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Red leather, yellow leather... | 0:00:02 | 0:00:03 | |
I'm good. Come on, people! Let's make this a good one. | 0:00:03 | 0:00:06 | |
Thank you, Dawn. Feeling good, feeling good. | 0:00:06 | 0:00:10 | |
Going to be a good one. | 0:00:10 | 0:00:11 | |
Let's do it, come on! | 0:00:11 | 0:00:13 | |
TV: 'Ladies and gentlemen,' | 0:00:24 | 0:00:26 | |
live from Ballarat Studios, | 0:00:26 | 0:00:28 | |
BTV Channel 8 and Tyneman Electrics are proud to present... | 0:00:28 | 0:00:31 | |
..Game Of Champions, the quiz show where only the smartest survive. | 0:00:32 | 0:00:38 | |
And now please welcome the stars of the show, | 0:00:38 | 0:00:41 | |
Alan and Verity Coleman. | 0:00:41 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:49 | |
Thank you, Tony, and welcome, ladies and gentlemen. | 0:00:49 | 0:00:52 | |
'Have we got an exciting show for you tonight. | 0:00:52 | 0:00:54 | |
'After countless heats and thousands of questions, | 0:00:54 | 0:00:57 | |
'tonight's game is the championship round.' | 0:00:57 | 0:01:01 | |
One contestant will take home all the prizes and ?1,000 in cash, | 0:01:01 | 0:01:06 | |
courtesy of Tyneman Electrics. The loser will go home with nothing. | 0:01:06 | 0:01:10 | |
And now it's time for me to introduce to you our contestants. | 0:01:10 | 0:01:13 | |
Our longest-running champion ever, | 0:01:13 | 0:01:15 | |
the man with all the answers, Simon Lo. | 0:01:15 | 0:01:20 | |
APPLAUSE | 0:01:20 | 0:01:23 | |
And his challenger, the very charming James Holbrook. | 0:01:23 | 0:01:28 | |
APPLAUSE | 0:01:28 | 0:01:31 | |
'Are you ready to play Game Of Champions?' | 0:01:31 | 0:01:33 | |
Your father treated his family for years. | 0:01:36 | 0:01:38 | |
What, the Chinese bloke? No, James Holbrook. He's nice. | 0:01:38 | 0:01:42 | |
Oh, come on! He's not that good-looking. | 0:01:42 | 0:01:44 | |
'Simon, this is your final question.' | 0:01:50 | 0:01:52 | |
Get this right, and the money's yours. | 0:01:52 | 0:01:55 | |
The Stanford-Binet test tells us which of these has the lowest IQ? | 0:01:57 | 0:02:02 | |
A, moron, | 0:02:03 | 0:02:06 | |
B, cretin, | 0:02:06 | 0:02:08 | |
C, imbecile, | 0:02:08 | 0:02:11 | |
D, idiot. | 0:02:11 | 0:02:13 | |
And your time's up. Your answer, please. | 0:02:24 | 0:02:28 | |
Cretin. And that's wrong. | 0:02:29 | 0:02:33 | |
MURMURING | 0:02:33 | 0:02:36 | |
Simon Lo, thanks for playing Game Of Champions, | 0:02:36 | 0:02:40 | |
and congratulations to our new quiz champion James Holbrook. | 0:02:40 | 0:02:45 | |
APPLAUSE | 0:02:45 | 0:02:50 | |
Congratulations, James. | 0:02:50 | 0:02:52 | |
You take away ?1,000 in cash, | 0:02:52 | 0:02:56 | |
together with these great prizes from Tyneman Electrics. | 0:02:56 | 0:03:01 | |
'Tune in tomorrow night, | 0:03:01 | 0:03:04 | |
'when our new champion James Holbrook will return | 0:03:04 | 0:03:06 | |
'to defend his title.' | 0:03:06 | 0:03:08 | |
Thanks. | 0:03:10 | 0:03:12 | |
STATIC HISSES | 0:03:24 | 0:03:25 | |
Have you seen him? No sign of him. | 0:03:30 | 0:03:32 | |
You were meant to be keeping an eye on him! Don't start, Alan. This wasn't my idea. | 0:03:32 | 0:03:36 | |
There you are. We were worried. This isn't fair! | 0:03:36 | 0:03:39 | |
I know, Simon. You must be very disappointed. | 0:03:39 | 0:03:42 | |
You made me lose! Settle down, son. | 0:03:42 | 0:03:44 | |
Don't tell me to settle down! This is fixed! Simon! | 0:03:44 | 0:03:47 | |
SCREAMING | 0:03:47 | 0:03:49 | |
SCREAMING | 0:03:54 | 0:03:57 | |
SHE SCREAMS AND SOBS | 0:04:00 | 0:04:03 | |
He's dead! | 0:04:06 | 0:04:08 | |
James Holbrook, I take it. | 0:05:28 | 0:05:30 | |
It is. What are you doing here? | 0:05:30 | 0:05:33 | |
James's fiancee called me. I'm the family doctor. What about you? | 0:05:33 | 0:05:36 | |
Oh, I was in the audience. | 0:05:36 | 0:05:38 | |
I like quiz shows. | 0:05:40 | 0:05:41 | |
Explains the civvies. You look very smart. | 0:05:44 | 0:05:47 | |
I might go take a look at the room where it happened. Are you coming? | 0:05:47 | 0:05:51 | |
Ambos reckon it was a heart attack. Yes, I just checked his history. | 0:05:51 | 0:05:54 | |
Makes sense. Heart disease runs in the family. | 0:05:54 | 0:05:57 | |
Bloke wins 1,000 quid, then dies. | 0:05:57 | 0:06:00 | |
It's ironic, really. | 0:06:00 | 0:06:02 | |
Yes. I better talk to the boy's fiancee. | 0:06:02 | 0:06:06 | |
Patrick... That chink is NOT going back onto the show! | 0:06:06 | 0:06:10 | |
Simon's the holdover champion... | 0:06:10 | 0:06:12 | |
People keep coming into the store just to tell us how much they hate the little ... | 0:06:12 | 0:06:15 | |
Superintendent. Anything you need? | 0:06:15 | 0:06:17 | |
Yes, actually. I'd like to talk to Dawn Prentice, James's fiancee. | 0:06:17 | 0:06:21 | |
Dr Blake, our police surgeon. | 0:06:21 | 0:06:23 | |
We sent Dawn home. She was the one who found his body. | 0:06:23 | 0:06:26 | |
Mmm. Dreadful thing. It certainly is. | 0:06:26 | 0:06:30 | |
I couldn't help overhearing. Simon Lo coming back on the show? | 0:06:30 | 0:06:35 | |
Over my dead body. Simon was our previous champion. | 0:06:35 | 0:06:38 | |
Now James is dead, we have to bring him back. They're the rules. | 0:06:38 | 0:06:41 | |
I'm with Patrick on this. | 0:06:41 | 0:06:42 | |
You saw him after the show. He was out of control. | 0:06:42 | 0:06:44 | |
Take losing badly, did he? He was upset. | 0:06:44 | 0:06:46 | |
He threatened us. Where is he now? He went home. | 0:06:46 | 0:06:50 | |
Couldn't get out of here fast enough after we found James. | 0:06:50 | 0:06:51 | |
And you want to put him back on air. | 0:06:51 | 0:06:55 | |
We might leave you to it. | 0:06:55 | 0:06:56 | |
Well, you didn't lose any money, Patrick. At least that's something. | 0:06:58 | 0:07:01 | |
Oh, Jesus. | 0:07:04 | 0:07:06 | |
Oh, James. I really never expected to see you in here. | 0:07:16 | 0:07:20 | |
Certainly not yet. | 0:07:20 | 0:07:21 | |
We all knew your heart needed some attention. | 0:07:27 | 0:07:30 | |
But to fail you right after you won ?1,000. | 0:07:31 | 0:07:34 | |
You were very good on the music questions. | 0:07:34 | 0:07:38 | |
And what have you done here? | 0:07:41 | 0:07:43 | |
So much for a heart attack, James. | 0:08:00 | 0:08:03 | |
Lawson! Oh! | 0:08:05 | 0:08:06 | |
Listen, James Holbrook was electrocuted, not heart. | 0:08:06 | 0:08:10 | |
Well, not a heart attack, as such. | 0:08:10 | 0:08:13 | |
Are you sure? | 0:08:13 | 0:08:15 | |
Flash burns on his hands, soles of his feet. | 0:08:15 | 0:08:17 | |
