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Ladies and gentlemen, | 0:00:02 | 0:00:05 | |
every year I look forward to this festival with great excitement. | 0:00:05 | 0:00:09 | |
It brims with the kind of enthusiasm that only Bendigo can muster. | 0:00:09 | 0:00:13 | |
Ballarat. | 0:00:13 | 0:00:14 | |
My apologies. Ballarat. | 0:00:14 | 0:00:17 | |
In all my travels from Perth to Penrith, | 0:00:17 | 0:00:20 | |
no town has offered a more embracing welcome than yours. | 0:00:20 | 0:00:23 | |
Ballarat has been the home of the Begonia Festival | 0:00:23 | 0:00:25 | |
these past seven years. | 0:00:25 | 0:00:27 | |
It is my hope, my fervent hope, that it will continue to be so. | 0:00:27 | 0:00:32 | |
Hear, hear. | 0:00:32 | 0:00:34 | |
Chairman Griffith, honourable guests, esteemed festival judges, | 0:00:34 | 0:00:38 | |
it is my pleasure to declare the Ballarat Begonia Festival | 0:00:38 | 0:00:42 | |
officially open. | 0:00:42 | 0:00:43 | |
Ormond, you hypocrite! | 0:00:54 | 0:00:55 | |
Whisper in each other's ears, hands in each other's pockets. | 0:00:55 | 0:00:58 | |
-I know what's going on! -Mr Manos, really. | 0:00:58 | 0:01:00 | |
One word and I'll sue, Manos. | 0:01:00 | 0:01:01 | |
Griffith, why don't you just pay me off the way you paid him off? | 0:01:01 | 0:01:06 | |
Every year it gets worse! | 0:01:06 | 0:01:07 | |
You leave my dad alone! | 0:01:08 | 0:01:10 | |
You'll get yours! Especially you, Ormond. | 0:01:13 | 0:01:16 | |
It's the last time you'll be judge. | 0:01:16 | 0:01:18 | |
This is why no member of the Manos family will ever amount to anything. | 0:01:18 | 0:01:21 | |
Let's be on our way, Oliver. | 0:01:21 | 0:01:23 | |
Thanks, Danny. | 0:01:31 | 0:01:33 | |
Come on, Dad. | 0:01:35 | 0:01:37 | |
Well, fancy that. | 0:01:37 | 0:01:38 | |
Who would have known people took begonias so seriously? | 0:01:38 | 0:01:41 | |
Angela? Anthony! A bit of help here. Professor Ormond! | 0:01:41 | 0:01:45 | |
It's all right. It's all right. | 0:01:49 | 0:01:51 | |
Thank you for your help, Professor Ormond(!) | 0:01:56 | 0:01:59 | |
I feel much better now. | 0:02:03 | 0:02:05 | |
It was all just attention-seeking behaviour. | 0:02:05 | 0:02:07 | |
I do apologise. | 0:02:07 | 0:02:10 | |
I'm taking her to Melbourne. | 0:02:11 | 0:02:13 | |
Well, that's a four-hour round trip. | 0:02:13 | 0:02:14 | |
She needs her transfusions. You saw her. | 0:02:14 | 0:02:17 | |
-You two aren't arguing, are you? -No, no, no. | 0:02:17 | 0:02:20 | |
We're both just worried about you. | 0:02:20 | 0:02:22 | |
Thank you, Doctor. We'll see you tomorrow. | 0:02:22 | 0:02:24 | |
-Drive safely. -Thank you. | 0:02:27 | 0:02:30 | |
I'll take you down to the clinic. | 0:02:30 | 0:02:31 | |
How long do you think she's got? | 0:02:36 | 0:02:38 | |
At this rate, a couple of months at the most. | 0:02:38 | 0:02:41 | |
She was doing so well. | 0:02:41 | 0:02:43 | |
KNOCK ON DOOR | 0:04:10 | 0:04:13 | |
-Lucien. -Mmm. | 0:04:13 | 0:04:16 | |
-Was I shouting again? -No. It's a phone call. | 0:04:18 | 0:04:22 | |
-It's half past five. -I was up. | 0:04:23 | 0:04:25 | |
-It's Anthony Farmer on the phone. -Oh. Is Angela all right? | 0:04:25 | 0:04:29 | |
The clinic wants to know what's in that tonic | 0:04:29 | 0:04:32 | |
that you prescribed for Angela. | 0:04:32 | 0:04:34 | |
Glycerine, ascorbic acid, hawthorn extract and honey. Honey. | 0:04:34 | 0:04:39 | |
Look, just tell them it's an all-purpose immune system booster, | 0:04:39 | 0:04:43 | |
and I'm sorry, I should have added it to her medication list. | 0:04:43 | 0:04:47 | |
-How is she, Anthony? -Is everything all right? | 0:04:47 | 0:04:50 | |
Good. Well, send our best, won't you? | 0:04:50 | 0:04:55 | |
-All right. -I'm sorry. I didn't hear the phone. | 0:04:55 | 0:04:59 | |
No, no, Mattie woke me. | 0:04:59 | 0:05:00 | |
-What's she doing up? -She was awake, apparently. | 0:05:00 | 0:05:02 | |
The good news is Angela's feeling much better. | 0:05:02 | 0:05:05 | |
Oh, that's all that matters. | 0:05:05 | 0:05:06 | |
Not if Anthony can't accept that fact that she's dying. | 0:05:06 | 0:05:10 | |
That was fast. | 0:05:26 | 0:05:28 | |
Parks only just got back from the phone box. | 0:05:28 | 0:05:30 | |
-Who is it? -The professor. | 0:05:30 | 0:05:32 | |
I didn't know a woman smoked. | 0:05:38 | 0:05:41 | |
Thank you, Danny. | 0:05:41 | 0:05:42 | |
Oh, professor. | 0:05:51 | 0:05:53 | |
-Danny? -Yeah. | 0:05:58 | 0:06:00 | |
-What can you smell? -Uh... | 0:06:02 | 0:06:04 | |
No, no, come closer. Come right over. | 0:06:04 | 0:06:07 | |
-It's sweet. -Like pears? | 0:06:13 | 0:06:15 | |
Yeah. | 0:06:15 | 0:06:17 | |
Flesh burnt at low temperature gives off a scent of pears. | 0:06:17 | 0:06:22 | |
-An accelerant was involved. -What, kero? | 0:06:22 | 0:06:26 | |
Yes, very likely. | 0:06:26 | 0:06:28 | |
Hot, but not too hot. | 0:06:28 | 0:06:29 | |
That's why it's used by circus performers, | 0:06:30 | 0:06:32 | |
you know, and fire-eaters. | 0:06:32 | 0:06:34 | |
Look - he's still wearing his begonia. | 0:06:34 | 0:06:36 | |
Always appreciated the little touches. | 0:06:36 | 0:06:38 | |
So maybe the heating caught fire, | 0:06:38 | 0:06:40 | |
he came running out to check, and...bang. | 0:06:40 | 0:06:43 | |
Possibly. | 0:06:46 | 0:06:47 | |
No sign of forced entry. | 0:06:58 | 0:06:59 | |
Parks. | 0:07:01 | 0:07:03 | |
-Fairly modest bloke. -You're not wrong. | 0:07:07 | 0:07:10 | |
Professor Ormond made it into the West Australian. | 0:07:12 | 0:07:14 | |
-Sir. -That rules out robbery. | 0:07:14 | 0:07:17 | |
First time one of these heaters has killed someone. | 0:07:20 | 0:07:23 | |
What's a heater doing in a glasshouse anyway? | 0:07:23 | 0:07:26 | |
To keep the flowers warm, obviously. | 0:07:26 | 0:07:28 | |
Oh, that's a lot of trouble for a flower. | 0:07:28 | 0:07:31 | |
Blake, that's evidence. | 0:07:31 | 0:07:34 | |
Yes, I was just testing it. | 0:07:34 | 0:07:36 | |
You reckon he saw the fire and then he ran outside? | 0:07:36 | 0:07:40 | |
-Yes, quite likely. -With only one shoe? | 0:07:40 | 0:07:43 | |
One shoe outside... | 0:07:43 | 0:07:44 | |
..and one shoe inside. | 0:07:47 | 0:07:49 | |
Gus has the flu. I'm going to need an assistant for the autopsy. | 0:07:51 | 0:07:55 | |
