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THUNDERCLAP | 0:00:02 | 0:00:04 | |
-£1,000 up front. -And the money doesn't change? | 0:00:04 | 0:00:08 | |
Absolutely, Mr King. It certainly doesn't. | 0:00:08 | 0:00:10 | |
And all that fine print - we'll take care of with the signature later on. | 0:00:10 | 0:00:13 | |
-Good. -Excellent. | 0:00:13 | 0:00:15 | |
You're about to be a very wealthy man, Mr King. | 0:00:15 | 0:00:18 | |
OK, Henry, you're done for the night. | 0:00:30 | 0:00:32 | |
Mr Webster's been kind enough to book you a room. | 0:00:32 | 0:00:34 | |
Here, number 27. | 0:00:34 | 0:00:36 | |
-Who do you think you are? -Go. | 0:00:36 | 0:00:37 | |
Miserable cow. | 0:00:41 | 0:00:43 | |
-What did you call me? -You heard me. | 0:00:43 | 0:00:44 | |
I'm sorry about that. | 0:00:48 | 0:00:49 | |
It didn't seem like much of a celebration without a real drink. | 0:00:49 | 0:00:53 | |
Henry doesn't need another reason to drink. | 0:00:53 | 0:00:55 | |
Well, he's about to become a very wealthy man. | 0:00:55 | 0:00:58 | |
I promised him tonight was on me. | 0:00:58 | 0:01:00 | |
So, are there any rooms available for the evening? | 0:01:03 | 0:01:08 | |
One on the first floor, one on the second, next to Mr King's. | 0:01:08 | 0:01:11 | |
Well, the higher the floor, the better the view, hmm? | 0:01:11 | 0:01:15 | |
MUFFLED ROCK N' ROLL MUSIC PLAYS | 0:01:18 | 0:01:21 | |
Thank you. | 0:01:23 | 0:01:24 | |
Let me do that. | 0:01:31 | 0:01:32 | |
Goodnight, Henry. | 0:01:38 | 0:01:39 | |
Any chance you could take care of that? | 0:01:42 | 0:01:45 | |
Certainly. | 0:01:45 | 0:01:47 | |
Henry! | 0:02:34 | 0:02:36 | |
Henry, time to check out! | 0:02:36 | 0:02:37 | |
Oh, he hasn't checked out already, has he? | 0:02:41 | 0:02:43 | |
We still have some business to finalise. | 0:02:43 | 0:02:45 | |
No, he's still here. He's just decided to have a sleep in. | 0:02:45 | 0:02:48 | |
Henry! Henry! | 0:02:53 | 0:02:54 | |
Mr Webster? | 0:02:58 | 0:02:59 | |
Would you mind? | 0:03:01 | 0:03:02 | |
Of course. | 0:03:02 | 0:03:04 | |
Thank you so much. | 0:03:05 | 0:03:06 | |
Come on, Henry, it's time to rejoin the world. | 0:03:18 | 0:03:22 | |
Henry? | 0:03:22 | 0:03:23 | |
Henry. | 0:03:27 | 0:03:29 | |
Are you all right? | 0:03:30 | 0:03:33 | |
Come on, Henry. | 0:03:33 | 0:03:34 | |
Henry! | 0:03:34 | 0:03:36 | |
Oh, God. | 0:03:40 | 0:03:41 | |
Are you all right? | 0:04:51 | 0:04:53 | |
Take it easy. Slow down. | 0:04:53 | 0:04:54 | |
It's OK. I've got you. I've got you. | 0:04:57 | 0:04:58 | |
I personally made sure he got in all right. | 0:05:01 | 0:05:03 | |
-That was nine o'clock last night. -Mm-hmm. | 0:05:03 | 0:05:05 | |
-He'd had a few drinks. -He was drunk as a skunk. | 0:05:05 | 0:05:08 | |
Right. And you're the owner of the hotel, Miss Lewis? | 0:05:08 | 0:05:12 | |
That's right. | 0:05:12 | 0:05:14 | |
Sergeant, I'm hoping this will all be cleared up | 0:05:14 | 0:05:16 | |
quite quickly and quietly? | 0:05:16 | 0:05:18 | |
Ah, we'll need some more answers first. | 0:05:18 | 0:05:20 | |
Sorry? Ah, you are...? | 0:05:20 | 0:05:23 | |
I'm Norman Baker. | 0:05:23 | 0:05:25 | |
I'm Len's business partner. | 0:05:25 | 0:05:27 | |
And were you staying at the hotel last night? | 0:05:27 | 0:05:29 | |
No. No, I'm just here to pick up Len. | 0:05:29 | 0:05:32 | |
-He's in through that room. -Right, thank you, Charlie. | 0:05:34 | 0:05:37 | |
What's happened? | 0:05:37 | 0:05:38 | |
Well, we can't officially talk about that at the moment, | 0:05:38 | 0:05:41 | |
but if I can ask you a few questions... | 0:05:41 | 0:05:43 | |
Well... | 0:05:52 | 0:05:54 | |
Superintendent Lawson. | 0:05:54 | 0:05:56 | |
Chief Inspector, actually. | 0:05:58 | 0:06:01 | |
-Chief Inspector. -Mm. | 0:06:01 | 0:06:02 | |
What have we got? | 0:06:05 | 0:06:06 | |
Oscar Morrison. | 0:06:08 | 0:06:09 | |
No, it's Henry King. 40 years old. | 0:06:10 | 0:06:14 | |
Owns the hardware store on Grace Street. | 0:06:14 | 0:06:17 | |
Might have died in his sleep. | 0:06:17 | 0:06:19 | |
But you don't think so. | 0:06:19 | 0:06:20 | |
Catherine Lewis, the hotel owner... | 0:06:20 | 0:06:23 | |
Something doesn't seem right. | 0:06:24 | 0:06:26 | |
According to eyewitnesses, | 0:06:26 | 0:06:28 | |
they were having an argument in the dining room last night. | 0:06:28 | 0:06:30 | |
She saw him to his room about 9pm. | 0:06:30 | 0:06:32 | |
-And? -And she wasn't seen again until 8am this morning. | 0:06:32 | 0:06:36 | |
Apparently, he's not a very cheerful drunk. | 0:06:36 | 0:06:38 | |
And she's the only one with a master key. | 0:06:38 | 0:06:41 | |
And the chair? | 0:06:41 | 0:06:43 | |
It was placed underneath the door handle. We're looking into it. | 0:06:43 | 0:06:47 | |
Very good. | 0:06:47 | 0:06:49 | |
Well, muscle stiffness and body temperature | 0:06:49 | 0:06:52 | |
might help us determine... | 0:06:52 | 0:06:54 | |
What is it? | 0:06:57 | 0:06:58 | |
Matthew, call an ambulance. | 0:07:05 | 0:07:07 | |
Davis. Davis! | 0:07:09 | 0:07:10 | |
-Yes? -Get an ambulance. -Yes, sir. | 0:07:10 | 0:07:12 | |
There's a heartbeat! Matthew, my bag. | 0:07:12 | 0:07:15 | |
What am I looking for? | 0:07:16 | 0:07:18 | |
A syringe. Adrenaline. | 0:07:18 | 0:07:20 | |
-Matthew! -Yes, I'm trying. | 0:07:20 | 0:07:23 | |
Time of death, 11.37. | 0:07:41 | 0:07:42 | |
Frog. | 0:07:49 | 0:07:50 | |
-Clock. -Good. | 0:07:51 | 0:07:53 | |
In one minute, I'll ask you what those three things are again. | 0:07:53 | 0:07:56 | |
-Lucien! -Mattie. | 0:07:56 | 0:07:58 | |
Jessie, this is Dr Lucien Blake. He's our local police surgeon. | 0:07:58 | 0:08:02 | |
Hello. | 0:08:02 | 0:08:04 | |
Quite a bump, by the looks of things. | 0:08:04 | 0:08:06 | |
We think Jessie was in an accident, | 0:08:06 | 0:08:07 | |
although she can't remember much of it yet. | 0:08:07 | 0:08:10 | |
I can't seem to remember much of anything right now. | 0:08:10 | 0:08:13 | |
Well, give it time. | 0:08:13 | 0:08:15 | |
-Excuse me for just a moment. Lucien? -Mm? | 0:08:18 | 0:08:21 | |
Is everything all right? | 0:08:23 | 0:08:25 | |
Yes, just...been a difficult morning. | 0:08:25 | 0:08:30 | |
Have you spoken to Jean? | 0:08:30 | 0:08:32 | |
Has she made a decision? | 0:08:32 | 0:08:34 | |
Not that I know of. | 0:08:34 | 0:08:36 | |
Look, I know her family needs her, but Ballarat is her home. | 0:08:37 | 0:08:40 | |
