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CAMERA SHUTTER CLICKS | 0:00:09 | 0:00:11 | |
BUSTLING VOICES | 0:00:11 | 0:00:14 | |
Can I have your attention, please? | 0:00:22 | 0:00:24 | |
We're fortunate to be living in a time of great progress, | 0:00:26 | 0:00:29 | |
but all too often, advancement comes at the expense of our heritage. | 0:00:29 | 0:00:33 | |
My brother and I believe the past is something to be cherished, | 0:00:33 | 0:00:37 | |
Ballarat's past captured forever for future generations. | 0:00:37 | 0:00:41 | |
I'm delighted to announce Council has approved the site for development. | 0:00:41 | 0:00:44 | |
-You used me! -SHOCKED MURMURS | 0:00:44 | 0:00:46 | |
You bloody Fosters are all the same. | 0:00:46 | 0:00:49 | |
-Join us for a drink. -Yeah, I don't want a drink! | 0:00:49 | 0:00:51 | |
Can someone show Mr Young out? | 0:00:51 | 0:00:53 | |
She used me, and you all know it! | 0:00:53 | 0:00:55 | |
This is your fault, isn't it, Foster? | 0:00:56 | 0:00:59 | |
I'm not finished with you. Get your hands off me! | 0:00:59 | 0:01:02 | |
Ladies and gentlemen, Mr Young's personal issues | 0:01:02 | 0:01:05 | |
have nothing to do with this glorious development. | 0:01:05 | 0:01:08 | |
So please join me in celebrating something that is truly historic. | 0:01:08 | 0:01:12 | |
I give you the Foster family's legacy - Goldrush Park. | 0:01:12 | 0:01:15 | |
Fluids - that's what you need. | 0:02:55 | 0:02:57 | |
You're dehydrated. | 0:02:57 | 0:02:58 | |
Do spirits count? | 0:02:58 | 0:03:00 | |
-Only if they're top-shelf. -Always. | 0:03:00 | 0:03:02 | |
Well, nearly always. | 0:03:02 | 0:03:05 | |
Now, any existing conditions or injuries I need to know about? | 0:03:05 | 0:03:08 | |
No, nothing exciting, except this old war wound back here. | 0:03:08 | 0:03:12 | |
And where were you serving? | 0:03:14 | 0:03:15 | |
North Africa, 6th Division. | 0:03:15 | 0:03:17 | |
I was in Singapore. | 0:03:17 | 0:03:19 | |
Oh. You would have seen some action, then. | 0:03:19 | 0:03:21 | |
We both did, by the looks of things. | 0:03:21 | 0:03:23 | |
Yes, well, my wife used to say that I got shot running the wrong way. | 0:03:23 | 0:03:28 | |
Is that right? She sounds like a woman of good humour. | 0:03:28 | 0:03:31 | |
She was. She died nearly two years ago. | 0:03:31 | 0:03:35 | |
-I am sorry. -Well, part of the reason for the move here. | 0:03:35 | 0:03:39 | |
-Fresh start and all. -Quite. | 0:03:39 | 0:03:42 | |
Do you, um, have any family or friends in Ballarat? | 0:03:42 | 0:03:46 | |
Not a soul. Not yet, anyway. | 0:03:46 | 0:03:49 | |
There are worse places for a fresh start. | 0:03:49 | 0:03:52 | |
Now, what is it you do, Mr Carlyle? | 0:03:52 | 0:03:55 | |
-Oh, please - call me Frank. -Frank. What is it you do, Frank? | 0:03:55 | 0:03:58 | |
KNOCK ON DOOR | 0:03:58 | 0:04:00 | |
Oh, sorry, Lucien. That was the police station. | 0:04:00 | 0:04:02 | |
-You're wanted at the swimming baths. -Right. Thank you, Jean. | 0:04:02 | 0:04:06 | |
Jean, Mr Frank Carlyle. Just moved to the area. | 0:04:06 | 0:04:09 | |
-Mr Carlyle. -Pleased to meet you, Jean. | 0:04:09 | 0:04:11 | |
Well, we best get going. | 0:04:11 | 0:04:14 | |
-Where? -Oh, the swimming baths. | 0:04:14 | 0:04:17 | |
I'm not sure I follow you, Frank. | 0:04:17 | 0:04:19 | |
Well, the truth is, I'm your new chief superintendent. | 0:04:19 | 0:04:23 | |
-Reg Foster. -Yeah. Who's your friend? | 0:04:32 | 0:04:35 | |
Your new boss. It's Bill Hobart, isn't it? | 0:04:35 | 0:04:39 | |
-Frank. -Frank Carlyle? | 0:04:39 | 0:04:42 | |
Yes. Whatever you've heard, it's a lie, unless it's complimentary. | 0:04:42 | 0:04:45 | |
-And you must be... -Simmons, sir. | 0:04:45 | 0:04:48 | |
I fell in, trying to get him out. | 0:04:48 | 0:04:51 | |
So, what have we got? | 0:04:53 | 0:04:56 | |
Ah, Reg Foster's a widower, big into property. | 0:04:56 | 0:04:59 | |
He's on the front page of the paper this morning. | 0:04:59 | 0:05:01 | |
Found about two hours ago by younger brother Noel. | 0:05:01 | 0:05:04 | |
-We only got him out to... -Yeah, yeah - to identify him. | 0:05:04 | 0:05:07 | |
It's fine. You did the right thing. | 0:05:07 | 0:05:09 | |
So...where's his brother? | 0:05:10 | 0:05:14 | |
We swam together most mornings. | 0:05:16 | 0:05:19 | |
Was Reg a strong swimmer? | 0:05:19 | 0:05:20 | |
But it helped with his spine. | 0:05:22 | 0:05:25 | |
He had an injury from... when we were young. | 0:05:25 | 0:05:30 | |
It's my fault. | 0:05:31 | 0:05:32 | |
Why would you say that, Noel? | 0:05:32 | 0:05:34 | |
We meet every morning at 6am, and I was ten minutes late. | 0:05:34 | 0:05:38 | |
I...I could have saved him. | 0:05:38 | 0:05:40 | |
Noel... | 0:05:43 | 0:05:44 | |
-..are these Reg's clothes? -Yes. | 0:05:46 | 0:05:48 | |
Right. | 0:05:49 | 0:05:50 | |
We'll need to take them to the morgue with the body. | 0:05:52 | 0:05:55 | |
His watch stopped. | 0:05:57 | 0:05:59 | |
Right. | 0:05:59 | 0:06:00 | |
"To my sons." | 0:06:03 | 0:06:04 | |
There's a lot of water in his lungs. | 0:06:06 | 0:06:09 | |
Mm. | 0:06:09 | 0:06:11 | |
-Anything else? -The spinal injury. | 0:06:11 | 0:06:13 | |
Yes, but anything else? | 0:06:13 | 0:06:15 | |
Evidence of testicular atrophy. | 0:06:15 | 0:06:18 | |
Duly noted. And what else? | 0:06:18 | 0:06:21 | |
I give up. | 0:06:23 | 0:06:24 | |
His swimming trunks are on inside out. | 0:06:27 | 0:06:29 | |
Perhaps he dressed in the dark. | 0:06:29 | 0:06:33 | |
There's no external cranial injuries. I already checked. | 0:06:33 | 0:06:36 | |
Very good. Alice, would you mind passing me the magnifying glass? | 0:06:36 | 0:06:40 | |
Hands are full. | 0:06:40 | 0:06:41 | |
Right you are. | 0:06:44 | 0:06:45 | |
Now... | 0:06:51 | 0:06:54 | |
several tufts of hair missing, | 0:06:54 | 0:06:57 | |
and what appears to be dried blood around the follicles. | 0:06:57 | 0:07:01 | |
Could have happened when they dragged him out. | 0:07:03 | 0:07:06 | |
True. | 0:07:06 | 0:07:07 | |
Bill Hobart can be somewhat enthusiastic. | 0:07:07 | 0:07:11 | |
What? | 0:07:19 | 0:07:21 | |
This water's not chlorinated. | 0:07:21 | 0:07:24 | |
So our man didn't drown at the baths? | 0:07:24 | 0:07:27 | |
