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Come and get me, then, coppers! Come on! | 0:00:05 | 0:00:09 | |
Come and get me! | 0:00:09 | 0:00:10 | |
-Where's Clive? -Inside. | 0:00:10 | 0:00:12 | |
I can see you there, coppers. | 0:00:12 | 0:00:14 | |
I've already shot one of your mates. Now, come and get me! | 0:00:14 | 0:00:17 | |
-Bill! Bill! -Go on and shoot me! -Jesus. | 0:00:17 | 0:00:20 | |
Drop the gun! | 0:00:20 | 0:00:21 | |
Drop it now! | 0:00:21 | 0:00:23 | |
Drop it! | 0:00:23 | 0:00:24 | |
Aah! | 0:00:26 | 0:00:27 | |
Stay here. | 0:00:32 | 0:00:33 | |
Christ! | 0:00:44 | 0:00:45 | |
Bill? | 0:00:55 | 0:00:57 | |
Bill! | 0:00:57 | 0:00:58 | |
Bill! | 0:00:59 | 0:01:00 | |
Bill! | 0:01:04 | 0:01:05 | |
Just shoot me, you mongrels! Go on and shoot! | 0:01:05 | 0:01:08 | |
Come on! | 0:01:09 | 0:01:10 | |
Dr Blake to see Sean McBride. | 0:02:30 | 0:02:32 | |
-Thank you. -Doc. | 0:02:48 | 0:02:50 | |
-Bill. -They want to hang him in the morning. | 0:02:50 | 0:02:52 | |
-Oh, I better be quick, then. -His brother's in there now. | 0:02:52 | 0:02:55 | |
-His brother? -The priest. | 0:02:55 | 0:02:57 | |
Sister. | 0:03:01 | 0:03:02 | |
Presented with joint pains and blood in his urine. | 0:03:02 | 0:03:05 | |
-Temperature of 104. -Father McBride. | 0:03:05 | 0:03:07 | |
Blood pressure 110 over 60. | 0:03:07 | 0:03:09 | |
I gave him some aspirin to help with his fever. | 0:03:09 | 0:03:12 | |
-Aspirin? That's all? -Mm-hm. -Any history of infection? | 0:03:12 | 0:03:15 | |
Not that I know about. | 0:03:15 | 0:03:17 | |
Right. | 0:03:18 | 0:03:20 | |
Let's have a little listen, eh? | 0:03:20 | 0:03:22 | |
See what's going on. | 0:03:25 | 0:03:26 | |
It's all right, Sean. | 0:03:28 | 0:03:30 | |
Rapid heart rate. | 0:03:32 | 0:03:34 | |
SEAN MUTTERS | 0:03:35 | 0:03:36 | |
Systolic heart murmur. | 0:03:38 | 0:03:40 | |
Spots on his palms. | 0:03:43 | 0:03:45 | |
Splinter haemorrhages under his nails. | 0:03:46 | 0:03:49 | |
Some blood work, I think, Sister. | 0:03:49 | 0:03:51 | |
Now, it's all right, Sean. | 0:03:52 | 0:03:54 | |
Thank you, Sister. | 0:03:56 | 0:03:57 | |
Oh, there we are. 200 units penicillin IV, thank you. | 0:04:01 | 0:04:06 | |
The IV might help, Bill. | 0:04:08 | 0:04:10 | |
Might? | 0:04:10 | 0:04:11 | |
Until I get a proper diagnosis. | 0:04:11 | 0:04:13 | |
I...I didn't kill him. | 0:04:16 | 0:04:19 | |
I didn't do it! | 0:04:19 | 0:04:20 | |
-Sean? Sean? -I didn't do it! | 0:04:20 | 0:04:22 | |
Sean, listen to me. It's Xavier. Can you hear me? Sean? | 0:04:22 | 0:04:26 | |
Let's pray together. | 0:04:26 | 0:04:27 | |
HE RECITES A PRAYER IN LATIN | 0:04:27 | 0:04:30 | |
You heard what he said, Bill. He said he was innocent. | 0:04:41 | 0:04:44 | |
They all say that at some point. | 0:04:44 | 0:04:45 | |
No-one wants to die, especially not like this. | 0:04:45 | 0:04:47 | |
Perhaps his level of fever, the conscious mind has already shut down, | 0:04:47 | 0:04:52 | |
which means he's not capable of lying. | 0:04:52 | 0:04:54 | |
That's not my business. | 0:04:54 | 0:04:55 | |
Ah, yes. As long as he hangs on time, that's all that matters. | 0:04:55 | 0:04:57 | |
It doesn't matter what either of us think. | 0:04:57 | 0:04:59 | |
He's due to hang tomorrow and it's our job to make that happen. | 0:04:59 | 0:05:01 | |
-Eggs, Daniel? -Oh, thanks, Auntie Jean. | 0:05:42 | 0:05:46 | |
Well, you need it for the game. | 0:05:46 | 0:05:48 | |
Been working on your batting? | 0:05:48 | 0:05:50 | |
Don't need to. | 0:05:50 | 0:05:52 | |
You keep getting out LBW. It's getting tedious. | 0:05:52 | 0:05:54 | |
Don't. | 0:05:55 | 0:05:56 | |
So, how is the great man? | 0:05:58 | 0:06:00 | |
A lot more mature than some people I know. | 0:06:00 | 0:06:02 | |
Oh, yes, of course. | 0:06:02 | 0:06:03 | |
Only mature people write letters to girls about books. | 0:06:03 | 0:06:06 | |
At least we have something to talk about. | 0:06:06 | 0:06:08 | |
Well, who's interested in talking? | 0:06:08 | 0:06:10 | |
-Ooh! -Looks like they're going to have to deny themselves the pleasure | 0:06:10 | 0:06:14 | |
of killing Sean McBride for at least another day or so. | 0:06:14 | 0:06:17 | |
What? | 0:06:18 | 0:06:19 | |
I was at the prison last night. The boy is seriously ill. | 0:06:19 | 0:06:22 | |
It's just barbaric. | 0:06:22 | 0:06:23 | |
Oh, what, so it's OK to kill police officers? | 0:06:23 | 0:06:25 | |
That's not what I said. | 0:06:25 | 0:06:27 | |
Clive was a mate! His wife was pregnant. | 0:06:27 | 0:06:29 | |
Oh, and that wins the argument, does it? | 0:06:29 | 0:06:30 | |
Mattie and Daniel, eat your breakfast. | 0:06:30 | 0:06:32 | |
Sorry, Auntie Jean, I want to hear how Mattie and her boyfriend | 0:06:32 | 0:06:34 | |
would deal with crooks like McBride. | 0:06:34 | 0:06:37 | |
Well, the crime rate actually goes up after an execution. | 0:06:37 | 0:06:40 | |
They solve nothing. Everyone knows that. | 0:06:40 | 0:06:42 | |
Thank you, Mattie, but not everybody knows or believes that. | 0:06:42 | 0:06:44 | |
Doc, I was there. | 0:06:44 | 0:06:47 | |
And you saw McBride kill that man? | 0:06:47 | 0:06:49 | |
Well, no, after that. | 0:06:49 | 0:06:51 | |
The bloke wanted to die. | 0:06:51 | 0:06:53 | |
Well, he's changed his mind, Danny. | 0:06:54 | 0:06:58 | |
