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PIANO PLAYS | 0:00:04 | 0:00:05 | |
MAN CRIES | 0:00:18 | 0:00:19 | |
Hi, Oriel. Beautiful painting. | 0:00:22 | 0:00:26 | |
Miss Ashby! | 0:00:26 | 0:00:27 | |
Hi, Jimmy. | 0:00:27 | 0:00:29 | |
David? | 0:00:29 | 0:00:31 | |
David. | 0:00:33 | 0:00:35 | |
-David, it's time to take your medicine. -I don't want them. | 0:00:38 | 0:00:42 | |
David, that's enough. | 0:00:42 | 0:00:43 | |
I don't want them from you. | 0:00:43 | 0:00:45 | |
David, Dr Laine said you must take them. | 0:00:45 | 0:00:48 | |
-No. -David, take your medication. -It's all right, Jimmy. | 0:00:48 | 0:00:51 | |
-Please, David, would you just...? -No! | 0:00:51 | 0:00:54 | |
JIMMY CRIES | 0:00:57 | 0:00:58 | |
ALARM BLARES | 0:01:17 | 0:01:18 | |
HE CRIES | 0:01:28 | 0:01:30 | |
I'm sure this isn't really quite what you had in mind | 0:02:34 | 0:02:38 | |
when you suggested professional development. | 0:02:38 | 0:02:40 | |
I can't just turn and run the first time it gets difficult. | 0:02:40 | 0:02:43 | |
Evening. | 0:02:52 | 0:02:54 | |
You might want to watch your shoes. | 0:02:55 | 0:02:57 | |
-Do you have a name? -Violet Ashby, 23 years old. | 0:03:20 | 0:03:23 | |
Nurse on duty. | 0:03:23 | 0:03:25 | |
Before dinner, she had an altercation | 0:03:25 | 0:03:27 | |
with one of the patients, a David Hoyle. | 0:03:27 | 0:03:29 | |
During dinner he came back to the bathroom and he attacked her. | 0:03:29 | 0:03:33 | |
Looks like the knife was taken from the kitchen. | 0:03:33 | 0:03:35 | |
Miss O'Brien! | 0:03:35 | 0:03:37 | |
Hey. Having a quiet night out at the old nut house, are you? | 0:04:03 | 0:04:07 | |
Oh, sorry. No, I didn't mean... | 0:04:10 | 0:04:14 | |
Sorry. | 0:04:14 | 0:04:16 | |
-Parks. -Oh, sir. | 0:04:16 | 0:04:18 | |
Death knock, sir? | 0:04:21 | 0:04:23 | |
Yeah, her father lives out in Wendouree. | 0:04:23 | 0:04:25 | |
Wendouree? | 0:04:25 | 0:04:27 | |
Um, don't you usually handle this sort of thing? | 0:04:27 | 0:04:31 | |
Not tonight. | 0:04:31 | 0:04:32 | |
I could drive him, sir. | 0:04:32 | 0:04:35 | |
The doctor's helping me with my professional development. | 0:04:35 | 0:04:38 | |
Perhaps this falls into that category. | 0:04:38 | 0:04:41 | |
Yes. | 0:04:41 | 0:04:43 | |
Yes, I'm sure the Superintendent could drop me home. | 0:04:43 | 0:04:46 | |
We might be here for a while. | 0:04:46 | 0:04:47 | |
Oh, all right. Just do it properly. | 0:04:51 | 0:04:53 | |
Yes, sir. | 0:04:53 | 0:04:54 | |
-Doctor Winters. -Superintendent. | 0:05:10 | 0:05:13 | |
My police surgeon, Dr Lucien Blake. | 0:05:13 | 0:05:16 | |
Oh. | 0:05:16 | 0:05:17 | |
I had the greatest respect for your father. | 0:05:17 | 0:05:20 | |
Dr Blake was wanting to know a few things about the attacker. | 0:05:20 | 0:05:24 | |
David came to us two years ago, catatonic. | 0:05:24 | 0:05:28 | |
He's made great progress in the last few months. | 0:05:28 | 0:05:30 | |
Good. Has he ever displayed violent behaviour before? | 0:05:30 | 0:05:35 | |
He attacked his mother. | 0:05:35 | 0:05:36 | |
She had him committed. | 0:05:36 | 0:05:38 | |
Is there anything else I can help you with? | 0:05:38 | 0:05:41 | |
No, I don't think so. | 0:05:41 | 0:05:43 | |
You should get those cuts on your hands seen to, though. | 0:05:43 | 0:05:46 | |
And by the way, any chance I might be able to speak with David? | 0:05:46 | 0:05:50 | |
You'll have to talk to Dr Laine. | 0:05:50 | 0:05:51 | |
He was frantic when we found him. | 0:05:57 | 0:06:00 | |
ECT was the kindest thing we could do for him. | 0:06:00 | 0:06:03 | |
Electroconvulsive therapy. | 0:06:03 | 0:06:05 | |
Well, it has a bad name but it can be very effective, | 0:06:05 | 0:06:08 | |
depending on the voltage and frequency. | 0:06:08 | 0:06:10 | |
And when will he be able to talk? | 0:06:10 | 0:06:12 | |
He'll be awake in an hour or two | 0:06:12 | 0:06:14 | |
but it will be 12 hours or so before he's fully alert. | 0:06:14 | 0:06:18 | |
You have secure rooms here, don't you, doctor? | 0:06:18 | 0:06:20 | |
We do and we could continue treatment here | 0:06:20 | 0:06:23 | |
-until the courts need him, of course. -Right. | 0:06:23 | 0:06:27 | |
Well, as your police surgeon, | 0:06:27 | 0:06:29 | |
I recommend you stay here. | 0:06:29 | 0:06:32 | |
Save you rostering on a man for suicide watch. | 0:06:32 | 0:06:34 | |
I mean, up to you, of course. | 0:06:34 | 0:06:37 | |
It's all yours. | 0:06:37 | 0:06:39 | |
Thank you, doctor. That was an act of kindness. | 0:06:44 | 0:06:48 | |
-Lucien. -Kenneth Laine. | 0:06:48 | 0:06:51 | |
-Ah. -After you. | 0:06:51 | 0:06:53 | |
Thank you. | 0:06:53 | 0:06:54 | |
-Oh, it's so cold in here. -Yes. | 0:06:56 | 0:06:59 | |