Help him out, will you, Parks? | 0:07:55 | 0:07:56 | |
-What, me? -Mm. | 0:07:58 | 0:08:00 | |
I didn't have breakfast. | 0:08:03 | 0:08:05 | |
-Danny, all right to keep going? -Yeah, yeah, yeah. | 0:08:08 | 0:08:11 | |
Good. Deep breath. Let's look in the mouth. | 0:08:11 | 0:08:15 | |
-Good. -Oh, doesn't stuff like this get you down, Doc? | 0:08:26 | 0:08:29 | |
Well, for their sake, Danny, we have to find a way to get through it. | 0:08:29 | 0:08:34 | |
Come here. Tell me about those teeth. | 0:08:34 | 0:08:36 | |
-What do you see? -Not sure. | 0:08:36 | 0:08:38 | |
-Colour? -Normal. | 0:08:38 | 0:08:40 | |
Would you expect that if they've been taking in mouthfuls of smoke? | 0:08:40 | 0:08:43 | |
Well, no. They'd be kind of black, wouldn't they? | 0:08:43 | 0:08:46 | |
Yes. | 0:08:46 | 0:08:48 | |
-Oh, inside his mouth's pink. -Yes. | 0:08:48 | 0:08:50 | |
You'd expect some staining, wouldn't you? | 0:08:50 | 0:08:52 | |
Come take a look at the windpipe with me. | 0:08:52 | 0:08:54 | |
Come on. Again, he's been breathing in fumes and soot. | 0:08:54 | 0:08:59 | |
-So they'd be stained too. -Ah. Well, let's see. | 0:09:00 | 0:09:03 | |
-Now, how does that look? -Weird, but clean. | 0:09:03 | 0:09:07 | |
Which means? | 0:09:07 | 0:09:08 | |
He wasn't breathing when the fire was started. | 0:09:11 | 0:09:15 | |
Yes. Ormond was murdered. | 0:09:15 | 0:09:17 | |
Jesus, that's all we need. | 0:09:17 | 0:09:19 | |
-I'm sure it wasn't what Ormond needed. -Don't be a smart-arse, Blake. | 0:09:19 | 0:09:24 | |
This isn't gonna do any of us any favours. | 0:09:24 | 0:09:27 | |
I've spent enormous amounts bringing this festival to Ballarat - | 0:09:27 | 0:09:29 | |
Bendigo wants to pinch it. | 0:09:29 | 0:09:30 | |
Now the bloke that ran it's gone and died on us. | 0:09:30 | 0:09:33 | |
We need to keep this whole murder theory quiet, | 0:09:33 | 0:09:36 | |
at least until the festival's over. | 0:09:36 | 0:09:38 | |
We don't need to go and publicise the fact, | 0:09:38 | 0:09:40 | |
but once we start digging, people will start to talk. | 0:09:40 | 0:09:43 | |
Who's still on the judging panel? | 0:09:43 | 0:09:45 | |
Charlie Griffith, Angela Waterston, | 0:09:45 | 0:09:47 | |
though she's currently indisposed, and me. | 0:09:47 | 0:09:51 | |
Are you absolutely certain it was murder? | 0:09:54 | 0:09:56 | |
-Suppose I wanted to choke you... -Or vice versa. | 0:10:00 | 0:10:03 | |
Please, allow me to demonstrate. | 0:10:03 | 0:10:05 | |
I'd put my hands here, and I'd squeeze as hard as I could. | 0:10:05 | 0:10:08 | |
Now, you feel that? That's the hyoid bone. It protects the throat. | 0:10:08 | 0:10:12 | |
You put enough pressure on that, it will snap. | 0:10:12 | 0:10:14 | |
That's a pretty reliable indicator that someone's been strangled. | 0:10:14 | 0:10:18 | |
-Get your hands of me. -Blake! | 0:10:18 | 0:10:20 | |
Professor Ormond's hyoid bone was snapped. | 0:10:28 | 0:10:31 | |
Ormond was strangled. | 0:10:33 | 0:10:35 | |
Parks, Hobart, it's time we had a word with Nick Manos. | 0:10:36 | 0:10:40 | |
Mr Manos, would you mind escorting us | 0:10:43 | 0:10:45 | |
down to the police station, please? | 0:10:45 | 0:10:47 | |
No bloody way, and not with you. | 0:10:47 | 0:10:49 | |
Mr Manos, we want you to accompany us to the station so that we can... | 0:10:49 | 0:10:51 | |
I warned you months ago, | 0:10:51 | 0:10:53 | |
if I caught you sniffing around here with my daughter, | 0:10:53 | 0:10:55 | |
I'd get my shotgun. | 0:10:55 | 0:10:57 | |
Right, Mr Manos, you're coming with us. | 0:10:57 | 0:10:59 | |
-Dad? -Get back inside, love. | 0:10:59 | 0:11:00 | |
Danny, what are you doing? | 0:11:00 | 0:11:02 | |
You're a dog, Parks. I'm not letting you anywhere near my girl. | 0:11:02 | 0:11:04 | |
We're trying to ask him some questions. | 0:11:04 | 0:11:06 | |
They wanna drag me down to the station. | 0:11:06 | 0:11:08 | |
What's this about? | 0:11:08 | 0:11:09 | |
He's made a complaint, hasn't he? It got too much for him. | 0:11:09 | 0:11:12 | |
Mr Manos, Professor Ormond's dead, all right? | 0:11:12 | 0:11:16 | |
So w-w-why are you talking to me? | 0:11:16 | 0:11:20 | |
Oh, Jesus, you don't think I had anything to do with it? | 0:11:23 | 0:11:27 | |
Danny, can I talk to you? | 0:11:27 | 0:11:29 | |
Please? | 0:11:29 | 0:11:33 | |
-You don't really think he did it? -The boss wants to talk to him. | 0:11:36 | 0:11:40 | |
-When did it happen? -Some time last night. | 0:11:40 | 0:11:43 | |
-Dad was home the whole time. -What's he saying to you, love? | 0:11:43 | 0:11:45 | |
It's fine, Dad. | 0:11:45 | 0:11:47 | |
He wouldn't do something like this. He couldn't. Honestly. | 0:11:47 | 0:11:53 | |
Is there anything you can do? | 0:11:58 | 0:11:59 | |
Yes. Yes, of course I'll take the call. | 0:12:07 | 0:12:10 | |
Mr Kim? I haven't heard from you for a while. | 0:12:10 | 0:12:15 | |
Someone saw them? When was that? | 0:12:16 | 0:12:19 | |
Two years ago. Are you sure? | 0:12:20 | 0:12:23 | |
So there's a chance they're still alive? Yes. | 0:12:23 | 0:12:26 | |
I will fly over immediately if you need me. | 0:12:28 | 0:12:32 | |
I'll drop everything. You just let me know. | 0:12:32 | 0:12:34 | |
Thank you...thank you, Mr Kim. | 0:12:34 | 0:12:36 | |
No way. You've gotta be kidding. | 0:12:40 | 0:12:42 | |
No, I mean it. She's really coming onto me. | 0:12:42 | 0:12:44 | |
She takes me off to the side, she taking my hand, | 0:12:44 | 0:12:47 | |
you know, she's giving me the eye... | 0:12:47 | 0:12:49 | |
Danny, she's just using you to help her father. | 0:12:49 | 0:12:53 | |
Right. So, what, it's got nothing to do with attraction? | 0:12:55 | 0:12:59 | |
-What? -Nothing. | 0:12:59 | 0:13:01 | |
You just...you need to be careful. | 0:13:03 | 0:13:05 | |
Right, so not only do you think I'm not attractive, | 0:13:05 | 0:13:08 | |
you think I'm naive. | 0:13:08 | 0:13:09 | |
Well, you said it. | 0:13:09 | 0:13:12 | |
Do you know anything about the begonia? | 0:13:37 | 0:13:39 | |
Not a damn thing, but since I'm on the judging panel... | 0:13:39 | 0:13:42 | |
Some people take them very seriously. | 0:13:42 | 0:13:45 | |
So I've gathered. | 0:13:45 | 0:13:47 | |
What can you tell me about these things? | 0:13:47 | 0:13:49 | |
