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SCREAMING | 0:00:03 | 0:00:05 | |
ROCK'N'ROLL GUITAR PLAYS | 0:00:05 | 0:00:08 | |
MAN: Now, come on, baby! | 0:00:08 | 0:00:09 | |
SCREAMING | 0:00:09 | 0:00:11 | |
# Now, come on, Stop playing games | 0:00:11 | 0:00:14 | |
# Now, come on Stop hanging on, baby | 0:00:16 | 0:00:20 | |
# You know I'm gonna shake it I'm gonna have to break it | 0:00:21 | 0:00:24 | |
# It was fun for a while but I'm gonna run wild | 0:00:24 | 0:00:27 | |
# Come on | 0:00:27 | 0:00:28 | |
# Now, come on Stop hanging on, baby | 0:00:29 | 0:00:33 | |
# Now, come on Stop hanging on, baby | 0:00:35 | 0:00:39 | |
SCREAMING | 0:00:39 | 0:00:41 | |
# You gave me all your kissing All the love I've been missing | 0:00:41 | 0:00:44 | |
# You shake it up so well Now you're talking wedding bells | 0:00:44 | 0:00:46 | |
# Come on... # | 0:00:46 | 0:00:48 | |
SCREAMING | 0:00:50 | 0:00:53 | |
Come on, baby! | 0:01:04 | 0:01:06 | |
# Now, come on Stop hanging on, baby | 0:01:06 | 0:01:09 | |
# Oh, come on Stop hanging on, baby | 0:01:11 | 0:01:15 | |
# You shake it up so well Now you're talking wedding bells | 0:01:17 | 0:01:19 | |
# Come on | 0:01:19 | 0:01:21 | |
# You shake it up so well Now you're talking wedding bells | 0:01:22 | 0:01:25 | |
# Come on... # | 0:01:25 | 0:01:27 | |
One more time! | 0:01:27 | 0:01:28 | |
# You shake it up so well Stop hanging on! # | 0:01:28 | 0:01:32 | |
Thank you very much! SCREAMING | 0:01:32 | 0:01:35 | |
-AUDIENCE: -Bobby! Bobby! Bobby! Bobby! | 0:01:35 | 0:01:39 | |
Shirley! | 0:01:42 | 0:01:44 | |
Shirley! | 0:01:49 | 0:01:50 | |
Shirley! | 0:01:52 | 0:01:53 | |
Please take a moment to read about the effect... | 0:01:55 | 0:01:58 | |
Hey, Bible basher, why don't you shut up?! | 0:01:58 | 0:02:00 | |
CAMERA CLICKS | 0:02:00 | 0:02:02 | |
Shirley! | 0:02:04 | 0:02:05 | |
SCREAMING | 0:02:06 | 0:02:09 | |
Bobby! Bobby, you are playing the devil's music! | 0:02:16 | 0:02:19 | |
Oh, my God, I love you! Oh, my God! | 0:02:19 | 0:02:21 | |
You are doing the devil's work... | 0:02:21 | 0:02:22 | |
Hey, I thought I told you to shut up! | 0:02:22 | 0:02:24 | |
Bobby, I love you so much! | 0:02:24 | 0:02:26 | |
You are the devil's minion! | 0:02:26 | 0:02:28 | |
SCREAMING | 0:02:28 | 0:02:31 | |
-What's wrong? -He's dead. | 0:02:41 | 0:02:43 | |
SCREAMING | 0:02:43 | 0:02:46 | |
Witnesses say he looked drunk, took a dive on the cobbles. | 0:03:42 | 0:03:45 | |
So Mattie was saying. Heart attack, perhaps. | 0:03:45 | 0:03:48 | |
The crowd were gonna tear him apart. Had to bring the body in here. | 0:03:48 | 0:03:52 | |
-Bloody music! -Not a fan, then? | 0:03:54 | 0:03:57 | |
They had to shut the Regent Theatre down | 0:03:57 | 0:03:59 | |
after screening a film in there. | 0:03:59 | 0:04:01 | |
Pretty much tore the place apart. | 0:04:01 | 0:04:04 | |
Sick of cleaning up after them. | 0:04:04 | 0:04:07 | |
Bloody fans. | 0:04:07 | 0:04:08 | |
Toxicology, cause of death, if you can. | 0:04:14 | 0:04:17 | |
Wouldn't mind an early night, if that's possible. | 0:04:18 | 0:04:20 | |
He's just a boy. | 0:04:20 | 0:04:21 | |
Abrasion to the right cheek, bruising yet to develop. | 0:04:25 | 0:04:29 | |
Probably got that when they mobbed him. | 0:04:29 | 0:04:31 | |
I can certainly do bloods now, but I will have to do an autopsy. | 0:04:31 | 0:04:35 | |
Right, about that... | 0:04:35 | 0:04:37 | |
This isn't right, Superintendent. | 0:04:37 | 0:04:39 | |
I appreciate your help on this, Gerry, | 0:04:40 | 0:04:42 | |
but we have to requisition that cellar of yours. | 0:04:42 | 0:04:44 | |
We have to keep the body here for a couple of days. | 0:04:44 | 0:04:46 | |
Well, look, I'm happy to help, but this... | 0:04:46 | 0:04:48 | |
The morgue's full and the flu's gone through the nursing home. Sorry. | 0:04:48 | 0:04:51 | |
Peggy! Take Marcus upstairs to bed, will you, love? Come on. | 0:04:51 | 0:04:56 | |
What do I tell the kids? | 0:04:58 | 0:04:59 | |
It's just for a couple of days. I appreciate it, Gerry. | 0:04:59 | 0:05:03 | |
We'll need your spare set of keys, | 0:05:03 | 0:05:04 | |
and keep the cellar locked when you've got customers here. | 0:05:04 | 0:05:07 | |
-MAN: -Peggy, is it? Maybe you should get your little brother off to bed. | 0:05:09 | 0:05:12 | |
If I'm going to perform an autopsy... | 0:05:12 | 0:05:15 | |
It'll have to be downstairs. | 0:05:15 | 0:05:17 | |
We'll set up some lights for you. | 0:05:18 | 0:05:20 | |
Your dad performed a couple down there when it was necessary. | 0:05:20 | 0:05:24 | |
Well, I'm going to need an assistant. | 0:05:26 | 0:05:28 | |
Davis, when you're ready! | 0:05:28 | 0:05:30 | |
-What do you need, boss? -Take his legs. | 0:05:34 | 0:05:36 | |
You're assisting Blake with the autopsy. | 0:05:37 | 0:05:40 | |
CHARLIE: How's that? | 0:05:45 | 0:05:47 | |
Yes, that'll do. | 0:05:49 | 0:05:51 | |
Well, it's certainly cold enough in here. | 0:05:52 | 0:05:55 | |
It'll keep the body in reasonable condition | 0:05:55 | 0:05:57 | |
until there's room in the morgue. | 0:05:57 | 0:05:58 | |
Do you often find yourself working in these conditions? | 0:05:58 | 0:06:02 | |
Good old Ballarat. | 0:06:02 | 0:06:04 | |
This wouldn't be the first time | 0:06:04 | 0:06:06 | |
a body's been stored in a pub cellar here. | 0:06:06 | 0:06:08 | |
Bit different in Melbourne, is it? | 0:06:08 | 0:06:10 | |
Um, it's not like we're living in the '40s anymore. | 0:06:10 | 0:06:15 | |
Give me a hand with his clothes, Charlie. | 0:06:16 | 0:06:19 | |
How are you with dead bodies? | 0:06:19 | 0:06:21 | |
I've seen my fair share. | 0:06:22 | 0:06:24 | |
-I've seen this bloke before too. -Really? | 0:06:27 | 0:06:30 | |
I wouldn't have thought rock'n'roll would be your thing. | 0:06:30 | 0:06:32 | |
Yeah, I was called to an incident in one of his shows. | 0:06:32 | 0:06:35 | |
Seemed like an arrogant bugger to me. | 0:06:35 | 0:06:37 | |
Right. | 0:06:37 | 0:06:38 | |
Well, this is interesting. | 0:06:41 | 0:06:43 | |
He was wearing a ring very recently, | 0:06:43 | 0:06:47 | |
then removed in a hurry, by the look of it. | 0:06:47 | 0:06:50 | |
-Oh, dear. -What's that? | 0:07:00 | 0:07:02 | |
He's been stabbed. | 0:07:04 | 0:07:06 | |
