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Admit it, Doc, you've got no hope. | 0:00:02 | 0:00:04 | |
28 to win, you've got two throws left. | 0:00:04 | 0:00:06 | |
I don't want to put you off but I can't see it happening, eh? | 0:00:06 | 0:00:09 | |
They call my Doctor Dart, Danny. | 0:00:11 | 0:00:12 | |
Ah, that would be 12. | 0:00:15 | 0:00:17 | |
Double eight to win. Loser buys the last round. | 0:00:17 | 0:00:19 | |
OK, I'll buy the drinks if you win because you've got no chance. | 0:00:19 | 0:00:23 | |
Dr Blake! | 0:00:23 | 0:00:25 | |
Thanks for that, Joe. | 0:00:25 | 0:00:27 | |
I just wondered if you'd had any more thoughts about tomorrow night? | 0:00:29 | 0:00:32 | |
No. | 0:00:32 | 0:00:33 | |
Ten to six, gentlemen! Last drinks! | 0:00:33 | 0:00:36 | |
You and the Consul both saw action on Malay Peninsula during the war. | 0:00:36 | 0:00:40 | |
The board actually thought you'd like to introduce him. | 0:00:40 | 0:00:42 | |
Please don't take this the wrong way, Joe. I'd rather have typhoid. | 0:00:43 | 0:00:47 | |
BELL RINGS Ring that bell, you shout the bar. | 0:00:51 | 0:00:55 | |
Yeah, I know. Drinks are on me! CHEERING | 0:00:55 | 0:00:57 | |
Hang on, hang on. Money upfront. | 0:00:57 | 0:00:59 | |
Five quids should cover it. How about this instead? | 0:00:59 | 0:01:03 | |
Where'd you get this from? Dug it out of the ground, where else? | 0:01:03 | 0:01:05 | |
Hmh! Drinks are on Arthur! | 0:01:07 | 0:01:10 | |
CHEERING | 0:01:10 | 0:01:12 | |
Hey, hey, hey, you still owe me a drink. | 0:01:12 | 0:01:14 | |
Didn't you hear that? Drinks are on Arthur. | 0:01:14 | 0:01:16 | |
INDISTINCT CONVERSATION | 0:01:19 | 0:01:22 | |
LAUGHTER | 0:01:22 | 0:01:24 | |
METAL CLANGS | 0:01:25 | 0:01:27 | |
ENGINE IDLES | 0:01:43 | 0:01:45 | |
DOOR CLOSES | 0:01:47 | 0:01:49 | |
Hello? | 0:02:20 | 0:02:21 | |
Is anybody there? | 0:02:38 | 0:02:40 | |
RUSTLING | 0:02:55 | 0:02:56 | |
Why don't you show yourself, you coward! | 0:03:01 | 0:03:04 | |
Ah! GLASS SMASHES | 0:03:16 | 0:03:18 | |
What were you doing down here this morning, Mr Vernick? | 0:04:11 | 0:04:14 | |
Shooting. | 0:04:14 | 0:04:15 | |
Oh, is this your property? Nope. | 0:04:15 | 0:04:17 | |
You usually go out shooting on other people's properties, do ya? | 0:04:17 | 0:04:20 | |
Nope. | 0:04:20 | 0:04:21 | |
Danny. Doc. | 0:04:24 | 0:04:26 | |
Need a hand? I'm sure I can manage, Bill, thank you. | 0:04:28 | 0:04:30 | |
That you, Blake? | 0:04:32 | 0:04:34 | |
Well, you took your time. | 0:04:34 | 0:04:35 | |
Try not to slip. | 0:04:40 | 0:04:41 | |
You might want to watch your step there. | 0:04:51 | 0:04:54 | |
No wallet, no ID. | 0:05:10 | 0:05:12 | |
His name's Arthur. | 0:05:12 | 0:05:14 | |
Surname? I don't know. | 0:05:16 | 0:05:18 | |
Came in at the pub last night telling everyone he'd struck gold. | 0:05:18 | 0:05:21 | |
Well, that was smart(!) | 0:05:21 | 0:05:23 | |
You right, there? | 0:05:26 | 0:05:27 | |
Yes, I'm fine. You don't look it. | 0:05:29 | 0:05:31 | |
He's changed his clothes. | 0:05:33 | 0:05:36 | |
Got rid of the beard. | 0:05:36 | 0:05:38 | |
Aftershave. | 0:05:39 | 0:05:41 | |
Island Bay rum. | 0:05:43 | 0:05:45 | |
I reckon it's dodgy. | 0:05:49 | 0:05:51 | |
You mind if we talk about this somewhere else? | 0:05:52 | 0:05:54 | |
Broken ladder rung. It was thrown on top of him. | 0:05:54 | 0:05:58 | |
Someone threw him down here first and broke the ladder | 0:05:58 | 0:06:01 | |
to make it look like an accident. | 0:06:01 | 0:06:02 | |
I'm sorry, I'm going to have to get out of here. | 0:06:02 | 0:06:04 | |
He was murdered. | 0:06:04 | 0:06:06 | |
HE PANTS | 0:06:21 | 0:06:24 | |
What's he doing now? | 0:06:59 | 0:07:01 | |
Lawson! | 0:07:12 | 0:07:13 | |
Tyre track. | 0:07:15 | 0:07:16 | |
Made after Arthur's car arrived. | 0:07:16 | 0:07:19 | |
By a motorcycle stopping about here. | 0:07:20 | 0:07:22 | |
BELLS RING | 0:07:26 | 0:07:28 | |
Margaret. Doctor. | 0:07:46 | 0:07:48 | |
My appointment, I'm so sorry. | 0:07:48 | 0:07:50 | |
It's been a terrible morning. | 0:07:50 | 0:07:52 | |
Margaret, who's that? It's Dr Blake! | 0:07:52 | 0:07:54 | |
Please don't say anything about my tests in front of Eric. | 0:07:56 | 0:07:58 | |
Of course. Come in. | 0:07:58 | 0:08:00 | |
Thank you. | 0:08:00 | 0:08:02 | |
Well, your tests were fine. | 0:08:06 | 0:08:08 | |
There's no reason you shouldn't be able to conceive a child. | 0:08:08 | 0:08:10 | |
If there is a physiological problem... | 0:08:10 | 0:08:12 | |
..it's not yours. | 0:08:13 | 0:08:15 | |
Now, I appreciate you've had something of a shock this morning... | 0:08:16 | 0:08:18 | |
What do you mean, Doctor? | 0:08:18 | 0:08:20 | |
The police? | 0:08:22 | 0:08:24 | |
I'm sorry, I thought... | 0:08:24 | 0:08:26 | |
Margaret, what the devil are the police doing here? | 0:08:26 | 0:08:29 | |
Doctor. Eric. | 0:08:32 | 0:08:34 | |
Well? I don't know. | 0:08:34 | 0:08:36 | |
KNOCK AT DOOR | 0:08:36 | 0:08:37 | |
Good morning. | 0:08:41 | 0:08:43 | |
I understand a man named Arthur rents the bungalow at the back. | 0:08:43 | 0:08:46 | |
Yes? Name's Arthur Pike. Why? | 0:08:46 | 0:08:49 | |
Uh, Mr Pike died in his gold mine overnight. | 0:08:49 | 0:08:53 | |
We don't know the cause of death at this time | 0:08:53 | 0:08:56 | |
but we're treating it as suspicious. | 0:08:56 | 0:08:58 | |
Just wondering if Constable Parks and I could come in | 0:08:58 | 0:09:01 | |
and take a look at his living quarters. Certainly. | 0:09:01 | 0:09:04 | |
Did you see him last night, Mr Reid? | 0:09:14 | 0:09:16 | |
I was in the club all night. Haven't seen the fellow for weeks. | 0:09:16 | 0:09:20 | |
OK, could you open the door and step aside for me, please? | 0:09:20 | 0:09:22 | |
What the hell do you think you're doing? | 0:09:22 | 0:09:24 | |
Two hours to tell these people, what took you so long? | 0:09:24 | 0:09:26 | |
