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# God save our gracious Queen | 0:00:07 | 0:00:10 | |
# Long live our noble Queen | 0:00:10 | 0:00:15 | |
# God save our Queen... # | 0:00:15 | 0:00:17 | |
Come. | 0:00:17 | 0:00:19 | |
'Gentlemen. Madam.' | 0:00:19 | 0:00:21 | |
'Newly elected councillors... | 0:00:21 | 0:00:23 | |
-Done? -Almost. | 0:00:23 | 0:00:25 | |
'In accordance with the Local Government Act, | 0:00:25 | 0:00:28 | |
'it is my duty to call for nominations | 0:00:28 | 0:00:30 | |
'for the position of Lord Mayor.' | 0:00:30 | 0:00:34 | |
# God save the Queen. # | 0:00:34 | 0:00:38 | |
I nominate. | 0:00:40 | 0:00:41 | |
Thank you, Mr Beattie. | 0:00:41 | 0:00:43 | |
Mr Trevorrow? | 0:00:43 | 0:00:45 | |
For the position of Lord Mayor, | 0:00:51 | 0:00:54 | |
all in favour of the Honourable Bruce Beattie? | 0:00:54 | 0:00:57 | |
Adeline? | 0:00:59 | 0:01:01 | |
Adeline! For God's sake, put up your hand. | 0:01:01 | 0:01:05 | |
-Four votes in favour. -Adeline! | 0:01:05 | 0:01:07 | |
All in favour of the Honourable Graham Trevorrow? | 0:01:07 | 0:01:10 | |
Five votes in favour. | 0:01:18 | 0:01:22 | |
Graham Trevorrow is the re-elected Mayor of Ballarat. | 0:01:22 | 0:01:27 | |
DULL THUD | 0:01:45 | 0:01:46 | |
BANGING AND SCUFFLING | 0:01:55 | 0:01:57 | |
Hello? | 0:02:01 | 0:02:03 | |
SHE SCREAMS | 0:02:28 | 0:02:30 | |
Look who's here. | 0:03:29 | 0:03:31 | |
Lovely to see you. | 0:03:31 | 0:03:33 | |
-Lucien! -Ah! | 0:03:33 | 0:03:35 | |
-I'm so sorry I'm late. That damned car of your father's. -Jean. | 0:03:35 | 0:03:39 | |
Oh, it's great to see you. | 0:03:39 | 0:03:41 | |
Oh, of course, you know Joy. | 0:03:42 | 0:03:44 | |
-Mrs McDonald. -Jean. How are you? | 0:03:45 | 0:03:47 | |
We happened to be on the same bus. Joy's covering the council election. | 0:03:49 | 0:03:53 | |
You're wanted at the Town Hall. | 0:03:53 | 0:03:55 | |
Police business. | 0:03:55 | 0:03:56 | |
Really? Already? | 0:03:56 | 0:03:59 | |
I've brought your medical bag along. | 0:03:59 | 0:04:01 | |
What would I do without you? | 0:04:01 | 0:04:03 | |
Excuse me. | 0:04:03 | 0:04:05 | |
Lovely surprise seeing you, Joy. | 0:04:12 | 0:04:14 | |
You too, Lucien. | 0:04:14 | 0:04:16 | |
-I left my desk right on 9:30. -9:30. | 0:04:28 | 0:04:32 | |
Danny. | 0:04:32 | 0:04:34 | |
Excuse me, Mrs Campbell. You must be Dr Blake. | 0:04:34 | 0:04:37 | |
Superintendent Lawson's waiting for you. | 0:04:37 | 0:04:39 | |
Right. And you are? | 0:04:39 | 0:04:42 | |
Conducting an interview. | 0:04:43 | 0:04:45 | |
Sorry about that, Mrs Campbell. | 0:04:45 | 0:04:47 | |
Was anyone in the building when you left? | 0:04:47 | 0:04:48 | |
No, I was working late. | 0:04:48 | 0:04:50 | |
You're back, then? | 0:04:54 | 0:04:56 | |
-Yes. -How was Shanghai? | 0:04:56 | 0:04:57 | |
Oh, Shanghai was fine. Who's the new chap? | 0:04:59 | 0:05:01 | |
Charlie Davis. | 0:05:01 | 0:05:03 | |
Parks has been seconded to Melbourne. | 0:05:04 | 0:05:07 | |
Davis is his replacement. | 0:05:07 | 0:05:09 | |
Didn't Jean tell you? | 0:05:09 | 0:05:11 | |
Who do we have here? | 0:05:11 | 0:05:12 | |
Bloody hell, Graham Trevorrow! | 0:05:13 | 0:05:15 | |
Re-elected Mayor three hours ago. Fifth year in a row. | 0:05:15 | 0:05:18 | |
Dear, oh, dear. | 0:05:20 | 0:05:21 | |
I'd say broken neck, | 0:05:25 | 0:05:29 | |
probable cause of death. | 0:05:29 | 0:05:30 | |
Landed somewhere here, split the scalp. | 0:05:32 | 0:05:36 | |
Possibly broke his neck at the same time. There's blood here. | 0:05:36 | 0:05:40 | |
And there's blood here. | 0:05:42 | 0:05:44 | |
Bear with me. | 0:05:45 | 0:05:47 | |
No protective injuries on the hands or wrists. | 0:05:50 | 0:05:54 | |
Well, the bloke was drunk. | 0:05:54 | 0:05:56 | |
You'd have to be catatonic to not at least try and protect yourself. | 0:05:56 | 0:05:59 | |
Blake! | 0:06:01 | 0:06:02 | |
Now, you see, Charlie here fell from a height of about six feet, | 0:06:02 | 0:06:06 | |
give or take. | 0:06:06 | 0:06:08 | |
But before he hit the ground, | 0:06:08 | 0:06:09 | |
his hands were already braced for impact. | 0:06:09 | 0:06:12 | |
Now, Graham Trevorrow, | 0:06:12 | 0:06:13 | |
if the wound was caused by him landing on the steps, | 0:06:13 | 0:06:16 | |
or indeed by the urn falling on him, | 0:06:16 | 0:06:19 | |
there may be some blood spray, | 0:06:19 | 0:06:22 | |
but the amount of blood we're talking about here | 0:06:22 | 0:06:24 | |
suggests significant bleeding from the back of the head before he fell. | 0:06:24 | 0:06:30 | |
He was already injured, perhaps, | 0:06:31 | 0:06:33 | |
perhaps already dead. | 0:06:33 | 0:06:35 | |
Glad to have me back? | 0:06:37 | 0:06:38 | |
I'll let you know. | 0:06:39 | 0:06:41 | |
And I wouldn't go pulling any more stunts like that | 0:06:41 | 0:06:44 | |
with the senior constable. | 0:06:44 | 0:06:46 | |
Oh, he'll get used to us. | 0:06:46 | 0:06:48 | |
Ah, no. | 0:06:48 | 0:06:49 | |
No, I don't think he will. | 0:06:49 | 0:06:51 | |
Victim was male, 6'1", 200 lbs. Quite a big chap. | 0:07:08 | 0:07:12 | |
-Did you get any sleep last night? -Did you? | 0:07:12 | 0:07:15 | |
Um, minimal damage to the clothing. | 0:07:17 | 0:07:19 | |
However, there was a button missing at the top of the trousers, | 0:07:19 | 0:07:22 | |
front right-hand side. | 0:07:22 | 0:07:23 | |
And there... Oh, hang on a second. | 0:07:23 | 0:07:26 | |
Ah, there was also an unusual amount of dust inside the trousers. | 0:07:26 | 0:07:29 | |
-Dust? -Yes. | 0:07:29 | 0:07:31 | |
