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MOTOR RUMBLES, SIREN WAILS | 0:00:02 | 0:00:03 | |
WOMAN GROANS IN PAIN | 0:00:03 | 0:00:04 | |
We're nearly there. Just hang on, Miss. | 0:00:08 | 0:00:10 | |
I can't. | 0:00:10 | 0:00:12 | |
You have been so brave. | 0:00:12 | 0:00:13 | |
SHE PANTS DESPERATELY | 0:00:13 | 0:00:15 | |
It's just a few more minutes. | 0:00:18 | 0:00:20 | |
Oh, please, help me. | 0:00:20 | 0:00:21 | |
SIREN WAILS | 0:00:21 | 0:00:22 | |
Why'd it take so long, Mr Kennedy? | 0:01:06 | 0:01:07 | |
There was a herd of cattle across the highway. | 0:01:07 | 0:01:09 | |
-Where to, Mr Beaufort? -The anaesthetist is still getting here. | 0:01:09 | 0:01:12 | |
Well, she needs surgery. Where to? | 0:01:12 | 0:01:14 | |
SHE CRIES | 0:01:14 | 0:01:15 | |
Straight through. Clear theatre four. | 0:01:15 | 0:01:17 | |
Nurse Lambert's prepping. Be careful, Mr Kennedy. | 0:01:17 | 0:01:20 | |
Whoa, whoa, whoa. | 0:01:24 | 0:01:26 | |
For God's sake, Miss Lambert, what the hell are you doing? | 0:01:26 | 0:01:29 | |
BIRDS TWITTER | 0:02:27 | 0:02:29 | |
WEATHER ON RADIO | 0:03:42 | 0:03:43 | |
DOOR RATTLES | 0:03:50 | 0:03:51 | |
Lucien, is that you? | 0:03:51 | 0:03:53 | |
Where have you been? | 0:03:56 | 0:03:58 | |
The phone's been ringing and... Is that grass? | 0:03:58 | 0:04:00 | |
Oh, probably. | 0:04:00 | 0:04:01 | |
The Chief Superintendent called. | 0:04:01 | 0:04:03 | |
-You're needed at the hospital. -Really? Any patients? | 0:04:03 | 0:04:06 | |
Nothing that can't be postponed. | 0:04:06 | 0:04:07 | |
-If I'd just known where you'd been... -For what? | 0:04:07 | 0:04:09 | |
Christopher called. | 0:04:11 | 0:04:13 | |
A baby girl. | 0:04:13 | 0:04:14 | |
Amelia Jean Beazley, after the grandmothers. | 0:04:14 | 0:04:16 | |
Of course. Jean. | 0:04:16 | 0:04:18 | |
A difficult labour, but the mother's as well as can be expected. | 0:04:18 | 0:04:21 | |
Congratulations. | 0:04:21 | 0:04:22 | |
Thank you. | 0:04:22 | 0:04:24 | |
HE CLEARS HIS THROAT | 0:04:24 | 0:04:25 | |
Yes, well, I, um ... I should go. | 0:04:25 | 0:04:27 | |
Yes, you should. | 0:04:27 | 0:04:28 | |
That's wonderful news. | 0:04:29 | 0:04:30 | |
Mr Beaufort, thank you. | 0:04:47 | 0:04:48 | |
Blake. | 0:04:51 | 0:04:52 | |
The body was discovered at six o'clock this morning | 0:04:52 | 0:04:55 | |
by the theatre matron. | 0:04:55 | 0:04:56 | |
What are we looking at? | 0:04:57 | 0:05:00 | |
Well... | 0:05:00 | 0:05:01 | |
catastrophic blood loss. | 0:05:01 | 0:05:02 | |
Right. | 0:05:04 | 0:05:05 | |
And some care was taken with the laying out of the body, but this... | 0:05:05 | 0:05:09 | |
Quite extraordinary. | 0:05:12 | 0:05:13 | |
They've collected his blood. | 0:05:15 | 0:05:16 | |
Why? | 0:05:16 | 0:05:17 | |
That's a good question. | 0:05:20 | 0:05:21 | |
You'll perform an autopsy? | 0:05:22 | 0:05:23 | |
Of course. | 0:05:23 | 0:05:24 | |
Good. | 0:05:24 | 0:05:25 | |
I'll observe. | 0:05:25 | 0:05:26 | |
Why? | 0:05:26 | 0:05:27 | |
I'd like to see what it is you do. | 0:05:29 | 0:05:31 | |
Two incisions, both carotids severed. | 0:05:37 | 0:05:39 | |
I tell you, whoever did this certainly knew their anatomy. | 0:05:39 | 0:05:42 | |
What's he doing here? | 0:05:51 | 0:05:52 | |
God only knows. Ignore him. | 0:05:52 | 0:05:54 | |
Now look, there's a particular mark at the outer edge of each incision. | 0:05:56 | 0:06:00 | |
Some shallow cuts, scratches on the skin. | 0:06:00 | 0:06:03 | |
Now I used to see that very same marker | 0:06:03 | 0:06:07 | |
before you convinced me to use disposable scalpels in autopsy. | 0:06:07 | 0:06:10 | |
Fixed blade scalpels were phased out months ago. | 0:06:10 | 0:06:12 | |
Yes, well, someone still has access to them. | 0:06:12 | 0:06:15 | |
No defensive injuries. | 0:06:15 | 0:06:17 | |
No sign of any struggle. | 0:06:18 | 0:06:19 | |
-So...? -So... | 0:06:19 | 0:06:21 | |
..if you're wanting to make very accurate incisions, | 0:06:22 | 0:06:24 | |
you don't want the victim moving around, do you? | 0:06:24 | 0:06:26 | |
Tranquilisers, perhaps? | 0:06:29 | 0:06:30 | |
I'll analyse the bloods later. | 0:06:30 | 0:06:32 | |
Why not now? | 0:06:32 | 0:06:33 | |
Because we have a process we follow. | 0:06:33 | 0:06:35 | |
Belt mark around the waist. Probably wore his trousers too tight. | 0:06:41 | 0:06:44 | |
And, um... | 0:06:46 | 0:06:47 | |
..I think Doctor Orton may have had, er, shall we say, | 0:06:48 | 0:06:51 | |
relations before he died. | 0:06:51 | 0:06:53 | |
-There's evidence of... -Sometimes happens at death. | 0:06:53 | 0:06:55 | |
Yes. | 0:06:55 | 0:06:57 | |
There's the presence of other pubic hair. Definitely not his. | 0:06:57 | 0:07:01 | |
His wife? | 0:07:02 | 0:07:03 | |
Apparently Doctor Orton was separated. | 0:07:03 | 0:07:06 | |
You have much to do with him, Alice? | 0:07:06 | 0:07:08 | |
He was a capable surgeon. | 0:07:09 | 0:07:10 | |
Doctor Orton always came in early to prep for theatre. | 0:07:15 | 0:07:18 | |
That was just his way. | 0:07:18 | 0:07:19 | |
-Did you talk to him this morning? -No. | 0:07:20 | 0:07:23 | |
-Did you have much to do with Doctor Orton? -No. -Right. | 0:07:24 | 0:07:27 | |
Excuse me. | 0:07:29 | 0:07:31 | |
You're the theatre matron, is that right, Miss... Miss Lambert? | 0:07:31 | 0:07:35 | |
Glenda Lambert, Doctor. | 0:07:35 | 0:07:36 | |
You and Doctor Orton worked together quite closely then? | 0:07:37 | 0:07:40 | |
Well, no more than the other surgeons. | 0:07:40 | 0:07:43 | |
Well, in my experience, theatre nurses know their surgeon | 0:07:43 | 0:07:46 | |
almost better than their own families. | 0:07:46 | 0:07:48 | |
SHE CHUCKLES | 0:07:48 | 0:07:49 | |
He was married, wasn't he? | 0:07:49 | 0:07:51 | |
He'd been separated, for several months now. | 0:07:51 | 0:07:54 | |
So you knew him quite well. | 0:07:54 | 0:07:56 | |
Tell me this, Miss Lambert, was he seeing someone? | 0:07:56 | 0:07:58 | |
Well, he was a very attractive man. | 0:08:01 | 0:08:03 | |
Successful. | 0:08:03 | 0:08:04 | |