He's just their boarder and you're pre-empting the investigation. | 0:09:26 | 0:09:29 | |
And why would I do that? I don't know. | 0:09:29 | 0:09:32 | |
Because you're a pain in the arse? Leave. Now. | 0:09:32 | 0:09:35 | |
I mean it. Go. | 0:09:48 | 0:09:49 | |
Oh, it's gorgeous, isn't it? | 0:10:02 | 0:10:05 | |
Are they sapphires? | 0:10:05 | 0:10:07 | |
And a pearl in the middle. | 0:10:07 | 0:10:08 | |
One of these days you'll be wearing a ring like this. | 0:10:08 | 0:10:11 | |
I can't wait. | 0:10:11 | 0:10:12 | |
Any patients? Two. | 0:10:12 | 0:10:14 | |
You'd know that yourself if you'd come through the front door. | 0:10:14 | 0:10:16 | |
Dr Blake, this is Eadie. Ah, the bride-to-be. Congratulations. | 0:10:16 | 0:10:21 | |
Thank you. Eadie, you still looking for something borrowed? | 0:10:21 | 0:10:24 | |
I thought you might like to wear this. Oh, it's lovely. You sure? | 0:10:24 | 0:10:27 | |
No, never gets worn any more. | 0:10:27 | 0:10:29 | |
Your parents must be very excited. | 0:10:31 | 0:10:33 | |
Oh, my mum is on the warpath. | 0:10:33 | 0:10:35 | |
Oh, why? She doesn't want me to quit work after the wedding. | 0:10:35 | 0:10:39 | |
Ah. We had such a fight. Can't blame her. Mattie! | 0:10:39 | 0:10:42 | |
You don't want to stop working entirely, do you? | 0:10:42 | 0:10:45 | |
Yes, I do. Some women are more than happy to just be wives and mothers, Mattie. Exactly. | 0:10:45 | 0:10:50 | |
How was your dead body? | 0:10:50 | 0:10:52 | |
Pretty quiet. | 0:10:52 | 0:10:54 | |
Gold prospector, Arthur Pike. | 0:10:54 | 0:10:56 | |
..Isn't it? | 0:10:56 | 0:10:58 | |
So, are you going to stop nagging me about quitting my job? | 0:11:00 | 0:11:03 | |
Or can we try on that dress? | 0:11:03 | 0:11:06 | |
BOTH GIGGLE | 0:11:06 | 0:11:08 | |
You going to the reception tonight? | 0:11:10 | 0:11:12 | |
For the new British consul? | 0:11:14 | 0:11:16 | |
No. | 0:11:16 | 0:11:18 | |
Well, you'll be missing out. | 0:11:18 | 0:11:20 | |
It'll be a lovely occasion. | 0:11:20 | 0:11:22 | |
So I'm told. | 0:11:22 | 0:11:24 | |
You know he was in Singapore? | 0:11:25 | 0:11:27 | |
Like you were. | 0:11:27 | 0:11:28 | |
You might find you have something in common. | 0:11:30 | 0:11:33 | |
I doubt that. | 0:11:33 | 0:11:35 | |
Oh... | 0:11:35 | 0:11:36 | |
Now, tell me about these dizzy spells of yours. | 0:11:36 | 0:11:39 | |
I get them every morning when I get out of bed. | 0:11:39 | 0:11:42 | |
Lucien... Your hands! | 0:11:44 | 0:11:47 | |
You know I always get nervous in your company. | 0:11:49 | 0:11:52 | |
You're avoiding the question. | 0:11:53 | 0:11:55 | |
This town would do well to see a whole lot more of you, Lucien. | 0:11:57 | 0:12:01 | |
It's beautiful. | 0:12:06 | 0:12:08 | |
Do you think? Mm-hm, yes. | 0:12:08 | 0:12:10 | |
You'll be brilliant, I just know it. | 0:12:12 | 0:12:14 | |
You all right? | 0:12:16 | 0:12:18 | |
Yes. Right as rain. | 0:12:18 | 0:12:20 | |
Knock, knock. Ah. | 0:12:22 | 0:12:24 | |
Everybody. | 0:12:24 | 0:12:26 | |
Baby. | 0:12:26 | 0:12:27 | |
Wow, um, well, we should go. | 0:12:29 | 0:12:31 | |
Thank you. You're welcome. | 0:12:33 | 0:12:35 | |
Bye-bye! Bye! | 0:12:38 | 0:12:39 | |
She could do so much better than him. | 0:12:41 | 0:12:43 | |
Come on. Can I take this off now? | 0:12:43 | 0:12:45 | |
Mm-hm. | 0:12:45 | 0:12:47 | |
I have an idea. | 0:12:53 | 0:12:55 | |
Let's save some time, then. | 0:12:55 | 0:12:57 | |
Two cranial blunt force trauma injuries. | 0:12:58 | 0:13:00 | |
The first, inflicted by something cylindrical. | 0:13:00 | 0:13:03 | |
Pot? Exactly. | 0:13:03 | 0:13:05 | |
But I think the second one killed him. | 0:13:05 | 0:13:08 | |
Probably hit his head on the side of the mine shaft | 0:13:08 | 0:13:10 | |
when he fell down. | 0:13:10 | 0:13:11 | |
Great(!) | 0:13:13 | 0:13:15 | |
Goodness, you sound surprised. | 0:13:15 | 0:13:17 | |
Now, these burn marks. | 0:13:17 | 0:13:18 | |
Gus, what do you make of them? | 0:13:18 | 0:13:20 | |
Um, they're recent, second degree, | 0:13:20 | 0:13:22 | |
distending to the reticular dermis. | 0:13:22 | 0:13:24 | |
Looks like he was tortured. | 0:13:24 | 0:13:26 | |
Oh, come on. What self-respecting torturer would focus | 0:13:26 | 0:13:28 | |
all his attention on the forearms | 0:13:28 | 0:13:30 | |
and leave the genitals untouched? | 0:13:30 | 0:13:32 | |
Do you know a self-respecting torturer? | 0:13:32 | 0:13:35 | |
Once upon a time I knew a whole squad of them. | 0:13:35 | 0:13:37 | |
Now, look, there's some atrophy in this left leg. | 0:13:37 | 0:13:40 | |
It looks like he's had some kind of surgery on that left ankle. | 0:13:40 | 0:13:43 | |
Wouldn't you say? | 0:13:43 | 0:13:45 | |
Why don't you just take my job? | 0:13:45 | 0:13:46 | |
I could spend more time with patients who have a pulse. | 0:13:46 | 0:13:49 | |
Oh, Gus. You have no idea how much I enjoy our little chats. | 0:13:49 | 0:13:53 | |
Cranial blunt force, died after being thrown down the mine shaft. | 0:14:00 | 0:14:03 | |
Why are you here? ..Parks! | 0:14:03 | 0:14:05 | |
Sir? Get a witness statement from the doctor. | 0:14:07 | 0:14:10 | |
Witness statement? | 0:14:10 | 0:14:12 | |
That way. | 0:14:12 | 0:14:14 | |
We're interviewing everyone who was in the pub last night. | 0:14:20 | 0:14:23 | |
Ah. And who's going to be taking your statement, Danny? | 0:14:23 | 0:14:26 | |
I am. Be careful you don't incriminate yourself. | 0:14:26 | 0:14:30 | |
Who do you remember there? | 0:14:30 | 0:14:32 | |
You, and I want a rematch. | 0:14:32 | 0:14:34 | |
What time did you leave last night? | 0:14:34 | 0:14:36 | |
6.10. | 0:14:36 | 0:14:38 | |
You find anything in Arthur's flat? | 0:14:39 | 0:14:41 | |
No gold. Stolen? | 0:14:41 | 0:14:43 | |
Someone broke into his flat after he died. | 0:14:45 | 0:14:47 | |