Well, it's quite hard to define the classic begonia. | 0:13:49 | 0:13:52 | |
-They don't like heat or frost. -They must love Ballarat. | 0:13:52 | 0:13:56 | |
And they take quite a lot of looking after. | 0:13:56 | 0:13:59 | |
Honestly, why would you bother? | 0:13:59 | 0:14:01 | |
-Well, people love them. -Enough to kill someone? | 0:14:01 | 0:14:03 | |
I don't know anything about it. | 0:14:03 | 0:14:05 | |
According to witnesses, you made some threats against the professor. | 0:14:05 | 0:14:08 | |
Who told you that? Charlie Griffith? | 0:14:08 | 0:14:10 | |
It's always Charlie Griffith with you, isn't it? | 0:14:10 | 0:14:13 | |
What happened between those two? | 0:14:13 | 0:14:15 | |
-Apparently a land deal went bad. -When was that? | 0:14:15 | 0:14:17 | |
-1870. -Bloody hell. | 0:14:17 | 0:14:20 | |
The Griffiths have been rich and the Manos' angry ever since. | 0:14:20 | 0:14:22 | |
Well, I guess that makes for a sound motivation for Nick Manos | 0:14:22 | 0:14:26 | |
to want to kill Griffith, but why kill the professor? | 0:14:26 | 0:14:29 | |
Seven times he's won, bloody Charlie Griffith. | 0:14:29 | 0:14:32 | |
King of the festival - buying the most expensive flowers with all that money he's got. | 0:14:32 | 0:14:35 | |
And you thought you'd level the playing field, right? | 0:14:35 | 0:14:38 | |
Look, I didn't mind giving Ormond a scare, but I didn't kill him. | 0:14:38 | 0:14:41 | |
You mean what happened was an accident? | 0:14:41 | 0:14:43 | |
-I wasn't there. I wouldn't know. -We know you threatened him. | 0:14:43 | 0:14:45 | |
Because he and Griffith are crooks. I didn't kill him. | 0:14:45 | 0:14:50 | |
-And you expect us to believe that? -You've got nothing. | 0:14:50 | 0:14:54 | |
-Where were you last night, Nick? -At home. | 0:14:54 | 0:14:57 | |
Can anyone vouch for that? | 0:14:57 | 0:14:59 | |
Every year, Nick Manos thinks the judging is biased against him. | 0:15:02 | 0:15:06 | |
-And is it? -Charlie Griffith is on the judging committee. | 0:15:06 | 0:15:10 | |
He and the professor were quite a formidable team. | 0:15:10 | 0:15:12 | |
Perhaps Mr Manos just snapped. | 0:15:12 | 0:15:15 | |
And strangled Ormond and set his body on fire. | 0:15:16 | 0:15:19 | |
Mail for you. | 0:15:21 | 0:15:24 | |
Oh. Thank you. | 0:15:24 | 0:15:26 | |
KNOCK ON DOOR | 0:15:26 | 0:15:30 | |
Better get that. | 0:15:30 | 0:15:32 | |
Poor Professor Ormond. And you say it was the heater? | 0:15:32 | 0:15:37 | |
So it seems. | 0:15:37 | 0:15:38 | |
How awful. | 0:15:38 | 0:15:40 | |
Thank you. | 0:15:40 | 0:15:41 | |
Darling... | 0:15:46 | 0:15:48 | |
-He's got such a sweet tooth. -Yes. | 0:15:48 | 0:15:52 | |
Now, tell me, what did the clinic say? | 0:15:54 | 0:15:56 | |
We've moved the wedding forward. | 0:15:57 | 0:15:59 | |
Ooh! Will your family be coming, Anthony? | 0:15:59 | 0:16:02 | |
Probably not. Perth is such a long way away. | 0:16:02 | 0:16:05 | |
It's OK. It's a long trip. | 0:16:07 | 0:16:09 | |
-No, if they can't be bothered travelling... -Sweetheart... | 0:16:09 | 0:16:12 | |
Actually, we've been a little dishonest. | 0:16:14 | 0:16:17 | |
We came here today with an agenda. | 0:16:18 | 0:16:21 | |
Dad is no longer with us and Anthony's family isn't coming. | 0:16:21 | 0:16:25 | |
I've known you and your father my whole life. | 0:16:26 | 0:16:30 | |
Would you walk me down the aisle? | 0:16:30 | 0:16:32 | |
Of course, there will be dancing, | 0:16:35 | 0:16:37 | |
and as the stand-in father, | 0:16:37 | 0:16:39 | |
you'll be expected to dance the second waltz with me. | 0:16:39 | 0:16:41 | |
But of course. | 0:16:45 | 0:16:47 | |
I'd love to. | 0:16:47 | 0:16:49 | |
So, Angela, you bring that dress of yours over here | 0:16:49 | 0:16:51 | |
and we'll see what we can do about it. | 0:16:51 | 0:16:54 | |
You, you're an angel with the sewing needle. | 0:16:54 | 0:16:57 | |
It's good to see Angela looking so much stronger today. | 0:16:57 | 0:17:00 | |
-Isn't it? She's a wonder. -Not going to last, I'm afraid. | 0:17:00 | 0:17:04 | |
The transfusion was a great success. | 0:17:04 | 0:17:05 | |
Well, the transfusions might help for a while, Anthony, | 0:17:05 | 0:17:08 | |
but aplastic anaemia is fatal, and as I've told you before, | 0:17:08 | 0:17:12 | |
ultimately, there's nothing we can do. | 0:17:12 | 0:17:14 | |
I'm kind of pinning my hopes on this new treatment. | 0:17:14 | 0:17:16 | |
Yes, and so is Angela. | 0:17:16 | 0:17:18 | |
-Yeah, and that's a good thing. -Not if your hopes are unfounded. | 0:17:18 | 0:17:21 | |
-Can I be frank, Lucien? -Of course. | 0:17:21 | 0:17:23 | |
Well, you told us two months ago | 0:17:23 | 0:17:24 | |
that Angela wouldn't go downhill for some time. | 0:17:24 | 0:17:27 | |
I was wrong. | 0:17:29 | 0:17:30 | |
Couldn't you be wrong about the transfusions? | 0:17:30 | 0:17:33 | |
Yes, the transfusions might help. | 0:17:33 | 0:17:35 | |
I... I just didn't expect things to progress quite so rapidly. | 0:17:35 | 0:17:39 | |
I'm trying my best to help her, Lucien, | 0:17:39 | 0:17:42 | |
but sometimes it feels like we're the only ones that are trying. | 0:17:42 | 0:17:46 | |
Go on, you'd better get a move on. | 0:17:46 | 0:17:48 | |
-Boss. -I'm not very impressed with you. | 0:17:51 | 0:17:53 | |
What? | 0:17:53 | 0:17:54 | |
Nick Manos is threatening to come after you and shoot you. | 0:17:54 | 0:17:58 | |
His daughter reckons he was home all last night. | 0:17:58 | 0:18:00 | |
-Can anyone else verify that? -I checked with the neighbours. | 0:18:00 | 0:18:02 | |
People saw him through the night and early in the morning. | 0:18:02 | 0:18:04 | |
That'd be right. This'll be one charge Manos isn't guilty of. | 0:18:04 | 0:18:09 | |
Well, do you want me to have a look around | 0:18:09 | 0:18:11 | |
and see if I can find out anything more? | 0:18:11 | 0:18:13 | |
Well, we'll have to release him soon if we don't charge him. | 0:18:13 | 0:18:16 | |
Maybe leave him in the cell for a bit while I ask around? | 0:18:16 | 0:18:19 | |
You're learning, son. | 0:18:22 | 0:18:23 | |
-Oi, Parks? -Sir. | 0:18:28 | 0:18:30 | |
You'll still be taking the bike. | 0:18:31 | 0:18:34 | |
SNIGGERING | 0:18:34 | 0:18:37 | |
I, uh, had a word with the boss, | 0:18:39 | 0:18:41 | |