Unbutton his shirt for me, Charlie, would you? | 0:07:08 | 0:07:11 | |
Let's take a closer look at that. | 0:07:11 | 0:07:13 | |
Oh! | 0:07:22 | 0:07:24 | |
The knife penetrated between two ribs, | 0:07:29 | 0:07:31 | |
angled upward into the haemopericardium. | 0:07:31 | 0:07:33 | |
Why wasn't there any blood? | 0:07:33 | 0:07:35 | |
Well, he bled internally, filling the cavity, | 0:07:35 | 0:07:38 | |
putting fatal pressure on the pericardial sac. | 0:07:38 | 0:07:41 | |
Basically blood built up around the heart until it stopped beating, | 0:07:41 | 0:07:45 | |
and death isn't always immediate. | 0:07:45 | 0:07:47 | |
So, he was stabbed in front of all those people? | 0:07:47 | 0:07:50 | |
Could have happened at any point in that alley. | 0:07:50 | 0:07:52 | |
-What else? -Well, the knife. | 0:07:52 | 0:07:55 | |
Now, it was a double-edged affair, small blade, by the looks of it. | 0:07:55 | 0:07:58 | |
There was a small amount of alcohol in his system, | 0:07:58 | 0:08:00 | |
no other drugs present, | 0:08:00 | 0:08:03 | |
and there was evidence of a ring on his little finger, left hand, | 0:08:03 | 0:08:08 | |
and abrasions suggest it was removed with considerable force. | 0:08:08 | 0:08:13 | |
You wonder why I'm not a fan. | 0:08:13 | 0:08:15 | |
-Davis. -Sir? | 0:08:15 | 0:08:17 | |
Head back to the Royal Theatre. | 0:08:17 | 0:08:19 | |
Scour the alleyway, we're looking for a knife. | 0:08:19 | 0:08:21 | |
Had a look last night after the autopsy. | 0:08:21 | 0:08:24 | |
-Was it dark? -Sir? | 0:08:24 | 0:08:26 | |
Better go back and have another look. | 0:08:26 | 0:08:28 | |
Yes, sir. | 0:08:32 | 0:08:34 | |
How was he last night? | 0:08:36 | 0:08:37 | |
Well, it's hard to get a sense of him. | 0:08:37 | 0:08:40 | |
That's what worries me. | 0:08:40 | 0:08:41 | |
MATTIE: I told your mum that I'd have you home 20 minutes ago. | 0:08:48 | 0:08:51 | |
All right, I need everybody out of here, please! | 0:08:51 | 0:08:53 | |
Thank you, girls, you can lead the way. Thank you very much. | 0:08:53 | 0:08:56 | |
Girls, this is a crime scene. I need you to vacate the premises, please. | 0:08:57 | 0:09:01 | |
Girls, you can go and cry somewhere else. Thank you very much. | 0:09:03 | 0:09:05 | |
Yes, I'm a bad man. | 0:09:05 | 0:09:08 | |
-Come on, now... -Please, please! No, please! | 0:09:08 | 0:09:10 | |
Hey, Shirley, come on, let's go. | 0:09:10 | 0:09:12 | |
Just a little bit more... | 0:09:12 | 0:09:13 | |
SHE SCREAMS | 0:09:13 | 0:09:15 | |
Shirley... | 0:09:15 | 0:09:16 | |
Shirley. | 0:09:18 | 0:09:19 | |
Hey, missy, you're not listening to me. I need you to leave. | 0:09:19 | 0:09:22 | |
Hey, hey, hey! You can let her go. | 0:09:22 | 0:09:24 | |
Keep her under control, thank you very much! | 0:09:24 | 0:09:26 | |
Come on, Shirley! Come on, let's go home! | 0:09:26 | 0:09:28 | |
-I'll always be here with you... -I need you... | 0:09:28 | 0:09:30 | |
Oh, my gosh, I am so sorry! | 0:09:32 | 0:09:34 | |
You can sit down there on that chair, please. | 0:09:43 | 0:09:45 | |
Miss O'Brien, what can we do for you? | 0:09:45 | 0:09:49 | |
You know her? | 0:09:49 | 0:09:51 | |
Of course I do. | 0:09:51 | 0:09:53 | |
Miss O'Brien boards with us, Charlie. | 0:09:53 | 0:09:55 | |
Now, what's happening here? | 0:09:55 | 0:09:57 | |
I've arrested her on obstruction and breach of the peace. | 0:09:59 | 0:10:03 | |
I was minding my friend's girl. Shirley wanted to go back and... | 0:10:03 | 0:10:06 | |
She refused to comply with a lawful order | 0:10:06 | 0:10:08 | |
and struck me when I tried to move her on. | 0:10:08 | 0:10:10 | |
And the girl I was meant to be looking after is really upset. | 0:10:10 | 0:10:14 | |
Did you find anything else, Senior Constable, such as a murder weapon? | 0:10:14 | 0:10:17 | |
Can I have a word, sir? | 0:10:19 | 0:10:21 | |
-Excuse us. -Yes. | 0:10:22 | 0:10:24 | |
What? | 0:10:27 | 0:10:29 | |
-Is this how it works here, sir? -Meaning? | 0:10:29 | 0:10:32 | |
You ordered me to search the alleyway. I was trying to do so. | 0:10:32 | 0:10:36 | |
The young girl O'Brien was meant to be looking after was out of control, | 0:10:36 | 0:10:40 | |
and when I attempted to intervene, she elbowed me in the face. | 0:10:40 | 0:10:44 | |
But clearly if you're boarding at the police surgeon's house, | 0:10:44 | 0:10:47 | |
you can get away with that sort of thing. | 0:10:47 | 0:10:49 | |
Did you find the knife? | 0:10:49 | 0:10:51 | |
No, sir. | 0:10:51 | 0:10:52 | |
-Anything? -Nothing. The alleyway is clean. | 0:10:54 | 0:10:57 | |
I want lists - everybody that was in that alleyway last night. | 0:10:59 | 0:11:02 | |
The band, the manager - everyone. | 0:11:02 | 0:11:05 | |
Is that all, sir? | 0:11:05 | 0:11:07 | |
For now. | 0:11:07 | 0:11:09 | |
I understand you were present when Bobby Lee died last night. | 0:11:12 | 0:11:15 | |
-Is this correct? -Yes. | 0:11:15 | 0:11:18 | |
Senior Constable Davis will take your statement. | 0:11:18 | 0:11:20 | |
In the meantime, we'll hold you in the cells | 0:11:20 | 0:11:22 | |
while we consider the charges levelled against you. | 0:11:22 | 0:11:24 | |
The Doctor can sit in on the interview. | 0:11:24 | 0:11:26 | |
I... | 0:11:26 | 0:11:28 | |
Thank you. Right this way. | 0:11:29 | 0:11:31 | |
-What are you doing? -I'm letting this play out. | 0:11:39 | 0:11:43 | |
You'd better get after them. | 0:11:43 | 0:11:45 | |
-MATTIE: -There was a lot of people in a small space. | 0:11:51 | 0:11:54 | |
Mm-hm. Did you recognise anyone? | 0:11:54 | 0:11:56 | |
Shirley Freedman, the young girl you shoved aside earlier. | 0:11:56 | 0:11:59 | |
I was looking after her and she went missing for about 20 minutes. | 0:11:59 | 0:12:03 | |
How do you spell that? | 0:12:03 | 0:12:05 | |
Shirley as in Shirley. | 0:12:05 | 0:12:07 | |
Freedman with a "D", "free" as in "free". | 0:12:07 | 0:12:10 | |
Who else? | 0:12:13 | 0:12:14 | |
-SHE SIGHS -Lots of young girls, | 0:12:14 | 0:12:16 | |
and a man handing out Bible pamphlets, | 0:12:16 | 0:12:19 | |
middle-aged, wearing a suit, | 0:12:19 | 0:12:21 | |
and a young man who had an argument with him. | 0:12:21 | 0:12:24 | |
Mm-hm. Description? | 0:12:24 | 0:12:25 | |