Everyone loves a surgeon. | 0:08:04 | 0:08:06 | |
As a matter of fact, we know someone did just that, | 0:08:06 | 0:08:09 | |
not long before he died. | 0:08:09 | 0:08:10 | |
Was that you? | 0:08:15 | 0:08:16 | |
Take her up for interview, Davis. | 0:08:18 | 0:08:20 | |
I'll meet you up there. | 0:08:20 | 0:08:21 | |
-I might sit in. -You'll finish that report. | 0:08:21 | 0:08:23 | |
Right this way. | 0:08:28 | 0:08:29 | |
Ah, Chief Superintendent. | 0:08:42 | 0:08:44 | |
-I'll have that. -Er, that might not be finished. | 0:08:44 | 0:08:46 | |
You realise this could only have been done by a medical practitioner? | 0:08:47 | 0:08:51 | |
Access to the hospital, sufficient skill with a scalpel? | 0:08:51 | 0:08:53 | |
If it's covered in your report, I can read it. | 0:08:53 | 0:08:56 | |
Anything else? | 0:08:57 | 0:08:59 | |
Yes. | 0:08:59 | 0:09:01 | |
The laying out of the body and the collection of the blood. | 0:09:01 | 0:09:04 | |
Very specific, and really rather cruel. | 0:09:04 | 0:09:06 | |
Thank you, Doctor. | 0:09:06 | 0:09:07 | |
We'll take it from here. | 0:09:07 | 0:09:08 | |
What did she say? | 0:09:13 | 0:09:14 | |
She came in early, about 4am. | 0:09:18 | 0:09:19 | |
And no-one can vouch for her at the time of the murder. | 0:09:21 | 0:09:24 | |
The hospital checked the waste bins in the theatre. | 0:09:24 | 0:09:27 | |
There was an extra set of greens which was covered in blood. | 0:09:27 | 0:09:30 | |
From the arterial spray. | 0:09:31 | 0:09:32 | |
Anything else I should know? | 0:09:32 | 0:09:33 | |
-I don't think... -Davis. | 0:09:33 | 0:09:35 | |
A word? | 0:09:37 | 0:09:38 | |
Yes, boss. | 0:09:39 | 0:09:40 | |
That'll be all, Doctor. | 0:09:47 | 0:09:48 | |
Close the door. | 0:09:55 | 0:09:56 | |
Have you noticed how much of our time is spent clearing up | 0:10:10 | 0:10:15 | |
the doctor's mistakes? | 0:10:15 | 0:10:16 | |
I thought the doctor had a pretty good track record. | 0:10:17 | 0:10:20 | |
He's had his uses. | 0:10:20 | 0:10:21 | |
Until now. | 0:10:22 | 0:10:23 | |
You know he has a daughter in Communist China. | 0:10:25 | 0:10:27 | |
He visited her recently. | 0:10:29 | 0:10:30 | |
As a result... | 0:10:31 | 0:10:32 | |
..he's come to the attention of a couple of departments. | 0:10:34 | 0:10:37 | |
Do they suspect him of anything in particular? | 0:10:39 | 0:10:41 | |
I can't say. | 0:10:42 | 0:10:43 | |
Classified information. | 0:10:44 | 0:10:46 | |
Your doctor seems to have very loyal friends. | 0:10:52 | 0:10:54 | |
Unfortunately, they may end up getting hurt because of it. | 0:10:56 | 0:10:59 | |
Maybe that's his weakness. | 0:11:00 | 0:11:02 | |
He's not my doctor. | 0:11:04 | 0:11:05 | |
Sir. | 0:11:05 | 0:11:06 | |
I'm glad to hear it. | 0:11:07 | 0:11:08 | |
I'd hate for his lack of character to end your career as well. | 0:11:10 | 0:11:13 | |
That's all, Sergeant. | 0:11:17 | 0:11:18 | |
-TANNOY: -'Paging Mrs Nicholson. | 0:11:30 | 0:11:32 | |
'Mrs Nicholson, you are required in surgery.' | 0:11:32 | 0:11:34 | |
The old registrar's off with TB | 0:11:36 | 0:11:37 | |
so Orton's been working double shifts to make up for it. | 0:11:37 | 0:11:41 | |
Right. | 0:11:41 | 0:11:42 | |
So he was spending a lot of time here, then? | 0:11:42 | 0:11:45 | |
He hardly went home. | 0:11:45 | 0:11:46 | |
Right. | 0:11:47 | 0:11:49 | |
And I understand Glenda Lambert has a good reputation? | 0:11:49 | 0:11:53 | |
HE SNORTS You don't think so? | 0:11:54 | 0:11:56 | |
-Well, you're not her administrator. -Ahh. | 0:11:57 | 0:11:59 | |
Bit of grief, hey? | 0:12:01 | 0:12:02 | |
I could tell you some things. | 0:12:02 | 0:12:05 | |
She had a bit of a thing for Orton. | 0:12:05 | 0:12:06 | |
Made life difficult at home. | 0:12:07 | 0:12:09 | |
Difficult for Miss Lambert? | 0:12:10 | 0:12:12 | |
-No, for Orton. -Ahh. | 0:12:12 | 0:12:13 | |
She embarrassed herself, so I had to discipline her. | 0:12:14 | 0:12:17 | |
Silly woman. | 0:12:17 | 0:12:19 | |
I see. | 0:12:19 | 0:12:21 | |
And I gather Orton was separated from his wife? | 0:12:21 | 0:12:23 | |
You can thank Miss Lambert for that. | 0:12:25 | 0:12:27 | |
That's the trouble with nurses. | 0:12:27 | 0:12:29 | |
Take it all too seriously. | 0:12:29 | 0:12:30 | |
Oh, this could be trouble. | 0:12:33 | 0:12:34 | |
Who's that? | 0:12:34 | 0:12:35 | |
Orton's wife. | 0:12:35 | 0:12:37 | |
Thank you, Doctor Harvey. | 0:12:50 | 0:12:51 | |
You ready, Mrs Orton? | 0:12:56 | 0:12:58 | |
SHE SNIFFS | 0:13:24 | 0:13:25 | |
The children have been... | 0:13:27 | 0:13:29 | |
..asking if it's true. | 0:13:30 | 0:13:31 | |
I can tell them now. | 0:13:34 | 0:13:36 | |
You'll be wanting his things? | 0:13:41 | 0:13:43 | |
Please. | 0:13:45 | 0:13:46 | |
We'll be keeping his clothes for further testing. | 0:13:51 | 0:13:53 | |
-Of course. -Sign here, please. | 0:13:55 | 0:13:57 | |
Mrs Orton, you have our most sincere condolences. | 0:14:09 | 0:14:13 | |
Alice, the woman's just lost her husband. | 0:14:24 | 0:14:26 | |
So I gathered. | 0:14:26 | 0:14:28 | |
Smell the collar. | 0:14:32 | 0:14:33 | |
HE SNIFFS | 0:14:36 | 0:14:37 | |
-Sweet smelling. -Mm. | 0:14:37 | 0:14:39 | |
But it's not perfume. | 0:14:39 | 0:14:41 | |
No. | 0:14:41 | 0:14:42 | |
Halothane. | 0:14:44 | 0:14:45 | |
They used anaesthetic. | 0:14:46 | 0:14:47 | |
She was one of his sluts, wasn't she? | 0:14:51 | 0:14:52 | |
-Mrs Orton... -She was, and now she's in there with his body. | 0:14:52 | 0:14:55 | |
It's disgusting. | 0:14:55 | 0:14:56 | |
Mrs Orton, whatever you've heard, | 0:14:56 | 0:14:58 | |
I can tell you Doctor Harvey wasn't involved. | 0:14:58 | 0:15:01 | |
Oh, so you know about it, do you? | 0:15:01 | 0:15:02 | |
You're all the same. | 0:15:03 | 0:15:04 | |
-You just think you can do as you like. -Who? | 0:15:04 | 0:15:07 | |
Doctors! | 0:15:07 | 0:15:08 | |
Mrs Orton, you were a nurse, weren't you? | 0:15:08 | 0:15:10 | |
That doesn't mean I can be just thrown away like that. | 0:15:10 | 0:15:12 | |