told him that your dad was here the whole night. | 0:18:42 | 0:18:45 | |
That's right, isn't it? | 0:18:45 | 0:18:46 | |
Dad parks his ute outside my bedroom window. | 0:18:46 | 0:18:49 | |
-I would have heard him. -Yeah. | 0:18:49 | 0:18:52 | |
-Is he all right? -Yeah, he's OK. | 0:18:52 | 0:18:54 | |
He's threatening to use his bloody shotgun on me. | 0:18:54 | 0:18:57 | |
He seems to think I've been hanging around for months. | 0:18:57 | 0:19:00 | |
You know Dad - always paranoid. | 0:19:00 | 0:19:04 | |
Yeah. | 0:19:04 | 0:19:06 | |
-Has there been anyone else? -Not since you. | 0:19:09 | 0:19:13 | |
Isn't that Oliver Griffith? | 0:19:21 | 0:19:23 | |
Leave this to me. | 0:19:25 | 0:19:27 | |
Oliver Griffith? What are you doing here, mate? | 0:19:32 | 0:19:35 | |
Hey, hey, hey, hey, hey, hey. | 0:19:35 | 0:19:37 | |
-What are you doing here? -Yeah, I heard you. | 0:19:40 | 0:19:42 | |
I'm minding my own business. What are you doing? | 0:19:42 | 0:19:45 | |
Mate, you're on private property, so drive your dad's pretty car around, | 0:19:45 | 0:19:49 | |
drive back out on that main road and don't ever come back here. | 0:19:49 | 0:19:52 | |
And that goes for your dad as well. | 0:19:54 | 0:19:56 | |
Well, that's all sorted. | 0:20:06 | 0:20:07 | |
-I paid the rates today. -You're not hungry? | 0:20:17 | 0:20:20 | |
Those other bills, they can wait. | 0:20:20 | 0:20:22 | |
-I'll have if you're not. -Is that all you think about? | 0:20:22 | 0:20:25 | |
-Not quite. -You're revolting. | 0:20:26 | 0:20:28 | |
-I didn't say anything. -Just eat your dinner. | 0:20:28 | 0:20:30 | |
-I'm tired of talking to you. -Wow. That got a reaction. | 0:20:30 | 0:20:33 | |
-Just shut up, would you? -Do you two mind? | 0:20:33 | 0:20:35 | |
I'm not the one who shouted. I'm just eating my dinner. | 0:20:35 | 0:20:38 | |
-KNOCK ON DOOR -Oh, I'll get it. | 0:20:38 | 0:20:41 | |
I know you're in there, you dog! Bloody open up! | 0:20:41 | 0:20:44 | |
The dulcet tones of Mr Nick Manos, if I'm not mistaken. | 0:20:45 | 0:20:49 | |
-Um, I'll sort this out. -I'm coming with you. | 0:20:49 | 0:20:53 | |
-Parks! Get out here now! -I'm ringing the boss right now. | 0:20:53 | 0:20:57 | |
You make yourself scarce. | 0:20:57 | 0:20:58 | |
Mr Manos, it's Doctor Blake. | 0:21:00 | 0:21:02 | |
Now, I'm going to open the door, | 0:21:03 | 0:21:06 | |
we can have a nice calm chat about this, all right? | 0:21:06 | 0:21:10 | |
Ooh! | 0:21:10 | 0:21:11 | |
-Kill ya, Parks! -Get out of here. | 0:21:11 | 0:21:13 | |
No, no, no, no, no. I wanna talk to him. | 0:21:13 | 0:21:16 | |
I told you to stay away, | 0:21:16 | 0:21:17 | |
but you were around there this afternoon with her | 0:21:17 | 0:21:19 | |
while I was being accused of murder at the police station. | 0:21:19 | 0:21:22 | |
I've got your wallet! | 0:21:22 | 0:21:24 | |
I was following up questions. | 0:21:24 | 0:21:25 | |
Go on. Go. I'd rather you went back to the kitchen as well. | 0:21:25 | 0:21:29 | |
-Now, Mr Manos? -What? | 0:21:29 | 0:21:32 | |
If you have to shoot anyone, shoot me. | 0:21:34 | 0:21:37 | |
All right? Now, I'm going to open the door. | 0:21:37 | 0:21:40 | |
I take it you didn't make an appointment. | 0:21:45 | 0:21:47 | |
-That young copper, out here now. -Not likely, Mr Manos! | 0:21:47 | 0:21:50 | |
-Jean. This is about your daughter, isn't it? -Damn right. | 0:21:50 | 0:21:54 | |
What's going on? | 0:21:56 | 0:21:58 | |
Mr Manos, perhaps it's time to just lower the gun. | 0:21:58 | 0:22:01 | |
Where'd she go? Did she call the police? | 0:22:01 | 0:22:03 | |
-If she is, I'll... -Thank you, Jean. | 0:22:03 | 0:22:05 | |
Mr Manos, the gun. | 0:22:07 | 0:22:10 | |
Single malt, top shelf. | 0:22:10 | 0:22:12 | |
That young copper of yours broke my girl's heart. | 0:22:20 | 0:22:23 | |
You tell him to leave her alone or I'll shoot holes in him. | 0:22:23 | 0:22:25 | |
You really think coming around here with a shotgun | 0:22:25 | 0:22:28 | |
is the best way to work this thing out? | 0:22:28 | 0:22:30 | |
Yeah, well, it got your attention. | 0:22:30 | 0:22:32 | |
Please, Mr Manos. | 0:22:32 | 0:22:34 | |
Like some whisky? | 0:22:37 | 0:22:39 | |
-Mmm. Here, here's his wallet. -Thank you. | 0:22:43 | 0:22:47 | |
It's just hard by yourself, you know? | 0:22:49 | 0:22:51 | |
-Especially with a daughter. -Yes, I can imagine. | 0:22:51 | 0:22:54 | |
Maria's got a real chance, you know, | 0:22:58 | 0:23:00 | |
to be Miss Begonia this year. | 0:23:00 | 0:23:02 | |
Dads always are very proud of their daughters. | 0:23:02 | 0:23:04 | |
She's the best girl. | 0:23:04 | 0:23:06 | |
It's about time the others started to realise that too. | 0:23:06 | 0:23:08 | |
Proud of yourself? | 0:23:08 | 0:23:10 | |
Why don't you write a letter to Mark? | 0:23:10 | 0:23:12 | |
-Maybe he'll be interested. -Shh! | 0:23:12 | 0:23:15 | |
You attacked Professor Ormond yesterday. | 0:23:15 | 0:23:17 | |
You said a few things that any reasonable person | 0:23:17 | 0:23:19 | |
would describe as threatening. | 0:23:19 | 0:23:21 | |
Yeah, well, I've got a bit of a temper. | 0:23:21 | 0:23:24 | |
How much of a temper, Mr Manos? | 0:23:24 | 0:23:25 | |
Too much. | 0:23:28 | 0:23:30 | |
You're carrying yourself with some upper-body stiffness. | 0:23:31 | 0:23:35 | |
So? | 0:23:35 | 0:23:37 | |
Injuries sustained while murdering the professor, perhaps? | 0:23:37 | 0:23:40 | |
Just a thought. | 0:23:40 | 0:23:42 | |
You're an odd fella. | 0:23:42 | 0:23:44 | |
Not many people would say that to a bloke with a gun. | 0:23:44 | 0:23:48 | |
You haven't answered me. | 0:23:48 | 0:23:50 | |
I was working on an old generator. | 0:23:54 | 0:23:56 | |
Had faulty wiring and started a fire. | 0:23:56 | 0:23:59 | |
I didn't get out in time. | 0:23:59 | 0:24:01 | |
Copped third-degree burns all the way up my shoulder | 0:24:01 | 0:24:05 | |
and down my arm. | 0:24:05 | 0:24:07 | |
-Goodness, yes. That's an old burn. -Yeah, I was 15. | 0:24:08 | 0:24:11 | |
You should make an appointment with my receptionist, Nick. | 0:24:12 | 0:24:16 | |
There are things we can do to help with that scar tissue. | 0:24:16 | 0:24:19 | |
Does that mean you don't reckon I killed the bloke? | 0:24:20 | 0:24:24 | |
I think it's very unlikely | 0:24:24 | 0:24:26 | |