I'm surprised the ambulance boys didn't pick up on it. | 0:08:17 | 0:08:20 | |
There must be something of an electrical fault | 0:08:20 | 0:08:22 | |
or something live in that room that he touched. | 0:08:22 | 0:08:24 | |
Superintendent Lawson, Ballarat Police. Get me Alan Coleman, BTV 8. | 0:08:29 | 0:08:33 | |
Alan Coleman. | 0:08:33 | 0:08:35 | |
This question goes to Matthew Lawson, first practical use of the telephone? | 0:08:35 | 0:08:39 | |
Alexander Graham Bell, 1876. Correct. | 0:08:39 | 0:08:42 | |
Mr Coleman. Superintendent Lawson. | 0:08:42 | 0:08:44 | |
I need you to close down that dressing room now. | 0:08:44 | 0:08:47 | |
I was horrified to get your call this morning, Superintendent. | 0:08:47 | 0:08:50 | |
It's awful to think that the station might have had a hand in his death, | 0:08:50 | 0:08:54 | |
but I've had Roger check all the electrics in the room. | 0:08:54 | 0:08:56 | |
He couldn't find anything. And who's Roger? | 0:08:56 | 0:08:58 | |
Uh, the station technician. Part-time, of course. | 0:08:58 | 0:09:01 | |
Can you get him up here? | 0:09:01 | 0:09:04 | |
Well, at first I thought it might have been the lights. | 0:09:04 | 0:09:06 | |
They're fine. | 0:09:06 | 0:09:08 | |
Then I checked the kettle. | 0:09:08 | 0:09:10 | |
I thought James might have made a cup of tea or something. | 0:09:10 | 0:09:12 | |
Nothing? Nothing. | 0:09:12 | 0:09:15 | |
I put everything through the volt meter, even the television, | 0:09:15 | 0:09:18 | |
even though I'd checked that at the store before I brought it in. | 0:09:18 | 0:09:20 | |
The store? | 0:09:20 | 0:09:22 | |
Roger works part-time at Tyneman Electrics as well. | 0:09:22 | 0:09:26 | |
And electrics seem to be the issue here. | 0:09:26 | 0:09:30 | |
I thought James had a heart attack. Not according to the doctor. | 0:09:30 | 0:09:33 | |
We had high hopes for James. He was very popular. | 0:09:33 | 0:09:37 | |
I'd noticed. | 0:09:37 | 0:09:39 | |
It's Dawn I really feel for. | 0:09:40 | 0:09:42 | |
It was the television. | 0:09:56 | 0:09:58 | |
I put it through the volt meter. It's fine. | 0:09:58 | 0:10:02 | |
Well, you may have, but you didn't actually look at the television, | 0:10:02 | 0:10:05 | |
did you, Roger? I checked it. | 0:10:05 | 0:10:07 | |
What's he doing? Lawson. | 0:10:10 | 0:10:12 | |
Here we are. Have a look at this. | 0:10:12 | 0:10:15 | |
Have a look at that. It's a screw that's missing | 0:10:17 | 0:10:19 | |
from the back panel of the television set. | 0:10:19 | 0:10:22 | |
That's brand-new. It's never been used. | 0:10:22 | 0:10:25 | |
What? Someone tampered with the television. | 0:10:26 | 0:10:28 | |
Roger brings the prizes in from the shop on the day of the show. | 0:10:32 | 0:10:35 | |
The television was brand-new. | 0:10:35 | 0:10:37 | |
Where did it go after that? | 0:10:37 | 0:10:39 | |
In this office. | 0:10:39 | 0:10:40 | |
And Roger was the only one who had access to it before the show. | 0:10:40 | 0:10:43 | |
And me, Alan, and Dawn. | 0:10:43 | 0:10:47 | |
Right. Alan, tell me, what about after the show? | 0:10:47 | 0:10:51 | |
It was in the champion's dressing room. | 0:10:51 | 0:10:54 | |
Roger took it there before we went to air. | 0:10:54 | 0:10:57 | |
Thank you, Dawn. | 0:10:57 | 0:10:59 | |
I told her to take the day off. | 0:11:01 | 0:11:03 | |
Who else had access to the television once it was put in the dressing room? | 0:11:03 | 0:11:06 | |
The door was unlocked, anyone could have gone in, | 0:11:06 | 0:11:08 | |
and the room was left open after James's body was taken away, but... | 0:11:08 | 0:11:11 | |
Simon went missing after the show. | 0:11:11 | 0:11:13 | |
We couldn't find him for about ten minutes, then suddenly he appears. | 0:11:13 | 0:11:18 | |
Basically attacked us. He was in a filthy mood. | 0:11:18 | 0:11:22 | |
So, you think he might have tampered with the set. | 0:11:22 | 0:11:26 | |
I have no idea. The point is, the television was in the dressing room. | 0:11:26 | 0:11:30 | |
Simon had just lost ?1,000. | 0:11:30 | 0:11:31 | |
?1,000. That'd be motive. | 0:11:36 | 0:11:38 | |
Possibly. | 0:11:38 | 0:11:40 | |
Dawn, are you sure you should be at work today? | 0:11:46 | 0:11:52 | |
Oh, well, I have to be doing something, and this place would fall apart without me, so... | 0:11:52 | 0:11:57 | |
Yes. | 0:11:57 | 0:11:59 | |
Look, I know this is difficult, | 0:11:59 | 0:12:01 | |
but what did you see when you went into that room? | 0:12:01 | 0:12:05 | |
Um... | 0:12:05 | 0:12:06 | |
I saw James... | 0:12:08 | 0:12:10 | |
..lying on the floor. | 0:12:13 | 0:12:15 | |
Anything else? No. Why? | 0:12:15 | 0:12:19 | |
I'm just trying to work things out. | 0:12:19 | 0:12:23 | |
Where were you before that? I was looking for Simon. | 0:12:23 | 0:12:26 | |
We were all looking for Simon. Yes, so I gather. | 0:12:26 | 0:12:29 | |
Well, if I had've been here, none of this might've happened. | 0:12:29 | 0:12:33 | |
So, maybe you should ask Simon where HE was when James died. | 0:12:33 | 0:12:38 | |
Well, everyone was out looking for Simon Lo after the show. | 0:12:46 | 0:12:49 | |
Roger Lambert checked the circuitry of that television. | 0:12:50 | 0:12:53 | |
There was no damage, and no wires were out of place. | 0:12:53 | 0:12:57 | |
Well, someone got to it. | 0:12:57 | 0:12:59 | |
He also reckons that Simon Lo had more than a working man's | 0:12:59 | 0:13:02 | |
knowledge of electronics. Well, how would Roger Lambert know that? | 0:13:02 | 0:13:04 | |
He was at school with Simon, and Dawn, and James, apparently. | 0:13:04 | 0:13:08 | |
They all went to school together? | 0:13:08 | 0:13:09 | |
In the same class. | 0:13:09 | 0:13:11 | |
Well, maybe we should be talking to Roger. | 0:13:11 | 0:13:14 | |
I think I'll have a chat with Simon. | 0:13:16 | 0:13:18 | |
Mr Coleman said that you attacked him last night. Is this correct? | 0:13:21 | 0:13:23 | |
Yes. Why? | 0:13:23 | 0:13:25 | |
I should have won. | 0:13:26 | 0:13:28 | |
You were missing for ten minutes after the show had finished. | 0:13:29 | 0:13:32 | |
Where were you? That's an exaggeration. | 0:13:32 | 0:13:36 | |
So, you weren't missing. It was eight minutes. | 0:13:36 | 0:13:39 | |
Where were you? | 0:13:39 | 0:13:41 | |
Out. What were you doing? | 0:13:41 | 0:13:43 | |
Nothing. I don't know how you do things at home... | 0:13:43 | 0:13:46 | |
Are you going to hit me now? | 0:13:46 | 0:13:48 | |
Mr Lo, Mr Lo, please! | 0:13:48 | 0:13:50 | |
Now, James Holbrook is dead. | 0:13:52 | 0:13:54 | |
We're just trying to find out what happened to him, all right? | 0:13:54 | 0:13:56 | |