He was killed somewhere else and moved postmortem. | 0:07:27 | 0:07:29 | |
Alice is testing the diatoms as we speak. | 0:07:29 | 0:07:31 | |
-Diatoms being? -A micro-organism present in water. | 0:07:31 | 0:07:35 | |
In theory, it's possible to confirm the drowning site | 0:07:35 | 0:07:39 | |
-by finding a match with the water in his lungs. -Hm. | 0:07:39 | 0:07:42 | |
-But only in theory? -We'd need... | 0:07:42 | 0:07:45 | |
We'd need samples from every body of water, every tap, | 0:07:45 | 0:07:48 | |
every damn puddle in Ballarat. | 0:07:48 | 0:07:50 | |
Well, best we requisition some bottles, then. | 0:07:50 | 0:07:53 | |
Yes. I'll start at the baths - test the sinks and... | 0:07:53 | 0:07:57 | |
No, no, no. You're far more valuable with me. | 0:07:57 | 0:07:59 | |
Get one of these blokes to do the legwork. | 0:07:59 | 0:08:01 | |
Constable Simmons - you have an affinity for water. | 0:08:01 | 0:08:04 | |
Dr Blake here has a job for you. | 0:08:04 | 0:08:06 | |
We, on the other hand, will start here - | 0:08:06 | 0:08:10 | |
the last place Reg was seen alive. | 0:08:10 | 0:08:12 | |
Norma, how long have you been Mr Foster's secretary? | 0:08:21 | 0:08:26 | |
Three years. | 0:08:26 | 0:08:28 | |
He was a gentleman. | 0:08:28 | 0:08:30 | |
I don't know why anyone would hurt him. | 0:08:30 | 0:08:33 | |
Very organised. Certainly loved a right angle. | 0:08:33 | 0:08:37 | |
He said that's how he made his fortune - routine and order. | 0:08:37 | 0:08:42 | |
Were you at the presentation last night? | 0:08:43 | 0:08:45 | |
No. I'd gone home. | 0:08:45 | 0:08:47 | |
So you weren't there for Reg's big announcement? | 0:08:47 | 0:08:50 | |
I wasn't feeling well. | 0:08:50 | 0:08:52 | |
If you'll excuse me. | 0:08:52 | 0:08:54 | |
That reminds me - we'll need a water sample from the bathroom. | 0:08:58 | 0:09:02 | |
How's he financing this Goldrush Park? | 0:09:04 | 0:09:08 | |
The Fosters are, um, independently wealthy. | 0:09:08 | 0:09:11 | |
Ah. Get a copy of the will, see who stands to benefit, then. | 0:09:11 | 0:09:15 | |
There's something not right here, Frank. | 0:09:15 | 0:09:18 | |
Don't mind me. Rose Anderson, The Courier. | 0:09:20 | 0:09:23 | |
Chief Superintendent Carlyle. | 0:09:23 | 0:09:25 | |
I'm just taking a few snaps for Reg Foster's obituary. | 0:09:25 | 0:09:28 | |
How did you hear about all this? | 0:09:28 | 0:09:29 | |
Welcome to Ballarat. | 0:09:29 | 0:09:31 | |
No photographs. | 0:09:31 | 0:09:33 | |
I heard he drowned in the swimming baths. | 0:09:33 | 0:09:35 | |
Is there more to the story? There is, isn't there? | 0:09:35 | 0:09:38 | |
Miss Anderson, did you take this photograph last night? | 0:09:38 | 0:09:40 | |
Valerie Foster called up first thing | 0:09:40 | 0:09:42 | |
to complain about being cut out of picture. | 0:09:42 | 0:09:44 | |
-Reg's wife? -Sister. | 0:09:44 | 0:09:47 | |
I'll need a copy of all your photographs, if I may, | 0:09:47 | 0:09:49 | |
-thank you, Miss Anderson. -Why? | 0:09:49 | 0:09:52 | |
What are you investigating? Is this a homicide? | 0:09:52 | 0:09:53 | |
-I'll need you to leave now, Miss Anderson. -I will do you a deal. | 0:09:53 | 0:09:56 | |
Give me a statement, and I'll tell you who made a kerfuffle last night. | 0:09:56 | 0:10:00 | |
I'll do YOU a deal - you tell me everything you know, | 0:10:00 | 0:10:04 | |
and I won't arrest you for obstructing a police investigation. | 0:10:04 | 0:10:08 | |
Ah, Mr Young? | 0:10:14 | 0:10:16 | |
Yes. | 0:10:17 | 0:10:18 | |
Quick word? | 0:10:20 | 0:10:21 | |
Um, yes. Indeed. Just through here. | 0:10:22 | 0:10:25 | |
Come in. | 0:10:25 | 0:10:28 | |
Look, we just wanted to have a quick chat about the death of Reg Foster. | 0:10:28 | 0:10:31 | |
OK. Um... | 0:10:33 | 0:10:34 | |
I couldn't hurt anyone - look at me. | 0:10:36 | 0:10:39 | |
Reg Foster was physically impaired. | 0:10:39 | 0:10:40 | |
It wouldn't take much to do some harm. | 0:10:40 | 0:10:42 | |
And you did threaten him last night in front of a roomful of people. | 0:10:42 | 0:10:45 | |
First of all, I was angry. | 0:10:45 | 0:10:48 | |
And-And maybe a little plastered. | 0:10:48 | 0:10:51 | |
Why don't you tell us what he did to you, Lionel? | 0:10:51 | 0:10:53 | |
Valerie Foster and I were together, at least we tried to be. | 0:10:56 | 0:11:01 | |
Reg was possessive. | 0:11:02 | 0:11:04 | |
He wanted his sister to stay a spinster, at his beck and call. | 0:11:06 | 0:11:10 | |
He insisted that she ended it. | 0:11:10 | 0:11:13 | |
And he thought I wasn't worthy. | 0:11:13 | 0:11:15 | |
Right. And she did what he wanted? | 0:11:15 | 0:11:16 | |
Go on. | 0:11:18 | 0:11:20 | |
The Fosters were planning the Goldrush Park development, | 0:11:20 | 0:11:23 | |
and they wanted someone from the Council onside. | 0:11:23 | 0:11:25 | |
Valerie asked me to push the approval through - | 0:11:25 | 0:11:27 | |
said that if I did it, we would win Reg over. | 0:11:27 | 0:11:31 | |
But it didn't work? | 0:11:31 | 0:11:32 | |
As soon as the park was approved, she ditched me again. | 0:11:38 | 0:11:42 | |
I know Reg was behind it. | 0:11:42 | 0:11:46 | |
They used me. | 0:11:46 | 0:11:47 | |
I fell for it. | 0:11:51 | 0:11:53 | |
Lionel, where's your nearest sink? | 0:11:53 | 0:11:55 | |
You certainly have a way with people. | 0:11:57 | 0:11:59 | |
I have never seen a suspect offer up his house keys before. | 0:11:59 | 0:12:02 | |
I'll drop you at the morgue so you can have someone test that sample. | 0:12:02 | 0:12:06 | |
That sink big enough to drown in, though? | 0:12:06 | 0:12:08 | |
Well, it only takes a few inches of water. | 0:12:08 | 0:12:11 | |
Oh, while I'm at Lionel's place, | 0:12:12 | 0:12:14 | |
I might send Bill Hobart round to the Foster house. | 0:12:14 | 0:12:16 | |
-He can question Valerie. -I wouldn't mind joining him. | 0:12:16 | 0:12:19 | |
I've heard this is the way you like to work, which is fine by me. | 0:12:19 | 0:12:24 | |
You keep getting results, I'll keep letting you do what you want. | 0:12:24 | 0:12:28 | |
DOORBELL CHIMES | 0:12:54 | 0:12:56 | |
Doc? Can we get a move on? | 0:13:06 | 0:13:08 | |
Right you are, Bill. | 0:13:08 | 0:13:09 | |
Oh! Bloody hell. | 0:13:12 | 0:13:16 | |
HE BLOWS | 0:13:16 | 0:13:17 | |
Murder? | 0:13:22 | 0:13:24 | |
