. | 0:22:35 | 0:22:40 | |
Hazel Mahoney? | 0:22:46 | 0:22:48 | |
Jean, you're here. Perfect. | 0:22:48 | 0:22:51 | |
Er, yes. | 0:22:51 | 0:22:53 | |
Yes, Hazel weighed around 140 pounds. | 0:22:53 | 0:22:56 | |
I'm trying to work out how much she weighed during her fall. | 0:22:56 | 0:23:00 | |
Why? | 0:23:00 | 0:23:01 | |
Well, it might tell me whether her neck should have been broken or not. | 0:23:01 | 0:23:04 | |
-Was her neck broken? -No. | 0:23:04 | 0:23:07 | |
I'm sorry, I'm not quite following. | 0:23:07 | 0:23:09 | |
Well, if I can prove that her neck should have been broken, | 0:23:09 | 0:23:13 | |
due to her weight and the height of the stool, | 0:23:13 | 0:23:16 | |
it might be proof enough for Lawson | 0:23:16 | 0:23:18 | |
to convince him that she was, in fact, murdered. | 0:23:18 | 0:23:21 | |
Would you mind just stepping on the scales? | 0:23:21 | 0:23:26 | |
Hmm. | 0:23:26 | 0:23:27 | |
So, I'm Hazel Mahoney. | 0:23:27 | 0:23:30 | |
Yes, you are, | 0:23:30 | 0:23:31 | |
though I'll have to add a few more pounds to the calculation here, | 0:23:31 | 0:23:35 | |
and, erm... | 0:23:35 | 0:23:37 | |
Yes, would you mind hopping up the stool there for me? | 0:23:37 | 0:23:41 | |
I won't let you fall. | 0:23:42 | 0:23:44 | |
-Oh! -There we are. | 0:23:47 | 0:23:49 | |
Wonderful. Now, when you jump onto the scales... | 0:23:49 | 0:23:53 | |
Jump onto the scales? | 0:23:53 | 0:23:54 | |
Yes. It'll tell me what your dead weight might be. | 0:23:54 | 0:23:58 | |
-Right. -Yeah. Are you ready? | 0:23:58 | 0:24:02 | |
-DOORBELL RINGS -Oh! | 0:24:02 | 0:24:04 | |
I'll get that. | 0:24:04 | 0:24:06 | |
Ah. He's in the surgery. | 0:24:11 | 0:24:14 | |
Do you do your best thinking from up there? | 0:24:19 | 0:24:22 | |
Joy. | 0:24:22 | 0:24:24 | |
Carol stole it because of me. | 0:24:24 | 0:24:27 | |
Can you tell us why, Nancy? | 0:24:27 | 0:24:30 | |
Miss Mahoney warned me | 0:24:30 | 0:24:32 | |
that my grades might not be enough to pass the year. | 0:24:32 | 0:24:34 | |
I told Carol at the party, | 0:24:37 | 0:24:39 | |
so she stole the doctor's record book for me. | 0:24:39 | 0:24:41 | |
So, you and Carol, you stick together? | 0:24:43 | 0:24:46 | |
She looks out for me. | 0:24:46 | 0:24:48 | |
So, if she told you to jump off a bridge... | 0:24:48 | 0:24:52 | |
We didn't hurt Hazel. | 0:24:52 | 0:24:54 | |
I thought the grades I got were unfair, so I told Carol. | 0:24:54 | 0:24:57 | |
You don't trust the marks Hazel gave you? | 0:24:57 | 0:24:59 | |
A lot of the time we're marked | 0:24:59 | 0:25:01 | |
based on how confident we are with our patients. | 0:25:01 | 0:25:03 | |
Which you're not? | 0:25:03 | 0:25:05 | |
Do you know how hard it is to be strong in the world | 0:25:05 | 0:25:07 | |
for someone like me? | 0:25:07 | 0:25:09 | |
The world is set up for people like YOU. | 0:25:11 | 0:25:13 | |
And you. | 0:25:15 | 0:25:16 | |
Were you instrumental in the death of Hazel Mahoney? | 0:25:16 | 0:25:21 | |
No. | 0:25:21 | 0:25:23 | |
Where'd the burns come from? | 0:25:23 | 0:25:25 | |
Where'd the burns come from?! | 0:25:25 | 0:25:28 | |
They rope burns? | 0:25:28 | 0:25:30 | |
What brings you back to town? | 0:25:33 | 0:25:34 | |
I'm doing a piece on a local surgeon. | 0:25:34 | 0:25:37 | |