Now, after you left the pub... Anything else? | 0:14:48 | 0:14:51 | |
Um, in his room? | 0:14:51 | 0:14:52 | |
Driver's licence. | 0:14:54 | 0:14:56 | |
Had to tear the place apart to find it. | 0:14:56 | 0:14:58 | |
Was in a book under his bed. | 0:14:58 | 0:15:00 | |
In a book? | 0:15:00 | 0:15:01 | |
Ah. | 0:15:03 | 0:15:04 | |
And where do you keep your licence, Danny? | 0:15:04 | 0:15:07 | |
In my wallet. Hmm. | 0:15:07 | 0:15:09 | |
May I see it? This licence? | 0:15:09 | 0:15:13 | |
Doc... | 0:15:13 | 0:15:14 | |
Come on, Danny. | 0:15:16 | 0:15:18 | |
Well done. | 0:15:27 | 0:15:29 | |
Anything else with his name on it? | 0:15:29 | 0:15:31 | |
No. | 0:15:31 | 0:15:33 | |
Car registration? | 0:15:33 | 0:15:35 | |
Yeah, the car was bought with cash. | 0:15:35 | 0:15:38 | |
The rego wasn't transferred. | 0:15:38 | 0:15:39 | |
Can you hurry up, please? | 0:15:41 | 0:15:43 | |
What about Margaret Reid? | 0:15:43 | 0:15:45 | |
Margaret Reid, did she tell you anything else about her board? | 0:15:45 | 0:15:47 | |
He was a gold prospector, that's all she knew. | 0:15:47 | 0:15:49 | |
Well, I'll tell you something. | 0:15:51 | 0:15:52 | |
His hands were as soft as a baby's bum. | 0:15:52 | 0:15:54 | |
Arthur Pike never lifted a shovel in his life. | 0:15:54 | 0:15:57 | |
Oi! What are you doing here? | 0:17:04 | 0:17:06 | |
Haven't made up my mind. | 0:17:08 | 0:17:09 | |
What's down there? Nothing. | 0:17:09 | 0:17:12 | |
Let's say I wanted to find out. | 0:17:12 | 0:17:14 | |
You shoot many rabbits with that? | 0:17:18 | 0:17:20 | |
All kinds of vermin. | 0:17:20 | 0:17:22 | |
Well, happy hunting. | 0:17:25 | 0:17:26 | |
MUSIC PLAYS | 0:17:36 | 0:17:39 | |
There'll be dancing tonight, you know? | 0:18:02 | 0:18:04 | |
Oh. Is it lunchtime already? | 0:18:04 | 0:18:07 | |
No. No, I just thought you might be practising for the reception. | 0:18:07 | 0:18:11 | |
By myself? | 0:18:11 | 0:18:13 | |
Well, you need all the practice you can get. | 0:18:13 | 0:18:15 | |
I can... I can help you if you like. | 0:18:18 | 0:18:21 | |
I'm not sure the Consul appreciates barn dancing | 0:18:23 | 0:18:25 | |
but thanks anyway. | 0:18:25 | 0:18:27 | |
I can dance. | 0:18:29 | 0:18:30 | |
Is that how you arrest people? | 0:18:32 | 0:18:34 | |
You do know I'm supposed to lead? | 0:18:48 | 0:18:51 | |
Is that what you're doing? I thought you just looked nervous. | 0:18:51 | 0:18:54 | |
I've arrested much worse than you. | 0:18:54 | 0:18:58 | |
Oh, I'm scared now. | 0:18:58 | 0:19:00 | |
And you should be. | 0:19:00 | 0:19:02 | |
You're undone. | 0:19:06 | 0:19:07 | |
Got you. | 0:19:15 | 0:19:17 | |
How are you, Rod? | 0:19:27 | 0:19:29 | |
Listen, just wondering, that nugget that chap brought in last night, | 0:19:29 | 0:19:32 | |
you still got it? Yeah, why? | 0:19:32 | 0:19:34 | |
I'm a metallurgist. | 0:19:34 | 0:19:36 | |
And I always thought you were a doctor. | 0:19:36 | 0:19:38 | |
Ah, I'm always galvanising, brazing, plating, | 0:19:38 | 0:19:41 | |
can't get enough of the stuff. | 0:19:41 | 0:19:42 | |
Anyone ever tell you you're full of it? All the time. | 0:19:42 | 0:19:45 | |
Ah. Caused a bit of a fuss last night. | 0:19:47 | 0:19:49 | |
At least a half a dozen guys have gone out today with shovels. | 0:19:50 | 0:19:53 | |
How many drinks did this thing buy last night? Less than it could have. | 0:19:53 | 0:19:57 | |
I told the bloke he could have used it on tick. | 0:19:57 | 0:19:59 | |
Said he didn't need tick. He was leaving town. | 0:19:59 | 0:20:02 | |
Where was he going? Didn't say. | 0:20:02 | 0:20:04 | |
Tell you what, I'll have it back to you within the hour. | 0:20:04 | 0:20:06 | |
Make sure you do. | 0:20:06 | 0:20:08 | |
I don't trust blow-ins. | 0:20:08 | 0:20:10 | |
Have you given any more thought to making the speech tonight? | 0:20:37 | 0:20:40 | |
None at all. What do you think, Joe? | 0:20:40 | 0:20:43 | |
Well, it's good quality. Reasonable size too. | 0:20:45 | 0:20:47 | |
Easy to sing. Would buy you a fair few drinks. | 0:20:47 | 0:20:51 | |
Many people coming in with strikes these days? | 0:20:52 | 0:20:54 | |
Oh, it's a gold rush town. | 0:20:54 | 0:20:56 | |
Perhaps we can expect fist fights in the main street again, eh? | 0:20:58 | 0:21:01 | |
Liven things up a bit. | 0:21:01 | 0:21:03 | |
Had Arthur ever brought you gold before? | 0:21:03 | 0:21:05 | |
He wouldn't come to me. | 0:21:05 | 0:21:07 | |
There are bigger dealers. | 0:21:07 | 0:21:09 | |
So what would you do, Joe? You're down in the mine, | 0:21:09 | 0:21:11 | |
you're swinging your pick, you strike gold. | 0:21:11 | 0:21:13 | |
Would you leave town? Probably. | 0:21:15 | 0:21:17 | |
I can't stand mines. | 0:21:17 | 0:21:19 | |
Tell me, what would you say that is? | 0:21:20 | 0:21:23 | |
Uh, quartz? | 0:21:24 | 0:21:26 | |
And here, this black stuff on the side? | 0:21:26 | 0:21:30 | |
It looks like... I don't know. | 0:21:30 | 0:21:32 | |
Some form of carbon. | 0:21:34 | 0:21:35 | |
Coal. | 0:21:36 | 0:21:38 | |
Coal in a gold seam, is that...? | 0:21:38 | 0:21:40 | |
It's not usual. | 0:21:40 | 0:21:42 | |
Look, can you please give some more thought to tonight? | 0:21:44 | 0:21:48 | |
If you don't do it, I'll have to and I hate public speaking. | 0:21:48 | 0:21:53 | |
Me too. | 0:21:53 | 0:21:55 | |
Let's see what this thing's worth. | 0:21:58 | 0:22:00 | |
Mattie! | 0:22:20 | 0:22:22 | |
Just wondering, Mr Stirling rostered on this evening? | 0:22:24 | 0:22:26 | |
I can check if you like, why? | 0:22:26 | 0:22:28 | |
I want a second opinion. There's a scar on the body I examined. | 0:22:28 | 0:22:31 | |
Where's the scar? Left ankle. | 0:22:31 | 0:22:33 | |
Anterior or posterior? Anterior. | 0:22:33 | 0:22:35 | |
Any atrophy in the leg? Yes. | 0:22:35 | 0:22:38 | |
It could be tendon transfer surgery. Post-polio. | 0:22:38 | 0:22:41 | |