I have no idea. The missing button may not mean anything, either. | 0:07:32 | 0:07:35 | |
I'll get Davis to keep an eye out for it. | 0:07:36 | 0:07:38 | |
-Anything else? -Hairline fracture. | 0:07:38 | 0:07:40 | |
Contusions to the rear upper skull. | 0:07:40 | 0:07:43 | |
The urn was responsible for some damage, certainly, but not all. | 0:07:43 | 0:07:48 | |
There were other blows to the head, | 0:07:48 | 0:07:50 | |
but the cause of death was a single blow to the back of the neck, | 0:07:50 | 0:07:53 | |
delivered with sufficient force to sever the spinal cord. | 0:07:53 | 0:07:57 | |
He was murdered, and then thrown down the stairs. | 0:08:00 | 0:08:03 | |
Look, I really don't appreciate this, Constable. | 0:08:03 | 0:08:05 | |
Superintendent. | 0:08:07 | 0:08:08 | |
First, we're dragged out of our beds at some godforsaken hour | 0:08:09 | 0:08:12 | |
and then told Trevorrow's taken a fall down the stairs | 0:08:12 | 0:08:15 | |
and now your bloke here wants to know what I was doing last night. | 0:08:15 | 0:08:19 | |
Sir, I was trying to explain... | 0:08:19 | 0:08:20 | |
What were you doing last night, Mr Beattie? | 0:08:20 | 0:08:23 | |
Having dinner with my family. | 0:08:23 | 0:08:24 | |
-Were you there the whole night? -No. | 0:08:24 | 0:08:27 | |
I went out. And what's that got to do with anything? | 0:08:27 | 0:08:30 | |
We might continue this in the interview room, Senior Constable. | 0:08:30 | 0:08:33 | |
Why all the questions, huh? | 0:08:33 | 0:08:35 | |
I was at home from 6:45 till 9:30 | 0:08:35 | 0:08:38 | |
and then I had a meeting with Patrick Tyneman. | 0:08:38 | 0:08:41 | |
Was your family there the whole time? | 0:08:41 | 0:08:43 | |
No, they went out. | 0:08:43 | 0:08:45 | |
Show Mr Beattie upstairs, thank you, Senior Constable. | 0:08:46 | 0:08:50 | |
-If you follow me, please, Mr Beattie. -Yeah. | 0:08:50 | 0:08:53 | |
Patrick Tyneman. | 0:08:56 | 0:08:57 | |
You leave it to me. | 0:08:57 | 0:08:59 | |
He knows he has patients this morning. | 0:09:01 | 0:09:03 | |
-How was he? -I've already told you, Mattie. He seemed perfectly fine. | 0:09:03 | 0:09:08 | |
But did he say anything about his daughter? | 0:09:08 | 0:09:11 | |
Or China? | 0:09:11 | 0:09:12 | |
-Well! -Morning. | 0:09:12 | 0:09:14 | |
I do apologise for missing breakfast. | 0:09:14 | 0:09:17 | |
Ah, Mattie! | 0:09:17 | 0:09:19 | |
How are you? | 0:09:19 | 0:09:20 | |
-I'm good. How are you? -I'm good. Good, yes. | 0:09:20 | 0:09:23 | |
We were expecting you last night and waited up for you all night. | 0:09:23 | 0:09:26 | |
Mattie! Let the doctor get his breath. | 0:09:26 | 0:09:28 | |
Let me tell you both something. I am very, very glad to be home. | 0:09:28 | 0:09:32 | |
Now, patients, you say? | 0:09:32 | 0:09:35 | |
Very good. I expect Nell will be wanting her prescription renewed. | 0:09:35 | 0:09:40 | |
Is she here? | 0:09:40 | 0:09:41 | |
Um, Lucien? | 0:09:43 | 0:09:44 | |
I didn't want to have to tell you last night. | 0:09:46 | 0:09:49 | |
Nell Clasby's passed away. | 0:09:52 | 0:09:54 | |
Couple of weeks ago. | 0:09:55 | 0:09:56 | |
It was pneumonia. | 0:09:56 | 0:09:58 | |
I'm so very sorry, Lucien. | 0:10:00 | 0:10:02 | |
Oh... | 0:10:03 | 0:10:05 | |
Patients. | 0:10:07 | 0:10:10 | |
Who's up first? | 0:10:10 | 0:10:11 | |
Um, Mrs Sinclair. | 0:10:11 | 0:10:12 | |
Mrs Sinclair. | 0:10:14 | 0:10:16 | |
Thank you, Jean. | 0:10:18 | 0:10:19 | |
Mrs Sinclair, how are we today? | 0:10:20 | 0:10:22 | |
And how's the little one? Good, eh? | 0:10:23 | 0:10:26 | |
Excuse me, what are you doing? | 0:10:42 | 0:10:44 | |
What does it look like? | 0:10:44 | 0:10:46 | |
The Council met at 6:00. | 0:10:59 | 0:11:00 | |
We were out of there by 6:30. | 0:11:00 | 0:11:03 | |
I came straight back to my office. | 0:11:03 | 0:11:06 | |
Charlie. | 0:11:06 | 0:11:07 | |
Ah, keep an eye out for that trouser button, won't you? | 0:11:08 | 0:11:11 | |
The superintendent already told me. | 0:11:11 | 0:11:12 | |
What are you doing here, anyway? | 0:11:16 | 0:11:17 | |
Well, I always find it useful to revisit a crime scene, Charlie. | 0:11:17 | 0:11:21 | |
You never know what you might have missed. | 0:11:21 | 0:11:24 | |
I came in to congratulate Graham. | 0:11:24 | 0:11:26 | |
Would have been 8:00. | 0:11:26 | 0:11:28 | |
And after that? | 0:11:28 | 0:11:29 | |
After that I went home and listened to the Test on the wireless. | 0:11:30 | 0:11:35 | |
The Test, Mr Calahan. What did you make of that first innings? | 0:11:35 | 0:11:38 | |
Oh, I think Benaud is a miracle. | 0:11:38 | 0:11:41 | |
But I don't think we should write off India just yet. | 0:11:41 | 0:11:45 | |
-Any family who can vouch for you? -No, no, just me. | 0:11:46 | 0:11:49 | |
Tell me, Graham Trevorrow. | 0:11:50 | 0:11:53 | |
Was he... Was he a friend of yours? | 0:11:53 | 0:11:55 | |
Friend? | 0:11:55 | 0:11:56 | |
Douglas gave everything to put Graham where he was. | 0:11:56 | 0:11:59 | |
He was utterly married to the work. | 0:11:59 | 0:12:02 | |
-Friend does not begin to... -Frances, Frances. | 0:12:02 | 0:12:05 | |
Superintendent, may I have a word, please? | 0:12:05 | 0:12:08 | |
Graham was Mayor for four years. This town owes him an enormous debt. | 0:12:12 | 0:12:17 | |
Oh, Frances... | 0:12:20 | 0:12:22 | |
I'm fine, Douglas, thank you. | 0:12:22 | 0:12:24 | |
May I ask that you and your men are careful with what you say about him? | 0:12:24 | 0:12:28 | |
Graham was an important man. He was destined for greater things. | 0:12:29 | 0:12:34 | |