Yeah, well, it's a bit bloody late for that. | 0:06:58 | 0:07:00 | |
Temperature normal, heartbeat regular. | 0:07:08 | 0:07:10 | |
Anything more in his medical history? | 0:07:10 | 0:07:11 | |
He had an abscessed tooth removed about a month ago. | 0:07:11 | 0:07:14 | |
You didn't mention that when I asked you. | 0:07:14 | 0:07:15 | |
I didn't think it was important. | 0:07:15 | 0:07:16 | |
I'm the doctor. I decide what's important. | 0:07:16 | 0:07:19 | |
Sean, how are you? Dr Blake, I saw you last night. | 0:07:19 | 0:07:21 | |
Would you mind putting that down? | 0:07:21 | 0:07:23 | |
Not one for smoking, Doc? | 0:07:23 | 0:07:25 | |
It will kill you. | 0:07:25 | 0:07:26 | |
Now, how are you feeling? | 0:07:28 | 0:07:31 | |
-Better. -Better? Good. | 0:07:31 | 0:07:33 | |
Now, last night you told me you didn't shoot Clive Cooper. | 0:07:34 | 0:07:36 | |
-Must've been delirious. -Really? | 0:07:39 | 0:07:41 | |
Sounded very definite. | 0:07:43 | 0:07:45 | |
I shot him, Doc, OK? | 0:07:45 | 0:07:48 | |
End of story. | 0:07:48 | 0:07:49 | |
-Imotil. 100ml. -Imotil? | 0:07:52 | 0:07:53 | |
100ml, thank you. | 0:07:53 | 0:07:55 | |
All done, Sean. | 0:07:55 | 0:07:57 | |
Endocarditis brought on by a previous infection. | 0:07:59 | 0:08:01 | |
You'll be glad to know he's on the mend. | 0:08:01 | 0:08:03 | |
How soon? | 0:08:03 | 0:08:04 | |
Yes, we wouldn't want to hang a man who was feeling sick, would we, Bill? | 0:08:04 | 0:08:07 | |
Doctor, Sean seems better this morning. | 0:08:13 | 0:08:16 | |
Yes, in some respects. | 0:08:16 | 0:08:17 | |
That's a blessing. | 0:08:17 | 0:08:19 | |
Has he ever spoken to you about what happened? | 0:08:19 | 0:08:21 | |
I'm not just his brother, I'm his priest as well. | 0:08:21 | 0:08:23 | |
Oh, of course he confessed. | 0:08:23 | 0:08:25 | |
What's said in the confessional is between the supplicant and God. | 0:08:25 | 0:08:29 | |
Has he ever spoken to you about what happened outside of confession? | 0:08:29 | 0:08:32 | |
He regrets what happened. We all do. | 0:08:32 | 0:08:34 | |
Just seems a bit odd, doesn't it? | 0:08:34 | 0:08:36 | |
Man pleads guilty in court, then says he's innocent. | 0:08:36 | 0:08:38 | |
Not so odd under the circumstances. | 0:08:38 | 0:08:40 | |
Must be difficult ministering to your own family, Father. | 0:08:41 | 0:08:43 | |
Faith offers great consolation, Doctor. | 0:08:43 | 0:08:46 | |
It sometimes blinds us to the truth. | 0:08:46 | 0:08:48 | |
Do you believe in God, Doctor? | 0:08:48 | 0:08:50 | |
I used to believe in a just and merciful God. | 0:08:52 | 0:08:55 | |
And now? | 0:08:55 | 0:08:57 | |
Now I'm not so sure. | 0:08:57 | 0:08:58 | |
Thank you. | 0:09:03 | 0:09:04 | |
Excuse me, Doctor. Joy McDonald, I'm with the Herald. | 0:09:09 | 0:09:13 | |
I believe you're the doctor treating Sean McBride. | 0:09:13 | 0:09:15 | |
I'm a doctor, Joy. | 0:09:15 | 0:09:17 | |
-Is that no comment? -No comment. | 0:09:17 | 0:09:20 | |
What can you tell us about his state of mind? | 0:09:20 | 0:09:22 | |
Should his execution go ahead anyway? | 0:09:23 | 0:09:26 | |
I'm fixing this man up | 0:09:26 | 0:09:28 | |
so the state can put a rope around his neck and kill him. | 0:09:28 | 0:09:30 | |
Does that make sense to you? | 0:09:30 | 0:09:33 | |
Me either. | 0:09:33 | 0:09:34 | |
-May I quote you? -No comment. | 0:09:34 | 0:09:37 | |
Ah! Yep! | 0:09:47 | 0:09:49 | |
-Got a bob on Parks to make 50. -Really. | 0:10:02 | 0:10:05 | |
Might not take you up on that. | 0:10:08 | 0:10:11 | |
Suit yourself. | 0:10:11 | 0:10:12 | |
Saw Sean McBride last night. | 0:10:14 | 0:10:15 | |
Said he was innocent. | 0:10:17 | 0:10:18 | |
I would never have picked you for the gullible type, Blake. | 0:10:19 | 0:10:22 | |
You know I'm not. | 0:10:22 | 0:10:24 | |
McBride confessed. | 0:10:24 | 0:10:26 | |
Really? What did he say, exactly? | 0:10:26 | 0:10:30 | |
He killed Cooper and took a shot at Parks and Hobart. | 0:10:30 | 0:10:33 | |
That's what he said. | 0:10:33 | 0:10:34 | |
McBride had a fever of 104. | 0:10:35 | 0:10:38 | |
So? | 0:10:38 | 0:10:40 | |
The conscious mind ceases to function at that point. | 0:10:40 | 0:10:43 | |
That's when he told you he was innocent? | 0:10:45 | 0:10:47 | |
Yes. | 0:10:47 | 0:10:48 | |
He was incapable of lying. | 0:10:49 | 0:10:52 | |
So, whatever McBride did, he didn't believe he was guilty. | 0:10:52 | 0:10:55 | |
Have you spoken to him this morning? | 0:10:58 | 0:11:01 | |
-Yes. -What did he say? | 0:11:01 | 0:11:03 | |
That he shot Cooper. | 0:11:06 | 0:11:07 | |
Oh, shot! | 0:11:10 | 0:11:11 | |
Jean, if someone confessed to a crime, then recanted that confession, | 0:11:33 | 0:11:38 | |
which would you believe? | 0:11:38 | 0:11:40 | |
It would depend on the situation. | 0:11:41 | 0:11:43 | |
No, just off the top of your head. | 0:11:43 | 0:11:46 | |
The recant. Probably means they've had time to think about the truth. | 0:11:46 | 0:11:49 | |
Or get worried about the consequences. | 0:11:51 | 0:11:53 | |
You said off the top of my head. | 0:11:53 | 0:11:54 | |
This is about Sean McBride. | 0:11:56 | 0:11:58 | |
-Who murdered a policeman. -Apparently. | 0:12:01 | 0:12:04 | |
You know he had a shot at Danny? | 0:12:04 | 0:12:06 | |
Maybe you should talk to a few of the young girls | 0:12:06 | 0:12:09 | |
