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RADIO PLAYS IN THE BACKGROUND | 0:00:02 | 0:00:05 | |
Elizabeth, come on. | 0:00:06 | 0:00:08 | |
Oh, don't forget your lunch. | 0:00:10 | 0:00:12 | |
(Oh, good luck. Here. Give me a kiss.) | 0:00:16 | 0:00:19 | |
Bye, Mum! | 0:00:23 | 0:00:24 | |
STICK CLATTERS AGAINST RAILINGS | 0:00:30 | 0:00:33 | |
METALLIC RATTLING | 0:00:37 | 0:00:40 | |
Mummy! | 0:01:21 | 0:01:22 | |
RADIO PLAYS FAINTLY | 0:01:31 | 0:01:33 | |
Mummy? | 0:01:33 | 0:01:35 | |
-So, you found Elizabeth in the kitchen? -Ah, yes. Yes, I did. | 0:02:33 | 0:02:37 | |
I was terrified! | 0:02:37 | 0:02:38 | |
To think that this could happen in my neighbourhood! | 0:02:38 | 0:02:41 | |
-Right. Mrs Gilmore, you were telling me... -I was in my backyard. | 0:02:41 | 0:02:44 | |
-And... -Mrs Gilmore. | 0:02:44 | 0:02:46 | |
You were telling me about Elizabeth's mother, Mrs... | 0:02:46 | 0:02:48 | |
Oh. Judith. Yes, Mrs Chapman. | 0:02:48 | 0:02:50 | |
Her husband's Laurie Chapman. I presume he's at work, at the moment, | 0:02:50 | 0:02:54 | |
although he hardly needs to work any more. | 0:02:54 | 0:02:57 | |
-Laurie Chapman who won the... -PHONE RINGS | 0:02:57 | 0:03:00 | |
Excuse me for a minute. | 0:03:02 | 0:03:04 | |
PHONE RINGS | 0:03:05 | 0:03:07 | |
Chapman house. Sergeant Davis. | 0:03:10 | 0:03:12 | |
Listen up if you want to see her alive. | 0:03:12 | 0:03:15 | |
Who is this? | 0:03:15 | 0:03:16 | |
I said, listen. Judith's been kidnapped. | 0:03:16 | 0:03:19 | |
She's going to be chopped up unless I get 50,000 quid. | 0:03:19 | 0:03:22 | |
Is Mrs Chapman all right? I need... | 0:03:22 | 0:03:25 | |
Shut up! I'll call at three o'clock with instructions. | 0:03:25 | 0:03:27 | |
Hold on, please! | 0:03:27 | 0:03:29 | |
Three o'clock? | 0:03:29 | 0:03:30 | |
HE TAPS AT THE KEYPAD | 0:03:30 | 0:03:32 | |
Hello? | 0:03:32 | 0:03:33 | |
-It's beautiful, Jean. Just wondering, though... -Mm? | 0:03:40 | 0:03:43 | |
This little chap here, do you think he needs repotting? | 0:03:43 | 0:03:47 | |
Mm. You're getting quite good at this. | 0:03:47 | 0:03:50 | |
-Well, I've learnt from the best. -Is that right? | 0:03:50 | 0:03:53 | |
Yes. | 0:03:53 | 0:03:55 | |
-And the name of this one is? -Well, of course, yes, | 0:03:55 | 0:03:58 | |
that would be the um... | 0:03:58 | 0:04:00 | |
Well, that's your typical, garden variety, | 0:04:00 | 0:04:04 | |
velvety-petalled, spotted... hydrangea thing. | 0:04:04 | 0:04:08 | |
I think you should stick to medicine. | 0:04:08 | 0:04:11 | |
Maybe I should. | 0:04:11 | 0:04:12 | |
PHONE RINGS | 0:04:18 | 0:04:19 | |
-I'll get that. -No, no, no. | 0:04:19 | 0:04:21 | |
You've got your hands full. I'll, um... | 0:04:21 | 0:04:24 | |
PHONE RINGS | 0:04:24 | 0:04:26 | |
Oh, look, he's got a doctor's bag. | 0:04:36 | 0:04:38 | |
Blake! | 0:04:39 | 0:04:40 | |
Judith Chapman, wife of Laurie Chapman. | 0:04:45 | 0:04:48 | |
THE Laurie Chapman. | 0:04:48 | 0:04:49 | |
-The Lottery winner? -Very same. | 0:04:50 | 0:04:52 | |
We're trying to locate the next of kin. | 0:04:57 | 0:04:58 | |
Right. | 0:05:00 | 0:05:01 | |
£50,000, that's... | 0:05:04 | 0:05:06 | |
-That's a lot of money. -Mm. | 0:05:06 | 0:05:08 | |
And this bloke wants all of it. | 0:05:08 | 0:05:11 | |
Not enough here to suggest he's dead, I would've thought. | 0:05:11 | 0:05:14 | |
