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TYRES SCREECH | 0:00:17 | 0:00:20 | |
MOTOR REVS | 0:00:23 | 0:00:26 | |
Edward! | 0:00:39 | 0:00:40 | |
Where are you, Franklin? | 0:00:40 | 0:00:42 | |
-Franklin! -Jesus! What do you think you're doing? | 0:00:42 | 0:00:46 | |
-Put that down... -Stay out of this! | 0:00:46 | 0:00:47 | |
Edward! Edward, there's no need for this! | 0:00:47 | 0:00:49 | |
Ah! Oh... | 0:00:49 | 0:00:51 | |
Where are you, Franklin? | 0:00:51 | 0:00:53 | |
For God's sake, Edward! | 0:00:53 | 0:00:55 | |
Edward, stop this! | 0:00:57 | 0:00:59 | |
For God's sake, you don't need to do this. | 0:00:59 | 0:01:02 | |
Edward, I... | 0:01:02 | 0:01:04 | |
-Neville Franklin. -Wasn't he...? -A friend of your father's. | 0:02:04 | 0:02:07 | |
I was going to say a magistrate. Married? Children? | 0:02:07 | 0:02:10 | |
Worshipful Master of the Ballarat Masonic Lodge. | 0:02:10 | 0:02:12 | |
Doesn't leave much room for anything else. | 0:02:12 | 0:02:14 | |
Patrick, are you all right? | 0:02:14 | 0:02:16 | |
Edward did not do this. | 0:02:16 | 0:02:17 | |
I was with him the entire time. | 0:02:19 | 0:02:22 | |
While all this was going on? | 0:02:22 | 0:02:23 | |
-What was he doing here? -Neville Franklin was... | 0:02:26 | 0:02:29 | |
his sentencing magistrate. | 0:02:29 | 0:02:32 | |
-And Edward's still on parole? -Yeah. | 0:02:32 | 0:02:35 | |
Patrick. | 0:02:35 | 0:02:36 | |
-What? -You're hurt. Why don't you sit down for a bit? -I'm fine. | 0:02:36 | 0:02:41 | |
Charlie. | 0:02:41 | 0:02:42 | |
Boss's orders, sir. | 0:02:42 | 0:02:45 | |
No-one's allowed in. | 0:02:45 | 0:02:46 | |
If the Chief Superintendent wants us to start this investigation, | 0:02:48 | 0:02:51 | |
he can bloody well get here. | 0:02:51 | 0:02:53 | |
Thank you, Sergeant. Inspector. Doctor. | 0:02:56 | 0:03:00 | |
Come in. | 0:03:00 | 0:03:01 | |
Not you. | 0:03:10 | 0:03:11 | |
Well? | 0:03:18 | 0:03:19 | |
Presence of bloody saliva around the mouth. | 0:03:22 | 0:03:25 | |
Well, foam, actually. | 0:03:25 | 0:03:27 | |
-Foam? -Hypersalivation, not swallowed during convulsion. | 0:03:27 | 0:03:31 | |
Severe displacement of the limbs. | 0:03:31 | 0:03:33 | |
The deceased would have been in a state of continual spasm | 0:03:33 | 0:03:37 | |
right up until his death. | 0:03:37 | 0:03:39 | |
-Sounds horrible. -Yes, it is. | 0:03:39 | 0:03:40 | |
Broken glass here. And of course... | 0:03:43 | 0:03:47 | |
dark fluid. | 0:03:47 | 0:03:48 | |
That'd be wine, wouldn't it? | 0:03:48 | 0:03:50 | |
Yes, fancy that. It probably would be. | 0:03:52 | 0:03:55 | |
A Bordeaux, by the looks of things, and... | 0:03:55 | 0:03:57 | |
-Gosh, quite a reasonable vintage. -Cause of death. | 0:03:58 | 0:04:01 | |
Poisoning of some kind, judging by the state of the body. | 0:04:01 | 0:04:04 | |
I'll know more once I've completed the relevant toxicology. | 0:04:06 | 0:04:08 | |
Report. On my desk. | 0:04:08 | 0:04:10 | |
What? | 0:04:20 | 0:04:21 | |
Why was he keeping us out of this room? | 0:04:21 | 0:04:23 | |
Neville was already dead when we got here. | 0:04:25 | 0:04:28 | |
Look, I was with Edward the entire time. | 0:04:28 | 0:04:31 | |
-There is no way he could have done this. -Thank you, Mr Tyneman. | 0:04:31 | 0:04:34 | |
Patrick, did you both come by car? | 0:04:40 | 0:04:44 | |
No. I...I drove. Edward came on foot. | 0:04:44 | 0:04:47 | |
Who arrived first? | 0:04:47 | 0:04:49 | |
Edward. | 0:04:49 | 0:04:50 | |
And where was he when you got here? | 0:04:50 | 0:04:52 | |
Well, he was in the house. | 0:04:52 | 0:04:54 | |
He threatened to kill Neville. | 0:04:54 | 0:04:55 | |
Davis. | 0:04:57 | 0:04:58 | |
Edward Tyneman. | 0:05:12 | 0:05:13 | |
I'm arresting you for the murder of Neville Franklin. | 0:05:14 | 0:05:17 | |
-Oh, come on! -Patrick! -You don't have to say anything, | 0:05:17 | 0:05:19 | |
but anything you do say may be written down and used against you | 0:05:19 | 0:05:22 | |
as evidence. | 0:05:22 | 0:05:23 | |
Damn it, Charlie, I'm telling you the man's dangerous. | 0:05:24 | 0:05:28 | |
Doc. | 0:05:28 | 0:05:29 | |
I was first on the scene at Franklin's house. | 0:05:29 | 0:05:32 | |
Got there just before the Superintendent did. | 0:05:32 | 0:05:34 | |
How long were you in that room? | 0:05:34 | 0:05:35 | |
Ten seconds, at most. | 0:05:35 | 0:05:37 | |
Then he arrived, ordered me to stand guard | 0:05:37 | 0:05:39 | |
and he closed the door after me. | 0:05:39 | 0:05:41 | |
When he opened the door again, | 0:05:41 | 0:05:43 | |
I could swear there was something different. | 0:05:43 | 0:05:45 | |
-And what was it? -I don't know. | 0:05:45 | 0:05:46 | |
I could hear him moving things around the room. | 0:05:46 | 0:05:48 | |
Try to remember, Charlie. It's ever so important. | 0:05:48 | 0:05:50 | |
Well I've been racking my... | 0:05:50 | 0:05:52 | |
-Chief Superintendent here? -Ah, he's in the interview room, sir. | 0:05:54 | 0:05:57 | |
No, we'll wait in his office. | 0:05:57 | 0:05:59 | |
Young Blake, isn't it? | 0:06:01 | 0:06:02 | |
Well, not so young any more, I'm afraid. | 0:06:02 | 0:06:05 | |
Mm, good. I knew your parents. | 0:06:05 | 0:06:07 | |
Come, gentlemen. Come. | 0:06:07 | 0:06:09 | |
Tell William we're here. | 0:06:09 | 0:06:12 | |
-Who the hell was that? -Jock Clement. | 0:06:12 | 0:06:13 | |
That's Jock Clement? Now I've come across his name. | 0:06:13 | 0:06:16 | |
And Wallace Llewellyn. Senior and Junior Wardens of the Lodge. | 0:06:16 | 0:06:18 | |
Munro must have brought them in. | 0:06:18 | 0:06:20 | |
I've been filling the doc in | 0:06:20 | 0:06:22 | |
on the Superintendent's behaviour at the crime. | 0:06:22 | 0:06:25 | |
HE CLEARS HIS THROAT | 0:06:25 | 0:06:27 | |
This is new. | 0:06:33 | 0:06:34 | |
Yes. | 0:06:36 | 0:06:37 | |
My guess is strychnine. | 0:06:39 | 0:06:40 | |
The victim convulses... | 0:06:42 | 0:06:43 | |
..until they can no longer breathe. The heart arrests. | 0:06:45 | 0:06:48 | |
They're conscious throughout. | 0:06:48 | 0:06:49 | |
And it can take quite a while. | 0:06:51 | 0:06:53 | |
