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Pull over! Pull over! | 0:00:23 | 0:00:25 | |
-What are you doing? -I got this, mate. | 0:00:28 | 0:00:30 | |
Oh, bloody hell, Bomber, not now! We gotta go! | 0:00:30 | 0:00:33 | |
Let's go. Come on! | 0:00:33 | 0:00:35 | |
Go, go, go, go! Go! | 0:00:40 | 0:00:42 | |
ENGINE SPLUTTERS | 0:01:20 | 0:01:21 | |
Not now! | 0:01:21 | 0:01:23 | |
Don't! | 0:01:49 | 0:01:50 | |
Goddammit! | 0:01:50 | 0:01:52 | |
And it looks like Miss Beryl Routledge | 0:01:54 | 0:01:56 | |
will win this stage of the RA Trial. | 0:01:56 | 0:01:59 | |
Second will be Clive Hildebrand, | 0:01:59 | 0:02:00 | |
with Trevor McKenzie a distant third. | 0:02:00 | 0:02:03 | |
APPLAUSE | 0:02:03 | 0:02:04 | |
Congratulations, Miss Routledge. | 0:02:05 | 0:02:07 | |
Thank you very much, Mr Jones! Hello, Ballarat! | 0:02:07 | 0:02:11 | |
Ooh! | 0:02:20 | 0:02:22 | |
This'll be interesting. | 0:02:22 | 0:02:23 | |
You're making it hard for me, Trev. | 0:02:27 | 0:02:29 | |
Oh, come on, Jonesy! | 0:02:29 | 0:02:30 | |
Mate, I can fix a lot of things, but I can't fix this. | 0:02:30 | 0:02:33 | |
You've dropped in the rankings. | 0:02:33 | 0:02:36 | |
Below who? | 0:02:36 | 0:02:37 | |
And what are you grinning at? | 0:02:43 | 0:02:46 | |
I keep telling you, Trev, it's your fuel intake, mate. | 0:02:46 | 0:02:49 | |
And how the hell would you know that? | 0:02:49 | 0:02:51 | |
You been fiddling with it, have you? | 0:02:51 | 0:02:53 | |
That'd be right. This whole bloody thing is rigged! | 0:02:55 | 0:02:58 | |
You all right, Errol? | 0:02:58 | 0:03:01 | |
-Yeah. -What was all that about? | 0:03:01 | 0:03:03 | |
It's nothing. | 0:03:03 | 0:03:04 | |
Errol. | 0:03:04 | 0:03:06 | |
Errol! | 0:03:06 | 0:03:07 | |
Clive Hildebrand? | 0:03:12 | 0:03:14 | |
You're still the best. | 0:03:14 | 0:03:16 | |
You have a name for your car? | 0:03:26 | 0:03:28 | |
A name for the car? Well, no. | 0:03:28 | 0:03:29 | |
But perhaps you'd like to name her. | 0:03:29 | 0:03:32 | |
Just here if I could, Miss Routledge. | 0:03:32 | 0:03:33 | |
-Certainly. -Thank you. Beautiful. | 0:03:33 | 0:03:35 | |
Do you think you can win the next leg? | 0:03:35 | 0:03:37 | |
I certainly think so. | 0:03:37 | 0:03:39 | |
-Watch out! -Mr McKenzie! | 0:03:39 | 0:03:41 | |
-Come on, McKenzie! -My apologies, gentlemen. | 0:03:41 | 0:03:44 | |
THEY SCREAM | 0:03:56 | 0:03:58 | |
Bloody hell. | 0:04:07 | 0:04:09 | |
Hello? | 0:05:31 | 0:05:33 | |
Hello? | 0:05:40 | 0:05:41 | |
Anyone... | 0:05:48 | 0:05:49 | |
PHONE RINGS | 0:05:49 | 0:05:50 | |
Jean? | 0:05:58 | 0:05:59 | |
Ned, I do beg your pardon. What can I do for you? | 0:06:02 | 0:06:05 | |
-Good to see you, Bill. -Doc! You're back. | 0:06:24 | 0:06:27 | |
I am. Through here, is it? | 0:06:27 | 0:06:30 | |
There. | 0:06:30 | 0:06:31 | |
-Matthew. -Well, welcome back. | 0:06:32 | 0:06:36 | |
-How are you? -Fine. | 0:06:36 | 0:06:38 | |
What have we got? | 0:06:38 | 0:06:40 | |
Errol Moore, mechanic and navigator for Clive Hildebrand. | 0:06:40 | 0:06:44 | |
Arrived in town yesterday with the Red Trial. | 0:06:44 | 0:06:47 | |
I'm sorry, I don't follow motor racing. | 0:06:47 | 0:06:48 | |
Is this their vehicle? | 0:06:48 | 0:06:50 | |
No, it's the rival's. | 0:06:50 | 0:06:52 | |
Not very sporting. | 0:06:53 | 0:06:55 | |
The boy was dragged under McKenzie's car. | 0:06:55 | 0:06:59 | |
Well, I can tell you, he was dead before that. | 0:06:59 | 0:07:02 | |
These abrasions here were received postmortem, | 0:07:02 | 0:07:04 | |
and... and here... | 0:07:04 | 0:07:07 | |
Petechiae. Caused by asphyxiation. | 0:07:07 | 0:07:10 | |
So, someone strangled him and put his body here? | 0:07:10 | 0:07:13 | |
More likely, | 0:07:15 | 0:07:17 | |
a jack slipped while he was working under the car. | 0:07:17 | 0:07:20 | |
And, by the way, petechiae - | 0:07:20 | 0:07:23 | |
yes, an indicator of asphyxiation, not always strangulation. | 0:07:23 | 0:07:26 | |
I'll keep that in mind. | 0:07:26 | 0:07:28 | |
A quiet sort, | 0:07:28 | 0:07:30 | |
and a talented mechanic, apparently. | 0:07:30 | 0:07:32 | |
The boy's driver, Clive Hildebrand, came second in yesterday's stage. | 0:07:34 | 0:07:38 | |
Right. | 0:07:39 | 0:07:41 | |
Question is, what was the lad doing underneath someone else's car? | 0:07:41 | 0:07:45 | |
Sir, you're to remain outside. You're to remain outside! | 0:07:45 | 0:07:47 | |
-Let him through, Senior Sergeant! -Where is he? | 0:07:47 | 0:07:49 | |
-Oh! -Mr Hildebrand, I'm sorry. | 0:07:51 | 0:07:53 | |
Thank you all for coming. | 0:07:54 | 0:07:55 | |
It's my sad duty to announce the accidental death of Errol Moore. | 0:07:55 | 0:08:01 | |
Clive Hildebrand, Mr Moore's driver, | 0:08:01 | 0:08:04 | |
and our very own Ballarat legend, | 0:08:04 | 0:08:06 | |
joins me in offering our condolences to Mr Moore's family. | 0:08:06 | 0:08:10 | |
In honour of Errol Moore, | 0:08:10 | 0:08:13 | |
the final leg of the Red Australia Trial | 0:08:13 | 0:08:15 | |
will be delayed until tomorrow. | 0:08:15 | 0:08:18 | |
And we'd like to thank the town of Ballarat | 0:08:18 | 0:08:22 | |
and the Ballarat Courier for their hospitality. | 0:08:22 | 0:08:24 | |
But before I go, can I just assure the motoring public of Australia | 0:08:24 | 0:08:29 | |
that the Red Trial will go on. | 0:08:29 | 0:08:32 | |
-Any questions? -Yes, is the... | 0:08:32 | 0:08:35 | |
He's a bit quick to jump to that conclusion. | 0:08:35 | 0:08:37 | |
-...the funeral of Errol Moore? -Yes. | 0:08:37 | 0:08:39 | |
-What? -Any other questions? | 0:08:39 | 0:08:41 | |
Nothing, nothing. Now, who was there when the body was found? | 0:08:41 | 0:08:45 | |
Trev came hurtling out. | 0:08:45 | 0:08:47 | |
He knew we were all standing there and he drove his car straight at us. | 0:08:47 | 0:08:50 | |