Jacket, boots, greased back hair. You'd call him a bodgie. | 0:12:25 | 0:12:29 | |
-Would I? -Yes, you would. | 0:12:29 | 0:12:32 | |
And there was also a man who was taking photographs. | 0:12:34 | 0:12:37 | |
Mm-hm. | 0:12:37 | 0:12:38 | |
Mattie, did you get any names? | 0:12:38 | 0:12:42 | |
No, I didn't. | 0:12:42 | 0:12:45 | |
Anything else? | 0:12:45 | 0:12:47 | |
The boy who was playing piano for the band. | 0:12:48 | 0:12:50 | |
I don't know his name, but he was there just after Bobby died. | 0:12:50 | 0:12:53 | |
-That everyone? -That I can remember. | 0:12:53 | 0:12:55 | |
Great. | 0:12:55 | 0:12:56 | |
You're the one who replaced Danny, aren't you? | 0:13:06 | 0:13:09 | |
I thought so. | 0:13:11 | 0:13:13 | |
This is just so stupid! What am I supposed to do now?! | 0:13:19 | 0:13:23 | |
Well, look, this study you're doing, | 0:13:23 | 0:13:25 | |
you said it was all about making a difference | 0:13:25 | 0:13:28 | |
and experiencing more of life. | 0:13:28 | 0:13:30 | |
-Yes? -Well, have you ever been locked up before? | 0:13:30 | 0:13:34 | |
No. | 0:13:34 | 0:13:36 | |
That's a new experience. | 0:13:36 | 0:13:37 | |
That really doesn't help! | 0:13:40 | 0:13:41 | |
BLAKE LAUGHS | 0:13:41 | 0:13:43 | |
Thank you, Mr MacGuire. We'll be in touch. | 0:13:46 | 0:13:49 | |
-Tony Capuano? -Yeah. | 0:13:53 | 0:13:55 | |
Don't remember giving you permission to smoke. | 0:13:55 | 0:13:59 | |
This way. | 0:13:59 | 0:14:00 | |
Left! | 0:14:05 | 0:14:06 | |
Bobby was stabbed? | 0:14:08 | 0:14:10 | |
You finished your performance at 8pm last night. | 0:14:10 | 0:14:14 | |
Guess so. | 0:14:14 | 0:14:15 | |
-And packed up your gear. -Yeah. | 0:14:15 | 0:14:17 | |
Except you didn't pack up your gear, did you? | 0:14:19 | 0:14:21 | |
You left that for other members of the band. | 0:14:21 | 0:14:23 | |
You went looking for Mr Lee. | 0:14:25 | 0:14:27 | |
Next time anyone saw you | 0:14:27 | 0:14:29 | |
was in the alleyway immediately after Mr Lee had collapsed. | 0:14:29 | 0:14:32 | |
He hadn't packed up his gear, so I went to find him. | 0:14:32 | 0:14:35 | |
He was backstage, drinking all our beer. | 0:14:35 | 0:14:39 | |
Your beer? | 0:14:39 | 0:14:41 | |
It's a condition of playing. | 0:14:41 | 0:14:42 | |
The theatre gets the local pub to bring in a dozen bottles. | 0:14:42 | 0:14:45 | |
Bobby was knocking them back, so I told him not to. He left. | 0:14:45 | 0:14:50 | |
"I'm so sick of you." | 0:14:50 | 0:14:51 | |
Did you say this to him? Did you have an argument? | 0:14:51 | 0:14:56 | |
We formed the band together, but now it's all about him. | 0:14:56 | 0:15:00 | |
So, you admit that you had an argument with him? | 0:15:00 | 0:15:04 | |
-Yes. -Were blows exchanged? | 0:15:04 | 0:15:06 | |
Yes. | 0:15:08 | 0:15:10 | |
And now he's dead. | 0:15:12 | 0:15:13 | |
You caught up with him in the alleyway, | 0:15:16 | 0:15:18 | |
took advantage of the confusion, and you stabbed him! | 0:15:18 | 0:15:20 | |
Then you got rid of the knife! | 0:15:20 | 0:15:22 | |
-Is this how it went? -No! | 0:15:22 | 0:15:23 | |
-Then what happened?! -I told you! | 0:15:23 | 0:15:25 | |
Did anyone else fight with Mr Lee last night? | 0:15:28 | 0:15:31 | |
You play piano, is that right? | 0:15:38 | 0:15:40 | |
Like Johnny Johnson, heavy emphasis on the rhythm. | 0:15:43 | 0:15:46 | |
But you've never heard of him, have you? | 0:15:48 | 0:15:50 | |
No. | 0:15:50 | 0:15:52 | |
No, but speaking of rhythm, I used to play drums in a number of groups. | 0:15:52 | 0:15:56 | |
-Where? -Berlin, mostly, in the early '30s. | 0:15:56 | 0:16:00 | |
This is nothing like that. | 0:16:02 | 0:16:04 | |
I bet you two have never heard of Gunther Hanson either. | 0:16:07 | 0:16:10 | |
Who's that? | 0:16:10 | 0:16:11 | |
Bobby Lee before he got famous. | 0:16:11 | 0:16:15 | |
JEAN: I brought you some food. It's outside with the officers. | 0:16:20 | 0:16:23 | |
Apparently they have to check it first. | 0:16:23 | 0:16:25 | |
This is just so ridiculous. | 0:16:25 | 0:16:28 | |
What was Lucien thinking, letting Matthew lock you up like this? | 0:16:28 | 0:16:31 | |
Well, it wasn't his choice. Have you met the new constable? | 0:16:31 | 0:16:34 | |
No. I haven't had the pleasure. | 0:16:34 | 0:16:36 | |
Thank you so much for coming, Jean. | 0:16:39 | 0:16:41 | |
This is really quite horrible. | 0:16:41 | 0:16:44 | |
-LAUGHS -What? | 0:16:44 | 0:16:45 | |
You, of all people, Mattie, elbowing a police officer. | 0:16:45 | 0:16:49 | |
I've got to go. I'll ask once again when they expect to release you. | 0:16:50 | 0:16:54 | |
Thank you. | 0:16:54 | 0:16:55 | |
How's your family, Tony? | 0:16:55 | 0:16:57 | |
Can't complain, Mrs Beazley. | 0:16:59 | 0:17:01 | |
Good to hear. | 0:17:01 | 0:17:03 | |
Tony, is it? | 0:17:10 | 0:17:12 | |
Are your family visiting? | 0:17:16 | 0:17:17 | |
CAMERA CLICKS | 0:17:31 | 0:17:32 | |
Excuse me. | 0:17:46 | 0:17:48 | |
Excuse me! | 0:17:49 | 0:17:51 | |
Hey! Stop! Police! | 0:17:51 | 0:17:54 | |
You were here last night, weren't you? | 0:17:56 | 0:17:58 | |
Maybe. | 0:17:58 | 0:17:59 | |
Yes. Bet you got some terrific photographs. | 0:17:59 | 0:18:02 | |
Yeah, yeah, I did. | 0:18:02 | 0:18:04 | |
Do you think I could see some of those photographs? | 0:18:04 | 0:18:07 | |
Uh, I don't have them here. | 0:18:07 | 0:18:08 | |
Really? | 0:18:08 | 0:18:10 | |
You couldn't show me some of those photographs? | 0:18:11 | 0:18:14 | |
I thought you were the police. | 0:18:14 | 0:18:16 | |
Not really, I'm just a doctor. | 0:18:16 | 0:18:18 | |
-Constable. -Mr Bowen. | 0:18:25 | 0:18:27 | |
We're going to have to keep the body in your cellar for two more days. | 0:18:28 | 0:18:31 | |
The superintendent thought you should know. | 0:18:31 | 0:18:34 | |
Yeah, well, I appreciate the heads-up. | 0:18:34 | 0:18:36 | |
Can I get you a drink? | 0:18:36 | 0:18:38 | |
Thanks, but I'm on duty. | 0:18:38 | 0:18:40 | |
Uh, Peggy, lemonade for the officer, please. | 0:18:40 | 0:18:43 | |
Oh, thanks. | 0:18:43 | 0:18:45 | |
Look, the patrons think it's hilarious, | 0:18:49 | 0:18:51 | |
but it's upsetting for the children, particularly my girl. | 0:18:51 | 0:18:55 | |
Yeah, I appreciate it hasn't been easy, Mr Bowen. | 0:18:55 | 0:18:59 | |