Have you seen this on one of your mysterious trips? | 0:06:53 | 0:06:56 | |
I read about it in a book. | 0:06:58 | 0:06:59 | |
Well, there's a facial abrasion. | 0:07:01 | 0:07:04 | |
Yes, around the base of the nose, extending up the right cheek. | 0:07:04 | 0:07:08 | |
And laceration to the inner lip. | 0:07:08 | 0:07:10 | |
He fell. | 0:07:12 | 0:07:14 | |
-Hit something. -Or someone clamped his mouth shut. | 0:07:14 | 0:07:17 | |
To drown out his screams? | 0:07:19 | 0:07:21 | |
All right, Alice, are you ready? | 0:07:24 | 0:07:25 | |
Thank you, Alice. | 0:07:30 | 0:07:31 | |
You know, there appears to be | 0:07:33 | 0:07:35 | |
some damage to the oesophagus here, too. | 0:07:35 | 0:07:38 | |
Cause? | 0:07:38 | 0:07:39 | |
I'm not sure yet. | 0:07:39 | 0:07:40 | |
Bloods and urine. | 0:07:42 | 0:07:44 | |
Analysis will take a day or two. | 0:07:44 | 0:07:46 | |
Why so long? | 0:07:46 | 0:07:48 | |
-Toxicologist is getting married. -Oh. | 0:07:48 | 0:07:51 | |
Stomach contents? | 0:07:51 | 0:07:52 | |
METALLIC THUD | 0:07:56 | 0:07:58 | |
What was that? | 0:07:58 | 0:07:59 | |
That was a good question. | 0:08:00 | 0:08:02 | |
It was shoved down his throat. | 0:08:07 | 0:08:09 | |
Explains the damage to the oesophagus. | 0:08:10 | 0:08:13 | |
And where's the other half? | 0:08:13 | 0:08:15 | |
I don't recognise the currency. | 0:08:15 | 0:08:18 | |
That's because it's a Masonic coin. | 0:08:18 | 0:08:20 | |
I assume you'll be taking this with you. | 0:08:21 | 0:08:24 | |
Yes. | 0:08:24 | 0:08:26 | |
Um, Alice, I don't suppose... | 0:08:26 | 0:08:29 | |
I have the test results on the soil from your mother's grave? | 0:08:29 | 0:08:32 | |
I said I'd call you when they arrive. | 0:08:32 | 0:08:35 | |
Perhaps I wasn't going to ask you about that. | 0:08:35 | 0:08:37 | |
It's nearly all you talk about these days. | 0:08:37 | 0:08:39 | |
Am I wrong? | 0:08:40 | 0:08:41 | |
Well then. | 0:08:43 | 0:08:44 | |
Now, dinner's at six o'clock. | 0:08:49 | 0:08:51 | |
Or seven, or eight, or not at all, depending on when he gets home. | 0:08:51 | 0:08:55 | |
He doesn't keep regular hours, then? | 0:08:55 | 0:08:58 | |
No, I'm afraid not. | 0:08:58 | 0:09:00 | |
Now, I told you where the clean linen is. | 0:09:00 | 0:09:02 | |
You did, and you need to go. | 0:09:02 | 0:09:04 | |
Thank you, Evelyn. | 0:09:05 | 0:09:07 | |
Ahh! | 0:09:08 | 0:09:09 | |
Jean. | 0:09:09 | 0:09:11 | |
Mrs Toohey. | 0:09:11 | 0:09:12 | |
Well, I'll be staying at the Soldiers Hill Hotel | 0:09:13 | 0:09:16 | |
until the day after tomorrow. | 0:09:16 | 0:09:18 | |
Thank you. | 0:09:18 | 0:09:19 | |
Lucien. | 0:09:21 | 0:09:22 | |
Jean. | 0:09:30 | 0:09:31 | |
I was, um... | 0:09:33 | 0:09:34 | |
How's the hotel? | 0:09:36 | 0:09:37 | |
It's fine. | 0:09:38 | 0:09:40 | |
I don't like the scones, though. | 0:09:40 | 0:09:42 | |
Now, um, you head off, er, the day after tomorrow? | 0:09:43 | 0:09:48 | |
Yes. | 0:09:48 | 0:09:49 | |
How about I take you to the bus stop? | 0:09:53 | 0:09:55 | |
No, no, it's fine, Lucien. | 0:09:55 | 0:09:56 | |
Jean. | 0:10:00 | 0:10:01 | |
Look, I know I... | 0:10:07 | 0:10:08 | |
I know I've been, um, preoccupied of late. | 0:10:10 | 0:10:14 | |
And... | 0:10:15 | 0:10:16 | |
Well, preoccupied. | 0:10:17 | 0:10:19 | |
Good afternoon, Lucien. | 0:10:25 | 0:10:26 | |
KNOCK ON DOOR | 0:11:04 | 0:11:07 | |
Yes. | 0:11:07 | 0:11:08 | |
A Mr Tyneman to see you. | 0:11:08 | 0:11:11 | |
He doesn't have an appointment. | 0:11:11 | 0:11:13 | |
Patrick. | 0:11:15 | 0:11:16 | |
Where's Mrs Beazley? | 0:11:23 | 0:11:24 | |
She's, uh... | 0:11:26 | 0:11:27 | |
..moving to Adelaide. | 0:11:28 | 0:11:30 | |
That's a pity. | 0:11:31 | 0:11:32 | |
I quite liked her. | 0:11:33 | 0:11:35 | |
Edward's not going to survive going back to jail. | 0:11:41 | 0:11:44 | |
He's not sleeping now. He washes his hands all the time. | 0:11:44 | 0:11:48 | |
He can't control his temper. | 0:11:48 | 0:11:50 | |
Why was he at Franklin's? | 0:11:50 | 0:11:52 | |
Cec Drury called me from the club. | 0:11:52 | 0:11:54 | |
Edward was there, drinking with a mate. | 0:11:55 | 0:11:57 | |
He announced he was going to kill Franklin | 0:11:57 | 0:11:59 | |
and I jumped into the car straightaway. | 0:11:59 | 0:12:02 | |
He's been out of prison a while. Why go now? | 0:12:02 | 0:12:04 | |
Franklin contacted Edward's parole officer. | 0:12:06 | 0:12:09 | |
He was going to have Edward's parole revoked. | 0:12:10 | 0:12:13 | |
-Doesn't look good, Patrick. -Yeah, I know how it looks. | 0:12:15 | 0:12:18 | |
Edward's just not capable of something like this. | 0:12:18 | 0:12:21 | |
-LOWERS VOICE: -And I don't trust Munro. | 0:12:23 | 0:12:25 | |
You should probably see this. | 0:12:32 | 0:12:34 | |
Franklin's letter to Edward's parole office. | 0:12:39 | 0:12:41 | |
I...took it off his desk. | 0:12:43 | 0:12:47 | |
-And you're trusting me with it? -I'm worried about my son, Blake. | 0:12:52 | 0:12:55 | |
-You be all right? -Yes. Yes, Charlie, thank you. | 0:13:03 | 0:13:05 | |
Edward. | 0:13:09 | 0:13:10 | |
Now if Chief Superintendent Munro asks, you were feeling unwell. | 0:13:12 | 0:13:15 | |
Sergeant Davis brought me down to check up on you, all right? | 0:13:15 | 0:13:18 | |
You got me sent to jail. | 0:13:18 | 0:13:19 | |
Yes. | 0:13:21 | 0:13:23 | |
And you were guilty then. | 0:13:23 | 0:13:25 | |
The question now is... | 0:13:25 | 0:13:27 | |
Did you murder Neville Franklin? Now... | 0:13:28 | 0:13:32 | |
Do you know what happened? | 0:13:33 | 0:13:34 | |
Now, this wasn't an easy death. | 0:13:39 | 0:13:41 | |
No, this took timing. Eh? | 0:13:42 | 0:13:45 | |
It took patience, it took planning... | 0:13:45 | 0:13:48 | |
Jesus! | 0:13:48 | 0:13:49 | |
I'll kill you. | 0:13:49 | 0:13:50 | |
I'll shove a knife so far up you, and I'll twist it around... | 0:13:50 | 0:13:53 | |
Edward, please, calm down. | 0:13:53 | 0:13:55 | |
Your father doesn't believe you killed him and neither do I. | 0:13:55 | 0:13:57 | |