Polio. Of course. | 0:22:42 | 0:22:44 | |
Mattie, you're brilliant. | 0:22:45 | 0:22:47 | |
Melbourne General was the only place that did work like that. | 0:22:47 | 0:22:49 | |
Are you coming tonight? I'll be busy. | 0:22:51 | 0:22:53 | |
Doing what? Haven't decided. | 0:22:53 | 0:22:55 | |
Yes, the name was Pike. | 0:23:02 | 0:23:05 | |
Arthur Pike. | 0:23:05 | 0:23:07 | |
Well, um... | 0:23:08 | 0:23:10 | |
I'm guessing the operation would have been some... | 0:23:10 | 0:23:12 | |
..30 odd years ago, yes. | 0:23:13 | 0:23:15 | |
Any chance I could come and take a look at those records for myself? | 0:23:16 | 0:23:19 | |
Oh, really? | 0:23:21 | 0:23:23 | |
That would be tremendous. | 0:23:23 | 0:23:24 | |
KNOCK AT DOOR I'll get it! | 0:23:24 | 0:23:26 | |
Thank you! | 0:23:26 | 0:23:28 | |
Um, yes, thank you so much. Much appreciated. | 0:23:28 | 0:23:32 | |
Eadie! Can we see the doctor? | 0:23:33 | 0:23:35 | |
Of course. Don't fuss, I'm all right. | 0:23:35 | 0:23:37 | |
No, it's not all right. I'm fine. | 0:23:37 | 0:23:38 | |
No, no, no, come through. Come through. | 0:23:38 | 0:23:42 | |
Eadie. | 0:23:42 | 0:23:43 | |
Scratched it you said, huh? More like a splinter. | 0:23:47 | 0:23:51 | |
What from? A fence. | 0:23:51 | 0:23:53 | |
I think it's infected. | 0:24:00 | 0:24:01 | |
When did this happen? | 0:24:03 | 0:24:05 | |
Uh, yesterday. | 0:24:05 | 0:24:06 | |
I tried to dig it out last night. | 0:24:06 | 0:24:09 | |
All right. | 0:24:12 | 0:24:13 | |
Well, you'll have septicaemia if we don't get a wriggle on. | 0:24:13 | 0:24:16 | |
So, hold still for me. | 0:24:16 | 0:24:20 | |
And... Ah! | 0:24:23 | 0:24:26 | |
There we are. | 0:24:26 | 0:24:29 | |
How about that? | 0:24:30 | 0:24:32 | |
Now, you're going to need some penicillin | 0:24:32 | 0:24:34 | |
so just sit tight. | 0:24:34 | 0:24:36 | |
Jean, would you draw me up a penicillin shot, please? | 0:24:39 | 0:24:41 | |
Of course. | 0:24:41 | 0:24:43 | |
And phone the police. | 0:24:43 | 0:24:44 | |
Eadie, you work at the council land titles office, don't you? | 0:24:47 | 0:24:49 | |
Yes. | 0:24:49 | 0:24:51 | |
I imagine that would involve a lot of digging through records. | 0:24:51 | 0:24:55 | |
Now, what was on the other side of that fence | 0:25:02 | 0:25:05 | |
that was so important? Eh? | 0:25:05 | 0:25:06 | |
You said you got the splinter jumping a fence. | 0:25:08 | 0:25:10 | |
Just taking a shortcut home from work. | 0:25:10 | 0:25:12 | |
Really? What time? About five. | 0:25:12 | 0:25:15 | |
Oh. I saw you at the pub after that. | 0:25:17 | 0:25:20 | |
Your hand was fine, you were playing darts. | 0:25:20 | 0:25:21 | |
Maybe it was later, I can't remember too well. | 0:25:23 | 0:25:26 | |
Oh, really. | 0:25:26 | 0:25:27 | |
Ah! | 0:25:27 | 0:25:29 | |
That splinter in your hand came from the ladder | 0:25:35 | 0:25:37 | |
in Arthur Pike's mine. What? | 0:25:37 | 0:25:39 | |
After you left the pub last night, | 0:25:39 | 0:25:41 | |
you had Eadie go back and find the exact location of that mine | 0:25:41 | 0:25:44 | |
and then you rode over there on your motorcycle. | 0:25:44 | 0:25:46 | |
No, no, Russ, listen. You're going to have to concentrate | 0:25:46 | 0:25:49 | |
on what you're going to tell the police. What? No, I didn't do it. | 0:25:49 | 0:25:52 | |
It's all right. | 0:25:52 | 0:25:54 | |
Call a solicitor from here, I'll find the number for you. | 0:25:54 | 0:25:57 | |
PATRIOTIC MUSIC PLAYS | 0:26:02 | 0:26:04 | |
There's no way Russ killed that man. Evening. Lucien. | 0:26:09 | 0:26:12 | |
All right, he may not have killed him. | 0:26:13 | 0:26:16 | |
But he was there last night. And that makes him a killer? | 0:26:16 | 0:26:19 | |
No, but it will make the police very curious. | 0:26:19 | 0:26:23 | |
Well, Eadie's beside herself. She said YOU called the police. | 0:26:23 | 0:26:26 | |
Actually, Jean called them. | 0:26:26 | 0:26:28 | |
This isn't funny. | 0:26:28 | 0:26:30 | |
Come on. | 0:26:30 | 0:26:32 | |
I thought you didn't like him. Russ is an idiot. | 0:26:33 | 0:26:36 | |
But he doesn't pretend to be anything else. | 0:26:36 | 0:26:37 | |
I thought even you would be able to see that. | 0:26:37 | 0:26:40 | |
I'm off to the reception. I won't expect you there. | 0:26:42 | 0:26:45 | |
RADIO: 'And that was the ABC Studio Orchestra | 0:26:47 | 0:26:50 | |
'with King And Country | 0:26:50 | 0:26:52 | |
'which provides the perfect entree to my very special guest, | 0:26:52 | 0:26:54 | |
'the British Consul General, Sir Richard Lambeth, | 0:26:54 | 0:26:57 | |
'who arrived in Ballarat this afternoon. | 0:26:57 | 0:26:59 | |
'Welcome, Your Excellency. Thank you. | 0:26:59 | 0:27:01 | |
'Is this your first visit to Ballarat? | 0:27:01 | 0:27:03 | |
'It is and what a beautiful place.' Beautiful. | 0:27:03 | 0:27:06 | |
'Wonderful architecture and such generous people. | 0:27:06 | 0:27:09 | |
'Everyone has been most hospitable.' | 0:27:09 | 0:27:11 | |
Hospitable. | 0:27:11 | 0:27:13 | |
'And there's your reception tonight of course. | 0:27:13 | 0:27:14 | |
'I'm looking forward to it enormously. | 0:27:14 | 0:27:16 | |
'Her Majesty speaks so warmly about the reception she received | 0:27:16 | 0:27:19 | |
'here in 1954. | 0:27:19 | 0:27:21 | |
'It'd be lovely to have one of my own.' | 0:27:21 | 0:27:23 | |
Lovely. | 0:27:23 | 0:27:24 | |
'And of course this coincides with the news | 0:27:24 | 0:27:26 | |
'that Singapore is about to become a fully self-governing colony. | 0:27:26 | 0:27:29 | |
'As you know, I was on the Malay Peninsula during the war | 0:27:29 | 0:27:32 | |
'and it simply...' | 0:27:32 | 0:27:34 | |
RADIO OFF | 0:27:34 | 0:27:35 | |
You told my wife she's barren because of me. | 0:27:58 | 0:28:01 | |
Eric! If it's because of you, that'd mean she's not barren. | 0:28:01 | 0:28:03 | |
You come into my house, you poison my marriage. | 0:28:03 | 0:28:06 | |