Thank you. | 0:19:01 | 0:19:03 | |
You can head back upstairs now, love. | 0:19:03 | 0:19:05 | |
So, you had any luck yet? | 0:19:08 | 0:19:10 | |
We're just trying to work out where it happened. | 0:19:10 | 0:19:12 | |
We do that, we can get a fair idea who did it. | 0:19:12 | 0:19:16 | |
Gentlemen. | 0:19:16 | 0:19:17 | |
Charlie. I saw your car outside. | 0:19:20 | 0:19:23 | |
Been having a look around the alleyway. | 0:19:23 | 0:19:26 | |
Oh, I've already searched it. The knife wasn't there. | 0:19:26 | 0:19:29 | |
No, but I did pick these up. | 0:19:29 | 0:19:32 | |
Whisky, thanks, Gerry. | 0:19:35 | 0:19:36 | |
You can see the sequence of events. | 0:19:38 | 0:19:40 | |
I still think we need to talk to this one. | 0:19:43 | 0:19:45 | |
MATTHEW: Hmm. Howard McArthur. | 0:19:45 | 0:19:47 | |
-He's in the right place. -God-botherer. | 0:19:47 | 0:19:49 | |
This one. | 0:19:50 | 0:19:52 | |
No. He's on the wrong side to have stabbed him. | 0:19:52 | 0:19:54 | |
Maybe not. | 0:19:54 | 0:19:56 | |
Albert Walker's left-handed. | 0:19:56 | 0:19:58 | |
Oh, speak of the devil. Mr Walker. | 0:19:58 | 0:20:01 | |
What? | 0:20:04 | 0:20:05 | |
Found this in his car. | 0:20:07 | 0:20:09 | |
Dad gave me that. Took it from a dead German... | 0:20:11 | 0:20:13 | |
Shut up. | 0:20:13 | 0:20:15 | |
You take him upstairs. | 0:20:17 | 0:20:19 | |
See if you can get a match on that. | 0:20:22 | 0:20:24 | |
Listen, before I get too carried away, what about Mattie? | 0:20:28 | 0:20:30 | |
Well, she'll be all right. | 0:20:30 | 0:20:33 | |
-Ned. -Mmm? | 0:20:44 | 0:20:46 | |
If I give you a name, | 0:20:46 | 0:20:50 | |
would you mind terribly making a few calls for me? | 0:20:50 | 0:20:54 | |
-Oh, sure, Doc. -Good man! | 0:20:54 | 0:20:56 | |
Erm, and tell Lawson I've gone to the pub. | 0:20:56 | 0:21:00 | |
THUD | 0:21:40 | 0:21:41 | |
It's all right. | 0:22:04 | 0:22:06 | |
It's all right, I'm with the police. | 0:22:06 | 0:22:08 | |
Oh, my! Are those for Bobby? | 0:22:11 | 0:22:14 | |
-Yes. -Oh, goodness, they're beautiful. | 0:22:16 | 0:22:19 | |
Well, I think he would have loved them very much. | 0:22:19 | 0:22:22 | |
-Really? -Oh, yes. | 0:22:23 | 0:22:25 | |
Were you at the show last night? | 0:22:27 | 0:22:29 | |
-Dad wouldn't let me. -Ah! | 0:22:31 | 0:22:33 | |
GERRY: 'Peggy!' | 0:22:33 | 0:22:34 | |
Please don't tell him I was here. | 0:22:38 | 0:22:41 | |
I won't. 'Peggy!' | 0:22:41 | 0:22:43 | |
Thank you. | 0:22:43 | 0:22:44 | |
-MAN: -'I left as soon as you lot arrived, | 0:22:53 | 0:22:55 | |
'and went on the town with my mates. | 0:22:55 | 0:22:57 | |
'I was hanging around outside the Regent until you arrived. | 0:22:57 | 0:23:00 | |
-'Come on...' -KNOCKING AT DOOR | 0:23:00 | 0:23:01 | |
Lawson, a word? | 0:23:03 | 0:23:05 | |
-CHARLIE: -Sit tight, Walker, we're not done yet! | 0:23:09 | 0:23:12 | |
-What? -I asked Ned to make some calls. | 0:23:12 | 0:23:15 | |
Howard McArthur, the preacher? | 0:23:18 | 0:23:20 | |
Yes, priors for affray, possession... | 0:23:20 | 0:23:23 | |
..and grievous bodily harm, apparently with a knife. | 0:23:26 | 0:23:29 | |
So? | 0:23:29 | 0:23:31 | |
Well, look, here's Walker's knife. | 0:23:31 | 0:23:32 | |
-Double-edged blade... -Ah! | 0:23:32 | 0:23:34 | |
..and it had me convinced there for a moment, | 0:23:34 | 0:23:37 | |
but then I went back to the body and the bruising gave it away. | 0:23:37 | 0:23:40 | |
Now, look, you see the hilt? | 0:23:40 | 0:23:43 | |
This section's broken. | 0:23:43 | 0:23:45 | |
Bruising darkens over time. | 0:23:46 | 0:23:48 | |
Now, I couldn't be certain on autopsy, | 0:23:48 | 0:23:50 | |
but it's very clear now the knife... | 0:23:50 | 0:23:53 | |
-Could you put that away? -I'm sorry, Matthew. | 0:23:53 | 0:23:55 | |
The knife that killed Bobby Lee, its hilt was intact. | 0:23:55 | 0:23:58 | |
This is not that knife. | 0:23:58 | 0:24:01 | |
When did this happen with McArthur? | 0:24:02 | 0:24:03 | |
Er, 20 years ago. | 0:24:03 | 0:24:05 | |
Here's the thing - | 0:24:05 | 0:24:06 | |
Mr McArthur has a revival meeting at the Royal Theatre tonight. | 0:24:06 | 0:24:11 | |
Now, do you want me to pop down, have a word? | 0:24:11 | 0:24:13 | |
No. Leave him to us, we'll bring him in tomorrow. | 0:24:13 | 0:24:15 | |
-Well, I can certainly... -Tomorrow! Got it? | 0:24:15 | 0:24:17 | |
Yes, yes, of course. | 0:24:20 | 0:24:22 | |
-MCARTHUR: -'Brothers and sisters,' | 0:24:22 | 0:24:23 | |
I stand before you today as a testament | 0:24:23 | 0:24:26 | |
to the transformative love and power of our Lord Jesus Christ! | 0:24:26 | 0:24:32 | |
CONGREGATION: Amen! | 0:24:32 | 0:24:34 | |
Because I was that lost boy. | 0:24:34 | 0:24:36 | |
Yes, I was that prodigal son. | 0:24:37 | 0:24:42 | |
And yes, indeed, I was that sinner, | 0:24:42 | 0:24:44 | |
but even as I sinned, even as I danced with those women, | 0:24:44 | 0:24:50 | |
even as I sat in jail, | 0:24:50 | 0:24:54 | |
our saviour, our God, never gave up on me. | 0:24:54 | 0:25:00 | |
CONGREGATION: Amen! | 0:25:00 | 0:25:01 | |
Death is the wages of sin! | 0:25:01 | 0:25:04 | |
Death will visit the armies of evil | 0:25:04 | 0:25:08 | |
and death will come to those agents of the devil! | 0:25:08 | 0:25:14 | |
CONGREGATION: Amen! | 0:25:14 | 0:25:16 | |
Brothers...and sisters... | 0:25:20 | 0:25:23 | |
..I beseech you all, turn back to the arms of the Lord! | 0:25:28 | 0:25:34 | |
CONGREGATION: Amen! Hallelujah! | 0:25:34 | 0:25:37 | |
-Praise to Lord Jesus! -Amen! | 0:25:37 | 0:25:39 | |
CHEERING AND APPLAUSE | 0:25:39 | 0:25:41 | |
Praise be to Jesus! Praise the Lord! | 0:25:41 | 0:25:45 | |
A little different to Sunday Mass, isn't it? | 0:25:45 | 0:25:47 | |
I wouldn't know. | 0:25:47 | 0:25:49 | |
No, you wouldn't. | 0:25:49 | 0:25:51 | |
Ah, welcome. The Lord be with you both. | 0:25:53 | 0:25:55 | |
Thank you, Mr McArthur, thank you so much. | 0:25:55 | 0:25:58 | |
Is it true you brutally robbed and stabbed an elderly man in Melbourne? | 0:25:59 | 0:26:04 | |
Yes, it's true. | 0:26:04 | 0:26:06 | |
I don't try to hide it. It was a dark time in my life. | 0:26:06 | 0:26:10 | |
Let me ask you, Mr McArthur, | 0:26:10 | 0:26:12 | |