who he's apparently left to bring up bastard children. | 0:12:09 | 0:12:12 | |
Thank you, Jean. | 0:12:12 | 0:12:13 | |
Or Clive's widow. | 0:12:13 | 0:12:15 | |
It's out of your hands. | 0:12:18 | 0:12:19 | |
He was pretty drunk. Had a bit of a crack at us. | 0:12:35 | 0:12:38 | |
-Us? -Me and Harris. | 0:12:38 | 0:12:41 | |
It's McBride's brother. Not the priest, the other one. | 0:12:41 | 0:12:44 | |
Oi, wake up. | 0:12:46 | 0:12:47 | |
-Doctor's here to see you. -I don't need a doctor. | 0:12:48 | 0:12:50 | |
Shut up. | 0:12:50 | 0:12:52 | |
Goodness me. What happened here? | 0:13:00 | 0:13:02 | |
He came at us. We had to protect ourselves. | 0:13:02 | 0:13:04 | |
My name's Dr Blake. Now... | 0:13:04 | 0:13:06 | |
let me just have a little look at you. | 0:13:06 | 0:13:08 | |
Where else are you hurt? | 0:13:11 | 0:13:13 | |
Everywhere. | 0:13:13 | 0:13:14 | |
-You got a pill for that? -Good luck with it, Doc. | 0:13:15 | 0:13:19 | |
Ta. | 0:13:22 | 0:13:23 | |
Danny. | 0:13:28 | 0:13:30 | |
I'd like to see the incident report on Clive Cooper's death, please. | 0:13:30 | 0:13:34 | |
Why? | 0:13:34 | 0:13:35 | |
Because I'm a police surgeon and I'm asking you for it. | 0:13:35 | 0:13:38 | |
Don't push this one, Doc. Please. | 0:13:38 | 0:13:40 | |
Thank you. | 0:13:58 | 0:14:00 | |
Right. | 0:14:01 | 0:14:02 | |
-Post-mortem says cause of death was gunshot wound. -Yep. | 0:14:04 | 0:14:07 | |
There was a second wound caused by a blow to the back of the head | 0:14:07 | 0:14:10 | |
inflicted before he was shot. | 0:14:10 | 0:14:12 | |
Now, where was that bullet wound, Danny? | 0:14:13 | 0:14:15 | |
Entered the front of chest. So, Sean, | 0:14:18 | 0:14:22 | |
apparently pulled a gun. | 0:14:22 | 0:14:23 | |
No, he took Clive's. | 0:14:23 | 0:14:24 | |
Neighbours report hearing a gunshot around 6.20. | 0:14:25 | 0:14:29 | |
-You and Harris arrived around... -6.30. | 0:14:29 | 0:14:31 | |
Yeah, 6.30. | 0:14:31 | 0:14:32 | |
Why was Cooper there in the first place? | 0:14:34 | 0:14:36 | |
Well, he was questioning McBride over a robbery. | 0:14:36 | 0:14:39 | |
And what Sean ever charged? | 0:14:39 | 0:14:40 | |
Put it back, put it back, put it back! | 0:14:43 | 0:14:45 | |
Gentlemen. | 0:14:51 | 0:14:53 | |
Righty. | 0:14:54 | 0:14:55 | |
DOOR OPENS | 0:17:51 | 0:17:53 | |
What are you doing here? | 0:18:02 | 0:18:03 | |
Minding my own business. | 0:18:05 | 0:18:06 | |
Where'd you get these? | 0:18:08 | 0:18:10 | |
This has nothing to do with you, Bill. | 0:18:11 | 0:18:13 | |
Boss know you're here, Doc? | 0:18:15 | 0:18:16 | |
The role of police surgeon affords me a certain investigative freedom. | 0:18:18 | 0:18:23 | |
Good for you. | 0:18:24 | 0:18:25 | |
You're under arrest. | 0:18:27 | 0:18:28 | |
So, you broke into McBride's old house. | 0:18:31 | 0:18:34 | |
-Abandoned house. -Don't you correct me. | 0:18:34 | 0:18:36 | |
I was checking the reports on Cooper. | 0:18:36 | 0:18:38 | |
Right after Sean McBride's miraculous about-face, is that it? | 0:18:38 | 0:18:40 | |
-McBride's a liar. -What about the photos? | 0:18:40 | 0:18:42 | |
-I borrowed them. -Borrowed?! | 0:18:42 | 0:18:44 | |
-That'll be Constable Parks, sir. -Sergeant! | 0:18:44 | 0:18:45 | |
It wasn't Daniel's fault. I see this as an extension of my duties... | 0:18:45 | 0:18:48 | |
-For God's sake, shut up, Blake. -Book him now, sir? | 0:18:48 | 0:18:50 | |
Goodbye! | 0:18:50 | 0:18:52 | |
Now, it says here a certain unnamed doctor made statements | 0:18:53 | 0:18:56 | |
to a journalist outside the prison yesterday. | 0:18:56 | 0:18:58 | |
-Do you know anything about that? -I may have been misquoted. | 0:18:58 | 0:19:01 | |
Why is that your concerns are more important than anyone else's? | 0:19:01 | 0:19:05 | |
-Well, they're not! -Stuff up again and you're history! | 0:19:05 | 0:19:07 | |
SHE TAPS ON THE DOOR | 0:19:17 | 0:19:18 | |
A patient for you. No appointment. | 0:19:19 | 0:19:22 | |
Thank you, Jean. | 0:19:24 | 0:19:26 | |
Come through. | 0:19:26 | 0:19:27 | |
I wasn't sure I needed an appointment. | 0:19:31 | 0:19:34 | |
Well, it's a quiet day. What's the problem? | 0:19:35 | 0:19:38 | |
Nothing at all. | 0:19:38 | 0:19:40 | |
There's nothing wrong with me. | 0:19:40 | 0:19:42 | |
I'm here under false pretences, and I apologise. | 0:19:42 | 0:19:45 | |
I was hoping you might give me more of an extended interview. | 0:19:46 | 0:19:49 | |
I'm afraid I won't be making any further comment. | 0:19:49 | 0:19:52 | |
You were very eloquent at the prison. | 0:19:52 | 0:19:54 | |
I was very angry. | 0:19:54 | 0:19:56 | |
Perhaps you're worried your arguments don't stack up. | 0:19:56 | 0:19:58 | |
That's an interesting tack. Please. | 0:20:00 | 0:20:03 | |
So, | 0:20:04 | 0:20:06 | |
how do you deal with what must be such a painful conflict of interest? | 0:20:06 | 0:20:10 | |
I annoy the hell out of my boss, and I drink. What about you? | 0:20:10 | 0:20:15 | |
Mostly I smoke, and I bite my nails. | 0:20:15 | 0:20:18 | |
What would you say if I told you I'd discovered certain links | 0:20:20 | 0:20:22 | |
between Sean McBride and the police? | 0:20:22 | 0:20:24 | |
What kind of links? | 0:20:26 | 0:20:28 | |
Sean McBride was known to pass on the occasional piece of information | 0:20:29 | 0:20:33 | |
when it suited him. | 0:20:33 | 0:20:34 | |