Oh, please! The poisoning occurred | 0:28:06 | 0:28:08 | |
long before I showed up on the scene. | 0:28:08 | 0:28:10 | |
You're drunk. And you're a liar. | 0:28:10 | 0:28:12 | |
Oh, look! The British Consul. | 0:28:12 | 0:28:15 | |
Hoorah for Singapore. | 0:28:15 | 0:28:16 | |
By the way, I thought you said you were here at the club last night. | 0:28:19 | 0:28:23 | |
Come on. | 0:28:28 | 0:28:30 | |
Ladies and gentlemen, uh... | 0:28:31 | 0:28:33 | |
..on behalf of the British Australia Society... | 0:28:35 | 0:28:38 | |
..it's my pleasure to welcome the British Consul | 0:28:40 | 0:28:44 | |
here to...to Ballarat. | 0:28:44 | 0:28:46 | |
And... | 0:28:46 | 0:28:48 | |
A-And isn't it great to have him here? | 0:28:50 | 0:28:53 | |
APPLAUSE | 0:28:53 | 0:28:56 | |
Terrific work done... | 0:28:59 | 0:29:01 | |
Thank you, Joe, thank you. | 0:29:01 | 0:29:03 | |
And yes, it's an absolute delight to have the British Consul here. | 0:29:03 | 0:29:08 | |
Truly a delight. Richard Lambeth, ladies and gentlemen. | 0:29:08 | 0:29:11 | |
Let's give him another round of applause, shall we? | 0:29:11 | 0:29:13 | |
APPLAUSE | 0:29:13 | 0:29:15 | |
Thank you, Joe, thank you. | 0:29:19 | 0:29:20 | |
You know, I was listening to Dick on the wireless. | 0:29:20 | 0:29:22 | |
You don't mind if I call you Dick, do you? | 0:29:22 | 0:29:24 | |
Of course not. | 0:29:24 | 0:29:26 | |
I was listening to Dick on the wireless. | 0:29:26 | 0:29:27 | |
He was talking about the terrific work | 0:29:27 | 0:29:29 | |
the Poms are doing in Singapore since the war. | 0:29:29 | 0:29:31 | |
Of course, that depends on how you define | 0:29:31 | 0:29:33 | |
famine, neglect and revenge killing, really, | 0:29:33 | 0:29:35 | |
but none of that, none of that, is Dick's fault. | 0:29:35 | 0:29:38 | |
Of course, so let's give him another round of applause! | 0:29:38 | 0:29:41 | |
What do you say? Hear! Hear! MURMURING | 0:29:41 | 0:29:44 | |
Don't call me Dick. | 0:29:44 | 0:29:47 | |
Oh, I'm sorry. You should have mentioned. | 0:29:47 | 0:29:49 | |
Anyway, I was thinking, we love it | 0:29:49 | 0:29:53 | |
when the Empire sends one of its own to tell us | 0:29:53 | 0:29:55 | |
how splendidly we're all doing. | 0:29:55 | 0:29:57 | |
Jolly good. | 0:29:57 | 0:29:59 | |
Wonderful, eh? Chin up! Stiff upper lip! | 0:29:59 | 0:30:02 | |
Yes, we might have abandoned you lot to die when the Japs attacked. | 0:30:02 | 0:30:05 | |
But Dick's here to tell us that everything is just...lovely now. | 0:30:07 | 0:30:11 | |
Of course, Singapore is just one in a long line of | 0:30:11 | 0:30:14 | |
complete stuff-ups. I mean, how could we forget the Suez, hmm? | 0:30:14 | 0:30:18 | |
Or the Somme. | 0:30:18 | 0:30:21 | |
What about Gallipoli? | 0:30:21 | 0:30:23 | |
Look, I think it's about time you left. Now. | 0:30:23 | 0:30:25 | |
No! You're the ones who leave. | 0:30:25 | 0:30:27 | |
I lost my wife and my child in Singapore | 0:30:29 | 0:30:32 | |
when you lot... If your lot hadn't been such cowards... | 0:30:32 | 0:30:35 | |
Oh, how dare you! Blake! | 0:30:35 | 0:30:37 | |
MURMURING | 0:30:37 | 0:30:40 | |
Do you think he'll be all right? | 0:31:00 | 0:31:02 | |
Nothing that a night behind bars won't fix. | 0:31:02 | 0:31:05 | |
I'm going to bed. Good night. Good night. | 0:31:05 | 0:31:08 | |
Night, Mattie. Good night. | 0:31:08 | 0:31:09 | |
So much for dancing. Yeah. | 0:31:12 | 0:31:14 | |
Thanks to the doc. | 0:31:14 | 0:31:15 | |
Well, it was pretty interesting. | 0:31:17 | 0:31:19 | |
Yeah, yes, it was. | 0:31:19 | 0:31:21 | |
Good night. Good night. | 0:31:23 | 0:31:25 | |
You punched a cop in the face? Apparently. | 0:31:36 | 0:31:39 | |
Why? Because it was there. | 0:31:39 | 0:31:42 | |
Proud of yourself? | 0:31:44 | 0:31:45 | |
Have you been charged? | 0:31:47 | 0:31:48 | |
Detectives are coming up from Melbourne in the morning. | 0:31:48 | 0:31:51 | |
I came to you for help. | 0:31:53 | 0:31:54 | |
Tell me about how you came to have that piece of ladder in your hand. | 0:31:54 | 0:31:58 | |
Why should I? | 0:31:58 | 0:31:59 | |
The bloke in the pub said he'd struck gold. | 0:32:02 | 0:32:05 | |
I thought I should go take a look. | 0:32:05 | 0:32:06 | |
You thought you'd steal it from him? | 0:32:06 | 0:32:08 | |
Well, I was going to dig some more up. | 0:32:08 | 0:32:10 | |
At night? I'm getting married in a week. | 0:32:10 | 0:32:12 | |
I just...I just wanted to give Eadie a honeymoon. | 0:32:13 | 0:32:16 | |
Keep talking to me. Tell me about that ladder. | 0:32:23 | 0:32:26 | |
It was rotten. | 0:32:27 | 0:32:29 | |
As soon as I got on it, the rungs broke under me. | 0:32:29 | 0:32:31 | |
Nearly fell in. | 0:32:31 | 0:32:33 | |
You must have seen Arthur's car. | 0:32:33 | 0:32:35 | |
But there was no light on. | 0:32:35 | 0:32:37 | |
Look, I even sang out down the hole. | 0:32:37 | 0:32:40 | |
What's wrong with you? | 0:32:47 | 0:32:48 | |
I'm just a little bit anxious. | 0:32:48 | 0:32:50 | |
All you did was punch someone. | 0:32:51 | 0:32:53 | |
They reckon I killed a bloke. | 0:32:53 | 0:32:55 | |
A few years ago I was... | 0:32:55 | 0:32:57 | |
..put in a very... confined space for... | 0:32:59 | 0:33:01 | |
..stealing a can of pineapple. | 0:33:03 | 0:33:05 | |
How long? 40 days. | 0:33:05 | 0:33:08 | |
For a tin of fruit?! | 0:33:09 | 0:33:11 | |
Do me a favour, just... | 0:33:13 | 0:33:16 | |
Just keep talking, would you? | 0:33:16 | 0:33:18 | |
I... Anything. I don't care what it's about. | 0:33:18 | 0:33:20 | |
My dad's a dentist. A dentist! Dentistry, I love that, come on. | 0:33:22 | 0:33:26 | |
Talk to me about that, tell me all about that. | 0:33:26 | 0:33:29 | |
He reckons that putting fluoride in the water's dangerous | 0:33:29 | 0:33:33 | |
because nobody knows what it'll do. | 0:33:33 | 0:33:36 | |