Not Geoffrey Nicholson, I hope. | 0:25:37 | 0:25:39 | |
No. Patrick Tyneman has asked that I write a profile piece. | 0:25:39 | 0:25:43 | |
-On? -You. | 0:25:43 | 0:25:46 | |
Lucien, what did you honestly think would happen | 0:25:46 | 0:25:48 | |
when you introduced the two of us? | 0:25:48 | 0:25:51 | |
It's hard to deny you are a great story. | 0:25:51 | 0:25:54 | |
Besides, Patrick Tyneman has contacts beyond Ballarat, | 0:25:54 | 0:25:57 | |
and my editor is one of them. | 0:25:57 | 0:26:00 | |
It'd be slanderous. | 0:26:00 | 0:26:02 | |
Not if it's the truth. | 0:26:02 | 0:26:04 | |
And how much truth do you have on me? | 0:26:04 | 0:26:06 | |
You mean apart from you shutting down | 0:26:07 | 0:26:09 | |
a factory full of migrant workers? | 0:26:09 | 0:26:11 | |
And, according to Tyneman, attacking a visiting British consul. | 0:26:11 | 0:26:15 | |
Yes, that was a good one. | 0:26:15 | 0:26:16 | |
And now going after a prominent local surgeon. | 0:26:16 | 0:26:19 | |
Yes. | 0:26:19 | 0:26:21 | |
-It's quite an impressive list, isn't it? -Told you. | 0:26:22 | 0:26:25 | |
I still think the Nicholson story is better, and I'll tell you why. | 0:26:27 | 0:26:31 | |
I did some digging, | 0:26:31 | 0:26:33 | |
and I found out a patient died on his watch a couple of years ago | 0:26:33 | 0:26:37 | |
and assigned property to him in her will. | 0:26:37 | 0:26:40 | |
Not that he needs any more property, but anyway, | 0:26:40 | 0:26:42 | |
it'd make a terrific story. | 0:26:42 | 0:26:44 | |
Like every other time you've suggested a story. | 0:26:44 | 0:26:46 | |
No, no, no, this story will be terrific for you and your editor. | 0:26:46 | 0:26:49 | |
Look, Hazel Mahoney was murdered. | 0:26:49 | 0:26:53 | |
Geoffrey and Hazel were enemies. | 0:26:53 | 0:26:56 | |
-It's a long bow to draw. -Well... | 0:26:56 | 0:26:59 | |
So, why don't the police deal with Nicholson? | 0:27:02 | 0:27:05 | |
Oh, he hasn't been questioned yet due to his overwhelming surgical roster. | 0:27:05 | 0:27:10 | |
Surgeons certainly do live by their own rules. | 0:27:10 | 0:27:13 | |
I may have to bring him to trial myself | 0:27:13 | 0:27:15 | |
in a room full of hospital board members. | 0:27:15 | 0:27:17 | |
Might give me substance for my next article. | 0:27:17 | 0:27:19 | |
Yes. | 0:27:19 | 0:27:21 | |
Don't you open your mail these days? | 0:27:21 | 0:27:24 | |
Singapore. Your wife and child were last seen there, weren't they? | 0:27:24 | 0:27:28 | |
Yes, and the search continues. | 0:27:30 | 0:27:34 | |
Any word? | 0:27:34 | 0:27:36 | |
I'm afraid there may be a few words in that letter. | 0:27:39 | 0:27:43 | |
Inspector Lawson called. He asked if you'd go to the hospital | 0:27:43 | 0:27:46 | |
and have a look at Nancy Carmody's burn marks. | 0:27:46 | 0:27:49 | |
Excuse me, Sister. | 0:27:54 | 0:27:55 | |
Well, that certainly must have hurt. | 0:28:01 | 0:28:04 | |
Yes. | 0:28:04 | 0:28:06 | |
Superintendent Lawson wanted me to ask you about those burn marks. | 0:28:06 | 0:28:09 | |
I told him that they were not rope burns. | 0:28:09 | 0:28:11 | |
I didn't have anything to do with Hazel's... Miss Mahoney. | 0:28:11 | 0:28:15 | |
Clearly, they're not friction burns. How did you get those marks? | 0:28:15 | 0:28:18 | |
From the radiator in my dorm room. I'm naturally clumsy. | 0:28:18 | 0:28:21 | |