Have you seen ECT before, Lucien? | 0:07:00 | 0:07:03 | |
Not in a medical setting, no. | 0:07:03 | 0:07:06 | |
What other setting is there? | 0:07:06 | 0:07:09 | |
You see a lot of things during war time, Kenneth. | 0:07:09 | 0:07:11 | |
We have no idea how shooting electrical impulses | 0:07:13 | 0:07:17 | |
through the brain can help these poor souls but it does. | 0:07:17 | 0:07:21 | |
And one day I want to know why. | 0:07:21 | 0:07:25 | |
-Interested in research? -Oh, very. | 0:07:25 | 0:07:28 | |
Hmm. | 0:07:28 | 0:07:29 | |
I understand he attacked Miss Ashby earlier in the afternoon. | 0:07:29 | 0:07:34 | |
Do you know why? | 0:07:34 | 0:07:36 | |
Well, David has always had trouble with female authority. | 0:07:36 | 0:07:39 | |
David was committed after threatening his mother. | 0:07:40 | 0:07:43 | |
Female authority issues. | 0:07:43 | 0:07:45 | |
She had ambitions for him to be a classical pianist. | 0:07:45 | 0:07:51 | |
I believe the pressure was too much for him. | 0:07:51 | 0:07:53 | |
Question is, how did he get his hands on that knife in the first place? | 0:07:53 | 0:07:58 | |
I don't know. | 0:07:58 | 0:08:00 | |
Kitchen reported it missing a couple of days ago. | 0:08:00 | 0:08:03 | |
He's left the light on for her. | 0:08:44 | 0:08:47 | |
The boss usually does this. | 0:08:47 | 0:08:50 | |
You've never done this before, have you? | 0:08:50 | 0:08:52 | |
No, I have, I have. I just... | 0:08:52 | 0:08:54 | |
-I hate it, that's all. -Do you want me to come with you? | 0:08:56 | 0:08:59 | |
I knew you'd forget your keys. | 0:09:17 | 0:09:20 | |
Here we go. | 0:09:21 | 0:09:23 | |
-Yes? -Ah, excuse me, sir. Sorry to disturb you. | 0:09:28 | 0:09:32 | |
Is this the home of Violet Ashby? | 0:09:32 | 0:09:35 | |
Put that hat on, constable. | 0:09:43 | 0:09:45 | |
-Sorry, sir? -Hat on. | 0:09:45 | 0:09:47 | |
If you're going to do this, do it properly. | 0:09:49 | 0:09:52 | |
I used to be in the Force. I know the rules. | 0:09:52 | 0:09:56 | |
Yes, sir. | 0:09:56 | 0:09:57 | |
-I'm afraid I have some bad news. -Not on a bloody doorstep. | 0:09:59 | 0:10:03 | |
Didn't that boss of yours teach you anything? Who's this? | 0:10:03 | 0:10:08 | |
I'm District Nurse Mattie O'Brien. | 0:10:08 | 0:10:10 | |
Well... | 0:10:15 | 0:10:16 | |
..don't just stand there. | 0:10:17 | 0:10:19 | |
Cleaning the room already? | 0:10:34 | 0:10:36 | |
Oh, there's no point leaving it like that. | 0:10:36 | 0:10:38 | |
You're quite sure about that? | 0:10:38 | 0:10:40 | |
-You are joking, aren't you? -I don't know. | 0:10:40 | 0:10:43 | |
-Oh, Blake! -No, I'm serious. I... I... | 0:10:43 | 0:10:45 | |
I don't know. | 0:10:45 | 0:10:46 | |
Look, say you're a homicidal maniac. | 0:10:48 | 0:10:52 | |
No, no, no, no, please. Listen, listen. | 0:10:52 | 0:10:54 | |
And you're completely insane, you have mother issues | 0:10:54 | 0:10:57 | |
and you've decided you're going to kill the nurse on duty. | 0:10:57 | 0:10:59 | |
What do you do? | 0:10:59 | 0:11:01 | |
Do you go and steal a knife and hide it somewhere, | 0:11:01 | 0:11:04 | |
wait for a few days till she's all alone, | 0:11:04 | 0:11:06 | |
then make your move? | 0:11:06 | 0:11:09 | |
-Maybe. -Then you're not insane, are you? | 0:11:09 | 0:11:11 | |
Because you've planned it. | 0:11:11 | 0:11:13 | |
So what are you saying? | 0:11:13 | 0:11:15 | |
Well, I'm saying... | 0:11:15 | 0:11:17 | |
I don't know. I'm not getting anything here and that's the problem. | 0:11:19 | 0:11:22 | |
I so much preferred working with your father. | 0:11:25 | 0:11:28 | |
I can well imagine. | 0:11:29 | 0:11:30 | |
We had a call at the station at 7.40pm | 0:11:33 | 0:11:38 | |
this evening to attend the Blackhill Psychiatric Hospital. | 0:11:38 | 0:11:42 | |
By the time we arrived, the deceased... | 0:11:43 | 0:11:46 | |
-Violet. -Violet... | 0:11:46 | 0:11:48 | |
..had... | 0:11:50 | 0:11:52 | |
..had, ah, sustained multiple stab wounds to the abdomen. | 0:11:53 | 0:11:57 | |
It appears to have been a pre-meditated attack. | 0:11:59 | 0:12:01 | |
One of the patients. | 0:12:03 | 0:12:06 | |
I'm sorry, sir. | 0:12:06 | 0:12:07 | |
-Was she interfered with? -No, sir. | 0:12:22 | 0:12:25 | |
Not from what I saw. | 0:12:26 | 0:12:28 | |
Is there a Mrs Ashby? Perhaps, sir... | 0:12:30 | 0:12:33 | |
No. | 0:12:35 | 0:12:37 | |
Violet's mother is no longer with us. | 0:12:37 | 0:12:40 | |
They didn't look after her in that place. | 0:12:45 | 0:12:48 | |
I told her to leave but there was a matter... | 0:12:48 | 0:12:50 | |
With her it was a matter of pride. | 0:12:53 | 0:12:56 | |
Well, that's that, then. | 0:13:02 | 0:13:05 | |
Constable? | 0:13:08 | 0:13:11 | |