He reckons if kids ate more nuts, you know, that'll fix everything. | 0:33:36 | 0:33:39 | |
Nuts. You know? | 0:33:39 | 0:33:40 | |
Fluoride comes from smelting. | 0:33:40 | 0:33:42 | |
I mean, do you really want to drink that stuff? | 0:33:42 | 0:33:44 | |
..God, it's like, why would you pay ten shillings for a jumper | 0:33:48 | 0:33:54 | |
that your mum can knit you for nothing? | 0:33:54 | 0:33:57 | |
I mean, it doesn't make sense. | 0:33:57 | 0:33:59 | |
And besides, she loves me. | 0:33:59 | 0:34:02 | |
# Well, I'm just starting school | 0:34:05 | 0:34:07 | |
# Like a real, real cool | 0:34:07 | 0:34:09 | |
# Gonna shake, gonna jive | 0:34:09 | 0:34:10 | |
# Get the message that I gotta be alive | 0:34:10 | 0:34:12 | |
# I'm a wild boy Ooh, yeah! | 0:34:12 | 0:34:14 | |
# I'm a wild boy... # | 0:34:14 | 0:34:15 | |
You know anything else? | 0:34:15 | 0:34:17 | |
HE CONTINUES TO SING | 0:34:17 | 0:34:19 | |
We can place him at the scene but that's all we've got. | 0:34:40 | 0:34:42 | |
I've held him on a lesser charge. | 0:34:42 | 0:34:45 | |
You were stationed at St Kilda for a while, weren't you? | 0:34:45 | 0:34:47 | |
Yeah, a few years ago. Hmm. | 0:34:47 | 0:34:48 | |
Really landed on your feet here, haven't you? | 0:34:48 | 0:34:50 | |
Yeah, I spoke to the prisoner. He's... Got any tea? Pardon? | 0:34:52 | 0:34:56 | |
Tea in a pot. Got any? In the kitchen. | 0:34:56 | 0:34:58 | |
One white, one black, no sugar. Where's your interview room? | 0:34:58 | 0:35:03 | |
Up the stairs. Bring the prisoner up, can you? | 0:35:03 | 0:35:06 | |
Make some tea. ..Bill. | 0:35:09 | 0:35:12 | |
Russ, time to get up. | 0:35:14 | 0:35:16 | |
KEYS JANGLE | 0:35:18 | 0:35:21 | |
Didn't know your middle name was Radcliffe. | 0:35:37 | 0:35:39 | |
After my grandfather. | 0:35:41 | 0:35:43 | |
I'm sure he's very proud. | 0:35:44 | 0:35:46 | |
Before you charge that boy, you should talk to Eric Reid. | 0:35:49 | 0:35:53 | |
Why would I do that? | 0:35:57 | 0:35:59 | |
I don't think Russ is capable of killing anyone. | 0:36:01 | 0:36:03 | |
It's out of my hands. Homicide are onto him. | 0:36:07 | 0:36:10 | |
I... | 0:36:13 | 0:36:15 | |
I am truly sorry, Matthew. | 0:36:17 | 0:36:18 | |
People have been very patient with me and... | 0:36:20 | 0:36:22 | |
I certainly wouldn't blame them if they decided they'd had enough. | 0:36:22 | 0:36:26 | |
Is this a confession? Are you a priest? | 0:36:28 | 0:36:30 | |
So you ever bloody stop? | 0:36:31 | 0:36:33 | |
Arthur Pike's not the bloke's real name. | 0:36:37 | 0:36:39 | |
His driver's licence was forged. No record of him anywhere. | 0:36:39 | 0:36:43 | |
I thought you said this was out of your hands. | 0:36:43 | 0:36:45 | |
The body has a scar from tendon replacement surgery. | 0:36:50 | 0:36:53 | |
Melbourne General was the only hospital doing that kind of work. | 0:36:53 | 0:36:57 | |
Anything else I should know? | 0:36:58 | 0:36:59 | |
You really should talk to Eric Reid. | 0:37:01 | 0:37:03 | |
He said he was at the club when Arthur was killed, but he didn't sign in. | 0:37:04 | 0:37:08 | |
And why would Eric Reid kill him? | 0:37:11 | 0:37:13 | |
Oh, I don't know. | 0:37:13 | 0:37:14 | |
You do realise that given your arrest last night, | 0:37:19 | 0:37:22 | |
I'm required by law to sack you? | 0:37:22 | 0:37:24 | |
Yes. | 0:37:25 | 0:37:27 | |
But I'd rather you didn't. | 0:37:28 | 0:37:30 | |
Hm. | 0:37:32 | 0:37:33 | |
You made a splash. | 0:37:39 | 0:37:41 | |
I'm afraid I don't remember it too well. | 0:37:41 | 0:37:45 | |
Wish I could say the same. | 0:37:45 | 0:37:47 | |
I thought I might take a drive down | 0:37:47 | 0:37:48 | |
to Melbourne later on if the afternoon's free. | 0:37:48 | 0:37:51 | |
Who do you think you are, Lucien? | 0:37:57 | 0:37:59 | |
I embarrassed you. Oh, I don't care about the embarrassment. | 0:38:01 | 0:38:04 | |
It's the lecturing I don't like. | 0:38:04 | 0:38:06 | |
And the fact that you think you're the only one who matters. | 0:38:06 | 0:38:09 | |
Everyone in that room lost someone or something. | 0:38:10 | 0:38:13 | |
You're not the only one. | 0:38:13 | 0:38:15 | |
You embarrassed yourself. | 0:38:16 | 0:38:18 | |
But you insulted the rest of us. | 0:38:20 | 0:38:21 | |
ENGINE TURNS | 0:38:25 | 0:38:26 | |
Just through the back, thanks. | 0:38:44 | 0:38:46 | |
HE KNOCKS | 0:39:28 | 0:39:30 | |
Ah, Mr Springer. | 0:39:33 | 0:39:35 | |
Is the doctor in? No, he's in Melbourne. | 0:39:36 | 0:39:38 | |
But I can make an appointment, if you like. | 0:39:38 | 0:39:41 | |
No, I don't want an appointment. | 0:39:41 | 0:39:42 | |
I want an apology. And then I never want to see him again. | 0:39:42 | 0:39:46 | |
Right. Well, I'll pass that on. Do that. | 0:39:46 | 0:39:49 | |
You tell him from me he's an arrogant fool. | 0:39:49 | 0:39:52 | |
Sorry, I won't be telling him that. | 0:39:52 | 0:39:55 | |
No, no, that'll be right. | 0:39:55 | 0:39:57 | |
You work for HIM, don't you? | 0:39:57 | 0:39:59 | |
I have my own mind, Mr Springer. | 0:40:00 | 0:40:03 | |
You know what people say about the two of you. | 0:40:03 | 0:40:05 | |
I will let him know that you called! | 0:40:08 | 0:40:10 | |
God, I hate polio. | 0:40:46 | 0:40:49 | |
You have a patient. | 0:40:49 | 0:40:50 | |
Mrs Reid? | 0:40:53 | 0:40:55 | |
Thank you, Jean. | 0:40:57 | 0:40:58 | |
Margaret. What a surprise. | 0:40:58 | 0:41:01 | |
I thought after last night you'd be changing doctors. | 0:41:01 | 0:41:04 | |
Actually, I agree with everything you said. | 0:41:04 | 0:41:06 | |
Not that I'd tell Eric. | 0:41:06 | 0:41:08 | |
Well, you did tell Eric about your test results. | 0:41:08 | 0:41:11 | |
I thought you didn't want him to know. | 0:41:11 | 0:41:13 | |
He wondered you came to our house. | 0:41:13 | 0:41:14 | |
I'm sorry, he can be... | 0:41:14 | 0:41:17 | |
Persuasive? | 0:41:17 | 0:41:18 | |