I can't imagine what his political opponents | 0:12:35 | 0:12:38 | |
will be saying about him now. | 0:12:38 | 0:12:39 | |
Mrs Trevorrow, we believe this may not have been an accident. | 0:12:39 | 0:12:43 | |
God! | 0:12:44 | 0:12:45 | |
Well, that's awful. | 0:12:47 | 0:12:49 | |
Is there anyone that we should be speaking to? | 0:12:49 | 0:12:53 | |
Um... | 0:12:54 | 0:12:56 | |
Oh, Bruce Beattie, I suppose. | 0:12:56 | 0:12:58 | |
Douglas had to pull a rabbit out of a hat to get Graham re-elected. | 0:12:59 | 0:13:02 | |
Bruce was furious. | 0:13:02 | 0:13:04 | |
Is there anything else you need from me? | 0:13:05 | 0:13:07 | |
No, we'll call you if there is. Thank you. | 0:13:07 | 0:13:10 | |
I'm fine. I'm fine. | 0:13:12 | 0:13:14 | |
What was that about Trevorrow's re-election? | 0:13:20 | 0:13:23 | |
We lost two councillors at the last election. | 0:13:23 | 0:13:25 | |
And Bruce had the numbers on us, so I turned up the pressure on Adeline. | 0:13:25 | 0:13:30 | |
Councillor Campbell. She'd allied herself to Bruce. | 0:13:31 | 0:13:34 | |
We sat on committees together. I worked on her for months. | 0:13:36 | 0:13:39 | |
Oh, I see. That was your rabbit out of the hat? | 0:13:40 | 0:13:44 | |
Certainly took Bruce by surprise. | 0:13:44 | 0:13:46 | |
So who becomes Mayor now? You? | 0:13:46 | 0:13:49 | |
No. No, I'm walking away from politics. | 0:13:49 | 0:13:53 | |
Graham was a born politician. | 0:13:54 | 0:13:57 | |
We were going to go all the way to Canberra together. | 0:13:58 | 0:14:01 | |
I can get the numbers now, | 0:14:01 | 0:14:03 | |
but this by-election might make things more difficult. | 0:14:03 | 0:14:06 | |
What about Calahan? | 0:14:06 | 0:14:07 | |
He's finished. And now with Trevorrow gone... | 0:14:07 | 0:14:09 | |
Gentlemen. Please don't stop on my account. | 0:14:09 | 0:14:13 | |
We'll follow up on this later. | 0:14:13 | 0:14:15 | |
What were you talking about last night after Graham Trevorrow died? | 0:14:15 | 0:14:19 | |
It must have been fairly important. | 0:14:19 | 0:14:21 | |
I thought you were overseas. | 0:14:25 | 0:14:27 | |
In fact, I'm surprised to see you back, | 0:14:27 | 0:14:29 | |
with the mess you left here last time you were here. | 0:14:29 | 0:14:31 | |
Someone's got to keep an eye on you, Patrick. | 0:14:31 | 0:14:33 | |
You'll find things have changed a bit since you were last here. | 0:14:33 | 0:14:37 | |
-And about time. -Blake. Patrick. | 0:14:37 | 0:14:40 | |
He's still your problem. | 0:14:40 | 0:14:42 | |
Bruce Beattie and Patrick Tyneman | 0:14:46 | 0:14:48 | |
both wanted Trevorrow out of the way. | 0:14:48 | 0:14:50 | |
I told you to leave this to me. | 0:14:50 | 0:14:52 | |
What, because Patrick may somehow be involved we stop asking questions? | 0:14:52 | 0:14:55 | |
After you headed overseas, I told him I'd reinstated you. | 0:14:55 | 0:14:58 | |
He said any your infractions would be sheeted home to me. | 0:14:58 | 0:15:01 | |
Oh, for heaven's sake, he's not the bloody Police Commissioner. | 0:15:01 | 0:15:04 | |
No, but he holidays with the Commissioner and his family | 0:15:04 | 0:15:07 | |
in Sorrento each year. | 0:15:07 | 0:15:08 | |
Which is why tripping up Senior Constable Davis was a bad idea. | 0:15:08 | 0:15:12 | |
You think Davis was sent up here to keep tabs on you? | 0:15:12 | 0:15:16 | |
Not just me. You, me, everyone. | 0:15:16 | 0:15:18 | |
So pull your head in and concentrate on what's important. | 0:15:18 | 0:15:22 | |
Now, we still don't know where Trevorrow was killed. | 0:15:22 | 0:15:25 | |
Did the dust on his trousers give us anything? | 0:15:25 | 0:15:27 | |
Oh, at this point, I have no idea. | 0:15:27 | 0:15:29 | |
Are you sure we should be discounting Patrick? | 0:15:29 | 0:15:31 | |
You think just because he threatened me I won't do my job? Hm! | 0:15:31 | 0:15:34 | |
Forgive me. Of course not. | 0:15:34 | 0:15:36 | |
Then go home. | 0:15:37 | 0:15:39 | |
Excuse me, Doctor, it's, um... | 0:15:56 | 0:15:58 | |
Oh! | 0:16:03 | 0:16:05 | |
Joy! How are you? | 0:16:05 | 0:16:08 | |
What on Earth are you doing? | 0:16:08 | 0:16:10 | |
Um, an experiment. | 0:16:10 | 0:16:13 | |
When you die, your blood coagulates | 0:16:13 | 0:16:15 | |
and I'm using jelly crystals to simulate some of that same effect. | 0:16:15 | 0:16:20 | |
-Is this to do with Graham Trevorrow? -Oh! | 0:16:20 | 0:16:23 | |
Of course. Patrick Tyneman brought you up here. | 0:16:25 | 0:16:28 | |
He told me there was going to be significant change at Town Hall. | 0:16:28 | 0:16:32 | |
Exactly what kind of change? | 0:16:32 | 0:16:34 | |
Political change. He was backing Bruce Beattie. | 0:16:34 | 0:16:37 | |
So, what's the purpose? | 0:16:39 | 0:16:42 | |
There was blood on the steps of Town Hall | 0:16:42 | 0:16:44 | |
with a very particular consistency. | 0:16:44 | 0:16:47 | |
I'll show you. | 0:16:47 | 0:16:49 | |
Fresh blood. | 0:16:49 | 0:16:50 | |
You see the shape of it? | 0:16:52 | 0:16:54 | |
It's smooth. It sort of flattens out. | 0:16:54 | 0:16:57 | |
-Like water. -Exactly. | 0:16:57 | 0:16:59 | |
Now... | 0:16:59 | 0:17:00 | |
..here's the blood with the jelly crystals mixed in. | 0:17:02 | 0:17:05 | |
-You're speeding up coagulation. -Exactly. | 0:17:09 | 0:17:12 | |
The blood on the steps had a very similar consistency to the jelly, | 0:17:12 | 0:17:17 | |
suggesting a time gap of about 30 minutes. | 0:17:17 | 0:17:20 | |
Now, what does it mean? | 0:17:20 | 0:17:23 | |