do you honestly think we can ever really change who we are? | 0:26:12 | 0:26:16 | |
What is your name, brother? | 0:26:18 | 0:26:21 | |
-Lucien. -Lucien. | 0:26:21 | 0:26:23 | |
Well, Lucien, yes, I do believe we can change, and I am proof of that. | 0:26:23 | 0:26:29 | |
So, no more knives, then? | 0:26:29 | 0:26:31 | |
As I tell it in my meetings, I have changed. | 0:26:31 | 0:26:35 | |
I do God's work now. | 0:26:35 | 0:26:37 | |
And is that what you were doing | 0:26:37 | 0:26:39 | |
in the alleyway last night after the show - | 0:26:39 | 0:26:41 | |
bringing death to the agents of the devil? | 0:26:41 | 0:26:44 | |
Tell me, what do you make of this rock'n'roll music? | 0:26:44 | 0:26:48 | |
I believe it leads our young people into sin. | 0:26:48 | 0:26:51 | |
Devil's music, is that what you're saying? | 0:26:51 | 0:26:53 | |
So, how would you describe young Bobby Lee? | 0:26:53 | 0:26:56 | |
Deserving of death, perhaps? | 0:26:56 | 0:26:58 | |
I'm going to go and speak with my congregation now. | 0:27:02 | 0:27:04 | |
You were right up close to him, weren't you? | 0:27:04 | 0:27:08 | |
Left side, where he was stabbed. | 0:27:08 | 0:27:10 | |
He was 22 years old, his only sin singing simple songs, | 0:27:11 | 0:27:16 | |
but that was too much for you, wasn't it? | 0:27:16 | 0:27:19 | |
Too much for the thug who stabbed an old man in the street. | 0:27:20 | 0:27:23 | |
Why don't you...? | 0:27:23 | 0:27:25 | |
And there he is. | 0:27:28 | 0:27:30 | |
Hasn't changed that much after all. | 0:27:30 | 0:27:33 | |
May the Lord be with you both. | 0:27:35 | 0:27:37 | |
SHE SIGHS | 0:27:39 | 0:27:40 | |
You enjoyed doing that, didn't you? | 0:27:40 | 0:27:43 | |
HE CHUCKLES | 0:27:43 | 0:27:44 | |
Do you think that he did it? | 0:27:44 | 0:27:46 | |
At least we know he's capable. | 0:27:46 | 0:27:48 | |
Tony? | 0:28:04 | 0:28:05 | |
What? | 0:28:08 | 0:28:10 | |
I always thought that being locked up like this | 0:28:10 | 0:28:12 | |
would be a bit of an adventure, but it's actually quite awful. | 0:28:12 | 0:28:16 | |
I suppose you could write a song about it. | 0:28:19 | 0:28:22 | |
Do you write your own songs? | 0:28:29 | 0:28:31 | |
Senior Constable. | 0:28:35 | 0:28:38 | |
Over here. | 0:28:38 | 0:28:39 | |
Apparently a knife's been found, a double-edged blade, | 0:28:43 | 0:28:46 | |
and there's some blood on it. | 0:28:46 | 0:28:47 | |
Might actually be the knife that we've been looking for. | 0:28:47 | 0:28:50 | |
That's great! Where? | 0:28:50 | 0:28:52 | |
In that alleyway where the bloke was stabbed. | 0:28:52 | 0:28:54 | |
The same alleyway that you said that you'd searched twice! | 0:28:54 | 0:28:57 | |
Any explanation? | 0:28:57 | 0:29:00 | |
Nothing that comes to mind, sir. | 0:29:00 | 0:29:02 | |
Get back out there, pick it up, and bring it back! | 0:29:02 | 0:29:05 | |
You can release Miss O'Brien on your way back too. | 0:29:08 | 0:29:11 | |
Sir. | 0:29:14 | 0:29:15 | |
TONY: 'Bobby just had something.' | 0:29:15 | 0:29:17 | |
People looked at him and they imagined he was their best mate. | 0:29:17 | 0:29:21 | |
Whatever they wanted him to be. | 0:29:21 | 0:29:23 | |
Music... music wasn't any fun till I met him. | 0:29:25 | 0:29:28 | |
-MATTIE: -And what was what it was all about? | 0:29:28 | 0:29:30 | |
Well, I was too shy to talk to the girls. | 0:29:30 | 0:29:33 | |
But the music, it meant it didn't matter. | 0:29:34 | 0:29:36 | |
So, I got to make this huge noise, make people dance. | 0:29:38 | 0:29:43 | |
Bobby just made everything happen. | 0:29:45 | 0:29:48 | |
I don't know what I'm going to do now. | 0:29:50 | 0:29:52 | |
KEYS JANGLE | 0:29:52 | 0:29:54 | |
O'Brien. | 0:30:03 | 0:30:05 | |
On your way. | 0:30:14 | 0:30:15 | |
Are you charging me? | 0:30:15 | 0:30:18 | |
No. | 0:30:18 | 0:30:20 | |
You know, he's just this shy boy. | 0:30:35 | 0:30:37 | |
All he's ever done till now is learn classical piano. | 0:30:37 | 0:30:40 | |
I don't think he did it. | 0:30:40 | 0:30:42 | |
Why not? He said he fought with Bobby. | 0:30:42 | 0:30:45 | |
Well, no, he relied on Bobby to sing his songs, to lead the band. | 0:30:45 | 0:30:49 | |
-Why would he kill him? -Go on. | 0:30:49 | 0:30:52 | |
Well, he said he loved the excitement, | 0:30:52 | 0:30:55 | |
the big emotion of the songs. | 0:30:55 | 0:30:57 | |
I get the feeling that there wasn't anything else in his life | 0:30:57 | 0:31:00 | |
that was quite like it, | 0:31:00 | 0:31:01 | |
so why would he kill the one person that made that possible? | 0:31:01 | 0:31:06 | |
This social work thing of yours | 0:31:06 | 0:31:07 | |
may not be a complete disaster after all. | 0:31:07 | 0:31:09 | |
Now, listen, that young girl you were looking after, | 0:31:11 | 0:31:13 | |
she did disappear for a bit. | 0:31:13 | 0:31:15 | |
She's 16. She's emotional, but there's no way. | 0:31:15 | 0:31:20 | |
-CLOCK CHIMES -Oh! What time is it? | 0:31:20 | 0:31:23 | |
It's six o'clock and dinner's ready! | 0:31:23 | 0:31:25 | |
Erm, I might pop the television on. | 0:31:25 | 0:31:29 | |
Would you mind terribly if I, erm... if I had my dinner in here? | 0:31:29 | 0:31:34 | |
You want to eat YOUR dinner in front of the television? | 0:31:35 | 0:31:37 | |
Yes...please. | 0:31:37 | 0:31:40 | |
BELL CHIMES ON TELEVISION | 0:31:40 | 0:31:43 | |
Oh, it's about to start. | 0:31:43 | 0:31:44 | |
Come on, Jean, join us. | 0:31:46 | 0:31:48 | |
-MAN ON TELEVISION: -Come on, everybody, it's six o'clock! | 0:31:48 | 0:31:50 | |
ROCK'N'ROLL MUSIC PLAYS ON TELEVISION | 0:31:50 | 0:31:52 | |
# Come on, everybody It's jive o'clock, uh-huh | 0:31:52 | 0:31:54 | |
# Uh-huh | 0:31:54 | 0:31:56 | |
# Well, let's stop and let's drop... # | 0:31:56 | 0:31:58 | |
I don't really mind the beat, but the words are...well! | 0:31:58 | 0:32:02 | |
# Well, everybody knows just what to do, uh-huh, uh-huh | 0:32:02 | 0:32:05 | |
# Yeah, tune your set to Channel 2... # | 0:32:05 | 0:32:07 | |
Mattie, would your father ever eat his dinner | 0:32:07 | 0:32:09 | |
in front of the television? | 0:32:09 | 0:32:11 | |
No, never. | 0:32:11 | 0:32:12 | |
# Well, people gather round from near and far | 0:32:14 | 0:32:16 | |
# See their favourite TV star... # | 0:32:16 | 0:32:18 | |
KNOCKING AT DOOR | 0:32:48 | 0:32:50 | |