Naturally clumsy. Can't be a good thing in your profession. | 0:28:21 | 0:28:26 | |
Nancy, how long have you been doing this to yourself? | 0:28:28 | 0:28:31 | |
Please don't say anything... | 0:28:31 | 0:28:33 | |
I was just so anxious with my exams. | 0:28:35 | 0:28:38 | |
You know, Hazel was very, very pleased with your work. | 0:28:38 | 0:28:41 | |
Superintendent Lawson tells me | 0:28:41 | 0:28:43 | |
her report book was full of praise for you. | 0:28:43 | 0:28:45 | |
I'm going to arrange for you to see someone - someone who can help you. | 0:28:49 | 0:28:54 | |
All right? | 0:28:54 | 0:28:55 | |
-Thank you. -There you are. | 0:28:57 | 0:29:01 | |
Well, it certainly wasn't Nancy Carmody. | 0:29:07 | 0:29:09 | |
She's frightened of her own shadow. | 0:29:09 | 0:29:11 | |
Those marks on her hands, they weren't rope burns. | 0:29:11 | 0:29:14 | |
-Carol Stanning's all bravado. -But no alibi? | 0:29:14 | 0:29:17 | |
We've interviewed everyone who was at the party or rostered on. | 0:29:17 | 0:29:21 | |
-Geoffrey Nicholson? -We're still working on that. | 0:29:22 | 0:29:25 | |
Oh, come on, tell me you're joking! | 0:29:25 | 0:29:27 | |
I mean, surely he can find time between rounds of golf! | 0:29:27 | 0:29:29 | |
Apparently, they're one surgeon down at the hospital. | 0:29:29 | 0:29:32 | |
-He's been unable to get away. -Right, and Tyneman vouched for him. | 0:29:32 | 0:29:35 | |
He'll be brought in when we can get hold of him. | 0:29:35 | 0:29:37 | |
Well, can I at least check his surgical roster? | 0:29:37 | 0:29:39 | |
He wasn't rostered on. We've checked. | 0:29:39 | 0:29:41 | |
Ah. Well, the evidence is mounting, isn't it? | 0:29:41 | 0:29:44 | |
I don't need to remind you it's innocent until proven guilty, | 0:29:44 | 0:29:47 | |
not the other way around. | 0:29:47 | 0:29:48 | |
What about the needle marks? I mean, someone could have injected her. | 0:29:48 | 0:29:51 | |
Gus, what have you got? | 0:29:51 | 0:29:53 | |
Toxicology report for Miss Mahoney. | 0:29:53 | 0:29:56 | |
Miss Mahoney had morphine in her system. | 0:29:57 | 0:29:59 | |
Bet you weren't expecting that. | 0:30:02 | 0:30:05 | |
Morphine. | 0:30:05 | 0:30:06 | |
A controlled substance, therefore kept under lock and key. | 0:30:08 | 0:30:12 | |
The only people with access are senior medical staff. | 0:30:13 | 0:30:17 | |
Like I said, the evidence is mounting. | 0:30:18 | 0:30:23 | |
Leave it to us, Blake! | 0:30:23 | 0:30:24 | |
-PHONE RINGS -I'll get that. | 0:30:26 | 0:30:29 | |
Blake's residence. | 0:30:29 | 0:30:31 | |
Oh, Mrs McDonald. No, I'm afraid he isn't. | 0:30:31 | 0:30:34 | |
He's at his hospital board meeting. | 0:30:34 | 0:30:37 | |
Er, about 20 minutes ago, but you can leave a mess... | 0:30:37 | 0:30:40 | |
Yes, just here, thank you. | 0:30:46 | 0:30:48 | |
Lucien! | 0:30:51 | 0:30:52 | |
Lucien! | 0:30:56 | 0:30:57 | |
-Patrick. -Lucien! | 0:31:16 | 0:31:18 | |
In summary, an application was presented by Dr Hazel Mahoney. | 0:31:29 | 0:31:33 | |
Subsequently, that application was rejected | 0:31:33 | 0:31:36 | |
because it failed to receive sufficient votes. | 0:31:36 | 0:31:39 | |
I'd now like to hand over to Mr Nicholson | 0:31:39 | 0:31:42 | |
to discuss further presentations. | 0:31:42 | 0:31:45 | |