It means that Graham Trevorrow must have been dead | 0:17:23 | 0:17:25 | |
for at least half an hour before his body was thrown down the stairs. | 0:17:25 | 0:17:28 | |
And Patrick wants to know what I know, and he's sent you to find out. | 0:17:31 | 0:17:35 | |
I came because I wanted to see you. | 0:17:37 | 0:17:40 | |
Really? | 0:17:41 | 0:17:42 | |
You don't believe me, do you? | 0:17:44 | 0:17:47 | |
Course I do. | 0:17:47 | 0:17:48 | |
The superintendent is making enquiries. | 0:17:50 | 0:17:52 | |
And I'm guessing you won't tell me what they are. | 0:17:54 | 0:17:57 | |
Graham Trevorrow was murdered somewhere in the Town Hall. | 0:17:59 | 0:18:03 | |
But you don't know where, do you? | 0:18:05 | 0:18:07 | |
No. | 0:18:08 | 0:18:10 | |
But let me buy you a drink at the club and we can discuss it further. | 0:18:10 | 0:18:13 | |
Would you like to make another appointment, Mrs McDonald? | 0:18:16 | 0:18:19 | |
Oh, I'll play it by ear. | 0:18:19 | 0:18:21 | |
But thanks all the same. | 0:18:21 | 0:18:22 | |
This is where you usually warn me to stay away from him, isn't it? | 0:18:24 | 0:18:28 | |
-Is that what you're about to do? -Sorry to disappoint you. | 0:18:28 | 0:18:32 | |
We're very lucky he's come back at all, really. | 0:18:32 | 0:18:35 | |
He's a very important member of this community | 0:18:36 | 0:18:38 | |
and anything that encourages him to stay here is very welcome. | 0:18:38 | 0:18:42 | |
He enjoys your visits. | 0:18:43 | 0:18:46 | |
His mood improves, and that's no bad thing. | 0:18:46 | 0:18:48 | |
And what about yourself, Jean? | 0:18:53 | 0:18:55 | |
Good afternoon, Mrs McDonald. | 0:18:57 | 0:18:58 | |
Cleaned up any more blood this morning? | 0:20:07 | 0:20:10 | |
The police have gone through the place | 0:20:10 | 0:20:12 | |
and talked to everyone, including me. | 0:20:12 | 0:20:14 | |
Now, if you don't mind... | 0:20:14 | 0:20:16 | |
I wonder if the council knows their cleaner spent time in jail? | 0:20:16 | 0:20:19 | |
Who told you? | 0:20:23 | 0:20:24 | |
That tattoo on your arm. | 0:20:24 | 0:20:26 | |
And your reaction just now. | 0:20:27 | 0:20:29 | |
What do you want? | 0:20:30 | 0:20:32 | |
Look, you said the police had been right through this place. | 0:20:32 | 0:20:35 | |
-Did they check everywhere? -Just about. | 0:20:35 | 0:20:37 | |
So not everywhere? | 0:20:37 | 0:20:38 | |
Why don't you have a look for yourself? | 0:20:40 | 0:20:42 | |
What are you doing? | 0:21:50 | 0:21:52 | |
Going through Graham Trevorrow's clothes. | 0:21:52 | 0:21:55 | |
No, there are proper procedures for the correct handling of evidence. | 0:21:55 | 0:21:58 | |
You've been looking for a missing button, I believe. | 0:21:58 | 0:22:02 | |
Where did you find this? | 0:22:10 | 0:22:11 | |
In the basement of the Town Hall. | 0:22:12 | 0:22:15 | |
-You think that's where he was murdered? -No. | 0:22:15 | 0:22:17 | |
I think it was where he was meeting his lover. | 0:22:17 | 0:22:20 | |
How do you work that out? | 0:22:20 | 0:22:21 | |
Come on, Charlie. You're a man of the world. | 0:22:21 | 0:22:24 | |
Ever lost a button from your braces? | 0:22:24 | 0:22:26 | |
I don't wear braces. | 0:22:26 | 0:22:27 | |
Right. Well, it can happen if you pack on a few pounds, | 0:22:29 | 0:22:32 | |
or if you find yourself in a fight, or... | 0:22:32 | 0:22:35 | |
if a lady friend becomes rather too enthusiastic. | 0:22:35 | 0:22:38 | |
I'm still not getting it, Doctor. | 0:22:39 | 0:22:42 | |
Look. Lipstick. Now, I'm guessing that was on Trevorrow's face, | 0:22:42 | 0:22:46 | |
and he wiped it off after she'd gone. | 0:22:46 | 0:22:48 | |
Trevorrow was re-elected just after 6:00. | 0:22:49 | 0:22:52 | |
Spoke with Doug Calahan around 8:00 and he was dead by 9:00. | 0:22:52 | 0:22:56 | |
In between those times, | 0:22:56 | 0:22:58 | |
he had sex with a woman in the basement of the Town Hall, | 0:22:58 | 0:23:01 | |
which rather increases the range of possible motivations for killing him. | 0:23:01 | 0:23:06 | |
Of course, you'll tell Lawson you worked all this out, won't you? | 0:23:06 | 0:23:09 | |
And, by the way, do you know Patrick Tyneman? | 0:23:09 | 0:23:12 | |
I've heard of him. | 0:23:12 | 0:23:14 | |
-Why? -No reason. | 0:23:14 | 0:23:16 | |
Listen, would you also inform the superintendent | 0:23:16 | 0:23:18 | |
that I found blood on the door leading to the offices. | 0:23:18 | 0:23:22 | |
And if he needs me, I'll be at home, conducting research. | 0:23:22 | 0:23:27 | |
Mm! | 0:23:36 | 0:23:38 | |
Now what? | 0:23:38 | 0:23:39 | |
Now kiss your hand. | 0:23:39 | 0:23:41 | |
Oh, come on, Mattie, with a little more passion, please. | 0:23:43 | 0:23:48 | |
Right. | 0:23:52 | 0:23:54 | |
Let me wipe that off. | 0:23:55 | 0:23:57 | |
That's hard to get out, you know. | 0:23:57 | 0:23:59 | |
Well, there's a lot more on that one. | 0:24:00 | 0:24:02 | |
Or maybe that's a stronger lipstick. | 0:24:02 | 0:24:04 | |
Or a lot more kissing. | 0:24:04 | 0:24:05 | |
I can't believe I didn't detect any lipstick on him during the autopsy. | 0:24:05 | 0:24:09 | |
It's not quite red. | 0:24:12 | 0:24:14 | |
Bright red's popular with some people. | 0:24:14 | 0:24:18 | |
And that sends a message, is that right? | 0:24:18 | 0:24:20 | |
-Oh, yes. -Not necessarily. | 0:24:20 | 0:24:23 | |
-That's a different kind of red. -It's much darker. | 0:24:23 | 0:24:26 | |
It's stronger. It's a statement. | 0:24:26 | 0:24:28 | |
It's a statement. Saying what? | 0:24:29 | 0:24:32 | |
It's saying, 'I'm a very attractive woman.' | 0:24:32 | 0:24:34 | |