Why don't you think that I killed him? | 0:14:03 | 0:14:05 | |
Guesswork. | 0:14:05 | 0:14:06 | |
Your father's worried. | 0:14:09 | 0:14:11 | |
Well, then he should have said something when they expelled me | 0:14:12 | 0:14:15 | |
from the Masons. | 0:14:15 | 0:14:16 | |
Oh, he didn't tell you? | 0:14:17 | 0:14:18 | |
Franklin organised a meeting. | 0:14:20 | 0:14:23 | |
And they kicked me out. | 0:14:23 | 0:14:24 | |
And Dad said nothing. | 0:14:25 | 0:14:27 | |
I see. | 0:14:30 | 0:14:32 | |
I'm afraid that only gives you more motive. | 0:14:33 | 0:14:36 | |
Oh, there were a few of 'em there. | 0:14:37 | 0:14:39 | |
There was Franklin, | 0:14:40 | 0:14:41 | |
Clement, Llewellyn, Dad. | 0:14:41 | 0:14:44 | |
I mean, maybe I want to kill all of them. | 0:14:46 | 0:14:48 | |
Maybe I'm going through them all one by one. | 0:14:50 | 0:14:52 | |
Edward, could I see your hands? | 0:14:55 | 0:14:57 | |
Please, I promise...I promise I won't hurt you. | 0:14:58 | 0:15:01 | |
That's it. | 0:15:08 | 0:15:09 | |
It's all right. | 0:15:11 | 0:15:12 | |
EDWARD BREATHES DEEPLY | 0:15:12 | 0:15:14 | |
Good man. | 0:15:17 | 0:15:18 | |
Ah! | 0:15:23 | 0:15:24 | |
How dare you touch me? | 0:15:26 | 0:15:28 | |
You disgusting piece of filth! | 0:15:28 | 0:15:30 | |
You have to release Edward Tyneman. | 0:15:35 | 0:15:37 | |
Since his time in jail, | 0:15:37 | 0:15:38 | |
he's developed several phobias and compulsions. | 0:15:38 | 0:15:41 | |
God knows what happened to him in there. | 0:15:41 | 0:15:44 | |
He is now incapable of skin-on-skin contact with any other human being. | 0:15:44 | 0:15:48 | |
So? | 0:15:48 | 0:15:50 | |
Neville Franklin was poisoned with strychnine, | 0:15:50 | 0:15:52 | |
but someone clamped his mouth shut when he was dying. | 0:15:52 | 0:15:54 | |
This would have involved touching his lips, | 0:15:54 | 0:15:56 | |
handling bloody saliva, watching while he convulsed! | 0:15:56 | 0:15:59 | |
He could have worn gloves. | 0:15:59 | 0:16:01 | |
Too confronting for Edward Tyneman. He's not your man. | 0:16:03 | 0:16:06 | |
-This your report? -Yes, it is. | 0:16:06 | 0:16:08 | |
Then that'll be all. | 0:16:08 | 0:16:09 | |
Jock Clement was in here to see you earlier. Why? | 0:16:11 | 0:16:14 | |
Because he's the most senior member of the Ballarat Lodge. | 0:16:14 | 0:16:17 | |
And he's a personal friend of mine. | 0:16:17 | 0:16:20 | |
Did he ask you to keep the Masons out of it? | 0:16:20 | 0:16:22 | |
Of course it's all right to accuse Edward Tyneman, | 0:16:22 | 0:16:24 | |
seeing as he's no longer a brother. | 0:16:24 | 0:16:26 | |
Do you know where Edward Tyneman was before he went drinking at the club? | 0:16:28 | 0:16:32 | |
You're accusing him or murdering Franklin, | 0:16:34 | 0:16:36 | |
then returning to the house to use his father as an alibi? | 0:16:36 | 0:16:39 | |
No more far fetched than some of the things you've suggested. | 0:16:39 | 0:16:42 | |
Anything else, Doctor? | 0:16:44 | 0:16:45 | |
No. No, it's all in the report. | 0:16:48 | 0:16:50 | |
Charlie. | 0:16:57 | 0:16:59 | |
Can't stay. I'll tell Mrs Toohey you'll be home for dinner. | 0:16:59 | 0:17:02 | |
-Doc. -Yes? | 0:17:02 | 0:17:03 | |
Got a phone call for you. | 0:17:05 | 0:17:06 | |
That bloke from the Masons? He's been ringing the boss. | 0:17:08 | 0:17:11 | |
Three times so far. | 0:17:11 | 0:17:13 | |
Jock Clement? | 0:17:13 | 0:17:14 | |
He's asking questions about the crime scene. | 0:17:14 | 0:17:16 | |
Ah, here's that phone message for you, Doc. | 0:17:16 | 0:17:18 | |
Bring it here, Sergeant. | 0:17:18 | 0:17:20 | |
Thank you, Charlie. | 0:17:44 | 0:17:45 | |
The test results on the soil from your mother's grave. | 0:17:47 | 0:17:51 | |
The usual trace elements, but higher than normal levels of alkaloid. | 0:17:51 | 0:17:56 | |
What kind of alkaloid? | 0:17:56 | 0:17:57 | |
Indications suggest it was strychnine. | 0:17:57 | 0:18:00 | |
Increasing in concentration with proximity to her body. | 0:18:02 | 0:18:05 | |
Enough to suggest...? | 0:18:07 | 0:18:09 | |
That's how she died. | 0:18:09 | 0:18:10 | |
Cause of death was listed as | 0:18:12 | 0:18:13 | |
complications from an unknown illness. | 0:18:13 | 0:18:16 | |
-The doctor who autopsied her... -Jock Clement. | 0:18:16 | 0:18:18 | |
I have a copy of the certificate. | 0:18:20 | 0:18:21 | |
You know him? | 0:18:21 | 0:18:23 | |
Two deaths. Both strychnine. | 0:18:23 | 0:18:25 | |
40 years apart. | 0:18:25 | 0:18:26 | |
Lucien. | 0:18:29 | 0:18:30 | |
She may have taken it on purpose. | 0:18:32 | 0:18:35 | |
Alice, you know how Franklin died. | 0:18:38 | 0:18:40 | |
She would have died the same way. | 0:18:44 | 0:18:46 | |
Now you're quite sure Jock Clement's going to be here? | 0:18:48 | 0:18:50 | |
Jock Clement? | 0:18:50 | 0:18:52 | |
-CHUCKLING: -He's always here. | 0:18:52 | 0:18:53 | |
Thank you, Patrick. | 0:18:55 | 0:18:58 | |
I spoke to Edward. He didn't kill Franklin. | 0:18:58 | 0:19:00 | |
Munro won't hear of it, of course. | 0:19:01 | 0:19:04 | |
You know, Munro and Doug Ashby had a bit of a row in the club | 0:19:04 | 0:19:08 | |
a few days ago. | 0:19:08 | 0:19:10 | |
Is that right? What about? | 0:19:11 | 0:19:12 | |
Oh, I don't know. | 0:19:12 | 0:19:13 | |
Patrick, by the way, better get rid of this. | 0:19:15 | 0:19:18 | |
You said you found it on Franklin's desk. | 0:19:20 | 0:19:22 | |
It was underneath his diary. | 0:19:22 | 0:19:24 | |
Diary? There was no diary. | 0:19:24 | 0:19:25 | |
Big black thing. You couldn't miss it. | 0:19:25 | 0:19:27 | |
-This man isn't a brother. -It's all right, he's with me. | 0:19:29 | 0:19:32 | |
And anyway, he'll wait in the hall while the meeting's in session. | 0:19:33 | 0:19:36 | |
So why do you need to speak to Jock? | 0:19:38 | 0:19:40 | |
I have some questions. Ah, Cec. | 0:19:40 | 0:19:43 | |
Oh, has sir become a brother now? | 0:19:43 | 0:19:44 | |
No, here on business. | 0:19:44 | 0:19:46 | |
Well, that explains it then, sir. | 0:19:46 | 0:19:48 | |
Ah, thank you, Mrs Llewellyn. | 0:19:48 | 0:19:50 | |
No, thank you. | 0:19:51 | 0:19:53 | |