Gentlemen, my request is that the board support a research project | 0:31:45 | 0:31:49 | |
into new trans and surgical procedures | 0:31:49 | 0:31:51 | |
at the Johns Hopkins University in America. | 0:31:51 | 0:31:54 | |
And my request is... And my request is that we take on | 0:31:54 | 0:31:57 | |
Hazel Mahoney's recent proposal posthumously. | 0:31:57 | 0:32:00 | |
-Well, we won't be doing that, Blake. -Why not? | 0:32:00 | 0:32:02 | |
Because it's already been rejected! | 0:32:02 | 0:32:04 | |
Our current priority is to make Ballarat Hospital worthy | 0:32:04 | 0:32:08 | |
of international recognition. | 0:32:08 | 0:32:10 | |
Well, the procedures Hazel wanted to implement could do just that. | 0:32:10 | 0:32:14 | |
Gentlemen, my funding proposal sits in front of you. | 0:32:14 | 0:32:17 | |
I hope that it's considered with the utmost importance. | 0:32:17 | 0:32:20 | |
And I hope you all consider that Geoffrey Nicholson stands to make | 0:32:20 | 0:32:24 | |
a huge financial gain from Hazel's death, and that's motive. | 0:32:24 | 0:32:27 | |
-Sit down, Blake. -This is outrageous behaviour. | 0:32:27 | 0:32:30 | |
Well, there's plenty more. | 0:32:30 | 0:32:32 | |
The very fact that we don't know exactly how Hazel was killed | 0:32:32 | 0:32:35 | |
might suggest that she was, in fact, | 0:32:35 | 0:32:37 | |
killed by someone in possession of considerable medical knowledge, | 0:32:37 | 0:32:40 | |
and who had access to controlled substances. | 0:32:40 | 0:32:43 | |
Gentlemen, I won't be staying for any more speeches. | 0:32:43 | 0:32:46 | |
Blake, you cannot talk to this man like that! | 0:32:46 | 0:32:48 | |
Two years ago, | 0:32:48 | 0:32:49 | |
Geoffrey Nicholson had a patient who died quite unexpectedly. | 0:32:49 | 0:32:52 | |
There was an open finding into the death. | 0:32:52 | 0:32:54 | |
No cause was found, just like with Hazel, | 0:32:54 | 0:32:57 | |
and he made a significant financial gain out of that death as well. | 0:32:57 | 0:33:01 | |
Two weeks before she died, | 0:33:01 | 0:33:03 | |
the patient, Mary Ferguson, altered her will. | 0:33:03 | 0:33:06 | |
Fancy that! | 0:33:06 | 0:33:07 | |
Leaving all of her substantial estate to Geoffrey Nicholson. | 0:33:07 | 0:33:11 | |
That patient of mine who died is no secret. | 0:33:15 | 0:33:19 | |
What is a secret is that I was abandoned as a child, | 0:33:24 | 0:33:27 | |
spent most of my childhood in an orphanage, | 0:33:27 | 0:33:29 | |
but I worked hard and got a scholarship which allowed me | 0:33:29 | 0:33:32 | |
-to become a surgeon. -Geoffrey... | 0:33:32 | 0:33:34 | |
That patient was my birth mother, | 0:33:34 | 0:33:37 | |
and yes, she left me everything, which was not much. | 0:33:37 | 0:33:41 | |
Thank you for your explanation, Geoffrey, | 0:33:44 | 0:33:47 | |
however, it was completely unnecessary. | 0:33:47 | 0:33:51 | |
That still doesn't explain where you were when Hazel was killed. | 0:33:53 | 0:33:57 | |
I was called into surgery. | 0:33:57 | 0:33:59 | |
But you weren't rostered on, Geoffrey. | 0:33:59 | 0:34:01 | |
Because I was covering for another surgeon! | 0:34:01 | 0:34:03 | |
You can check the patient's records. | 0:34:03 | 0:34:05 | |
You're a loose cannon, Blake. | 0:34:07 | 0:34:09 | |
Get out of here before you do any more damage. | 0:34:09 | 0:34:11 | |