We're simply asking some questions here today. | 0:13:56 | 0:14:01 | |
Are you familiar with electronics, Mr Lo? Obviously. | 0:14:10 | 0:14:13 | |
So, if I was to ask you to pull apart a television, for example... | 0:14:13 | 0:14:16 | |
The electronics of a television set | 0:14:16 | 0:14:17 | |
consist of a rectifier to convert from alternating to direct current. | 0:14:17 | 0:14:21 | |
Also capacitors, a regulator, and a control circuit. | 0:14:21 | 0:14:25 | |
Basic circuit theory. | 0:14:25 | 0:14:27 | |
I think that means he could. | 0:14:27 | 0:14:30 | |
Did you sabotage the television in Mr Holbrook's dressing room. No. | 0:14:30 | 0:14:34 | |
Look at him, trying to make himself look innocent. | 0:14:43 | 0:14:46 | |
I don't think he feels he needs to. Clearly. | 0:14:46 | 0:14:49 | |
The fact that a man's been murdered doesn't seem to bother him a bit. | 0:14:49 | 0:14:53 | |
So, what's your next move? I'll let him sweat it out for a bit, then I'll pull him back in. | 0:14:56 | 0:15:02 | |
He didn't appear to be sweating that much to me. | 0:15:02 | 0:15:05 | |
He's an annoying piece of work. | 0:15:05 | 0:15:07 | |
I think he must be Filipino. He's speaking Tagalog. | 0:15:07 | 0:15:11 | |
Anything else I should know? | 0:15:11 | 0:15:14 | |
Yes. You should be investigating him for murder. | 0:15:14 | 0:15:17 | |
Thought so. | 0:15:17 | 0:15:19 | |
One, two, three! Er, what's going on? | 0:15:19 | 0:15:22 | |
Don't worry, it'll be fine. | 0:15:22 | 0:15:24 | |
Yes, you say that every time you borrow something. | 0:15:24 | 0:15:27 | |
Sunny Side Up's on this evening. | 0:15:27 | 0:15:29 | |
Right. What are you trying to do? | 0:15:29 | 0:15:33 | |
Well, I'm working out how to turn a television set into a murder weapon. | 0:15:33 | 0:15:39 | |
But do you actually know what you're doing? | 0:15:39 | 0:15:42 | |
Well, just basic circuit theory according to Simon Lo. | 0:15:42 | 0:15:47 | |
Right, so, how do you do it? | 0:15:47 | 0:15:50 | |
Well, if you're not concerned about damaging the television, | 0:15:50 | 0:15:55 | |
you simply run a high tension supply | 0:15:55 | 0:15:58 | |
from the cathode ray to aerial socket. | 0:15:58 | 0:16:02 | |
And you don't want to do that? | 0:16:02 | 0:16:04 | |
Well, no. That'd blow the tube. | 0:16:04 | 0:16:06 | |
And you don't want to blow the tube? | 0:16:06 | 0:16:08 | |
Danny, whoever sabotaged James Holbrook's television | 0:16:08 | 0:16:12 | |
didn't leave a single sign | 0:16:12 | 0:16:14 | |
apart from a small screw that dropped on the floor. | 0:16:14 | 0:16:17 | |
Yeah, but are we actually sure that it was sabotaged? | 0:16:17 | 0:16:20 | |
No. No, but I can't for the life of me think of another explanation. | 0:16:22 | 0:16:29 | |
ELECTRICITY CRACKLES Oooh! | 0:16:34 | 0:16:36 | |
LAUGHTER What's happened? | 0:16:36 | 0:16:40 | |
Lucien! | 0:16:40 | 0:16:43 | |
Um, yes. I'll go find the fuse box, shall I? | 0:16:43 | 0:16:46 | |
Oh! There you are. | 0:16:46 | 0:16:49 | |
What did you do to it? | 0:16:55 | 0:16:57 | |
He was conducting an experiment. What sort of experiment? | 0:16:57 | 0:17:01 | |
He wanted to know how long it was going to take | 0:17:01 | 0:17:03 | |
to get from the living room to the fuse box with the house in complete darkness. | 0:17:03 | 0:17:06 | |
And I did find the fuse box. | 0:17:06 | 0:17:08 | |
But not the fuse wire. My guess is it's ruined. | 0:17:08 | 0:17:11 | |
Pretty much. Ha! | 0:17:11 | 0:17:13 | |
Thank you, Jean. Excuse me. | 0:17:13 | 0:17:15 | |
Trouble on the home front? | 0:17:20 | 0:17:22 | |
Oh, I was testing a theory | 0:17:22 | 0:17:26 | |
about how a television might be dangerous if you touched it, | 0:17:26 | 0:17:28 | |
and how that could happen without blowing the tube. | 0:17:28 | 0:17:31 | |
Yeah, I've been thinking about that too. | 0:17:31 | 0:17:33 | |
You take a couple of cables, | 0:17:36 | 0:17:38 | |
then you wire them from the main socket | 0:17:38 | 0:17:41 | |
through the back of the set to the aerial socket, | 0:17:41 | 0:17:44 | |
but you'd have to touch the aerial to get a shock. Right. | 0:17:44 | 0:17:47 | |
Of course, you'd have to take the cables out again before anyone found them. | 0:17:47 | 0:17:51 | |
Right. Seems you've been giving this some thought, Roger. | 0:17:51 | 0:17:55 | |
Well, I was trying to work out why there wasn't any damage to the set. | 0:17:55 | 0:18:02 | |
Tell me, was the television on when you left it in the room? No. | 0:18:02 | 0:18:06 | |
PHONE RINGS I'll get it, if the lights stay on. | 0:18:06 | 0:18:09 | |
Oh! | 0:18:09 | 0:18:11 | |
Listen, I understand you went to school with Simon. | 0:18:13 | 0:18:17 | |
Simon, Dawn, James, and me. | 0:18:17 | 0:18:20 | |
It was a special academic programme. | 0:18:20 | 0:18:23 | |
I was never really in the running, though. | 0:18:23 | 0:18:28 | |
Must have been tough competing with him, eh? Simon always came out ahead. | 0:18:28 | 0:18:33 | |
I heard the police were talking to him. | 0:18:33 | 0:18:35 | |
Yes. What do you think? | 0:18:35 | 0:18:37 | |
Simon was always playing with circuits and wires at school. | 0:18:37 | 0:18:41 | |
If it was me, I'd be locking him up. | 0:18:41 | 0:18:46 | |
You know it's going to cost you to have it repaired? | 0:18:46 | 0:18:49 | |
Yes, lovely. We'll do that, thank you. Phone call for you. | 0:18:49 | 0:18:52 | |
Right. Excuse me, Roger. | 0:18:52 | 0:18:55 | |
Yes, Dr Blake. | 0:19:00 | 0:19:02 | |
What kind of trouble? | 0:19:04 | 0:19:06 | |
That man has absolutely no business being here! OK, look, I understand... | 0:19:06 | 0:19:09 | |
He's a contestant on a television show! | 0:19:09 | 0:19:11 | |
Please! Don't give me that! | 0:19:11 | 0:19:13 | |
Just everybody relax so I can understand what's going on. | 0:19:13 | 0:19:16 | |
Keep this man away from the shop! | 0:19:16 | 0:19:17 | |
Yes, I'm trying, sir. If you can just step backwards... | 0:19:17 | 0:19:19 | |
He pushed me into the traffic! | 0:19:19 | 0:19:21 | |
Doc. Glad you're here. | 0:19:21 | 0:19:24 | |
This man came into my shop making certain wild allegations... | 0:19:24 | 0:19:28 | |
They're true! My manager here asked him to leave. | 0:19:28 | 0:19:32 | |
He assaulted him, so I grabbed him... | 0:19:32 | 0:19:34 | |
That's a lie. He pushed me onto the road. A car ran into me! | 0:19:34 | 0:19:37 | |
He tried to kill me! Hang on, hang on. | 0:19:37 | 0:19:39 | |
A car hit you? Are you hurt? | 0:19:39 | 0:19:42 | |
It simply brushed against him, that's all. | 0:19:42 | 0:19:44 | |
Thank you, Patrick, I was talking to Mr Lo. Are you hurt? | 0:19:44 | 0:19:46 | |