Do you know who he passed information on to? | 0:20:36 | 0:20:39 | |
-Bill Hobart. -Oh! | 0:20:39 | 0:20:41 | |
Mean anything? | 0:20:41 | 0:20:43 | |
Do you think I could ask you a couple of questions? | 0:20:45 | 0:20:47 | |
I don't think so. | 0:20:47 | 0:20:49 | |
I try never to incriminate myself during work hours. | 0:20:49 | 0:20:52 | |
After work? | 0:20:55 | 0:20:56 | |
After work would be fine. | 0:20:56 | 0:20:58 | |
-Right, get your hat. -Where we going? | 0:21:13 | 0:21:16 | |
You need to learn where your loyalties lie, Constable. | 0:21:16 | 0:21:18 | |
HE RINGS DOORBELL | 0:21:37 | 0:21:38 | |
Deb? It's Bill. | 0:21:44 | 0:21:46 | |
-Deb, you remember Danny Parks. -Hello, Danny. | 0:21:51 | 0:21:55 | |
Hi. | 0:21:55 | 0:21:56 | |
Danny and I thought we'd call round just to see how you're going. | 0:21:56 | 0:21:59 | |
That's very kind. | 0:22:02 | 0:22:03 | |
HE DROPS A COIN | 0:22:31 | 0:22:32 | |
Jean! | 0:22:37 | 0:22:39 | |
Would you mind popping in here for a moment, please? | 0:22:39 | 0:22:41 | |
Oh! | 0:22:44 | 0:22:46 | |
Um, yes. | 0:22:49 | 0:22:51 | |
Would you mind terribly just laying down on the floor over here? | 0:22:51 | 0:22:54 | |
Face up? | 0:22:55 | 0:22:57 | |
Face down. | 0:22:57 | 0:22:58 | |
-This is still... -Sean McBride, yes. | 0:22:59 | 0:23:01 | |
Well, you know what I think. | 0:23:01 | 0:23:03 | |
Yes. | 0:23:03 | 0:23:04 | |
Thank you. | 0:23:04 | 0:23:06 | |
Just down here. | 0:23:06 | 0:23:08 | |
That's right. | 0:23:11 | 0:23:13 | |
Um... | 0:23:13 | 0:23:14 | |
-Do excuse me... -Oh! -I'm just... | 0:23:15 | 0:23:18 | |
His leg...yeah. | 0:23:18 | 0:23:20 | |
Perfect. | 0:23:22 | 0:23:23 | |
-Um, how old is she? -He's six months. | 0:23:30 | 0:23:33 | |
Oh, right. | 0:23:33 | 0:23:35 | |
Deb, have you got a small screwdriver? | 0:23:35 | 0:23:37 | |
Yeah, it's in the kitchen. | 0:23:37 | 0:23:39 | |
I'll take him. | 0:23:39 | 0:23:40 | |
G'day. | 0:23:45 | 0:23:46 | |
Hello. | 0:23:48 | 0:23:50 | |
She's doing it tough. | 0:23:53 | 0:23:55 | |
It's not going to get any easier. | 0:23:57 | 0:23:58 | |
Kid's not going to have a dad. | 0:24:00 | 0:24:02 | |
Pension's not worth Jack. | 0:24:03 | 0:24:05 | |
So, we've got to look after her, | 0:24:08 | 0:24:11 | |
don't we? | 0:24:11 | 0:24:12 | |
She's family. | 0:24:14 | 0:24:16 | |
-You clear? -Yeah. | 0:24:17 | 0:24:19 | |
Good man. | 0:24:22 | 0:24:25 | |
Thanks. | 0:24:25 | 0:24:26 | |
Here's Mummy. | 0:24:26 | 0:24:27 | |
Mattie, I borrow you for a moment, please? | 0:24:36 | 0:24:39 | |
Come in and help me with something. | 0:24:39 | 0:24:40 | |
Can you please get a move on? The rabbit's almost ready. | 0:24:40 | 0:24:43 | |
Yes, of course. Jean, hop up for me for a moment, | 0:24:43 | 0:24:45 | |
and threaten each other, yes? | 0:24:45 | 0:24:49 | |
-Threaten each other. -Right. | 0:24:49 | 0:24:51 | |
Because you're fighting, you see, you're fighting, | 0:24:53 | 0:24:56 | |
struggling with each other, | 0:24:56 | 0:24:57 | |
and, Jean, you would fall to the floor, hitting your head. | 0:24:57 | 0:25:00 | |
-Oh, really? -What on? | 0:25:00 | 0:25:02 | |
Well, I don't know. | 0:25:02 | 0:25:03 | |
Oh! How violent is this supposed to be? | 0:25:03 | 0:25:05 | |
OVEN TIMER DINGS | 0:25:05 | 0:25:06 | |
The rabbit is done! | 0:25:07 | 0:25:09 | |
You can tidy up when you've finished. | 0:25:09 | 0:25:11 | |
Right, so, | 0:25:15 | 0:25:17 | |
a bullet into the front of the chest, yes, | 0:25:17 | 0:25:20 | |
but the head wound was at the back, you see, so... | 0:25:20 | 0:25:23 | |
Well, maybe he hit his head on the table as he fell. | 0:25:23 | 0:25:26 | |
No, no, no, | 0:25:26 | 0:25:27 | |
it was too far away from him, you see? The body was here. | 0:25:27 | 0:25:31 | |
-Well, what sort of a head wound was it? -Blunt force. | 0:25:31 | 0:25:34 | |
And there was nothing he could have fallen on? | 0:25:34 | 0:25:36 | |
Someone else was there. | 0:25:56 | 0:25:57 | |
Someone else was in that bloody room. | 0:26:00 | 0:26:02 | |
Sorry to make you wait. Peter will be out in a moment. | 0:26:12 | 0:26:15 | |
Oh, it's quite all right. | 0:26:15 | 0:26:16 | |
I imagine he's feeling somewhat fragile. | 0:26:16 | 0:26:19 | |
I'll give him fragile. Excuse me. | 0:26:19 | 0:26:21 | |
Timothy McBride, put that down! | 0:26:24 | 0:26:26 | |
Doctor. | 0:26:31 | 0:26:33 | |
Seems like you've been treating the whole family. | 0:26:33 | 0:26:35 | |
Yes. Father. | 0:26:35 | 0:26:38 | |
Bridget called me. Peter's not in the good books today. | 0:26:38 | 0:26:40 | |
-So I gather. -The wife's giving me hell. | 0:26:40 | 0:26:43 | |
-Look, if I said anything before... -No, no, no. Forgotten. | 0:26:45 | 0:26:48 | |
Gentlemen, I think there was someone else in the room | 0:26:50 | 0:26:54 | |
when Clive Cooper died. | 0:26:54 | 0:26:55 | |
Peter, did Sean ever talk to you about that night? | 0:26:56 | 0:26:59 | |
Well, I haven't seen Sean since he went to jail. | 0:26:59 | 0:27:02 | |
We might leave it at that. | 0:27:02 | 0:27:04 | |
Father, forgive me for asking, but... | 0:27:06 | 0:27:09 | |
where were you when Clive Cooper was shot? | 0:27:09 | 0:27:11 | |
I was holding a private mass. | 0:27:11 | 0:27:14 | |
At 6.20 on a Thursday evening? | 0:27:14 | 0:27:16 | |
I minister to both my brothers, Doctor. | 0:27:16 | 0:27:18 | |