When did he realise that there was a body under the car? | 0:08:50 | 0:08:53 | |
It was hard to tell. | 0:08:53 | 0:08:55 | |
Are you in the market, Doctor? | 0:08:56 | 0:08:58 | |
No, no, not really. | 0:08:58 | 0:09:01 | |
It's impressive, though. What model is it? | 0:09:01 | 0:09:03 | |
-Vanguard Phase II. -You haven't been following the race? | 0:09:03 | 0:09:07 | |
Ah... | 0:09:07 | 0:09:08 | |
You said that Trevor McKenzie drove his car at you. Why? | 0:09:08 | 0:09:12 | |
Because he's a bloody fool, would be my guess. | 0:09:12 | 0:09:15 | |
He dropped in the rankings yesterday. | 0:09:15 | 0:09:17 | |
Had a go at Errol straight after the race. | 0:09:17 | 0:09:19 | |
Miss Routledge! You're amazing! | 0:09:19 | 0:09:21 | |
You should see my navigator! | 0:09:21 | 0:09:23 | |
But, then again, Trev fights with everyone. | 0:09:24 | 0:09:27 | |
And when was the last time that you saw Errol Moore? | 0:09:27 | 0:09:29 | |
When Trev was yelling at him. | 0:09:29 | 0:09:32 | |
Did you like Errol, Miss Routledge? | 0:09:33 | 0:09:35 | |
I'd never even spoken to him. | 0:09:35 | 0:09:37 | |
But he seemed like a lovely kid. Hell of a mechanic. | 0:09:38 | 0:09:41 | |
Clive was lucky. Always has been. | 0:09:41 | 0:09:44 | |
-How's that, exactly? -Well, Clive's a local hero, Doctor. | 0:09:44 | 0:09:48 | |
-He won the first Red Trial. -I thought he'd retired. | 0:09:48 | 0:09:51 | |
So did we. | 0:09:51 | 0:09:52 | |
Thank you, Miss Routledge. Good luck. | 0:09:55 | 0:09:58 | |
Thank you. | 0:09:58 | 0:09:59 | |
Miss Routledge. | 0:10:00 | 0:10:01 | |
Are you honestly telling me that you have no idea who she was, | 0:10:04 | 0:10:07 | |
or who Clive Hildebrand is? | 0:10:07 | 0:10:08 | |
Should I? | 0:10:08 | 0:10:10 | |
The Red Australia race is the most famous motor rally | 0:10:10 | 0:10:12 | |
in the country, Blake. Everyone's watching it. | 0:10:12 | 0:10:14 | |
By the way, my niece is coming into town for a while. | 0:10:16 | 0:10:19 | |
Oh, lovely. Look forward to meeting her. | 0:10:19 | 0:10:23 | |
How was Adelaide? | 0:10:23 | 0:10:25 | |
Churchy. | 0:10:27 | 0:10:28 | |
Traumatic asphyxiation. | 0:10:37 | 0:10:39 | |
Compression of the chest, broken ribs, almost certainly. | 0:10:39 | 0:10:42 | |
Death would have taken... | 0:10:42 | 0:10:44 | |
A minute, maybe two. | 0:10:45 | 0:10:47 | |
Postmortem soft tissue and skeletal damage. | 0:10:47 | 0:10:50 | |
Are you all right? | 0:10:50 | 0:10:52 | |
-Why do you ask? -You don't seem yourself. | 0:10:52 | 0:10:55 | |
You've barely said a word, to me or him. | 0:10:55 | 0:10:58 | |
I'm sure I'm just tired from my trip. | 0:11:00 | 0:11:02 | |
Compression line, probably from the chassis. | 0:11:05 | 0:11:08 | |
From that shape, I'd say it was a Holden. | 0:11:08 | 0:11:12 | |
Or... | 0:11:12 | 0:11:13 | |
..a Phase I Vanguard. | 0:11:13 | 0:11:16 | |
Well-spotted. It was, in fact, a Vanguard. | 0:11:16 | 0:11:19 | |
So, the jack slips, chassis comes down. | 0:11:19 | 0:11:23 | |
And here he is. | 0:11:23 | 0:11:25 | |
Here he is, indeed. | 0:11:25 | 0:11:26 | |
Left hand... | 0:11:26 | 0:11:28 | |
..grease under the fingernails. | 0:11:29 | 0:11:31 | |
Hardly surprising. | 0:11:31 | 0:11:33 | |
Dragging injuries to the thighs, the back, the face. | 0:11:33 | 0:11:37 | |
Right hand... | 0:11:40 | 0:11:41 | |
Goodness me. | 0:11:43 | 0:11:44 | |
Two dislocated fingers. | 0:11:45 | 0:11:47 | |
Alice, look here. | 0:11:49 | 0:11:50 | |
Swelling on the joints. | 0:11:50 | 0:11:53 | |
Sustained before he died. | 0:11:53 | 0:11:55 | |
Straightforward dislocation, really. Easily realigned. | 0:11:58 | 0:12:01 | |
Still, there's something not quite right here. | 0:12:01 | 0:12:04 | |
Hang on a minute. Hang on. | 0:12:08 | 0:12:10 | |
Why aren't his ribs broken? | 0:12:10 | 0:12:12 | |
-I thought you said the jack slipped. -It was a theory. | 0:12:12 | 0:12:14 | |
But there's no bruising or lacerations | 0:12:14 | 0:12:16 | |
to the rest of the chest. | 0:12:16 | 0:12:18 | |
No bones broken. | 0:12:18 | 0:12:19 | |
Alice, the car couldn't have fallen on him. | 0:12:22 | 0:12:25 | |
Paperweight? | 0:12:32 | 0:12:33 | |
If it is, it's a very ostentatious one. | 0:12:33 | 0:12:36 | |
It's also fully wound down. I'm telling you, it didn't slip. | 0:12:36 | 0:12:40 | |
-You should dust it for prints. -What about the autopsy? | 0:12:40 | 0:12:43 | |
Ah, two fingers dislocated pre-mortem, and no broken ribs. | 0:12:43 | 0:12:48 | |
Well, think about it. | 0:12:49 | 0:12:50 | |
A jack slips, car comes down on you, | 0:12:50 | 0:12:53 | |
by God, it's going to break your ribs. | 0:12:53 | 0:12:56 | |
So they lowered the jack down on him while he was under the car? | 0:12:56 | 0:12:59 | |
But before he suffocated, he managed to grab them. | 0:12:59 | 0:13:02 | |
What about his fingers? | 0:13:03 | 0:13:05 | |
Now, what do we know about the owner of the car? | 0:13:06 | 0:13:09 | |
Errol used to be my mechanic, | 0:13:11 | 0:13:13 | |
and then he left, to join the great Clive Hildebrand. | 0:13:13 | 0:13:18 | |
So, he leaves you for Hildebrand, they win last year's race, | 0:13:18 | 0:13:22 | |
and the next thing, he's found dead underneath your car. | 0:13:22 | 0:13:24 | |
And what was he doing underneath there? | 0:13:24 | 0:13:27 | |
Was he sabotaging you? | 0:13:27 | 0:13:29 | |
Well, he certainly wasn't fixing it, was he? | 0:13:29 | 0:13:31 | |
Things have been stuffing up lately. | 0:13:31 | 0:13:34 | |
And here I was, thinking it was just Bomber being slack. | 0:13:34 | 0:13:37 | |
And you never forgave Errol Moore for leaving your team. | 0:13:37 | 0:13:41 | |
Is that why you had a shouting match with him after the race? | 0:13:41 | 0:13:44 | |
Bomber told you that, did he? | 0:13:44 | 0:13:46 | |
Then maybe you should ask Bomber what he was doing. | 0:13:46 | 0:13:48 | |
Why don't you tell me what you were doing last night? | 0:13:48 | 0:13:51 | |