I hurt my knee when I fell on the gutter. | 0:19:48 | 0:19:50 | |
Just step aside with me for a moment, would you? | 0:19:50 | 0:19:53 | |
Did you hit your head? | 0:19:53 | 0:19:55 | |
I can't remember. | 0:19:56 | 0:19:57 | |
All right, Mr Lo, just follow my finger with your eyes, | 0:19:57 | 0:20:01 | |
and tell me, why were you here? | 0:20:01 | 0:20:05 | |
He was making absurd claims about the show! | 0:20:05 | 0:20:09 | |
What's he saying? | 0:20:20 | 0:20:21 | |
Professor Waterman... | 0:20:24 | 0:20:26 | |
We talk English here, Mr Lo. | 0:20:26 | 0:20:28 | |
If you want to speak Chinese, you can go back home. | 0:20:28 | 0:20:30 | |
Actually, Patrick, he's speaking Tagalog. | 0:20:30 | 0:20:32 | |
I don't give a damn! He speaks English and he learns how to behave. | 0:20:32 | 0:20:36 | |
I'll be laying a complaint. | 0:20:40 | 0:20:42 | |
God alone knows what rubbish he's been telling you! | 0:20:42 | 0:20:45 | |
Who's Waterman? | 0:20:45 | 0:20:47 | |
That went well. | 0:20:51 | 0:20:53 | |
Yes. | 0:20:55 | 0:20:57 | |
It's all going terribly smoothly today, Danny. | 0:20:57 | 0:21:00 | |
Better track down this Waterman. | 0:21:02 | 0:21:04 | |
See you, Doc. | 0:21:06 | 0:21:07 | |
Professor Waterman? Yes? | 0:21:15 | 0:21:17 | |
Dr Lucien Blake, police surgeon. | 0:21:17 | 0:21:20 | |
Simon Lo mentioned your name. Do you mind if we have a chat? | 0:21:20 | 0:21:22 | |
Simon Lo. | 0:21:22 | 0:21:24 | |
Frankly, I was glad to see the back of him. | 0:21:24 | 0:21:27 | |
He didn't belong in our school system. | 0:21:27 | 0:21:29 | |
Roger Lambert certainly had a few things to say. | 0:21:29 | 0:21:31 | |
Well, I'm not surprised. | 0:21:31 | 0:21:33 | |
Roger and James Holbrook got themselves into a lot of trouble with our Mr Lo. | 0:21:33 | 0:21:37 | |
What kind of trouble? There was some violence on the oval one lunchtime. | 0:21:37 | 0:21:42 | |
It was understandable with Simon Lo, but it got out of hand. | 0:21:42 | 0:21:45 | |
We had to expel Roger Lambert. | 0:21:45 | 0:21:48 | |
Tell me, why was Roger expelled and not James? | 0:21:48 | 0:21:52 | |
Lambert was a bad influence. James told us everything. | 0:21:52 | 0:21:55 | |
You want to know what Simon Lo was really like? | 0:21:57 | 0:21:59 | |
Read this. Simon Lo wrote it just before he graduated. It's typical of the boy. | 0:22:02 | 0:22:06 | |
"Critical Analysis of the Teaching Methods of Professor M Waterman." | 0:22:06 | 0:22:10 | |
He gave this to you? I hope your patients treat you better. | 0:22:10 | 0:22:14 | |
"Professor Waterman has a pompous manner that attempts to hide | 0:22:14 | 0:22:17 | |
"consistently sloppy thinking and incorrect..." | 0:22:17 | 0:22:20 | |
You don't need to read it out. | 0:22:20 | 0:22:22 | |
"He has a weak grasp of higher mathematics, conceptual physics..." | 0:22:22 | 0:22:25 | |
Well, it goes on and on, much like the boy himself. | 0:22:25 | 0:22:27 | |
I had 12 other pupils to teach at this time. | 0:22:27 | 0:22:32 | |
"Use of terms of abuse, especially the word 'idiot'." | 0:22:32 | 0:22:36 | |
You called him an idiot? | 0:22:36 | 0:22:37 | |
It was the only way I could get him | 0:22:37 | 0:22:39 | |
to stop answering every single question. Well, clearly he's not an idiot. | 0:22:39 | 0:22:43 | |
Well, obviously, but it proved to be most effective at the time, | 0:22:43 | 0:22:47 | |
especially when the other students cottoned on. | 0:22:47 | 0:22:50 | |
Professor, was that really necessary? | 0:22:50 | 0:22:54 | |
The other students needed to step up. | 0:22:54 | 0:22:57 | |
Dawn Prentice, for example. | 0:22:57 | 0:22:59 | |
Such a clever girl - always in Simon's shadow. | 0:22:59 | 0:23:02 | |
Right. | 0:23:03 | 0:23:05 | |
Tell me, have you had, or indeed, | 0:23:05 | 0:23:07 | |
do you have contact with Alan Coleman and Patrick Tyneman? | 0:23:07 | 0:23:10 | |
Well, yes, indeed. I write questions for that show. | 0:23:10 | 0:23:14 | |
There's a whole group of us - academics, of course. | 0:23:14 | 0:23:17 | |
Of course, and let me guess. | 0:23:19 | 0:23:22 | |
The idiot question, that was one of yours, wasn't it? | 0:23:22 | 0:23:25 | |
Quite possibly. | 0:23:25 | 0:23:27 | |
They came to you, didn't they? | 0:23:29 | 0:23:31 | |
Wanting to know how to unsettle Simon, | 0:23:31 | 0:23:33 | |
and you told them exactly how to do it. | 0:23:33 | 0:23:37 | |
I have signed a confidentiality contract. | 0:23:38 | 0:23:41 | |
I couldn't possibly comment. | 0:23:41 | 0:23:43 | |
Thank you, Professor. I think I have everything I need. | 0:23:46 | 0:23:50 | |
You did a good job on it. | 0:24:09 | 0:24:10 | |
Took me half the morning to fix it up. | 0:24:10 | 0:24:14 | |
Is it working now? It was in the shop. | 0:24:14 | 0:24:17 | |
Well, the reception used to be fine. | 0:24:18 | 0:24:20 | |
Oh, you'll need to adjust that during transmission. | 0:24:20 | 0:24:24 | |
Oh. That can be your job. | 0:24:24 | 0:24:26 | |
Not too happy with you, is she? No. | 0:24:29 | 0:24:31 | |
Roger, tell me about getting expelled from school. | 0:24:32 | 0:24:37 | |
Who'd you talk to? Oh, some obnoxious chap called Waterman. | 0:24:40 | 0:24:44 | |
That'd be right. | 0:24:44 | 0:24:46 | |
Me and James had an argument with Simon Lo. | 0:24:46 | 0:24:49 | |
It was more than just an argument, wasn't it? | 0:24:49 | 0:24:52 | |
All right, we beat him up. | 0:24:54 | 0:24:56 | |
You'd call Simon an idiot and he'd lose it. | 0:24:56 | 0:24:59 | |
Then we'd get stuck into him. It became a sort of game. Really? | 0:24:59 | 0:25:05 | |
I wonder if Simon saw it like that. | 0:25:06 | 0:25:09 | |
So, you got kicked out, but not James. Why? | 0:25:10 | 0:25:13 | |
Cos James said I was the sole instigator. | 0:25:13 | 0:25:15 | |
We were mates. | 0:25:16 | 0:25:18 | |
He never talked to me again. | 0:25:18 | 0:25:21 | |
PHONE RINGS | 0:25:21 | 0:25:23 | |
I think I'd be pretty resentful of James if that had've been me. | 0:25:23 | 0:25:28 | |
It was years ago. | 0:25:33 | 0:25:34 | |
And I didn't sabotage his TV, if that's what you're asking. | 0:25:35 | 0:25:38 | |
It's Superintendent Lawson again. | 0:25:38 | 0:25:41 | |
Right. | 0:25:43 | 0:25:45 | |
I would like you to do something about it. I'm sorry, Mr Lo, but... | 0:25:49 | 0:25:54 | |
He pushed me in front of a car! Yeah, I understand that, all right... | 0:25:54 | 0:25:57 | |
Tyneman tried to kill me, and you're not doing anything about it! | 0:25:57 | 0:26:00 | |
Yeah, OK... He wanted me off his show... | 0:26:00 | 0:26:02 | |
Oh, Doc! Just a sec. | 0:26:02 | 0:26:04 | |