-She can't just leave! -Mattie, this is her decision to make, all right? | 0:08:40 | 0:08:45 | |
Now, the patient seems to be doing quite well. | 0:08:47 | 0:08:50 | |
Physically, yes. Mentally, I'm not so sure. | 0:08:50 | 0:08:53 | |
Jessie can talk about her childhood. | 0:08:53 | 0:08:55 | |
She knows that Robert Menzies is running the country. | 0:08:55 | 0:08:58 | |
Just nothing about the accident, or a few days before it. | 0:08:58 | 0:09:01 | |
So, her long-term memory's intact. | 0:09:01 | 0:09:03 | |
So far, she's remembers she takes her tea black with lemon, | 0:09:03 | 0:09:06 | |
she doesn't like biscuits and that she's a smoker. | 0:09:06 | 0:09:09 | |
She sent me to buy her some matches. | 0:09:09 | 0:09:11 | |
There was a new pack of cigarettes in her pocket. | 0:09:11 | 0:09:13 | |
You see, addiction - that uses a different part of the brain. | 0:09:13 | 0:09:17 | |
She's lucky you found her. | 0:09:19 | 0:09:21 | |
Initial toxicology suggests he'd been drinking, a lot. | 0:09:21 | 0:09:25 | |
Dupuytren's contracture, swelling of the abdomen, jaundice. | 0:09:25 | 0:09:29 | |
Looks like chronic liver disease. | 0:09:29 | 0:09:31 | |
Excessive use of alcohol over long periods. | 0:09:31 | 0:09:34 | |
But we're looking for signs someone did this? | 0:09:34 | 0:09:36 | |
Well, nothing to suggest he asphyxiated himself. | 0:09:36 | 0:09:40 | |
No evidence of him having choked on his own vomit. | 0:09:40 | 0:09:42 | |
So, that's a yes. | 0:09:42 | 0:09:44 | |
Yes. | 0:09:44 | 0:09:45 | |
His hotel room door was secured from the inside. | 0:09:45 | 0:09:49 | |
There are signs of a struggle here. | 0:09:51 | 0:09:53 | |
There's excessive bruising | 0:09:54 | 0:09:56 | |
and abrasions on the inside of the mouth. | 0:09:56 | 0:09:59 | |
Yes. | 0:09:59 | 0:10:01 | |
Oh, Alice, of course! | 0:10:02 | 0:10:04 | |
He was smothered. | 0:10:06 | 0:10:08 | |
The cause of death was asphyxiation, regardless of the time frame. | 0:10:08 | 0:10:11 | |
Yes, I know it was murder. I called ahead to the morgue. | 0:10:11 | 0:10:14 | |
Wasn't expecting your presence here. | 0:10:14 | 0:10:17 | |
If you'd accompany us upstairs, please. | 0:10:17 | 0:10:19 | |
Ah, this is a police interview. | 0:10:25 | 0:10:27 | |
If you are required, I'll ask for you. | 0:10:27 | 0:10:30 | |
In the meantime, you stay down here. Do I make myself clear? | 0:10:30 | 0:10:33 | |
Hey! I've got a business to run. | 0:10:37 | 0:10:39 | |
Are we going to be here all day? | 0:10:39 | 0:10:41 | |
-Sorry, Mr...? -Errol Stott. | 0:10:41 | 0:10:44 | |
Well, Mr Stott, I'm afraid your customers might have to wait. | 0:10:44 | 0:10:47 | |
Excuse me. | 0:10:47 | 0:10:48 | |
I hope you don't think I had anything to do with this, | 0:10:53 | 0:10:56 | |
just because of the master key. | 0:10:56 | 0:10:57 | |
You said a chair was used to close the room door. | 0:10:58 | 0:11:01 | |
Is that correct? | 0:11:03 | 0:11:05 | |
That's right. | 0:11:05 | 0:11:06 | |
Is there any reason why you initially called the police | 0:11:06 | 0:11:09 | |
-and not an ambulance? -I thought he was dead. | 0:11:09 | 0:11:12 | |
Where were you, between the hours of 9pm last night and 8am this morning? | 0:11:12 | 0:11:16 | |
I needed a break. | 0:11:16 | 0:11:18 | |
I went for a long walk and then I went to bed. | 0:11:18 | 0:11:20 | |
Anyone see you? | 0:11:20 | 0:11:21 | |
-No. -That's unfortunate, Mrs Lewis. | 0:11:23 | 0:11:26 | |
-It's "Miss". -Oh. | 0:11:28 | 0:11:29 | |
You and the deceased argued, earlier last night. | 0:11:30 | 0:11:34 | |
What were you arguing about? | 0:11:34 | 0:11:36 | |
I told Henry and Mr Webster that they'd had too many, | 0:11:36 | 0:11:39 | |
that they were cut off for the night. | 0:11:39 | 0:11:41 | |
-Henry wasn't too pleased about it. -Did you argue with anyone else? | 0:11:41 | 0:11:44 | |
-No. -You sure? | 0:11:44 | 0:11:45 | |
Yes, I don't take rubbish from anyone in my hotel. | 0:11:48 | 0:11:51 | |
That's not a crime. | 0:11:52 | 0:11:54 | |
Miss Lewis, is there anything else you can tell us about | 0:11:54 | 0:11:57 | |
what the deceased and Mr Webster were doing? | 0:11:57 | 0:11:59 | |
What they were talking about? | 0:11:59 | 0:12:01 | |
Only that Mr Webster said he was about to make Henry a very rich man. | 0:12:01 | 0:12:05 | |
I gave out room keys. | 0:12:09 | 0:12:11 | |
Er, Henry was in room number 27 | 0:12:13 | 0:12:15 | |
and Mr Webster opted for the room next to Mr King's. | 0:12:15 | 0:12:19 | |
Mr Webster chose that room? | 0:12:19 | 0:12:21 | |
Yes. | 0:12:21 | 0:12:23 | |
He said something about "the higher the room, the better the view". | 0:12:23 | 0:12:27 | |
Where is Mr Webster now? | 0:12:27 | 0:12:29 | |
He's booked another night in the hotel. | 0:12:29 | 0:12:31 | |
And that was the last you saw of either of them, that night? | 0:12:31 | 0:12:34 | |
Yes. | 0:12:34 | 0:12:36 | |
-You're sure? -Yes. | 0:12:36 | 0:12:38 | |
I've told you everything that I know. | 0:12:39 | 0:12:42 | |
I have. | 0:12:43 | 0:12:45 | |
Did you have anything to do with the death of Henry King? | 0:12:48 | 0:12:52 | |
No. | 0:12:52 | 0:12:54 | |
Thank you, Miss Lewis. That'll be all for now. | 0:12:59 | 0:13:01 | |
You didn't think to mention Len Webster to me? | 0:13:04 | 0:13:07 | |
He was drinking with Henry King. | 0:13:07 | 0:13:09 | |
He chose the room next to the deceased. | 0:13:09 | 0:13:11 | |
-Superintendent... -I don't want to hear it! | 0:13:11 | 0:13:14 | |
I thought you were better than this. | 0:13:14 | 0:13:16 | |
Go back to Len Webster. | 0:13:16 | 0:13:18 | |
Get the interview right this time, Inspector. | 0:13:18 | 0:13:20 | |
Davis, I need you to head to a home in Lynchfield. | 0:13:23 | 0:13:25 | |
The main power's been cut to the property. | 0:13:25 | 0:13:27 | |
Wouldn't that require an electrician, sir? | 0:13:27 | 0:13:29 | |
Go! | 0:13:29 | 0:13:31 | |
Take a statement. | 0:13:31 | 0:13:32 | |
With respect, Superintendent, Sergeant Davis is a senior officer. | 0:13:32 | 0:13:36 | |
And I'm his commanding officer. | 0:13:36 | 0:13:39 | |
I'd focus on Len Webster, if I were you. | 0:13:39 | 0:13:41 | |
Ah, Blake. | 0:13:42 | 0:13:44 | |
Still waiting on your resignation, aren't I? | 0:13:45 | 0:13:48 | |
Has the good doctor formally resigned, Superintendent? | 0:13:50 | 0:13:54 | |
Davis. | 0:13:58 | 0:13:59 | |
You were there. | 0:13:59 | 0:14:01 | |
Inform the Inspector here what was said. | 0:14:04 | 0:14:06 | |