We were working on the car, together! | 0:13:51 | 0:13:54 | |
Bomber gave me the irrits, so I left. | 0:13:54 | 0:13:56 | |
Next time I see the car, Errol's wedged underneath it. | 0:13:56 | 0:14:00 | |
You ask him about that. | 0:14:00 | 0:14:02 | |
Trevor tell you that, did he? | 0:14:02 | 0:14:03 | |
Well, did he also tell you | 0:14:04 | 0:14:05 | |
that he was going to have me bumped to get Errol on the team? | 0:14:05 | 0:14:08 | |
That would've made you pretty angry, wouldn't it? | 0:14:08 | 0:14:10 | |
Well, did he tell you | 0:14:12 | 0:14:14 | |
that Errol turned him down? | 0:14:14 | 0:14:16 | |
Mr McKenzie reckons that Errol Moore might've tampered with your car. | 0:14:18 | 0:14:22 | |
What are your thoughts about that? | 0:14:22 | 0:14:24 | |
No idea. | 0:14:24 | 0:14:25 | |
Is it likely? | 0:14:26 | 0:14:27 | |
Mr Denman... | 0:14:30 | 0:14:31 | |
..how did you get on with the deceased? | 0:14:33 | 0:14:35 | |
Yeah, fine. | 0:14:37 | 0:14:40 | |
Everyone loved Errol, didn't they? | 0:14:40 | 0:14:42 | |
So, the driver and his mechanic are at each other's throats. | 0:14:44 | 0:14:48 | |
Well? | 0:14:49 | 0:14:51 | |
Oh, they both deserve each other. | 0:14:51 | 0:14:53 | |
Got nothing on either of them yet. | 0:14:53 | 0:14:54 | |
Matthew, this race... | 0:14:56 | 0:14:57 | |
Needs to be suspended for the duration of this inquiry. | 0:14:57 | 0:15:01 | |
And I'm not looking forward to making that call. | 0:15:01 | 0:15:03 | |
Senior Sergeant? | 0:15:03 | 0:15:05 | |
I need you to speak to the rest of the competitors. | 0:15:05 | 0:15:07 | |
Take Davis with you. | 0:15:07 | 0:15:09 | |
Ask them if they saw McKenzie or Denman last night between... | 0:15:09 | 0:15:12 | |
Ah, I'd estimate time of death was between 12 and 5am. | 0:15:12 | 0:15:15 | |
So, you heading home now? | 0:15:17 | 0:15:19 | |
I thought I might check up on Clive Hildebrand, | 0:15:19 | 0:15:23 | |
perhaps ask a few more questions. | 0:15:23 | 0:15:25 | |
Maybe you could apologise for not knowing who he was. | 0:15:25 | 0:15:27 | |
ENGINE FAILS TO START | 0:15:31 | 0:15:33 | |
ENGINE CUTS OUT | 0:15:36 | 0:15:37 | |
Enjoying this, are you, Dad? | 0:15:41 | 0:15:43 | |
ENGINE STARTS | 0:15:45 | 0:15:46 | |
Thank you. | 0:15:46 | 0:15:48 | |
I don't want it. | 0:15:56 | 0:15:58 | |
Listen to me, Clive. It's easy money. | 0:15:58 | 0:16:00 | |
I've already set everything up. | 0:16:00 | 0:16:02 | |
How many times do I have to tell you, Herb? I'm an amateur. | 0:16:02 | 0:16:05 | |
And I'm telling you, Clive, you don't have to be. | 0:16:05 | 0:16:08 | |
Just say yes. | 0:16:08 | 0:16:10 | |
-Mr Hildebrand! -Afternoon, Doctor. | 0:16:13 | 0:16:16 | |
-You know much about cars? -Very little, I'm afraid. | 0:16:17 | 0:16:21 | |
Errol knew everything about them. | 0:16:21 | 0:16:23 | |
"He was born in a garage," his old man used to say. | 0:16:23 | 0:16:27 | |
I understand he used to navigate for Mr McKenzie. | 0:16:27 | 0:16:30 | |
-What made him join you? -Oh, I never knew. | 0:16:30 | 0:16:33 | |
I just thanked my lucky stars I had him. | 0:16:33 | 0:16:36 | |
Mr Hildebrand, tell me... | 0:16:38 | 0:16:40 | |
..what do you think he was doing under that car? | 0:16:42 | 0:16:44 | |
Well, somebody was messing with the cars. | 0:16:46 | 0:16:49 | |
Ours, Beryl's. | 0:16:49 | 0:16:50 | |
I reckon Errol was figuring out who it was. | 0:16:51 | 0:16:54 | |
Right. | 0:16:54 | 0:16:56 | |
You don't think perhaps... | 0:16:56 | 0:16:59 | |
he was responsible for the sabotage? | 0:16:59 | 0:17:01 | |
Not likely. He wasn't that sort of bloke. | 0:17:01 | 0:17:04 | |
Personally, I reckon you should take a look at Herb Jones. | 0:17:04 | 0:17:07 | |
Jones, the chap you were just talking to? | 0:17:07 | 0:17:10 | |
-He runs the race, doesn't he? -Yeah, just an official. | 0:17:10 | 0:17:13 | |
Doubt if he'd know a lug nut from a walnut. | 0:17:13 | 0:17:15 | |
But there's no telling who he's got in his pocket working against me. | 0:17:15 | 0:17:19 | |
That sounds personal. | 0:17:19 | 0:17:20 | |
Yeah, well, Herb reckons | 0:17:20 | 0:17:22 | |
there's no room for the likes of me in the competition any more. | 0:17:22 | 0:17:25 | |
Days of the amateur are over. | 0:17:25 | 0:17:27 | |
-Ah. -Mr Hildebrand? | 0:17:27 | 0:17:29 | |
-Rose Anderson, Ballarat Courier. -Miss Anderson... | 0:17:29 | 0:17:32 | |
You're on the record as saying that the Red Australia Trials | 0:17:32 | 0:17:34 | |
have become increasingly commercialised. | 0:17:34 | 0:17:36 | |
As the winner of the very first race, | 0:17:36 | 0:17:37 | |
do you think there's still room in the competition | 0:17:37 | 0:17:39 | |
-for non-professionals? -No comment. | 0:17:39 | 0:17:41 | |
Mr Hildebrand, just a little, um... | 0:17:41 | 0:17:42 | |
I'd let him go... | 0:17:42 | 0:17:44 | |
Miss Anderson. | 0:17:44 | 0:17:45 | |
Well done, you've learned my name. | 0:17:45 | 0:17:48 | |
-I'm Dr... -Lucien Blake, the police surgeon. | 0:17:48 | 0:17:51 | |
I know who you are. | 0:17:51 | 0:17:53 | |
What are the police doing, talking to Clive Hildebrand? | 0:17:53 | 0:17:56 | |
Passing on our condolences. What's the Courier doing? | 0:17:56 | 0:17:58 | |
-Our job. -So, Patrick hired you? | 0:17:58 | 0:18:01 | |
He did. We're not talking about me, are we? | 0:18:01 | 0:18:04 | |
Do the police suspect foul play? | 0:18:05 | 0:18:07 | |
That would be a question for them. Good afternoon, Miss Anderson. | 0:18:07 | 0:18:11 | |
Dr Blake, you know Mr Hildebrand isn't the only one | 0:18:11 | 0:18:14 | |
with concerns about Herb Jones? | 0:18:14 | 0:18:16 | |
Really? | 0:18:20 | 0:18:22 | |
And where did you hear this? | 0:18:22 | 0:18:23 | |
I couldn't possibly reveal my sources. | 0:18:23 | 0:18:25 | |
But you know what they say, Doctor - | 0:18:25 | 0:18:28 | |