Of course it doesn't, of course. | 0:15:12 | 0:15:14 | |
Tell me, how did you meet your husband? | 0:15:16 | 0:15:17 | |
I was working in theatre. | 0:15:19 | 0:15:20 | |
Right. | 0:15:21 | 0:15:22 | |
I hate to ask you. | 0:15:24 | 0:15:25 | |
Where were you this morning between 4:00 and 6:00am? | 0:15:26 | 0:15:28 | |
I was at home, | 0:15:30 | 0:15:32 | |
with the children my husband has abandoned. | 0:15:32 | 0:15:34 | |
Good day, doctor. | 0:15:35 | 0:15:36 | |
Enjoying the sights, are we? | 0:15:45 | 0:15:46 | |
Nurses. | 0:15:48 | 0:15:49 | |
Only good thing about hospitals. | 0:15:50 | 0:15:52 | |
Who is it, Doug? | 0:15:53 | 0:15:55 | |
Doctor Blake, Clarrie. | 0:15:55 | 0:15:56 | |
Thomas! | 0:15:57 | 0:15:58 | |
No, no, not Thomas. | 0:15:58 | 0:15:59 | |
Lucien. Tom's son. | 0:15:59 | 0:16:01 | |
Thomas. | 0:16:01 | 0:16:02 | |
How good to see you. | 0:16:02 | 0:16:03 | |
And you, Clarrie. | 0:16:04 | 0:16:06 | |
You mind if I have a word with the doctor, Clarrie? | 0:16:07 | 0:16:09 | |
No, no. | 0:16:10 | 0:16:11 | |
So, what's this about the surgeon? | 0:16:16 | 0:16:18 | |
Ah. The Superintendent's keeping me well out of it, of course. | 0:16:18 | 0:16:22 | |
Well, he's not stupid, then. | 0:16:22 | 0:16:23 | |
HE CHUCKLES | 0:16:23 | 0:16:24 | |
You want to talk to Ron Caxton, I suppose. | 0:16:27 | 0:16:29 | |
Caxton the vet. | 0:16:31 | 0:16:32 | |
Nurses said you were looking for someone with medical skills. | 0:16:33 | 0:16:36 | |
Yes. Why Caxton? | 0:16:36 | 0:16:38 | |
Caxton was a patient on Clarrie's ward. | 0:16:38 | 0:16:42 | |
Refused to let Orton operate. | 0:16:42 | 0:16:43 | |
Walked out. | 0:16:43 | 0:16:45 | |
Told him he'd kill him if he ever came near him again. | 0:16:45 | 0:16:48 | |
Rather extreme. | 0:16:49 | 0:16:50 | |
Thank you, Doug. | 0:16:52 | 0:16:53 | |
Never get old, Lucien. | 0:16:58 | 0:17:00 | |
Not worth it. | 0:17:01 | 0:17:02 | |
ENGINE STOPS | 0:17:32 | 0:17:33 | |
DOGS BARKING DISTANTLY | 0:17:34 | 0:17:35 | |
KNOCKING | 0:17:45 | 0:17:46 | |
Mr Caxton? | 0:17:49 | 0:17:51 | |
WHINES OF MACHINERY OVER DOGS BARKING | 0:17:51 | 0:17:53 | |
MACHINERY CLATTERS | 0:18:09 | 0:18:10 | |
CROW CAWS | 0:18:11 | 0:18:12 | |
Hello? | 0:18:14 | 0:18:15 | |
MACHINE WHINES | 0:18:27 | 0:18:29 | |
Oh! | 0:18:37 | 0:18:38 | |
-What the hell are you... -I told him. | 0:18:40 | 0:18:41 | |
Someone walks onto this land again, I will blow their brains out. | 0:18:41 | 0:18:44 | |
I'm Dr Lucien Blake, Police Surgeon. | 0:18:44 | 0:18:46 | |
Would you mind terribly just getting the shotgun out of my face? | 0:18:46 | 0:18:48 | |
You're with the police? | 0:18:48 | 0:18:50 | |
Yes! Shooting me would be a really bad idea. | 0:18:50 | 0:18:52 | |
MACHINE SQUEALS TO A STOP | 0:19:02 | 0:19:03 | |
Thank you, Mr Caxton. | 0:19:07 | 0:19:09 | |
Ron. | 0:19:09 | 0:19:11 | |
Now tell me, who were you talking about before? | 0:19:11 | 0:19:13 | |
Over there. | 0:19:14 | 0:19:15 | |
And who's that? | 0:19:16 | 0:19:17 | |
Orton. | 0:19:19 | 0:19:20 | |
He's your neighbour. You're at odds. | 0:19:22 | 0:19:24 | |
-HE LAUGHS: -Neighbour! | 0:19:24 | 0:19:25 | |
He murdered my wife. | 0:19:25 | 0:19:27 | |
He butchered her, right there on the operating table. | 0:19:27 | 0:19:30 | |
-Now you tell him... -Orton is dead. | 0:19:30 | 0:19:31 | |
And you threatened to kill him if he ever came near you again. | 0:19:32 | 0:19:35 | |
What's that got to do with anything? | 0:19:36 | 0:19:38 | |
Rather a lot, I'm afraid. | 0:19:38 | 0:19:39 | |
What did Caxton say? | 0:19:48 | 0:19:49 | |
Well, look, he's obviously harboured a grudge against Orton. | 0:19:51 | 0:19:53 | |
Yes. | 0:19:53 | 0:19:54 | |
What kind of anaesthetic does he use? | 0:19:56 | 0:19:57 | |
(Oh, Doc!) | 0:19:57 | 0:19:59 | |
Thiopental. | 0:20:02 | 0:20:04 | |
Chloral hydrate, and... | 0:20:04 | 0:20:05 | |
yeah, Halothane. | 0:20:05 | 0:20:07 | |
Scalpels? | 0:20:07 | 0:20:09 | |
Look, all fixed blades. | 0:20:10 | 0:20:11 | |
Can anyone vouch for his whereabouts this morning? | 0:20:13 | 0:20:15 | |
You should go. | 0:20:15 | 0:20:17 | |
Thanks for calling it in, Doc! | 0:20:17 | 0:20:18 | |
Right. | 0:20:20 | 0:20:21 | |
-Well, I'll see you for dinner, Charlie. -Great. | 0:20:21 | 0:20:24 | |
You should get that hernia seen to, Ron. | 0:20:28 | 0:20:30 | |
When I can be bothered. | 0:20:31 | 0:20:33 | |
Mr Caxton, I just need to ask a few more questions, if that's all right? | 0:20:34 | 0:20:37 | |
Yes, it is. | 0:20:37 | 0:20:38 | |
Doctor Orton? | 0:20:42 | 0:20:44 | |
I thought he was arrogant. | 0:20:45 | 0:20:46 | |
Typical surgeon. | 0:20:48 | 0:20:49 | |
I studied surgery. | 0:20:49 | 0:20:50 | |
Exactly. | 0:20:52 | 0:20:53 | |
Ha-ha. | 0:20:53 | 0:20:54 | |
Charlie, I'd also be looking at the wife. | 0:20:54 | 0:20:58 | |
You know, bitter about the separation. | 0:20:58 | 0:21:00 | |
And she's an ex-nurse. | 0:21:00 | 0:21:01 | |
Mm? That makes her guilty, does it? | 0:21:01 | 0:21:03 | |
No! | 0:21:03 | 0:21:05 | |
Facility with a scalpel. | 0:21:05 | 0:21:06 | |
Also, Charlie, it'd be worth looking into whether or not she had access to Halothane. | 0:21:07 | 0:21:11 | |
You might want to be careful. | 0:21:12 | 0:21:14 | |
Not just go around talking to everyone. | 0:21:14 | 0:21:17 | |
Boss's orders, is it? | 0:21:17 | 0:21:18 | |
I'll tell you this. | 0:21:19 | 0:21:20 | |
That theatre matron rather fancied the man. | 0:21:20 | 0:21:23 | |
According to? | 0:21:23 | 0:21:24 | |
According to Beaufort, the Administrator. | 0:21:24 | 0:21:26 | |
You know he wanted to be a surgeon? | 0:21:26 | 0:21:28 | |
He unravelled in emergency and they kicked him upstairs. | 0:21:28 | 0:21:31 | |
Thwarted ambition, perhaps? | 0:21:31 | 0:21:33 | |
Well, he certainly takes it out on the nurses. | 0:21:33 | 0:21:35 | |
He thinks we're an inferior species. | 0:21:35 | 0:21:37 | |
Mattie, do you think you could have a chat to a couple of the nurses? | 0:21:39 | 0:21:42 | |