Vi wore her mother's eternity ring as a, um... | 0:13:12 | 0:13:15 | |
..kind of keepsake. | 0:13:18 | 0:13:20 | |
It was a mixture of emeralds and diamonds. | 0:13:20 | 0:13:22 | |
Your daughter's personal effects | 0:13:22 | 0:13:24 | |
will be returned to you as soon as possible. | 0:13:24 | 0:13:26 | |
The ring is the only thing I care about. | 0:13:26 | 0:13:28 | |
-Make sure it gets back to me. -Yes, sir. | 0:13:28 | 0:13:31 | |
Bloody hell. | 0:13:44 | 0:13:46 | |
-Are you OK? -Not really. | 0:13:46 | 0:13:49 | |
Danny and Mattie seemed rather subdued this morning. | 0:14:07 | 0:14:10 | |
-I'm not surprised. -Hmm. | 0:14:10 | 0:14:13 | |
You were going to hand over your receipts. | 0:14:14 | 0:14:16 | |
-Hmm? -Your receipts. | 0:14:16 | 0:14:18 | |
Yes, ah, that's right. | 0:14:19 | 0:14:21 | |
Um, I do have them, somewhere. | 0:14:21 | 0:14:25 | |
Actually, in a few places. | 0:14:25 | 0:14:27 | |
But I'll gather them all together. | 0:14:27 | 0:14:29 | |
Your father used to do his own bookwork. | 0:14:29 | 0:14:32 | |
I offered to help but it was a matter of pride for him. | 0:14:32 | 0:14:36 | |
Well, that's where Dad and I differ. | 0:14:36 | 0:14:38 | |
-Hmph. -I have no pride. | 0:14:38 | 0:14:39 | |
Did you know, the most modern technique | 0:14:42 | 0:14:46 | |
for treating patients with mental illness | 0:14:46 | 0:14:49 | |
is to shoot charges of electricity through their brains. | 0:14:49 | 0:14:53 | |
Yes. Electroconvulsive therapy. | 0:14:53 | 0:14:55 | |
You been reading my medical books? | 0:14:57 | 0:14:59 | |
Only when you're not here. How does it work, anyway? | 0:14:59 | 0:15:02 | |
Well, no-one's really sure. | 0:15:02 | 0:15:04 | |
But somehow it seems to...break the cycle. | 0:15:04 | 0:15:09 | |
Must be terribly painful. | 0:15:09 | 0:15:11 | |
Oh, one couldn't even imagine. | 0:15:11 | 0:15:14 | |
However, very few side effects, apparently. | 0:15:14 | 0:15:18 | |
Short-term confusion and disorientation, | 0:15:18 | 0:15:21 | |
certainly headaches. | 0:15:21 | 0:15:24 | |
-And short-term memory loss. -Oh. | 0:15:24 | 0:15:27 | |
I'll remember that when you forget to give me your receipts. | 0:15:27 | 0:15:30 | |
Ah, I'll take you through shortly, sir. | 0:15:47 | 0:15:49 | |
-Lawson. -Sir. | 0:15:53 | 0:15:55 | |
I'm, ah, I'm very sorry to hear of your loss. | 0:15:58 | 0:16:00 | |
Everyone is. | 0:16:03 | 0:16:05 | |
Would you like me to come with you? | 0:16:07 | 0:16:09 | |
No. This one'll do. | 0:16:11 | 0:16:14 | |
This way, sir. | 0:16:14 | 0:16:16 | |
Doug Ashby. | 0:16:23 | 0:16:26 | |
He was my Commanding Officer for ten years. | 0:16:27 | 0:16:30 | |
Made my life hell. | 0:16:30 | 0:16:32 | |
Is this your daughter? | 0:16:47 | 0:16:49 | |
Violet Ashby? | 0:16:49 | 0:16:51 | |
Yes, it is. | 0:16:54 | 0:16:56 | |
You can head off, Danny. | 0:17:03 | 0:17:05 | |
Well done. | 0:17:07 | 0:17:09 | |
There was one deep stab. That was the blow that killed her. | 0:17:44 | 0:17:47 | |
The knife was driven up under the ribcage, | 0:17:47 | 0:17:49 | |
punctured a lung, severed an artery. | 0:17:49 | 0:17:51 | |
She would have been dead in 30 seconds. | 0:17:51 | 0:17:53 | |
Get to the point. | 0:17:53 | 0:17:54 | |
That first blow seems almost designed to cause maximum damage, | 0:17:54 | 0:18:00 | |
suggesting a detailed knowledge of anatomy. | 0:18:00 | 0:18:03 | |
The rest, the rest were just decoration. | 0:18:03 | 0:18:06 | |
I'll do the talking. Doctor. | 0:18:06 | 0:18:09 | |
I'm not convinced this is necessary. | 0:18:09 | 0:18:11 | |
Well, we need to take statements where we can. | 0:18:11 | 0:18:13 | |
I'll be in my office. | 0:18:19 | 0:18:20 | |
Mr Hoyle? | 0:18:31 | 0:18:33 | |
I'm Superintendent Lawson and this is Dr Lucien Blake. | 0:18:33 | 0:18:36 | |
I'd like to ask you some questions about last night. | 0:18:36 | 0:18:38 | |
I don't remember anything. | 0:18:39 | 0:18:41 | |
What's the last thing you do remember? | 0:18:45 | 0:18:49 | |
The day room. | 0:18:49 | 0:18:50 | |
What time was it? | 0:18:50 | 0:18:53 | |
Don't know. | 0:18:53 | 0:18:54 | |
Was it before dinner? Was it after dinner? | 0:18:55 | 0:18:59 | |
Before. | 0:18:59 | 0:19:00 | |
I was playing. | 0:19:03 | 0:19:05 | |
Good. And what then? | 0:19:06 | 0:19:09 | |
Do you remember having an argument with Nurse Ashby? | 0:19:12 | 0:19:15 | |
You understand that she was killed some time later. | 0:19:17 | 0:19:20 | |
Yes. | 0:19:22 | 0:19:24 | |
Did you attack her? | 0:19:26 | 0:19:28 | |
I must have. | 0:19:31 | 0:19:33 | |
Nurse Ashby was really nice. | 0:19:35 | 0:19:37 | |
She asked me questions. | 0:19:39 | 0:19:41 | |
Then why did you kill her? | 0:19:41 | 0:19:43 | |