you scratch my back... | 0:18:28 | 0:18:29 | |
The race is a huge business proposition, Superintendent. | 0:18:32 | 0:18:35 | |
I am aware of that, Mr Jones. | 0:18:35 | 0:18:37 | |
Are further delays really necessary? | 0:18:37 | 0:18:40 | |
My paper has exclusives with the drivers... | 0:18:40 | 0:18:42 | |
This is a police investigation, Patrick, | 0:18:42 | 0:18:44 | |
and we need time to conduct it. | 0:18:44 | 0:18:45 | |
Don't worry, Patrick, I assured the people of Australia | 0:18:45 | 0:18:48 | |
that the final leg would take place tomorrow, so... | 0:18:48 | 0:18:51 | |
Just like you told Clive Hildebrand | 0:18:51 | 0:18:53 | |
there was no longer any room for amateurs. | 0:18:53 | 0:18:54 | |
-Blake. -Oh, here we go. | 0:18:54 | 0:18:57 | |
By the way, you need to reign in your journalists, Patrick. | 0:18:57 | 0:18:59 | |
One of them's been harassing Hildebrand. | 0:18:59 | 0:19:01 | |
Good! That's what we pay them for. | 0:19:01 | 0:19:03 | |
Look, I'm aware your investigation takes priority, | 0:19:03 | 0:19:07 | |
but there are other considerations. | 0:19:07 | 0:19:09 | |
Such as? | 0:19:09 | 0:19:11 | |
Such as a considerable boost to the local economy, the city's profile. | 0:19:11 | 0:19:16 | |
Yes, Patrick, I understand. Thank you. | 0:19:16 | 0:19:18 | |
It would be churlish to mention that little favour of mine, | 0:19:20 | 0:19:22 | |
so I won't. | 0:19:22 | 0:19:24 | |
We'll leave you to it. | 0:19:25 | 0:19:27 | |
Mr Jones. | 0:19:29 | 0:19:31 | |
Some of the drivers believe | 0:19:32 | 0:19:34 | |
your "business interests" might be unduly influencing the race. | 0:19:34 | 0:19:39 | |
-Any truth in that? -No... | 0:19:39 | 0:19:41 | |
And you're accusing my reporters of harassment? | 0:19:41 | 0:19:43 | |
Just when I was about ready to tolerate you. | 0:19:45 | 0:19:49 | |
He makes a fair point. | 0:19:53 | 0:19:55 | |
What was that about a favour? | 0:19:57 | 0:19:59 | |
Might get another cup of tea. | 0:19:59 | 0:20:01 | |
It's fair to say there's a certain amount of enthusiasm | 0:20:02 | 0:20:04 | |
for us to get a result, so, where are we? | 0:20:04 | 0:20:07 | |
Bad blood between McKenzie and Moore. | 0:20:08 | 0:20:11 | |
Bad blood between McKenzie and Denman. | 0:20:11 | 0:20:14 | |
Did anyone see either of them | 0:20:14 | 0:20:16 | |
after they finished working on the car? | 0:20:16 | 0:20:18 | |
No, people were drinking. Memories are hazy. | 0:20:18 | 0:20:20 | |
Trevor McKenzie's a hair-trigger idiot at the best of times, | 0:20:22 | 0:20:24 | |
and the body was under his car when he was driving. | 0:20:24 | 0:20:28 | |
Either he's brilliantly clever and he's pulling a double bluff, | 0:20:28 | 0:20:31 | |
or... | 0:20:31 | 0:20:32 | |
Doc, any theories? | 0:20:34 | 0:20:36 | |
Er... or someone's framed him. | 0:20:39 | 0:20:42 | |
Right, you hold the fort here. | 0:20:45 | 0:20:47 | |
I'll take Davis back to the showgrounds. | 0:20:47 | 0:20:48 | |
We'll have another look through the garage. | 0:20:48 | 0:20:50 | |
What's wrong with you? | 0:20:55 | 0:20:56 | |
Nothing, Matthew. | 0:20:57 | 0:21:00 | |
I'm perfectly fine. | 0:21:00 | 0:21:02 | |
Really. | 0:21:03 | 0:21:04 | |
Do you ever wonder, Matthew, | 0:21:10 | 0:21:12 | |
what it is that drives us to do what we do? | 0:21:12 | 0:21:15 | |
Go home, get some rest. | 0:21:20 | 0:21:22 | |
You'll feel like a new man tomorrow, trust me. | 0:21:22 | 0:21:25 | |
-Lucien! -Mattie! | 0:21:35 | 0:21:36 | |
-You're home! -Yes, I arrived back this morning. | 0:21:36 | 0:21:39 | |
-Well, how's Jean? -Jean's well. | 0:21:39 | 0:21:41 | |
What do you mean, she's well? | 0:21:41 | 0:21:43 | |
I mean, to all intents and purposes, she's in very good health. | 0:21:43 | 0:21:46 | |
So, Jean is quite well | 0:21:46 | 0:21:48 | |
and I'm just going to have to accept that as a reasonable explanation | 0:21:48 | 0:21:51 | |
as to why you've been gone for over a week. | 0:21:51 | 0:21:54 | |
Exactly. | 0:21:54 | 0:21:55 | |
Should we at least have a drink, to celebrate you being home? | 0:21:55 | 0:21:58 | |
Are you going to continue to bombard me with questions? | 0:21:58 | 0:22:00 | |
Well, I think I know when I'm not going to get an answer. | 0:22:00 | 0:22:05 | |
In that case, that would be lovely. Thank you very much. | 0:22:05 | 0:22:08 | |
You met Beryl Routledge?! | 0:22:10 | 0:22:12 | |
I wouldn't have picked you for a car enthusiast, Mattie. | 0:22:12 | 0:22:15 | |
Well, I'm not, usually. | 0:22:15 | 0:22:17 | |
But this is ordinary people driving ordinary cars, | 0:22:17 | 0:22:21 | |
and they're racing right around the country. Isn't that something? | 0:22:21 | 0:22:24 | |
-TV SOUND: -'The deceased is Errol Moore, age 20...' | 0:22:24 | 0:22:26 | |
-So, the boy... -Errol Moore. | 0:22:26 | 0:22:29 | |
-He was only 20? -Yes. | 0:22:29 | 0:22:31 | |
'..Ballarat stage of the rally at Western Victoria.' | 0:22:31 | 0:22:33 | |
Ah, now, that's Clive Hildebrand. | 0:22:33 | 0:22:36 | |
'..Clive Hildebrand, whilst found dead beneath the chassis of...' | 0:22:36 | 0:22:40 | |
Mm, and there's your Miss Routledge. | 0:22:40 | 0:22:43 | |
She's amazing. | 0:22:43 | 0:22:45 | |
Eh, perhaps. | 0:22:45 | 0:22:46 | |
'..to postpone the continuation of the race temporarily...' | 0:22:46 | 0:22:49 | |
And there she is, chatting with young Errol. | 0:22:49 | 0:22:52 | |
She told me she hadn't spoken with him. | 0:22:52 | 0:22:55 | |
Now, why would she lie? | 0:22:57 | 0:22:59 | |
I'll go. You keep an eye out here. | 0:23:20 | 0:23:22 | |
Righto. | 0:23:22 | 0:23:24 | |
DOOR BANGS SHUT | 0:23:39 | 0:23:41 | |
Oi! | 0:23:44 | 0:23:45 | |
Open up! | 0:23:46 | 0:23:48 | |
-You all right, boss? -Did you see anyone? | 0:23:59 | 0:24:01 | |
No. What happened? | 0:24:01 | 0:24:03 | |
TYRES SCREECH | 0:24:03 | 0:24:05 | |
Charlie! | 0:24:05 | 0:24:07 | |
Boss! | 0:24:15 | 0:24:17 | |