Gentlemen, you have my resignation, effective immediately. | 0:34:18 | 0:34:25 | |
That saves me the trouble of firing you. | 0:34:25 | 0:34:28 | |
Why didn't you tell me about your alibi, Geoffrey? | 0:34:30 | 0:34:33 | |
Geoffrey's silver spoon wasn't so silver. | 0:34:46 | 0:34:48 | |
-You knew. -I did some digging like you asked. | 0:34:48 | 0:34:51 | |
I tried to catch you before the meeting. Did you... | 0:34:51 | 0:34:55 | |
Make a complete fool of myself? Yes, I did. | 0:34:55 | 0:34:58 | |
-I'm sorry. -Well, at least you'll have plenty of material | 0:34:58 | 0:35:01 | |
-for your article. I have to go. -Lucien... | 0:35:01 | 0:35:03 | |
Look, make sure you write that article, Joy. | 0:35:03 | 0:35:05 | |
-At least you'll keep your job. -Lucien. | 0:35:05 | 0:35:08 | |
I don't want to interfere, but I have a colleague based in Kuantan | 0:35:08 | 0:35:13 | |
following the Malay emergency. | 0:35:13 | 0:35:16 | |
He posted a story on wartime missing persons last year. | 0:35:16 | 0:35:20 | |
He might be able to help locate your wife and child. | 0:35:21 | 0:35:24 | |
Thank you. | 0:35:27 | 0:35:29 | |
I'll see what I can do. | 0:35:29 | 0:35:31 | |
Miss Stanning, what can we do for you? | 0:35:39 | 0:35:41 | |
-Is Inspector Lawson here? -He's with someone. Can I help you? | 0:35:41 | 0:35:46 | |
-I wanted to make a statement. -OK. | 0:35:46 | 0:35:50 | |
A couple of the girls and I had been drinking that night. | 0:35:50 | 0:35:53 | |
I was showing them the new X-ray machine. | 0:35:53 | 0:35:56 | |
I accidentally scratched one of the glass plates with one of my rings. | 0:35:56 | 0:35:59 | |
Sounds like an expensive accident. | 0:35:59 | 0:36:02 | |
Thought if I kept quiet I could buy some time, | 0:36:02 | 0:36:04 | |
work out a way of perhaps replacing it. | 0:36:04 | 0:36:07 | |
And admitting to it is better than being a suspect in a murder. | 0:36:07 | 0:36:11 | |
That still doesn't explain | 0:36:13 | 0:36:15 | |
how Hazel's record book was found in your room. | 0:36:15 | 0:36:17 | |
Well, maybe we should match your fingerprints. | 0:36:20 | 0:36:23 | |
Look... | 0:36:25 | 0:36:26 | |
..I took it. | 0:36:28 | 0:36:30 | |
I wanted to know that Nancy was telling the truth about her marks | 0:36:30 | 0:36:33 | |
before I confronted Hazel. | 0:36:33 | 0:36:35 | |
There was no chance to give it back after she was found. | 0:36:35 | 0:36:38 | |
Where is he? | 0:36:38 | 0:36:39 | |
Lawson! Lawson! | 0:36:39 | 0:36:42 | |
Get out of my way! Out of my way! | 0:36:42 | 0:36:44 | |
Patrick! What seems to be the problem? | 0:36:44 | 0:36:46 | |
Your bloody mate, Lucien bloody Blake. | 0:36:46 | 0:36:48 | |
-He's gone too far this time. -What's he done now? | 0:36:48 | 0:36:51 | |
-I want him sacked! -Well, hang on a minute. | 0:36:51 | 0:36:53 | |
You sack him, or I'll go over your head. | 0:36:53 | 0:36:57 | |
SHE KNOCKS ON DOOR | 0:37:25 | 0:37:28 | |
I thought you might need some tea. | 0:37:28 | 0:37:31 | |
Lucien? | 0:37:33 | 0:37:35 | |
I made a fool of myself, Jean. | 0:37:38 | 0:37:40 | |
I humiliated Geoffrey Nicholson in front of the entire hospital board. | 0:37:42 | 0:37:46 | |
I treated the man like he was a bloody criminal. | 0:37:46 | 0:37:49 | |
Then I resigned from the board | 0:37:50 | 0:37:52 | |