I don't know. | 0:19:46 | 0:19:48 | |
David, I've heard you're a very good piano player. | 0:19:53 | 0:19:56 | |
Not...good...enough. | 0:19:59 | 0:20:02 | |
-He thinks he killed her. -Course he did. | 0:20:06 | 0:20:09 | |
Then why can't he remember? | 0:20:09 | 0:20:10 | |
Because he's a nutcase locked in a padded cell? | 0:20:10 | 0:20:13 | |
He didn't present as unfit, just confused. | 0:20:13 | 0:20:17 | |
-He's fit for trial. -And that's what worries me. | 0:20:17 | 0:20:20 | |
PIANO MUSIC PLAYS | 0:20:20 | 0:20:21 | |
You know his fingerprints were all over the knife. | 0:20:21 | 0:20:24 | |
-You coming? -Um... | 0:20:26 | 0:20:28 | |
I'll catch up with you later. | 0:20:30 | 0:20:32 | |
I couldn't help admiring your bird, it's beautiful. | 0:20:41 | 0:20:44 | |
-I've practised a lot. -Yes, I can tell. | 0:20:46 | 0:20:48 | |
-I'm Lucien. -Oriel. | 0:20:51 | 0:20:53 | |
What a lovely name. | 0:20:55 | 0:20:56 | |
-What are you going to paint? -I don't know yet. | 0:20:57 | 0:21:00 | |
Do you know, my mother was an artist. | 0:21:03 | 0:21:05 | |
And sometimes she'd let me come in her studio... | 0:21:05 | 0:21:08 | |
..and I'd sit and watch her paint. I loved it. | 0:21:10 | 0:21:13 | |
Would you like to see something I've painted? | 0:21:15 | 0:21:17 | |
Oh, yes, please. | 0:21:17 | 0:21:19 | |
Oh, that's good. That's... | 0:21:27 | 0:21:30 | |
That's really good. Is...that David? | 0:21:30 | 0:21:34 | |
I painted it yesterday. | 0:21:36 | 0:21:37 | |
And... | 0:21:37 | 0:21:39 | |
..this is before he had the fight with Nurse Ashby, isn't it? | 0:21:40 | 0:21:45 | |
Before...and after. | 0:21:45 | 0:21:48 | |
MUSIC STOPS AND POWER DRAINS | 0:21:48 | 0:21:50 | |
Oriel, tell me. What did you think of Nurse Ashby? | 0:21:55 | 0:21:59 | |
She asked too many questions. MUSIC STARTS | 0:21:59 | 0:22:02 | |
Thank you, Oriel. | 0:22:06 | 0:22:07 | |
Hello. | 0:22:16 | 0:22:18 | |
-I'm Dr Blake. -I know. | 0:22:18 | 0:22:20 | |
-And you are...? -Oriel doesn't like you. | 0:22:20 | 0:22:24 | |
I'm sure Oriel can speak for herself. | 0:22:24 | 0:22:27 | |
I don't like you either. | 0:22:27 | 0:22:29 | |
But you do like Oriel, don't you? That's what this is all about. | 0:22:29 | 0:22:33 | |
Don't you talk about her. | 0:22:33 | 0:22:35 | |
-And why shouldn't I talk about her? -Because you're weak. | 0:22:35 | 0:22:38 | |
Well, some people might debate that. | 0:22:38 | 0:22:40 | |
Now look, Oriel is a very lovely young woman | 0:22:40 | 0:22:42 | |
but this isn't the best way to gain her attention, is it...? | 0:22:42 | 0:22:44 | |
Bryn! Bryn, let him go! | 0:22:44 | 0:22:46 | |
Let him go! | 0:22:47 | 0:22:49 | |
Thank you. | 0:22:54 | 0:22:56 | |
Thank you, Dr Winters. | 0:22:56 | 0:22:57 | |
-They want you to stop upsetting the patients. -Oh, do they now? | 0:23:00 | 0:23:04 | |
What they really want me to do is sack you | 0:23:04 | 0:23:05 | |
but I thought I'd soften it. You can't help yourself, can you? | 0:23:05 | 0:23:08 | |
Well, don't you think something's very strange there. | 0:23:08 | 0:23:11 | |
Course I do! It's an asylum. It's all bloody strange. | 0:23:11 | 0:23:13 | |
Well, that big chap who threatened me sees himself as Oriel's protector. | 0:23:13 | 0:23:17 | |
-I suggest we add him to the list. -Oh, look, there's no list, Blake. | 0:23:17 | 0:23:22 | |
Hoyle was found with a knife, standing over that poor girl. | 0:23:22 | 0:23:25 | |
Is this where you say something about working with my father? | 0:23:27 | 0:23:30 | |
Don't tempt me. | 0:23:30 | 0:23:31 | |
You really think something's wrong about that murder? | 0:23:33 | 0:23:36 | |
Oh, I'm not sure. Danny. | 0:23:36 | 0:23:38 | |
How's Violet Ashby's dad? | 0:23:40 | 0:23:42 | |
He's a tough old bloke. | 0:23:42 | 0:23:45 | |
Apparently he was the boss's boss when he first started. | 0:23:45 | 0:23:47 | |
Made his life hell. | 0:23:47 | 0:23:49 | |
Well, explains a few things, doesn't it? | 0:23:49 | 0:23:52 | |
Listen, can you tell me where I might be able | 0:23:52 | 0:23:54 | |
to find Mattie this afternoon? | 0:23:54 | 0:23:56 | |
She was rostered on early this morning so she'll be home by now. | 0:23:56 | 0:23:58 | |
I did some checking around for you. | 0:24:00 | 0:24:02 | |
Ah, thank you. | 0:24:02 | 0:24:04 | |
Did you know Violet Ashby was accused of negligence? | 0:24:04 | 0:24:07 | |
Uh, a patient died last year, a Patrick Garret. | 0:24:09 | 0:24:13 | |
Apparently, there was some mix-up with his meds | 0:24:13 | 0:24:15 | |
and she got off with a reprimand. | 0:24:15 | 0:24:18 | |
A reprimand? For fatally mixing up someone's meds? | 0:24:18 | 0:24:22 | |
Well, apparently it wasn't quite so cut and dried. | 0:24:22 | 0:24:25 | |