Yes, of course. | 0:27:22 | 0:27:23 | |
Daniel, how did Bill Hobart know I was going to be at McBride's... | 0:27:28 | 0:27:32 | |
I was a bloody idiot to show you that file. | 0:27:32 | 0:27:34 | |
No, you showed me the file because I asked you to. | 0:27:34 | 0:27:36 | |
Yeah, well, don't ask me again. | 0:27:36 | 0:27:37 | |
You need anything, photos, files, whatever, | 0:27:37 | 0:27:39 | |
check with the boss, all right? | 0:27:39 | 0:27:41 | |
All right. | 0:27:41 | 0:27:42 | |
Clive was family! | 0:27:42 | 0:27:44 | |
-What was that about? -None of your business. | 0:27:46 | 0:27:48 | |
Is this about Sean McBride? | 0:27:48 | 0:27:49 | |
You have no idea, Mattie, so shut up. | 0:27:52 | 0:27:54 | |
Oh, so, now we see your true colours, do we?! | 0:27:54 | 0:27:56 | |
Go talk to your boyfriend! | 0:27:56 | 0:27:58 | |
The night Clive Cooper showed up at your place, what were you doing? | 0:28:03 | 0:28:06 | |
I was drinking. | 0:28:07 | 0:28:09 | |
So, why was he there? | 0:28:09 | 0:28:11 | |
Well, he was interviewing you regards a robbery, was he not? | 0:28:13 | 0:28:16 | |
-Ask them. -I'm asking you, Sean. | 0:28:16 | 0:28:19 | |
There was no robbery. | 0:28:22 | 0:28:24 | |
I gather you're friends with Bill Hobart. | 0:28:24 | 0:28:26 | |
No! | 0:28:26 | 0:28:28 | |
Well, perhaps not friends. Perhaps you just... | 0:28:28 | 0:28:30 | |
pass on the odd bit of gossip from time to time, is that right? | 0:28:30 | 0:28:33 | |
Sean, what was Clive doing at your place? | 0:28:36 | 0:28:38 | |
Doc? | 0:28:41 | 0:28:42 | |
A word. | 0:28:44 | 0:28:45 | |
-I know what you're doing. -And what's that? | 0:28:58 | 0:29:01 | |
I understand Imotil mimics the symptoms of the original infection | 0:29:03 | 0:29:05 | |
without causing the ill effects, is that right? | 0:29:05 | 0:29:07 | |
Our nurse has been doing her homework. | 0:29:08 | 0:29:10 | |
Nurse is bloody worried about your lack of ethics, | 0:29:10 | 0:29:13 | |
and I don't blame her! | 0:29:13 | 0:29:14 | |
Yes, of course. | 0:29:14 | 0:29:15 | |
You've got an execution to put on. | 0:29:15 | 0:29:17 | |
We mustn't keep your superiors waiting. | 0:29:17 | 0:29:19 | |
Just because I'm a prison warden doesn't mean I'm in favour | 0:29:19 | 0:29:21 | |
of capital punishment. | 0:29:21 | 0:29:22 | |
Keep your comments to yourself. | 0:29:22 | 0:29:24 | |
I have a duty of care to the patient, Bill. | 0:29:24 | 0:29:26 | |
Not any more, you don't. | 0:29:26 | 0:29:28 | |
I'm relieving you of your duties. | 0:29:28 | 0:29:30 | |
Leftovers for lunch are on the top shelf in the fridge. | 0:29:39 | 0:29:42 | |
How did you know? | 0:29:42 | 0:29:44 | |
Oh, intuition. | 0:29:44 | 0:29:46 | |
-So, am I next? -Huh? | 0:29:48 | 0:29:50 | |
You were very rude to the Doctor last night, Danny. | 0:29:52 | 0:29:54 | |
-Well? -Well, it's all right for him. | 0:29:57 | 0:29:59 | |
He just waltzes in and do whatever he wants. | 0:29:59 | 0:30:02 | |
Ha! Is that what you think he does? | 0:30:02 | 0:30:03 | |
Well, apart from making my life impossible at work. | 0:30:03 | 0:30:07 | |
Yeah. | 0:30:07 | 0:30:09 | |
We're in his house, Danny. Don't ever forget that. | 0:30:09 | 0:30:11 | |
Sometimes the Doctor has his mind on other things. | 0:30:13 | 0:30:15 | |
He doesn't always notice the rest of us. | 0:30:15 | 0:30:18 | |
Yeah, well, maybe he needs to. | 0:30:18 | 0:30:20 | |
Hmm. | 0:30:22 | 0:30:23 | |
Maybe he does. | 0:30:23 | 0:30:25 | |
THE BABY CRIES | 0:30:58 | 0:30:59 | |
Mrs Cooper? | 0:31:05 | 0:31:07 | |
HE KNOCKS | 0:31:11 | 0:31:12 | |
Mrs Cooper, it's Dr Blake! | 0:31:12 | 0:31:14 | |
Mrs Cooper! | 0:31:17 | 0:31:18 | |
Mrs Cooper, please. | 0:31:23 | 0:31:25 | |
Oh! | 0:31:39 | 0:31:41 | |
-I told you to stay out of it! -Bloody... | 0:31:41 | 0:31:43 | |
Cooper was one of your most experienced men, was he not? | 0:31:54 | 0:31:57 | |
How did Sean McBride manage to inflict a wound | 0:31:57 | 0:31:59 | |
at the back of his head | 0:31:59 | 0:32:00 | |
and then a gunshot wound to the front of his chest? | 0:32:00 | 0:32:02 | |
I mean, I just can't imagine McBride getting the drop on him somehow. | 0:32:02 | 0:32:05 | |
I have no idea what you're talking about. | 0:32:05 | 0:32:07 | |
Look, | 0:32:09 | 0:32:10 | |
a table was overturned in the fight. | 0:32:10 | 0:32:12 | |
There was small change on the floor. | 0:32:12 | 0:32:14 | |
That's part of the evidence file. | 0:32:14 | 0:32:15 | |
You don't bet on cards if you're playing by yourself, | 0:32:15 | 0:32:18 | |
nor do you smoke corked and uncorked cigarettes. | 0:32:18 | 0:32:21 | |
Someone else was in that room when Cooper was shot, | 0:32:21 | 0:32:23 | |
which makes Sean McBride's conviction unsound, even if he confessed. | 0:32:23 | 0:32:26 | |
One of these days I'm going to kill you. | 0:32:29 | 0:32:32 | |
Look, one more thing. | 0:32:32 | 0:32:33 | |
The official reason for Cooper being there | 0:32:33 | 0:32:35 | |
was to question Sean McBride about the robbery. | 0:32:35 | 0:32:37 | |
What robbery, hmm? | 0:32:37 | 0:32:39 | |
Which robbery was it? | 0:32:39 | 0:32:41 | |
Sean McBride certainly doesn't know. Do you know why? | 0:32:41 | 0:32:43 | |
Because no-one's ever questioned him about it. | 0:32:43 | 0:32:45 | |