-You know, just ask the odd question? -Mm-hm. -Doc. | 0:21:42 | 0:21:45 | |
What, Charlie? | 0:21:47 | 0:21:48 | |
-Congratulations, by the way, Mrs Beazley. -Thank you, Charlie. | 0:21:50 | 0:21:53 | |
Her grand-daughter. | 0:21:55 | 0:21:56 | |
Yes, of course. I... | 0:21:56 | 0:21:58 | |
I completely forgot. Terrific news. | 0:21:58 | 0:22:01 | |
And a really lovely dinner, Jean. | 0:22:01 | 0:22:03 | |
Wonderful potatoes. | 0:22:03 | 0:22:04 | |
Charlie made them. | 0:22:04 | 0:22:05 | |
To Amelia Jean Beazley. | 0:22:18 | 0:22:19 | |
You hardly talked at dinner. | 0:22:25 | 0:22:27 | |
-Rubbish. -I said several things to annoy you. | 0:22:27 | 0:22:30 | |
Well, perhaps I had other things on my mind. | 0:22:30 | 0:22:32 | |
Namely? | 0:22:32 | 0:22:33 | |
Christopher's wife's not coping very well, | 0:22:38 | 0:22:40 | |
and he's asked me to go to Adelaide to help look after the baby. | 0:22:40 | 0:22:43 | |
It's impossible, of course. | 0:22:43 | 0:22:44 | |
What do you want to do? | 0:22:46 | 0:22:47 | |
Well, Christopher needs me. | 0:22:48 | 0:22:49 | |
No, but what do you want? | 0:22:49 | 0:22:50 | |
They live on a base. I'd have to find somewhere to live. | 0:22:50 | 0:22:53 | |
I'd need to get a loan. | 0:22:53 | 0:22:54 | |
-Well, I'm sure Lucien would help you. -No, I can't bother him. | 0:22:54 | 0:22:57 | |
I've got an appointment with the bank tomorrow. | 0:22:58 | 0:23:00 | |
Let's see what they have to say. | 0:23:00 | 0:23:02 | |
So you've made up your mind? | 0:23:03 | 0:23:05 | |
No, not yet. | 0:23:06 | 0:23:08 | |
Just make sure you do what you want. | 0:23:08 | 0:23:09 | |
Thank you, Mattie. | 0:23:10 | 0:23:12 | |
It's easy to say. | 0:23:12 | 0:23:13 | |
NURSES WHISPERING | 0:23:29 | 0:23:32 | |
No-one's seen May Orton since she married. | 0:23:38 | 0:23:40 | |
But they had a lot to say about Malcolm Beaufort. | 0:23:40 | 0:23:43 | |
-TANNOY: -'Paging Mr Nicholson...' | 0:23:46 | 0:23:48 | |
Malcolm? | 0:23:51 | 0:23:53 | |
Can I have a word? | 0:23:53 | 0:23:54 | |
Now... | 0:23:55 | 0:23:57 | |
you mentioned Miss Lambert made things difficult. | 0:23:57 | 0:24:01 | |
It happens with nurses. | 0:24:02 | 0:24:04 | |
They forget their places in the scheme of things. | 0:24:04 | 0:24:06 | |
She's an attractive girl. | 0:24:06 | 0:24:07 | |
Orton obviously fancied a bit of it. | 0:24:07 | 0:24:09 | |
Yes. | 0:24:11 | 0:24:13 | |
That's what she's here for, after all. | 0:24:13 | 0:24:14 | |
Absolutely. | 0:24:16 | 0:24:17 | |
She's staying in the sweetie shop after all. | 0:24:17 | 0:24:19 | |
The nurses' quarters. | 0:24:21 | 0:24:23 | |
All the doctors get to have a bit of a dip. | 0:24:23 | 0:24:25 | |
Don't tell me you don't. | 0:24:27 | 0:24:28 | |
No, no, I don't. | 0:24:29 | 0:24:31 | |
I'm guessing you don't either. | 0:24:31 | 0:24:32 | |
-I did my medical training... -Yes, and then you lost a patient in A & E | 0:24:32 | 0:24:35 | |
and then you lost your nerve. | 0:24:35 | 0:24:37 | |
Tell me this. | 0:24:37 | 0:24:38 | |
You ever try it on with Miss Lambert? | 0:24:38 | 0:24:40 | |
I mean, don't get me wrong. | 0:24:41 | 0:24:43 | |
You know, she's a very attractive girl. I wouldn't blame you. | 0:24:43 | 0:24:47 | |
And she's at the, erm... | 0:24:47 | 0:24:49 | |
sweetie shop, so she's fair game. | 0:24:49 | 0:24:51 | |
Did you try it on with her? | 0:24:53 | 0:24:54 | |
I think I'd like you to leave. | 0:24:55 | 0:24:56 | |
See, I've been asking around, Malcolm. | 0:24:56 | 0:24:59 | |
Seems you rather fancied Miss Lambert. | 0:24:59 | 0:25:01 | |
And The Snake had obviously grown tired of her. | 0:25:01 | 0:25:03 | |
That's what you called Orton, The Snake, | 0:25:03 | 0:25:06 | |
because he had you kicked into admin and you resented him for it. | 0:25:06 | 0:25:09 | |
Get out. | 0:25:09 | 0:25:10 | |
It must have irked you. | 0:25:12 | 0:25:13 | |
The Snake getting to have a dip, | 0:25:13 | 0:25:15 | |
and nothing for you. | 0:25:15 | 0:25:17 | |
Tell me, | 0:25:18 | 0:25:20 | |
any non-medical staff with access to Halothane | 0:25:20 | 0:25:23 | |
other than you, Malcolm? | 0:25:23 | 0:25:24 | |
Gosh, I didn't think so. | 0:25:26 | 0:25:28 | |
Lucien? | 0:25:47 | 0:25:48 | |
Lucien? | 0:25:50 | 0:25:51 | |
Yes. | 0:25:51 | 0:25:52 | |
There's a number of messages for you but if that's too much... | 0:25:52 | 0:25:56 | |
I'm sorry. | 0:25:56 | 0:25:57 | |
Jean, I'm... I'm in a bad mood. | 0:25:58 | 0:26:00 | |
What is it? | 0:26:00 | 0:26:01 | |
Agnes Clasby rang about her blood pressure, | 0:26:02 | 0:26:05 | |
those test results that you wanted are back, | 0:26:05 | 0:26:07 | |
and the Department of Health called. | 0:26:07 | 0:26:09 | |
Your request for an exhumation has been turned down. | 0:26:09 | 0:26:12 | |
Right. | 0:26:15 | 0:26:16 | |
Your mother? | 0:26:17 | 0:26:19 | |
Is that really necessary? | 0:26:19 | 0:26:20 | |
Jean, I have... | 0:26:26 | 0:26:27 | |
..questions concerning her death. | 0:26:28 | 0:26:30 | |
-I didn't know. -Well, I don't tell you everything. | 0:26:31 | 0:26:33 | |
-Right. -Forgive me. | 0:26:34 | 0:26:35 | |
It's just... | 0:26:37 | 0:26:38 | |
I have a nagging doubt. | 0:26:39 | 0:26:41 | |
Not everything's about murder, Lucien. | 0:26:41 | 0:26:44 | |
But that's not for me to say, is it? | 0:26:44 | 0:26:45 | |
There's a letter in the kitchen for you. | 0:26:47 | 0:26:49 | |
Ah! | 0:27:24 | 0:27:26 | |
-Am I glad to see you. -Did you know anything about this? | 0:27:26 | 0:27:28 | |
I don't know what it is. | 0:27:29 | 0:27:31 | |
CUP CRASHES | 0:27:31 | 0:27:32 | |
My daughter, Charlie, remember? | 0:27:32 | 0:27:33 | |
The one you were asking about | 0:27:33 | 0:27:35 | |
when you were convinced I was spying for the Chinese. | 0:27:35 | 0:27:37 | |
What are you talking about? | 0:27:37 | 0:27:38 | |
I sent her letter after letter. | 0:27:38 | 0:27:40 | |
I sent money. None of it got through. Did you know? | 0:27:40 | 0:27:43 | |
DID YOU KNOW? | 0:27:44 | 0:27:45 | |
God, Charlie. | 0:27:48 | 0:27:49 | |
You knew. | 0:27:51 | 0:27:52 | |