But not conventional. | 0:24:34 | 0:24:36 | |
-She has more authority than that. -And she has money. | 0:24:36 | 0:24:38 | |
That's an expensive lipstick. It's not waxy, you see? | 0:24:38 | 0:24:41 | |
Right. Would it hold up in court? | 0:24:41 | 0:24:44 | |
Absolutely not. But it would in my sewing circle. | 0:24:44 | 0:24:48 | |
It's hardly scientific. | 0:24:51 | 0:24:54 | |
I know, but worth a try, eh? | 0:24:54 | 0:24:55 | |
Excuse me, ladies, ladies. | 0:24:57 | 0:24:59 | |
If we could have a moment of your time. Just carry on working. | 0:25:00 | 0:25:04 | |
Superintendent. | 0:25:25 | 0:25:27 | |
Mrs Campbell. | 0:25:43 | 0:25:45 | |
Could we have a word? | 0:25:45 | 0:25:46 | |
What were your feelings about the deceased, Mrs Campbell? | 0:25:48 | 0:25:52 | |
Graham was an arrogant bastard. I hated him. | 0:25:53 | 0:25:57 | |
And when did that change? | 0:25:57 | 0:25:59 | |
Oh, you can blame Doug Calahan for that. | 0:25:59 | 0:26:02 | |
We sat on committees together. | 0:26:02 | 0:26:04 | |
It was Doug who convinced me to change my allegiance. | 0:26:04 | 0:26:06 | |
You might have to explain. | 0:26:08 | 0:26:09 | |
Doug read the numbers. | 0:26:11 | 0:26:13 | |
He knew that Graham was in trouble and that I might be useful. | 0:26:13 | 0:26:16 | |
So he worked on me. | 0:26:16 | 0:26:17 | |
But it wasn't until very recently | 0:26:19 | 0:26:21 | |
that Graham himself actually took any notice of me. | 0:26:21 | 0:26:24 | |
And that's when you changed your mind about him? | 0:26:25 | 0:26:28 | |
Graham was a powerful man. It was good being noticed by him. | 0:26:29 | 0:26:33 | |
Wasn't there a conflict of politics there? | 0:26:33 | 0:26:36 | |
I was elected as an independent. | 0:26:36 | 0:26:39 | |
Bruce made certain promises, benefits to the electorate. | 0:26:39 | 0:26:42 | |
Doug Calahan trumped those. | 0:26:42 | 0:26:43 | |
What happened last night? | 0:26:45 | 0:26:46 | |
Graham came to thank me for my support... | 0:26:50 | 0:26:52 | |
..and it went further. | 0:26:53 | 0:26:55 | |
Afterwards, he went back to his office, I went back to mine | 0:26:57 | 0:27:00 | |
and the next time I saw him, he... | 0:27:00 | 0:27:02 | |
Were you in love with Graham Trevorrow, Mrs Campbell? | 0:27:03 | 0:27:07 | |
I'm not a schoolgirl. | 0:27:07 | 0:27:08 | |
He was a consummate politician. Everything was about himself. | 0:27:10 | 0:27:13 | |
And you didn't mind that? | 0:27:13 | 0:27:15 | |
He wasn't the only one who enjoyed himself. | 0:27:16 | 0:27:19 | |
My husband died five years ago. | 0:27:21 | 0:27:23 | |
I'm not going to dress in black for the rest of my life. | 0:27:23 | 0:27:26 | |
-Mrs Trevorrow. -Superintendent. | 0:27:33 | 0:27:36 | |
Does this have to become public knowledge? | 0:27:40 | 0:27:42 | |
I take it you mean Mrs Campbell. | 0:27:42 | 0:27:44 | |
-Did you know about this? -No. | 0:27:46 | 0:27:48 | |
But when I heard she was being questioned, | 0:27:51 | 0:27:53 | |
it didn't take long to work out why. | 0:27:53 | 0:27:55 | |
Doug Calahan believed your husband could be prime minister. | 0:27:55 | 0:27:57 | |
We all did. | 0:27:57 | 0:27:59 | |
One more year as mayor, | 0:27:59 | 0:28:01 | |
while Douglas planned the move into Federal politics. | 0:28:01 | 0:28:03 | |
But then he goes and has an affair. | 0:28:03 | 0:28:05 | |
How many times did he have sex with her? | 0:28:09 | 0:28:11 | |
Uh, once, from what we can tell. | 0:28:13 | 0:28:17 | |
Hardly qualifies as an affair. | 0:28:17 | 0:28:18 | |
I spent my entire marriage turning a blind eye to this sort of thing. | 0:28:20 | 0:28:23 | |
I just don't want it thrown back in my face in public. | 0:28:23 | 0:28:26 | |
Might there be an angry husband who wanted to hurt Mr Trevorrow? | 0:28:26 | 0:28:32 | |
Maybe. | 0:28:32 | 0:28:33 | |
And what about you, Mrs Trevorrow? | 0:28:35 | 0:28:38 | |
I gave everything to Graham. | 0:28:41 | 0:28:44 | |
People tended to do that, you know? | 0:28:44 | 0:28:45 | |
Now that he's gone, his reputation is all that I have. | 0:28:48 | 0:28:51 | |
Please, don't destroy it. | 0:28:52 | 0:28:54 | |
This won't become public unless there's a need to know. | 0:28:55 | 0:28:58 | |
Thank you. | 0:28:58 | 0:28:59 | |
No murder weapon. | 0:29:05 | 0:29:06 | |
-Still no murder site. -Yes, I'm aware of that. | 0:29:06 | 0:29:09 | |
I'll tell you this - whoever killed Trevorrow | 0:29:09 | 0:29:11 | |
dragged his body along that Town Hall corridor. | 0:29:11 | 0:29:14 | |
Goodbye. | 0:29:17 | 0:29:19 | |
You told me once there were consolations to living in Ballarat. | 0:29:24 | 0:29:29 | |
Are they still enough? | 0:29:29 | 0:29:31 | |
-Goodness, did I say that? -You know you did. | 0:29:33 | 0:29:35 | |
And don't wave it away with a joke. I'm interested. | 0:29:35 | 0:29:39 | |
Truth is, I was actually looking forward to getting back. | 0:29:42 | 0:29:45 | |
Of course, I get back and things are different. | 0:29:46 | 0:29:49 | |
-Different how? -Oh, the usual ways. | 0:29:49 | 0:29:51 | |
Someone dies, someone leaves. | 0:29:52 | 0:29:54 | |
I guess I made the mistake | 0:29:56 | 0:29:58 | |
of thinking that somehow all this was permanent. | 0:29:58 | 0:30:01 | |
I could help, you know. | 0:30:07 | 0:30:09 | |
Find ways to make life more bearable... | 0:30:10 | 0:30:13 | |
..if you let me. | 0:30:14 | 0:30:16 | |
Wouldn't that affect your employment with Patrick Tyneman? | 0:30:20 | 0:30:23 | |
We're all adults, Lucien. | 0:30:23 | 0:30:25 | |