The finding was vague. | 0:24:25 | 0:24:27 | |
And the hospital took her back. | 0:24:27 | 0:24:29 | |
Dear, oh, dear. That's not much of a recommendation, is it? | 0:24:31 | 0:24:35 | |
How are you? | 0:24:38 | 0:24:40 | |
Perhaps it was a mistake me taking you with me last night. | 0:24:43 | 0:24:46 | |
If I'm going to be serious about the work, | 0:24:46 | 0:24:48 | |
I need to see all sides of it. | 0:24:48 | 0:24:50 | |
Yes. | 0:24:54 | 0:24:55 | |
HE CLEARS THROAT | 0:24:58 | 0:25:00 | |
Mattie... | 0:25:02 | 0:25:03 | |
She was a nurse... | 0:25:03 | 0:25:06 | |
..and she was my age. | 0:25:07 | 0:25:09 | |
And she had... | 0:25:13 | 0:25:14 | |
She had her whole life ahead of her. Yes, I know. | 0:25:14 | 0:25:17 | |
Does this mean I'm not cut out for this? | 0:25:24 | 0:25:27 | |
Oh, not at all. | 0:25:27 | 0:25:28 | |
Do you know what it means? | 0:25:30 | 0:25:33 | |
It means you're absolutely the right person for the job. | 0:25:33 | 0:25:36 | |
Doctor? | 0:25:42 | 0:25:44 | |
A patient here to see you. No appointment. | 0:25:44 | 0:25:47 | |
Of course. One of our regulars? | 0:25:47 | 0:25:50 | |
No, I don't think so. | 0:25:50 | 0:25:52 | |
Oriel, what a nice surprise. | 0:26:06 | 0:26:09 | |
-Is that one of your mother's? -That one? | 0:26:18 | 0:26:21 | |
No, no, not that one. | 0:26:21 | 0:26:23 | |
Why are you here, Oriel? | 0:26:27 | 0:26:29 | |
I'm a voluntary patient. I can sign myself out. | 0:26:29 | 0:26:32 | |
That's not quite what I'm asking, is it? | 0:26:32 | 0:26:35 | |
You said you liked my painting. | 0:26:36 | 0:26:38 | |
-Yes, I did. -Would you like to see another? | 0:26:38 | 0:26:40 | |
-It's you. -Yes. | 0:26:49 | 0:26:51 | |
Do you like it? | 0:26:51 | 0:26:52 | |
Wonderful. Really wonderful. | 0:26:54 | 0:26:58 | |
You're very talented, Oriel. | 0:26:58 | 0:27:00 | |
But I'm not sure that it was a good idea for you to come here. | 0:27:00 | 0:27:04 | |
Why not? | 0:27:04 | 0:27:06 | |
How did you come to be at Blackhill in the first place? | 0:27:11 | 0:27:14 | |
Mum and Dad pay for me to be there. | 0:27:14 | 0:27:17 | |
Why? | 0:27:17 | 0:27:18 | |
There was a boy I liked. | 0:27:22 | 0:27:24 | |
He didn't like me. | 0:27:27 | 0:27:29 | |
I got angry. | 0:27:29 | 0:27:32 | |
With him? | 0:27:32 | 0:27:34 | |
With his girlfriend. | 0:27:34 | 0:27:36 | |
I see. | 0:27:38 | 0:27:39 | |
And how did you get on with Nurse Ashby? | 0:27:42 | 0:27:46 | |
She was always asking questions. | 0:27:46 | 0:27:49 | |
Writing things down in her little book. | 0:27:49 | 0:27:52 | |
Hmm, that's what David said too. | 0:27:52 | 0:27:55 | |
She talked to him a lot. | 0:27:55 | 0:27:57 | |
That was after Patrick died. | 0:27:59 | 0:28:02 | |
Patrick was a patient, wasn't he? | 0:28:02 | 0:28:04 | |
They said Violet killed him accidentally. | 0:28:04 | 0:28:06 | |
Do you believe that? | 0:28:06 | 0:28:08 | |
Well, I'll tell you something, Oriel. | 0:28:11 | 0:28:13 | |
These paintings... | 0:28:14 | 0:28:16 | |
boy, they, uh... | 0:28:16 | 0:28:19 | |
Well, they really are exceptional. | 0:28:19 | 0:28:21 | |
I love the way you capture how you feel | 0:28:21 | 0:28:25 | |
and you managed to do that with your painting of David as well. | 0:28:25 | 0:28:28 | |
He's easy to paint. You know what he's thinking. | 0:28:28 | 0:28:31 | |
So if I was to look at your painting of David, | 0:28:33 | 0:28:37 | |
would I see that he was thinking of hurting Nurse Ashby? | 0:28:37 | 0:28:40 | |
David would never have hurt her, | 0:28:42 | 0:28:45 | |
especially not with a kitchen knife. | 0:28:45 | 0:28:47 | |
Why not? | 0:28:47 | 0:28:48 | |
His dad was a butcher. | 0:28:49 | 0:28:52 | |
He can't stand the sight of blood. | 0:28:52 | 0:28:54 | |
And he's terrified of knives. | 0:28:54 | 0:28:56 | |
I see. | 0:28:59 | 0:29:01 | |
Oriel... | 0:29:03 | 0:29:05 | |
..where were you last night | 0:29:06 | 0:29:09 | |
after David had his argument with Nurse Ashby? | 0:29:09 | 0:29:12 | |
Lucien is supposed to mean "bringer of light". | 0:29:18 | 0:29:20 | |
Did you know that? | 0:29:22 | 0:29:23 | |
Not really, no. | 0:29:25 | 0:29:26 | |
I think they're wrong. | 0:29:29 | 0:29:31 | |
What's going on? | 0:29:34 | 0:29:35 | |
Oriel Vogel can't tell me where she was last night | 0:29:35 | 0:29:38 | |
between the day room and dinner. | 0:29:38 | 0:29:39 | |
So? | 0:29:39 | 0:29:41 | |
She has a history of jealous attacks | 0:29:41 | 0:29:44 | |
and she's prone to inappropriate attachments. | 0:29:44 | 0:29:47 | |
Blake, you're a GP, you're not a shrink. | 0:29:47 | 0:29:49 | |
What if I can prove David Hoyle DID NOT kill Violet Ashby, hmm? | 0:29:49 | 0:29:54 | |