before they had the chance to formally remove me. | 0:37:52 | 0:37:54 | |
I thought I should let you know | 0:37:54 | 0:37:55 | |
before you heard it from someone else. | 0:37:55 | 0:37:58 | |
So, you're the police surgeon, | 0:37:58 | 0:38:01 | |
and you've resigned from the hospital board in disgrace. | 0:38:01 | 0:38:04 | |
Well, I thought that would be the proper thing to do... | 0:38:04 | 0:38:06 | |
That's not the point. | 0:38:06 | 0:38:08 | |
Piece by piece, | 0:38:09 | 0:38:11 | |
you've unravelled everything your father has built here. | 0:38:11 | 0:38:15 | |
Don't you understand? | 0:38:17 | 0:38:19 | |
Your patients need you. | 0:38:19 | 0:38:21 | |
We need you. | 0:38:23 | 0:38:25 | |
And you don't need the likes of Geoffrey Nicholson | 0:38:27 | 0:38:30 | |
to make your life difficult, | 0:38:30 | 0:38:31 | |
because you do that perfectly well by yourself! | 0:38:31 | 0:38:34 | |
And one day, people might just stop forgiving you, and then what? | 0:38:34 | 0:38:40 | |
Jean, are you all right? | 0:39:05 | 0:39:07 | |
-Evening. -Evening, Matthew. | 0:39:11 | 0:39:14 | |
Whiskey's a good idea. | 0:39:14 | 0:39:15 | |
He does all the damage when he's sober anyway. | 0:39:15 | 0:39:18 | |
HE KNOCKS ON DOOR | 0:40:08 | 0:40:11 | |
Just saw Jean outside. | 0:40:32 | 0:40:34 | |
She can't stand the sight of you either. | 0:40:35 | 0:40:39 | |
To what do I owe this visit - business or pleasure? | 0:40:39 | 0:40:42 | |
Pleasure. I'm here to fire you at the behest of Patrick Tyneman. | 0:40:42 | 0:40:46 | |
Wonderful(!) | 0:40:48 | 0:40:50 | |
It's been wonderful working with you. | 0:40:53 | 0:40:55 | |
Now all I have to do is place an advertisement for a police surgeon. | 0:40:56 | 0:41:00 | |
Well, I hate to say it, but Gus would be the obvious choice. | 0:41:02 | 0:41:05 | |
If he didn't already have a brand-new job in the big city, | 0:41:05 | 0:41:08 | |
-and he didn't drive me more crazy than you do. -Thanks very much(!) | 0:41:08 | 0:41:11 | |
Doesn't leave many on the list of candidates. | 0:41:11 | 0:41:14 | |
What about you? You working at the moment? | 0:41:15 | 0:41:17 | |
Well, interestingly enough, I've just been fired, | 0:41:17 | 0:41:20 | |
-so it's probably good timing. -I'll take that as a yes, then. | 0:41:20 | 0:41:22 | |
Oh, Matthew, why would you want to re-hire me? | 0:41:22 | 0:41:25 | |
I cause you nothing but trouble. | 0:41:25 | 0:41:27 | |
And as it turns out, I make terrible bloody mistakes. | 0:41:29 | 0:41:32 | |
You get it right more often than you get it wrong. | 0:41:32 | 0:41:34 | |
Whoever killed Hazel covered their tracks superbly. | 0:41:37 | 0:41:41 | |
Truth is, I can't do it without you. | 0:41:44 | 0:41:47 | |
And what about Tyneman? | 0:41:47 | 0:41:48 | |
You find out who killed Hazel, Tyneman will get off your back. | 0:41:48 | 0:41:51 | |
If he doesn't, I'll handle him. | 0:41:51 | 0:41:53 | |
Hazel's record book. | 0:41:55 | 0:41:58 | |
Towards the back, you'll find a list of her daily activities. | 0:41:58 | 0:42:02 | |
Might help. | 0:42:02 | 0:42:03 | |
Yes, it might. | 0:42:05 | 0:42:06 | |
So, who do you think killed this doctor, then? | 0:42:06 | 0:42:09 | |
I don't know. | 0:42:11 | 0:42:13 | |
One thing I know for certain, it's someone at that hospital. | 0:42:13 | 0:42:17 | |