..Can you talk to him? | 0:26:04 | 0:26:06 | |
And you, Dr Blake. | 0:26:11 | 0:26:13 | |
Where's Lawson? | 0:26:13 | 0:26:15 | |
Well, he's... | 0:26:15 | 0:26:16 | |
So, what's it going to be, Constable? Really has no idea how to get on with people, does he? | 0:26:21 | 0:26:25 | |
Well, I don't think it's ever occurred to him. | 0:26:25 | 0:26:27 | |
He was right about the show, though. | 0:26:27 | 0:26:29 | |
I spoke to his old schoolteacher. | 0:26:29 | 0:26:31 | |
That last question was designed to unsettle him. | 0:26:31 | 0:26:34 | |
How? | 0:26:34 | 0:26:37 | |
Well, back in the day | 0:26:37 | 0:26:39 | |
his teacher's preferred term of abuse for Simon was "idiot". | 0:26:39 | 0:26:43 | |
Of course, the rest of the class picked up on it. | 0:26:43 | 0:26:46 | |
James was part of that too. | 0:26:46 | 0:26:48 | |
It seems the word "idiot" has become Simon's Achilles heel. | 0:26:48 | 0:26:53 | |
What's your point? Simon was effectively cheated out of ?1,000. | 0:26:53 | 0:26:58 | |
Now, that gives him plenty of motive for killing James Holbrook. | 0:26:58 | 0:27:03 | |
And he still can't explain those ten minutes he went missing. | 0:27:03 | 0:27:06 | |
Someone else we should be looking at. Roger Lambert. | 0:27:08 | 0:27:11 | |
Now, he went to school with James and Simon. | 0:27:11 | 0:27:15 | |
In fact, they got into trouble for beating Simon up. | 0:27:15 | 0:27:19 | |
Why didn't he tell us that when he was dropping Simon Lo into it? | 0:27:19 | 0:27:22 | |
What are you planning on doing with him? | 0:27:24 | 0:27:26 | |
Right, here we are. | 0:27:31 | 0:27:33 | |
Ah! Simon. This is Mrs Beazley. | 0:27:34 | 0:27:37 | |
Hello, Simon. | 0:27:37 | 0:27:40 | |
Is this house yours? | 0:27:40 | 0:27:43 | |
Well, this was my father's house. | 0:27:45 | 0:27:47 | |
Is he dead now? | 0:27:49 | 0:27:51 | |
Yes. Yes, he is, and Mrs Beazley looked after him for quite a while. | 0:27:51 | 0:27:57 | |
Right, Simon, why don't you come through to my surgery? | 0:28:00 | 0:28:05 | |
What are you doing? I'm really not sure. | 0:28:07 | 0:28:10 | |
Erm, some tea, please. | 0:28:10 | 0:28:12 | |
Simon, can we talk about that question | 0:28:16 | 0:28:20 | |
that cost you the championship? | 0:28:20 | 0:28:22 | |
I already said I should have won. | 0:28:22 | 0:28:24 | |
They knew what they were doing with that question. Yes. | 0:28:24 | 0:28:31 | |
A, moron, B, cretin, C, imbecile, D, idiot. | 0:28:31 | 0:28:35 | |
Idiot...idiot... | 0:28:35 | 0:28:38 | |
It seems, if I may, the very mention of the word "idiot" | 0:28:40 | 0:28:44 | |
makes your blood pressure increase instantly. | 0:28:44 | 0:28:47 | |
The adrenaline pumps through your system. | 0:28:47 | 0:28:50 | |
Your entire body is primed for fight or flight. | 0:28:50 | 0:28:53 | |
It makes calm, logical thought damn-near impossible, | 0:28:53 | 0:28:56 | |
and that's what happened to you the other night, wasn't it? | 0:28:56 | 0:28:59 | |
Yes. | 0:29:01 | 0:29:02 | |
Yes. No wonder you got that last question wrong. | 0:29:02 | 0:29:06 | |
Your old schoolteacher took a fairly common term of abuse and he made it yours. | 0:29:06 | 0:29:12 | |
The kids in the class picked up on it, | 0:29:12 | 0:29:15 | |
and pretty soon you only had to hear the word and you'd lose all control. | 0:29:15 | 0:29:19 | |
Professor Waterman started it all. | 0:29:22 | 0:29:25 | |
Yes, when in fact, | 0:29:25 | 0:29:26 | |
you are the furthest thing from an idiot I could possibly imagine. | 0:29:26 | 0:29:32 | |
Professor Waterman compiles questions for the show, | 0:29:37 | 0:29:40 | |
and I'm pretty sure Patrick Tyneman and Alan conspired with him | 0:29:40 | 0:29:45 | |
to get you kicked off. | 0:29:45 | 0:29:50 | |
Unfortunately, at the moment, I have no proof. | 0:29:50 | 0:29:53 | |
He didn't like me. No, he did not. | 0:29:54 | 0:29:57 | |
Neither does your housekeeper. | 0:29:57 | 0:30:00 | |
Well, that's a little bit different. | 0:30:00 | 0:30:02 | |
She just thought you were being rude. | 0:30:02 | 0:30:05 | |
Everyone thinks I killed James. Yes, they do. | 0:30:07 | 0:30:09 | |
Do you? | 0:30:09 | 0:30:11 | |
I don't know. Did you? | 0:30:15 | 0:30:17 | |
No. | 0:30:17 | 0:30:19 | |
Do you know who did? | 0:30:20 | 0:30:22 | |
No. | 0:30:22 | 0:30:25 | |
Well, seemingly you have considerable motive. | 0:30:25 | 0:30:28 | |
You come across as quite angry, | 0:30:28 | 0:30:30 | |
and that - that is why people think it was you. | 0:30:30 | 0:30:34 | |
So, the question is - who else had a reason to kill him? | 0:30:34 | 0:30:39 | |
Do you have a blackboard? | 0:30:44 | 0:30:46 | |
And then he brings him in here, into the house! | 0:30:46 | 0:30:48 | |
Simon Lo. What?! That awful man from the show? | 0:30:48 | 0:30:51 | |
Yes! | 0:30:51 | 0:30:53 | |
Why? | 0:30:53 | 0:30:56 | |
Well, why does the Doctor do any of these things? | 0:30:56 | 0:30:58 | |
But isn't Simon Lo a suspect? Oh, yes. | 0:31:01 | 0:31:05 | |
Well, why would you bring him here? And how long is he going to stay for? | 0:31:05 | 0:31:07 | |
I suggest you ask the Doctor. | 0:31:07 | 0:31:09 | |
Did you watch the show? Yes. | 0:31:11 | 0:31:14 | |
Then you'll know James appeared in five heats before the final. | 0:31:14 | 0:31:16 | |
Which composer is famous for writing the opera Cosi Fan Tutti? | 0:31:16 | 0:31:19 | |
Wolfgang Amadeus Mozart. Correct! | 0:31:22 | 0:31:25 | |
A heat has a total of 25 questions. | 0:31:25 | 0:31:28 | |
In every heat, he was asked at least 23 questions | 0:31:28 | 0:31:32 | |
about music, sport, or European politics, his speciality subjects. | 0:31:32 | 0:31:36 | |
So, you're saying the questions were rigged. | 0:31:36 | 0:31:38 | |
That percentage is far beyond probability. During the first heat, | 0:31:38 | 0:31:41 | |
Verity Coleman stood at a standard distance from James. | 0:31:41 | 0:31:45 | |
There's a standard distance? | 0:31:45 | 0:31:47 | |
Allowing for the distance from camera, | 0:31:47 | 0:31:49 | |
the contestant occupies one half of the television screen | 0:31:49 | 0:31:52 | |
while Verity occupied the other. So, I started out, just talking... | 0:31:52 | 0:31:56 | |
That angle diminished over the course of James's five heats, | 0:31:56 | 0:32:01 | |
culminating in our final appearance | 0:32:01 | 0:32:04 | |
when Verity's position meant the camera had to move to include her. | 0:32:04 | 0:32:08 | |
Now, on at least five occasions - | 0:32:08 | 0:32:10 | |
at least five occasions during shooting - | 0:32:10 | 0:32:14 | |