How'd you swing this? You're supposed to be staying away. | 0:29:59 | 0:30:02 | |
I may have lied to Dr Laine. | 0:30:04 | 0:30:06 | |
David, how are you? I'm Dr Lucien Blake. | 0:30:10 | 0:30:13 | |
Do you remember me? | 0:30:13 | 0:30:15 | |
Do you, um, do you remember why you've been locked in your cell? | 0:30:17 | 0:30:20 | |
Hmm. | 0:30:23 | 0:30:24 | |
Don't be alarmed, Lawson. | 0:30:32 | 0:30:34 | |
David, I want you to take this knife. | 0:30:34 | 0:30:36 | |
-I want you to take the knife and stab me. -Blake. | 0:30:36 | 0:30:39 | |
Come on, you won't get into trouble, I promise. | 0:30:39 | 0:30:41 | |
-No. -David, come on. I want you to take the knife. -I can't. | 0:30:41 | 0:30:44 | |
Blake! | 0:30:44 | 0:30:45 | |
You can't take the knife, can you, David? | 0:30:48 | 0:30:51 | |
The very thought of touching the blade terrifies you, doesn't it? | 0:30:51 | 0:30:55 | |
Lawson, look, I... | 0:31:02 | 0:31:04 | |
I don't know who killed Violet Ashby but I can tell you this. | 0:31:04 | 0:31:08 | |
Of all the people it could be, it wasn't this young man here. | 0:31:08 | 0:31:12 | |
But I did. | 0:31:12 | 0:31:14 | |
I had the knife in my hand. | 0:31:14 | 0:31:16 | |
I had her blood on me. | 0:31:18 | 0:31:20 | |
-I can still see her. -It's all right, David. | 0:31:20 | 0:31:22 | |
I killed her. | 0:31:22 | 0:31:24 | |
Killed her. | 0:31:27 | 0:31:29 | |
-David, hey, bloody hell! -Get him out of here! | 0:31:29 | 0:31:32 | |
For God's sake! | 0:31:34 | 0:31:36 | |
You said you wanted to talk to David for research purposes! | 0:31:42 | 0:31:46 | |
My patients are not there for you to play games with! | 0:31:46 | 0:31:49 | |
I believe Dr Blake was testing a hypothesis. | 0:31:49 | 0:31:52 | |
What hypothesis? | 0:31:52 | 0:31:54 | |
Could you give us a moment, Ken? | 0:31:54 | 0:31:56 | |
-I will not let this happen again. -It won't. Now, if you don't mind? | 0:31:56 | 0:32:00 | |
You've found it hard to believe that David Hoyle | 0:32:08 | 0:32:10 | |
could have killed Violet, haven't you? | 0:32:10 | 0:32:13 | |
First it was me you were wondering about, then it's Oriel. | 0:32:13 | 0:32:16 | |
Oriel has private sessions with Dr Laine. | 0:32:18 | 0:32:21 | |
I took her from the day room to Dr Laine's office. | 0:32:21 | 0:32:24 | |
I collected her an hour later and took her to the dining room. | 0:32:24 | 0:32:28 | |
I see. | 0:32:32 | 0:32:34 | |
And what is it you think you see, Dr Blake? | 0:32:34 | 0:32:36 | |
And what about you, doctor? | 0:32:36 | 0:32:38 | |
I did not kill Violet. | 0:32:38 | 0:32:41 | |
-And why should we believe you? -Because I loved her. | 0:32:41 | 0:32:44 | |
I loved her. | 0:32:50 | 0:32:52 | |
And she seemed to love me. | 0:32:53 | 0:32:55 | |
You were lovers. | 0:33:01 | 0:33:03 | |
Dr Winters... | 0:33:05 | 0:33:06 | |
..what about her reprimand? | 0:33:08 | 0:33:10 | |
Violet always maintained she was innocent. | 0:33:11 | 0:33:14 | |
How'd you get the cuts on your hand? | 0:33:14 | 0:33:16 | |
Some of our patients harm themselves | 0:33:21 | 0:33:24 | |
just to give their internal pain an external form. | 0:33:24 | 0:33:27 | |
I'm no different. | 0:33:31 | 0:33:32 | |
How's the investigation going? | 0:33:44 | 0:33:46 | |
Someone's daughter died, | 0:33:47 | 0:33:50 | |
a number of lives have been pretty much ruined... | 0:33:50 | 0:33:53 | |
..and my pride has taken a battering. | 0:33:54 | 0:33:56 | |
Oh, I thought you didn't have any. | 0:33:56 | 0:33:59 | |
Hah! I thought so too. | 0:33:59 | 0:34:01 | |
Mm-hm. | 0:34:03 | 0:34:05 | |
-You mind? -Sorry. -Thank you. | 0:34:14 | 0:34:17 | |
Jean, hang on. | 0:34:31 | 0:34:33 | |
-What? -May I? -Hmm? | 0:34:33 | 0:34:35 | |
Jean. | 0:36:47 | 0:36:49 | |
-Did I wake you? -No, I was up. | 0:36:49 | 0:36:51 | |
-Fancy a drink? -No, I'm fine. | 0:36:55 | 0:36:57 | |
Ah, here's one you'll know. | 0:36:59 | 0:37:02 | |
Here's one you might know. | 0:37:02 | 0:37:04 | |
Join in whenever you like! | 0:37:05 | 0:37:07 | |
It's a little late for a singsong. | 0:37:07 | 0:37:09 | |
-Nonsense, never too late for a song. -Yes, it is. | 0:37:09 | 0:37:13 | |
You play very well. | 0:37:13 | 0:37:15 | |
It's a shame we only hear you late at night. | 0:37:15 | 0:37:17 | |
Yeah. | 0:37:17 | 0:37:18 | |
Of course, Dad was a virtuoso, could play anything. | 0:37:20 | 0:37:23 | |
Which was why I eventually took up the drums. | 0:37:25 | 0:37:28 | |
-Oh, bloody hell. -Don't worry. You should go to bed. | 0:37:29 | 0:37:32 | |
HE SIGHS | 0:37:32 | 0:37:33 | |
Yes. | 0:37:38 | 0:37:39 | |
Dr Blake's son gets it spectacularly wrong again. | 0:37:41 | 0:37:44 | |
Self-recrimination and alcohol, Jean, never mix. | 0:37:50 | 0:37:53 | |