It appears your brother didn't drown at the pool, Miss Foster. | 0:13:25 | 0:13:28 | |
Yes. Whoever committed the crime wanted it to look like an accident. | 0:13:30 | 0:13:36 | |
Valerie, perhaps you should have a seat. | 0:13:37 | 0:13:40 | |
No, I'm fine. Thank you. | 0:13:40 | 0:13:42 | |
Are you sure about this? | 0:13:42 | 0:13:44 | |
Is it just you and your brother who live here, Miss Foster? | 0:13:46 | 0:13:49 | |
What about your younger brother Noel? | 0:13:49 | 0:13:51 | |
Noel has his own house. | 0:13:51 | 0:13:53 | |
I was only staying here temporarily when I returned from America. | 0:13:53 | 0:13:57 | |
Reg insisted I stay. He got lonely. | 0:13:57 | 0:14:01 | |
Right. | 0:14:01 | 0:14:03 | |
When did you last see Reg? | 0:14:03 | 0:14:05 | |
In his office, after the party. I stayed to help him clean up. | 0:14:05 | 0:14:09 | |
He couldn't rest until the place was completely spotless. | 0:14:09 | 0:14:12 | |
Was there anyone else with you? | 0:14:12 | 0:14:14 | |
-Did you return home together? -Yes. | 0:14:14 | 0:14:17 | |
And did you notice anyone following you at any stage | 0:14:17 | 0:14:19 | |
or anyone loitering outside the office? | 0:14:19 | 0:14:21 | |
No. | 0:14:21 | 0:14:24 | |
And what time did you arrive back here? | 0:14:24 | 0:14:28 | |
Around nine, 9.30. | 0:14:29 | 0:14:32 | |
Reg stayed up to do some reading. I went straight to bed. | 0:14:32 | 0:14:36 | |
When I woke up this morning, I received the phone call from Noel. | 0:14:36 | 0:14:41 | |
Reg's bed wasn't even slept in. | 0:14:42 | 0:14:45 | |
Valerie, would you mind terribly if I had a look around? | 0:14:47 | 0:14:51 | |
No. | 0:14:51 | 0:14:52 | |
Thank you. | 0:14:52 | 0:14:54 | |
What are you doing? | 0:15:26 | 0:15:28 | |
What happened here? | 0:15:28 | 0:15:30 | |
The bath has started leaking. | 0:15:33 | 0:15:35 | |
What a nuisance. | 0:15:38 | 0:15:40 | |
Bill, look here. | 0:15:47 | 0:15:48 | |
Just like his office. | 0:15:50 | 0:15:52 | |
That's why it felt so wrong. | 0:15:52 | 0:15:54 | |
Do you recall how Reg's clothes were left at the pool? | 0:15:54 | 0:15:57 | |
-They were just shoved in the locker. -Yes. | 0:15:57 | 0:16:01 | |
But here, just like his office, | 0:16:01 | 0:16:03 | |
everything is stored and arranged neatly, impeccably. | 0:16:03 | 0:16:07 | |
So either the killer didn't know Reg very well, which is doubtful, | 0:16:07 | 0:16:12 | |
or they were in a panic and not thinking. | 0:16:12 | 0:16:16 | |
Valerie... | 0:16:19 | 0:16:20 | |
..I couldn't help but notice that, uh...snow globe in the living room. | 0:16:21 | 0:16:28 | |
It's a boule a neige. | 0:16:28 | 0:16:30 | |
Yes. | 0:16:30 | 0:16:31 | |
Statue of Liberty. Is it yours? | 0:16:31 | 0:16:33 | |
Yes, actually. It's a souvenir. I lived in New York for several years. | 0:16:33 | 0:16:38 | |
Ah. | 0:16:38 | 0:16:40 | |
Wonderful city, New York. | 0:16:40 | 0:16:42 | |
What brought you back to Ballarat? | 0:16:42 | 0:16:45 | |
The weather. | 0:16:45 | 0:16:46 | |
I'll go have a look at the other rooms, shall I? | 0:16:49 | 0:16:52 | |
One of yours? | 0:17:04 | 0:17:06 | |
Unlike some, I don't believe in decorating myself | 0:17:07 | 0:17:10 | |
to impress the opposite sex. | 0:17:10 | 0:17:13 | |
Perfume. | 0:17:19 | 0:17:21 | |
Quite strong. | 0:17:21 | 0:17:23 | |
Mm. Sometimes I think the woman bathes in it. | 0:17:23 | 0:17:26 | |
And what woman might that be? | 0:17:26 | 0:17:29 | |
I told Reg to stay away from her. She's nothing but a gold-digger. | 0:17:29 | 0:17:31 | |
But she'd flutter her eyelashes, and he'd be enchanted all over again. | 0:17:31 | 0:17:34 | |
What woman? | 0:17:35 | 0:17:37 | |
'She's a vicious, bitter old spinster.' | 0:17:37 | 0:17:41 | |
She's jealous of me. | 0:17:41 | 0:17:43 | |
She's jealous of anyone who draws attention from her. | 0:17:43 | 0:17:46 | |
Why didn't you tell us about the relationship before? | 0:17:46 | 0:17:49 | |
Because it was private. That's how Reg wanted it. | 0:17:49 | 0:17:53 | |
Reg cared more about his public image than he did about me. | 0:17:53 | 0:17:56 | |
Did that make you angry? | 0:17:56 | 0:17:58 | |
It made me disappointed. | 0:17:58 | 0:18:00 | |
Why weren't you at the party last night? | 0:18:00 | 0:18:02 | |
I've already told your boss. I was ill! | 0:18:02 | 0:18:05 | |
-And did you see Mr Foster after that? -No. | 0:18:05 | 0:18:08 | |
Did you part on good terms? | 0:18:10 | 0:18:12 | |
Yes. I... | 0:18:12 | 0:18:13 | |
You're lying. What are you hiding? | 0:18:15 | 0:18:18 | |
Nothing! | 0:18:18 | 0:18:20 | |
You're looking flushed, Norma. Why don't you sit down for a minute? | 0:18:22 | 0:18:26 | |
Take a couple of good breaths, eh? | 0:18:26 | 0:18:28 | |
How long have you been feeling unwell? | 0:18:29 | 0:18:31 | |
It's the shock. I'll be fine. | 0:18:31 | 0:18:34 | |
Really? | 0:18:35 | 0:18:37 | |
It's not the shock, though, is it? | 0:18:38 | 0:18:41 | |
Nausea, flushes, slippery pulse? | 0:18:42 | 0:18:46 | |
Old Chinese-medicine technique for diagnosing pregnancy. | 0:18:47 | 0:18:53 | |
How far gone are you, Norma? | 0:18:54 | 0:18:57 | |
A few months. | 0:18:59 | 0:19:01 | |
Reg Foster's the father, isn't he? | 0:19:02 | 0:19:04 | |
I told him just before the party. | 0:19:07 | 0:19:09 | |
And how did he react? | 0:19:09 | 0:19:11 | |
He just went quiet, and then he told Valerie. | 0:19:11 | 0:19:16 | |
She accused me of trying to trap him into marriage, | 0:19:18 | 0:19:21 | |
said he'd never marry the likes of me. | 0:19:21 | 0:19:25 | |
I tried to talk to him, but she wouldn't let me near him. | 0:19:25 | 0:19:28 | |
She just sent me home. | 0:19:28 | 0:19:30 | |
Don't go anywhere. | 0:19:34 | 0:19:36 | |
We might need to speak to you again. | 0:19:36 | 0:19:39 | |
A woman scorned. Bit of a cliche, isn't it? | 0:19:39 | 0:19:42 | |
Norma Emerson is ambitious and opportunistic. | 0:19:42 | 0:19:44 | |
I wouldn't rule her out just yet. | 0:19:44 | 0:19:46 | |
And I've requested Reg's medical records from his GP. | 0:19:46 | 0:19:49 | |
There's something I want to check before we speak with Norma again. | 0:19:49 | 0:19:52 | |
Mm. We didn't find anything incriminating | 0:19:52 | 0:19:55 | |
at Lionel Young's place, but I managed to get you this. | 0:19:55 | 0:19:59 | |