No, there's no arterial spray pattern. | 0:05:14 | 0:05:17 | |
This suggests more of a superficial wound. | 0:05:17 | 0:05:19 | |
But this is odd, Frank. | 0:05:19 | 0:05:22 | |
The blood here, it's lying in intact or complete drops. | 0:05:22 | 0:05:27 | |
In other words, the blood has landed on the knife. | 0:05:27 | 0:05:31 | |
-You mean after the knife was already on the floor? -Exactly, yes. | 0:05:31 | 0:05:34 | |
We'll get it to Dr Harvey after you've checked for prints. | 0:05:34 | 0:05:38 | |
-Everything still in place for three o'clock? -Yes, sir. | 0:05:38 | 0:05:40 | |
I've spoken to the exchange and I'll be there when the kidnapper calls. | 0:05:40 | 0:05:44 | |
OK, good. Good work. | 0:05:44 | 0:05:45 | |
Elizabeth, in the kitchen, | 0:05:48 | 0:05:50 | |
you didn't cut yourself on any of those broken plates, did you? | 0:05:50 | 0:05:54 | |
No? That's good. | 0:05:56 | 0:05:58 | |
I tell you what, you're being very, very brave | 0:05:58 | 0:06:01 | |
and I get the feeling you might be very, very clever too. | 0:06:01 | 0:06:05 | |
-Wouldn't you say, Frank? -Oh, I think she's very clever. | 0:06:05 | 0:06:07 | |
Yes. So, I need you to do something for us. I need you to think, | 0:06:07 | 0:06:12 | |
have there been any other unusual telephone calls? | 0:06:12 | 0:06:16 | |
No? And Mummy hasn't had any arguments, | 0:06:18 | 0:06:20 | |
perhaps at the shops or... | 0:06:20 | 0:06:24 | |
Or at your school? | 0:06:24 | 0:06:26 | |
No, sir. | 0:06:26 | 0:06:28 | |
No. | 0:06:28 | 0:06:29 | |
And, apart from in the kitchen, | 0:06:29 | 0:06:31 | |
have you seen or noticed anything unusual, anything at all? | 0:06:31 | 0:06:36 | |
Mrs Gilmore usually shouts at me over the fence, | 0:06:36 | 0:06:40 | |
but today she came in. | 0:06:40 | 0:06:43 | |
She said she was coming to complain about a stick banging on her fence. | 0:06:43 | 0:06:47 | |
Oh. Well, I'm sure your father will be here very, very soon. | 0:06:47 | 0:06:52 | |
I just want my mum. | 0:06:52 | 0:06:54 | |
-Thanks ever so much. -Thank you. | 0:07:06 | 0:07:08 | |
G'day, fellas. Chief Superintendent Carlyle. This is Dr Blake. | 0:07:12 | 0:07:16 | |
We're looking for Laurie Chapman. Either of you know where he is? | 0:07:16 | 0:07:18 | |
He's not in his office? | 0:07:18 | 0:07:20 | |
Then, no, sorry. | 0:07:21 | 0:07:23 | |
-Did he come in today? -He must've gone out. | 0:07:23 | 0:07:27 | |
We'll get him to call the station. Kick her in the guts, mate. | 0:07:27 | 0:07:29 | |
Sure. | 0:07:29 | 0:07:30 | |
Hang on, hang on. I'm not done with you two yet. | 0:07:30 | 0:07:33 | |
Laurie's a good bloke. Leave him alone. | 0:07:33 | 0:07:35 | |
Right! Back here! | 0:07:35 | 0:07:37 | |
Names. Now! | 0:07:38 | 0:07:40 | |
Weston. Cliff Weston. | 0:07:41 | 0:07:44 | |
Tom O'Reilly. | 0:07:45 | 0:07:47 | |
What time did Laurie leave? | 0:07:47 | 0:07:49 | |
Laurie's not in any trouble. This is an urgent family matter. | 0:07:52 | 0:07:56 | |
Now, do either of you know him well? | 0:07:56 | 0:07:58 | |
I went to school with him. | 0:07:58 | 0:08:00 | |
And we all played footy with him. | 0:08:00 | 0:08:01 | |
-And we worked with him. He used to be a mechanic here with us. -Right. | 0:08:01 | 0:08:05 | |
Do you know his wife Judith? | 0:08:05 | 0:08:06 | |
No? Do you have any idea where he might be? | 0:08:08 | 0:08:11 | |