I'll keep that in mind. Come on, bed. | 0:37:53 | 0:37:55 | |
-Oops. Um, shall I... -No, no, leave that. | 0:38:01 | 0:38:05 | |
-Oh, it's a bloody mess. -Yes. | 0:38:05 | 0:38:07 | |
Oh, I should probably... | 0:38:09 | 0:38:12 | |
I should probably... | 0:38:13 | 0:38:15 | |
..probably go and brush my teeth, Jean. | 0:38:16 | 0:38:19 | |
Ah, sweet Jean... | 0:38:19 | 0:38:22 | |
Ah, sir? | 0:39:34 | 0:39:35 | |
Violet Ashby's effects. | 0:39:35 | 0:39:38 | |
Her dad wanted them back. | 0:39:38 | 0:39:40 | |
Should I take them over or...? | 0:39:40 | 0:39:42 | |
No, give them here. | 0:39:42 | 0:39:44 | |
-That'll be all. -Sir. | 0:39:48 | 0:39:50 | |
One set of car keys. | 0:40:27 | 0:40:29 | |
One pair of glasses, damaged. | 0:40:32 | 0:40:35 | |
And, ah, two gold rings. | 0:40:39 | 0:40:42 | |
One with gemstones. | 0:40:42 | 0:40:44 | |
That'll be all, Superintendent. | 0:41:00 | 0:41:03 | |
Thanks for the house call. | 0:41:08 | 0:41:11 | |
I'm glad it was you. | 0:41:14 | 0:41:16 | |
Not that mess of a man you call your constable. | 0:41:18 | 0:41:20 | |
Constable Parks is all right. | 0:41:23 | 0:41:25 | |
Lawson. | 0:41:28 | 0:41:29 | |
It really was one of the loonies that did this, was it? | 0:41:33 | 0:41:36 | |
A patient died up there a couple of months ago. | 0:41:39 | 0:41:41 | |
They blamed Violet for it. | 0:41:43 | 0:41:44 | |
She was trying to prove it wasn't her fault. | 0:41:44 | 0:41:47 | |
We think it may have been one of the patients. | 0:41:50 | 0:41:53 | |
Well...it's your investigation. | 0:41:55 | 0:41:59 | |
I'd be asking a few more questions. | 0:42:02 | 0:42:04 | |
Sir. | 0:42:04 | 0:42:06 | |
-Morning. -Ah, good morning. | 0:42:32 | 0:42:35 | |
There's a plate of bacon and eggs when you're ready. | 0:42:35 | 0:42:38 | |
Thank you. | 0:42:38 | 0:42:39 | |
Jean... | 0:42:39 | 0:42:40 | |
I do apologise for last night. | 0:42:42 | 0:42:44 | |
My, um, playing was horrendous. | 0:42:44 | 0:42:48 | |
I wouldn't say that. | 0:42:48 | 0:42:50 | |
Dad would have. | 0:42:50 | 0:42:52 | |
Thank you for the tea. | 0:42:52 | 0:42:54 | |
Lawson. | 0:43:16 | 0:43:17 | |
Now...you're going to think I've lost my mind. | 0:43:22 | 0:43:27 | |
Ah. | 0:45:07 | 0:45:09 | |
-Oriel. -Am I in trouble? | 0:45:09 | 0:45:12 | |
No, no, not at all. | 0:45:12 | 0:45:14 | |
In fact, I think you're about to be very, very helpful. | 0:45:14 | 0:45:17 | |
There we are. | 0:45:19 | 0:45:21 | |
I've been, um, studying your paintings. | 0:45:21 | 0:45:25 | |
They really are very good. Lawson, would you mind...? | 0:45:26 | 0:45:28 | |
Now this one. | 0:45:31 | 0:45:33 | |
Can you tell me what's happening here? | 0:45:34 | 0:45:36 | |
-You were talking to me. -Right. | 0:45:39 | 0:45:42 | |
And this one...why is that so much darker? | 0:45:43 | 0:45:48 | |
The lights went down. | 0:45:48 | 0:45:50 | |
Our power system's very old. | 0:45:50 | 0:45:51 | |
It struggles to cope when there's additional drain on it. | 0:45:51 | 0:45:54 | |
DISTANT SCREAMING Oriel? | 0:45:54 | 0:45:56 | |
Do you know why the lights go down? | 0:45:58 | 0:46:02 | |
It's when Dr Laine does the ECT on us. | 0:46:02 | 0:46:06 | |
Right. | 0:46:07 | 0:46:09 | |
Right. | 0:46:09 | 0:46:10 | |
What about these ones? | 0:46:11 | 0:46:13 | |
You painted this one | 0:46:15 | 0:46:17 | |
before David had his argument with Nurse Ashby, didn't you? Yeah. | 0:46:17 | 0:46:22 | |
And this one...was after the argument, wasn't it? | 0:46:24 | 0:46:29 | |
He'd left the room. | 0:46:29 | 0:46:31 | |
The lights went low. I guessed it was for him. | 0:46:31 | 0:46:34 | |
Everyone else was in the day room. | 0:46:34 | 0:46:36 | |
Right. What time do you think that was? | 0:46:36 | 0:46:39 | |
-Seven o'clock. -Seven o'clock. | 0:46:40 | 0:46:43 | |
Let's have a little look in the book, shall we? | 0:46:46 | 0:46:50 | |
Now... | 0:46:50 | 0:46:51 | |
..here we are. | 0:46:53 | 0:46:55 | |
"Hoyle, David. | 0:46:55 | 0:46:58 | |
"150 volts, 8.55pm." | 0:46:58 | 0:47:01 | |
After Violet was killed. | 0:47:02 | 0:47:04 | |
But there's no record of any treatment around seven o'clock. | 0:47:05 | 0:47:10 | |
Oriel, can you tell me... | 0:47:10 | 0:47:14 | |
how many times a day would you say | 0:47:14 | 0:47:17 | |
the lights dimmed? | 0:47:17 | 0:47:19 | |
Once or twice. If that. | 0:47:19 | 0:47:22 | |
Four times a day, at least. | 0:47:22 | 0:47:25 | |
-I count them. -Four. | 0:47:25 | 0:47:28 | |
David had two sessions of ECT with Dr Laine that day, | 0:47:32 | 0:47:36 | |
before and AFTER Violet was killed. | 0:47:36 | 0:47:40 | |
Yet only the latter has been recorded in the log. | 0:47:41 | 0:47:45 | |
And there is no way, no way David could have killed Violet Ashby. | 0:47:45 | 0:47:51 | |