Sorry, sir. I didn't hear anything. | 0:14:07 | 0:14:10 | |
I see. | 0:14:14 | 0:14:15 | |
We'll make this more formal from now on, shall we? | 0:14:18 | 0:14:21 | |
Lucien. | 0:14:35 | 0:14:36 | |
How are you? | 0:14:38 | 0:14:39 | |
All the better for seeing you, Doug. What are you doing here? | 0:14:39 | 0:14:42 | |
Catherine Lewis's parents are old friends of mine. | 0:14:42 | 0:14:44 | |
I'm here to make sure Catherine is all right. | 0:14:44 | 0:14:47 | |
And is she? | 0:14:47 | 0:14:48 | |
She'll survive. | 0:14:48 | 0:14:50 | |
She's a tough girl. | 0:14:50 | 0:14:51 | |
Matthew Lawson is back, I gather. | 0:14:54 | 0:14:57 | |
And how would you know that? | 0:14:57 | 0:14:59 | |
And I can also tell you that | 0:15:05 | 0:15:07 | |
most of last night's guests have checked out. | 0:15:07 | 0:15:10 | |
They're rattled. | 0:15:11 | 0:15:12 | |
And that most of the staff are off cleaning rooms until 2pm. | 0:15:13 | 0:15:18 | |
Or thereabouts. | 0:15:18 | 0:15:20 | |
And I can also tell you that one Henry King | 0:15:21 | 0:15:24 | |
spent far too much time here with a drink in his hand. | 0:15:24 | 0:15:28 | |
You don't miss a trick, do you? | 0:15:28 | 0:15:30 | |
Once a policeman, Lucien... | 0:15:30 | 0:15:32 | |
Always good to see you, Doug. | 0:15:33 | 0:15:36 | |
And you. | 0:15:36 | 0:15:37 | |
I was hoping Mr King would sell me his hardware store. | 0:15:40 | 0:15:42 | |
Made for the perfect site for our new gun emporium. | 0:15:42 | 0:15:45 | |
But now, with Mr King having passed, | 0:15:45 | 0:15:49 | |
it makes a decision a lot more complicated. | 0:15:49 | 0:15:51 | |
You must have been quietly confident he'd sell, | 0:15:51 | 0:15:54 | |
if you were already celebrating. | 0:15:54 | 0:15:55 | |
You paid for the drinks last night. | 0:15:58 | 0:16:00 | |
You also offered to pay for Mr King's room. | 0:16:00 | 0:16:02 | |
Well, Norm and I had been tracking King's business. | 0:16:04 | 0:16:06 | |
Mr Baker, your business partner? | 0:16:06 | 0:16:09 | |
That's right. | 0:16:09 | 0:16:10 | |
We weren't sure that King would sell, initially. | 0:16:10 | 0:16:14 | |
But you had a plan, didn't you? | 0:16:14 | 0:16:16 | |
You'd book him into a room, you'd get him blind drunk | 0:16:16 | 0:16:20 | |
and you'd try and get him to sign the papers last night. | 0:16:20 | 0:16:24 | |
Yes, actually. | 0:16:24 | 0:16:25 | |
And where were you in all this, Mr Baker? | 0:16:27 | 0:16:29 | |
I was letting Len do the heavy lifting. | 0:16:29 | 0:16:32 | |
You were going to open a gun emporium. | 0:16:33 | 0:16:35 | |
There's already a gun shop a few doors down from Mr King. | 0:16:38 | 0:16:41 | |
Errol Stott's place. | 0:16:41 | 0:16:43 | |
There is. But competition's a good thing, isn't it? | 0:16:43 | 0:16:46 | |
Are you going to stay in town another night? | 0:16:50 | 0:16:52 | |
Yes, but in a different room. | 0:16:52 | 0:16:55 | |
Someone died, Inspector - | 0:16:55 | 0:16:57 | |
right next door to me. | 0:16:57 | 0:16:59 | |
Excuse me, if I may. | 0:16:59 | 0:17:00 | |
Is this the only reason you were in Ballarat? | 0:17:00 | 0:17:04 | |
We had attended a memorial earlier that morning. | 0:17:04 | 0:17:07 | |
My daughter. | 0:17:07 | 0:17:09 | |
Mr Baker, forgive me. I am so very sorry. | 0:17:12 | 0:17:15 | |
She passed away a while ago. | 0:17:17 | 0:17:19 | |
Time doesn't make it any easier. | 0:17:19 | 0:17:22 | |
What'd you do after the memorial? | 0:17:22 | 0:17:25 | |
Oh, I checked into the hotel and we had lunch. | 0:17:25 | 0:17:28 | |
Basically waited for my meeting with Mr King. | 0:17:28 | 0:17:30 | |
What time was that? | 0:17:30 | 0:17:32 | |
About 5.30. | 0:17:32 | 0:17:34 | |
Mr King was running late. | 0:17:34 | 0:17:35 | |
Said he was coming straight from a meeting at the church hall. | 0:17:35 | 0:17:39 | |
Thanks, Errol. That's great. Sounds like things are going well. | 0:17:47 | 0:17:51 | |
Anyone else like to share with the group? | 0:17:51 | 0:17:54 | |
Um... | 0:17:54 | 0:17:55 | |
I'm coming up to 18 months without alcohol now, | 0:17:56 | 0:18:00 | |
and I'm having trouble with the 8th step. | 0:18:00 | 0:18:04 | |
Well, Errol, the 8th step demands an honesty about our relations | 0:18:04 | 0:18:09 | |
with other people, and with God. | 0:18:09 | 0:18:12 | |
It allows us to start forgiving others and then, in turn, | 0:18:12 | 0:18:17 | |
-to be forgiven by them... -Which is impossible. | 0:18:17 | 0:18:20 | |
You see, my problem is, | 0:18:20 | 0:18:24 | |
I know I should be able to forgive, | 0:18:24 | 0:18:27 | |
but I can't. | 0:18:27 | 0:18:28 | |
I just can't. | 0:18:28 | 0:18:31 | |
Forgiveness isn't easy. | 0:18:31 | 0:18:33 | |
I know... | 0:18:33 | 0:18:34 | |
Welcome. Pull up a chair. | 0:18:34 | 0:18:36 | |
I should be able to forgive people | 0:18:39 | 0:18:41 | |
for nearly putting me out of business and almost ruining my life? | 0:18:41 | 0:18:45 | |
How do you forgive that? | 0:18:45 | 0:18:48 | |
We can still forgive people, long after they've gone. | 0:18:48 | 0:18:51 | |
But quite honestly... | 0:18:51 | 0:18:53 | |
..how can we even begin to forgive others, | 0:18:54 | 0:19:00 | |
when we can't forgive ourselves? | 0:19:00 | 0:19:03 | |
As a new participant, | 0:19:05 | 0:19:07 | |
would you like to share with the group? | 0:19:07 | 0:19:09 | |
Um, hello. | 0:19:16 | 0:19:18 | |
My name is Lucien. | 0:19:20 | 0:19:22 | |
DOOR OPENS, SHUTS | 0:19:32 | 0:19:35 | |
We're closed! | 0:19:43 | 0:19:44 | |
I happened to be at the meeting earlier. | 0:19:48 | 0:19:51 | |
Yeah, and I saw you at the station this morning. | 0:19:51 | 0:19:55 | |
-You're a copper. -Well, police surgeon, actually. | 0:19:55 | 0:19:59 | |
I'm just trying to find out a little bit more about Henry King. | 0:19:59 | 0:20:03 | |
I understand you were both acquainted? | 0:20:03 | 0:20:06 | |
Acquainted? | 0:20:06 | 0:20:08 | |
You can call it that, if you want. | 0:20:08 | 0:20:11 | |
There's suspicion surrounding his death. | 0:20:11 | 0:20:15 | |
Do you think I don't know that? | 0:20:15 | 0:20:17 | |
Can you think of anyone who might have wanted to hurt Mr King? | 0:20:18 | 0:20:24 | |
You mean, would I hurt him? | 0:20:24 | 0:20:26 | |
Well, with him deceased, out of the way, as it were, | 0:20:26 | 0:20:29 | |
-what would happen to his store? -Don't know. Don't care. | 0:20:29 | 0:20:33 | |