Excellent. I'll get that tested first thing. | 0:19:59 | 0:20:02 | |
Ah, Ned. | 0:20:02 | 0:20:04 | |
Here we go, Doc. Got these two. | 0:20:04 | 0:20:07 | |
Oh, Ned, well done. I've left a few more at the charge counter as well. | 0:20:07 | 0:20:10 | |
Have them all sent to the morgue for me, would you? | 0:20:10 | 0:20:12 | |
Ah - and there's this, from the front of the Foster house. | 0:20:12 | 0:20:17 | |
I hope you didn't waste a good drop. | 0:20:17 | 0:20:20 | |
Which reminds me - having a bit of a lock-in with the boys. | 0:20:20 | 0:20:22 | |
First day on the job and all that. | 0:20:22 | 0:20:24 | |
-You'll be joining us? -Yes. | 0:20:24 | 0:20:26 | |
Yes, I, um... | 0:20:26 | 0:20:27 | |
-I'll just phone home first. -Right. Check with the boss. | 0:20:27 | 0:20:31 | |
Oh, and, um, tell Charlie Davis to show his face. | 0:20:31 | 0:20:34 | |
Ned tells me that he lives with you. | 0:20:34 | 0:20:36 | |
I know he's on sick leave, but I would like to meet him. | 0:20:36 | 0:20:39 | |
Right you are. | 0:20:40 | 0:20:42 | |
To teamwork, and to solving this Reg Foster business quickly. | 0:20:47 | 0:20:50 | |
-Cheers. -Hear, hear. | 0:20:50 | 0:20:52 | |
So, Davis? | 0:20:54 | 0:20:57 | |
Ah, yes. He's in Melbourne, visiting his mother. | 0:20:57 | 0:21:00 | |
I think being stuck in a house on sick leave | 0:21:00 | 0:21:02 | |
has been driving him slightly mad. | 0:21:02 | 0:21:04 | |
That's all right. There's always next time. | 0:21:04 | 0:21:06 | |
So the wife was OK with you staying out past your bedtime, then? | 0:21:06 | 0:21:09 | |
Jean's not my wife. | 0:21:09 | 0:21:12 | |
She's... Well, let's just say she... | 0:21:12 | 0:21:15 | |
..she's a great support to me. | 0:21:16 | 0:21:18 | |
I miss that. | 0:21:19 | 0:21:21 | |
Miranda and I were together nearly 20 years. Met as teenagers. | 0:21:21 | 0:21:25 | |
Took me a long time to get my act together. | 0:21:25 | 0:21:27 | |
My one regret was not marrying her sooner. | 0:21:27 | 0:21:31 | |
Right. | 0:21:34 | 0:21:35 | |
Excuse me, Frank. | 0:21:40 | 0:21:42 | |
Noel? | 0:21:58 | 0:21:59 | |
Mind if I join you? | 0:22:02 | 0:22:04 | |
Tough day, eh? | 0:22:10 | 0:22:11 | |
Do you have anyone who can help you through this? | 0:22:15 | 0:22:17 | |
Reg and I supported each other through everything. | 0:22:18 | 0:22:22 | |
He was five when I was born. | 0:22:26 | 0:22:29 | |
My earliest memory is Reg, always there, | 0:22:30 | 0:22:36 | |
looking after me, protecting me. | 0:22:36 | 0:22:38 | |
What about your sister, Valerie? | 0:22:39 | 0:22:42 | |
-Mm, Valerie. -Are you close to her? | 0:22:42 | 0:22:44 | |
Valerie's always been independent. | 0:22:47 | 0:22:49 | |
Ah. | 0:22:49 | 0:22:51 | |
She resented us, I suppose, how close we were. | 0:22:51 | 0:22:54 | |
Reg and I would spend entire summers together | 0:22:54 | 0:22:59 | |
in the parklands, out past Wendouree, | 0:22:59 | 0:23:03 | |
building forts, playing soldiers and miners, | 0:23:03 | 0:23:08 | |
panning for gold. | 0:23:08 | 0:23:11 | |
We never found any. | 0:23:11 | 0:23:13 | |
Is that where the inspiration came from for Goldrush Park? | 0:23:13 | 0:23:18 | |
We just wanted to capture those golden days, that magic - | 0:23:18 | 0:23:23 | |
unspoiled parkland, adventure, history, education. | 0:23:23 | 0:23:28 | |
It would have made a wonderful legacy. | 0:23:28 | 0:23:30 | |
No reason why it still can't happen. | 0:23:30 | 0:23:34 | |
No. It's tainted now. | 0:23:34 | 0:23:36 | |
I must get going soon. I have to make arrangements for the funeral. | 0:23:41 | 0:23:46 | |
I am sorry, Noel. | 0:23:48 | 0:23:49 | |
Have you got the time? | 0:23:51 | 0:23:53 | |
Yes. | 0:23:53 | 0:23:54 | |
I think it's time for one last round. | 0:23:54 | 0:23:58 | |
'Are you sure about this?' | 0:24:31 | 0:24:34 | |
I think so. Yes. | 0:24:34 | 0:24:37 | |
It's all very sudden, Mattie. | 0:24:37 | 0:24:39 | |
Well, you know that I love living here, Jean, | 0:24:39 | 0:24:43 | |
but it's a job offer and it's an amazing opportunity | 0:24:43 | 0:24:46 | |
and I have to take it. | 0:24:46 | 0:24:48 | |
-And to do that... -You have to leave Ballarat. | 0:24:48 | 0:24:50 | |
Oh, it's wonderful news, Mattie. Are you happy? | 0:24:50 | 0:24:54 | |
I'm a little scared. | 0:24:54 | 0:24:56 | |
THEY LAUGH | 0:24:56 | 0:24:58 | |
And I want you to know that I'm really happy for you and Lucien. | 0:25:00 | 0:25:03 | |
I don't know what you're talking about. | 0:25:03 | 0:25:06 | |
Why? You deserve this. You both do. | 0:25:06 | 0:25:09 | |
What did Lucien say when you told him the big news? | 0:25:34 | 0:25:38 | |
You haven't told him. | 0:25:41 | 0:25:43 | |
I don't know. | 0:25:43 | 0:25:44 | |
-I don't want to disappoint him. -He'll be fine, Mattie. Trust me. | 0:25:46 | 0:25:49 | |
Ah! Bacon and eggs? | 0:25:53 | 0:25:56 | |
I expect you need a hearty breakfast after last night. | 0:25:56 | 0:25:59 | |
I wasn't home that late, was I? | 0:25:59 | 0:26:01 | |
It was after midnight when someone | 0:26:01 | 0:26:02 | |
fell over the wheelbarrow and woke me up. | 0:26:02 | 0:26:04 | |
-I'm sure that wasn't me. -And then dropped their keys in the hallway. | 0:26:04 | 0:26:07 | |
That may have been me. JEAN LAUGHS | 0:26:07 | 0:26:09 | |
Oh, Jean. You make it all sound so seedy. | 0:26:09 | 0:26:11 | |
Last night... was a simple ceremonial gathering | 0:26:11 | 0:26:15 | |
of the Ballarat Police Force and associated parties. | 0:26:15 | 0:26:17 | |
Oh, and Charlie just rang, by the way. He's on a train now. | 0:26:17 | 0:26:22 | |
Apparently, your new Chief Superintendent's | 0:26:22 | 0:26:24 | |
given him the go-ahead to go back to work. | 0:26:24 | 0:26:26 | |
I see. | 0:26:26 | 0:26:28 | |
Well, he should be fine, as long as he's confined to his desk. | 0:26:28 | 0:26:31 | |
-Good luck telling that to Charlie. -Yes. | 0:26:31 | 0:26:34 | |
Eat. | 0:26:34 | 0:26:36 | |
Now, when did you get back from Melbourne? | 0:26:36 | 0:26:38 | |
Ah, last night. I've been spending some more time there. | 0:26:38 | 0:26:41 | |
So I've heard. | 0:26:41 | 0:26:43 | |
As long as you don't spend too much time away. | 0:26:43 | 0:26:45 | |
The place feels very empty without you. | 0:26:45 | 0:26:47 | |