-Have you quite finished? -Nearly. Cooper was shot around 6.20. | 0:32:45 | 0:32:48 | |
Bill Hobart was outside the building | 0:32:48 | 0:32:50 | |
when Parks and Harris arrived at 6.30. | 0:32:50 | 0:32:53 | |
Now, why wasn't he inside? | 0:32:53 | 0:32:54 | |
Where was he when Cooper was shot? | 0:32:55 | 0:32:57 | |
I want you to explain to me what this is all about! | 0:33:01 | 0:33:04 | |
What's going on?! | 0:33:06 | 0:33:07 | |
INDISTINCT SHOUTING | 0:33:07 | 0:33:09 | |
The superintendent's not happy, eh? | 0:33:15 | 0:33:17 | |
Nope. | 0:33:18 | 0:33:20 | |
What's Bill Hobart's usual pub? | 0:33:22 | 0:33:24 | |
The Pig and Whistle. | 0:33:28 | 0:33:30 | |
Well, | 0:33:32 | 0:33:33 | |
I reckon he could use a drink later on. | 0:33:33 | 0:33:36 | |
Yeah. | 0:33:36 | 0:33:38 | |
Hello. I was wondering if Dr Blake is in. | 0:34:01 | 0:34:04 | |
Do you have an appointment? | 0:34:04 | 0:34:06 | |
-I didn't have one earlier. -I remember. | 0:34:06 | 0:34:09 | |
It's Jean, isn't it? | 0:34:09 | 0:34:11 | |
That's right, Mrs McDonald. | 0:34:11 | 0:34:13 | |
Oh, you're Lucien's secretary, aren't you? | 0:34:13 | 0:34:17 | |
I'm the Doctor's receptionist. | 0:34:17 | 0:34:18 | |
Wonderful. Would you mind giving him this? It's the number of my hotel. | 0:34:18 | 0:34:23 | |
Tell him to call me. | 0:34:23 | 0:34:24 | |
Thank you, Jean. | 0:34:26 | 0:34:28 | |
Mrs McDonald... | 0:34:30 | 0:34:32 | |
Dr Blake doesn't need you making things difficult for him. | 0:34:34 | 0:34:37 | |
Difficult? | 0:34:37 | 0:34:38 | |
I know the kind of articles you write. | 0:34:38 | 0:34:40 | |
-How do you know I'm a journalist? -He speaks before he thinks. | 0:34:40 | 0:34:44 | |
I'm just asking you to respect him when you're writing your articles. | 0:34:44 | 0:34:47 | |
His reputation is important to you. | 0:34:49 | 0:34:51 | |
I don't give a fig about his reputation, | 0:34:51 | 0:34:52 | |
but he forgets that other people do. | 0:34:52 | 0:34:54 | |
I'm asking you to keep that in mind. | 0:34:54 | 0:34:56 | |
-And that's speaking as his receptionist, is it? -That's right. | 0:34:56 | 0:35:00 | |
Good afternoon, Mrs McDonald. | 0:35:00 | 0:35:02 | |
Oi, we're closed! | 0:35:12 | 0:35:15 | |
Two beers, thanks, Stan. | 0:35:15 | 0:35:17 | |
-You've got a nerve. -So have you. | 0:35:22 | 0:35:26 | |
It's after closing time. | 0:35:26 | 0:35:28 | |
Thank you, Stan. | 0:35:30 | 0:35:32 | |
Where were you when Cooper was shot? | 0:35:34 | 0:35:36 | |
Here. | 0:35:36 | 0:35:38 | |
Yep. | 0:35:40 | 0:35:41 | |
Clive Cooper takes one in the chest | 0:35:41 | 0:35:43 | |
and I'm knocking back beers after closing time. | 0:35:43 | 0:35:45 | |
Great. | 0:35:45 | 0:35:46 | |
So, you're here knocking 'em back, Clive goes to visit Sean. | 0:35:48 | 0:35:51 | |
And the next time anyone saw you | 0:35:53 | 0:35:55 | |
was outside McBride's place after the shooting, yes? | 0:35:55 | 0:35:58 | |
Yes. | 0:35:58 | 0:35:59 | |
Hmm. | 0:35:59 | 0:36:01 | |
Bill, how did you know to go there? | 0:36:04 | 0:36:06 | |
You chaps don't usually carry your guns. Why was Clive carrying his? | 0:36:09 | 0:36:12 | |
Unless you were there the whole time. | 0:36:16 | 0:36:18 | |
Maybe you smacked your mate in the back of the head. | 0:36:19 | 0:36:22 | |
Sean was going for his gun. | 0:36:22 | 0:36:24 | |
Maybe... | 0:36:24 | 0:36:25 | |
maybe you're the one who pulled the trigger. | 0:36:25 | 0:36:28 | |
Why in God's name would I do that? | 0:36:28 | 0:36:30 | |
Oh, I don't know. Maybe you hated him. Maybe you owed him money. | 0:36:30 | 0:36:33 | |
Maybe you were in love with his wife. | 0:36:34 | 0:36:36 | |
Maybe you'd been giving her one all along. | 0:36:37 | 0:36:40 | |
I thought doctors were supposed to be smart. | 0:36:42 | 0:36:44 | |
I wasn't the bloke giving her one. | 0:36:46 | 0:36:49 | |
Sean McBride was. | 0:36:49 | 0:36:50 | |
Mattie? | 0:37:05 | 0:37:07 | |
If I wanted to consult a child's vaccination records, | 0:37:07 | 0:37:09 | |
how would I go about that? | 0:37:09 | 0:37:11 | |
You could ask the district nurse. | 0:37:11 | 0:37:14 | |
Yes. | 0:37:14 | 0:37:15 | |
I thought so. | 0:37:17 | 0:37:18 | |
You realise this is the kind of thing that gets you into trouble? | 0:37:34 | 0:37:37 | |
-Yes. -Do you have an alternative plan? | 0:37:37 | 0:37:39 | |
No. | 0:37:39 | 0:37:41 | |
That's my point. | 0:37:41 | 0:37:42 | |
SHE KNOCKS THE DOOR | 0:37:42 | 0:37:44 | |
Mrs Cooper, it's Mattie O'Brien, district nurse. | 0:37:44 | 0:37:48 | |
I apologise for the lateness of the hour, Mrs Cooper. | 0:37:48 | 0:37:53 | |
I understand Andrew is late for his diphtheria-pertussis shot... | 0:37:53 | 0:37:58 | |
Mrs Cooper, I'm Dr Blake. | 0:38:00 | 0:38:01 | |
Sean McBride told me he didn't kill your husband, and I believe him. | 0:38:05 | 0:38:09 | |
How is that possible? | 0:38:10 | 0:38:13 | |
I don't know yet. | 0:38:13 | 0:38:14 | |
Then why are you telling me? | 0:38:16 | 0:38:17 | |
Because I'm trying to find a way to save him. | 0:38:17 | 0:38:19 | |
Now, | 0:38:21 | 0:38:22 | |
I know you and Sean were... | 0:38:23 | 0:38:27 | |
..intimate. | 0:38:27 | 0:38:28 | |
Did your husband know? | 0:38:30 | 0:38:31 | |
Mrs Cooper, | 0:38:35 | 0:38:37 | |
this is really important. | 0:38:37 | 0:38:39 | |
You must've cared about Sean. | 0:38:42 | 0:38:43 | |