someone who suffered third-degree burns when they were 15 | 0:24:26 | 0:24:29 | |
would torch the body of a man they just murdered. | 0:24:29 | 0:24:31 | |
-Eurgh... -That's what I'm talking about. | 0:24:31 | 0:24:34 | |
You know, I keep telling that superintendent, | 0:24:34 | 0:24:36 | |
it's gotta be Charlie Griffith. | 0:24:36 | 0:24:39 | |
You know, he and Ormond used to be thick as thieves | 0:24:39 | 0:24:41 | |
until they fell out. | 0:24:41 | 0:24:42 | |
-And why did they fall out? -Well, Griffith is rich as hell. | 0:24:42 | 0:24:45 | |
Who knows what he thinks. He owns half of Bendigo now. | 0:24:45 | 0:24:49 | |
-You mean Ballarat. -Bendigo. | 0:24:49 | 0:24:51 | |
They reckon that's where the festival's gonna go. | 0:24:51 | 0:24:53 | |
He's got mates on the council and everything. | 0:24:53 | 0:24:56 | |
He's gonna make even more money. | 0:24:56 | 0:24:58 | |
-Ah, good morning. -Morning. | 0:25:11 | 0:25:13 | |
I couldn't sleep either. Fancy a tea? | 0:25:13 | 0:25:16 | |
No, thanks. | 0:25:16 | 0:25:18 | |
Mattie, do you still have that friend who works at the Land Titles Office? | 0:25:18 | 0:25:22 | |
I wanna make some inquiries about properties in Bendigo, | 0:25:22 | 0:25:25 | |
you know, find out who owns what and what things are worth. | 0:25:25 | 0:25:28 | |
-Of course. -Good. | 0:25:28 | 0:25:31 | |
So what's keeping you awake, Mattie? | 0:25:31 | 0:25:34 | |
Mark wrote to me. | 0:25:35 | 0:25:37 | |
He's engaged to a mutual friend of ours. | 0:25:37 | 0:25:40 | |
-Ahh. -He's done nothing wrong. | 0:25:40 | 0:25:42 | |
-I can't blame him. -Elizabeth's lovely. | 0:25:42 | 0:25:46 | |
-Well, I am sorry. -I'm really on the shelf now, aren't I? | 0:25:46 | 0:25:48 | |
Nonsense! You've got your whole life ahead of you. | 0:25:48 | 0:25:52 | |
I'm just disappointed in myself, that's all. | 0:25:52 | 0:25:54 | |
-No. -I'll get my friend to give you a call. | 0:25:54 | 0:25:59 | |
Mr Griffith, you must be concerned about the publicity. | 0:26:07 | 0:26:10 | |
I know what the papers are saying. | 0:26:10 | 0:26:12 | |
I say we just carry on. | 0:26:12 | 0:26:14 | |
Do you think we'll lose the festival? | 0:26:14 | 0:26:16 | |
Journalists - just ignore them. | 0:26:16 | 0:26:19 | |
Ah, good foliage, strong colour. | 0:26:20 | 0:26:22 | |
Poor root structure, though. | 0:26:26 | 0:26:28 | |
I didn't realise the flower business was so important. | 0:26:28 | 0:26:32 | |
It's a prestige thing for the council. | 0:26:32 | 0:26:33 | |
And there's no money in it? | 0:26:33 | 0:26:36 | |
No kickbacks for businesses or landowners? | 0:26:36 | 0:26:38 | |
The professor made a good living. | 0:26:38 | 0:26:41 | |
Just out of interest, what was the council paying him? | 0:26:41 | 0:26:44 | |
About a pound a week, I believe, | 0:26:44 | 0:26:46 | |
plus an appearance fee of a couple of shillings per day. | 0:26:46 | 0:26:49 | |
Princely. | 0:26:49 | 0:26:52 | |
Ah, look at that little chap. | 0:26:52 | 0:26:53 | |
Isn't he a beauty? I bet he wouldn't mind if he ended up in Bendigo. | 0:26:53 | 0:26:56 | |
-You're in a mood, Lucien. -Oh, I blame the flowers. | 0:26:56 | 0:26:59 | |
-Are you all right? -Uh, yes. I'm fine. | 0:27:00 | 0:27:08 | |
See, I do listen to you. | 0:27:08 | 0:27:10 | |
-And is it helping? -Not sure. You go on ahead. | 0:27:10 | 0:27:14 | |
How are you finding your judging duties? | 0:27:18 | 0:27:20 | |
Oh, begonias have become my new passion. I can't get enough of them. | 0:27:20 | 0:27:24 | |
-Lovely, aren't they? -Yes, they are. | 0:27:24 | 0:27:26 | |
And who would have known Bendigo could be home to such fragile things. | 0:27:26 | 0:27:31 | |
-You mean Ballarat. -Yes! | 0:27:31 | 0:27:33 | |
Easy to get the two towns mixed up, | 0:27:33 | 0:27:35 | |
especially if you own property in both. | 0:27:35 | 0:27:37 | |
Is there something you want to say to me, Doctor? | 0:27:37 | 0:27:39 | |
You have close ties with the Bendigo council, don't you? | 0:27:39 | 0:27:42 | |
And you own half the city's properties on the Calder Highway. | 0:27:42 | 0:27:46 | |
That's commercial in confidence. | 0:27:46 | 0:27:48 | |
How much would you make if Bendigo Council | 0:27:52 | 0:27:54 | |
succeeded in taking over the festival, | 0:27:54 | 0:27:56 | |
particularly now that Professor Ormond | 0:27:56 | 0:27:59 | |
is conveniently out of the way? | 0:27:59 | 0:28:01 | |
How much did you offer him to take the festival to Bendigo? | 0:28:02 | 0:28:05 | |
Did he turn you down flat? | 0:28:07 | 0:28:09 | |
I'd stop making wild accusations if I were you, Doctor. | 0:28:09 | 0:28:12 | |
-Is that a threat? -That's advice. | 0:28:12 | 0:28:14 | |
I've got Charlie Griffith inside | 0:28:17 | 0:28:19 | |
making an official complaint about you. | 0:28:19 | 0:28:21 | |
What did you say to him? | 0:28:21 | 0:28:22 | |
We were having a chat about begonias. | 0:28:22 | 0:28:24 | |
And I might have somehow insinuated that he killed the professor. | 0:28:24 | 0:28:28 | |
Why? | 0:28:28 | 0:28:30 | |
Nick Manos told me Griffith owns half the civic real estate in Bendigo. | 0:28:30 | 0:28:33 | |
He's got friends on council... | 0:28:33 | 0:28:34 | |
Well, don't believe everything Nick Manos says. | 0:28:34 | 0:28:36 | |
But this time, Manos was right. | 0:28:36 | 0:28:38 | |
I checked with the Land Titles Office. | 0:28:38 | 0:28:41 | |
If the festival goes to Bendigo, Griffith's gonna make a killing. | 0:28:41 | 0:28:43 | |
-Is that all? -Not quite. | 0:28:43 | 0:28:45 | |
Ormond and Griffith used to be great mates until they had a falling out. | 0:28:45 | 0:28:49 | |
-You don't seem surprised. -Nick Manos is an idiot. | 0:28:49 | 0:28:53 | |
He's gonna lose his gun license for that stunt he pulled | 0:28:53 | 0:28:55 | |
at your place last night. | 0:28:55 | 0:28:56 | |
I don't think he really intended to use it. | 0:28:56 | 0:28:58 | |
That's not the point. Stay here. Don't do anything. | 0:28:58 | 0:29:01 | |
Oliver, isn't it? | 0:29:11 | 0:29:12 | |
-Yeah. -Lucien Blake. | 0:29:14 | 0:29:16 | |
Your...your dad's down there now | 0:29:16 | 0:29:19 | |
making an official complaint about me. | 0:29:19 | 0:29:22 | |
Any idea where he was last night? | 0:29:22 | 0:29:24 | |
Was he at home, polishing his grudge against Nick Manos, perhaps? | 0:29:24 | 0:29:27 | |