He can be a bully. Ah. | 0:41:18 | 0:41:20 | |
Doctor, I think I might be pregnant. | 0:41:24 | 0:41:26 | |
Does Eric know? No. | 0:41:27 | 0:41:30 | |
And you believe Arthur Pike is the father? | 0:41:33 | 0:41:36 | |
Your reaction to his death was not the reaction of a landlady. | 0:41:39 | 0:41:41 | |
There was an unopened bottle of champagne in his room. | 0:41:41 | 0:41:45 | |
And I think he was planning a celebration with female company | 0:41:45 | 0:41:48 | |
and of course, Eric is unable to have children. | 0:41:48 | 0:41:53 | |
You know of course Arthur Pike is not his real name? | 0:41:54 | 0:41:56 | |
Yes. | 0:41:56 | 0:41:58 | |
It was John Strickland. | 0:41:58 | 0:42:00 | |
Who was he? | 0:42:02 | 0:42:04 | |
I don't know what he'd done. | 0:42:04 | 0:42:05 | |
But he was kind. | 0:42:05 | 0:42:07 | |
He should never have told people he'd found the gold. | 0:42:08 | 0:42:11 | |
So why did he? | 0:42:11 | 0:42:12 | |
Really, why? | 0:42:12 | 0:42:14 | |
Especially given the fact that he didn't actually find any. | 0:42:14 | 0:42:16 | |
But he did. I saw it. | 0:42:16 | 0:42:18 | |
Where did he keep it? I don't know. | 0:42:18 | 0:42:21 | |
Doctor... I was going to leave Eric. | 0:42:23 | 0:42:26 | |
John was overjoyed about the baby. | 0:42:27 | 0:42:29 | |
What can I do? | 0:42:32 | 0:42:33 | |
Brian? What's happened here? | 0:42:38 | 0:42:40 | |
Brawl here last night. Five blokes injured. | 0:42:40 | 0:42:43 | |
Ah. Blow-ins? Yeah. | 0:42:43 | 0:42:45 | |
I'd love a beer. Yeah, mate. | 0:42:45 | 0:42:48 | |
RADIO PLAYS IN BACKGROUND | 0:42:48 | 0:42:51 | |
Russ Barlow's been charged with the murder of Arthur Pike. | 0:43:00 | 0:43:02 | |
Actually, his name was John Strickland. | 0:43:02 | 0:43:05 | |
You learned that down in Melbourne? | 0:43:05 | 0:43:06 | |
No, Margaret told me. | 0:43:08 | 0:43:09 | |
Who was he? Absolutely no idea. | 0:43:09 | 0:43:13 | |
But he had an affair with Margaret. | 0:43:14 | 0:43:17 | |
What? | 0:43:18 | 0:43:20 | |
Well, we can rule Eric Reid out. Thank you, Brian. | 0:43:21 | 0:43:24 | |
He was busy on the night of the murder. Doing what? | 0:43:24 | 0:43:28 | |
I would have thought a bloke like you would | 0:43:30 | 0:43:32 | |
at least have a stab at it. | 0:43:32 | 0:43:34 | |
No! | 0:43:34 | 0:43:36 | |
Eric... | 0:43:37 | 0:43:38 | |
The woman swears he was with her. | 0:43:41 | 0:43:42 | |
Apparently their usual Wednesday night. | 0:43:43 | 0:43:46 | |
Happy family there(!) | 0:43:47 | 0:43:49 | |
Anyhow, Margaret said she saw the gold. | 0:43:49 | 0:43:52 | |
Where is it now? | 0:43:52 | 0:43:53 | |
I thought I told you there's no gold here. | 0:44:16 | 0:44:18 | |
Maybe we're just not looking hard enough. | 0:44:18 | 0:44:20 | |
I know because I bloody looked for it. | 0:44:20 | 0:44:22 | |
This used to be my claim. | 0:44:22 | 0:44:24 | |
It must have made you pretty angry when you found out he'd struck gold. | 0:44:24 | 0:44:28 | |
You know, I'm still curious. | 0:44:31 | 0:44:34 | |
What is down there? Nothing. | 0:44:34 | 0:44:36 | |
Really? | 0:44:36 | 0:44:37 | |
Maybe I'll just take a little look. | 0:44:37 | 0:44:39 | |
COCKS GUN | 0:44:39 | 0:44:41 | |
GUNSHOT | 0:44:42 | 0:44:44 | |
You want to shoot me? Hmm? | 0:44:50 | 0:44:53 | |
You want to kill me? | 0:44:53 | 0:44:55 | |
And then what? You thought about that? | 0:44:57 | 0:45:00 | |
Look, I worked this mine for ten years. There was nothing. | 0:45:00 | 0:45:03 | |
It would have driven me mad too. | 0:45:05 | 0:45:07 | |
But you've got a decision to make. | 0:45:09 | 0:45:11 | |
You either shoot me in the back. | 0:45:12 | 0:45:14 | |
Or you get the hell out of here, right now. | 0:45:15 | 0:45:18 | |
What?! | 0:45:31 | 0:45:32 | |
Did you report it? No. | 0:45:34 | 0:45:36 | |
He took a shot at you. Yes. | 0:45:36 | 0:45:38 | |
Well, I imagine people are lining up for the chance. | 0:45:40 | 0:45:42 | |
HE LAUGHS | 0:45:42 | 0:45:44 | |
I'm sure you're probably right. | 0:45:44 | 0:45:46 | |
Um, Jean... | 0:45:47 | 0:45:49 | |
If you were running away from town with your adulterous lover... | 0:45:51 | 0:45:57 | |
what would you do? | 0:45:57 | 0:45:58 | |
And this is something I don't want anyone to know about? | 0:45:58 | 0:46:00 | |
You most certainly do not. | 0:46:00 | 0:46:02 | |
Well, I'd make appointments for the following day | 0:46:04 | 0:46:06 | |
knowing I'd never make them. | 0:46:06 | 0:46:08 | |
I'd be sure of where I was going to. | 0:46:09 | 0:46:11 | |
And then I'd pack the car. | 0:46:12 | 0:46:14 | |
SHE TYPES | 0:46:19 | 0:46:22 | |
Apparently, John Strickland was interviewed about a gold theft | 0:46:28 | 0:46:32 | |
two years ago. They couldn't find anything on him. | 0:46:32 | 0:46:34 | |
How much was stolen? ?20,000. | 0:46:34 | 0:46:37 | |
Taken from a dealer in Melbourne. | 0:46:37 | 0:46:39 | |
Hmm, listen, do me a favour. | 0:46:39 | 0:46:42 | |
Charge Jan Vernick with gross stupidity | 0:46:42 | 0:46:44 | |
and confiscate his rifle, would you? | 0:46:44 | 0:46:46 | |
Sir, we've got it! | 0:46:48 | 0:46:49 | |
Oh! Ah... | 0:46:53 | 0:46:55 | |
Old ingots are stamped. He must have melted them down. | 0:46:56 | 0:46:59 | |
You see a foundry out there anywhere? No. | 0:46:59 | 0:47:02 | |
That would be how he got the burn marks on the arm. | 0:47:02 | 0:47:05 | |
Whoever killed him came back and ransacked his room. | 0:47:05 | 0:47:07 | |
And they're probably still looking. | 0:47:07 | 0:47:09 | |
You think Vernick had something to do with it? | 0:47:09 | 0:47:12 | |
I don't know. What kind of car does he drive? | 0:47:12 | 0:47:15 | |
Well, Jan doesn't drive a car. | 0:47:15 | 0:47:17 | |
Oh, my head hurts. | 0:47:24 | 0:47:26 | |
There's some Bex in the bathroom cupboard. | 0:47:26 | 0:47:28 | |
Crazy old Jan Vernick's at the mine. | 0:47:30 | 0:47:32 | |