-Boss! -HE CRIES OUT | 0:24:19 | 0:24:20 | |
Keep still. Keep still. | 0:24:20 | 0:24:22 | |
Help! | 0:24:26 | 0:24:27 | |
HELP! | 0:24:31 | 0:24:33 | |
SIRENS WAIL | 0:24:33 | 0:24:35 | |
Dr Blake. Hugh Masterson, Orthopaedics. | 0:24:43 | 0:24:45 | |
-Where's Nicolson? -He's not answering his phone. | 0:24:45 | 0:24:48 | |
Right. | 0:24:48 | 0:24:49 | |
Cuts and abrasions, possible internals, | 0:24:49 | 0:24:51 | |
broken right femur, severe laceration above the knee. | 0:24:51 | 0:24:54 | |
It's OK. It's OK. | 0:24:54 | 0:24:56 | |
Almost there. | 0:24:56 | 0:24:57 | |
HE GRUNTS | 0:24:57 | 0:24:59 | |
-Damage to the femoral artery. -Lucky Charlie put a tourniquet on. | 0:25:04 | 0:25:07 | |
The break appears to be compressing the artery, | 0:25:07 | 0:25:09 | |
cutting off circulation to the lower limb. | 0:25:09 | 0:25:10 | |
We need to deal with the artery now. | 0:25:10 | 0:25:13 | |
-What is it? -I'm Orthopaedics. | 0:25:13 | 0:25:15 | |
You need a vascular surgeon for that. | 0:25:15 | 0:25:17 | |
We don't have a vascular surgeon, Hugh. Please. | 0:25:17 | 0:25:21 | |
It's all right, Matthew. It's all right. | 0:25:21 | 0:25:23 | |
Pulse? | 0:25:23 | 0:25:24 | |
-How long since the accident? -Um, half an hour or so. | 0:25:28 | 0:25:31 | |
We amputate. | 0:25:39 | 0:25:41 | |
Over 30 minutes, no circulation, the wound will be septic. | 0:25:41 | 0:25:44 | |
No, no, no, no, no. We reset, put him under, fix the artery. | 0:25:44 | 0:25:48 | |
We're not prepped. We don't have a choice. | 0:25:48 | 0:25:49 | |
-I've seen breaks like this before. -And I haven't. | 0:25:49 | 0:25:52 | |
Matthew, can you hear me? This is going to hurt like hell, all right? | 0:25:52 | 0:25:55 | |
Assist Mattie. I need you to hold him down. | 0:25:55 | 0:25:58 | |
Now, the idea is to get the bone back into place, yes? | 0:25:58 | 0:26:02 | |
So, on my three, I'm going to pull the leg back, and lower. | 0:26:02 | 0:26:07 | |
One... | 0:26:09 | 0:26:11 | |
two, three. | 0:26:11 | 0:26:13 | |
HE SCREAMS No, not quite. | 0:26:13 | 0:26:15 | |
-Doctor! -Matthew, I'm sorry. | 0:26:15 | 0:26:17 | |
We're going to have to go again. | 0:26:17 | 0:26:19 | |
All right? One, two... | 0:26:19 | 0:26:22 | |
HE SCREAMS | 0:26:22 | 0:26:24 | |
Yes, that's it. Well done. | 0:26:24 | 0:26:26 | |
Anything? | 0:26:34 | 0:26:36 | |
Just wait. Wait, please. | 0:26:38 | 0:26:39 | |
Lucien. | 0:26:41 | 0:26:43 | |
I told you we should have amputated. | 0:26:47 | 0:26:49 | |
We've got a pulse. | 0:26:51 | 0:26:53 | |
You're sure? | 0:26:53 | 0:26:56 | |
Yes. Yes! | 0:26:56 | 0:26:58 | |
It's weak, but we've got a pulse. Well done, you two. | 0:26:58 | 0:27:02 | |
Now, we need anaesthetic. | 0:27:02 | 0:27:04 | |
We get traction on this thing. You still need to operate. | 0:27:04 | 0:27:06 | |
Would you supervise the vascular procedure, Doctor? | 0:27:06 | 0:27:09 | |
Of course I will. | 0:27:09 | 0:27:10 | |
Jones. It was Jones! | 0:27:10 | 0:27:14 | |
All right, all right. Matthew, calm down for me. | 0:27:14 | 0:27:16 | |
Calm down for me. | 0:27:16 | 0:27:17 | |
Well done. | 0:27:19 | 0:27:20 | |
Lucien? | 0:27:22 | 0:27:24 | |
I'm fine, Mattie. Would you do something for me? | 0:27:24 | 0:27:27 | |
-Check on Charlie. -Yes. | 0:27:27 | 0:27:30 | |
Hey, well done. | 0:27:32 | 0:27:34 | |
Ah, Alice. Come on in. | 0:27:58 | 0:28:01 | |
I got the toxicology back for the man under the car. | 0:28:06 | 0:28:09 | |
There's nothing unusual in the bloodstream. | 0:28:09 | 0:28:12 | |
What? | 0:28:12 | 0:28:13 | |
Errol Moore's toxicology results. | 0:28:15 | 0:28:18 | |
They're completely clean. No drugs, no alcohol. | 0:28:18 | 0:28:20 | |
How are you, Chief Superintendent? | 0:28:21 | 0:28:23 | |
Terrible. | 0:28:25 | 0:28:26 | |
I'll leave you to the doctor, then. | 0:28:28 | 0:28:30 | |
Thank you, Alice. | 0:28:35 | 0:28:36 | |
How's Charlie? | 0:28:40 | 0:28:43 | |
Ah, our Charlie. | 0:28:43 | 0:28:46 | |
Well, he's got three broken ribs, so I've sent him home. | 0:28:46 | 0:28:52 | |
Herbert Jones has been brought in for questioning. | 0:28:52 | 0:28:55 | |
We need to send someone back to the garage to have a look around. | 0:28:55 | 0:28:59 | |
Well, I'll pass that on, | 0:29:00 | 0:29:02 | |
but in the meantime, you need to get some rest, eh? | 0:29:02 | 0:29:05 | |
Both legs are present, I see. | 0:29:10 | 0:29:12 | |
Yes. | 0:29:16 | 0:29:17 | |
Yes. | 0:29:20 | 0:29:21 | |
But... | 0:29:24 | 0:29:26 | |
you've sustained a lot of damage, Matthew. | 0:29:26 | 0:29:29 | |
Still. | 0:29:34 | 0:29:35 | |
Thank you, Lucien. | 0:29:36 | 0:29:38 | |
Yesterday, when you saw | 0:29:50 | 0:29:52 | |
Superintendent Lawson and Sergeant Davis at the showground, | 0:29:52 | 0:29:55 | |
-why did you run? -I didn't run. | 0:29:55 | 0:29:57 | |
My apologies. | 0:30:01 | 0:30:03 | |
The Chief Superintendent sends his regards. | 0:30:03 | 0:30:05 | |
Mr Jones maintains he'd left the showgrounds | 0:30:07 | 0:30:09 | |
before we were run down. | 0:30:09 | 0:30:11 | |
-Ah. -He also maintains that... | 0:30:11 | 0:30:13 | |
I didn't run anyone down, | 0:30:13 | 0:30:15 | |
and I had nothing to do with Errol Moore. | 0:30:15 | 0:30:17 | |
So why did you run away? | 0:30:17 | 0:30:18 | |
Our records indicate you own a two-toned Vanguard, | 0:30:24 | 0:30:28 | |
registration HHE-585. | 0:30:28 | 0:30:32 | |
-Where is it? -Parked outside the showgrounds. | 0:30:34 | 0:30:36 | |
It's been there for days. | 0:30:36 | 0:30:38 | |
I'll suspend the interview for now. | 0:30:40 | 0:30:42 | |
If my men find any mark on that car, | 0:30:50 | 0:30:54 | |
anything at all that suggests | 0:30:54 | 0:30:56 | |
it was the one that ran us down at the showgrounds, | 0:30:56 | 0:31:00 | |
I will escort the doctor out of this room | 0:31:00 | 0:31:02 | |