Cec. | 0:19:53 | 0:19:54 | |
Cec organises drinks for our socials. | 0:19:57 | 0:20:01 | |
You'd know the mayor over there, of course. | 0:20:01 | 0:20:03 | |
Jenner, chair of the Industry Association. | 0:20:03 | 0:20:06 | |
Anyone here I haven't insulted at some point? | 0:20:06 | 0:20:08 | |
No, probably not. | 0:20:08 | 0:20:09 | |
Excuse me, Jock. | 0:20:10 | 0:20:12 | |
Lucien Blake. | 0:20:12 | 0:20:14 | |
Ah, young Blake. | 0:20:14 | 0:20:16 | |
-Come, join us. -Thank you. | 0:20:16 | 0:20:18 | |
I'll leave you gentlemen to it. | 0:20:18 | 0:20:20 | |
Ah, Wallace Llewellyn, our Junior Warden. | 0:20:21 | 0:20:23 | |
-How do you do? -Pleasure. | 0:20:25 | 0:20:26 | |
Well, what can we do for you? | 0:20:28 | 0:20:31 | |
Well, police matters, I'm afraid. | 0:20:31 | 0:20:33 | |
You obviously knew Neville Franklin. | 0:20:33 | 0:20:36 | |
Oh, yes, he was initiated a couple of months before I was. | 0:20:36 | 0:20:40 | |
A long time ago, though. | 0:20:40 | 0:20:42 | |
We were both up for the post of Worshipful Master, | 0:20:42 | 0:20:46 | |
just a couple of weeks ago. | 0:20:46 | 0:20:48 | |
Yes, of course. | 0:20:48 | 0:20:50 | |
The position went to him, not you. | 0:20:50 | 0:20:52 | |
-Must have been a disappointment. -Yes. Yes, it was, it was. | 0:20:52 | 0:20:55 | |
Any bad feelings? | 0:20:55 | 0:20:57 | |
Oh, absolutely. | 0:20:57 | 0:20:58 | |
And then I bought him a drink. | 0:20:58 | 0:21:00 | |
THEY CHUCKLE Of course. | 0:21:00 | 0:21:02 | |
A Bordeaux, perhaps. Wasn't that his drink of choice? | 0:21:02 | 0:21:05 | |
-LAUGHING: -No. | 0:21:05 | 0:21:07 | |
Tonic, with lime. | 0:21:07 | 0:21:09 | |
Neville was a teetotal. | 0:21:10 | 0:21:12 | |
Oh, I see. | 0:21:12 | 0:21:13 | |
Mr Clement, tell me. | 0:21:15 | 0:21:17 | |
Have you seen... | 0:21:17 | 0:21:19 | |
have you seen this before? | 0:21:19 | 0:21:20 | |
-HE CLEARS HIS THROAT -Eh... | 0:21:26 | 0:21:28 | |
Wallace, would you ask that wife of yours to bring me | 0:21:28 | 0:21:31 | |
-another glass of claret? -Of course. | 0:21:31 | 0:21:33 | |
Where did you get this? | 0:21:40 | 0:21:41 | |
Where's the rest of it? | 0:21:41 | 0:21:43 | |
It was missing? | 0:21:43 | 0:21:44 | |
It was stolen. | 0:21:44 | 0:21:46 | |
From one of the cabinets. They broke the lock. | 0:21:47 | 0:21:50 | |
Perhaps you should have reported it. | 0:21:50 | 0:21:52 | |
Well, yes, I did, to your superintendent. | 0:21:52 | 0:21:54 | |
Whoever took it left no prints. | 0:21:54 | 0:21:57 | |
Speaking of Chief Superintendent Munro, | 0:21:57 | 0:22:00 | |
would you describe him as a friend? | 0:22:00 | 0:22:02 | |
-CHUCKLING: -We're all brothers here. | 0:22:02 | 0:22:04 | |
Yes. | 0:22:07 | 0:22:08 | |
Some 40-odd years ago, as a young registrar, I underst... | 0:22:08 | 0:22:12 | |
-WHISPERS: -We're ready to start in a few minutes. | 0:22:12 | 0:22:14 | |
Oh, yes. Excuse me, Lodge business to attend to. | 0:22:14 | 0:22:18 | |
Certainly. | 0:22:18 | 0:22:19 | |
I'm guessing you'll become Worshipful Master | 0:22:19 | 0:22:21 | |
here at the Lodge, now that Neville's dead. | 0:22:21 | 0:22:24 | |
Yes, perhaps. Why? | 0:22:25 | 0:22:28 | |
No reason. | 0:22:29 | 0:22:30 | |
May I help? | 0:22:46 | 0:22:48 | |
Ohh! | 0:22:48 | 0:22:49 | |
I am sorry. I didn't mean to startle you. | 0:22:49 | 0:22:51 | |
Dr Lucien Blake, police surgeon. | 0:22:51 | 0:22:55 | |
Clare Llewellyn. | 0:22:55 | 0:22:57 | |
-I knew your father. -Yeah, I hear that a lot. | 0:22:57 | 0:23:01 | |
Do you know, I had a wonderful housekeeper. | 0:23:01 | 0:23:03 | |
She was much smarter than me, | 0:23:03 | 0:23:05 | |
and the very least I could do was dry the dishes from time to time. | 0:23:05 | 0:23:09 | |
Do you work here? | 0:23:12 | 0:23:14 | |
Wallace seemed to think that it might reflect well on him. | 0:23:14 | 0:23:17 | |
And has it? | 0:23:18 | 0:23:20 | |
Apparently, I'm not well liked. | 0:23:20 | 0:23:23 | |
Something went missing, | 0:23:23 | 0:23:24 | |
and Mr Clement and Mr Franklin thought that I took it. | 0:23:24 | 0:23:27 | |
A coin? | 0:23:29 | 0:23:30 | |
Perhaps. | 0:23:31 | 0:23:32 | |
Clare, tell me. | 0:23:35 | 0:23:36 | |
How did you get on with Mr Franklin? | 0:23:39 | 0:23:42 | |
Not terribly well, I'm guessing. | 0:23:42 | 0:23:44 | |
I was either too forward or too miserable. | 0:23:44 | 0:23:48 | |
Upset the Lodge members, apparently. | 0:23:48 | 0:23:50 | |
Where were you earlier today, Clare, around lunchtime? | 0:23:55 | 0:23:58 | |
-Did you want to harm Mr Franklin? -Clare! | 0:24:00 | 0:24:02 | |
Where's... What's going on? | 0:24:02 | 0:24:06 | |
Mr Llewellyn, I was just chatting | 0:24:06 | 0:24:08 | |
with your wife about Neville Franklin. | 0:24:08 | 0:24:10 | |
I think it's time you left. | 0:24:10 | 0:24:11 | |
Please don't take this out on your wife, Mr Llewellyn. | 0:24:16 | 0:24:19 | |
I was simply asking some questions. | 0:24:19 | 0:24:21 | |
She can do without that, especially now. | 0:24:21 | 0:24:23 | |
Hang on a minute. What do you mean, especially now? | 0:24:23 | 0:24:25 | |
Has something happened? | 0:24:25 | 0:24:26 | |
Good afternoon, Doctor. | 0:24:26 | 0:24:28 | |
-Trouble, Wallace? -Not at all, Mr Ashby. | 0:24:28 | 0:24:31 | |
The meeting will be in a few minutes. | 0:24:31 | 0:24:34 | |
I see you've been offending people again. | 0:24:34 | 0:24:36 | |
Doug, what's this meeting about? | 0:24:36 | 0:24:38 | |
Voting on the new Worshipful Master. | 0:24:38 | 0:24:41 | |
I think you'll find the door locked next time you try to get in. | 0:24:41 | 0:24:45 | |
Good to see you, Doctor. | 0:24:45 | 0:24:46 | |
Well, this looks wonderful. | 0:24:57 | 0:25:00 | |
Thank you, Mrs Toohey. | 0:25:00 | 0:25:01 | |
Does the doctor know dinner's ready? | 0:25:03 | 0:25:05 | |
I ran into him in the hallway, told him that I'd spent half the day | 0:25:05 | 0:25:09 | |
cleaning up that dusty old studio | 0:25:09 | 0:25:11 | |
and that dinner was nearly on the table. | 0:25:11 | 0:25:13 | |
Oh, he growled at me! | 0:25:13 | 0:25:15 | |