I don't know who you are, | 0:29:27 | 0:29:28 | |
and I don't appreciate you saying those things to me. | 0:29:28 | 0:29:32 | |
-Ah, anything for me? -Not today. | 0:29:45 | 0:29:49 | |
-Expecting something? -No. No, not really. | 0:29:51 | 0:29:54 | |
Any plans that I should know about? | 0:29:56 | 0:29:58 | |
Yes, I thought I might actually see some patients today for a change. | 0:30:00 | 0:30:03 | |
-You must think me such a whinger. -Never. | 0:30:15 | 0:30:18 | |
I am, and don't you dare say I'm brave or I'll be forced to cry. | 0:30:18 | 0:30:21 | |
-How are you feeling? -Wretched. | 0:30:21 | 0:30:26 | |
And I'm tired. | 0:30:27 | 0:30:29 | |
Well, I know you don't want to hear this, | 0:30:29 | 0:30:31 | |
but you really should consider postponing the wedding. | 0:30:31 | 0:30:35 | |
-Till I'm better? -Angela... | 0:30:35 | 0:30:39 | |
Sorry. | 0:30:39 | 0:30:41 | |
No. You have nothing to say sorry for. | 0:30:41 | 0:30:44 | |
-I'm gonna need some more of this. -I'll make some up. | 0:30:49 | 0:30:52 | |
You know, just when I'm feeling sorry for myself, | 0:30:52 | 0:30:54 | |
I start thinking of the poor professor. | 0:30:54 | 0:30:58 | |
He left me a card the night he died, but we were in Melbourne. | 0:30:58 | 0:31:02 | |
Really? What did it say? | 0:31:03 | 0:31:06 | |
-Would you mind if I hung onto it? -Of course. | 0:31:08 | 0:31:11 | |
Good. Now, what about those hands of yours. How are they feeling? | 0:31:13 | 0:31:16 | |
-They're cold. -Ooh! They are. | 0:31:16 | 0:31:18 | |
Is there anything else I can do for you? | 0:31:18 | 0:31:21 | |
Well, you can practise your dancing. | 0:31:21 | 0:31:23 | |
Charles Griffith wants you officially reprimanded | 0:31:28 | 0:31:31 | |
and removed from the festival judging committee. | 0:31:31 | 0:31:33 | |
Well, that's a bitter disappointment. What about the reprimand? | 0:31:33 | 0:31:36 | |
-Consider yourself reprimanded. -Done. | 0:31:36 | 0:31:38 | |
The professor left this at Angela Waterston's | 0:31:39 | 0:31:43 | |
the evening he was murdered. | 0:31:43 | 0:31:45 | |
"Must see you on your return." | 0:31:45 | 0:31:47 | |
Why would he want to see her? | 0:31:47 | 0:31:50 | |
She and Griffith were on the same committee. | 0:31:50 | 0:31:53 | |
Anything interesting in his belongings? | 0:31:53 | 0:31:54 | |
-Parks? -Professor Ormond had regular payments of £1.10 a week | 0:31:54 | 0:31:59 | |
paid into his account, starting from a month ago. | 0:31:59 | 0:32:02 | |
-That's his weekly wage. -There's nothing else. | 0:32:02 | 0:32:05 | |
-Did he own a car? -Apparently he caught trains and taxis. | 0:32:05 | 0:32:09 | |
Just lived out of his suitcases. | 0:32:09 | 0:32:12 | |
If you were Professor Ormond, | 0:32:12 | 0:32:14 | |
where would you keep your bribe money? | 0:32:14 | 0:32:17 | |
Rip it out, Parks. | 0:32:23 | 0:32:25 | |
Boss. | 0:32:44 | 0:32:46 | |
Poor root structure indeed! | 0:32:46 | 0:32:47 | |
Ormond and Griffith conspired to move the festival to Bendigo. | 0:32:48 | 0:32:52 | |
Ormond gets greedy, asks for more money, | 0:32:53 | 0:32:55 | |
hence the falling out. | 0:32:55 | 0:32:57 | |
Ormond threatened to unmask him. | 0:32:57 | 0:32:59 | |
Griffith kills him. Mind you, most of his work's pretty much done. | 0:32:59 | 0:33:04 | |
Parks, head back to the pavilion and talk to anyone you can find. | 0:33:04 | 0:33:06 | |
We need to get this watertight before we bring Griffith in. | 0:33:06 | 0:33:09 | |
-Yes, sir. -Right. What can I do? | 0:33:09 | 0:33:12 | |
Go home. Uphold the Hippocratic oath. | 0:33:12 | 0:33:14 | |
Now you're getting the hang of it, Matthew. | 0:33:16 | 0:33:19 | |
Did you know the first Europeans to see the begonia | 0:33:43 | 0:33:45 | |
died shortly afterwards? | 0:33:45 | 0:33:47 | |
-Oh. A begonia curse. -Yes, something like that. | 0:33:47 | 0:33:51 | |
I wouldn't have thought you were superstitious, Doctor Blake. | 0:33:51 | 0:33:53 | |
Hmm. Turns out Nick Manos was right. | 0:33:53 | 0:33:56 | |
The professor was apparently on the take. | 0:33:56 | 0:33:59 | |
Ah. Charlie Griffith was paying him? | 0:33:59 | 0:34:01 | |
-Probably. -Has he been charged? | 0:34:01 | 0:34:03 | |
No, not yet. There's something missing. | 0:34:03 | 0:34:07 | |
I just can't quite figure it out. | 0:34:09 | 0:34:11 | |
Men - why do they always miss the simple things? | 0:34:12 | 0:34:14 | |
Well, that's because we're too busy fighting, bribing | 0:34:14 | 0:34:17 | |
and setting each other on fire. | 0:34:17 | 0:34:20 | |
All she needs is a little bit of care. | 0:34:20 | 0:34:22 | |
You think the professor cared about his begonias? | 0:34:24 | 0:34:27 | |
Yes, I thought he did. | 0:34:28 | 0:34:30 | |
-Then what am I missing here? -Nothing. | 0:34:32 | 0:34:36 | |
In all probability, I'm sure you've got it all figured out. | 0:34:37 | 0:34:41 | |
Doc, I got a problem. | 0:36:38 | 0:36:40 | |
The gardener I talked to | 0:36:40 | 0:36:41 | |
said he saw two cars parked side-by-side of the pavilion - | 0:36:41 | 0:36:44 | |
an old ute and an MG Magnette. | 0:36:44 | 0:36:46 | |
The cars belong to Manos and Griffith. | 0:36:46 | 0:36:49 | |
-What time? -Late. | 0:36:49 | 0:36:51 | |
The same night the professor was murdered. | 0:36:51 | 0:36:54 | |
Oh, you're kidding. | 0:36:54 | 0:36:55 | |
She swore that her dad didn't leave the house the whole night. | 0:36:55 | 0:36:58 | |
We all know what you were doing your thinking with. | 0:36:58 | 0:37:01 | |
What about Charlie Griffith? | 0:37:01 | 0:37:03 | |
He got upset when I asked him where he was. | 0:37:03 | 0:37:05 | |
So they were both there at the same time, Manos and Griffith? | 0:37:05 | 0:37:08 | |
Their cars were definitely there. | 0:37:08 | 0:37:09 | |
What were they both doing there at the same time? They hate each other. | 0:37:09 | 0:37:13 | |
Anyhow, I found this at the festival cottage. | 0:37:13 | 0:37:17 | |
Whoever killed the professor was at the launch. | 0:37:17 | 0:37:19 | |
Thanks for stating the obvious. | 0:37:19 | 0:37:21 | |
Do you want me to bring them both in? | 0:37:21 | 0:37:23 | |
No, we need to get our story straight. I'll get Hobart onto it. | 0:37:23 | 0:37:28 | |
At least I know he won't cock it up. | 0:37:28 | 0:37:30 | |