That narrows the field down. | 0:42:17 | 0:42:20 | |
Morning. | 0:42:50 | 0:42:52 | |
Haven't seen Jean, have you? | 0:42:52 | 0:42:54 | |
No, I've been at the hospital all night. | 0:42:54 | 0:42:56 | |
Is there any new information? | 0:42:59 | 0:43:02 | |
Um...I don't know if I mentioned this before. | 0:43:02 | 0:43:06 | |
We found puncture marks on Hazel's body. | 0:43:06 | 0:43:10 | |
Are they intravenous? | 0:43:10 | 0:43:11 | |
Intramuscular. She tested positive for morphine. | 0:43:11 | 0:43:15 | |
No, Hazel wasn't a morphine user. | 0:43:17 | 0:43:19 | |
No, I wouldn't have thought so. | 0:43:19 | 0:43:21 | |
But sometimes these things go unnoticed. | 0:43:22 | 0:43:26 | |
No, it's a depressant. | 0:43:26 | 0:43:28 | |
If she was on anything, which I doubt, it would've been a stimulant. | 0:43:28 | 0:43:31 | |
The woman didn't stop. | 0:43:31 | 0:43:33 | |
Do you know, Mattie, I've never questioned an autopsy report. | 0:43:36 | 0:43:42 | |
Dr Blake. | 0:43:48 | 0:43:50 | |
Linda, how are you? | 0:43:50 | 0:43:52 | |
OK. The place isn't really the same. | 0:43:52 | 0:43:55 | |
-What can I do for you? -I don't suppose I could take a look | 0:43:56 | 0:43:59 | |
through some of the old prescriptions, could I? | 0:43:59 | 0:44:01 | |
Mr Nicholson wouldn't really approve. | 0:44:01 | 0:44:03 | |
No, of course, and I respect that. | 0:44:03 | 0:44:07 | |
Thank you, Linda. Thank you for your time. | 0:44:08 | 0:44:10 | |
Dr Blake! Is this about Miss Mahoney? | 0:44:11 | 0:44:15 | |
Yes, it is. | 0:44:16 | 0:44:18 | |
You can search by name here, or by the drug type here, | 0:44:26 | 0:44:30 | |
thanks to Miss Mahoney. | 0:44:30 | 0:44:32 | |
Morning, Linda. Can I get a prescription made up? | 0:44:32 | 0:44:36 | |
Linda, erm, look, er, | 0:45:01 | 0:45:05 | |
a Mr Giovanni Morgagni has taken out a fair bit of morphine. | 0:45:05 | 0:45:11 | |
-Do you know this patient? -No. | 0:45:11 | 0:45:14 | |
Do you mind if I hang onto this? I will bring it back. | 0:45:15 | 0:45:18 | |
-OK. -Thank you. | 0:45:20 | 0:45:22 | |
TROLLEY CLANGS | 0:46:38 | 0:46:41 | |
Anyone ever tell you, when you're trying to get away with murder, | 0:46:46 | 0:46:50 | |
never leave a paper trail? | 0:46:50 | 0:46:52 | |
Prescriptions for morphine | 0:46:56 | 0:46:58 | |
under the name of a famous dead Italian pathologist... | 0:46:58 | 0:47:01 | |
not a smart move. | 0:47:01 | 0:47:03 | |
Your choice of lethal injection, however - exceptional. | 0:47:07 | 0:47:12 | |
Potassium chloride, hardly detectable after death. | 0:47:13 | 0:47:16 | |
Of course, it explains the puncture marks on Hazel's legs. | 0:47:18 | 0:47:21 | |
Indeed, it was Hazel's procedures that uncovered the fact | 0:47:21 | 0:47:26 | |
that you were a morphine addict. | 0:47:26 | 0:47:29 | |
She even gave you a chance to get clean, didn't she, Gus? | 0:47:29 | 0:47:33 | |
Would've meant the end of my career. | 0:47:34 | 0:47:37 | |
So, you dealt with that problem by killing her, didn't you? | 0:47:37 | 0:47:39 | |
Miss Mahoney had morphine in her system. | 0:47:39 | 0:47:41 | |
You tried to make her look like the addict | 0:47:41 | 0:47:44 | |
by substituting your blood for hers. | 0:47:44 | 0:47:46 | |
Oh, you're so smart, aren't you? | 0:47:46 | 0:47:48 | |