and leave you in here with the Senior Sergeant. | 0:31:02 | 0:31:05 | |
Alone. | 0:31:08 | 0:31:09 | |
Last chance. | 0:31:17 | 0:31:18 | |
Charlie, I fancy a cuppa. Bill? | 0:31:25 | 0:31:28 | |
-White with three, thanks, Doc. -Good. | 0:31:28 | 0:31:30 | |
-I might join you, Blake. -Excellent. | 0:31:30 | 0:31:33 | |
All right. | 0:31:35 | 0:31:37 | |
All right. Yes, I was driving the car. I'm sorry, all right? | 0:31:37 | 0:31:42 | |
I didn't mean to run anyone down. It was just an accident. | 0:31:42 | 0:31:45 | |
Then what were you doing there? Why did you run from us? | 0:31:45 | 0:31:49 | |
I take money from manufacturers | 0:31:49 | 0:31:51 | |
to boost their vehicles up in the rankings. | 0:31:51 | 0:31:54 | |
And when that doesn't work, | 0:31:54 | 0:31:56 | |
you tamper with the cars from time to time. | 0:31:56 | 0:31:58 | |
You saw two policemen there, and you panicked... | 0:31:59 | 0:32:02 | |
I didn't see anyone! I thought it was one of the other drivers, | 0:32:02 | 0:32:04 | |
and if they'd found me they would have killed me. | 0:32:04 | 0:32:06 | |
Is that what happened with young Errol? | 0:32:06 | 0:32:08 | |
No. I tried to pay the kid off to help me weeks ago. | 0:32:08 | 0:32:11 | |
And he turned you down. | 0:32:11 | 0:32:14 | |
The only one who'd go along with it was Bomber. | 0:32:14 | 0:32:17 | |
Bomber Denman. | 0:32:17 | 0:32:18 | |
And, Bill, we've got enough to charge him with the hit-and-run? | 0:32:20 | 0:32:23 | |
-You bet your arse we do. -Good. | 0:32:23 | 0:32:24 | |
Now, someone needs to speak with Denman. | 0:32:24 | 0:32:26 | |
-I can do that. -I'm coming with you, Doc. | 0:32:26 | 0:32:28 | |
Charlie, if you're not going home, you should stay here. | 0:32:28 | 0:32:30 | |
Miss Anderson, what brings you here? | 0:32:30 | 0:32:33 | |
-Police rounds, what do you think? -Excellent. | 0:32:33 | 0:32:35 | |
Sergeant Davis, someone you should speak with. | 0:32:35 | 0:32:37 | |
-Cup of tea, Miss? -Black, no sugar. | 0:32:39 | 0:32:41 | |
Er, suspected burglary and two cases of public drunkenness. | 0:32:41 | 0:32:46 | |
Also, Market Street will be closed to traffic tomorrow, | 0:32:48 | 0:32:51 | |
and that's about it. | 0:32:51 | 0:32:53 | |
And the investigation into Errol Moore's death? | 0:32:53 | 0:32:56 | |
I'm unable to comment about that right now. | 0:32:56 | 0:32:59 | |
Shame. | 0:32:59 | 0:33:00 | |
I heard there was an incident at the showgrounds last night. | 0:33:00 | 0:33:04 | |
That's subject to further investigation. | 0:33:06 | 0:33:08 | |
So the police are investigating? | 0:33:08 | 0:33:09 | |
We're pursuing a number of avenues of inquiry. | 0:33:09 | 0:33:12 | |
And you heard this from...? | 0:33:12 | 0:33:14 | |
Are you sure that you're not able to tell me? | 0:33:14 | 0:33:17 | |
Pretty sure, yep. | 0:33:17 | 0:33:19 | |
Do you think that I might be able to speak | 0:33:23 | 0:33:24 | |
with Chief Superintendent Lawson, then? | 0:33:24 | 0:33:26 | |
He's unavailable at the moment. | 0:33:26 | 0:33:29 | |
Would you tell him that I was here, when he is available? | 0:33:29 | 0:33:32 | |
Of course. | 0:33:32 | 0:33:33 | |
It's been a pleasure. | 0:33:36 | 0:33:38 | |
Miss Anderson? | 0:33:38 | 0:33:40 | |
The number at the desk, | 0:33:50 | 0:33:52 | |
so I can keep you posted on what's happening here, | 0:33:52 | 0:33:55 | |
when it's appropriate. | 0:33:55 | 0:33:56 | |
And why would you do that? | 0:33:58 | 0:34:00 | |
Because I was once new in town too. | 0:34:01 | 0:34:04 | |
Sergeant Davis. | 0:34:14 | 0:34:16 | |
Miss Anderson. | 0:34:16 | 0:34:18 | |
'Scott Wilson Brown to the refreshment tent, please? | 0:34:21 | 0:34:26 | |
'That's Scott Wilson Brown to the refreshment tent.' | 0:34:26 | 0:34:29 | |
Mr Denman? | 0:34:31 | 0:34:32 | |
Herbert Jones sends his regards. | 0:34:35 | 0:34:37 | |
A number of people believe their cars have been sabotaged | 0:34:39 | 0:34:42 | |
throughout this race. | 0:34:42 | 0:34:44 | |
-They're paranoid. -Is that right? | 0:34:44 | 0:34:47 | |
When questioned, | 0:34:47 | 0:34:49 | |
Mr Jones admitted | 0:34:49 | 0:34:51 | |
that it was, in fact, the two of you tampering with the cars. | 0:34:51 | 0:34:54 | |
He even suggested | 0:34:56 | 0:34:58 | |
that you might be the one who killed young Errol. | 0:34:58 | 0:35:00 | |
Well... | 0:35:02 | 0:35:04 | |
he's a liar. | 0:35:04 | 0:35:06 | |
You got nothing. | 0:35:06 | 0:35:07 | |
-I gather you like dynamite. -Hey... | 0:35:09 | 0:35:12 | |
I never have. | 0:35:12 | 0:35:14 | |
The impact it has on the human body, | 0:35:14 | 0:35:17 | |
the damage it wreaks on flesh and bone, | 0:35:17 | 0:35:19 | |
it's horrible. | 0:35:19 | 0:35:22 | |
Now, you listen to me. | 0:35:22 | 0:35:24 | |
I don't have the patience today for your games. | 0:35:24 | 0:35:27 | |
A very good friend of mine nearly died yesterday, | 0:35:27 | 0:35:30 | |
so you will tell me what I want to know. | 0:35:30 | 0:35:33 | |
-What? If you think I had anything... -You were sabotaging cars. | 0:35:33 | 0:35:37 | |
Perhaps Clive and Errol's, yes? | 0:35:38 | 0:35:40 | |
Errol discovered the truth, | 0:35:40 | 0:35:42 | |
so you murdered him before anyone else could find out. | 0:35:42 | 0:35:44 | |
Is that what happened? | 0:35:44 | 0:35:45 | |
Come on, last chance. | 0:35:47 | 0:35:49 | |
Go on, why don't ya? Go on. You don't have the balls. | 0:35:50 | 0:35:53 | |
Time's ticking. Tell me what happened. | 0:35:56 | 0:35:58 | |
All right, look, all right, I... I didn't touch their car, | 0:36:01 | 0:36:03 | |
just Routledge and a few others. | 0:36:03 | 0:36:05 | |
-I didn't do a thing to Errol! -Did you kill him? | 0:36:05 | 0:36:08 | |
-No. -You're absolutely sure? | 0:36:08 | 0:36:10 | |
I didn't do it, you crazy bastard! | 0:36:10 | 0:36:12 | |
All right. | 0:36:14 | 0:36:15 | |
You're insane. | 0:36:23 | 0:36:25 | |
Yes, perhaps I am. | 0:36:25 | 0:36:27 | |