JEAN: 'I'll get it!' | 0:32:50 | 0:32:51 | |
Hmm. | 0:32:52 | 0:32:54 | |
The preacher and his crucifix. | 0:32:56 | 0:32:59 | |
-Oh! CHARLIE: -Is the doctor in? | 0:32:59 | 0:33:01 | |
Senior Constable Davis, isn't it? | 0:33:01 | 0:33:03 | |
Lucien, it's for you! | 0:33:03 | 0:33:05 | |
'Very good!' | 0:33:05 | 0:33:06 | |
Charlie. | 0:33:11 | 0:33:12 | |
Doctor. Sorry to bother you at home. | 0:33:12 | 0:33:16 | |
No, not at all. What can I do for you? | 0:33:16 | 0:33:20 | |
I need to talk to you about that knife. | 0:33:20 | 0:33:23 | |
The one that was found in the alley. | 0:33:26 | 0:33:27 | |
Yeah. | 0:33:27 | 0:33:29 | |
Well, come on in. | 0:33:29 | 0:33:33 | |
Are you sure that's all right? | 0:33:33 | 0:33:35 | |
Well, we'll soon find out, won't we? | 0:33:35 | 0:33:38 | |
Now, Charlie, this is Mrs Beazley. | 0:33:40 | 0:33:42 | |
Yes, we've met already. | 0:33:42 | 0:33:44 | |
And, erm, well, of course you've already met Mattie. | 0:33:44 | 0:33:48 | |
Charlie, please, take a seat. | 0:33:50 | 0:33:52 | |
I'll leave you to it. | 0:34:02 | 0:34:03 | |
Now, you wanted to talk about the knife. | 0:34:06 | 0:34:09 | |
Oh, carrying around evidence now, are we, Senior Constable? | 0:34:11 | 0:34:15 | |
And you don't? | 0:34:15 | 0:34:17 | |
HE LAUGHS | 0:34:17 | 0:34:18 | |
Touche. | 0:34:18 | 0:34:20 | |
Now, let's have a look here. | 0:34:20 | 0:34:24 | |
Well! Double-edged. | 0:34:28 | 0:34:30 | |
The hilt's intact. | 0:34:32 | 0:34:34 | |
And see here, Charlie? | 0:34:34 | 0:34:37 | |
Traces of blood near the hilt. | 0:34:37 | 0:34:40 | |
I could analyse for type, | 0:34:40 | 0:34:44 | |
but certainly it looks like the murder weapon. | 0:34:44 | 0:34:47 | |
I searched that alley twice. | 0:34:47 | 0:34:50 | |
Well, perhaps you just missed it. | 0:34:51 | 0:34:53 | |
I've conducted searches before under worse conditions. | 0:34:53 | 0:34:57 | |
The knife wasn't there. | 0:34:57 | 0:34:59 | |
You're absolutely certain? | 0:34:59 | 0:35:01 | |
Yes. | 0:35:03 | 0:35:05 | |
Your previous searches here, Charlie, what did you find? | 0:35:11 | 0:35:15 | |
-HE SIGHS -Nothing of any bearing. | 0:35:15 | 0:35:18 | |
Blood? | 0:35:18 | 0:35:20 | |
Well, you can check if you like. | 0:35:20 | 0:35:22 | |
It takes a certain amount of time | 0:35:22 | 0:35:24 | |
for the blood to fill the pericardial sac and crush the heart. | 0:35:24 | 0:35:29 | |
Mr Lee could have remained upright for 30 seconds, perhaps even longer. | 0:35:29 | 0:35:32 | |
How much longer? | 0:35:32 | 0:35:33 | |
Oh! Up to a minute tops. | 0:35:33 | 0:35:38 | |
Charlie, check your watch for me. | 0:35:41 | 0:35:45 | |
Starting...now. | 0:35:45 | 0:35:48 | |
He fell, and already the heart would have stopped beating. | 0:35:48 | 0:35:54 | |
The piano player was there. | 0:35:56 | 0:35:58 | |
There was the young girl - Mattie knows her. | 0:35:58 | 0:36:00 | |
The young girl was kissing. In fact, probably helping to hold him up. | 0:36:02 | 0:36:07 | |
By now, Mr Lee is almost unconscious. | 0:36:07 | 0:36:10 | |
-Time? -16 seconds. | 0:36:10 | 0:36:12 | |
Walker and McArthur are behind him. | 0:36:12 | 0:36:14 | |
McArthur has a crucifix, Walker had the wrong knife, | 0:36:14 | 0:36:18 | |
and Mr Lee is now struggling to stay upright. | 0:36:18 | 0:36:22 | |
27 seconds. | 0:36:22 | 0:36:25 | |
20 or so people around him. | 0:36:25 | 0:36:27 | |
He's unsteady, trouble focusing, | 0:36:27 | 0:36:29 | |
which is why everyone thought he was drunk. | 0:36:29 | 0:36:32 | |
34 seconds. | 0:36:32 | 0:36:34 | |
His breathing's becoming increasingly laboured. | 0:36:35 | 0:36:37 | |
He knows he's in terrible trouble. His system's already shutting down. | 0:36:37 | 0:36:41 | |
42 seconds. | 0:36:41 | 0:36:42 | |
Mr Lee stumbles out. | 0:36:45 | 0:36:47 | |
Everyone watching thinks he's drunk, but in fact, he's been stabbed. | 0:36:47 | 0:36:51 | |
53 seconds. | 0:36:51 | 0:36:52 | |
Inside the venue. | 0:36:54 | 0:36:56 | |
55 seconds. | 0:36:56 | 0:36:57 | |
Could he have lasted that long? | 0:36:57 | 0:37:00 | |
It's possible. | 0:37:00 | 0:37:02 | |
The side door was open. | 0:37:29 | 0:37:32 | |
Good work. | 0:37:32 | 0:37:33 | |
We're looking for traces of blood. | 0:37:38 | 0:37:41 | |
One or two drops, probably no more. | 0:37:41 | 0:37:44 | |
Where'd you learn this stuff? | 0:37:49 | 0:37:51 | |
Not in any textbook, that's for certain. | 0:37:52 | 0:37:55 | |
Charlie. | 0:38:12 | 0:38:13 | |
He was stabbed inside the hall, | 0:38:15 | 0:38:16 | |
which exonerates Walker and McArthur. | 0:38:16 | 0:38:18 | |
-But not Tony Capuano. -I don't like it. | 0:38:18 | 0:38:21 | |
He fought with Bobby Lee, it got violent. | 0:38:21 | 0:38:23 | |
He went inside the venue and then he followed him out. | 0:38:23 | 0:38:25 | |
We'll have to hold him. | 0:38:25 | 0:38:27 | |
I still don't like it. Did you check the knife for prints? | 0:38:27 | 0:38:29 | |
-HE SIGHS Prints were wiped. -But not the blood. | 0:38:29 | 0:38:31 | |
I think someone planted that knife in the alley. | 0:38:31 | 0:38:34 | |
There's no way Charlie, of all people, would have missed it! | 0:38:34 | 0:38:37 | |
-Why would someone do that? -To put us off the scent. | 0:38:37 | 0:38:39 | |
Mr Walker, we'll be watching you. | 0:38:39 | 0:38:42 | |
Uh, sir. | 0:38:43 | 0:38:45 | |
Do you have any complaints about your treatment in this station? | 0:38:49 | 0:38:52 | |
Yeah, can I have my knife back? | 0:38:52 | 0:38:56 | |
Any more from you and I'll be charging you | 0:38:56 | 0:38:58 | |
with possession of an offensive weapon and breaching the peace! Now, hop it! | 0:38:58 | 0:39:02 | |
He came by the house last night. | 0:39:15 | 0:39:18 | |
And? | 0:39:18 | 0:39:20 | |
Not one to give up easily, is he? | 0:39:20 | 0:39:23 | |
ROCK'N'ROLL MUSIC PLAYS | 0:39:26 | 0:39:29 | |
# You shake it up so well then you talk of wedding bells | 0:39:34 | 0:39:37 | |
# Come on... # | 0:39:37 | 0:39:38 | |
How many more times are you going to play that song? | 0:39:38 | 0:39:40 | |
-RADIO SILENCES -Sorry? | 0:39:40 | 0:39:42 | |
I said, "It's nice to have some peace and quiet." | 0:39:42 | 0:39:44 | |