She thinks I've abandoned her again, and I promised I would never... | 0:27:52 | 0:27:55 | |
It's the boss. | 0:27:55 | 0:27:56 | |
The what? | 0:27:56 | 0:27:57 | |
The boss. | 0:27:57 | 0:27:59 | |
Your name came up on a watch list. | 0:28:00 | 0:28:02 | |
-What's that got to do with Munro? -Well, he's onto it. | 0:28:03 | 0:28:06 | |
-He told me. -When? | 0:28:06 | 0:28:08 | |
Yesterday. | 0:28:08 | 0:28:09 | |
Let me read you something, Charlie. | 0:28:11 | 0:28:13 | |
"To my...esteemed father... | 0:28:16 | 0:28:18 | |
"..it's been months since you last wrote. | 0:28:19 | 0:28:23 | |
"I begged you, begged you for help... | 0:28:23 | 0:28:26 | |
"..but I don't hear a thing. | 0:28:29 | 0:28:30 | |
"I sent letter after letter. | 0:28:31 | 0:28:33 | |
"Why are you silent? | 0:28:34 | 0:28:35 | |
"Why are you punishing me?" | 0:28:37 | 0:28:38 | |
Lucien... | 0:28:39 | 0:28:41 | |
I'm sorry. | 0:28:41 | 0:28:42 | |
Where is your... | 0:28:43 | 0:28:45 | |
boss, Charlie? | 0:28:45 | 0:28:47 | |
He's in his office, talking to Malcolm Beaufort, | 0:28:48 | 0:28:51 | |
who's making an official complaint. | 0:28:51 | 0:28:52 | |
He's trying to force me out, isn't he? | 0:28:54 | 0:28:56 | |
He said that you've got loyal friends. | 0:28:57 | 0:28:59 | |
And that that's your weakness. | 0:29:00 | 0:29:02 | |
Really? | 0:29:02 | 0:29:04 | |
That sounds like a threat. | 0:29:04 | 0:29:06 | |
And I'm included. | 0:29:06 | 0:29:07 | |
Hey. | 0:29:12 | 0:29:13 | |
Hey, you can't just barge in on him. | 0:29:13 | 0:29:14 | |
Oh, hello again, Malcolm. Superintendent, a word? | 0:29:16 | 0:29:19 | |
We've been working on the preconception that | 0:29:27 | 0:29:29 | |
Glenda Lambert was the last person to see Orton alive. | 0:29:29 | 0:29:32 | |
On whose say so? | 0:29:32 | 0:29:33 | |
Well, you know. It was Malcolm Beaufort's. | 0:29:33 | 0:29:35 | |
Ah, whose advances toward Miss Lambert were turned down, | 0:29:35 | 0:29:38 | |
but let's not forget he held a grudge against Orton. | 0:29:38 | 0:29:40 | |
So, if we're doing our job properly, we should question the man further. | 0:29:40 | 0:29:44 | |
I'll decide that. | 0:29:44 | 0:29:45 | |
Really? Well, according to the list of my official duties, | 0:29:45 | 0:29:48 | |
I am required to use all areas of specialist expertise, | 0:29:48 | 0:29:51 | |
in this case, experience with hospital staffing and procedure | 0:29:51 | 0:29:53 | |
to assist you with your investigation. | 0:29:53 | 0:29:55 | |
So, I recommend... | 0:29:55 | 0:29:56 | |
..Beaufort be questioned further. | 0:29:58 | 0:30:00 | |
Thank you, doctor. | 0:30:05 | 0:30:06 | |
That seems to be in order. | 0:30:08 | 0:30:09 | |
Anything else? | 0:30:13 | 0:30:14 | |
Yes. | 0:30:15 | 0:30:16 | |
You have a problem, you deal with me. Understood? Good. | 0:30:16 | 0:30:20 | |
Ah, Malcolm, missing out again, are you? | 0:30:22 | 0:30:24 | |
The bank refused my loan. | 0:30:42 | 0:30:43 | |
Why? | 0:30:43 | 0:30:45 | |
Apparently, no-one will lend me money | 0:30:45 | 0:30:47 | |
without a male to go guarantor. | 0:30:47 | 0:30:48 | |
Doesn't have to be anyone in particular. | 0:30:48 | 0:30:50 | |
Any male will do. | 0:30:50 | 0:30:52 | |
Can you get around it? | 0:30:52 | 0:30:53 | |
No, I've tried. | 0:30:55 | 0:30:56 | |
Would you like me to ask my father? | 0:30:59 | 0:31:01 | |
Thank you, Mattie, but I hardly know him. | 0:31:03 | 0:31:05 | |
I can't do that. | 0:31:05 | 0:31:07 | |
-Would you ask Lucien? -SHE SIGHS | 0:31:07 | 0:31:09 | |
Ohh. | 0:31:11 | 0:31:12 | |
It just makes me feel so useless. | 0:31:16 | 0:31:17 | |
Doc. | 0:31:30 | 0:31:31 | |
Doc. | 0:31:35 | 0:31:36 | |
I expected better from you, Charlie. | 0:31:37 | 0:31:39 | |
-Lucien! -Jean, can't it wait? | 0:31:48 | 0:31:50 | |
-LOUD PAINED GROAN -No, it can't. | 0:31:50 | 0:31:52 | |
Ron! | 0:31:56 | 0:31:57 | |
About time. | 0:31:57 | 0:31:58 | |
-What the hell's happened? -I had a fall. | 0:31:58 | 0:32:00 | |
-He's running a temperature and it's rising. -Right. | 0:32:00 | 0:32:03 | |
In your veterinary practice, an animal presents like this, | 0:32:03 | 0:32:06 | |
what would your diagnosis be? | 0:32:06 | 0:32:07 | |
Intestinal blockage. | 0:32:08 | 0:32:10 | |
And how would you treat it? | 0:32:11 | 0:32:12 | |
I'd put it down. | 0:32:12 | 0:32:13 | |
What am I supposed to do? | 0:32:16 | 0:32:18 | |
This man needs an operation. | 0:32:18 | 0:32:19 | |
And I don't have a surgeon. | 0:32:19 | 0:32:21 | |
Hang on, hang on. | 0:32:21 | 0:32:22 | |
Is this about what happened earlier? | 0:32:22 | 0:32:24 | |
No. You'll just have to wait till tomorrow at the earliest. | 0:32:24 | 0:32:26 | |
-Then we transfer him to Melbourne. -We can't do that. | 0:32:26 | 0:32:29 | |
-Do your job! -Don't you lecture me, Mr Kennedy. | 0:32:29 | 0:32:31 | |
THEY GROWL AT EACH OTHER | 0:32:31 | 0:32:32 | |
-Mr Kennedy! -You've got a surgeon. | 0:32:32 | 0:32:34 | |
This man here. | 0:32:34 | 0:32:35 | |
-I saw his qualifications on the wall. -Now, Ron... | 0:32:36 | 0:32:39 | |
If it was an animal, would you wait until tomorrow? | 0:32:39 | 0:32:41 | |
Move him. | 0:32:44 | 0:32:45 | |
Who'll assist you? | 0:32:48 | 0:32:49 | |
You will. | 0:32:50 | 0:32:51 | |
RON GROANS | 0:32:56 | 0:32:59 | |
HE PANTS | 0:32:59 | 0:33:01 | |
Please, don't go. | 0:33:04 | 0:33:06 | |
-(Don't go. Please, don't go.) -HE GROANS | 0:33:08 | 0:33:10 | |
Ron. | 0:33:13 | 0:33:14 | |
Ron, I assure you it's a very straightforward procedure. | 0:33:14 | 0:33:17 | |
That's what they said about my Alma. | 0:33:18 | 0:33:20 | |
You did everything you could to look after her, didn't you? | 0:33:20 | 0:33:23 | |
-That's what matters. -But I've done some shameful things. | 0:33:23 | 0:33:26 | |
Doctor? | 0:33:26 | 0:33:27 | |
RON MOANS | 0:33:27 | 0:33:28 | |
Yes? | 0:33:28 | 0:33:29 | |
Ah, thank you, Glenda. | 0:33:31 | 0:33:32 | |
Right, Malcolm. | 0:33:34 | 0:33:35 | |
Are you ready? | 0:33:36 | 0:33:37 | |
Mm-hm. | 0:33:38 | 0:33:40 | |