I've been called worse. | 0:36:27 | 0:36:28 | |
Now, here's what's going to happen next... Bomber. | 0:36:28 | 0:36:32 | |
You're going to go to the police. | 0:36:32 | 0:36:34 | |
You're going to tell them exactly what you just told me. | 0:36:34 | 0:36:37 | |
Yes? | 0:36:37 | 0:36:38 | |
Yeah, fine, all right, I'll go. | 0:36:41 | 0:36:43 | |
Best stop this nonsense as well. Your dynamite days are over. | 0:36:44 | 0:36:48 | |
Good afternoon, Mr Denman. | 0:36:49 | 0:36:51 | |
CAR FAILS TO START | 0:37:01 | 0:37:02 | |
Standards. They have their quirks. | 0:37:09 | 0:37:11 | |
Quirks, indeed. | 0:37:11 | 0:37:14 | |
It has been the source of some frustration | 0:37:14 | 0:37:16 | |
over the years, I can tell you. | 0:37:16 | 0:37:17 | |
You're not thinking of selling, are you, Doctor? | 0:37:17 | 0:37:20 | |
Well, let's see what she's got. | 0:37:22 | 0:37:23 | |
ENGINE STARTS | 0:37:23 | 0:37:25 | |
Ah! | 0:37:25 | 0:37:26 | |
Well, the brakes are in good nick. That's something. | 0:37:48 | 0:37:52 | |
Yes. | 0:37:52 | 0:37:53 | |
You lied to me, Miss Routledge. | 0:37:55 | 0:37:57 | |
Excuse me? | 0:37:57 | 0:37:59 | |
When you were first interviewed yesterday, | 0:37:59 | 0:38:01 | |
you lied about having never spoken with Errol Moore. | 0:38:01 | 0:38:04 | |
I must have forgotten. | 0:38:05 | 0:38:08 | |
You know what us women are like. | 0:38:08 | 0:38:10 | |
Now, if you're in the market for a new car... | 0:38:10 | 0:38:14 | |
is there a Mrs Blake? | 0:38:14 | 0:38:16 | |
What kind of motor would she want the good doctor to have? | 0:38:16 | 0:38:20 | |
Did you try this on with young Errol, Miss Routledge? | 0:38:22 | 0:38:25 | |
Is that why you didn't want us to know? | 0:38:27 | 0:38:29 | |
Yes, I spoke to Errol. | 0:38:32 | 0:38:33 | |
It's no secret, he's the best mechanic on the tour. | 0:38:35 | 0:38:38 | |
-I wanted him on my team. -Your team? | 0:38:38 | 0:38:41 | |
Didn't you want to show the world | 0:38:41 | 0:38:44 | |
that your team, comprised solely of women, | 0:38:44 | 0:38:47 | |
how they could beat the men? | 0:38:47 | 0:38:48 | |
I'm a pretty woman driving a car, Doctor. | 0:38:51 | 0:38:54 | |
The public finds that fascinating. | 0:38:54 | 0:38:57 | |
But I've had enough of women's magazine covers. | 0:38:57 | 0:38:59 | |
Now I want headlines for being the winner of the next Red Trial. | 0:38:59 | 0:39:02 | |
Quite. | 0:39:02 | 0:39:04 | |
How did Errol respond to your offer? | 0:39:06 | 0:39:09 | |
He said no, stupid boy. | 0:39:09 | 0:39:13 | |
Did he say why? | 0:39:13 | 0:39:14 | |
Because next year, he wanted to become a driver. | 0:39:14 | 0:39:17 | |
Enter the Red Australia himself. | 0:39:17 | 0:39:19 | |
I see. And you... | 0:39:21 | 0:39:22 | |
Wished him luck, | 0:39:24 | 0:39:26 | |
and told him I would wave to him from the top of the podium | 0:39:26 | 0:39:28 | |
in 12 months' time. | 0:39:28 | 0:39:29 | |
Of course. | 0:39:32 | 0:39:34 | |
To your knowledge, did he tell anyone about his ambitions? | 0:39:34 | 0:39:38 | |
Well, I assume so. He already had a car lined up and everything. | 0:39:38 | 0:39:41 | |
No sponsor, though. | 0:39:41 | 0:39:43 | |
Oh, no, he was going amateur all the way, | 0:39:43 | 0:39:45 | |
just like his bloody idol, Clive. | 0:39:45 | 0:39:47 | |
You don't approve. | 0:39:48 | 0:39:50 | |
Errol and Clive take the whole noble amateur thing | 0:39:50 | 0:39:53 | |
far too seriously. | 0:39:53 | 0:39:55 | |
It's not a mistake I intend to make. | 0:39:55 | 0:39:57 | |
I'm in this for the fame, and the money, of course. | 0:39:57 | 0:40:00 | |
Now, I think something simple for you. | 0:40:03 | 0:40:07 | |
Nothing too fast or ostentatious. | 0:40:07 | 0:40:09 | |
Anyway, shall we? | 0:40:10 | 0:40:12 | |
-Mattie rang me. -Yes, he's... | 0:40:47 | 0:40:49 | |
-Is Matthew...? -..all right. | 0:40:49 | 0:40:50 | |
-It's going to be difficult. -Er, Doctor. | 0:40:50 | 0:40:53 | |
Dr Masterson. | 0:40:53 | 0:40:54 | |
I've been looking at the Superintendent's X-rays. | 0:40:54 | 0:40:57 | |
Oh, honestly... | 0:40:58 | 0:40:59 | |
..I'm fine. | 0:41:01 | 0:41:02 | |
Anyone would think I'm some bloody invalid. | 0:41:02 | 0:41:05 | |
I spoke to Hobart earlier. | 0:41:07 | 0:41:09 | |
He said that Jones has confessed to running us down. | 0:41:11 | 0:41:16 | |
Yes, but not to killing young Errol. | 0:41:16 | 0:41:19 | |
Now, I spoke to Mr Denman and... | 0:41:19 | 0:41:22 | |
..er, Beryl Routledge. | 0:41:22 | 0:41:25 | |
Beryl Routledge? You didn't tell me that! | 0:41:25 | 0:41:28 | |
Oh, he has no idea who she was. | 0:41:28 | 0:41:31 | |
Ah, typical. | 0:41:31 | 0:41:32 | |
-Do you think she's involved? -I don't know. | 0:41:34 | 0:41:36 | |
How is the leg? | 0:41:38 | 0:41:40 | |
Oh, well, still there. | 0:41:41 | 0:41:43 | |
Do you think he knows? | 0:41:50 | 0:41:52 | |
Well, I'm not certain he's aware... | 0:41:52 | 0:41:56 | |
Doctor! | 0:41:56 | 0:41:57 | |
-Mrs Beazley. -Hello. | 0:41:57 | 0:41:59 | |
I thought you should see these. | 0:41:59 | 0:42:01 | |
Most of the skin on Moore's back was scraped away postmortem, | 0:42:01 | 0:42:04 | |
but these are from a patch of skin remaining on his shoulder. | 0:42:04 | 0:42:08 | |
I think it's the imprint of the ground beneath the body. | 0:42:08 | 0:42:11 | |
Paving of some kind. | 0:42:11 | 0:42:13 | |
Well done, Alice. | 0:42:18 | 0:42:19 | |
Jean! | 0:42:25 | 0:42:26 | |
Oh, Mattie, it's lovely to see you. | 0:42:26 | 0:42:29 | |
You too! | 0:42:29 | 0:42:31 | |
It has been so quiet while you were gone. | 0:42:31 | 0:42:33 | |
I had to go to Melbourne for conversation. | 0:42:33 | 0:42:35 | |
Excuse me, you two. I just need to fetch my torch. | 0:42:35 | 0:42:38 | |
-Where are you going? -Back to the showgrounds. | 0:42:38 | 0:42:40 | |
I'm coming too. | 0:42:40 | 0:42:42 | |