Won't be sold to that Len Webster bloke any time too soon, though. | 0:20:33 | 0:20:36 | |
But what if he had sold? | 0:20:36 | 0:20:38 | |
I wasn't involved in his death. | 0:20:40 | 0:20:43 | |
As much as I wanted to be. | 0:20:43 | 0:20:44 | |
Mr Stott. | 0:20:45 | 0:20:47 | |
Tell me the truth about what happened to Henry King. | 0:20:47 | 0:20:51 | |
Why not, eh? | 0:20:52 | 0:20:54 | |
Yes, I did go to the hotel that night. | 0:20:56 | 0:21:00 | |
I knew Henry would be in his regular room - | 0:21:01 | 0:21:03 | |
the room he always used when he couldn't drive home. | 0:21:03 | 0:21:06 | |
I knocked on his door. | 0:21:07 | 0:21:09 | |
Even had this with me, in a bag. | 0:21:11 | 0:21:13 | |
Tried to open the door, and it was locked. | 0:21:17 | 0:21:21 | |
Even tried shouldering it, and it wouldn't budge. | 0:21:23 | 0:21:26 | |
If that party hadn't been across the hall, I ... | 0:21:28 | 0:21:30 | |
I might have held my nerve. | 0:21:32 | 0:21:33 | |
But I didn't. | 0:21:37 | 0:21:38 | |
If you'd like to go through with the Constable, thank you, Mr Stott. | 0:21:46 | 0:21:50 | |
I would not put it past him to kill a man. | 0:21:53 | 0:21:56 | |
Yes. | 0:21:56 | 0:21:58 | |
Thing is... | 0:21:58 | 0:21:59 | |
..I just don't know if he killed our man. | 0:22:01 | 0:22:04 | |
You went to visit Mr Stott on your own last night. | 0:22:04 | 0:22:06 | |
-What did you think you were doing? -Getting answers. | 0:22:06 | 0:22:09 | |
You do realise that every step we take is being watched? | 0:22:10 | 0:22:14 | |
We're trying to seek a conviction. | 0:22:14 | 0:22:16 | |
You be careful. You're starting to sound like you-know-who. | 0:22:16 | 0:22:19 | |
Process, Blake. | 0:22:19 | 0:22:20 | |
We do things the right way. | 0:22:21 | 0:22:23 | |
Good to have you back, Matthew. | 0:22:26 | 0:22:28 | |
Doctor, a word. | 0:22:29 | 0:22:31 | |
Superintendent. | 0:22:31 | 0:22:33 | |
I'm hearing reports you fronted up to an AA meeting last night. | 0:22:34 | 0:22:37 | |
Is that correct? | 0:22:37 | 0:22:39 | |
Yes, it is. | 0:22:40 | 0:22:41 | |
And you've been officially cautioned more than once | 0:22:41 | 0:22:44 | |
about drinking on the job, haven't you? | 0:22:44 | 0:22:46 | |
Please. | 0:22:49 | 0:22:50 | |
If you think I'm going to let your actions reflect poorly | 0:22:54 | 0:22:57 | |
upon this police station and upon me, you are sorely mistaken. | 0:22:57 | 0:23:01 | |
Know that this isn't just the kind of thing | 0:23:03 | 0:23:05 | |
that could cost you your role here. | 0:23:05 | 0:23:08 | |
If I have my way, you will lose your licence to practise. | 0:23:08 | 0:23:12 | |
Is that right? Will there be anything else today, William? | 0:23:13 | 0:23:16 | |
Get out of my station. | 0:23:19 | 0:23:22 | |
Now. | 0:23:22 | 0:23:23 | |
I know, you told me so. | 0:23:35 | 0:23:37 | |
Mr Stott said something in there that might interest you. | 0:23:37 | 0:23:39 | |
Turns out you and Catherine Lewis have something in common. | 0:23:39 | 0:23:42 | |
And what's that? | 0:23:42 | 0:23:43 | |
According to Errol, she was supposed to be at that AA meeting too. | 0:23:43 | 0:23:47 | |
Yes, I'm a reformed alcoholic. | 0:23:49 | 0:23:51 | |
And Henry King? | 0:23:53 | 0:23:54 | |
-Were you two involved...? -Don't be daft. I was his sponsor. | 0:23:54 | 0:23:59 | |
But he was beyond help. | 0:23:59 | 0:24:00 | |
He was delusional. | 0:24:01 | 0:24:03 | |
I mean, he threatened to tell people about me, about my past... | 0:24:03 | 0:24:06 | |
Before I took over the family hotel, I lived in Melbourne for a while. | 0:24:10 | 0:24:14 | |
I... | 0:24:15 | 0:24:16 | |
Well, let's just say I did some things that I'm not proud of. | 0:24:18 | 0:24:21 | |
I made some bad choices. | 0:24:21 | 0:24:23 | |
And you told him all of this? | 0:24:24 | 0:24:25 | |
Yes, we're supposed to be open with one another, | 0:24:25 | 0:24:28 | |
and I thought it would help. It didn't. | 0:24:28 | 0:24:30 | |
Catherine, when did Henry start drinking? | 0:24:30 | 0:24:32 | |
Well, he's always enjoyed a drink, | 0:24:32 | 0:24:34 | |
but he told me it was around ten years ago that it got worse. | 0:24:34 | 0:24:39 | |
And what happened to him ten years ago? | 0:24:39 | 0:24:41 | |
Well, his business nearly collapsed. | 0:24:41 | 0:24:43 | |
I see. | 0:24:43 | 0:24:45 | |
Just one more thing, if I may. That chair... | 0:24:45 | 0:24:48 | |
Yes, what about it? | 0:24:49 | 0:24:51 | |
Well, did Henry ever mention being scared of anyone? | 0:24:51 | 0:24:55 | |
Someone who may have wanted to harm him? | 0:24:55 | 0:24:58 | |
No, I don't think so. | 0:24:58 | 0:25:00 | |
You said he stayed here on occasion. | 0:25:00 | 0:25:02 | |
Do you know...would he always prop that chair up against the door? | 0:25:02 | 0:25:07 | |
No, no, it was the first time I've ever known him to do it. | 0:25:07 | 0:25:11 | |
How do you know? | 0:25:11 | 0:25:13 | |
Because most mornings he was here, | 0:25:13 | 0:25:15 | |
I would have to go in and wake him up. | 0:25:15 | 0:25:17 | |
Right, now, first of all... | 0:25:18 | 0:25:20 | |
KNOCKS AT DOOR Why are you all in there? | 0:25:21 | 0:25:24 | |
It's almost dinner! | 0:25:24 | 0:25:25 | |
Jean, just in time. Come in. We're trying to solve a puzzle. | 0:25:26 | 0:25:29 | |
I'm not sure there's enough room in there. | 0:25:29 | 0:25:31 | |
We're trying to work out how someone got in or out of a room | 0:25:31 | 0:25:34 | |
with a chair wedged under the door handle. | 0:25:34 | 0:25:37 | |
Like this. I'll show you. | 0:25:37 | 0:25:38 | |
Like that! | 0:25:40 | 0:25:42 | |
So, there was no other real evidence in the room? | 0:25:43 | 0:25:46 | |
Um, there was a matchbook on a sideboardy little table thing. | 0:25:46 | 0:25:52 | |
The top of it was torn. | 0:25:52 | 0:25:54 | |
No idea why. Now, how did Henry King's killer get in? | 0:25:54 | 0:25:59 | |
Through the panels in the wall? | 0:26:07 | 0:26:09 | |
Ahh. Even if there was a way through the walls, | 0:26:09 | 0:26:12 | |
the rooms on either side are occupied at the time. | 0:26:12 | 0:26:15 | |
-What about the window? -Good idea, Charlie. | 0:26:16 | 0:26:19 | |
Too high. No reasonable point of entry, | 0:26:19 | 0:26:21 | |
and also, no ledge outside, yes. | 0:26:21 | 0:26:24 | |
Through the floorboards. | 0:26:27 | 0:26:28 | |
There was no evidence to suggest that they'd been tampered with | 0:26:28 | 0:26:31 | |