I witnessed conversations of increasing length between James and Verity | 0:32:14 | 0:32:17 | |
when details of impending questions could have been discussed. | 0:32:17 | 0:32:21 | |
Or perhaps there's more to it. | 0:32:21 | 0:32:22 | |
Such as? | 0:32:22 | 0:32:25 | |
?1,000 in cash! | 0:32:27 | 0:32:29 | |
They were having an affair. | 0:32:29 | 0:32:31 | |
Why would they? Why would anyone have an affair? | 0:32:33 | 0:32:35 | |
I don't understand your question. | 0:32:37 | 0:32:39 | |
Well, it's difficult to explain, but the point is, | 0:32:41 | 0:32:44 | |
if Verity and James were, in fact, having an affair and Alan found out, | 0:32:44 | 0:32:47 | |
that would give him a strong motive to kill James. | 0:32:47 | 0:32:52 | |
Stronger than being cheated out of winning the championship? | 0:32:52 | 0:32:55 | |
Maybe stronger. | 0:32:55 | 0:32:57 | |
Jean, erm, I think we might have to set another place for dinner. | 0:33:01 | 0:33:07 | |
That man's eating with us?! | 0:33:07 | 0:33:09 | |
Yes, he is. Please. | 0:33:09 | 0:33:12 | |
And then after that? | 0:33:12 | 0:33:14 | |
After that I thought we could make up a bed in the spare room. | 0:33:14 | 0:33:17 | |
And what if he electrocutes us all while we're sleeping? | 0:33:19 | 0:33:22 | |
Well, then I won't be wondering who killed James Holbrook, will I? | 0:33:22 | 0:33:25 | |
By the way, I think Verity Coleman | 0:33:28 | 0:33:29 | |
might've been having an affair with James. | 0:33:29 | 0:33:31 | |
Oh. How is that connected? | 0:33:31 | 0:33:34 | |
I'm not sure, but I think I'm going to have to | 0:33:34 | 0:33:37 | |
make another visit to TV land. | 0:33:37 | 0:33:39 | |
Excuse me, sorry to trouble you, er, Dawn Prentice... Ah. | 0:33:46 | 0:33:50 | |
Dawn, I'm wondering if we could have a chat. | 0:33:53 | 0:33:56 | |
I'm very busy. We can walk together. Certainly. | 0:33:56 | 0:33:59 | |
And tell me, what is it you actually do here at the station? | 0:33:59 | 0:34:04 | |
During production, I'm stage manager. | 0:34:04 | 0:34:07 | |
Daily routine, I open and close the station, | 0:34:07 | 0:34:10 | |
answer phones, take notes, organise schedules. | 0:34:10 | 0:34:13 | |
I do some repairs and I make tea. | 0:34:13 | 0:34:16 | |
That's a lot of jobs. They're all menial. | 0:34:16 | 0:34:19 | |
Professor Waterman tells me you're very smart. Not as smart as Simon. | 0:34:19 | 0:34:22 | |
You and James were engaged to be married, weren't you? | 0:34:22 | 0:34:26 | |
Yes. | 0:34:26 | 0:34:27 | |
He was a very popular contestant, wasn't he? Smart, handsome. | 0:34:29 | 0:34:33 | |
It must have been difficult, seeing how other women reacted to him. | 0:34:34 | 0:34:38 | |
You're thinking something. Why don't you just ask it? | 0:34:40 | 0:34:42 | |
All right. Was James having an affair with Verity Coleman, | 0:34:43 | 0:34:49 | |
and if so, did Alan Coleman know about it? | 0:34:49 | 0:34:52 | |
You're not sure, so you're trying to get a reaction from me. | 0:34:54 | 0:34:58 | |
The question still stands. | 0:34:58 | 0:35:01 | |
I loved James. | 0:35:01 | 0:35:03 | |
Verity, being Verity, always wants what she can't have. | 0:35:05 | 0:35:10 | |
But James loved me, and that money was going to set us up for life. | 0:35:10 | 0:35:15 | |
Any more questions? | 0:35:22 | 0:35:24 | |
No. | 0:35:24 | 0:35:26 | |
TV: 'Today's forecasts are for Victoria. | 0:35:28 | 0:35:31 | |
'A few light clearing showers in the southern district, otherwise fine. | 0:35:31 | 0:35:36 | |
'Cool to mild day south-west to south-east winds...' | 0:35:36 | 0:35:39 | |
Anything you need, Simon? | 0:35:39 | 0:35:41 | |
A cup of tea. | 0:35:41 | 0:35:44 | |
"A cup of tea, please." | 0:35:44 | 0:35:46 | |
He was simply answering your question. Rudely. | 0:35:50 | 0:35:53 | |
Don't talk in front of him. | 0:35:53 | 0:35:55 | |
I can't hear! Well, excuse us, Simon, but this is where we live. | 0:35:55 | 0:35:59 | |
TV: 'Ladies and gentlemen, | 0:35:59 | 0:36:01 | |
'Game Of Champions suffered a tragic loss.' | 0:36:01 | 0:36:03 | |
I think I'll go make that cup of tea. | 0:36:03 | 0:36:05 | |
No, I'll get it. Shush! | 0:36:05 | 0:36:07 | |
'Holdover champion Simon Lo will return, but who will be his challenger? | 0:36:07 | 0:36:12 | |
'Professor Michael Waterman, respected teacher and Simon's old schoolmaster. | 0:36:12 | 0:36:16 | |
'The master meets the student on Game Of Champions | 0:36:16 | 0:36:20 | |
'tomorrow night at half-past seven.' | 0:36:20 | 0:36:23 | |
The man's a fool. He doesn't stand a chance. | 0:36:23 | 0:36:27 | |
Lawson, I think I've got another suspect for us. | 0:36:38 | 0:36:41 | |
Oh! No, no, hear me out, hear me out. | 0:36:41 | 0:36:44 | |
Clearly Simon Lo struggles with any sense of emotional connection, | 0:36:44 | 0:36:49 | |
but what he does understand is patterns, | 0:36:49 | 0:36:52 | |
and what he saw with each ongoing episode of that show | 0:36:52 | 0:36:56 | |
was Verity Coleman standing closer and closer to James Holbrook. | 0:36:56 | 0:37:02 | |
Every woman I've talked to wanted to stand closer to that bloke. Yes, I'm sure. | 0:37:02 | 0:37:06 | |
Look, Simon couldn't quite put it together, but what he described | 0:37:06 | 0:37:09 | |
was essentially two people becoming interested in each other, | 0:37:09 | 0:37:12 | |
and Dawn Prentice confirmed it. | 0:37:12 | 0:37:16 | |
Confirmed it? Yes, she knew. | 0:37:16 | 0:37:19 | |
The question is, how much did Alan know and did he do anything about it? | 0:37:19 | 0:37:25 | |
So, studio full of people with motive? | 0:37:25 | 0:37:29 | |
Alan Coleman, Verity Coleman, Roger Lambert, and Simon Lo. | 0:37:29 | 0:37:33 | |
Look, historically, | 0:37:33 | 0:37:35 | |
I know that Simon's been at the centre of trouble, | 0:37:35 | 0:37:38 | |
but it was never, never of his making. | 0:37:38 | 0:37:41 | |
He still remains number one on my suspect list. | 0:37:43 | 0:37:45 | |
'Live from Ballarat Studios, | 0:37:48 | 0:37:50 | |
'BTV Channel 8 and Tyneman Electrics are proud to present | 0:37:50 | 0:37:54 | |
'Game Of Champions, tonight at half-past seven.' | 0:37:54 | 0:37:59 | |
You know they'll rig the questions? Yes. | 0:38:01 | 0:38:04 | |
And that word Waterman used to call you, | 0:38:04 | 0:38:07 | |
that's how they'll try to make you feel. | 0:38:07 | 0:38:10 | |
They're wrong. | 0:38:10 | 0:38:11 | |
Well, they'll still try. | 0:38:11 | 0:38:14 | |
It's the way you described. Fight or flight. | 0:38:14 | 0:38:18 | |
They can use that word. I'll be ready for it. | 0:38:18 | 0:38:23 | |
You don't have to go, you know. I'm smarter than Professor Waterman. | 0:38:23 | 0:38:28 | |