You know what I wonder about, Gus? | 0:47:50 | 0:47:52 | |
I wonder why you didn't simply give her an overdose of morphine, | 0:47:52 | 0:47:54 | |
but of course, that's part of the problem with addiction, isn't it? | 0:47:54 | 0:47:57 | |
It's tough to part with the goods. | 0:47:57 | 0:47:59 | |
A healthy 40-year-old woman with puncture wounds to her upper legs | 0:47:59 | 0:48:03 | |
-would've started an investigation. -Yes, of course. | 0:48:03 | 0:48:07 | |
So, you tried to make it look like suicide. | 0:48:12 | 0:48:14 | |
It was a nice touch with the little stool, I tell you. | 0:48:14 | 0:48:17 | |
It's just a shame you faced the steps the wrong way. | 0:48:17 | 0:48:20 | |
Oh, come on, Gus. Two deaths in one week involving potassium chloride. | 0:48:21 | 0:48:26 | |
It's going to look a little suspicious, isn't it? | 0:48:26 | 0:48:28 | |
And you're not nearly strong enough to string me up. | 0:48:29 | 0:48:33 | |
Was this all part of your plan, Gus, | 0:48:33 | 0:48:35 | |
when you made the decision to study medicine, hmm? | 0:48:35 | 0:48:38 | |
Is this all part of your calling, hmm? | 0:48:38 | 0:48:40 | |
I tell you what, I'll make it easy for you, really easy. | 0:48:40 | 0:48:43 | |
Here's a vein. Come on! The idea of dying doesn't disturb me! | 0:48:43 | 0:48:46 | |
-FROM OUTSIDE: -Blake! | 0:48:46 | 0:48:48 | |
-Knowing what you've done, though... -Blake! | 0:48:48 | 0:48:49 | |
is a different matter entirely! | 0:48:49 | 0:48:51 | |
Drop it! Drop the syringe. Drop it! | 0:48:51 | 0:48:54 | |
Drop it now! | 0:48:54 | 0:48:56 | |
Mattie O'Brien told me you were here. Thought you might need a hand. | 0:49:03 | 0:49:08 | |
Thank you. | 0:49:31 | 0:49:32 | |
Lucien! | 0:50:59 | 0:51:00 | |
'Dear Jean, | 0:51:18 | 0:51:20 | |
'I have received word that my daughter is alive, | 0:51:20 | 0:51:25 | |
'and arrangements have been made for me to meet with her in Shanghai. | 0:51:25 | 0:51:29 | |
'This is the journey I have longed to make for so many years. | 0:51:30 | 0:51:34 | |
'You of all people will understand | 0:51:35 | 0:51:37 | |
'how much I need to see her, to hold her... | 0:51:37 | 0:51:41 | |
'..to tell her I love her.' | 0:51:42 | 0:51:45 | |
Oh! Inspector Lawson. | 0:51:47 | 0:51:49 | |
Hello, Jean. | 0:51:49 | 0:51:51 | |
Well, come in. | 0:51:51 | 0:51:53 | |
Blake called me at the station. He's on his way to Shanghai. | 0:52:03 | 0:52:08 | |
He wants to take some leave from work. | 0:52:08 | 0:52:10 | |
He wanted me to pick this up and give it to you. | 0:52:12 | 0:52:16 | |
Oh... | 0:52:16 | 0:52:17 | |
He'd like you to open it. | 0:52:17 | 0:52:19 | |
BLAKE'S VOICE: 'Who knows what will happen or how it will end, | 0:52:21 | 0:52:24 | |
'but please know this - | 0:52:24 | 0:52:27 | |
'I'm coming back to Ballarat, to my father's house. | 0:52:27 | 0:52:30 | |
'I have found a place of light in the darkness. | 0:52:32 | 0:52:35 | |
'I have found my home. | 0:52:36 | 0:52:39 | |
'Thank you for caring, and for being my friend. | 0:52:39 | 0:52:43 | |
'For the first time in a very long time, | 0:52:47 | 0:52:51 | |
'this feels like the beginning and not the end. | 0:52:51 | 0:52:54 | |
'Yours, with much affection, Lucien.' | 0:52:58 | 0:53:04 | |
Subtitles by Red Bee Media Ltd | 0:53:13 | 0:53:18 |