Ah! | 0:26:47 | 0:26:49 | |
These! | 0:26:49 | 0:26:50 | |
These will be perfect. | 0:26:50 | 0:26:52 | |
Jean's making jam. She's going to need those. | 0:26:53 | 0:26:56 | |
And she'll get them back, if I don't break them first. | 0:26:56 | 0:27:00 | |
We need to examine the diatoms in all these samples, | 0:27:02 | 0:27:06 | |
see if we can find a match with the water in Reg's lungs. | 0:27:06 | 0:27:08 | |
I can think of nothing better to do with my day. | 0:27:08 | 0:27:10 | |
I've started with the ones from his house and office. | 0:27:12 | 0:27:14 | |
They're the most likely. | 0:27:14 | 0:27:16 | |
Reg Foster's medical records arrived. | 0:27:16 | 0:27:19 | |
-They're on my desk. -PHONE RINGS | 0:27:19 | 0:27:21 | |
-Right. -And his brother Noel's requested | 0:27:21 | 0:27:22 | |
the body be released for burial. | 0:27:22 | 0:27:24 | |
Fine by me. | 0:27:24 | 0:27:26 | |
You'll have to check with the new Chief Superintendent. | 0:27:26 | 0:27:30 | |
Dr Harvey. | 0:27:30 | 0:27:31 | |
Speak of the devil. | 0:27:35 | 0:27:37 | |
VEHICLE APPROACHES | 0:27:37 | 0:27:39 | |
Miss Foster reported a break-in this morning - various personal effects | 0:27:47 | 0:27:52 | |
are missing, presumed stolen, from Reg's bedroom. | 0:27:52 | 0:27:55 | |
I told you she was after our money. That's all she cared about. | 0:27:55 | 0:27:58 | |
I presume you're talking about Norma Emerson. | 0:27:58 | 0:28:00 | |
Of course it's her. Who else would it be? | 0:28:00 | 0:28:03 | |
I want her punished, and Reg's possessions recovered. | 0:28:03 | 0:28:05 | |
Senior Sergeant Hobart? | 0:28:05 | 0:28:08 | |
Would you mind escorting Miss Foster downstairs? | 0:28:08 | 0:28:10 | |
I don't need an escort. | 0:28:10 | 0:28:12 | |
What was taken? | 0:28:17 | 0:28:19 | |
Antique fob watch, their deceased father's diamond cufflinks, | 0:28:19 | 0:28:23 | |
several gold tiepins. | 0:28:23 | 0:28:24 | |
-How did they get in? -There's no sign of forced entry. | 0:28:24 | 0:28:27 | |
Valerie says she heard an intruder. | 0:28:27 | 0:28:29 | |
She believes that Norma Emerson was given a key by Reg | 0:28:29 | 0:28:32 | |
so she could pay him the occasional late-night visit. | 0:28:32 | 0:28:36 | |
Right. I see. | 0:28:36 | 0:28:38 | |
Well, we know she needs the money, what with the child on the way, | 0:28:38 | 0:28:43 | |
and she did have it in for Valerie. | 0:28:43 | 0:28:45 | |
Yes. I'll talk to her. | 0:28:45 | 0:28:47 | |
Hobart can check the jewellery in pawn shops, | 0:28:47 | 0:28:49 | |
see if anything turns up. | 0:28:49 | 0:28:52 | |
Frank? | 0:28:52 | 0:28:54 | |
I'd be happy to go on ahead to the jewellers', if you like. | 0:28:54 | 0:28:57 | |
My, um... My watch needs repairing. | 0:28:57 | 0:29:00 | |
Yes. I'm afraid I managed to get some water in the mechanism yesterday, | 0:29:02 | 0:29:07 | |
and of course, it stopped. | 0:29:07 | 0:29:09 | |
I'll take a look. | 0:29:09 | 0:29:11 | |
As long as nothing rusted, you should be fine. | 0:29:11 | 0:29:12 | |
Ah. Thank you, Sam. | 0:29:12 | 0:29:15 | |
There was something else. Um... | 0:29:15 | 0:29:17 | |
I'd like to have the size of this ring adjusted | 0:29:17 | 0:29:22 | |
to match this one. | 0:29:22 | 0:29:25 | |
Oh. This is beautiful workmanship. | 0:29:25 | 0:29:29 | |
Yes. It's very precious to me. | 0:29:29 | 0:29:31 | |
I'll take extra care of it. | 0:29:31 | 0:29:32 | |
Much appreciated. | 0:29:32 | 0:29:35 | |
Sam, tell me, do you purchase second-hand jewellery, by any chance? | 0:29:35 | 0:29:39 | |
If it's good quality. | 0:29:39 | 0:29:41 | |
Have you bought anything in the last, say, 24 hours? | 0:29:41 | 0:29:46 | |
I'll check the logbook. | 0:29:46 | 0:29:48 | |
Thank you so much. | 0:29:48 | 0:29:50 | |
Norma Emerson hasn't shown up to work this morning. | 0:29:57 | 0:29:59 | |
-Ah. -And she's not at home either. | 0:29:59 | 0:30:02 | |
You checked the pawn shop? | 0:30:02 | 0:30:04 | |
Nothing. Any luck here? | 0:30:04 | 0:30:06 | |
He's just checking now. | 0:30:06 | 0:30:08 | |
Sam won't be a moment. | 0:30:20 | 0:30:22 | |
Now, let me see... | 0:30:22 | 0:30:24 | |
Oi! | 0:30:26 | 0:30:28 | |
Stick with him, Bill! | 0:30:34 | 0:30:35 | |
Stop! Police! | 0:30:37 | 0:30:40 | |
Get off me, you bloody mongrel! | 0:30:41 | 0:30:43 | |
What a surprise. | 0:30:54 | 0:30:55 | |
Ah - fob watch, cufflinks, tiepins. | 0:30:55 | 0:31:00 | |
Reg's, I'd say. | 0:31:00 | 0:31:02 | |
-What's your name? -None of your bloody business. | 0:31:02 | 0:31:05 | |
Next time, I'll put you through the window. What's your name? | 0:31:05 | 0:31:08 | |
Murray Butcher. He's a local labourer. | 0:31:09 | 0:31:12 | |
We've seen him before for assault, disturbing the peace and vandalism. | 0:31:12 | 0:31:16 | |
Right. What's his relationship with Norma Emerson? | 0:31:16 | 0:31:19 | |
We're not sure, sir. | 0:31:19 | 0:31:21 | |
Well, I think I might be able to shed some light on that. | 0:31:21 | 0:31:24 | |
-What do you have there? -Reg Foster's medical history. | 0:31:24 | 0:31:27 | |
-Confirms my suspicions. -Chief Superintendent. | 0:31:27 | 0:31:29 | |
-I came as soon as I could. -Miss Foster, yes, thank you. | 0:31:29 | 0:31:33 | |
Just wondering if you wouldn't mind taking a look at these. | 0:31:33 | 0:31:35 | |
That's Reg's property. | 0:31:40 | 0:31:42 | |
It was her, wasn't it - the gold-digger secretary? | 0:31:43 | 0:31:47 | |
We have Norma Emerson and an associate in custody. | 0:31:47 | 0:31:49 | |
They'll be questioned shortly. | 0:31:49 | 0:31:51 | |
A man by the name of Murray Butcher. You heard of him? | 0:31:51 | 0:31:54 | |
Bill, would you check on Miss Emerson? | 0:31:55 | 0:31:58 | |
Make sure she's got some tea and biscuits. | 0:31:58 | 0:32:00 | |
I thought this was a police station, not a hotel. | 0:32:00 | 0:32:02 | |
Miss Emerson's pregnant. | 0:32:02 | 0:32:05 | |
So she claims. Have you actually checked? | 0:32:05 | 0:32:07 | |
She's liable to be making the whole thing up. | 0:32:07 | 0:32:09 | |
If the doc says she's pregnant, I'll take his word for it. | 0:32:09 | 0:32:12 | |
She's claiming the baby's Reg's, | 0:32:12 | 0:32:17 | |
but you and I both know that's not possible, don't we, Valerie? | 0:32:17 | 0:32:20 | |