Listen, my last operation, sadly, I lost the patient. | 0:33:40 | 0:33:45 | |
That makes two of us, all right? | 0:33:46 | 0:33:48 | |
Malcolm. | 0:33:50 | 0:33:51 | |
That's it. Come on. Deep breaths. | 0:33:52 | 0:33:54 | |
-Deep breaths. -I can't. | 0:33:54 | 0:33:56 | |
-I can't! -Malcolm. -No! | 0:33:59 | 0:34:00 | |
All right, Glenda. | 0:34:05 | 0:34:06 | |
We'll proceed. | 0:34:07 | 0:34:09 | |
KNOCKING | 0:34:28 | 0:34:29 | |
Doctor? | 0:34:32 | 0:34:33 | |
Come to see if he's all right? | 0:34:35 | 0:34:36 | |
You too? | 0:34:38 | 0:34:39 | |
Glenda, I'm sorry if I... | 0:34:43 | 0:34:44 | |
..made things difficult for you yesterday. | 0:34:46 | 0:34:48 | |
I understand. | 0:34:50 | 0:34:51 | |
-It's a cliche, isn't it? -Hmm! | 0:34:54 | 0:34:56 | |
Doctors and nurses. | 0:34:57 | 0:34:59 | |
Yes. | 0:35:00 | 0:35:01 | |
But not a surprise. | 0:35:01 | 0:35:02 | |
He said that he admired my work. | 0:35:04 | 0:35:06 | |
I was flattered. | 0:35:07 | 0:35:08 | |
You were in love with him, weren't you? | 0:35:11 | 0:35:13 | |
Yes. | 0:35:16 | 0:35:17 | |
Did he love you? | 0:35:18 | 0:35:20 | |
No. | 0:35:20 | 0:35:21 | |
I started to dream about having his children. | 0:35:24 | 0:35:26 | |
HE CHUCKLES | 0:35:26 | 0:35:28 | |
I thought I was past all of that. | 0:35:28 | 0:35:30 | |
I'm such a fool. | 0:35:31 | 0:35:33 | |
We're never past all of that. | 0:35:33 | 0:35:34 | |
It's different for men. | 0:35:37 | 0:35:39 | |
I mean, at least Mrs Orton had children. | 0:35:41 | 0:35:43 | |
Someone told her. | 0:35:46 | 0:35:47 | |
She came to see me. | 0:35:48 | 0:35:49 | |
What did she say? | 0:35:50 | 0:35:51 | |
She said that she was going to get her own back. | 0:35:51 | 0:35:54 | |
SOMEONE CLEARS THEIR THROAT | 0:35:55 | 0:35:57 | |
She's playing you, Blake. | 0:36:07 | 0:36:09 | |
The way she plays everyone. | 0:36:09 | 0:36:10 | |
Yes. | 0:36:19 | 0:36:20 | |
Yes, I understand the hospital board is concerned. | 0:36:20 | 0:36:23 | |
I'll get your number, and give you a call back. | 0:36:26 | 0:36:28 | |
Mm-hm. | 0:36:29 | 0:36:31 | |
Thank you. Goodbye. | 0:36:31 | 0:36:32 | |
Listen, Glenda Lambert reported a threat | 0:36:32 | 0:36:34 | |
made against her by Orton's wife. | 0:36:34 | 0:36:36 | |
Now... | 0:36:36 | 0:36:37 | |
-I'm wondering if there's a history... -Doc! | 0:36:37 | 0:36:39 | |
The boss wants... | 0:36:39 | 0:36:41 | |
Doctor. | 0:36:41 | 0:36:42 | |
About time. | 0:36:42 | 0:36:43 | |
There's an interview I'd like you to sit in on. | 0:36:44 | 0:36:46 | |
Yesterday morning, | 0:36:53 | 0:36:55 | |
you and Doctor Blake performed an autopsy on Doctor Gareth Orton. | 0:36:55 | 0:36:58 | |
Yesterday afternoon, | 0:37:00 | 0:37:02 | |
you accompanied Mrs May Orton to the morgue | 0:37:02 | 0:37:04 | |
for the purposes of identification of her deceased ex-husband, correct? | 0:37:04 | 0:37:08 | |
Yes. | 0:37:08 | 0:37:09 | |
Did you speak to Mrs Orton last night... | 0:37:09 | 0:37:12 | |
She contacted me. She threatened me. | 0:37:12 | 0:37:13 | |
..and inform her that her ex-husband had been, quote, | 0:37:13 | 0:37:18 | |
having sexual relations with his theatre matron, unquote? | 0:37:18 | 0:37:22 | |
Doctor Harvey? | 0:37:27 | 0:37:28 | |
Yes. | 0:37:29 | 0:37:31 | |
Did you also inform her that he had made advances to numerous women | 0:37:32 | 0:37:36 | |
in the hospital during the period of their marriage... | 0:37:36 | 0:37:39 | |
..one of whom was you? | 0:37:40 | 0:37:41 | |
Yes. | 0:37:46 | 0:37:47 | |
Did you also tell her that your official complaint | 0:37:48 | 0:37:51 | |
had been thrown out... | 0:37:51 | 0:37:52 | |
..and that the hospital had started disciplinary action against you | 0:37:53 | 0:37:56 | |
as a result? | 0:37:56 | 0:37:57 | |
No. | 0:37:58 | 0:37:59 | |
Were you aware that the divulging of any details of an investigation | 0:38:02 | 0:38:05 | |
to a member of the public is a prosecutable offence? | 0:38:05 | 0:38:08 | |
-She was his wife. -Answer the question. -Please! | 0:38:08 | 0:38:10 | |
-Superintendent... -Not now. | 0:38:10 | 0:38:11 | |
Yes, now. | 0:38:11 | 0:38:12 | |
We'll resume shortly. | 0:38:15 | 0:38:17 | |
-What are you doing? -Interviewing a member of the public with reference to a particular case. | 0:38:23 | 0:38:27 | |
-You know what I'm asking. -And I've answered your question. | 0:38:27 | 0:38:30 | |
Doctor Harvey is a skilled colleague of mine... | 0:38:30 | 0:38:32 | |
She is a secretive woman whose lack of discretion | 0:38:32 | 0:38:34 | |
may have jeopardised a police investigation. | 0:38:34 | 0:38:36 | |
-She told that woman the truth about her husband! -And you didn't know, did you? | 0:38:36 | 0:38:40 | |
You didn't know she'd made a malicious complaint against Orton, | 0:38:40 | 0:38:43 | |
-and that Beaufort... -Oh, come on, he has an agenda! | 0:38:43 | 0:38:46 | |
..that Beaufort had carpeted her. You did not know. | 0:38:46 | 0:38:48 | |
So not only has she leaked details of a current investigation, | 0:38:51 | 0:38:55 | |
she is a credible suspect with means and motive for the murder herself. | 0:38:55 | 0:38:58 | |
Come on. You can't honestly believe that. | 0:38:58 | 0:39:01 | |
It is not a question of what I believe, doctor. | 0:39:01 | 0:39:05 | |
She was on a final warning at that hospital. | 0:39:07 | 0:39:09 | |
At least until now. | 0:39:10 | 0:39:11 | |
Ah, William. | 0:39:15 | 0:39:16 | |
This isn't about Doctor Harvey, is it? This is about me. | 0:39:18 | 0:39:22 | |
I have no idea what you're talking about. | 0:39:23 | 0:39:25 | |
Target those close to me. | 0:39:25 | 0:39:27 | |
Loyal friends. | 0:39:27 | 0:39:28 | |
That's what you're doing, isn't it? | 0:39:28 | 0:39:29 | |
What is it you want? | 0:39:34 | 0:39:37 | |
What I've always wanted. | 0:39:39 | 0:39:40 | |
Good policing. | 0:39:42 | 0:39:43 | |
And never interrupt me in an interview again. | 0:39:44 | 0:39:46 | |
Hobart, | 0:40:07 | 0:40:08 | |
show Miss Harvey out. | 0:40:08 | 0:40:09 | |