and also, there was reasonably new carpet in the room. | 0:26:31 | 0:26:35 | |
What about the roof? | 0:26:35 | 0:26:37 | |
The what? | 0:26:37 | 0:26:38 | |
The roof! | 0:26:38 | 0:26:40 | |
Hang on! | 0:26:40 | 0:26:41 | |
Did you say the roof? Um, it's a good idea. | 0:26:44 | 0:26:47 | |
Lawson and I checked it out. There was really no way to get down. | 0:26:47 | 0:26:50 | |
Nothing to secure to, to lower yourself down to the second floor. | 0:26:50 | 0:26:52 | |
I'll tell you what, though. Hang on a minute. | 0:26:52 | 0:26:55 | |
Oh, no. | 0:26:56 | 0:26:57 | |
Not enough space above or below the door | 0:26:57 | 0:27:00 | |
for any sort of tie or rope, you see? | 0:27:00 | 0:27:03 | |
So, what if...? | 0:27:03 | 0:27:05 | |
What if King didn't put the chair there? | 0:27:05 | 0:27:08 | |
What if his killer got inside, did the job, got out, | 0:27:08 | 0:27:12 | |
and got the chair in place from outside in the hallway? | 0:27:12 | 0:27:16 | |
-Don't know. -How would you manage that? | 0:27:18 | 0:27:20 | |
Charlie, I have no idea. | 0:27:20 | 0:27:22 | |
Ooh! | 0:27:22 | 0:27:24 | |
You two, out. | 0:27:24 | 0:27:25 | |
Thank you, Mattie. Thank you, Charlie. | 0:27:27 | 0:27:29 | |
Jean, I'm sorry. I don't think I'll be joining you. | 0:27:30 | 0:27:33 | |
I'd like to spend the night at the hotel. | 0:27:33 | 0:27:36 | |
I think if I spend some time there, it might help. | 0:27:36 | 0:27:38 | |
Well, if that's what you feel you have to do... | 0:27:38 | 0:27:41 | |
Yes, um, thank you. | 0:27:41 | 0:27:43 | |
KEY SCRABBLES IN LOCK | 0:27:53 | 0:27:55 | |
You mind telling me why you felt the need to call me at midnight? | 0:28:45 | 0:28:49 | |
Come on in, Matthew. | 0:28:49 | 0:28:50 | |
And please, take a seat on the end of the bed there. | 0:28:52 | 0:28:55 | |
Right. | 0:29:00 | 0:29:01 | |
That's your Morrison. | 0:29:05 | 0:29:07 | |
Yes. An important Australian colonial artist. | 0:29:07 | 0:29:11 | |
Wonderful colour. | 0:29:11 | 0:29:12 | |
Best of all, his use of light and shade. | 0:29:12 | 0:29:15 | |
Tremendous shadow work. | 0:29:15 | 0:29:17 | |
Is that all? | 0:29:17 | 0:29:18 | |
Well, there's something unusual going on here. | 0:29:18 | 0:29:23 | |
Something you wouldn't typically find in a Morrison painting. | 0:29:23 | 0:29:26 | |
Here, in the bottom corner. | 0:29:29 | 0:29:31 | |
That's a hole. | 0:29:31 | 0:29:32 | |
Something has gone clean through it. | 0:29:32 | 0:29:36 | |
-That's a fresh bullet hole. -Yes. | 0:29:38 | 0:29:41 | |
There's no gunpowder residue, which means it exited through here. | 0:29:43 | 0:29:47 | |
Which means it was shot from the next room. | 0:29:47 | 0:29:49 | |
Plaster is easy enough to shoot through, but where's the bullet? | 0:29:51 | 0:29:54 | |
Not here. | 0:29:54 | 0:29:56 | |
Honestly, I searched high and low before I called you. | 0:29:56 | 0:30:00 | |
The thing is, Matthew, | 0:30:00 | 0:30:01 | |
if we can't find the bullet anywhere in here... | 0:30:01 | 0:30:04 | |
..then there's a slim chance, a very slim chance... | 0:30:05 | 0:30:08 | |
..it may still be in Henry King. | 0:30:10 | 0:30:12 | |
All right. Well, first things first. | 0:30:12 | 0:30:16 | |
Follow me. | 0:30:16 | 0:30:17 | |
KNOCKS AT DOOR | 0:30:18 | 0:30:20 | |
I'm sorry for the intrusion, sir. I'm with the Ballarat Police. | 0:30:20 | 0:30:23 | |
We need to take a look in this room. | 0:30:23 | 0:30:25 | |
Matthew. | 0:30:34 | 0:30:35 | |
Look here. | 0:30:36 | 0:30:38 | |
Oh. Toothpaste. | 0:30:39 | 0:30:41 | |
It's gun residue. This was fired from close range. | 0:30:43 | 0:30:46 | |
Yes. Obviously, someone was trying to mask the evidence. | 0:30:46 | 0:30:50 | |
Len Webster. This was his room. | 0:30:50 | 0:30:52 | |
Blake. | 0:30:56 | 0:30:57 | |
Ah, chewing gum. | 0:31:01 | 0:31:03 | |
30 cal. | 0:31:06 | 0:31:08 | |
Don't ask me what it was fired from, though. | 0:31:08 | 0:31:10 | |
I mean, who leaves the case behind, but plugs up a hole in the wall? | 0:31:10 | 0:31:13 | |
I'm sorry, sir. This is now a crime scene. | 0:31:16 | 0:31:18 | |
I'm going to have to ask you to move. | 0:31:18 | 0:31:20 | |
TAPPING | 0:31:24 | 0:31:25 | |
Here's hoping we don't find a bullet. | 0:31:33 | 0:31:35 | |
I don't want to get the sack, having just quit. | 0:31:35 | 0:31:38 | |
Did you happen to see the ashtray in that adjoining hotel room? | 0:31:41 | 0:31:44 | |
There wasn't one in Henry King's room. | 0:31:44 | 0:31:46 | |
If Webster wanted to shoot King, why do it through a wall? | 0:31:48 | 0:31:51 | |
I have absolutely no idea. | 0:31:51 | 0:31:53 | |
Does this ever get to you? | 0:31:56 | 0:31:58 | |
Well, it's the "how" that makes it mechanical. | 0:32:00 | 0:32:03 | |
A way of distancing myself, really. | 0:32:03 | 0:32:05 | |
Must make it easier, then, | 0:32:07 | 0:32:08 | |
if you're considering digging up your own mother. | 0:32:08 | 0:32:11 | |
Not you, too. | 0:32:13 | 0:32:15 | |
And it's precisely the reason I need to do it, Matthew - | 0:32:16 | 0:32:19 | |
because she's my mother. | 0:32:19 | 0:32:21 | |
What about you? | 0:32:21 | 0:32:23 | |
You haven't told me a damned thing about what happened in Melbourne. | 0:32:23 | 0:32:26 | |
Ah, now's not the time, is it? | 0:32:26 | 0:32:28 | |
It's not going to get any more private than this. | 0:32:28 | 0:32:31 | |
Well, I was accused of several counts of corruption. | 0:32:33 | 0:32:36 | |
One Special Branch hearing after another. | 0:32:36 | 0:32:39 | |
-And they couldn't make anything stick. -No. | 0:32:39 | 0:32:43 | |
They were going to sack me one way or another, though. | 0:32:43 | 0:32:46 | |
So, what did you do? | 0:32:46 | 0:32:48 | |
Pulled a rabbit out of the hat, with Charlie's help. | 0:32:48 | 0:32:51 | |
Char... Our Charlie? | 0:32:51 | 0:32:53 | |
I did, however, remain a can of worms, so they demoted me, | 0:32:56 | 0:32:59 | |
and hoped the humiliation would drive me out. | 0:32:59 | 0:33:02 | |
Really? | 0:33:03 | 0:33:05 | |
Well, they didn't know you very well, did they? | 0:33:05 | 0:33:07 | |
Nope. | 0:33:07 | 0:33:09 | |
And here I am. | 0:33:09 | 0:33:11 | |
Well, I can tell you, no bullet. | 0:33:12 | 0:33:15 | |
Henry King wasn't shot, and thank heaven for that. | 0:33:16 | 0:33:20 | |
Munro's still going to want to know where this came from, though. | 0:33:20 | 0:33:23 | |
An M1 carbine. | 0:33:26 | 0:33:28 | |
How stupid do you have to be to leave the case behind? | 0:33:28 | 0:33:31 | |