And there's a car there. Thing is, Jan Vernick doesn't own a car. | 0:47:33 | 0:47:37 | |
Stolen? | 0:47:37 | 0:47:38 | |
The gold was stolen, not the car. | 0:47:38 | 0:47:40 | |
By the way, Joe Springer dropped in earlier to see you. | 0:47:40 | 0:47:43 | |
Yeah? Is he armed as well? | 0:47:43 | 0:47:46 | |
I think he'd appreciate an apology. | 0:47:46 | 0:47:49 | |
Yes, I... | 0:47:50 | 0:47:52 | |
I probably should do that. You do have something in common. | 0:47:52 | 0:47:55 | |
He took over the family business too. | 0:47:55 | 0:47:57 | |
It's a tragic story, really. They were gold merchants in Melbourne | 0:47:57 | 0:48:00 | |
until his father got robbed and he lost everything. | 0:48:00 | 0:48:02 | |
?20,000. His father died soon after that | 0:48:05 | 0:48:07 | |
and Joe moved the business here with his mother to start afresh. | 0:48:07 | 0:48:10 | |
Jean, I'm a bloody fool. Well, I wouldn't go that far. | 0:48:10 | 0:48:14 | |
No, no, no, the car. | 0:48:14 | 0:48:16 | |
It's his car. He's still looking for the gold. | 0:48:16 | 0:48:19 | |
Hello? | 0:49:13 | 0:49:14 | |
Are you here? | 0:49:19 | 0:49:21 | |
Over here! | 0:49:21 | 0:49:23 | |
Where are you? Here. | 0:49:25 | 0:49:27 | |
Oh, Joe. | 0:49:30 | 0:49:32 | |
Are you hurt? | 0:49:35 | 0:49:36 | |
I don't think so but I can't move. | 0:49:38 | 0:49:40 | |
The wall caved in. | 0:49:40 | 0:49:42 | |
I was just having a look around. | 0:49:44 | 0:49:45 | |
That's all right, Joe, I know why you're here. | 0:49:45 | 0:49:48 | |
?20,000 worth of gold stolen from your father's safe. | 0:49:50 | 0:49:54 | |
And John Strickland was his accounts clerk. | 0:49:56 | 0:49:59 | |
Who? | 0:49:59 | 0:50:01 | |
Joe, come on. | 0:50:01 | 0:50:02 | |
You know, that chap you recognised who walked into the pub. | 0:50:02 | 0:50:06 | |
Hang on, hang on. | 0:50:06 | 0:50:07 | |
My dad saved for his retirement his whole life. | 0:50:11 | 0:50:16 | |
And it was gone in one night. | 0:50:18 | 0:50:19 | |
Ruined him. | 0:50:21 | 0:50:22 | |
He was already sick. | 0:50:25 | 0:50:26 | |
But after that, he just... | 0:50:27 | 0:50:30 | |
..stopped eating. | 0:50:31 | 0:50:34 | |
Wasted away, did nothing. | 0:50:34 | 0:50:36 | |
He was murdered. | 0:50:38 | 0:50:39 | |
Just as if he'd been stabbed in the heart. | 0:50:39 | 0:50:42 | |
Well... | 0:50:43 | 0:50:44 | |
..we found the gold. | 0:50:46 | 0:50:47 | |
It was in Strickland's car the whole time. | 0:50:49 | 0:50:51 | |
Ah, just leave me down here. | 0:50:56 | 0:50:58 | |
I'm afraid I can't do that, Joe. | 0:51:01 | 0:51:03 | |
Still don't understand why Strickland chose | 0:51:12 | 0:51:14 | |
to announce it to the whole world. | 0:51:14 | 0:51:16 | |
Imagine, ?20,000 worth of gold to explain away. | 0:51:16 | 0:51:19 | |
What are you going to do? Buy a mine and announce you struck gold. | 0:51:19 | 0:51:21 | |
He just chose the wrong pub to do it in. | 0:51:21 | 0:51:23 | |
Sir, bloke in the cell just had a bit of an accident. | 0:51:23 | 0:51:26 | |
Go on. I need to talk to you about this business. | 0:51:29 | 0:51:32 | |
Hello, lads. Good to see you again. | 0:51:33 | 0:51:36 | |
Bring Barlow up, we're taking him into remand. | 0:51:36 | 0:51:38 | |
Uh, you just missed him. | 0:51:38 | 0:51:40 | |
Missed him? Yeah. | 0:51:40 | 0:51:41 | |
I let him go. | 0:51:41 | 0:51:43 | |
What, you haven't heard? | 0:51:43 | 0:51:45 | |
You charged the wrong bloke. | 0:51:46 | 0:51:47 | |
It's easy to do when you're still learning. Did it myself once. | 0:51:47 | 0:51:51 | |
The real culprit's downstairs. Here's his confession. | 0:51:51 | 0:51:54 | |
Get you some tea? | 0:51:57 | 0:51:58 | |
HE CHORTLES | 0:52:05 | 0:52:06 | |
First of all, Eric, let me just say, | 0:52:09 | 0:52:12 | |
thank you for coming in, I know you didn't want to. | 0:52:12 | 0:52:14 | |
I owe you two apologies. | 0:52:16 | 0:52:19 | |
Firstly, I apologise for insulting you | 0:52:22 | 0:52:25 | |
and indeed the entire town at the reception. I have no excuses. | 0:52:25 | 0:52:28 | |
The Brits have always done the right thing by us. | 0:52:28 | 0:52:30 | |
Yes. | 0:52:32 | 0:52:34 | |
And apology number two. | 0:52:34 | 0:52:36 | |
There was a mistake with Margaret's tests. | 0:52:36 | 0:52:40 | |
The results got mixed up with someone else's and I... | 0:52:40 | 0:52:44 | |
..I jumped to conclusions. | 0:52:46 | 0:52:47 | |
The lab sent their profuse apologies as do I, of course. | 0:52:47 | 0:52:51 | |
But the good news is, there's absolutely no reason | 0:52:52 | 0:52:56 | |
why you can't have children. | 0:52:56 | 0:52:58 | |
That is good news, isn't it, darling? | 0:53:01 | 0:53:03 | |
I always knew it wasn't my fault. | 0:53:03 | 0:53:05 | |
Yeah, well, it was never anyone's FAULT, Eric. | 0:53:05 | 0:53:08 | |
Now, you have a very special wife. | 0:53:10 | 0:53:13 | |
And if you want to have kids... | 0:53:15 | 0:53:17 | |
..you're going to have to be very kind to her. | 0:53:18 | 0:53:20 | |
It's not that bad, you know. | 0:53:46 | 0:53:48 | |
Jean's a goddess with a needle. It's the model I take issue with. | 0:53:49 | 0:53:54 | |
You look amazing. | 0:54:12 | 0:54:14 | |
When I take it off, you can have it. | 0:54:15 | 0:54:17 | |
Not sure it'll fit. | 0:54:17 | 0:54:19 | |
Well, it's the only way you'll ever get into my dress. | 0:54:24 | 0:54:27 | |
Eric? | 0:54:36 | 0:54:37 | |
(Thank you.) | 0:54:40 | 0:54:42 | |
DOOR CLOSES | 0:54:46 | 0:54:47 | |
Ah, no more patients? | 0:55:00 | 0:55:02 | |
I told you, you'd offended people. | 0:55:02 | 0:55:04 | |
I certainly never meant to insult you. | 0:55:24 | 0:55:26 | |
And you're right. | 0:55:30 | 0:55:32 | |
I was only thinking of myself. | 0:55:34 | 0:55:36 | |
And I know I'm not the only person who lost someone. | 0:55:45 | 0:55:48 | |
Subtitles by Red Bee Media Ltd | 0:56:03 | 0:56:06 |