Testicular atrophy, a side effect of mumps, | 0:32:20 | 0:32:25 | |
something Reg contracted when he was a child. | 0:32:25 | 0:32:28 | |
He was infertile. | 0:32:28 | 0:32:30 | |
I won't ask you again, Murray. Sit down. | 0:32:34 | 0:32:37 | |
I'm not talking till I know Norma's OK. All right? | 0:32:39 | 0:32:44 | |
Last chance. | 0:32:49 | 0:32:50 | |
'Did you have a grudge against Mr Foster,' | 0:32:57 | 0:33:00 | |
is that why you stole from him? | 0:33:00 | 0:33:02 | |
Miss Emerson, if you don't speak up, you'll be charged. | 0:33:06 | 0:33:10 | |
I didn't hurt Reg. | 0:33:12 | 0:33:14 | |
Well, why should we take your word for it? | 0:33:14 | 0:33:17 | |
You've already lied about your baby's father. | 0:33:17 | 0:33:20 | |
Yes. | 0:33:20 | 0:33:23 | |
Reg Foster couldn't have children. | 0:33:23 | 0:33:25 | |
Murray Butcher is the father of your baby, isn't he? | 0:33:29 | 0:33:33 | |
Norma's obviously important to you. | 0:33:35 | 0:33:37 | |
I promise you that she'll be well looked after. | 0:33:40 | 0:33:42 | |
In fact, we've even got a doctor with her right now. | 0:33:42 | 0:33:45 | |
So, you can do me a favour - | 0:33:47 | 0:33:50 | |
tell me why you were trying to sell Mr Foster's stolen jewellery. | 0:33:50 | 0:33:54 | |
Norma deserved it. | 0:33:56 | 0:33:57 | |
-Compensation. -Right. | 0:33:58 | 0:34:01 | |
-For what? -Putting up with a boss like that. | 0:34:01 | 0:34:05 | |
He wouldn't leave her alone, mate. Kept trying it on. | 0:34:05 | 0:34:07 | |
Hm. | 0:34:07 | 0:34:09 | |
As if she'd be interested in someone like him. | 0:34:09 | 0:34:14 | |
You wanted to get your hands on his money. | 0:34:14 | 0:34:17 | |
It wasn't just money, though, was it? | 0:34:19 | 0:34:22 | |
You wanted respect. Being on Reg Foster's arm, goodness me... | 0:34:22 | 0:34:28 | |
That would have given you the status you've longed for. | 0:34:28 | 0:34:32 | |
That cow Valerie was right all along. | 0:34:34 | 0:34:38 | |
He was never serious about me. | 0:34:38 | 0:34:41 | |
I was just a trinket. | 0:34:41 | 0:34:44 | |
He'd never share his life with me. | 0:34:48 | 0:34:51 | |
The pregnancy was your last-ditch attempt to change that, wasn't it? | 0:34:51 | 0:34:58 | |
I'd have given him the best years of his life. | 0:35:00 | 0:35:02 | |
Yeah, that's right - that's her perfume on Reg's pillow. | 0:35:14 | 0:35:18 | |
You see, Norma told Reg that your baby was his. | 0:35:18 | 0:35:22 | |
Why would she do that? | 0:35:22 | 0:35:24 | |
She wanted more than you could offer, clearly. | 0:35:24 | 0:35:27 | |
But do you really think she's worth your loyalty? | 0:35:28 | 0:35:31 | |
Was the break-in her idea or yours? | 0:35:33 | 0:35:35 | |
Did you go in together? | 0:35:38 | 0:35:40 | |
I kept lookout while she went upstairs. | 0:35:41 | 0:35:44 | |
And you were skipping town today, was that the plan? | 0:35:44 | 0:35:48 | |
She wanted us to start a new life, together. | 0:35:48 | 0:35:53 | |
Hm. | 0:35:53 | 0:35:54 | |
So you had no idea about her relationship with Reg? | 0:35:55 | 0:35:57 | |
She called him a dirty old man. We used to laugh about him. | 0:35:57 | 0:36:01 | |
What, why? Is she laughing at me too? | 0:36:03 | 0:36:06 | |
-She's a piece of work. -Yes. | 0:36:10 | 0:36:13 | |
Do we have water samples from their houses? | 0:36:13 | 0:36:15 | |
Yeah. Ned's collecting one from Butcher's place right now. | 0:36:15 | 0:36:17 | |
-Good. -Is she in there? | 0:36:17 | 0:36:19 | |
Norma, Norma! | 0:36:19 | 0:36:21 | |
-Easy! -All right. | 0:36:25 | 0:36:27 | |
Cuffs. | 0:36:32 | 0:36:34 | |
You all right? | 0:36:37 | 0:36:39 | |
Yeah. | 0:36:39 | 0:36:41 | |
If we find a match with the water, I'll let you know. | 0:36:49 | 0:36:52 | |
Also, if you're holding Norma overnight, | 0:36:52 | 0:36:54 | |
let's at least make her comfortable, eh? | 0:36:54 | 0:36:57 | |
-Good afternoon. -Ah, Miss Anderson. Photographs. | 0:36:57 | 0:37:01 | |
Wonderful. Let's have a look, eh? | 0:37:01 | 0:37:04 | |
You certainly have quite the eye. | 0:37:06 | 0:37:09 | |
So can I have a statement? | 0:37:09 | 0:37:11 | |
I've been doing some research on you, Miss Anderson. | 0:37:11 | 0:37:13 | |
I really do enjoy your horoscopes. | 0:37:13 | 0:37:16 | |
Why so evasive, Superintendent? | 0:37:17 | 0:37:19 | |
Well, you may be Matthew Lawson's niece, | 0:37:19 | 0:37:22 | |
but you're still a very junior reporter. | 0:37:22 | 0:37:24 | |
Why are you so interested in this case? | 0:37:24 | 0:37:26 | |
-What are you implying? -Nothing. I'm just curious. | 0:37:26 | 0:37:29 | |
It might turn some heads at the paper, help me prove myself. | 0:37:31 | 0:37:34 | |
I'll give you a statement, exclusively. | 0:37:34 | 0:37:36 | |
-Really? -Yes. | 0:37:36 | 0:37:38 | |
Once the case is closed, not before. | 0:37:38 | 0:37:41 | |
And thank you for these. | 0:37:42 | 0:37:44 | |
-Now, this was the last one? -From Lake Wendouree. | 0:37:50 | 0:37:54 | |
And you're quite sure none of them are a match? | 0:37:54 | 0:37:56 | |
See for yourself! I've checked them twice. | 0:37:56 | 0:37:58 | |
KNOCK ON DOOR Yes? | 0:37:58 | 0:38:00 | |
-Dr Blake? -Ned. Come in. | 0:38:01 | 0:38:04 | |
This is from Murray Butcher's place. | 0:38:04 | 0:38:07 | |
Ah, thank you. | 0:38:07 | 0:38:09 | |
Now, this is from the house of a suspect we currently have in custody. | 0:38:09 | 0:38:13 | |
Let's keep our bloody fingers crossed, shall we? | 0:38:13 | 0:38:16 | |
Thank you, Alice. | 0:38:19 | 0:38:21 | |
Now, with a bit of luck... | 0:38:23 | 0:38:24 | |
No. They're not a match. | 0:38:37 | 0:38:39 | |
-Lucien? -Mm? | 0:38:45 | 0:38:47 | |
-My engagement ring... -What about it? | 0:38:47 | 0:38:50 | |
Well, I was clearing out my jewellery box, and it's vanished. | 0:38:50 | 0:38:55 | |
Oh, the old one. | 0:38:55 | 0:38:57 | |
I've only got one, and I can't find it. | 0:38:57 | 0:39:00 | |
I'm sure it'll turn up. | 0:39:00 | 0:39:01 | |
Oh. That's a lot of help. | 0:39:01 | 0:39:04 | |
Oh! What's going to happen to their park development now? | 0:39:04 | 0:39:08 | |
I'm not sure. | 0:39:09 | 0:39:11 | |
Jean, these photographs, do you notice anything unusual? | 0:39:11 | 0:39:15 | |
No. Do you? | 0:39:15 | 0:39:16 | |
Yes, something. I just can't quite put my finger on it. | 0:39:16 | 0:39:20 | |