Gun automatically ejects it. | 0:33:31 | 0:33:33 | |
You stock these, don't you? The M1 carbine? | 0:33:33 | 0:33:36 | |
Only bloke in Ballarat who does. | 0:33:37 | 0:33:39 | |
Did you kill Henry King? | 0:33:48 | 0:33:50 | |
When I was younger, if I'd had a drink in me, I might have done it. | 0:33:52 | 0:33:55 | |
-But not now. -DOOR OPENS, BELL DINGS | 0:33:55 | 0:33:58 | |
Thanks, mate. Thanks. | 0:34:02 | 0:34:04 | |
You think that if I start digging, | 0:34:12 | 0:34:14 | |
that I can't make a case against you, Mr Stott? | 0:34:14 | 0:34:16 | |
I know you had access to an M1. | 0:34:16 | 0:34:18 | |
You knew King was planning to sell his business and put you under. | 0:34:18 | 0:34:22 | |
And you've admitted you visited King's room that night. | 0:34:22 | 0:34:26 | |
We'd like to know how you got into that hotel room. | 0:34:26 | 0:34:28 | |
Any other services you provide here? | 0:34:28 | 0:34:30 | |
Why are you asking me questions you already know the answers to? | 0:34:30 | 0:34:33 | |
So I can tell if you're lying. | 0:34:33 | 0:34:35 | |
I cut keys as well. | 0:34:38 | 0:34:40 | |
So, you could have got into King's hotel room, | 0:34:42 | 0:34:45 | |
cut a new key, | 0:34:45 | 0:34:47 | |
murdered Henry King... | 0:34:47 | 0:34:48 | |
..propped a chair behind the door on your way out. | 0:34:50 | 0:34:52 | |
Mate, I own a gun store. | 0:34:52 | 0:34:55 | |
I'm not bloody Houdini. | 0:34:55 | 0:34:58 | |
If you didn't fire that gun, then who did, Mr Stott? | 0:34:58 | 0:35:00 | |
I'm telling you, I don't know. | 0:35:00 | 0:35:03 | |
But I can give you a list of people I sold an M1 to. | 0:35:03 | 0:35:06 | |
Yes, I purchased an M1 carbine from that store. | 0:35:11 | 0:35:14 | |
Normally, I would have never drunk that much. | 0:35:16 | 0:35:18 | |
The gun firing was a complete accident. | 0:35:18 | 0:35:21 | |
And what happened when it went off, Mr Webster? | 0:35:23 | 0:35:25 | |
The bullet went clean through the wall. | 0:35:27 | 0:35:30 | |
I knew there was a chance that I had shot Mr King. | 0:35:30 | 0:35:33 | |
I waited for someone to report the sound, at least - | 0:35:33 | 0:35:38 | |
but there was so much noise in the hallway | 0:35:38 | 0:35:40 | |
that no-one seemed to have noticed. | 0:35:40 | 0:35:43 | |
The next day, I heard that Henry had suffocated. He wasn't shot. | 0:35:43 | 0:35:47 | |
I figured the bullet had missed him and no-one seemed to have noticed. | 0:35:49 | 0:35:52 | |
And you covered the hole with toothpaste. | 0:35:52 | 0:35:55 | |
Hang on a moment. | 0:35:59 | 0:36:01 | |
You didn't cover the hole, did you? | 0:36:01 | 0:36:04 | |
Norman Baker of Castlemaine, Victoria. | 0:36:04 | 0:36:07 | |
We need you to be honest with us, this time. | 0:36:08 | 0:36:10 | |
Were you in the hotel the night Henry King died? | 0:36:12 | 0:36:15 | |
Yes. | 0:36:15 | 0:36:16 | |
Mr Baker, why didn't you mention this earlier? | 0:36:18 | 0:36:20 | |
Because in a few more questions, you're going to find out | 0:36:20 | 0:36:22 | |
that I was there when the rifle went off. | 0:36:22 | 0:36:25 | |
And then, you'll find some way to implicate me | 0:36:25 | 0:36:27 | |
in the murder of Henry King, and as you can appreciate, | 0:36:27 | 0:36:30 | |
I didn't really want that. | 0:36:30 | 0:36:32 | |
So hopefully, my honesty now will count for something. | 0:36:32 | 0:36:35 | |
But I did not touch that gun. | 0:36:36 | 0:36:38 | |
I was just there when it went off. | 0:36:40 | 0:36:42 | |
And then? | 0:36:43 | 0:36:45 | |
And then I went home. | 0:36:45 | 0:36:47 | |
Is there anyone who can verify that, Mr Baker? | 0:36:47 | 0:36:50 | |
No. I live on my own. | 0:36:50 | 0:36:52 | |
Did you attempt to kill Mr King by shooting or suffocation? | 0:36:54 | 0:36:59 | |
No, I did not. | 0:37:02 | 0:37:04 | |
Lucien? You just missed Mattie. | 0:37:08 | 0:37:10 | |
That girl, Jessie, she remembers being in town to visit her father. | 0:37:10 | 0:37:13 | |
Thank you. | 0:37:13 | 0:37:15 | |
Well, she's from out of town. That's something. | 0:37:15 | 0:37:18 | |
And Mrs Pryor just rang. | 0:37:18 | 0:37:19 | |
She wants to make an appointment in two weeks for a follow-up. | 0:37:19 | 0:37:22 | |
-What do you want me to do? -What would you normally do? | 0:37:22 | 0:37:25 | |
Well, I'm not booking anyone beyond the end of next week, | 0:37:25 | 0:37:27 | |
because, well... | 0:37:27 | 0:37:29 | |
Of course. Um... | 0:37:29 | 0:37:32 | |
Then yes, please, do... Do book her in. | 0:37:32 | 0:37:34 | |
-Right. I'll let her know. -Thank you. | 0:37:34 | 0:37:36 | |
Oh, any news on Henry King? | 0:37:38 | 0:37:40 | |
Almost too much, in fact. | 0:37:40 | 0:37:43 | |
And no logic to any of it. | 0:37:43 | 0:37:45 | |
What I'd like to know is what happened to him ten years ago. | 0:37:45 | 0:37:48 | |
Why ten years ago? | 0:37:48 | 0:37:50 | |
I'm told that's when he started drinking heavily. | 0:37:50 | 0:37:52 | |
Perhaps there's something he wanted to forget. | 0:37:52 | 0:37:55 | |
Catherine Lewis seems to think his declining business was the problem. | 0:37:55 | 0:37:59 | |
Oh. | 0:37:59 | 0:38:01 | |
Well, uncertainty in your job is a real worry for people. | 0:38:01 | 0:38:05 | |
Jean, you know... | 0:38:10 | 0:38:12 | |
You know you'll always have a job here. | 0:38:16 | 0:38:18 | |
Will sir be having another? | 0:38:40 | 0:38:42 | |
No. No, thank you, Cec. | 0:38:43 | 0:38:45 | |
And will there be anything else this afternoon, sir? | 0:38:46 | 0:38:49 | |
No, I don't think... | 0:38:50 | 0:38:52 | |
Actually, Cec, you may be able to help me with something. | 0:38:53 | 0:38:57 | |
Did you know Henry King? | 0:38:58 | 0:39:01 | |
I knew of him, sir. | 0:39:01 | 0:39:03 | |
His drinking, I was told, got fairly... | 0:39:03 | 0:39:08 | |
shall we say, out of hand about a decade ago. | 0:39:08 | 0:39:12 | |
Something to do with his business. | 0:39:14 | 0:39:16 | |
His business? | 0:39:18 | 0:39:19 | |
Specifically, that his store was failing. | 0:39:19 | 0:39:22 | |
Begging your pardon, sir, | 0:39:24 | 0:39:26 | |
but Mr King didn't own his hardware store back then. He was a builder. | 0:39:26 | 0:39:30 | |
-A builder, you say? -Mm. | 0:39:31 | 0:39:33 | |
And that drove him to the bottle? | 0:39:33 | 0:39:35 | |
Well, no, sir. | 0:39:35 | 0:39:36 | |
It was something else entirely. | 0:39:38 | 0:39:40 | |
A tragedy, really. | 0:39:41 | 0:39:43 | |