Wait, I wanted to find out about Adelaide. | 0:42:42 | 0:42:44 | |
I'll tell you about it later. | 0:42:44 | 0:42:45 | |
I do love what you're doing with your hair. | 0:42:45 | 0:42:47 | |
I didn't know she'd been going down to Melbourne. | 0:42:52 | 0:42:54 | |
Yes, spending more time with the family, apparently. | 0:42:54 | 0:42:56 | |
-Right. -This is...? | 0:42:56 | 0:42:58 | |
Er, Trevor McKenzie's car. | 0:42:58 | 0:43:00 | |
Have you wedged something under the tyres? | 0:43:00 | 0:43:02 | |
-Just asking! -Of course I have. | 0:43:04 | 0:43:06 | |
Thank you. | 0:43:06 | 0:43:08 | |
Now... | 0:43:11 | 0:43:12 | |
What are you looking for now? | 0:43:14 | 0:43:16 | |
Oh, I don't know. | 0:43:16 | 0:43:18 | |
I've never really looked beneath the car before. | 0:43:18 | 0:43:21 | |
Just this one? | 0:43:21 | 0:43:22 | |
All right, any car. | 0:43:24 | 0:43:25 | |
So... | 0:43:27 | 0:43:30 | |
tell me. | 0:43:30 | 0:43:32 | |
-Our young Errol was found under here. -But this isn't his car. | 0:43:32 | 0:43:36 | |
The car was lowered directly onto his chest. | 0:43:36 | 0:43:39 | |
It left a corresponding compression mark. | 0:43:39 | 0:43:42 | |
You know that different cars have differently shaped chassis? | 0:43:44 | 0:43:46 | |
Well, yes, of course I do. | 0:43:50 | 0:43:52 | |
But some are similar. | 0:43:52 | 0:43:55 | |
Well, for example, the Vanguard and the... | 0:43:55 | 0:43:57 | |
The Holden. So, who drives one of those? | 0:43:57 | 0:44:00 | |
I have a pretty good idea. | 0:44:00 | 0:44:02 | |
What about the impression that the ground left on the man's skin? | 0:44:02 | 0:44:06 | |
Not from here. | 0:44:13 | 0:44:15 | |
He died somewhere else, Jean. | 0:44:15 | 0:44:17 | |
I need you to find a phone box and call Bill Hobart for me. | 0:44:17 | 0:44:20 | |
You know, I wasn't lying when I said I didn't know much about cars, | 0:45:27 | 0:45:30 | |
but I do know medicine. | 0:45:30 | 0:45:31 | |
You know what it's like to be a hero, Doctor? | 0:45:31 | 0:45:34 | |
To be an ordinary man with ordinary people looking up to you? | 0:45:34 | 0:45:37 | |
Yes, look, the pressure, I can only imagine. | 0:45:37 | 0:45:40 | |
Of course, with Herbert and his business associates | 0:45:40 | 0:45:45 | |
snapping at your heels, it must be very stressful. | 0:45:45 | 0:45:48 | |
But look, it was Jones and Denman sabotaging your car. | 0:45:48 | 0:45:50 | |
Young Errol had nothing to do with it. | 0:45:50 | 0:45:53 | |
Please, he looked up to you. He worshipped you! | 0:45:53 | 0:45:55 | |
Errol told me he wanted to drive next year. | 0:45:55 | 0:45:59 | |
When I found him working under the car that night, I... | 0:45:59 | 0:46:01 | |
So you thought the worst | 0:46:01 | 0:46:03 | |
and you killed him, didn't you, Mr Hildebrand? | 0:46:03 | 0:46:05 | |
Please! | 0:46:09 | 0:46:10 | |
Lucien! | 0:46:31 | 0:46:33 | |
SIRENS WAIL | 0:46:33 | 0:46:34 | |
That young man had done nothing wrong, not a damn thing. | 0:46:43 | 0:46:45 | |
You murdered him, you moved the body, | 0:46:45 | 0:46:47 | |
put it under McKenzie's car, and for what? | 0:46:47 | 0:46:49 | |
He betrayed me. | 0:46:49 | 0:46:51 | |
Betrayed you? | 0:46:51 | 0:46:54 | |
He didn't betray you. You were his hero. | 0:46:54 | 0:46:56 | |
Clive Hildebrand, I'm arresting you for the murder of Errol John Moore. | 0:47:01 | 0:47:05 | |
Matthew. Patrick. | 0:47:16 | 0:47:19 | |
Hobart told me. Well done. | 0:47:22 | 0:47:25 | |
Yes. | 0:47:27 | 0:47:28 | |
Yes, um... | 0:47:29 | 0:47:31 | |
Matthew, look, there's... | 0:47:35 | 0:47:37 | |
-There's something... -I know, I know. | 0:47:37 | 0:47:41 | |
My leg's never going to heal properly. | 0:47:46 | 0:47:48 | |
I'll probably walk with a stick, or something equally humiliating. | 0:47:51 | 0:47:54 | |
They'll pension me off. | 0:47:57 | 0:47:59 | |
Yes. | 0:48:03 | 0:48:04 | |
Unless I can find a doctor who's willing to fudge my medical. | 0:48:08 | 0:48:11 | |
Ah. THEY CHUCKLE | 0:48:11 | 0:48:13 | |
Ah, don't worry. Not even you can sort this one out. | 0:48:17 | 0:48:20 | |
I'm sorry. | 0:48:22 | 0:48:24 | |
Boss. | 0:48:41 | 0:48:42 | |
-Miss Anderson? -Sergeant Davis. | 0:48:48 | 0:48:50 | |
I take it you've met my niece. | 0:48:51 | 0:48:53 | |
-What's that? -Ah, report on Errol Moore. | 0:48:57 | 0:49:01 | |
Just leave it on the desk. | 0:49:01 | 0:49:03 | |
These are the things you asked for, Boss. | 0:49:04 | 0:49:06 | |
Thank you. | 0:49:09 | 0:49:11 | |
Well... | 0:49:16 | 0:49:18 | |
..gentlemen... | 0:49:21 | 0:49:22 | |
..it's been an honour. | 0:49:27 | 0:49:28 | |
Carry on. | 0:49:35 | 0:49:36 | |
Matthew. | 0:50:02 | 0:50:04 | |
So, have you remembered? | 0:50:10 | 0:50:11 | |
Why it is we do what we do? | 0:50:14 | 0:50:16 | |
Yes, I most certainly have. | 0:50:21 | 0:50:23 | |
Another time, eh? | 0:50:29 | 0:50:30 | |
A job for Rose at the Courier. | 0:50:49 | 0:50:51 | |
That was Patrick's favour. | 0:50:55 | 0:50:57 | |
Well? | 0:51:33 | 0:51:35 | |
Ten miles to the gallon. You don't think that's a little wasteful? | 0:51:35 | 0:51:39 | |
-What do other cars get? -You don't know? | 0:51:39 | 0:51:42 | |
SHE CHUCKLES | 0:51:45 | 0:51:46 | |
-Have you told anyone? -Who would I tell? | 0:51:49 | 0:51:52 | |
-Patrick Tyneman? -Oh, Patrick... | 0:51:52 | 0:51:55 | |
Lucien, where's your car? | 0:52:01 | 0:52:04 | |
Finally traded it in. This is my new one. | 0:52:04 | 0:52:07 | |
You do know the fuel consumption isn't great? | 0:52:08 | 0:52:11 | |
So I've heard. | 0:52:13 | 0:52:15 | |
-Fancy a spin? -Definitely. | 0:52:18 | 0:52:21 | |
Could I borrow it next time I go to Melbourne? | 0:52:21 | 0:52:23 | |
Not a chance. | 0:52:23 | 0:52:26 | |
Right. | 0:52:29 | 0:52:30 | |
You wait till you get out on the road. | 0:52:33 | 0:52:36 | |
It's an absolute beaut. | 0:52:36 | 0:52:39 | |
HORN BEEPS | 0:52:39 | 0:52:40 |