So, what's going on at Town Hall? | 0:30:27 | 0:30:31 | |
-Joy McDonald, you are shameless. -As I said, I'm interested. | 0:30:31 | 0:30:34 | |
And Trevorrow did have a certain reputation. | 0:30:34 | 0:30:38 | |
No comment. | 0:30:38 | 0:30:40 | |
I'll take that as a yes. | 0:30:40 | 0:30:41 | |
Thank you. Who's involved? | 0:30:45 | 0:30:48 | |
Bruce Beattie. | 0:30:51 | 0:30:52 | |
-Thwarted ambition. -Mm. | 0:30:52 | 0:30:53 | |
I know you'll think I'm completely mad, but Patrick's in the mix. | 0:30:55 | 0:30:58 | |
I'll put that down to your own fixation. | 0:30:58 | 0:31:00 | |
And Frances Trevorrow. Adeline Campbell. | 0:31:02 | 0:31:05 | |
-Councillor for Central Ward. -What's her involvement? | 0:31:05 | 0:31:08 | |
Well, let's just say, um...Graham Trevorrow's reputation. | 0:31:10 | 0:31:13 | |
And I'd talk to Carl Laidley, the cleaner. | 0:31:16 | 0:31:19 | |
I'm convinced he knows more than he's letting on. | 0:31:19 | 0:31:22 | |
-He won't talk to you? -I may have threatened him somewhat. | 0:31:22 | 0:31:25 | |
Hm. | 0:31:27 | 0:31:28 | |
Now, if you've finished with my pen... | 0:31:28 | 0:31:31 | |
I might need it. | 0:31:33 | 0:31:35 | |
And it's a good excuse to see you later. | 0:31:38 | 0:31:40 | |
Why are you smiling? | 0:31:41 | 0:31:42 | |
I suppose this really is the only way of getting to know you. | 0:31:44 | 0:31:48 | |
Excuse me. Could we have another round, please? | 0:31:55 | 0:31:58 | |
I feel sorry for both those women, really. | 0:32:01 | 0:32:03 | |
Oh, I wouldn't waste your sympathy. | 0:32:03 | 0:32:06 | |
-That's a little harsh. -Well, he was a married man. | 0:32:06 | 0:32:08 | |
She shouldn't have let him get away with it. | 0:32:08 | 0:32:10 | |
And the other one just shouldn't have gone there. | 0:32:10 | 0:32:13 | |
Thank you, Jean. This looks wonderful. | 0:32:15 | 0:32:18 | |
You're welcome. Now, how's the study coming along? | 0:32:18 | 0:32:21 | |
-Well... -Study? | 0:32:21 | 0:32:23 | |
-Mm. -I am taking classes in Melbourne. | 0:32:23 | 0:32:27 | |
-Social work. -Social work? | 0:32:27 | 0:32:29 | |
Why social work? | 0:32:30 | 0:32:32 | |
-Well, nursing's fine. -Mm. | 0:32:32 | 0:32:33 | |
So's medicine. | 0:32:33 | 0:32:35 | |
But I want to see more of life. | 0:32:37 | 0:32:38 | |
Make a difference for a change. | 0:32:38 | 0:32:41 | |
Make a difference, eh? A little harsh on medicine, don't you think? | 0:32:41 | 0:32:44 | |
-Well, I didn't mean... -Lucien, don't tease her. | 0:32:44 | 0:32:46 | |
I'll stay on as district nurse until I graduate, and after that... | 0:32:47 | 0:32:50 | |
Mattie, Mattie. | 0:32:50 | 0:32:52 | |
Good for you. | 0:32:52 | 0:32:54 | |
Experiencing more of life is nearly always a good thing. | 0:32:54 | 0:32:58 | |
Did you know social workers used to be called almoners? | 0:32:59 | 0:33:02 | |
Always loved that term. | 0:33:02 | 0:33:04 | |
-KNOCK ON DOOR -Oh. -Mm-mm. I'll get it. | 0:33:04 | 0:33:08 | |
-Coming! -That wasn't so bad, was it? | 0:33:11 | 0:33:13 | |
-Matthew. -Lucien. | 0:33:19 | 0:33:22 | |
One of the clerks found her. | 0:33:33 | 0:33:34 | |
I thought you'd like to see her. | 0:34:15 | 0:34:17 | |
Thank you, Matthew. | 0:34:22 | 0:34:24 | |
I'll get Doctor Verner to do the autopsy. | 0:34:27 | 0:34:29 | |
Would that be all right? | 0:34:29 | 0:34:30 | |
Yes. | 0:34:33 | 0:34:34 | |
Verner does good work. | 0:34:36 | 0:34:37 | |
Matthew. | 0:34:41 | 0:34:42 | |
The last time I saw Joy, | 0:34:46 | 0:34:49 | |
she was asking me about Trevorrow. | 0:34:49 | 0:34:51 | |
And I suggested | 0:34:56 | 0:34:58 | |
that she talk to the cleaner here, Carl Laidley. | 0:34:58 | 0:35:03 | |
We'll find him. | 0:35:04 | 0:35:06 | |
Cause of death... | 0:35:55 | 0:35:56 | |
'..severe trauma to the head. | 0:35:58 | 0:36:00 | |
'Haematomas... | 0:36:02 | 0:36:03 | |
'..depression fracture of the skull. | 0:36:05 | 0:36:08 | |
'Possible finger marks suggest... | 0:36:09 | 0:36:13 | |
'..suggest struggle taking place before she died.' | 0:36:17 | 0:36:21 | |
Finger marks. | 0:36:23 | 0:36:25 | |
'Injuries and context suggest... | 0:36:25 | 0:36:27 | |
'..victim was thrown or pushed from the upper storey landing.' | 0:36:30 | 0:36:35 | |
Doctor, uh... | 0:36:41 | 0:36:42 | |
..Mrs McDonald's effects. | 0:36:43 | 0:36:46 | |
Yes, of course. | 0:36:47 | 0:36:48 | |
Thank you, Charlie. | 0:36:50 | 0:36:51 | |
I ran by Laidley's place. | 0:36:58 | 0:37:00 | |
-We've brought him in. -Good work. | 0:37:00 | 0:37:02 | |
My pen. | 0:37:04 | 0:37:06 | |
I lent Joy my pen. It's not here. | 0:37:06 | 0:37:09 | |
Oh, that was everything that she had with her. | 0:37:09 | 0:37:14 | |
You might want to go home and leave this to us now. | 0:37:14 | 0:37:18 | |
I think I might stay here, if I may. | 0:37:26 | 0:37:28 | |
Staff at the Town Hall said they saw Carl Laidley with her. | 0:37:41 | 0:37:44 | |
They were arguing. Apparently he was shouting. | 0:37:44 | 0:37:48 | |
Maybe he tried it on with her and she fought him. I don't know. | 0:37:50 | 0:37:55 | |
How does that fit in with Trevorrow? | 0:37:55 | 0:37:57 | |
Carl Laidley and Graham Trevorrow grew up on the same street together. | 0:37:57 | 0:38:01 | |
They both dated the same girl, a Frances Toohey, | 0:38:01 | 0:38:05 | |
now Frances Trevorrow. | 0:38:05 | 0:38:07 | |
Is that enough of a reason? | 0:38:07 | 0:38:08 | |
Two murders in exactly the same place. | 0:38:10 | 0:38:13 | |
KNOCK ON DOOR | 0:38:13 | 0:38:14 | |
I'm sorry, there was no-one on the desk. | 0:38:14 | 0:38:16 | |