Be a shame if the park falls through. | 0:39:20 | 0:39:23 | |
Sounded like Reg was doing something really worthwhile. | 0:39:23 | 0:39:27 | |
The park... | 0:39:27 | 0:39:28 | |
Be nice to have something new to do on the weekends. | 0:39:28 | 0:39:31 | |
Jean, this photo here... Yes, this one. | 0:39:31 | 0:39:34 | |
Now, this creek, this little stream - | 0:39:34 | 0:39:38 | |
does it already exist? | 0:39:38 | 0:39:41 | |
-No, not the way they show it here. -Oh. | 0:39:41 | 0:39:43 | |
-Well, there was a stream at the back of the plot. -Yes? | 0:39:43 | 0:39:46 | |
I used to pick blackberries there when I was a girl. | 0:39:46 | 0:39:49 | |
Well, maybe they're planning on redirecting it. | 0:39:49 | 0:39:52 | |
You are a gem. | 0:39:55 | 0:39:57 | |
Oh, Mattie! I didn't see you there. | 0:40:00 | 0:40:02 | |
Lucien, I needed to talk to you about... | 0:40:02 | 0:40:04 | |
I am so sorry. I'm right in the middle of something. | 0:40:04 | 0:40:07 | |
Of course. | 0:40:07 | 0:40:08 | |
What kept you? | 0:40:25 | 0:40:27 | |
I checked the ordnance survey map. What about you? | 0:40:29 | 0:40:32 | |
I spoke to Jean. | 0:40:32 | 0:40:34 | |
So, will you do the honours or shall I? | 0:40:36 | 0:40:40 | |
So, what's that thing telling us? | 0:40:50 | 0:40:52 | |
Well, this... | 0:40:52 | 0:40:53 | |
Here - have a look. | 0:40:53 | 0:40:55 | |
This slide is the water sample we just took from the stream. | 0:40:55 | 0:40:59 | |
-Right. -Now, bear with me one second. | 0:40:59 | 0:41:04 | |
This one is the water we found in Reg's lungs. Have a look at that. | 0:41:04 | 0:41:08 | |
Well, they look the same to me. | 0:41:11 | 0:41:13 | |
Exactly. | 0:41:13 | 0:41:14 | |
Reg Foster was drowned in that stream. | 0:41:14 | 0:41:18 | |
Which was Council land. | 0:41:18 | 0:41:21 | |
BELL CHIMES | 0:41:21 | 0:41:23 | |
You had motive, you threatened the victim, | 0:41:23 | 0:41:25 | |
plus you have a professional connection to the murder site. | 0:41:25 | 0:41:28 | |
Lionel, look at me. | 0:41:28 | 0:41:32 | |
Start telling me what you know, now. | 0:41:32 | 0:41:35 | |
I'll be ruined. | 0:41:35 | 0:41:37 | |
You're a sensitive man. I can see that. | 0:41:40 | 0:41:43 | |
Whatever's happened is obviously taking its toll. | 0:41:44 | 0:41:47 | |
Don't you want to get that off your chest? | 0:41:47 | 0:41:49 | |
-Lionel? -All right, all right. | 0:41:51 | 0:41:53 | |
After I left the Fosters' offices that night, | 0:41:59 | 0:42:02 | |
I got a phone call from Reg. | 0:42:02 | 0:42:05 | |
He said he had money for me if I stopped causing trouble. | 0:42:05 | 0:42:09 | |
So he offered you a bribe? | 0:42:09 | 0:42:11 | |
He wanted to pay me to stop hassling Valerie | 0:42:11 | 0:42:15 | |
and to keep my mouth shut | 0:42:15 | 0:42:17 | |
about pushing the Council approval through. | 0:42:17 | 0:42:19 | |
What did you say? | 0:42:19 | 0:42:21 | |
I told him to up the offer. | 0:42:26 | 0:42:28 | |
Did he? | 0:42:30 | 0:42:32 | |
He told me to meet him at the development site. | 0:42:34 | 0:42:37 | |
-So you went? -Yeah, just after ten. | 0:42:40 | 0:42:43 | |
Got out of my car, I walked over... | 0:42:46 | 0:42:49 | |
..and I took the money. | 0:42:52 | 0:42:54 | |
I've never taken a bribe before, I swear. | 0:42:58 | 0:43:01 | |
Please don't tell the Council. I didn't even spend the money. | 0:43:01 | 0:43:05 | |
I didn't know what to do with it. I was just angry. | 0:43:05 | 0:43:08 | |
Lionel... | 0:43:09 | 0:43:11 | |
..are you saying Reg Foster was alive the last time you saw him? | 0:43:13 | 0:43:16 | |
Yes. I got in my car and I saw them leave. | 0:43:16 | 0:43:20 | |
Them? | 0:43:22 | 0:43:24 | |
You lied to us. You did see Reg after the party. | 0:43:24 | 0:43:28 | |
What happened with Lionel was a private business transaction | 0:43:28 | 0:43:32 | |
that had no bearing on your investigation. | 0:43:32 | 0:43:34 | |
Well, that transaction puts you with Reg near the site of the murder | 0:43:34 | 0:43:38 | |
and confirms you were probably the last person to see him alive. | 0:43:38 | 0:43:42 | |
I have nothing else to hide. | 0:43:43 | 0:43:46 | |
Tell us about the councilman, Lionel. | 0:43:54 | 0:43:57 | |
It suited my purposes to make him think we were involved. | 0:44:00 | 0:44:03 | |
So it was your idea to pay off Lionel? | 0:44:03 | 0:44:06 | |
Everything was my idea. | 0:44:06 | 0:44:07 | |
-Did I get the credit for it? No. -Mm. | 0:44:07 | 0:44:10 | |
You're talking about the park development. | 0:44:10 | 0:44:12 | |
Reg had no vision. | 0:44:14 | 0:44:17 | |
He would have been happy with a rotunda. | 0:44:17 | 0:44:20 | |
I gave it scale and ambition. | 0:44:20 | 0:44:23 | |
'There's a theme park in California. | 0:44:23 | 0:44:25 | |
'That's where the inspiration came from, not from Reg. | 0:44:25 | 0:44:28 | |
'He stood up at that party, taking all the glory. | 0:44:28 | 0:44:32 | |
'Barely even mentioned me.' | 0:44:32 | 0:44:34 | |
It was all about the brothers. It was always about the brothers. | 0:44:35 | 0:44:39 | |
You struck gold. | 0:44:47 | 0:44:49 | |
Yes, I think I have. | 0:44:49 | 0:44:51 | |
The only reason I exist is because my father wanted a second son. | 0:44:51 | 0:44:56 | |
I was only ever a disappointment. | 0:44:56 | 0:44:58 | |
If you resented your brothers, why would you come back and help? | 0:44:58 | 0:45:04 | |
I didn't come back to help. | 0:45:04 | 0:45:06 | |
Charlie, Reg Foster's secretary - is she still in custody? | 0:45:34 | 0:45:38 | |
Yeah. She's being charged this morning. | 0:45:38 | 0:45:40 | |
I need her office keys. | 0:45:40 | 0:45:41 | |
-What for? -A theory. | 0:45:41 | 0:45:43 | |
All right, let's hear it, then. | 0:46:09 | 0:46:11 | |
Ah, Frank. The Foster house and offices - thoroughly searched? | 0:46:11 | 0:46:17 | |
Yes, of course they were. Why? | 0:46:17 | 0:46:20 | |
Look here. I found that in the stream. | 0:46:20 | 0:46:23 | |
It matches the lettering on the Goldrush Park model, | 0:46:23 | 0:46:25 | |
except the model's intact. | 0:46:25 | 0:46:29 | |
How is that possible? | 0:46:29 | 0:46:30 | |
In my opinion, there's a second model. | 0:46:30 | 0:46:33 | |
So where is it? | 0:46:33 | 0:46:35 | |