I'll do that. | 0:40:09 | 0:40:11 | |
One of you. | 0:40:12 | 0:40:13 | |
Wandering hands. | 0:40:28 | 0:40:29 | |
That's how it starts. | 0:40:30 | 0:40:31 | |
They touch you when you're bending over, or...they stand too close. | 0:40:33 | 0:40:37 | |
Beaufort said I'd probably missed my only chance to get one up me. | 0:40:50 | 0:40:53 | |
His words. | 0:40:55 | 0:40:56 | |
He let talk of my complaint get around the hospital. | 0:40:57 | 0:41:00 | |
Most of the staff won't speak to me now. | 0:41:00 | 0:41:02 | |
Appalling. | 0:41:02 | 0:41:03 | |
I thought when I grew up I'd be safe. | 0:41:05 | 0:41:08 | |
I'm going to lose my job, aren't I? | 0:41:13 | 0:41:15 | |
Not if I can help it. | 0:41:16 | 0:41:17 | |
SHE CRIES | 0:41:18 | 0:41:19 | |
I'm never been what they consider pretty. | 0:41:22 | 0:41:24 | |
-Oh, Alice. -Men have always said that. | 0:41:24 | 0:41:26 | |
But I'm a good doctor. | 0:41:26 | 0:41:27 | |
Yes, you are. | 0:41:27 | 0:41:29 | |
I don't deserve this. | 0:41:29 | 0:41:30 | |
No. | 0:41:33 | 0:41:34 | |
No, you do not. | 0:41:34 | 0:41:35 | |
Are you all right, Lucien? | 0:42:00 | 0:42:01 | |
No, not really. | 0:42:03 | 0:42:04 | |
Well, that's just typical. | 0:42:07 | 0:42:09 | |
He gropes her, she complains, and it's her fault. | 0:42:09 | 0:42:12 | |
Then she gets used in some stupid argument between stupid men. | 0:42:12 | 0:42:16 | |
-You've got to prove that that poor girl's innocent. -I know. | 0:42:16 | 0:42:18 | |
Who do you have? | 0:42:18 | 0:42:19 | |
Well... | 0:42:19 | 0:42:20 | |
The theatre matron, the wife, the administrator, and the vet. | 0:42:21 | 0:42:26 | |
Well my money's on the vet. | 0:42:26 | 0:42:28 | |
His wife dies on the operating table... | 0:42:28 | 0:42:29 | |
You can't always blame the surgeon, Mattie. | 0:42:29 | 0:42:31 | |
She's just saying, Lucien. What about that appalling administrator? | 0:42:31 | 0:42:35 | |
Oh, he's a pig. | 0:42:35 | 0:42:36 | |
But he's also a coward. | 0:42:36 | 0:42:38 | |
They all have sufficient motive. | 0:42:38 | 0:42:39 | |
But there's a cruelty here that I just... | 0:42:39 | 0:42:41 | |
..I just don't understand. They... | 0:42:43 | 0:42:44 | |
They collected the blood. | 0:42:46 | 0:42:47 | |
-In a basin, right? -Yes. | 0:42:48 | 0:42:49 | |
Show us. | 0:42:51 | 0:42:52 | |
-All right. Mattie, would you hop up for me? -OK. | 0:42:54 | 0:42:56 | |
Why don't you do it? | 0:42:56 | 0:42:58 | |
All right. | 0:42:59 | 0:43:00 | |
Just watch those taties. | 0:43:01 | 0:43:03 | |
Hang on a second. | 0:43:10 | 0:43:12 | |
And the basin? | 0:43:15 | 0:43:16 | |
Underneath, on the floor there. | 0:43:21 | 0:43:23 | |
So the blood flowed down into the basin? | 0:43:30 | 0:43:33 | |
Mm-hm. | 0:43:33 | 0:43:35 | |
Was there much blood? | 0:43:35 | 0:43:36 | |
Well, both carotids severed. | 0:43:37 | 0:43:38 | |
So there was blood everywhere. | 0:43:41 | 0:43:42 | |
Actually, no. | 0:43:44 | 0:43:45 | |
They must have blocked the initial spray with their hospital greens. | 0:43:48 | 0:43:51 | |
And after that, gravity did its thing. | 0:43:51 | 0:43:54 | |
And mostly... | 0:43:54 | 0:43:55 | |
..it went into the basin. | 0:43:56 | 0:43:58 | |
-Because of the way the body was laid out? -Mm. | 0:43:58 | 0:44:00 | |
Well, perhaps they weren't being cruel. | 0:44:01 | 0:44:03 | |
I mean, perhaps they were just being neat. | 0:44:03 | 0:44:05 | |
Maybe it was a woman. | 0:44:05 | 0:44:06 | |
Bear in mind... | 0:44:08 | 0:44:09 | |
..they had to get him up onto the table. | 0:44:12 | 0:44:14 | |
Well, both the women were nurses, Lucien. | 0:44:14 | 0:44:16 | |
I mean, we're used to moving patients. | 0:44:16 | 0:44:18 | |
All right. | 0:44:18 | 0:44:20 | |
They used anaesthetic, | 0:44:21 | 0:44:22 | |
very little mess, | 0:44:22 | 0:44:23 | |
and laid the body out... | 0:44:23 | 0:44:25 | |
-..almost respectfully. -What does that tell you? | 0:44:26 | 0:44:28 | |
That I'll never look at that knife in the same way again. | 0:44:29 | 0:44:32 | |
-Mattie, I need your assistance. -Of course. | 0:44:32 | 0:44:34 | |
So I'll just continue with dinner, shall I? | 0:44:34 | 0:44:36 | |
That'd be lovely. | 0:44:36 | 0:44:37 | |
Now someone walked into that operating theatre | 0:44:43 | 0:44:45 | |
without being noticed. | 0:44:45 | 0:44:46 | |
Well, yes, but a lot of people work in the hospital at night. | 0:44:46 | 0:44:49 | |
Yes, and our killer's most likely one of them. | 0:44:49 | 0:44:51 | |
In fact, I'd say they're probably here right now. So... | 0:44:52 | 0:44:55 | |
-you be careful. -Hey, don't worry about me. | 0:44:55 | 0:44:58 | |
I'll be fine. | 0:44:58 | 0:45:00 | |
All right. Well, good luck. | 0:45:00 | 0:45:02 | |
You too. | 0:45:02 | 0:45:03 | |
-Hey! -Jesus Christ! | 0:45:41 | 0:45:43 | |
What the hell are you doing? | 0:45:43 | 0:45:44 | |
I'm checking on a patient. What the hell are you doing? | 0:45:44 | 0:45:47 | |
You're barely a doctor. | 0:45:47 | 0:45:48 | |
We're short-staffed. | 0:45:48 | 0:45:49 | |
I haven't had a break since last night. | 0:45:49 | 0:45:51 | |
Blake? | 0:45:55 | 0:45:57 | |
Why can't I move my arms? | 0:45:58 | 0:46:00 | |
We needed to restrain him. | 0:46:05 | 0:46:07 | |
Why? | 0:46:07 | 0:46:09 | |
He came out of the anaesthetic and he punched a nurse. | 0:46:09 | 0:46:12 | |
Said that he'd kill us all. | 0:46:12 | 0:46:13 | |
He hit Nurse Burke. He split her lip. | 0:46:13 | 0:46:17 | |
Ron, do you remember any of this? | 0:46:17 | 0:46:19 | |
I'm afraid I do now. | 0:46:21 | 0:46:23 | |
Prior to surgery, you mentioned to Mr Grant | 0:46:26 | 0:46:30 | |
that you'd done some shameful things. Now what did you mean? | 0:46:30 | 0:46:35 | |
I've always been an angry man, Lucien. | 0:46:37 | 0:46:40 | |
Alma didn't deserve any of it. | 0:46:42 | 0:46:44 | |
Is that all? | 0:46:47 | 0:46:48 | |
Isn't that enough? | 0:46:48 | 0:46:50 | |
Can I help you? | 0:47:16 | 0:47:19 | |
I'm fine. | 0:47:19 | 0:47:21 | |
Yesterday, when you first saw Orton, | 0:47:32 | 0:47:37 | |