Second time today. | 0:25:15 | 0:25:17 | |
He can be a little difficult sometimes. | 0:25:17 | 0:25:20 | |
He doesn't mean anything by it. | 0:25:20 | 0:25:21 | |
Why don't you join us for dinner? | 0:25:21 | 0:25:24 | |
Oh, you're very kind, but I have my own house. | 0:25:24 | 0:25:29 | |
If there's nothing else, I'll say goodnight. | 0:25:29 | 0:25:32 | |
-Thank you, Mrs Toohey. -Goodnight. | 0:25:32 | 0:25:35 | |
BREAKING GLASS Oh, for the love of God! | 0:25:40 | 0:25:43 | |
Meddling woman! | 0:25:44 | 0:25:46 | |
Where the hell is it? | 0:25:46 | 0:25:48 | |
What's he up to? | 0:25:48 | 0:25:49 | |
-I have no idea. -One box. | 0:25:49 | 0:25:51 | |
Lucien! | 0:25:54 | 0:25:56 | |
Lucien, are you all right? | 0:25:56 | 0:25:57 | |
Lucien! | 0:25:59 | 0:26:00 | |
Lucien? | 0:26:02 | 0:26:03 | |
Ah, there's a dustpan and brush in the kitchen somewhere. | 0:26:03 | 0:26:07 | |
I'll get it. | 0:26:07 | 0:26:08 | |
-What are you doing? -Looking for my father's medical records. | 0:26:08 | 0:26:11 | |
That bloody woman's tidied the place up. | 0:26:11 | 0:26:12 | |
I can't find a damned thing. | 0:26:12 | 0:26:14 | |
Well, maybe she didn't know she wasn't supposed to. | 0:26:14 | 0:26:17 | |
-Maybe she should have. -Well, maybe she's not Jean. | 0:26:17 | 0:26:19 | |
It's a quarter to four, Lucien. | 0:26:21 | 0:26:23 | |
It's all right, I'll take care of that. Thank you. | 0:26:23 | 0:26:25 | |
Charlie, Franklin's place. When you were in that room, | 0:26:25 | 0:26:28 | |
did you see a diary on the desk? | 0:26:28 | 0:26:29 | |
-Large, black bound... -Doc, | 0:26:29 | 0:26:32 | |
I've been trying to picture the room, | 0:26:32 | 0:26:34 | |
but I can't remember a thing, I'm sorry. | 0:26:34 | 0:26:36 | |
Have you questioned Jock Clement? | 0:26:36 | 0:26:38 | |
Munro's talked to him. | 0:26:38 | 0:26:40 | |
But I certainly wouldn't call it an interview. | 0:26:40 | 0:26:43 | |
I am telling you, something is going on at that lodge. | 0:26:43 | 0:26:45 | |
You should also talk to Clare Llewellyn. | 0:26:45 | 0:26:47 | |
-You come across her, Mattie? -I don't think so. | 0:26:47 | 0:26:49 | |
Well, possible undiagnosed psychiatric condition there, | 0:26:49 | 0:26:52 | |
I can tell you. | 0:26:52 | 0:26:53 | |
You know, | 0:26:53 | 0:26:55 | |
strychnine's readily available. | 0:26:55 | 0:26:57 | |
But it's so bitter. | 0:26:57 | 0:26:59 | |
You'd know if you were drinking it. | 0:26:59 | 0:27:01 | |
I think it was forced on Neville Franklin. | 0:27:04 | 0:27:06 | |
It was how my mother died, too. | 0:27:08 | 0:27:10 | |
Strychnine used to be prescribed as a pick-me-up. | 0:27:16 | 0:27:19 | |
You're asking if she took a deliberate overdose? | 0:27:24 | 0:27:26 | |
I don't know. | 0:27:30 | 0:27:31 | |
I don't... | 0:27:34 | 0:27:35 | |
I don't know. Anyhow, I've woken you both up. | 0:27:36 | 0:27:39 | |
You should both go to bed. I'll...I'll take care of this later. | 0:27:39 | 0:27:42 | |
Sorry we couldn't help, Doc. | 0:27:44 | 0:27:46 | |
That's all right, Charlie. We'll work it out...somehow. | 0:27:48 | 0:27:52 | |
Thank you. | 0:28:07 | 0:28:08 | |
Had he been drinking? | 0:28:11 | 0:28:12 | |
A little. | 0:28:12 | 0:28:15 | |
But you know, that business with his mother, it... | 0:28:15 | 0:28:17 | |
You know, Mattie, he was only ten years old when his mother died. | 0:28:17 | 0:28:21 | |
She was a force of life, apparently. | 0:28:22 | 0:28:25 | |
His father shipped him off to boarding school | 0:28:26 | 0:28:28 | |
one week after she died. | 0:28:28 | 0:28:30 | |
I don't think he ever forgave himself. | 0:28:31 | 0:28:34 | |
Lucien didn't. | 0:28:34 | 0:28:36 | |
He was asking Charlie and I for answers. | 0:28:36 | 0:28:39 | |
Names and details. | 0:28:39 | 0:28:41 | |
Who ran the Masons, when, who got along, who didn't. | 0:28:41 | 0:28:44 | |
-That sort of thing? -Yes. | 0:28:44 | 0:28:45 | |
But more than that... | 0:28:45 | 0:28:48 | |
He misses you. | 0:28:48 | 0:28:49 | |
-I've promised Christopher. -We know you have. | 0:28:51 | 0:28:54 | |
My son needs me, Mattie. | 0:28:54 | 0:28:56 | |
It's not the same without you there. | 0:28:59 | 0:29:01 | |
I know. | 0:29:03 | 0:29:04 | |
Hello there. | 0:29:14 | 0:29:16 | |
I hope I didn't get you into too much trouble yesterday. | 0:29:16 | 0:29:18 | |
How did you get my address? | 0:29:18 | 0:29:20 | |
It was on your patient file from when you saw my father. | 0:29:20 | 0:29:24 | |
Can we talk? | 0:29:25 | 0:29:26 | |
My father obviously liked you. | 0:29:28 | 0:29:30 | |
I think he felt bad he couldn't help you. | 0:29:31 | 0:29:33 | |
No-one's able to help. | 0:29:34 | 0:29:36 | |
I'm either out of control or I can't get out of bed. | 0:29:38 | 0:29:42 | |
Happens every now and then, doesn't it? Sort of...in cycles. | 0:29:44 | 0:29:49 | |
You too? | 0:29:50 | 0:29:52 | |
Well, more so in the past. | 0:29:52 | 0:29:55 | |
You said Mr Franklin accused you of stealing... | 0:29:57 | 0:29:59 | |
It was Mr Clement. | 0:29:59 | 0:30:02 | |
You'd think my own husband might defend me, wouldn't you? | 0:30:02 | 0:30:06 | |
But they've...they've had | 0:30:06 | 0:30:07 | |
their little vote now and they've got what they wanted. | 0:30:07 | 0:30:10 | |
Everyone's happy now. | 0:30:10 | 0:30:12 | |
What they wanted? What do you mean? | 0:30:12 | 0:30:16 | |
Mr Clement's the new Worshipful Master. | 0:30:16 | 0:30:19 | |
My Wallace is Deputy Warden. | 0:30:19 | 0:30:22 | |
They've been planning this for ages. | 0:30:22 | 0:30:24 | |
Clare. | 0:30:28 | 0:30:29 | |
Did you steal that coin? | 0:30:30 | 0:30:32 | |
No. | 0:30:33 | 0:30:34 | |
Is it possible Mr Clement or your husband stole the coin? | 0:30:34 | 0:30:39 | |
They both have keys. | 0:30:39 | 0:30:41 | |
Are there any lodge records, information about that coin, | 0:30:43 | 0:30:46 | |
why it's so special? Something that might tell us... | 0:30:46 | 0:30:48 | |
All records are kept... | 0:30:48 | 0:30:50 | |
They're kept in the court. | 0:30:50 | 0:30:52 | |