Catherine! We need to talk. | 0:39:43 | 0:39:47 | |
You told me Henry King's failing business | 0:39:47 | 0:39:49 | |
was the reason he started drinking heavily. | 0:39:49 | 0:39:51 | |
That's not quite right, is it? | 0:39:51 | 0:39:53 | |
There was an accident, on the job. Somebody died. | 0:39:56 | 0:39:59 | |
A customer. | 0:39:59 | 0:40:01 | |
People said that Henry was so desperate for a drink, | 0:40:01 | 0:40:04 | |
he ran off the job without a second thought to safety. | 0:40:04 | 0:40:06 | |
Who was the victim? | 0:40:06 | 0:40:08 | |
I don't know. Henry never said. | 0:40:08 | 0:40:10 | |
Only that it was a place out at Castlemaine. | 0:40:10 | 0:40:13 | |
Mr Baker. | 0:40:18 | 0:40:19 | |
I'm Sergeant Davis, and you know Doctor Blake. Sorry to bother you. | 0:40:19 | 0:40:23 | |
Like to ask you a few more questions, if that's all right. | 0:40:23 | 0:40:26 | |
Yes, Mr Baker, if you don't mind, we'd like to... | 0:40:26 | 0:40:29 | |
We'd like to know a little bit more about your... | 0:40:29 | 0:40:33 | |
Your dear daughter who passed away. | 0:40:33 | 0:40:35 | |
She was eight. | 0:40:38 | 0:40:39 | |
My little girl. | 0:40:40 | 0:40:41 | |
I thought she was playing in her bedroom. | 0:40:43 | 0:40:46 | |
Henry King was retiling the roof. | 0:40:46 | 0:40:49 | |
He went off for a drink, about lunchtime. | 0:40:50 | 0:40:53 | |
Didn't batten down the tiles properly. | 0:40:55 | 0:40:57 | |
They came loose. | 0:40:58 | 0:41:00 | |
-And you blamed him for the accident? -He was to blame. | 0:41:05 | 0:41:07 | |
So, why do business with him now? | 0:41:09 | 0:41:12 | |
I didn't kill Henry King. | 0:41:13 | 0:41:16 | |
But that's not to say I didn't want to leave him with nothing. | 0:41:16 | 0:41:19 | |
You wanted to go into business with him, effectively to destroy him. | 0:41:21 | 0:41:26 | |
Buying his business meant that he wouldn't need to be sober. | 0:41:26 | 0:41:30 | |
And I could watch him fall apart. | 0:41:32 | 0:41:34 | |
Just like my family did. | 0:41:38 | 0:41:40 | |
I lost my youngest daughter. | 0:41:43 | 0:41:45 | |
And then soon after, my wife and I separated. | 0:41:47 | 0:41:49 | |
And my eldest daughter moved away. | 0:41:51 | 0:41:54 | |
Your eldest daughter? | 0:41:54 | 0:41:56 | |
Yes. | 0:41:56 | 0:41:57 | |
She was here a few days back for the memorial | 0:41:57 | 0:41:59 | |
at the family plot at West Wendouree. | 0:41:59 | 0:42:02 | |
Then we had lunch at the Royal. | 0:42:04 | 0:42:06 | |
Obviously, she's from out of town. | 0:42:08 | 0:42:11 | |
Yes. She drove back to Bendigo the same day. | 0:42:11 | 0:42:14 | |
You must miss her. | 0:42:16 | 0:42:17 | |
Yes. | 0:42:21 | 0:42:22 | |
That's my youngest daughter's name. | 0:42:23 | 0:42:25 | |
-Mr... -Thank you, Mr Baker. | 0:42:26 | 0:42:29 | |
I'm sure Sergeant Davis will be in touch, | 0:42:29 | 0:42:32 | |
if we have any further questions. | 0:42:32 | 0:42:34 | |
And you're saying this man, he's my father? | 0:42:37 | 0:42:40 | |
I think so, yes. | 0:42:41 | 0:42:43 | |
Norman Baker. Does that ring a bell? | 0:42:43 | 0:42:46 | |
Ah... yeah, yes. That's him. | 0:42:46 | 0:42:49 | |
Good. Good. | 0:42:49 | 0:42:51 | |
Now, you both attended a memorial on the day of your accident. | 0:42:51 | 0:42:54 | |
Er, in the morning. | 0:42:55 | 0:42:58 | |
Yes. Yes, that's right. | 0:42:58 | 0:43:00 | |
And after the memorial, you had lunch together at the Royal Hotel. | 0:43:00 | 0:43:05 | |
Yeah, Dad... Dad picked it, I think. | 0:43:05 | 0:43:08 | |
Can you remember the hotel? | 0:43:08 | 0:43:10 | |
I don't know. I don't think so. | 0:43:12 | 0:43:15 | |
Right. Well, here's what I think happened. | 0:43:16 | 0:43:19 | |
I think you drove away from the hotel, | 0:43:19 | 0:43:21 | |
heading for your home in Bendigo, and you crashed your car. | 0:43:21 | 0:43:24 | |
It's cream, my car. It's a cream Holden. | 0:43:27 | 0:43:31 | |
Excuse me. | 0:43:31 | 0:43:32 | |
The memorial... | 0:43:35 | 0:43:36 | |
..it was for my sister. | 0:43:38 | 0:43:40 | |
Yes, that's right. Now, do you remember her name? | 0:43:40 | 0:43:44 | |
Yes. Jessie. | 0:43:44 | 0:43:46 | |
No, that's your name, remember? | 0:43:46 | 0:43:49 | |
No, it's not my name. | 0:43:49 | 0:43:50 | |
It's hers. | 0:43:52 | 0:43:53 | |
Is it possible you've been remembering your sister's name | 0:43:53 | 0:43:56 | |
rather than your own? | 0:43:56 | 0:43:58 | |
When Jessie died... | 0:44:01 | 0:44:03 | |
..Dad sometimes would call me by her name. | 0:44:04 | 0:44:08 | |
Eventually, I just stopped correcting him. | 0:44:10 | 0:44:13 | |
So, what's your name? | 0:44:16 | 0:44:18 | |
Anna. | 0:44:20 | 0:44:21 | |
I'll call your father. | 0:44:22 | 0:44:24 | |
Let him know where you are and that he can come and pick you up. | 0:44:24 | 0:44:27 | |
So, the girl was inside that hotel, | 0:44:43 | 0:44:45 | |
and now her memories are starting to return? | 0:44:45 | 0:44:48 | |
Seems that way, yes. | 0:44:48 | 0:44:50 | |
We both know that Norman Baker didn't have an alibi, | 0:44:56 | 0:44:58 | |
and plenty of motive, according to you. | 0:44:58 | 0:45:01 | |
Did Anna know her father was doing a deal with Henry King? | 0:45:02 | 0:45:05 | |
The man who killed her sister? | 0:45:08 | 0:45:10 | |
You think she was involved in the business deal? | 0:45:10 | 0:45:13 | |
Oh, I don't know. Doesn't feel right though, does it? | 0:45:13 | 0:45:16 | |
The chair. | 0:45:26 | 0:45:28 | |
What if the killer never left the room at all? | 0:45:30 | 0:45:32 | |
Er, hang on, Charlie. | 0:45:49 | 0:45:51 | |
Doc, boss. There's something you should probably see. | 0:45:52 | 0:45:56 | |
And that's the name of the specialist | 0:45:56 | 0:45:58 | |
I want you to see in Bendigo. | 0:45:58 | 0:46:00 | |
-I'll make sure she does. -Thanks so much, Mattie. | 0:46:00 | 0:46:02 | |
You're welcome. | 0:46:02 | 0:46:04 | |
I'm so glad you're all right. | 0:46:04 | 0:46:06 | |
Anna. | 0:46:10 | 0:46:11 | |
I have a couple of last-minute questions I'd like to ask you, | 0:46:11 | 0:46:14 | |
if that's all right, before you're discharged. | 0:46:14 | 0:46:18 | |
-Er, yeah, of course. -Thank you. Thank you. | 0:46:18 | 0:46:21 | |
Tell me, what does the name Henry King mean to you? | 0:46:21 | 0:46:26 | |
He's the man who killed Jessie. | 0:46:28 | 0:46:30 | |
It's his fault it happened. | 0:46:32 | 0:46:34 | |
It's a long time ago, now. | 0:46:36 | 0:46:38 | |