what were you doing? | 0:47:37 | 0:47:39 | |
Bringing in an emergency. | 0:47:39 | 0:47:41 | |
Was that the only emergency? | 0:47:41 | 0:47:43 | |
No, the ambos brought in a broken leg an hour and a half earlier. | 0:47:43 | 0:47:47 | |
The ambos. | 0:47:48 | 0:47:50 | |
Yes. Why? | 0:47:50 | 0:47:51 | |
Hello there. | 0:48:13 | 0:48:15 | |
-Hello. -Anything I can help you with? | 0:48:16 | 0:48:18 | |
Ah, no. But thank you. | 0:48:18 | 0:48:20 | |
I haven't seen you here before. | 0:48:22 | 0:48:24 | |
-Don't. -I'm just being helpful. | 0:48:27 | 0:48:30 | |
-Back off. -What if I don't want to? | 0:48:32 | 0:48:34 | |
I said, back off! | 0:48:34 | 0:48:35 | |
-Hey, hey... -Mr Kennedy! | 0:48:35 | 0:48:37 | |
Coming. I'll see you later then, Miss. | 0:48:38 | 0:48:40 | |
I've told you before, Lachlan. You don't treat women like that. | 0:48:47 | 0:48:51 | |
Stop it! | 0:48:51 | 0:48:53 | |
Oi! Oi! Get off him! | 0:48:54 | 0:48:58 | |
He attacked her. I stopped him. | 0:48:58 | 0:49:00 | |
Turn around. | 0:49:00 | 0:49:01 | |
-Are you all right? -Lucien... | 0:49:03 | 0:49:04 | |
Rowley Grant, I'm arresting you for the murder of Gareth Orton. | 0:49:04 | 0:49:07 | |
You don't have to say anything, | 0:49:07 | 0:49:09 | |
but anything you do say may be taken down and used against you. | 0:49:09 | 0:49:12 | |
Is that understood? | 0:49:12 | 0:49:14 | |
I was helping this nurse. | 0:49:14 | 0:49:15 | |
Same way you were helping Dr Harvey? | 0:49:15 | 0:49:18 | |
-Are you right, Mr Kennedy? -Yeah. | 0:49:18 | 0:49:20 | |
Now she said just about everyone had stopped talking to her after | 0:49:20 | 0:49:23 | |
she'd lodged her complaint. I noticed you didn't. | 0:49:23 | 0:49:25 | |
Well, she needed looking after. | 0:49:25 | 0:49:26 | |
That's very noble, Mr Grant. | 0:49:26 | 0:49:29 | |
Fixed blade scalpels have been phased out of the hospital, | 0:49:29 | 0:49:32 | |
but not the ambos. | 0:49:32 | 0:49:34 | |
We found the blade used on Orton hidden in your ambulance kit. | 0:49:34 | 0:49:38 | |
Now you took very good care of the body, | 0:49:40 | 0:49:43 | |
tried your best not to make a mess. | 0:49:43 | 0:49:46 | |
Someone else would have to clean it up. | 0:49:48 | 0:49:50 | |
Miss. | 0:49:56 | 0:49:58 | |
Mr Grant! | 0:50:02 | 0:50:04 | |
Is it true? | 0:50:08 | 0:50:09 | |
-It is, Miss. -Please. Wait. | 0:50:11 | 0:50:13 | |
-Dr Harvey, we really need... -Charlie, it's all right. | 0:50:13 | 0:50:16 | |
You killed a man because of me. | 0:50:16 | 0:50:17 | |
That's right. | 0:50:19 | 0:50:21 | |
Why? | 0:50:24 | 0:50:26 | |
My father was a bad man, Miss. | 0:50:26 | 0:50:28 | |
He did some terrible things to my mother. | 0:50:28 | 0:50:31 | |
And I won't let anyone get away with treating a woman like that. | 0:50:33 | 0:50:37 | |
Where do you think I come from? | 0:50:38 | 0:50:40 | |
I'm sorry? | 0:50:40 | 0:50:42 | |
Your childhood was bad. So was mine. | 0:50:42 | 0:50:44 | |
It doesn't excuse anything. Dr Orton had children. | 0:50:44 | 0:50:48 | |
Who's going to protect them? | 0:50:48 | 0:50:50 | |
Well I was protecting you, Miss. | 0:50:52 | 0:50:54 | |
I haven't needed protecting since I was 12 years old. | 0:50:54 | 0:50:58 | |
Yeah, you might think that, Miss. | 0:51:01 | 0:51:03 | |
Thank you, Sergeant. | 0:51:06 | 0:51:07 | |
What do you want? | 0:51:37 | 0:51:39 | |
I want you to drop all charges against Dr Harvey. | 0:51:41 | 0:51:45 | |
Also, you will insist that the hospital remove all reference | 0:51:45 | 0:51:50 | |
to the disciplinary action against her, | 0:51:50 | 0:51:52 | |
and, for what it's worth, you should arrest that Kennedy chap. | 0:51:52 | 0:51:56 | |
He's an absolute arse. | 0:51:56 | 0:51:58 | |
What do I get? | 0:51:59 | 0:52:01 | |
My resignation. | 0:52:01 | 0:52:03 | |
As Police Surgeon. | 0:52:03 | 0:52:04 | |
I need it in writing. | 0:52:07 | 0:52:08 | |
First thing tomorrow, and you leave everyone else alone. | 0:52:08 | 0:52:13 | |
Agreed. | 0:52:15 | 0:52:17 | |
Anything else? | 0:52:19 | 0:52:20 | |
Nothing that would make a difference to someone like you. | 0:52:24 | 0:52:26 | |
You showed me a painting of hers once. | 0:52:51 | 0:52:54 | |
It was quite good. | 0:52:54 | 0:52:55 | |
Yes. Yes, it was. | 0:52:56 | 0:52:59 | |
You think she was murdered? | 0:53:00 | 0:53:02 | |
Oh, Alice. | 0:53:04 | 0:53:05 | |
To be honest, I'm not sure. | 0:53:07 | 0:53:10 | |
Without exhuming her body, there's very little we can do. | 0:53:10 | 0:53:12 | |
I can test the soil, look for trace elements. But it's unlikely. | 0:53:12 | 0:53:18 | |
Can we do that at least? | 0:53:18 | 0:53:20 | |
Of course. | 0:53:20 | 0:53:21 | |
The hospital's re-examining my complaint against Dr Orton. | 0:53:26 | 0:53:29 | |
Good. I'm glad. | 0:53:31 | 0:53:33 | |
Thank you, Lucien. | 0:53:35 | 0:53:37 | |
My pleasure, Alice. | 0:53:40 | 0:53:41 | |
-Morning. -Morning. Bubble and squeak? | 0:53:56 | 0:53:58 | |
That'd be lovely. What's all this then? | 0:53:58 | 0:54:01 | |
It's a loan application. I need a man to sign for me. | 0:54:01 | 0:54:05 | |
Do you mind? | 0:54:05 | 0:54:07 | |
Certainly. | 0:54:07 | 0:54:08 | |
Adelaide? | 0:54:14 | 0:54:15 | |
Mm. | 0:54:15 | 0:54:17 | |
Christopher has asked me to come there, | 0:54:17 | 0:54:19 | |
to help take care of the baby. | 0:54:19 | 0:54:21 | |
I see. | 0:54:24 | 0:54:26 | |
Are you going to go? | 0:54:27 | 0:54:29 | |
I'm honestly not sure. | 0:54:31 | 0:54:33 | |
Of course. | 0:54:36 | 0:54:38 | |
Ah, it's here and here. | 0:54:38 | 0:54:41 | |
Right. | 0:54:41 | 0:54:43 | |
KNOCKING | 0:54:59 | 0:55:00 | |
No, no, no, no, I'll go. | 0:55:00 | 0:55:03 | |
There's the, um... | 0:55:03 | 0:55:05 | |
Matthew. | 0:55:24 | 0:55:26 | |
I'd heard you'd resigned. | 0:55:26 | 0:55:28 | |
Is it in writing yet? | 0:55:28 | 0:55:31 | |
No. | 0:55:32 | 0:55:33 | |
Good. Because I'm going to need you. | 0:55:33 | 0:55:37 | |
You going to invite me in? | 0:55:40 | 0:55:41 | |
Yes. | 0:55:43 | 0:55:44 |