Even if it's rigged, I'll beat him. | 0:38:28 | 0:38:30 | |
All right. ..Danny, keep an eye on him. Make sure there's no trouble. | 0:38:30 | 0:38:34 | |
Oh! | 0:38:39 | 0:38:40 | |
Simon! Sandwiches. | 0:38:41 | 0:38:44 | |
I'm not hungry. Well, have them later. | 0:38:44 | 0:38:48 | |
Not an easy person to like, is he? | 0:39:23 | 0:39:25 | |
Well, depends what you're looking for. | 0:39:25 | 0:39:29 | |
HE SIGHS | 0:39:48 | 0:39:51 | |
Hello, Simon. | 0:40:08 | 0:40:10 | |
Have to get you ready. You know where the make-up room is. | 0:40:10 | 0:40:12 | |
Thank you, Constable. Oh, that's fine. | 0:40:17 | 0:40:18 | |
He's hard work, isn't he? Yeah. Goodbye. | 0:40:18 | 0:40:23 | |
ANNOUNCER: 'And now. please welcome the stars of the show, | 0:40:28 | 0:40:31 | |
'Alan and Verity Coleman!' | 0:40:31 | 0:40:35 | |
APPLAUSE | 0:40:35 | 0:40:37 | |
Thank you, Tony, and welcome, ladies and gentlemen, | 0:40:41 | 0:40:45 | |
to a very special episode of Game Of Champions. | 0:40:45 | 0:40:48 | |
Tonight, we present the student and the master. | 0:40:48 | 0:40:52 | |
The returning champion and his teacher. | 0:40:52 | 0:40:56 | |
'Ladies and gentlemen...' | 0:40:56 | 0:40:57 | |
I'm confused. I don't know if I want him to win or not. | 0:40:57 | 0:40:59 | |
There's no pattern. None of this makes any sense. | 0:41:02 | 0:41:05 | |
Do we have to talk about this now? | 0:41:05 | 0:41:07 | |
Simon, your next question. | 0:41:09 | 0:41:11 | |
What question appears as number 75 on the periodic table? | 0:41:11 | 0:41:16 | |
A, magnesium, B, rhenium, | 0:41:16 | 0:41:19 | |
C, beryllium, D, silicon. | 0:41:19 | 0:41:24 | |
Number 75 on the periodic table is rhenium. | 0:41:25 | 0:41:29 | |
Correct. | 0:41:29 | 0:41:31 | |
APPLAUSE | 0:41:31 | 0:41:33 | |
Whoever killed James left no evidence | 0:41:33 | 0:41:36 | |
apart from one screw on the dressing room floor. | 0:41:36 | 0:41:39 | |
Now, a number of people had access to that room, | 0:41:39 | 0:41:42 | |
and therefore the television, before and after the show. | 0:41:42 | 0:41:46 | |
Any one of them could have killed him. | 0:41:46 | 0:41:48 | |
I'll turn it up. | 0:41:48 | 0:41:50 | |
What are we missing? Quite a lot, actually. | 0:41:50 | 0:41:52 | |
..Seventh king of England, following invasion by the House of Normandy? | 0:41:52 | 0:41:56 | |
A, King John, B, King Henry, | 0:41:56 | 0:41:59 | |
C, King Lear, D, King Edward. | 0:41:59 | 0:42:01 | |
King John was the seventh king of England | 0:42:01 | 0:42:03 | |
after the invasion of Normandy. | 0:42:03 | 0:42:06 | |
Correct! Perfect score. | 0:42:07 | 0:42:10 | |
He's a machine! He's not a machine, | 0:42:12 | 0:42:15 | |
he's just very intelligent | 0:42:15 | 0:42:17 | |
in a very particular way. | 0:42:17 | 0:42:20 | |
James Holbrook was loved by everyone, wasn't he? Hmm, quite literally. | 0:42:20 | 0:42:24 | |
Yet someone sabotaged that television | 0:42:24 | 0:42:27 | |
so that after he won the quiz, he'd be killed. | 0:42:27 | 0:42:31 | |
But why would someone want to kill him? | 0:42:31 | 0:42:33 | |
Unless we're asking the wrong question. | 0:42:33 | 0:42:35 | |
TV: 'Professor Waterman...' | 0:42:35 | 0:42:37 | |
If James wasn't actually expected to win. | 0:42:37 | 0:42:39 | |
'You'll need to have your skates on tonight. | 0:42:39 | 0:42:42 | |
'Are you ready to quiz?' | 0:42:42 | 0:42:44 | |
I am, Alan. | 0:42:44 | 0:42:46 | |
Simon, you'll be off-air for the Professor's round. | 0:42:46 | 0:42:50 | |
ELECTRICITY CRACKLES | 0:42:50 | 0:42:53 | |
SCREAMING | 0:42:53 | 0:42:56 | |
COMMOTION | 0:42:56 | 0:43:01 | |
INTERMISSION MUSIC PLAYS Bloody hell! | 0:43:01 | 0:43:04 | |
Oh! | 0:43:07 | 0:43:09 | |
Ladies and gentlemen, if you'd like to make your way | 0:43:09 | 0:43:12 | |
to the foyer in a quiet and orderly fashion. | 0:43:12 | 0:43:14 | |
Everything is under control. Thank you. | 0:43:14 | 0:43:17 | |
I'll shut down the studio till I can get the wiring checked. | 0:43:38 | 0:43:42 | |
Why would someone want to kill him on air? | 0:43:46 | 0:43:49 | |
What the hell just happened? I don't know. | 0:43:49 | 0:43:52 | |
You're paid to do a job, Roger. I checked those wires. | 0:43:52 | 0:43:55 | |
This is a total bloody disaster! A man just died live on television! | 0:43:55 | 0:44:00 | |
Save your arguments for later, please. | 0:44:00 | 0:44:03 | |
How am I supposed to sell electrical appliances | 0:44:03 | 0:44:06 | |
when this clown's contestants keep on getting electrocuted? | 0:44:06 | 0:44:09 | |
Shut up, Patrick! Everybody down to the station now. | 0:44:09 | 0:44:14 | |
Needle in a haystack. | 0:44:16 | 0:44:19 | |
Four needles in a very large haystack. | 0:44:19 | 0:44:21 | |
Only one of them tampered with those headphones. | 0:44:23 | 0:44:26 | |
DOOR CLOSES | 0:44:27 | 0:44:29 | |
The questions were rigged. | 0:44:56 | 0:44:58 | |
I didn't need to kill him. | 0:44:58 | 0:45:00 | |
I checked everything before the show. Everything. | 0:45:02 | 0:45:06 | |
I don't think people realised just how smart Simon was. | 0:45:07 | 0:45:11 | |
I did. | 0:45:11 | 0:45:13 | |
I heard it in the headphones. | 0:45:14 | 0:45:17 | |
I actually touched his hand. | 0:45:17 | 0:45:20 | |
What do you think of James? | 0:45:20 | 0:45:22 | |
Simon had enemies. James didn't. | 0:45:22 | 0:45:26 | |
James was going to be our star. Our new champion. | 0:45:26 | 0:45:31 | |
What did you think of Simon? | 0:45:31 | 0:45:33 | |
I couldn't stand Simon. | 0:45:33 | 0:45:35 | |
But to see him just lying there. | 0:45:37 | 0:45:40 | |
Does this mean whoever killed Simon probably killed James too? | 0:45:40 | 0:45:44 | |
Sir? What? | 0:46:05 | 0:46:07 | |
Mr Tyneman's downstairs, wants to talk to you. | 0:46:07 | 0:46:10 | |
Great(!) | 0:46:12 | 0:46:13 | |
For God's sake, Lawson, it's two in the morning! | 0:46:21 | 0:46:23 | |
I've been waiting an hour and a half, | 0:46:23 | 0:46:25 | |
I've been treated like a criminal, | 0:46:25 | 0:46:28 | |
and you will never, NEVER tell me to shut up again! | 0:46:28 | 0:46:31 | |
Two people have been murdered, Patrick. | 0:46:31 | 0:46:33 | |
You think I don't know that? | 0:46:33 | 0:46:34 | |
One of those murdered was in here yesterday | 0:46:34 | 0:46:37 | |
claiming that you tried to kill him. You pushed him in front of a car. | 0:46:37 | 0:46:40 | |
You were also present tonight at Simon Lo's death. | 0:46:40 | 0:46:42 | |
You've made no secret about how much you hated him. EVERYBODY hated him. | 0:46:42 | 0:46:45 | |
And it was your television that killed Mr Holbrook! | 0:46:45 | 0:46:48 | |