Reg Foster's car - where is it? | 0:46:37 | 0:46:40 | |
It's out the back. We impounded it since we found it at the pool. | 0:46:40 | 0:46:43 | |
Miss Foster, tell us - why is there a second diorama? | 0:46:58 | 0:47:02 | |
That's the development as I envisaged it. | 0:47:02 | 0:47:05 | |
Open spaces and history lectures? Families today need escapism. | 0:47:05 | 0:47:09 | |
They want to forget their troubles and have fun. | 0:47:09 | 0:47:13 | |
What did Reg think about that? | 0:47:14 | 0:47:16 | |
When I showed him how successful amusement parks were in America, | 0:47:16 | 0:47:20 | |
he agreed, he was completely on board. | 0:47:20 | 0:47:23 | |
Then why sell this version to the press and the public? | 0:47:24 | 0:47:29 | |
We knew we'd meet with resistance. | 0:47:29 | 0:47:31 | |
We wanted to start work before we publicly announced the revisions. | 0:47:31 | 0:47:36 | |
And who knew about this plan? | 0:47:36 | 0:47:38 | |
Just us. | 0:47:38 | 0:47:40 | |
The Foster family? | 0:47:40 | 0:47:42 | |
No - Reg and me. | 0:47:42 | 0:47:44 | |
Well, why wasn't Noel involved? | 0:47:44 | 0:47:47 | |
Reg wanted to tell him, but I insisted we wait. | 0:47:48 | 0:47:52 | |
Noel's no visionary. | 0:47:52 | 0:47:55 | |
He wanted the park to reflect the way things used to be 40 years ago. | 0:47:55 | 0:47:59 | |
All he ever wants to do is live in the past. | 0:48:02 | 0:48:05 | |
The funeral's tomorrow. | 0:48:19 | 0:48:21 | |
Just wanted to be with him. | 0:48:23 | 0:48:26 | |
One last night together, like the old days. | 0:48:27 | 0:48:30 | |
They mean everything to you, don't they, those golden days? | 0:48:32 | 0:48:36 | |
There's no harm in sentimentality. | 0:48:38 | 0:48:40 | |
There is when it ends like this. | 0:48:40 | 0:48:42 | |
What time is it, Noel? | 0:48:45 | 0:48:46 | |
I'm not sure. | 0:48:48 | 0:48:49 | |
You asked me that very question in the pub that night, | 0:48:49 | 0:48:52 | |
which was odd, because you own a watch identical to Reg's. | 0:48:52 | 0:48:57 | |
For someone so attached to the past, | 0:48:59 | 0:49:02 | |
it seems strange you're no longer wearing it. | 0:49:02 | 0:49:05 | |
Your watch stopped too, didn't it? | 0:49:06 | 0:49:09 | |
And you were going to bury both watches with your brother. | 0:49:09 | 0:49:12 | |
I don't know what you mean. | 0:49:14 | 0:49:16 | |
Ah, Noel. | 0:49:25 | 0:49:26 | |
You can bury the evidence, it won't relieve the guilt. | 0:49:28 | 0:49:32 | |
He told you the truth about the park, didn't he? | 0:49:33 | 0:49:37 | |
He... He telephoned me. | 0:49:37 | 0:49:39 | |
He said, uh... | 0:49:39 | 0:49:41 | |
He said he wanted to meet me down by the stream. | 0:49:42 | 0:49:46 | |
He had something to show me. | 0:49:46 | 0:49:47 | |
The second diorama. | 0:49:47 | 0:49:49 | |
'He said he felt guilty.' | 0:49:49 | 0:49:51 | |
He insisted it was Valerie's idea, but he wanted it. | 0:49:51 | 0:49:55 | |
He agreed with her. | 0:49:55 | 0:49:57 | |
I tried to talk sense into him but he just wouldn't change his mind. | 0:49:57 | 0:50:03 | |
'And we fought, and I lashed out.' | 0:50:03 | 0:50:06 | |
The best years of our lives, razed to the ground for what? | 0:50:07 | 0:50:12 | |
For this cheap, gaudy funfair, for more money? | 0:50:12 | 0:50:17 | |
How could that be our legacy? | 0:50:19 | 0:50:21 | |
The tree was the final straw, wasn't it? | 0:50:28 | 0:50:30 | |
40 years of memories, and he was going to knock it down | 0:50:43 | 0:50:48 | |
like it was nothing. | 0:50:48 | 0:50:50 | |
Next thing I knew, I was holding his head under water. | 0:50:50 | 0:50:55 | |
I was angry. I was just so angry, | 0:50:58 | 0:51:01 | |
and I wanted to shake some sense into him. | 0:51:01 | 0:51:04 | |
Then he stopped moving. | 0:51:08 | 0:51:10 | |
So you took him to the pool. | 0:51:10 | 0:51:13 | |
You changed him. | 0:51:13 | 0:51:15 | |
You put him in the water. | 0:51:16 | 0:51:19 | |
You left some fresh clothes from his car in the locker, | 0:51:19 | 0:51:21 | |
but you didn't fold them like Reg would have. | 0:51:21 | 0:51:25 | |
I walked all the way back to the park to collect the car. | 0:51:27 | 0:51:31 | |
I can barely even remember doing it. | 0:51:32 | 0:51:36 | |
Part of me hoped that it was just a bad dream, | 0:51:38 | 0:51:42 | |
that he wouldn't be there, and then... | 0:51:42 | 0:51:45 | |
..I saw him... | 0:51:46 | 0:51:48 | |
..and realised what I'd done to my own brother. | 0:51:50 | 0:51:54 | |
You'll have to come with us now, Mr Foster. | 0:52:02 | 0:52:05 | |
Jean! | 0:52:48 | 0:52:50 | |
They're mine, Lucien. | 0:52:51 | 0:52:53 | |
It was never really the right moment, and now I'm going. | 0:52:56 | 0:53:01 | |
You're leaving Ballarat? | 0:53:04 | 0:53:06 | |
For work, for an amazing job. | 0:53:06 | 0:53:09 | |
Well, that's wonderful news, Mattie! | 0:53:10 | 0:53:13 | |
And, of course, Melbourne's only a train ride away. | 0:53:13 | 0:53:16 | |
Well, actually...it's in London. | 0:53:16 | 0:53:19 | |
I have a placement at St Bart's. | 0:53:20 | 0:53:22 | |
You always spoke so highly of it, | 0:53:22 | 0:53:25 | |
and I've always dreamt of working there. | 0:53:25 | 0:53:27 | |
Right. | 0:53:28 | 0:53:30 | |
Well, they're very lucky to have you. | 0:53:31 | 0:53:34 | |
I don't want to go. | 0:53:36 | 0:53:38 | |
I never thought I would leave this place. | 0:53:40 | 0:53:43 | |
We have to follow our hearts, don't we? | 0:53:45 | 0:53:48 | |
I'm going to miss you, you know. | 0:53:58 | 0:54:00 | |
We're ever so proud of you. | 0:54:02 | 0:54:03 | |
We'll always be proud of you, Mattie. | 0:54:05 | 0:54:08 | |
Come here. | 0:54:10 | 0:54:11 | |
Ah... | 0:54:14 | 0:54:15 | |
All right, then. Off you go. | 0:54:16 | 0:54:18 | |
Lucien! | 0:54:48 | 0:54:50 | |
Dinner's on the table. | 0:54:52 | 0:54:53 | |
Ah! Lovely. Thank you, Jean. | 0:54:53 | 0:54:55 | |
-Do you think she'll be all right? -Yes. Yes, she'll be fine. She's... | 0:54:57 | 0:55:02 | |
She's got a big heart and even bigger dreams. | 0:55:02 | 0:55:05 | |
I wonder who she picked that up from. | 0:55:05 | 0:55:08 | |
Oh - I found that ring. | 0:55:08 | 0:55:11 | |
It was on the floor, near the dresser. | 0:55:11 | 0:55:14 | |
Oh. | 0:55:16 | 0:55:18 | |
That IS a relief. | 0:55:18 | 0:55:20 |