How can you keep listening to that? | 0:39:44 | 0:39:46 | |
He just keeps repeating the same words over and over again. | 0:39:46 | 0:39:48 | |
That's why it's so easy to remember. | 0:39:48 | 0:39:50 | |
That's one way of looking at it. What are you trying to work out? | 0:39:50 | 0:39:53 | |
Well, I'm not sure, really. | 0:39:53 | 0:39:56 | |
HE PLAYS PIANO | 0:39:57 | 0:39:59 | |
You know, it all starts with a tonic, to a subdominant, | 0:39:59 | 0:40:04 | |
back to the tonic, dominant, subdominant, tonic. | 0:40:04 | 0:40:09 | |
Sing along if you like. | 0:40:11 | 0:40:12 | |
I could throw in the relative minor, | 0:40:12 | 0:40:15 | |
which is what they quite often do with the ballads. | 0:40:15 | 0:40:18 | |
It sounds like this. | 0:40:18 | 0:40:19 | |
I quite like that. | 0:40:23 | 0:40:24 | |
Yes. Have a sing along. | 0:40:24 | 0:40:27 | |
PLAYS PIANO | 0:40:27 | 0:40:29 | |
# Ah-da-da | 0:40:33 | 0:40:35 | |
# I don't want to break it... # | 0:40:35 | 0:40:38 | |
Maybe a little less vibrato. | 0:40:38 | 0:40:40 | |
-Oh, you asked me to sing it! -Mmm. | 0:40:40 | 0:40:42 | |
PLAYS PIANO | 0:40:42 | 0:40:44 | |
-# Ba, da, da -# I'm afraid I've gotta break it | 0:40:45 | 0:40:50 | |
# It was fun for a while | 0:40:57 | 0:41:01 | |
# Now I've gotta run wild | 0:41:01 | 0:41:05 | |
# Come on, stop hanging on, baby... # | 0:41:05 | 0:41:10 | |
Now you have to help sing. | 0:41:10 | 0:41:12 | |
# Ba, ba, ba, ba | 0:41:12 | 0:41:14 | |
# You gave me your kissing | 0:41:14 | 0:41:18 | |
-# All that love I've been missing -# Da, dee, da, dee, dum | 0:41:21 | 0:41:28 | |
# You shake it up so well | 0:41:30 | 0:41:34 | |
# Now you're talking wedding bells | 0:41:34 | 0:41:38 | |
# Come on, stop hanging on, baby. # | 0:41:38 | 0:41:44 | |
So much feeling in such simple words, eh? | 0:41:47 | 0:41:51 | |
Ha! I can see why all those girls get carried away. | 0:41:51 | 0:41:53 | |
KNOCKING AT DOOR I'll get that. | 0:41:53 | 0:41:55 | |
-MAN: -Well, where is she? | 0:41:59 | 0:42:01 | |
Well, Miss O'Brien's at work, Mr Freedman. Is it something I... | 0:42:01 | 0:42:03 | |
If I might just speak to her?! | 0:42:03 | 0:42:05 | |
-Jean? -Yes? | 0:42:05 | 0:42:07 | |
Everything all right? | 0:42:07 | 0:42:09 | |
It's about my daughter, so if you don't mind, I... | 0:42:09 | 0:42:11 | |
TELEPHONE RINGS Oh, shall I...? | 0:42:11 | 0:42:13 | |
Yes, would... You're Shirley's father, aren't you? | 0:42:13 | 0:42:16 | |
-I am, sir. -Is there a problem? | 0:42:16 | 0:42:18 | |
I don't know where she is. | 0:42:20 | 0:42:22 | |
Right. What's happened, exactly? | 0:42:22 | 0:42:25 | |
Lucien! It's the superintendent. | 0:42:25 | 0:42:29 | |
-Tell him I'll call him back. -You might want to speak with him. | 0:42:29 | 0:42:31 | |
They've just brought in a young girl. | 0:42:31 | 0:42:33 | |
Just bear with me. | 0:42:35 | 0:42:36 | |
I love him! | 0:42:38 | 0:42:40 | |
-Shirley... -But I do! | 0:42:40 | 0:42:42 | |
Miss Freedman, witnesses say that | 0:42:42 | 0:42:44 | |
you were trying to get into the Railway Hotel | 0:42:44 | 0:42:46 | |
after you were told to leave the alleyway. | 0:42:46 | 0:42:48 | |
You're 16. | 0:42:48 | 0:42:49 | |
The publican warned you to stay away, | 0:42:49 | 0:42:51 | |
as you were creating a disturbance. | 0:42:51 | 0:42:53 | |
Now, do you own all of this? | 0:42:57 | 0:43:00 | |
Yes. Well, I found it next to the bins outside the pub. | 0:43:00 | 0:43:06 | |
It had been dumped there. | 0:43:06 | 0:43:08 | |
Shirley, what have you got on your chain there? | 0:43:10 | 0:43:14 | |
Shirley, answer the doctor. | 0:43:14 | 0:43:16 | |
Where'd you get that? It's not your mother's. | 0:43:21 | 0:43:23 | |
-SHE CRIES -We...we held hands, | 0:43:26 | 0:43:30 | |
and then he... | 0:43:30 | 0:43:32 | |
..fell. | 0:43:33 | 0:43:35 | |
And I tried to hold on, but he... | 0:43:38 | 0:43:41 | |
Yes. | 0:43:41 | 0:43:43 | |
You wouldn't have heard of a chap | 0:43:45 | 0:43:47 | |
by the name of Gene Krupa, I'm guessing. | 0:43:47 | 0:43:49 | |
He's a drummer, | 0:43:49 | 0:43:51 | |
and he makes the sort of music old people like us listen to. | 0:43:51 | 0:43:55 | |
But I was a drummer too. | 0:43:57 | 0:43:59 | |
One day in London, I saw Mr Krupa coming out of a club. | 0:43:59 | 0:44:02 | |
What did I do? | 0:44:03 | 0:44:05 | |
I followed him. | 0:44:05 | 0:44:07 | |
And as he was getting into a taxi, | 0:44:08 | 0:44:10 | |
he dropped his handkerchief on the pavement. | 0:44:10 | 0:44:13 | |
And I picked it up and kept it. | 0:44:14 | 0:44:17 | |
In fact, I probably still have it somewhere. | 0:44:17 | 0:44:19 | |
You just wanted something that was his. | 0:44:21 | 0:44:24 | |
Now, this song. I'm guessing you don't like it. | 0:44:25 | 0:44:29 | |
No, I love it. It's their best. | 0:44:29 | 0:44:31 | |
Really? | 0:44:31 | 0:44:33 | |
Well, I had a look at the record earlier | 0:44:33 | 0:44:36 | |
and that's all scratched out. | 0:44:36 | 0:44:38 | |
Well, I told you, I found it outside the pub. | 0:44:38 | 0:44:41 | |
Right. One more thing, Shirley. | 0:44:43 | 0:44:46 | |
When Bobby sang, did it feel as if...? | 0:44:47 | 0:44:51 | |
Did it feel as if he was singing about you? | 0:44:53 | 0:44:55 | |
Yeah. | 0:44:57 | 0:44:59 | |
Yes. | 0:45:00 | 0:45:02 | |
FOOTSTEPS APPROACH | 0:45:04 | 0:45:06 | |
Oh, Peggy. | 0:45:08 | 0:45:10 | |
I hope you don't mind, I'm just returning your Bobby Lee collection. | 0:45:10 | 0:45:13 | |
These are yours, aren't they? | 0:45:15 | 0:45:17 | |
You were quite a fan, weren't you? | 0:45:18 | 0:45:20 | |
Look - posters and newspaper cuttings. | 0:45:20 | 0:45:24 | |
You even wrote out some of the lyrics to his songs. | 0:45:24 | 0:45:27 | |
Why throw it all away? | 0:45:29 | 0:45:31 | |
GERRY: 'Peggy, where are you, love?' | 0:45:31 | 0:45:32 | |
Or was it dad? He didn't let you go to the show, did he? | 0:45:32 | 0:45:37 | |
Bobby's songs, the words seem fairly simple, | 0:45:40 | 0:45:45 | |
yet they meant the world to you, didn't they? | 0:45:45 | 0:45:48 | |
'Peg!' | 0:45:48 | 0:45:50 | |
Hmm? This is from his first release. | 0:45:50 | 0:45:52 | |
"Oh, baby, gee, it feels so right. Oh, when I hold you tight." | 0:45:52 | 0:45:56 | |