Yes. | 0:38:45 | 0:38:47 | |
Please, take your time. | 0:38:48 | 0:38:49 | |
Clive came home that night. I don't know how he found out. | 0:38:54 | 0:38:58 | |
He was so angry. | 0:38:58 | 0:38:59 | |
Then he said he was going to Sean's? | 0:39:01 | 0:39:03 | |
He had a gun. | 0:39:03 | 0:39:05 | |
I didn't know what to do. | 0:39:06 | 0:39:08 | |
So, you called Bill Hobart at the pub. | 0:39:08 | 0:39:11 | |
I knew he'd be there. | 0:39:11 | 0:39:13 | |
Yes. | 0:39:13 | 0:39:14 | |
Mrs Cooper, | 0:39:17 | 0:39:19 | |
have you seen Sean since your husband died? | 0:39:19 | 0:39:22 | |
-Of course not. -No, of course. | 0:39:23 | 0:39:24 | |
Just one more question, if I may. | 0:39:28 | 0:39:30 | |
Is Sean the father of your baby? | 0:39:34 | 0:39:36 | |
I am sorry, Danny. I know I've made things difficult for you. | 0:40:08 | 0:40:11 | |
Yeah, you did, but looks like you were right. | 0:40:13 | 0:40:16 | |
I still can't prove it, though, can I? | 0:40:18 | 0:40:19 | |
Bill being out the front when we got there, | 0:40:22 | 0:40:24 | |
I didn't even think about it at the time. | 0:40:24 | 0:40:27 | |
McBride was shouting at us, | 0:40:27 | 0:40:29 | |
and when he said he'd shot Clive, Bill just headed straight for him. | 0:40:29 | 0:40:32 | |
And what did Sean do? | 0:40:34 | 0:40:35 | |
Well, he was waving his gun around. | 0:40:35 | 0:40:37 | |
I fired at him, missed him, and got him on the second shot. | 0:40:37 | 0:40:41 | |
He never took a shot at us. | 0:40:42 | 0:40:44 | |
He had bullets, he had time. | 0:40:45 | 0:40:47 | |
But he didn't shoot. | 0:40:49 | 0:40:51 | |
I don't think he was ever going to take a shot at you, Danny. | 0:40:51 | 0:40:54 | |
I thought I was going to die! | 0:40:54 | 0:40:55 | |
If there's ever police stuff you really need to know, | 0:41:10 | 0:41:15 | |
I'll try and tell you, if it's important. | 0:41:15 | 0:41:20 | |
But it's gotta be my decision, all right? | 0:41:20 | 0:41:22 | |
All right, Danny. | 0:41:24 | 0:41:26 | |
SHE KNOCKS ON THE DOOR | 0:41:43 | 0:41:44 | |
Yes? | 0:41:44 | 0:41:45 | |
Your pacing up and down is keeping me awake. | 0:41:45 | 0:41:48 | |
Oh! | 0:41:48 | 0:41:49 | |
There you are. | 0:41:49 | 0:41:51 | |
There was a note for you. I left it on the kitchen table. | 0:41:51 | 0:41:53 | |
Yes, thank you. | 0:41:53 | 0:41:55 | |
Jean? | 0:41:55 | 0:41:56 | |
Would you join me, please? | 0:41:57 | 0:42:00 | |
I, um... | 0:42:02 | 0:42:05 | |
I know how you feel about all of this. | 0:42:05 | 0:42:07 | |
Yes, you do. | 0:42:07 | 0:42:09 | |
It's just... | 0:42:10 | 0:42:12 | |
..they're going to hang Sean McBride tomorrow | 0:42:16 | 0:42:17 | |
and I don't think he killed anyone. | 0:42:17 | 0:42:19 | |
In fact, I think he's protecting someone. | 0:42:19 | 0:42:23 | |
-Who? -Oh, I don't know. | 0:42:24 | 0:42:26 | |
Bloody Bill Hobart. | 0:42:27 | 0:42:28 | |
Why would he lie to protect Bill Hobart? | 0:42:28 | 0:42:31 | |
I don't know, but someone else was there. | 0:42:32 | 0:42:35 | |
Who else, then? | 0:42:35 | 0:42:36 | |
-His brothers. -Well, that sounds more likely. | 0:42:39 | 0:42:41 | |
Who else would you put your life at stake for? | 0:42:43 | 0:42:45 | |
Family. | 0:42:46 | 0:42:47 | |
It's always about family. | 0:42:47 | 0:42:49 | |
-RADIO: -This is the news from the ABC. | 0:43:05 | 0:43:07 | |
The execution of convicted police killer Sean McBride | 0:43:07 | 0:43:10 | |
will proceed today despite last-minute appeals for clemency | 0:43:10 | 0:43:13 | |
from religious and anti-capital punishment groups. | 0:43:13 | 0:43:15 | |
The execution date was postponed for several days | 0:43:15 | 0:43:18 | |
due to an illness suffered by McBride. | 0:43:18 | 0:43:20 | |
Public interest in the issue has been mounting, but the premiere... | 0:43:20 | 0:43:23 | |
Doctor? | 0:43:23 | 0:43:25 | |
For Christ's sake, Blake, it's circumstantial! | 0:43:29 | 0:43:31 | |
The entire case against Sean McBride was circumstantial! | 0:43:31 | 0:43:34 | |
-He confessed! -It was a lie! | 0:43:34 | 0:43:36 | |
-Cigarette butts, coins... -Come on, one of the brothers was there! | 0:43:36 | 0:43:38 | |
-Oh, which one? -Peter! | 0:43:38 | 0:43:40 | |
-Yeah, you're guessing! Admissions? -No. | 0:43:40 | 0:43:42 | |
-Did McBride recant? -No! | 0:43:42 | 0:43:43 | |
Then you've got nothing. They want someone to hang! | 0:43:43 | 0:43:46 | |
-Oh, for God's sake, Lawson! -Just go home! | 0:43:46 | 0:43:48 | |
You've done all you can. Just go home. | 0:43:48 | 0:43:50 | |
No, no! One of you was there! Sean's covering for you. | 0:43:54 | 0:43:58 | |
For God's sake, Peter, they're going to hang him! | 0:43:58 | 0:44:00 | |
Ah, corked cigarettes. | 0:44:00 | 0:44:01 | |
Sean doesn't smoke corked and yet there were both kinds of butts | 0:44:01 | 0:44:04 | |
found on the floor! | 0:44:04 | 0:44:06 | |
-Just go. -Peter, is everything OK? | 0:44:06 | 0:44:09 | |
-Yes, love, it's fine. -Oh, you've not told your wife. | 0:44:09 | 0:44:12 | |
-Get out! -He's letting his brother take the blame for something | 0:44:12 | 0:44:15 | |
-he didn't do... -Get out! -He's letting Sean die! | 0:44:15 | 0:44:17 | |
-Now, is this the man you married? -What's he talking about?! | 0:44:17 | 0:44:20 | |
Really, surely not! Is this the man you married - a coward?! | 0:44:20 | 0:44:23 | |