It's where they have their grand meetings. | 0:30:52 | 0:30:54 | |
Sometimes, when I look at them, | 0:30:57 | 0:31:00 | |
I just get so angry, | 0:31:00 | 0:31:03 | |
and I don't know what I might do if... | 0:31:03 | 0:31:05 | |
KEYS IN DOOR, FOLDER CLOSES | 0:32:47 | 0:32:49 | |
DOOR CREAKS | 0:32:49 | 0:32:51 | |
Hello? | 0:32:53 | 0:32:54 | |
What the hell are you doing?! | 0:33:10 | 0:33:12 | |
I thought you were going to kill me! | 0:33:14 | 0:33:15 | |
This arrived in the mail this morning. | 0:33:19 | 0:33:22 | |
Was there a note? | 0:33:23 | 0:33:24 | |
I think the meaning's rather clear, don't you? | 0:33:25 | 0:33:28 | |
Where did you find the other half? | 0:33:30 | 0:33:32 | |
Inside Neville Franklin's stomach. | 0:33:33 | 0:33:36 | |
Someone forced him to swallow it. | 0:33:37 | 0:33:39 | |
Then I rest my case. | 0:33:40 | 0:33:42 | |
Tell me... | 0:33:42 | 0:33:44 | |
Why does this coin mean so much to you? | 0:33:44 | 0:33:46 | |
It was my initiation coin. | 0:33:46 | 0:33:49 | |
When you're initiated, you have to have nothing in your pockets. | 0:33:50 | 0:33:52 | |
They check to make sure. | 0:33:52 | 0:33:54 | |
Then at some point, they say to be accepted, | 0:33:55 | 0:33:57 | |
you have to make payment, no matter how small. | 0:33:57 | 0:34:00 | |
-But they've made sure you... -Yes, they let you squirm. | 0:34:00 | 0:34:03 | |
Then a brother steps forward, | 0:34:03 | 0:34:05 | |
gives you a ceremonial coin to buy passage. | 0:34:05 | 0:34:08 | |
-Why? -Oh, it shows you can always rely on your fellow Masons for help. | 0:34:08 | 0:34:12 | |
That was my coin. | 0:34:14 | 0:34:15 | |
Neville Franklin gave it to me. | 0:34:17 | 0:34:19 | |
Thank you. | 0:34:19 | 0:34:20 | |
How did you get in here? | 0:34:20 | 0:34:22 | |
I had a key. | 0:34:23 | 0:34:25 | |
Whose? | 0:34:25 | 0:34:26 | |
Listen, all those years ago... | 0:34:26 | 0:34:28 | |
..you signed my mother's death certificate. | 0:34:30 | 0:34:32 | |
You know how she died. | 0:34:33 | 0:34:36 | |
Strychnine poisoning. | 0:34:36 | 0:34:38 | |
Same as Neville Franklin. | 0:34:38 | 0:34:40 | |
But you lied. | 0:34:40 | 0:34:41 | |
You lied to the police. You lied to my father. | 0:34:41 | 0:34:43 | |
Your father had just lost his wife. | 0:34:43 | 0:34:45 | |
He didn't need to know that she'd taken her own life. | 0:34:47 | 0:34:50 | |
You're saying it was suicide? | 0:34:52 | 0:34:54 | |
Your mother was a... | 0:34:57 | 0:35:00 | |
a very charming woman. | 0:35:00 | 0:35:01 | |
Neville made a damned fool of himself pining after her. | 0:35:02 | 0:35:06 | |
But charming women can be unstable. | 0:35:06 | 0:35:09 | |
I blame Doug Ashby for her death. | 0:35:11 | 0:35:13 | |
'Your father was a good man.' | 0:35:16 | 0:35:18 | |
But we all loved your mother. | 0:35:18 | 0:35:21 | |
'Oh, he was with her the night she died. | 0:35:21 | 0:35:23 | |
'Neville was giving a party.' | 0:35:23 | 0:35:26 | |
Your father left early. | 0:35:26 | 0:35:28 | |
Your mother continued drinking. | 0:35:28 | 0:35:30 | |
Doug was supposed to keep an eye on her. | 0:35:30 | 0:35:33 | |
What happened? | 0:35:33 | 0:35:34 | |
He drank too much. | 0:35:34 | 0:35:36 | |
Fell asleep. | 0:35:36 | 0:35:38 | |
Did you know my mother was friends with Doug Ashby? | 0:35:38 | 0:35:41 | |
Your father talked about it. | 0:35:41 | 0:35:43 | |
'When he woke up,' | 0:35:43 | 0:35:45 | |
he found her in the next room. | 0:35:45 | 0:35:46 | |
She was already dying. | 0:35:46 | 0:35:48 | |
We did our best to bring her back. | 0:35:48 | 0:35:51 | |
Doug... | 0:35:53 | 0:35:54 | |
..hasn't told me any of this. | 0:35:56 | 0:35:58 | |
Would you? | 0:35:58 | 0:35:59 | |
How did you cover it up? I mean, strychnine is... | 0:36:03 | 0:36:06 | |
Strychnine. | 0:36:06 | 0:36:07 | |
Oh, strychnine is a terrible way to die. | 0:36:07 | 0:36:12 | |
The physical signs are very hard to cover up. | 0:36:14 | 0:36:17 | |
Yes. | 0:36:19 | 0:36:20 | |
I wrote the death certificate... | 0:36:23 | 0:36:25 | |
..and that was that. | 0:36:26 | 0:36:27 | |
Very sad, Lucien. | 0:36:32 | 0:36:34 | |
But a very long time ago. | 0:36:38 | 0:36:40 | |
Neville said something | 0:36:43 | 0:36:44 | |
about a diary he was writing in the last few weeks. | 0:36:44 | 0:36:47 | |
Do you know anything about it? | 0:36:47 | 0:36:49 | |
A diary? What kind of diary? | 0:36:49 | 0:36:52 | |
Oh, I don't know. Lodge business, members' details. | 0:36:52 | 0:36:55 | |
Your boss seemed fairly cagey when I mentioned it. | 0:36:55 | 0:36:59 | |
You think it's important? | 0:36:59 | 0:37:01 | |
No, I don't think so. | 0:37:01 | 0:37:02 | |
Right, well, I'll certainly look into it. | 0:37:02 | 0:37:04 | |
Well done, young Blake. | 0:37:04 | 0:37:06 | |
-Your father would have been proud of you. -You! You! | 0:37:06 | 0:37:09 | |
SHE SOBS | 0:37:17 | 0:37:20 | |
Jock, are you all right? | 0:37:22 | 0:37:23 | |
Between you and... | 0:37:25 | 0:37:26 | |
you and my wallet... | 0:37:26 | 0:37:28 | |
..I've been saved. | 0:37:30 | 0:37:31 | |
You can't interview her. She's not fit. | 0:37:42 | 0:37:46 | |
She's not sound of mind! | 0:37:46 | 0:37:47 | |
What do we have on him? | 0:37:48 | 0:37:50 | |
Well, he tampered with the crime scene. | 0:37:50 | 0:37:52 | |
We think Munro took a diary from Franklin's desk, | 0:37:52 | 0:37:55 | |
-at Jock Clement's request. -Well, we need more than that. | 0:37:55 | 0:37:58 | |
Oh, something's going on in that place. | 0:37:58 | 0:38:00 | |
Munro's trying to pin this | 0:38:00 | 0:38:01 | |
on some poor woman who's suffering from a manic depressive psychosis. | 0:38:01 | 0:38:05 | |
It's absolutely outrageous. | 0:38:05 | 0:38:07 | |
And if you don't want to help me, Davis, you can go to hell. | 0:38:08 | 0:38:11 | |
Step outside, Davis. | 0:38:16 | 0:38:17 | |
Now. | 0:38:19 | 0:38:20 | |
Clare Llewellyn has made a full confession | 0:38:24 | 0:38:26 | |
to the murder of Neville Franklin. | 0:38:26 | 0:38:29 | |
She's also implicated Edward Tyneman. | 0:38:29 | 0:38:31 | |
Lawson. | 0:38:33 | 0:38:34 | |