ALARM SOUNDS | 0:47:53 | 0:47:56 | |
What's that? | 0:47:56 | 0:47:58 | |
-Get some help! -Step back. | 0:48:02 | 0:48:04 | |
-- Step back, I'll deal with this. -Stay where you are! Ted, help me. | 0:48:04 | 0:48:07 | |
-The cavalry's arrived. -This man's insane. | 0:48:09 | 0:48:12 | |
Oh...just angry. | 0:48:12 | 0:48:13 | |
He wants to know why your name | 0:48:13 | 0:48:14 | |
is all the way through his daughter's notebooks. | 0:48:14 | 0:48:17 | |
I can tell you why, Mr Ashby. | 0:48:17 | 0:48:20 | |
Dr Laine here thinks of himself as a researcher. | 0:48:20 | 0:48:25 | |
Lucien. | 0:48:25 | 0:48:27 | |
Extra sessions of ECT, | 0:48:27 | 0:48:31 | |
and I'm guessing heavier dosages of drugs, | 0:48:31 | 0:48:34 | |
just to see what happens. | 0:48:34 | 0:48:35 | |
I mean, after all, they're... they're just loonies. | 0:48:35 | 0:48:38 | |
What else are they good for? | 0:48:38 | 0:48:40 | |
And then one of them died. | 0:48:40 | 0:48:42 | |
And Violet was blamed. | 0:48:43 | 0:48:45 | |
-This was the one who framed her? -Yes. | 0:48:45 | 0:48:47 | |
You see, Violet started asking too many questions, | 0:48:47 | 0:48:51 | |
and he must have worked out that she was onto him. | 0:48:51 | 0:48:55 | |
So he murdered her and mutilated her | 0:48:55 | 0:48:59 | |
and tried to frame one of his patients. | 0:48:59 | 0:49:01 | |
-This is absurd! -Mr Ashby, please! | 0:49:01 | 0:49:03 | |
Sir! Sir! | 0:49:03 | 0:49:05 | |
I understand this is your old service pistol. | 0:49:07 | 0:49:09 | |
So? | 0:49:09 | 0:49:11 | |
Went missing in the changeover. We've been looking for it. | 0:49:11 | 0:49:14 | |
I-I just need to do a bit of paperwork, | 0:49:14 | 0:49:17 | |
then I can put it to bed. But you must give me the gun. | 0:49:17 | 0:49:20 | |
-Not till he confesses. -Doug, it won't be admissible. | 0:49:20 | 0:49:23 | |
-You got enough to convict? -I'll get it sorted. | 0:49:29 | 0:49:32 | |
You've got Violet's notebooks. She kept meticulous records. | 0:49:34 | 0:49:37 | |
You should be very proud of her. | 0:49:37 | 0:49:39 | |
You'll be charging me with firearms of fences. | 0:49:47 | 0:49:50 | |
And possible attempt to commit murder. | 0:49:50 | 0:49:53 | |
That's my decision, Doug. | 0:49:53 | 0:49:55 | |
It's time to go home now. | 0:49:55 | 0:49:57 | |
Kenneth Laine, I'm charging you | 0:49:58 | 0:50:00 | |
on suspicion of murder and assault. | 0:50:00 | 0:50:02 | |
You have the right to remain silent. | 0:50:02 | 0:50:04 | |
-You're old Tom's boy, aren't you? -Yes. | 0:50:07 | 0:50:10 | |
So everyone keeps reminding me. | 0:50:10 | 0:50:12 | |
Good man, your dad. | 0:50:12 | 0:50:14 | |
Psychiatry is such a new field. | 0:50:20 | 0:50:24 | |
We're 150 years behind immunology, 500 behind surgery. | 0:50:26 | 0:50:31 | |
ECT is only in its infancy. | 0:50:33 | 0:50:38 | |
There's a new generation of anti-psychotic drugs. | 0:50:38 | 0:50:42 | |
Dibenzodiazepine shows great promise | 0:50:42 | 0:50:45 | |
when coupled with hypnosis. | 0:50:45 | 0:50:47 | |
And, uh, you thought you'd just speed things along a little? | 0:50:47 | 0:50:50 | |
No-one missed Patrick Garrett. | 0:50:53 | 0:50:55 | |
No-one would have missed David Hoyle. | 0:50:58 | 0:51:01 | |
At least their lives could have been of use to someone. | 0:51:01 | 0:51:04 | |
And Violet Ashby got framed when Patrick Garrett died | 0:51:07 | 0:51:10 | |
and she started asking questions. | 0:51:10 | 0:51:12 | |
David had told me Violet was keeping a notebook. | 0:51:12 | 0:51:16 | |
Doses, treatments, everything. | 0:51:17 | 0:51:20 | |
I couldn't let that go on. | 0:51:20 | 0:51:21 | |
Then you gave Hoyle ECT. | 0:51:23 | 0:51:24 | |
And while he was unconscious, you killed Violet... | 0:51:27 | 0:51:31 | |
..and dragged him into the room. | 0:51:32 | 0:51:34 | |
Let him take the knife so that when he woke up... | 0:51:34 | 0:51:38 | |
Well, he would have no memory of what he'd done. | 0:51:38 | 0:51:41 | |
We've been checking your past records | 0:51:44 | 0:51:47 | |
and there are some unexplained patient deaths | 0:51:47 | 0:51:49 | |
at other hospitals that you've worked at. | 0:51:49 | 0:51:51 | |
Not all of those were research. | 0:51:51 | 0:51:53 | |
What did your research tell you after all this? | 0:51:55 | 0:51:58 | |
Oh, Lucien. | 0:52:02 | 0:52:03 | |
It's far too early to tell. | 0:52:04 | 0:52:06 | |
Lovely to hear the piano at a reasonable time of day. | 0:52:59 | 0:53:02 | |
Jean. | 0:53:02 | 0:53:04 | |
Thank you for tidying up after me last night. | 0:53:06 | 0:53:08 | |
I made quite a mess. | 0:53:10 | 0:53:12 | |
No trouble at all. | 0:53:12 | 0:53:14 | |
Subtitles by Red Bee Media Ltd | 0:53:35 | 0:53:38 |