Lucien, I'm so sorry about Joy. | 0:38:19 | 0:38:21 | |
I brought you some lunch. Thought you might be starving by now. | 0:38:27 | 0:38:30 | |
Thank you, Jean. | 0:38:32 | 0:38:34 | |
Will you be home later? | 0:38:37 | 0:38:39 | |
Um... | 0:38:39 | 0:38:40 | |
-I don't know. -No, no. | 0:38:42 | 0:38:44 | |
There'll be dinner, either way. | 0:38:45 | 0:38:47 | |
Matthew. | 0:38:48 | 0:38:49 | |
Mr Laidley. | 0:39:17 | 0:39:19 | |
Are you hungry? | 0:39:20 | 0:39:21 | |
Let's see what we have here. | 0:39:32 | 0:39:34 | |
Corned beef, mustard, lettuce and tomato. | 0:39:35 | 0:39:41 | |
Made by a very good friend of mine. | 0:39:42 | 0:39:44 | |
I didn't hurt that girl of yours. | 0:39:57 | 0:39:59 | |
How do you know I knew her? | 0:40:01 | 0:40:03 | |
She told me. | 0:40:03 | 0:40:04 | |
I heard you two had an argument. | 0:40:07 | 0:40:10 | |
Now, what was that about? | 0:40:10 | 0:40:11 | |
She got really pushy. | 0:40:14 | 0:40:17 | |
Asked a lot of questions. | 0:40:17 | 0:40:18 | |
So I shouted at her. | 0:40:22 | 0:40:24 | |
Lawson tells me... | 0:40:25 | 0:40:26 | |
..you and Frances Trevorrow used to go out together. | 0:40:29 | 0:40:32 | |
I knew Graham from way back. | 0:40:34 | 0:40:36 | |
Had the charm. | 0:40:38 | 0:40:39 | |
Took whatever he wanted, women included. | 0:40:41 | 0:40:45 | |
I didn't kill him, if that's what you're thinking. | 0:40:45 | 0:40:49 | |
Mr Laidley, the night Trevorrow died, | 0:40:49 | 0:40:53 | |
who came to his office? | 0:40:53 | 0:40:56 | |
All the staff. | 0:40:56 | 0:40:57 | |
Then Graham closed the door. | 0:40:58 | 0:41:00 | |
Got me to unlock the back. | 0:41:01 | 0:41:03 | |
Had an important meeting. | 0:41:04 | 0:41:06 | |
With who? | 0:41:07 | 0:41:09 | |
That toff. You know? | 0:41:09 | 0:41:11 | |
Patrick Tyneman? | 0:41:11 | 0:41:12 | |
Talked for about half an hour. | 0:41:14 | 0:41:16 | |
I heard him go out. | 0:41:16 | 0:41:18 | |
I locked up again, then went home. | 0:41:19 | 0:41:22 | |
-I thought they hated each other. -They did. | 0:41:22 | 0:41:25 | |
And I told your girl about that, too. | 0:41:25 | 0:41:27 | |
Here. | 0:41:31 | 0:41:33 | |
Thank you, Mr Laidley. | 0:41:35 | 0:41:36 | |
You leave Tyneman to me. | 0:41:38 | 0:41:41 | |
Those men were enemies for years. | 0:41:41 | 0:41:42 | |
Trevorrow would always block Tyneman's tenders to council. | 0:41:43 | 0:41:47 | |
And listen, Tyneman meets with him the night he's re-elected mayor. | 0:41:47 | 0:41:50 | |
Half an hour later, Trevorrow's dead at the bottom of the bloody stairs. | 0:41:50 | 0:41:53 | |
So he goes ahead and murders two people, does he? | 0:41:53 | 0:41:56 | |
Oh, I don't know. I do know this. It wasn't Carl Laidley. | 0:41:56 | 0:42:00 | |
Well, Davis spoke to one of the clerks there. | 0:42:02 | 0:42:04 | |
Laidley left the Town Hall with him. | 0:42:04 | 0:42:06 | |
They played cards. There were others present. | 0:42:06 | 0:42:08 | |
Joy was still alive when they left the Town Hall. | 0:42:08 | 0:42:11 | |
So you've released Laidley? | 0:42:12 | 0:42:14 | |
-Yes. -Good. | 0:42:14 | 0:42:16 | |
Let's make sure he goes back to work. | 0:42:16 | 0:42:18 | |
-Blake! -Listen, find who killed Trevorrow, | 0:42:18 | 0:42:21 | |
and we find who killed Joy, | 0:42:21 | 0:42:22 | |
and I'm telling you, Patrick's involved somehow. | 0:42:22 | 0:42:26 | |
You leave Tyneman to me. | 0:42:26 | 0:42:27 | |
-Patrick. -Lawson, what the hell is going on? | 0:42:29 | 0:42:32 | |
It's just a few questions about Joy McDonald, if you don't mind. | 0:42:32 | 0:42:35 | |
Lucien. | 0:42:45 | 0:42:46 | |
Matthew said you left almost an hour ago. | 0:42:48 | 0:42:51 | |
I wrote Joy's parents a letter, sending my condolences. | 0:42:54 | 0:42:58 | |
-She was very fond of you. -Mm. | 0:43:01 | 0:43:03 | |
Yes. | 0:43:05 | 0:43:07 | |
And look where that got her. | 0:43:07 | 0:43:08 | |
She went to that Town Hall because I as good as sent her there. | 0:43:11 | 0:43:14 | |
I couldn't protect her. I shouldn't be surprised. | 0:43:14 | 0:43:17 | |
I couldn't protect my wife, my own daughter. | 0:43:17 | 0:43:19 | |
Hell, I couldn't prevent Danny from going to Melbourne. | 0:43:19 | 0:43:22 | |
And don't get me started on Nell Clasby. Bloody hell. | 0:43:22 | 0:43:25 | |
Well, if you're going to wallow around in self-pity, | 0:43:26 | 0:43:29 | |
I might just head home. | 0:43:29 | 0:43:30 | |
Joy was there because she wanted to be, and the same goes for all of us. | 0:43:33 | 0:43:37 | |
You think you have to do everything by yourself, Lucien. | 0:43:40 | 0:43:44 | |
It's not possible. | 0:43:44 | 0:43:45 | |
You do your best, | 0:43:46 | 0:43:48 | |
and sometimes, well, sometimes it's just not enough. | 0:43:48 | 0:43:52 | |
Jean, they both died in exactly the same place. | 0:44:00 | 0:44:05 | |
Well, that sounds very deliberate. | 0:44:06 | 0:44:09 | |
-You think so? -Absolutely. | 0:44:09 | 0:44:11 | |
Someone went out of their way to make that happen. | 0:44:12 | 0:44:15 | |
So, whatever it is, the answer has to be at the Town Hall. | 0:44:15 | 0:44:19 | |
Mrs Campbell. | 0:45:18 | 0:45:19 | |
What can I do for you, Doctor? | 0:45:21 | 0:45:23 | |
I hope you don't mind. Sadly, my memory isn't what it should be. | 0:45:23 | 0:45:27 | |
-Graham Trevorrow... -I've told you everything. | 0:45:27 | 0:45:30 | |
I don't think you have. | 0:45:30 | 0:45:31 | |
You told us you meant nothing to him. | 0:45:35 | 0:45:37 | |
I didn't. | 0:45:37 | 0:45:38 | |