Should I keep going?! You don't believe any of this. | 0:46:48 | 0:46:52 | |
You can go home for now, and I'll tell you to shut up when I need to! | 0:46:52 | 0:46:57 | |
You too, Parks. Go home. | 0:47:08 | 0:47:11 | |
Yes, sir. | 0:47:11 | 0:47:12 | |
Does this mean whoever killed Simon probably killed James, too? | 0:47:23 | 0:47:26 | |
Yes? | 0:47:28 | 0:47:30 | |
Oh, I'm sorry, I know it's late. | 0:47:30 | 0:47:32 | |
I didn't think you'd be sleeping. | 0:47:32 | 0:47:34 | |
Huh! | 0:47:34 | 0:47:36 | |
Danny? Evening. Danny. | 0:47:37 | 0:47:41 | |
You've been busy. Yes. Am I missing out on something? | 0:47:43 | 0:47:47 | |
All right, I'm going to say it. | 0:47:47 | 0:47:50 | |
He was a difficult man, but he didn't deserve to die like that. | 0:47:50 | 0:47:54 | |
No, he certainly didn't. | 0:47:54 | 0:47:56 | |
You know, I've been asking two questions. | 0:47:57 | 0:48:00 | |
Who would want to kill James, and two, who would want to kill Simon? | 0:48:01 | 0:48:06 | |
Well, the second question's easier than the first. | 0:48:06 | 0:48:08 | |
Jean, say you were running a successful quiz show | 0:48:08 | 0:48:13 | |
and you were the star of that show. | 0:48:13 | 0:48:16 | |
So, she's Alan Coleman? Yes. | 0:48:16 | 0:48:17 | |
You want to get rid of a particularly unpopular contestant. What do you do? | 0:48:17 | 0:48:22 | |
I'd keep asking him difficult questions until he got one wrong. | 0:48:22 | 0:48:27 | |
You wouldn't kill him? No, why would I? Yeah, I would do that too. | 0:48:27 | 0:48:31 | |
Say your wife is becoming close to another contestant. | 0:48:31 | 0:48:36 | |
I'd smack him out! I'd talk to her. | 0:48:36 | 0:48:39 | |
I'd confront them both, and then I'd divorce her. | 0:48:39 | 0:48:42 | |
Right. So, you wouldn't kill James or Simon? | 0:48:42 | 0:48:45 | |
I wouldn't need to. | 0:48:45 | 0:48:47 | |
Danny, James and Simon got you kicked out of school. | 0:48:47 | 0:48:49 | |
Now you're doomed to work in a repair shop for the rest of your life. | 0:48:49 | 0:48:52 | |
Mm-hm. You kill them? | 0:48:52 | 0:48:53 | |
No, you wouldn't, would you? Hey, this is my question! | 0:48:53 | 0:48:57 | |
Why now? | 0:48:57 | 0:48:58 | |
Well, you tell me. | 0:48:58 | 0:49:00 | |
Well, because they're both more successful than me? I don't know. | 0:49:00 | 0:49:05 | |
It's just... Why wouldn't I get back at them years ago? | 0:49:05 | 0:49:08 | |
And why wouldn't just beat 'em up? I mean, it's so much more simpler. | 0:49:08 | 0:49:12 | |
I agree. All right. Mattie, you're Verity... | 0:49:12 | 0:49:15 | |
No, I want to be Dawn. Why? | 0:49:15 | 0:49:17 | |
Well, from what you said, that would make me the smartest. | 0:49:17 | 0:49:20 | |
Right, right. | 0:49:20 | 0:49:22 | |
OK, you went to school with James and Simon, | 0:49:22 | 0:49:24 | |
but no-one really paid much attention to you. | 0:49:24 | 0:49:27 | |
Well, everyone seems to be paying attention to Simon, | 0:49:27 | 0:49:30 | |
and now he's on the show, it's all happening again. | 0:49:30 | 0:49:32 | |
Uh-huh. Why do you kill your fiance? | 0:49:32 | 0:49:35 | |
I don't know. | 0:49:37 | 0:49:40 | |
Do I love him? He's your ticket out of here. | 0:49:40 | 0:49:42 | |
Well, then why would I kill him? I wouldn't. I couldn't. | 0:49:42 | 0:49:47 | |
Was it an accident? | 0:49:47 | 0:49:50 | |
Now we're asking the right question. | 0:49:52 | 0:49:54 | |
Good evening, Dawn. Ready for your questions? | 0:50:12 | 0:50:16 | |
What are you doing HERE? Giving you your moment in the spotlight | 0:50:18 | 0:50:21 | |
after all these years in Simon Lo's shadow. Are you ready? | 0:50:21 | 0:50:25 | |
Who was the smartest person in your class at school? | 0:50:25 | 0:50:28 | |
A, Simon Lo, B, James Holbrook, C, Roger Lambert, or, D, Dawn Prentice. | 0:50:28 | 0:50:34 | |
Come on, give me your answer. | 0:50:34 | 0:50:36 | |
Simon Lo! | 0:50:36 | 0:50:38 | |
Wrong! | 0:50:38 | 0:50:39 | |
The correct answer is D, Dawn Prentice. | 0:50:39 | 0:50:43 | |
Next question... You shouldn't be here. | 0:50:43 | 0:50:45 | |
I'm calling security. True or false. | 0:50:45 | 0:50:47 | |
You didn't know Alan Coleman and Patrick Tyneman | 0:50:47 | 0:50:51 | |
were conspiring to get Simon off the show. Come on, Dawn. | 0:50:51 | 0:50:54 | |
True. Correct. | 0:50:55 | 0:50:56 | |
You had no idea James was meant to be champion, | 0:50:56 | 0:51:01 | |
otherwise you would never have sabotaged that television set. | 0:51:01 | 0:51:04 | |
Is this all a game to you? | 0:51:04 | 0:51:05 | |
No. No, not at all, | 0:51:05 | 0:51:08 | |
and it wasn't a game for you either, was it? | 0:51:08 | 0:51:11 | |
True or false. You loved James. | 0:51:11 | 0:51:14 | |
True! You hated Simon. True! | 0:51:15 | 0:51:17 | |
But you only ever meant to kill Simon, didn't you? | 0:51:17 | 0:51:20 | |
True or false. Come on. | 0:51:20 | 0:51:22 | |
Answer me! True! | 0:51:24 | 0:51:25 | |
I killed the man I loved. | 0:51:27 | 0:51:29 | |
Simon was going to become champion. | 0:51:30 | 0:51:33 | |
He was going to take our money, so, yes, true! | 0:51:33 | 0:51:36 | |
The sad thing is, Dawn, that makes you the real loser in all of this. | 0:51:38 | 0:51:42 | |
The loser always leaves with nothing. | 0:51:44 | 0:51:47 | |
Dawn Prentice, I'm arresting you | 0:51:47 | 0:51:48 | |
for the murders of Simon Lo and James Holbrook. | 0:51:48 | 0:51:52 | |
Anything you say may be taken down and used in evidence against you. | 0:51:52 | 0:51:56 | |
True. | 0:51:58 | 0:51:59 | |
'Ladies and gentlemen, | 0:52:05 | 0:52:07 | |
'welcome to another round of Game Of Champions, | 0:52:07 | 0:52:10 | |
'the quiz show with all the answers, | 0:52:10 | 0:52:13 | |
'and now, please welcome the stars of the show, | 0:52:13 | 0:52:16 | |
'Alan and Verity Coleman.' | 0:52:16 | 0:52:19 | |
Well, I think I've had enough television | 0:52:21 | 0:52:23 | |
to last me a lifetime. Me too. | 0:52:23 | 0:52:24 | |
How about a game of Pontoon? | 0:52:25 | 0:52:27 | |
Ah, now you're talking! | 0:52:27 | 0:52:29 | |
Kitchen table? I've got the cards. | 0:52:29 | 0:52:32 | |
'..?1,000 in cash together with these great prizes | 0:52:32 | 0:52:37 | |
'from Tyneman Electrics! | 0:52:37 | 0:52:40 | |
'A very hearty welcome to all! | 0:52:40 | 0:52:43 | |
'Now, briefly, this is the way we play the game...' | 0:52:43 | 0:52:47 | |
APPLAUSE | 0:52:47 | 0:52:49 | |
Subtitles by Red Bee Media Ltd | 0:52:54 | 0:52:57 | |
Let BBC Two whisk you away to a world of luxury, | 0:53:21 | 0:53:25 | |
boasting an impressive celebrity clientele... | 0:53:25 | 0:53:28 |