You see, we need to know what happened | 0:46:38 | 0:46:40 | |
between you saying goodbye to your father after lunch | 0:46:40 | 0:46:43 | |
and you leaving the hotel. | 0:46:43 | 0:46:45 | |
I imagine you bought some cigarettes. | 0:46:45 | 0:46:47 | |
I... I did, yes. | 0:46:48 | 0:46:50 | |
But you didn't have any matches, remember? | 0:46:50 | 0:46:53 | |
You had to ask Miss O'Brien to purchase some for you | 0:46:53 | 0:46:56 | |
-here in the hospital. -I can't... | 0:46:56 | 0:46:59 | |
I'm sorry, I... I don't remember. | 0:46:59 | 0:47:02 | |
-I... don't remember that at all. -I think you do. | 0:47:02 | 0:47:05 | |
All right, that's enough. We're leaving. | 0:47:05 | 0:47:07 | |
Retrograde amnesia, which is what you've been exhibiting, | 0:47:07 | 0:47:10 | |
is the inability to remember things | 0:47:10 | 0:47:12 | |
that happened before a particular trauma - | 0:47:12 | 0:47:14 | |
in this case, your accident. | 0:47:14 | 0:47:16 | |
Now, anterograde amnesia, which you do not have, | 0:47:16 | 0:47:21 | |
is when you can't learn or remember anything new. | 0:47:21 | 0:47:24 | |
I don't claim to understand how memory works, Doctor Blake. | 0:47:26 | 0:47:30 | |
-You're lying, Anna. -Now, just a minute! | 0:47:30 | 0:47:33 | |
You've been lying to me, lying to Miss O'Brien. | 0:47:33 | 0:47:35 | |
You've been lying the whole time. This is what I think happened. | 0:47:35 | 0:47:38 | |
You went upstairs at the Royal Hotel. | 0:47:38 | 0:47:41 | |
It wouldn't have been difficult to work out which room was Mr King's. | 0:47:41 | 0:47:44 | |
In fact, the rooms are unlocked during the afternoons, | 0:47:44 | 0:47:47 | |
while the staff clean. | 0:47:47 | 0:47:48 | |
You went into room 27 and you hid. | 0:47:49 | 0:47:53 | |
You hid under the bed. | 0:47:53 | 0:47:55 | |
-Lucien! -No-no-no-no-no - and you waited. | 0:47:55 | 0:47:58 | |
You were ever so patient. | 0:47:58 | 0:48:00 | |
You waited for Mr King to return. | 0:48:01 | 0:48:04 | |
Eventually, he passed out. | 0:48:04 | 0:48:08 | |
And then... | 0:48:08 | 0:48:09 | |
And then you smothered him with the cushion. | 0:48:12 | 0:48:15 | |
-Annie, no... -I did it because you couldn't! | 0:48:41 | 0:48:44 | |
I wanted him dead and you just wanted to see him broken! | 0:48:45 | 0:48:47 | |
It wasn't enough. | 0:48:47 | 0:48:49 | |
I panicked. | 0:48:53 | 0:48:54 | |
All those noises, coming from the hallway. | 0:48:56 | 0:48:59 | |
People coming and going. | 0:48:59 | 0:49:01 | |
Somebody knocking on the door. | 0:49:01 | 0:49:03 | |
Errol Stott. | 0:49:03 | 0:49:04 | |
So, I used the chair to bar it shut. | 0:49:05 | 0:49:09 | |
They left. | 0:49:14 | 0:49:16 | |
I waited. | 0:49:17 | 0:49:19 | |
I thought I'd managed to find the courage to leave. | 0:49:19 | 0:49:23 | |
GUNSHOT | 0:49:23 | 0:49:25 | |
And then, there was a gunshot. | 0:49:26 | 0:49:29 | |
I didn't know what to do. | 0:49:29 | 0:49:30 | |
So, I hid, under the bed. | 0:49:33 | 0:49:37 | |
The longer I was there, the harder it was to leave. | 0:49:40 | 0:49:43 | |
I froze. | 0:49:43 | 0:49:45 | |
You were still there, next morning... | 0:49:48 | 0:49:50 | |
..when Catherine Lewis and Len Webster found the body. | 0:49:51 | 0:49:54 | |
They left to call the police. | 0:49:54 | 0:49:56 | |
They left the door open... | 0:49:57 | 0:49:59 | |
..and I ran. | 0:50:01 | 0:50:03 | |
I got in the car and I was gone. | 0:50:06 | 0:50:09 | |
You took the cushion and the ashtray, didn't you? | 0:50:15 | 0:50:18 | |
It was always supposed to look like natural causes. | 0:50:19 | 0:50:23 | |
But you hadn't planned on the car crash. | 0:50:23 | 0:50:26 | |
Sergeant Davis? | 0:50:26 | 0:50:27 | |
We found your car, Miss Baker. | 0:50:32 | 0:50:33 | |
Sergeant Davis also found these nearby. | 0:50:37 | 0:50:40 | |
Miss Baker, I'm arresting you for the murder of Henry King. | 0:50:59 | 0:51:02 | |
Anything you say can be written down and used against you in evidence. | 0:51:04 | 0:51:08 | |
KNOCKS AT DOOR | 0:51:12 | 0:51:13 | |
Yes. | 0:51:13 | 0:51:14 | |
What now, Inspector? | 0:51:21 | 0:51:22 | |
I've tried words... | 0:51:26 | 0:51:28 | |
..but I think you're more a man of actions. | 0:51:29 | 0:51:32 | |
Now, if I'm not mistaken, I'd say that that's you, | 0:51:39 | 0:51:42 | |
the Commissioner of Police and Mick "Froggie" Morgan. | 0:51:42 | 0:51:45 | |
Strange, don't you think, that two such high-ranking police officers | 0:51:46 | 0:51:50 | |
should be drinking with the most wanted man in the state? | 0:51:50 | 0:51:54 | |
Your friends in Melbourne were very happy to see this. | 0:51:54 | 0:51:57 | |
Besides them, who else knows about this? | 0:51:59 | 0:52:02 | |
Myself and Blake. | 0:52:04 | 0:52:07 | |
Does Special Branch know where you got this photo from? | 0:52:11 | 0:52:15 | |
Not yet. | 0:52:15 | 0:52:16 | |
So? | 0:52:25 | 0:52:27 | |
Well, we've both shown our hands. | 0:52:27 | 0:52:30 | |
And what happens now? | 0:52:30 | 0:52:31 | |
Now, it's a game of who cracks first. | 0:52:33 | 0:52:35 | |
You were keeping Lawson informed the whole time, weren't you? | 0:52:41 | 0:52:45 | |
You even found that photograph. | 0:52:45 | 0:52:47 | |
Thank you, Charlie. | 0:52:56 | 0:52:57 | |
Any time, Doc. | 0:52:58 | 0:53:00 | |
PIANO PLAYS | 0:53:04 | 0:53:07 | |
And you were right. It wasn't in any textbook. | 0:53:21 | 0:53:24 | |
Oh, Mattie. | 0:53:25 | 0:53:26 | |
It was impossible for you to know. | 0:53:27 | 0:53:30 | |
You knew. | 0:53:30 | 0:53:31 | |
I didn't even consider that she was faking. | 0:53:31 | 0:53:33 | |
Our patients... | 0:53:36 | 0:53:37 | |
They, um... | 0:53:38 | 0:53:39 | |
Ah, Jean. | 0:53:41 | 0:53:42 | |
Sometimes, we want to believe everything they tell us, | 0:53:42 | 0:53:45 | |
in spite of ourselves. | 0:53:45 | 0:53:47 | |
BLAKE RESUMES PLAYING | 0:53:47 | 0:53:49 | |
Jean, why don't you take my place? | 0:53:51 | 0:53:53 | |
I'm going to bed. | 0:53:54 | 0:53:56 | |
-Goodnight. -Night, Mattie. | 0:53:56 | 0:53:58 | |
Whisky? | 0:54:00 | 0:54:02 | |
Now, that's not your usual. | 0:54:02 | 0:54:04 | |
No. But I thought I might need some extra courage. | 0:54:06 | 0:54:10 | |
-You've made your decision, haven't you? -Yes, I have. | 0:54:17 | 0:54:20 | |
I'm leaving tomorrow morning. | 0:54:23 | 0:54:25 | |
Well... | 0:54:33 | 0:54:34 | |
Goodnight, Lucien. | 0:54:36 | 0:54:38 | |
Goodnight, Jean. | 0:54:46 | 0:54:48 |