That's not his writing. | 0:45:42 | 0:45:44 | |
You could barely read Graham's handwriting. | 0:45:44 | 0:45:47 | |
The typing girls had a terrible time with him. | 0:45:47 | 0:45:49 | |
-Then whose writing is it? -It's Doug Calahan's. | 0:45:49 | 0:45:52 | |
He and Graham were always passing notes back and forth in council. | 0:45:52 | 0:45:56 | |
But who's it about? | 0:45:56 | 0:45:57 | |
Well, I think it's about you. | 0:45:57 | 0:45:58 | |
One more thing if I may, Mrs Campbell. | 0:46:03 | 0:46:06 | |
Doug Calahan. | 0:46:06 | 0:46:08 | |
Did he have a transistor radio, a wireless, in his office? | 0:46:08 | 0:46:12 | |
Of course he did. He was always working back. | 0:46:12 | 0:46:14 | |
He listens to the cricket. | 0:46:14 | 0:46:16 | |
CRICKET COMMENTARY ON RADIO | 0:46:20 | 0:46:22 | |
Mr Calahan? | 0:46:22 | 0:46:23 | |
CRICKET COMMENTARY ON RADIO | 0:46:24 | 0:46:27 | |
Calahan, stop! | 0:48:17 | 0:48:19 | |
Calahan. | 0:48:22 | 0:48:23 | |
Stop him! Stop him! | 0:48:25 | 0:48:28 | |
CALAHAN SCREAMS | 0:48:28 | 0:48:31 | |
Please! Please! Don't let me fall. | 0:48:38 | 0:48:42 | |
I can't hold you! | 0:48:55 | 0:48:57 | |
Give me your other hand. | 0:49:07 | 0:49:08 | |
You tried to save her. | 0:49:24 | 0:49:25 | |
But you couldn't hang on. | 0:49:28 | 0:49:30 | |
I-I came into my office and she was there. | 0:49:40 | 0:49:43 | |
She knew. | 0:49:45 | 0:49:46 | |
What happened? | 0:49:48 | 0:49:50 | |
I tried to stop her. | 0:49:50 | 0:49:52 | |
She ran out onto the landing. | 0:49:52 | 0:49:54 | |
I grabbed her and she toppled over the rail. | 0:49:54 | 0:49:56 | |
But I couldn't hold her. | 0:49:59 | 0:50:01 | |
And Graham Trevorrow? | 0:50:03 | 0:50:04 | |
We found traces of blood on the bat. | 0:50:10 | 0:50:12 | |
Even though you'd cleaned it and oiled it | 0:50:17 | 0:50:20 | |
at some point over the last few days. | 0:50:20 | 0:50:22 | |
A collectible bat kept on display doesn't require oiling. | 0:50:22 | 0:50:28 | |
Do you gentlemen know your cricket? | 0:50:30 | 0:50:32 | |
A little. | 0:50:34 | 0:50:35 | |
Melbourne, January 1937. | 0:50:36 | 0:50:40 | |
Bradman scored 270 in the second innings. | 0:50:40 | 0:50:44 | |
But in the end, it was his tactics that won the game. | 0:50:46 | 0:50:51 | |
That's why Graham bought me the bat. | 0:50:53 | 0:50:55 | |
I was working, as usual, | 0:50:57 | 0:50:59 | |
listening to the radio. | 0:50:59 | 0:51:00 | |
And he told me what he and Adeline had done. | 0:51:02 | 0:51:05 | |
He knew what she meant to you, didn't he? | 0:51:07 | 0:51:09 | |
He thought I was talking about her vote. | 0:51:12 | 0:51:14 | |
You gave him everything. Everything. | 0:51:16 | 0:51:19 | |
And he took it all, including her. | 0:51:19 | 0:51:21 | |
Well, she never knew how I felt. | 0:51:21 | 0:51:23 | |
It was just politics at first. | 0:51:26 | 0:51:27 | |
Graham needed her. | 0:51:29 | 0:51:30 | |
But we sat on committees together | 0:51:32 | 0:51:34 | |
and I started looking forward to each day. | 0:51:34 | 0:51:37 | |
I thought I was fine not having a life of my own. | 0:51:37 | 0:51:40 | |
In the matter of Graham Trevorrow, | 0:51:44 | 0:51:46 | |
one blow to the back of the head, one blow to the back of the neck. | 0:51:46 | 0:51:50 | |
Yes. | 0:51:50 | 0:51:51 | |
-In the matter of Joy McDonald... -I never meant to hurt her. | 0:51:53 | 0:51:57 | |
I am so sorry. | 0:52:00 | 0:52:01 | |
We're charging Douglas Calahan with the murder of your husband | 0:52:12 | 0:52:15 | |
and the manslaughter of Mrs McDonald. | 0:52:15 | 0:52:18 | |
We expect he'll plead guilty to all charges. | 0:52:19 | 0:52:21 | |
Thank you. | 0:52:26 | 0:52:28 | |
Will you tell Douglas something from me? | 0:52:32 | 0:52:34 | |
Of course. | 0:52:34 | 0:52:36 | |
Tell him if Graham wanted that woman, he had no right to complain. | 0:52:36 | 0:52:40 | |
That's what we all had to put up with in order to be with Graham. | 0:52:42 | 0:52:46 | |
Was it worth it, Mrs Trevorrow? | 0:52:47 | 0:52:49 | |
No. | 0:52:51 | 0:52:52 | |
But that's beside the point. | 0:52:54 | 0:52:55 | |
Gentlemen. | 0:53:05 | 0:53:07 | |
Your father used to come here, too. | 0:53:31 | 0:53:34 | |
Yes, I remember as a boy coming down here with Dad. It was wonderful. | 0:53:34 | 0:53:38 | |
-Do you mind if I join you? -Please. | 0:53:40 | 0:53:43 | |
Hop in out of the cold. | 0:53:43 | 0:53:44 | |
Ah! | 0:53:50 | 0:53:51 | |
Enjoying the view? | 0:53:52 | 0:53:54 | |
Isn't it something? | 0:53:54 | 0:53:55 | |
What happened with your daughter, Lucien? | 0:53:57 | 0:54:00 | |
I have a photograph. | 0:54:04 | 0:54:06 | |
Oh. | 0:54:10 | 0:54:11 | |
Oh, she's beautiful. | 0:54:12 | 0:54:13 | |
Yes, isn't she? | 0:54:13 | 0:54:15 | |
I'm told my wife died shortly after they fled Singapore. | 0:54:17 | 0:54:20 | |
Thankfully, the boat made it to the mainland, | 0:54:20 | 0:54:24 | |
and Lee was taken in by a lovely local family. | 0:54:24 | 0:54:28 | |
She's 23 now. | 0:54:28 | 0:54:30 | |
Of course, it's funny, isn't it? | 0:54:32 | 0:54:34 | |
In my mind, even though the years have marched on, | 0:54:34 | 0:54:37 | |
she's always been a little girl. | 0:54:37 | 0:54:40 | |
Anyhow, she, um... | 0:54:42 | 0:54:44 | |
..she didn't want to see me. She asked me to leave. | 0:54:45 | 0:54:48 | |
I don't know if I'll ever see her again. | 0:54:53 | 0:54:55 | |
Oh, surely you will. | 0:54:55 | 0:54:56 | |
What will you do now? | 0:55:05 | 0:55:07 | |
Now I'm going to drive you and I home. | 0:55:11 | 0:55:14 |