Given recent events, you are now surplus to requirements. | 0:38:34 | 0:38:38 | |
You'll be taking early retirement. | 0:38:38 | 0:38:40 | |
Doctor. | 0:38:45 | 0:38:46 | |
Do you deny speaking to Clare Llewellyn | 0:38:49 | 0:38:52 | |
an hour before the attack on John Clement took place? | 0:38:52 | 0:38:55 | |
Do you deny entering the lodge without permission? | 0:38:55 | 0:38:58 | |
Of course not. | 0:38:58 | 0:39:00 | |
Incitement to violence, trespass, tampering with evidence. | 0:39:00 | 0:39:04 | |
These are all chargeable offences. | 0:39:04 | 0:39:06 | |
I'm not the one who's been tampering with evidence. | 0:39:06 | 0:39:08 | |
The Masonic coin you took from Neville Franklin's body. | 0:39:08 | 0:39:12 | |
Give it to me. | 0:39:14 | 0:39:15 | |
I've seen dozens of men like you. | 0:39:24 | 0:39:26 | |
Yeah, you like to pretend you're some white knight. | 0:39:29 | 0:39:32 | |
But you just can't live with the consequences. | 0:39:34 | 0:39:37 | |
That's the difference between you and me. | 0:39:38 | 0:39:40 | |
I'm removing you from all duties as police surgeon as of this moment. | 0:39:42 | 0:39:46 | |
Get out. | 0:39:47 | 0:39:48 | |
TV MURMURS | 0:40:05 | 0:40:08 | |
Mrs Toohey. | 0:40:14 | 0:40:15 | |
Oh, you're home early, Doctor. | 0:40:16 | 0:40:18 | |
I've just been fired. | 0:40:18 | 0:40:20 | |
Tell me something. Do you know how to make scones? | 0:40:20 | 0:40:23 | |
Of course I do. I'll whip up a batch. | 0:40:24 | 0:40:26 | |
No, no, no, it's all right. I don't want you to make them. | 0:40:26 | 0:40:29 | |
I want to make them, but I don't... | 0:40:29 | 0:40:31 | |
Do you think you could show me how? | 0:40:31 | 0:40:33 | |
Lucien? | 0:40:40 | 0:40:41 | |
Jean. | 0:40:43 | 0:40:45 | |
I know I have no right to just | 0:40:45 | 0:40:48 | |
show up like this, but I... | 0:40:48 | 0:40:50 | |
my...my head is swimming. | 0:40:50 | 0:40:53 | |
One thing blurs into the next. | 0:40:53 | 0:40:55 | |
I've been finding it very hard to... | 0:40:56 | 0:40:58 | |
Well, to see anything else. | 0:41:00 | 0:41:01 | |
Did Evelyn bake those? | 0:41:01 | 0:41:04 | |
No, I...I did. | 0:41:04 | 0:41:06 | |
With Mrs Toohey's help, of course. | 0:41:07 | 0:41:10 | |
So you're trying to find a connection between Neville Franklin | 0:41:10 | 0:41:13 | |
and your mother's death. | 0:41:13 | 0:41:15 | |
And perhaps I'm trying to find patterns where there aren't any. | 0:41:15 | 0:41:19 | |
Yes. | 0:41:20 | 0:41:21 | |
They're not too bad. | 0:41:24 | 0:41:27 | |
Where shall we start? | 0:41:27 | 0:41:28 | |
Clare Llewellyn. | 0:41:31 | 0:41:32 | |
No! | 0:41:32 | 0:41:33 | |
She tried to stab Jock Clement. | 0:41:33 | 0:41:35 | |
Yes, but poisoning's a very different thing. | 0:41:35 | 0:41:37 | |
Ah, really? | 0:41:37 | 0:41:38 | |
-Considered it yourself from time to time, have you? -I might've. | 0:41:38 | 0:41:41 | |
Then there's that business with the coin, no, I can't see it. | 0:41:41 | 0:41:44 | |
What connection does she have to my mother? I mean, | 0:41:44 | 0:41:46 | |
Jock Clement, Neville Franklin. | 0:41:46 | 0:41:48 | |
Clare was a young woman who wasn't accepted, | 0:41:48 | 0:41:49 | |
who was always trying to fit in. | 0:41:49 | 0:41:51 | |
Just like your mother. Maybe that's the connection. | 0:41:51 | 0:41:53 | |
-Edward Tyneman. -No. | 0:41:53 | 0:41:55 | |
Don't want to wildly accuse him just because he's a Tyneman? | 0:41:55 | 0:41:58 | |
No, no, no, no, not this time. | 0:41:58 | 0:41:59 | |
Edward has developed an extreme aversion to human contact | 0:41:59 | 0:42:03 | |
-of any kind. -Oh! | 0:42:03 | 0:42:04 | |
Expelled from the lodge by Mr Franklin, | 0:42:04 | 0:42:07 | |
not defended by his father. | 0:42:07 | 0:42:09 | |
Still, I suppose a man like that's more likely to harm himself. | 0:42:09 | 0:42:13 | |
I always said you were smarter than me. | 0:42:13 | 0:42:15 | |
Mm. | 0:42:15 | 0:42:16 | |
Now, where were we? Ahh, Clare's husband, Wallace Llewellyn. | 0:42:16 | 0:42:20 | |
Now, I got the feeling he wanted to take a swing at me. | 0:42:20 | 0:42:22 | |
-Tell him to join the queue. -Thank you. | 0:42:22 | 0:42:24 | |
We don't know enough about him. | 0:42:24 | 0:42:25 | |
Oh, I don't know enough about anyone, it would seem. | 0:42:25 | 0:42:28 | |
Doug Ashby. Now, Doug gave me a key, and he was there when my mother died. | 0:42:28 | 0:42:32 | |
He was a friend of your father's, | 0:42:32 | 0:42:33 | |
and your mother died 40 years ago, Lucien. | 0:42:33 | 0:42:37 | |
I just can't see her swallowing that poison. | 0:42:41 | 0:42:43 | |
-Doesn't sound like her to me. -Well, Jean, you never met her. | 0:42:43 | 0:42:46 | |
No, but your father talked about her all the time. | 0:42:46 | 0:42:50 | |
She was difficult, fierce. | 0:42:50 | 0:42:53 | |
But he never described her as morbid. | 0:42:53 | 0:42:55 | |
Do you know, I'm beginning to think that... | 0:42:56 | 0:43:00 | |
they were just | 0:43:00 | 0:43:02 | |
two very different kinds of people. | 0:43:02 | 0:43:05 | |
-That can work. -Do you think? | 0:43:05 | 0:43:06 | |
She loved your father very much. | 0:43:08 | 0:43:10 | |
And she loved you. She would never have left you. | 0:43:10 | 0:43:13 | |
Now, is that all? | 0:43:14 | 0:43:15 | |
Morning, Cec. | 0:43:24 | 0:43:25 | |
Ah, morning, sir. Will you be requiring breakfast? | 0:43:25 | 0:43:27 | |
Not today, thank you. I have a couple of questions. | 0:43:27 | 0:43:30 | |
Um, pertaining to my parents, as a matter of fact. | 0:43:30 | 0:43:35 | |
What were their feelings towards Neville Franklin? | 0:43:35 | 0:43:37 | |
I understand he was quite besotted with my mother. | 0:43:37 | 0:43:40 | |
No, sir, no, sir, it was Mr Clement who was besotted. | 0:43:40 | 0:43:43 | |
Mr Ashby had to take him aside and warn him. | 0:43:43 | 0:43:46 | |
Doug was always a great defender of your mother's. | 0:43:46 | 0:43:49 | |
Jock Clement? You're quite sure? | 0:43:49 | 0:43:51 | |
Well, he couldn't stay away from her. | 0:43:51 | 0:43:53 | |
We felt quite embarrassed for him. | 0:43:53 | 0:43:55 | |