Fairly innocuous, but look - you wrote those out. | 0:45:56 | 0:46:00 | |
And here - "Oh, my pretty darling, my sweet 16." | 0:46:01 | 0:46:04 | |
How old are you? | 0:46:04 | 0:46:06 | |
-How old are you, Peggy? -Peggy! Go upstairs, love.' | 0:46:06 | 0:46:10 | |
What are you doing here? | 0:46:11 | 0:46:12 | |
"We're going to have a baby, baby. You and me against the world." | 0:46:12 | 0:46:15 | |
Goodness, it must have come as quite a shock | 0:46:15 | 0:46:18 | |
to discover he was breaking up with you. | 0:46:18 | 0:46:20 | |
"It was fun for a while, but I gotta run wild. | 0:46:20 | 0:46:23 | |
"Come on, stop hanging on, baby." | 0:46:23 | 0:46:25 | |
Is that why you scratched the song off the record? | 0:46:25 | 0:46:28 | |
Is it? | 0:46:28 | 0:46:30 | |
Is it why you stabbed Bobby Lee? | 0:46:30 | 0:46:32 | |
But that's not your knife, is it? | 0:46:33 | 0:46:36 | |
Dad. | 0:46:38 | 0:46:40 | |
Sorry, love. | 0:46:48 | 0:46:49 | |
After what that bastard did to you! | 0:46:51 | 0:46:53 | |
Charlie! | 0:46:53 | 0:46:55 | |
She said they met the last time the band came through town on tour. | 0:47:05 | 0:47:10 | |
If only I hadn't let her go to that show. | 0:47:12 | 0:47:14 | |
I knew she'd been moody, withdrawn. | 0:47:18 | 0:47:20 | |
She'd just get angry with me, really angry with me for no reason at all. | 0:47:20 | 0:47:24 | |
Just wished to God her mum had been alive. | 0:47:27 | 0:47:29 | |
When did you first find out? | 0:47:33 | 0:47:35 | |
After she lost the baby, | 0:47:35 | 0:47:38 | |
and I didn't even know she was pregnant. | 0:47:38 | 0:47:42 | |
-MATTIE: -That must have been horrible for you. | 0:47:42 | 0:47:44 | |
Yes. | 0:47:44 | 0:47:46 | |
Yes. When was that? | 0:47:46 | 0:47:50 | |
About a month ago. | 0:47:50 | 0:47:51 | |
And what did your doctor say? | 0:47:53 | 0:47:55 | |
He said to lie down and rest for a while. | 0:47:55 | 0:47:59 | |
Hmm. What was his name? | 0:47:59 | 0:48:01 | |
I can't remember. | 0:48:05 | 0:48:06 | |
The doctor told her to take it easy, | 0:48:06 | 0:48:08 | |
but I was trying to get her to help out at the pub, | 0:48:08 | 0:48:13 | |
and then she told me...everything. | 0:48:13 | 0:48:18 | |
Did she ever mention a Gunther Hanson? | 0:48:20 | 0:48:22 | |
No, she doesn't know any new Australians. | 0:48:22 | 0:48:26 | |
We know you have a family doctor, | 0:48:26 | 0:48:28 | |
and you visited him only a fortnight ago, didn't you? | 0:48:28 | 0:48:31 | |
It was a regular check-up, | 0:48:33 | 0:48:35 | |
but you had a few questions that you were too ashamed to ask your father, | 0:48:35 | 0:48:39 | |
such as how a baby's made | 0:48:39 | 0:48:42 | |
and does it hurt when men and women make love. | 0:48:42 | 0:48:46 | |
She'd been listening to his records all the time. | 0:48:46 | 0:48:48 | |
How was I to know there was more to it? | 0:48:48 | 0:48:51 | |
You took the band's drinks to the theatre. | 0:48:53 | 0:48:56 | |
It's just around the corner. | 0:48:56 | 0:48:58 | |
Then I saw him. | 0:49:00 | 0:49:02 | |
Singing to all those girls, and...pointing at them! | 0:49:03 | 0:49:08 | |
Obviously planning who he was going to have next. | 0:49:08 | 0:49:10 | |
So, I went back to the bar and I got my knife, | 0:49:12 | 0:49:16 | |
and I went back - I was just going to have it out with him. | 0:49:16 | 0:49:19 | |
You stabbed him backstage and pushed him out the stage door. | 0:49:19 | 0:49:21 | |
Look, it's not what... | 0:49:21 | 0:49:23 | |
Yes. | 0:49:26 | 0:49:28 | |
So, how come we found the knife in the alleyway? | 0:49:28 | 0:49:30 | |
Well, you told me that's where you thought it happened. | 0:49:30 | 0:49:34 | |
I thought putting the knife there might throw you. | 0:49:34 | 0:49:37 | |
Peggy, your doctor described you | 0:49:40 | 0:49:43 | |
as a lovely girl with a very active imagination. | 0:49:43 | 0:49:47 | |
-LUCIEN: -You never, ever met Bobby Lee, did you, Peggy? | 0:49:47 | 0:49:50 | |
Did you know that Bobby didn't even write his own songs? | 0:49:53 | 0:49:57 | |
MATTHEW: It was all in her head? | 0:50:08 | 0:50:10 | |
All of it, but she absolutely believed it. | 0:50:10 | 0:50:14 | |
HE SIGHS | 0:50:14 | 0:50:15 | |
And he believed her. Does she realise what she's done? | 0:50:15 | 0:50:18 | |
Well, she certainly does now. | 0:50:18 | 0:50:20 | |
It's not easy raising daughters. | 0:50:21 | 0:50:23 | |
I never went through anything like that. | 0:50:23 | 0:50:26 | |
I wouldn't know. | 0:50:26 | 0:50:28 | |
Anyway, Mattie's with her, and Mattie's done a tremendous job. | 0:50:28 | 0:50:34 | |
Mr Capuano, do you have any complaints | 0:50:38 | 0:50:40 | |
about your treatment in this station? | 0:50:40 | 0:50:42 | |
No, sir. | 0:50:42 | 0:50:43 | |
I confiscated these off someone today. Do you smoke this brand? | 0:50:45 | 0:50:49 | |
I do now. | 0:50:49 | 0:50:50 | |
You're free to go. | 0:50:50 | 0:50:52 | |
Any complaints? | 0:51:01 | 0:51:03 | |
Oh, this new protocol that's all the rage in Melbourne. | 0:51:03 | 0:51:06 | |
You realise it was Davis | 0:51:08 | 0:51:09 | |
that told Bowen we were searching in the alleyway? | 0:51:09 | 0:51:12 | |
Yes, I saw them talking yesterday. | 0:51:12 | 0:51:15 | |
What are you going to do about it? | 0:51:15 | 0:51:17 | |
Manage him. | 0:51:19 | 0:51:21 | |
ROCK'N'ROLL MUSIC PLAYS | 0:51:35 | 0:51:37 | |
# Oh, come on Stop hanging on me, baby | 0:51:40 | 0:51:43 | |
# You gave me all you kissing All the love I'm missing | 0:51:45 | 0:51:48 | |
# You shake it up so well Now you're talking wedding bells | 0:51:48 | 0:51:51 | |
# Come on | 0:51:51 | 0:51:52 | |
# Come on, baby! | 0:52:09 | 0:52:10 | |
# Well, come on | 0:52:10 | 0:52:12 | |
# Stop hanging on me, baby | 0:52:12 | 0:52:14 | |
# Well, come on | 0:52:16 | 0:52:18 | |
# Stop hanging on me, baby | 0:52:18 | 0:52:19 | |
# You shake it up so well Now you're talking wedding bells | 0:52:21 | 0:52:24 | |
# Come on | 0:52:24 | 0:52:25 | |
# You shake it up so well Now you're talking wedding bells | 0:52:27 | 0:52:30 | |
# Come on... # | 0:52:30 | 0:52:31 | |
One more time! | 0:52:31 | 0:52:33 | |
# You shake it up so well Stop hanging on! | 0:52:33 | 0:52:37 | |
Thank you very much! | 0:52:37 | 0:52:39 |