Not drinking whisky with any gun-carrying madmen this evening? | 0:37:56 | 0:38:00 | |
Your passport's out of date. | 0:38:00 | 0:38:02 | |
If you're heading overseas soon, you'll be wanting to renew it. | 0:38:05 | 0:38:09 | |
-You heard me the other night. -Yes, the phone woke me. | 0:38:09 | 0:38:12 | |
I lost my family during the war. | 0:38:17 | 0:38:19 | |
My wife, and my baby daughter. | 0:38:24 | 0:38:26 | |
And I've been looking for them ever since. | 0:38:29 | 0:38:31 | |
And now? | 0:38:31 | 0:38:33 | |
And now someone thinks they may have seen them, | 0:38:33 | 0:38:36 | |
so they may still be alive. | 0:38:36 | 0:38:39 | |
Well, you should go... when you know. | 0:38:43 | 0:38:45 | |
By the way, the judges love your begonia. | 0:38:49 | 0:38:51 | |
Oh. You know I tried to bribe the professor. | 0:38:51 | 0:38:55 | |
I took him my passionfruit sponge, but he turned me down. | 0:38:55 | 0:38:59 | |
Says he hates sugar, and he can't eat those seeds. | 0:38:59 | 0:39:03 | |
They get caught under his dental plate. | 0:39:03 | 0:39:05 | |
Someone had a piece. | 0:39:10 | 0:39:13 | |
Well, it wasn't the professor. | 0:39:13 | 0:39:14 | |
I do hope you find your family, Lucien. | 0:39:19 | 0:39:21 | |
Goodnight. | 0:39:21 | 0:39:24 | |
Maria. Oh, sorry. Good luck. | 0:39:59 | 0:40:02 | |
-Where is she? -I was gonna ask you that. | 0:40:13 | 0:40:16 | |
And while I'm at it, where were you when Professor Ormond was murdered? | 0:40:16 | 0:40:20 | |
-Maria said you were at home. -I was. | 0:40:20 | 0:40:22 | |
Then why was your car seen at the pavilion that night, | 0:40:22 | 0:40:25 | |
parked alongside Charlie Griffith's car? | 0:40:25 | 0:40:27 | |
What are you talking about, Constable? | 0:40:27 | 0:40:29 | |
-Mattie? -Mm-hm? | 0:40:33 | 0:40:36 | |
What are the symptoms of aplastic anaemia? | 0:40:36 | 0:40:39 | |
-Fatigue. -Shortness of breath. | 0:40:39 | 0:40:41 | |
Coldness in extremities, very pale skin. | 0:40:42 | 0:40:46 | |
What's the usual course of the disease? | 0:40:46 | 0:40:48 | |
Always fatal. Slow decline, very predictable course, usually. | 0:40:48 | 0:40:54 | |
Yes, that's exactly as I understand it. | 0:40:54 | 0:40:57 | |
I've doubled-checked everything. Why isn't this helping? | 0:40:57 | 0:41:01 | |
Why is Angela failing? | 0:41:01 | 0:41:02 | |
-Doctor, are you ready? -Yes. | 0:41:09 | 0:41:12 | |
Ah, Mrs Beazley, you do look handsome this afternoon. | 0:41:17 | 0:41:20 | |
We're running late. | 0:41:20 | 0:41:21 | |
-Thank you. -Mattie, aren't you coming? | 0:41:22 | 0:41:26 | |
What, and sit around watching a bunch of giggling girls | 0:41:26 | 0:41:28 | |
compete over who's the prettiest and bakes the best scones? | 0:41:28 | 0:41:30 | |
I'd rather drink dishwater. | 0:41:30 | 0:41:34 | |
I'll explain later. | 0:41:35 | 0:41:37 | |
We can't find one of the contestants. | 0:41:46 | 0:41:50 | |
-Who? -The Manos girl, wouldn't you know it? | 0:41:50 | 0:41:53 | |
I've told all the girls we start in five minutes. | 0:41:53 | 0:41:56 | |
Right. | 0:41:56 | 0:41:59 | |
Oh, Lucien, I was hoping you might... | 0:42:08 | 0:42:10 | |
You're an angel. Thank you. I'm clean out. | 0:42:12 | 0:42:14 | |
There you are, my dear. | 0:42:14 | 0:42:16 | |
-Time, Miss Waterston. -Yes, I'm ready. | 0:42:17 | 0:42:20 | |
Ladies and gentlemen, it's my pleasure to welcome you here | 0:42:32 | 0:42:35 | |
to the final round of judging | 0:42:35 | 0:42:37 | |
for this year's Miss Begonia Competition. | 0:42:37 | 0:42:40 | |
We have had some trouble locating one of the lovely contestants. | 0:42:45 | 0:42:47 | |
No matter. The show must go on. | 0:42:47 | 0:42:49 | |
Time for some introductions. | 0:42:49 | 0:42:52 | |
The lovely Miss Waterston, heiress to the Waterston fortune, | 0:42:52 | 0:42:55 | |
who won't be a miss for much longer. | 0:42:55 | 0:42:57 | |
I'm Charles Griffith and we'll be your judges this evening. | 0:43:03 | 0:43:06 | |
It's time for the Ballarat Miss Begonia Competition to begin. | 0:43:06 | 0:43:10 | |
Our first contestant comes all the way from Castlemaine | 0:43:16 | 0:43:19 | |
where she works in Accounts at her father's hardware store, | 0:43:19 | 0:43:22 | |
Kate Russell. | 0:43:22 | 0:43:24 | |
And now, ladies and gentlemen, last and maybe not least, | 0:43:39 | 0:43:42 | |
as far as the judges are concerned, Miss Maria Manos. | 0:43:42 | 0:43:45 | |
Tell the judges, Maria, | 0:43:55 | 0:43:57 | |
what could you hope to achieve as Miss Begonia? | 0:43:57 | 0:44:00 | |
Well, frankly, after two world wars, Korea and Malaya, | 0:44:01 | 0:44:05 | |
I think world peace might be out of our reach. | 0:44:05 | 0:44:08 | |
That's very forthright of you. | 0:44:08 | 0:44:10 | |
Perhaps it's time to set our sights a little lower. | 0:44:10 | 0:44:13 | |
I'd like to aim for peace in our part of the world, | 0:44:13 | 0:44:16 | |
between our families, Mr Griffith. | 0:44:16 | 0:44:19 | |
So why don't you and I do something about it and shake hands? | 0:44:19 | 0:44:24 | |
I don't think that's appropriate. | 0:44:24 | 0:44:26 | |
Everyone knows I haven't got a hope in hell | 0:44:26 | 0:44:28 | |
of winning this thing with you up here, | 0:44:28 | 0:44:31 | |
but if I can stop you and Dad from killing each other, | 0:44:31 | 0:44:34 | |
then it'll all be worthwhile. | 0:44:34 | 0:44:36 | |
-Maria Manos, everyone. -I haven't finished. | 0:44:36 | 0:44:38 | |
I'll put up with you being rude to me here, | 0:44:39 | 0:44:42 | |
because that's all anyone would expect from you, | 0:44:42 | 0:44:45 | |
-but once we're family... -Family? | 0:44:45 | 0:44:49 | |
You're gonna have to talk nice to me and to my dad. | 0:44:49 | 0:44:53 | |
You'll never be family. | 0:44:54 | 0:44:55 | |
Ask Oliver about that. | 0:44:58 | 0:44:59 | |
He's the one who asked me to marry him. | 0:45:01 | 0:45:03 | |
Your son. I said yes, of course. | 0:45:13 | 0:45:17 | |
Miss Maria Manos, this year's Begonia Queen. | 0:45:27 | 0:45:31 | |
Danny, would you mind terribly if I borrowed you for a moment? | 0:45:42 | 0:45:45 | |
-Daniel! -Yeah. | 0:45:47 | 0:45:50 | |
Oh, Lucien, wasn't that the best? | 0:45:55 | 0:45:57 | |
Ooph! And how lovely was that girl. She was so strong! | 0:45:57 | 0:46:03 | |