Shut it! Get out of here! | 0:44:23 | 0:44:25 | |
MUSIC PLAYS | 0:44:29 | 0:44:31 | |
HE SWITCHES THE MUSIC OFF | 0:44:36 | 0:44:37 | |
Mattie, I need your help. Come along. | 0:44:37 | 0:44:40 | |
No. | 0:44:50 | 0:44:51 | |
You stay here. I'll talk to her. | 0:44:51 | 0:44:53 | |
-Now, Mattie... -No. | 0:44:53 | 0:44:55 | |
Men scare her now. You especially. | 0:44:55 | 0:44:57 | |
You stay here. | 0:44:58 | 0:44:59 | |
THEY RECITE A PRAYER IN LATIN | 0:45:38 | 0:45:39 | |
Bill! | 0:46:35 | 0:46:36 | |
Bill! A word, please! | 0:46:36 | 0:46:38 | |
Doc? | 0:46:38 | 0:46:40 | |
-What is it now? -Look, just hear me out. | 0:46:41 | 0:46:43 | |
It'll be all right, OK? | 0:46:45 | 0:46:48 | |
-This is wrong! -Father. | 0:47:03 | 0:47:04 | |
No, this is not fair! Sean deserves peace... | 0:47:04 | 0:47:07 | |
-Is suicide a mortal sin, yes or no? -Of course it is. | 0:47:07 | 0:47:09 | |
Then going to his death voluntarily, | 0:47:09 | 0:47:11 | |
Sean's committing mortal sin, and you made him do it. | 0:47:11 | 0:47:13 | |
Hello, Sean. | 0:47:18 | 0:47:20 | |
Sean? | 0:47:24 | 0:47:25 | |
Sean, this is Andrew. | 0:47:27 | 0:47:29 | |
You haven't met him, but he's your son. | 0:47:30 | 0:47:32 | |
Your little boy. | 0:47:34 | 0:47:36 | |
Now, if you die, | 0:47:37 | 0:47:39 | |
Andrew's going to grow up without a father. | 0:47:39 | 0:47:42 | |
Do you really think he deserves that? | 0:47:45 | 0:47:47 | |
No. | 0:47:54 | 0:47:55 | |
Sean, who... | 0:47:57 | 0:47:59 | |
Who killed Clive Cooper? | 0:47:59 | 0:48:01 | |
CAR ENGINE HUMS | 0:48:17 | 0:48:19 | |
THEY BANG ON THE DOOR | 0:48:38 | 0:48:39 | |
I was playing cards with Sean. | 0:49:07 | 0:49:09 | |
I stepped outside | 0:49:11 | 0:49:12 | |
and I heard fighting. | 0:49:15 | 0:49:16 | |
When I came in, | 0:49:19 | 0:49:20 | |
Sean was wrestling with that copper. | 0:49:20 | 0:49:23 | |
The copper was really big. | 0:49:25 | 0:49:27 | |
He knocked Sean over and pulled out his gun. | 0:49:29 | 0:49:32 | |
I... | 0:49:34 | 0:49:35 | |
grabbed a chair and smacked him in the back of the head. | 0:49:35 | 0:49:38 | |
But the bloke wouldn't go down. | 0:49:39 | 0:49:41 | |
I thought he was going to shoot me. | 0:49:44 | 0:49:46 | |
So, I grabbed him. | 0:49:48 | 0:49:49 | |
That's when the gun went off. | 0:49:51 | 0:49:53 | |
Then they called you. | 0:49:57 | 0:49:59 | |
It was your idea for Sean to plead guilty. | 0:50:02 | 0:50:04 | |
Peter had a wife and three kids. | 0:50:07 | 0:50:09 | |
Don't say it, all right? | 0:50:28 | 0:50:30 | |
The Doc was right. | 0:50:32 | 0:50:33 | |
-It could've ended so badly. -Yeah, I know. | 0:50:34 | 0:50:37 | |
Maybe that's why capital punishment is wrong. | 0:50:47 | 0:50:50 | |
Just the thought of one innocent person... | 0:50:50 | 0:50:52 | |
Yeah, well, that's great for you, Mattie, | 0:50:52 | 0:50:54 | |
but I've come out of all this knowing absolutely nothing. | 0:50:54 | 0:50:57 | |
But you do know Sean was innocent. | 0:50:57 | 0:50:59 | |
Yeah, he was, | 0:50:59 | 0:51:00 | |
and we nearly killed him for lying, | 0:51:00 | 0:51:03 | |
so what do I do next time? | 0:51:03 | 0:51:05 | |
A copper goes down and someone comes at me with a gun. | 0:51:05 | 0:51:08 | |
What do I do then? | 0:51:09 | 0:51:10 | |
I don't know. | 0:51:13 | 0:51:15 | |
You're an interesting man, Lucien. | 0:51:23 | 0:51:25 | |
Studied overseas, seen the world. | 0:51:25 | 0:51:29 | |
So, what am I doing here? | 0:51:29 | 0:51:31 | |
Yes. | 0:51:31 | 0:51:32 | |
I came back when my father was dying. It was his practice. | 0:51:36 | 0:51:40 | |
This is a conservative town. | 0:51:40 | 0:51:42 | |
You're not going to make a lot of friends here | 0:51:42 | 0:51:44 | |
with some of the views you hold. | 0:51:44 | 0:51:45 | |
Is this for the article? | 0:51:45 | 0:51:47 | |
No, this is for me. | 0:51:47 | 0:51:50 | |
Well, this seems as good a place as any to try to make a difference, | 0:51:53 | 0:51:56 | |
and it's my home. | 0:51:58 | 0:51:59 | |
You were a POW, weren't you? | 0:52:01 | 0:52:02 | |
Yes, I was. | 0:52:06 | 0:52:07 | |
But what about you? Were you always the erm... | 0:52:10 | 0:52:14 | |
The intrepid reporter from the Herald? | 0:52:14 | 0:52:17 | |
I married young. | 0:52:18 | 0:52:20 | |
He walked out, I needed a job, and I was good with words. | 0:52:20 | 0:52:23 | |
And you still are. | 0:52:23 | 0:52:25 | |
I'm leaving tomorrow. | 0:52:30 | 0:52:32 | |
Oh, that's a pity. | 0:52:32 | 0:52:34 | |
I was hoping we could do this again. | 0:52:34 | 0:52:36 | |
Perhaps if you're ever in Melbourne. | 0:52:38 | 0:52:39 | |
Perhaps. | 0:52:41 | 0:52:42 | |
I should go. | 0:52:45 | 0:52:46 | |
Thank you. | 0:52:47 | 0:52:49 | |
An absolute pleasure. | 0:52:49 | 0:52:51 | |
-Morning. -Morning. | 0:53:19 | 0:53:21 | |
How was your night? | 0:53:23 | 0:53:25 | |
Fine. | 0:53:25 | 0:53:27 | |
How was yours? | 0:53:27 | 0:53:29 | |
Mmm. | 0:53:29 | 0:53:31 | |
Fine. | 0:53:31 | 0:53:32 | |
I see your friend's written a little article. | 0:53:33 | 0:53:36 | |
Quite well-written, I thought, too. | 0:53:36 | 0:53:38 | |
Really? | 0:53:39 | 0:53:41 | |
-Mmm. -Does she quote me? | 0:53:41 | 0:53:43 | |
No. | 0:53:44 | 0:53:45 | |
Sorry. | 0:53:47 | 0:53:48 | |
Subtitles by Red Bee Media Ltd | 0:54:01 | 0:54:04 |