Right. One more thing, Cec. | 0:43:57 | 0:44:00 | |
Do you see much demand for Bordeaux? | 0:44:00 | 0:44:02 | |
No-one seems to like it much any more, sir. | 0:44:02 | 0:44:05 | |
Although, I did have a request for a bottle last week. | 0:44:05 | 0:44:08 | |
Quite out of the blue. | 0:44:08 | 0:44:10 | |
You know that was your mother's favourite tipple. | 0:44:10 | 0:44:12 | |
Who asked you for it? | 0:44:15 | 0:44:16 | |
May I have a draught of that? | 0:44:40 | 0:44:42 | |
You poisoned Neville Franklin. | 0:44:46 | 0:44:48 | |
Revenge for the murder of my mother. | 0:44:49 | 0:44:51 | |
Yup. | 0:44:51 | 0:44:52 | |
What the hell were you thinking, Doug? You're a copper! | 0:44:52 | 0:44:55 | |
I found her. | 0:44:55 | 0:44:56 | |
She was in convulsions. | 0:44:59 | 0:45:01 | |
I thought it was my fault. | 0:45:02 | 0:45:03 | |
She was MY mother. This was for me to solve! | 0:45:03 | 0:45:06 | |
How could you? | 0:45:06 | 0:45:07 | |
Jock murdered your mother. | 0:45:09 | 0:45:11 | |
Franklin was complicit. | 0:45:11 | 0:45:13 | |
They'd laid out all the alibis. | 0:45:13 | 0:45:15 | |
Made me feel like I'd failed her. | 0:45:17 | 0:45:18 | |
Which I had. | 0:45:20 | 0:45:21 | |
You sent Jock Clement the other half of that coin. | 0:45:27 | 0:45:32 | |
And I suppose you're not going to give me the chance to use it on him. | 0:45:34 | 0:45:38 | |
What would you have done, Lucien, | 0:45:45 | 0:45:47 | |
if you realised they were going to get away with it, hmm? | 0:45:47 | 0:45:51 | |
I don't know, Doug. I don't know. | 0:45:52 | 0:45:54 | |
You do know that whatever you'd done, it wouldn't have been enough. | 0:45:54 | 0:45:58 | |
No. You'd never prove it, you know. | 0:45:58 | 0:46:01 | |
He'll deny it all! | 0:46:02 | 0:46:04 | |
Munro. | 0:46:07 | 0:46:08 | |
Munro took a diary from Franklin's desk. | 0:46:09 | 0:46:12 | |
Jock Clement wants it. Now why? | 0:46:12 | 0:46:15 | |
Jock and Neville fell out about a year ago. Maybe... | 0:46:17 | 0:46:20 | |
..Neville was writing things down, | 0:46:22 | 0:46:25 | |
for insurance. | 0:46:25 | 0:46:26 | |
Do you have any allies left in the station? | 0:46:30 | 0:46:33 | |
-I can take you. -It's not a problem, Mattie. | 0:46:39 | 0:46:42 | |
They're to go outside, please. | 0:46:42 | 0:46:43 | |
Lucien would be here as well. | 0:46:45 | 0:46:47 | |
Yes, I know. But he has other business to attend to. | 0:46:49 | 0:46:51 | |
Young Blake, what are you doing here? | 0:47:15 | 0:47:17 | |
You were...obsessed with my mother. | 0:47:21 | 0:47:24 | |
You tried forcing her into having an affair. | 0:47:26 | 0:47:29 | |
She refused. | 0:47:29 | 0:47:32 | |
So you poisoned her. | 0:47:32 | 0:47:33 | |
Neville Franklin wrote it all down. | 0:47:35 | 0:47:37 | |
He thought you were going to do him in over who became Lodge leader. | 0:47:37 | 0:47:42 | |
So he wanted some insurance. This... | 0:47:42 | 0:47:45 | |
this diary. | 0:47:45 | 0:47:46 | |
Superintendent Munro is very keen to get his hands on it. | 0:47:47 | 0:47:52 | |
Seems everyone's after some insurance these days. | 0:47:52 | 0:47:55 | |
What do you want, Blake? | 0:47:56 | 0:47:58 | |
I want the life you took from my mother, | 0:48:00 | 0:48:02 | |
my father, the life you took from Dough Ashby | 0:48:02 | 0:48:04 | |
and the life you took from me. | 0:48:04 | 0:48:06 | |
I don't fancy your chances. | 0:48:07 | 0:48:09 | |
Hmm? Give it to me. | 0:48:11 | 0:48:13 | |
Now. | 0:48:13 | 0:48:14 | |
-You've no idea, have you? -HE CHUCKLES | 0:48:23 | 0:48:27 | |
Just like your mother. | 0:48:27 | 0:48:29 | |
Look at you. | 0:48:31 | 0:48:33 | |
Never married. | 0:48:33 | 0:48:34 | |
Never loved. | 0:48:34 | 0:48:37 | |
Never cared. | 0:48:37 | 0:48:39 | |
The one woman... | 0:48:39 | 0:48:41 | |
the only woman who caught your eye, you poisoned... | 0:48:41 | 0:48:44 | |
Uh-uh-uh-uh. That's close enough. | 0:48:44 | 0:48:47 | |
How does it feel, old man? | 0:48:49 | 0:48:51 | |
To live for so long, for what? | 0:48:52 | 0:48:55 | |
Don't think that I won't kill you too. | 0:48:55 | 0:48:58 | |
Well, for your sake, you're going to have to. | 0:48:58 | 0:49:00 | |
Put the gun down, Mr Clement. | 0:49:02 | 0:49:04 | |
No-one will miss you. | 0:49:06 | 0:49:07 | |
No-one will care. | 0:49:12 | 0:49:13 | |
You'll leave nothing behind. Nothing. | 0:49:16 | 0:49:18 | |
GUNSHOT | 0:49:23 | 0:49:24 | |
GUNSHOT | 0:49:26 | 0:49:27 | |
Ohh. | 0:49:32 | 0:49:34 | |
That's me, then. | 0:49:35 | 0:49:37 | |
Doug! | 0:49:38 | 0:49:39 | |
Doug. Doug, I'm sorry. | 0:49:41 | 0:49:43 | |
Don't be. Nothing for me here now. | 0:49:45 | 0:49:49 | |
If he denies it... | 0:49:52 | 0:49:54 | |
..you've got him on this. | 0:49:55 | 0:49:57 | |
I loved her. | 0:50:03 | 0:50:04 | |
Lucien? | 0:51:26 | 0:51:27 | |
Lucien? | 0:51:30 | 0:51:31 | |
Chief Superintendent Munro, you are now required to accompany us | 0:51:53 | 0:51:57 | |
to answer the charges of tampering with evidence, | 0:51:57 | 0:51:59 | |
obstructing an investigation and associating with known criminals. | 0:51:59 | 0:52:03 | |
Do you think Command in Melbourne will accept this? | 0:52:03 | 0:52:06 | |
Well, it was their idea. | 0:52:08 | 0:52:10 | |
Thanks for that. | 0:52:13 | 0:52:14 | |
I suppose you're quite happy with yourself. | 0:52:19 | 0:52:21 | |
You seem convinced... | 0:52:26 | 0:52:28 | |
..that the world is a place full of guilt, | 0:52:29 | 0:52:31 | |
lies and deceit. | 0:52:31 | 0:52:32 | |
A place where there are no second chances, no excuses. | 0:52:33 | 0:52:36 | |
How unfortunate for you. | 0:52:36 | 0:52:38 | |
I REFUSE to see the world that way. | 0:52:38 | 0:52:42 | |
I genuinely believe people are worth fighting for. | 0:52:44 | 0:52:47 | |
That's the difference between you and me. | 0:52:47 | 0:52:49 | |
Goodbye, William. | 0:53:03 | 0:53:04 | |
-DRIVER: -Miss, we have to go, I'm afraid. | 0:53:35 | 0:53:38 | |
BUS STOPS | 0:54:35 | 0:54:39 | |
-Jean, I... -No, don't say anything. | 0:54:55 | 0:54:58 | |
Not yet. | 0:54:59 | 0:55:00 |