And how about you, darling? How are you feeling? | 0:46:03 | 0:46:05 | |
Oh, I'm exhausted, but I wouldn't miss that for the world. | 0:46:05 | 0:46:09 | |
Perhaps some of my tonic might help revive her. | 0:46:09 | 0:46:12 | |
One of the fresh bottles I brought today. | 0:46:12 | 0:46:15 | |
Darling? | 0:46:15 | 0:46:17 | |
Mmm. Tastes a little different, doesn't it? | 0:46:33 | 0:46:35 | |
That's my usual mixture. | 0:46:35 | 0:46:37 | |
Not too much honey because I know you don't like anything too sweet. | 0:46:37 | 0:46:40 | |
Someone else added the extra sugar | 0:46:40 | 0:46:43 | |
to all the previous bottles to cover the arsenic. | 0:46:43 | 0:46:46 | |
Yes, someone with a sweet tooth. | 0:46:46 | 0:46:48 | |
And it was very clever to choose arsenic, | 0:46:48 | 0:46:50 | |
because all the symptoms match those of aplastic anaemia. | 0:46:50 | 0:46:53 | |
-Lucien? -Almost. | 0:46:53 | 0:46:54 | |
Except for the transverse lines on the fingernails | 0:46:54 | 0:46:58 | |
and the discolouration of the skin. | 0:46:58 | 0:47:00 | |
Would you mind taking off your gloves, my dear? | 0:47:00 | 0:47:02 | |
-This is outrageous! -You have nothing to be ashamed of. | 0:47:02 | 0:47:05 | |
OK. | 0:47:07 | 0:47:08 | |
A definite sign of arsenic poisoning. | 0:47:12 | 0:47:15 | |
Angela, can you tell me the ingredients in my tonic? | 0:47:15 | 0:47:20 | |
Yeah, how could I forget? | 0:47:20 | 0:47:21 | |
Glycerine, ascorbic acid, hawthorn extract, honey. | 0:47:21 | 0:47:24 | |
Well, Anthony told me you'd forgotten. | 0:47:24 | 0:47:27 | |
Angela must have been in the clinic in Melbourne recovering from the transfusion. | 0:47:27 | 0:47:30 | |
You drove back here and phoned me early in the morning. | 0:47:30 | 0:47:33 | |
And it must have seemed rather a good alibi at the time, | 0:47:33 | 0:47:36 | |
reminding me that you were somewhere else, | 0:47:36 | 0:47:38 | |
and you probably made the call after you murdered Professor Ormond, | 0:47:38 | 0:47:42 | |
and perhaps you were eating a piece of cake. | 0:47:42 | 0:47:45 | |
What? | 0:47:47 | 0:47:48 | |
Oh... | 0:47:48 | 0:47:51 | |
It's all right. | 0:47:53 | 0:47:55 | |
I wanna speak to a lawyer. | 0:48:01 | 0:48:03 | |
You get a lawyer when I say you can. | 0:48:03 | 0:48:05 | |
They're charging him now. | 0:48:14 | 0:48:16 | |
Anthony Farmer, you're charged with the murder | 0:48:16 | 0:48:19 | |
of Professor Kenneth Ormond. | 0:48:19 | 0:48:20 | |
You're also charged with the attempted murder | 0:48:20 | 0:48:22 | |
of Angela Waterston. | 0:48:22 | 0:48:24 | |
Yeah? Good luck proving any of it. | 0:48:24 | 0:48:29 | |
I couldn't work out why you were going downhill so rapidly. | 0:48:29 | 0:48:32 | |
I should have asked you to remove those gloves. | 0:48:32 | 0:48:34 | |
None of my specialists did. | 0:48:34 | 0:48:36 | |
Still, no excuse. | 0:48:36 | 0:48:38 | |
He told the truth about one thing, though. | 0:48:40 | 0:48:42 | |
He did spend some time in Perth, but he was known as Samuel Bower. | 0:48:42 | 0:48:48 | |
This was on the other side of Ormond's article. | 0:48:48 | 0:48:51 | |
Accused of murdering an wealthy young woman he'd just married, | 0:48:51 | 0:48:55 | |
cause of death, arsenic poisoning. | 0:48:55 | 0:48:56 | |
The case was thrown out. | 0:48:56 | 0:48:58 | |
-He was married? -Yes, at least once that we know of. | 0:48:58 | 0:49:02 | |
You see? The professor loved his clippings. | 0:49:03 | 0:49:06 | |
Fate had them both in the same newspaper, | 0:49:06 | 0:49:08 | |
and eventually in the same town. | 0:49:08 | 0:49:10 | |
Ormond must have recognised Anthony | 0:49:13 | 0:49:14 | |
when we were helping you at the pavilion. | 0:49:14 | 0:49:16 | |
That's why he wanted to see me. I was in danger. | 0:49:16 | 0:49:21 | |
Anthony realised, left you at the clinic, | 0:49:21 | 0:49:23 | |
drove back and killed the professor. | 0:49:23 | 0:49:25 | |
He phoned me asking about the ingredients of your tonic | 0:49:25 | 0:49:28 | |
just to cover himself. | 0:49:28 | 0:49:30 | |
We dusted the place for prints. I guess you were wearing gloves. | 0:49:30 | 0:49:33 | |
Except you took them off to eat that piece of cake. | 0:49:35 | 0:49:38 | |
And to pick up that plate. | 0:49:40 | 0:49:42 | |
Cuff him. | 0:49:44 | 0:49:46 | |
-Why would he do this to me? -Because he wanted your inheritance. | 0:49:50 | 0:49:56 | |
Why poison me? I'm dying already. | 0:49:56 | 0:49:59 | |
He just couldn't wait, could he? | 0:50:02 | 0:50:04 | |
Come here. | 0:50:09 | 0:50:11 | |
-Hi. -G'day. | 0:50:16 | 0:50:19 | |
-I heard. -Here we go. | 0:50:19 | 0:50:22 | |
Mattie, look, I don't want to talk... | 0:50:22 | 0:50:24 | |
No, no, no. I'm sorry. Really. | 0:50:24 | 0:50:27 | |
Cup of tea? | 0:50:27 | 0:50:28 | |
And if you're not really interested in a person, | 0:50:36 | 0:50:39 | |
it hurts when they turn out to be interested in someone else, | 0:50:39 | 0:50:42 | |
especially when it's very, very public. | 0:50:42 | 0:50:46 | |
She used me to put her father off the scent. | 0:50:46 | 0:50:49 | |
The night the professor died, they borrowed their dad's cars, | 0:50:49 | 0:50:53 | |
and that's when he proposed. | 0:50:53 | 0:50:55 | |
She seems so blissfully happy. | 0:50:57 | 0:50:59 | |
I'm sure she is. | 0:51:02 | 0:51:03 | |
-So how is she? -Devastated. | 0:51:06 | 0:51:10 | |
I suppose her health will improve for a while, | 0:51:11 | 0:51:14 | |
now she doesn't have all those poisons in her system. | 0:51:14 | 0:51:17 | |
It most certainly will. Here we are. | 0:51:17 | 0:51:20 | |
And congratulations, eh? Honourable mention. | 0:51:20 | 0:51:24 | |
I don't deserve it. I tried to bribe the professor with my cake. | 0:51:24 | 0:51:28 | |
Oh, come on. The others used cash. | 0:51:28 | 0:51:32 | |
Your cake played a very big part in Anthony Farmer's downfall. | 0:51:32 | 0:51:36 | |
-That's true. -Mmm. Come on. | 0:51:36 | 0:51:38 | |
RECORD PLAYS | 0:51:44 | 0:51:48 | |
Sorry. | 0:51:48 | 0:51:50 | |
Goodness... it's been ages since I, um... | 0:51:50 | 0:51:53 | |
May I? | 0:51:55 | 0:51:57 | |
You know, there's a special someone for all of us. | 0:52:06 | 0:52:09 | |
You just remember that. | 0:52:09 | 0:52:11 | |
-Really? -Oh, yes. | 0:52:11 | 0:52:13 | |
Subtitles by Red Bee Media Ltd | 0:52:30 | 0:52:35 |