This really is an emergency. | 0:08:11 | 0:08:13 | |
You could try the Bendigo office. | 0:08:13 | 0:08:15 | |
Wasn't that hard, now, was it? | 0:08:15 | 0:08:18 | |
Grew up on Grimstead Street. Wrong side of the tracks. | 0:08:21 | 0:08:24 | |
Champion footy player. Played VFL. Retired due to injury. | 0:08:24 | 0:08:27 | |
Did his knee. Tough as nails, Laurie Chapman. | 0:08:27 | 0:08:31 | |
Yes, that's great. But have we had the pleasure of his company before? | 0:08:31 | 0:08:33 | |
No, sir, not even as a kid. Moved to this address a year ago. | 0:08:33 | 0:08:37 | |
What about the neighbour? Has she been any more help? | 0:08:37 | 0:08:39 | |
Not really. Even after Davis told her he was a sergeant | 0:08:39 | 0:08:42 | |
and not just a constable. | 0:08:42 | 0:08:44 | |
Lucien, we may need your bedside manner on this. | 0:08:44 | 0:08:47 | |
Of course. What do we know about her family? | 0:08:47 | 0:08:50 | |
Charlie's tracking down her mother, Irene Henderson. | 0:08:50 | 0:08:53 | |
-And the knife? -We compared the prints to samples from the house. | 0:08:53 | 0:08:57 | |
All Mrs Chapman's. | 0:08:57 | 0:08:58 | |
PHONE RINGS | 0:08:58 | 0:09:01 | |
-Hello? Ballarat Police. -No-one's talking, no prints | 0:09:01 | 0:09:04 | |
and, thanks to this bloody rag, no shortage of suspects. | 0:09:04 | 0:09:08 | |
Hm. | 0:09:08 | 0:09:09 | |
"Lucky Laurie." | 0:09:09 | 0:09:11 | |
"Ballarat's own Laurie Chapman from..." | 0:09:11 | 0:09:13 | |
Oh, for the love of God! They printed his address! | 0:09:14 | 0:09:18 | |
-Anyone in Ballarat could've done it! -Anyone in the state. Yeah? | 0:09:18 | 0:09:20 | |
The Bendigo office called. | 0:09:20 | 0:09:23 | |
Laurie Chapman didn't go to the meeting today, he called in sick. | 0:09:23 | 0:09:25 | |
Right. Circulate his rego and details. | 0:09:25 | 0:09:27 | |
A message for you, Doc. | 0:09:27 | 0:09:29 | |
Thank you, Ned. | 0:09:29 | 0:09:31 | |
Wonderful. | 0:09:33 | 0:09:35 | |
A knife? | 0:09:36 | 0:09:38 | |
Normally at least I get a body to work with. | 0:09:38 | 0:09:41 | |
Well, let's just be thankful there isn't a body this time. | 0:09:41 | 0:09:43 | |
I completed the blood agglutination test, as you asked. | 0:09:43 | 0:09:46 | |
-It's type O. -Right. Which is very common. | 0:09:46 | 0:09:50 | |
However, Judith is type B. | 0:09:50 | 0:09:52 | |
-It might be the kidnapper's blood. -Perhaps. Maybe she stabbed at them. | 0:09:52 | 0:09:57 | |
I found something else on the blade. | 0:09:57 | 0:09:59 | |
Intracellular protein structure is... | 0:09:59 | 0:10:04 | |
is cooked?! | 0:10:04 | 0:10:06 | |
-Well, then, it can't be...? -Human. Hopefully not. | 0:10:06 | 0:10:10 | |
Oh, the bloody ham. You sure there's no other tissue? | 0:10:10 | 0:10:13 | |
-Nothing that's not cooked. -Well, Judith definitely drew blood | 0:10:13 | 0:10:15 | |
so we're looking for someone with... | 0:10:15 | 0:10:18 | |
Scratches, a cut lip. | 0:10:18 | 0:10:20 | |
Yes. But who? | 0:10:20 | 0:10:22 | |
-Mrs Gilmore, how do you do? -Oh! | 0:10:28 | 0:10:31 | |
Allow me to introduce myself. I'm Dr Lucien Blake, Police Surgeon. | 0:10:31 | 0:10:35 | |
Oh, how lovely to meet you, Doctor. | 0:10:35 | 0:10:38 | |
Oh, the pleasure is all mine. | 0:10:38 | 0:10:40 | |
Er, Sergeant Davis has been telling me | 0:10:40 | 0:10:41 | |
-what a wonderful help you've been. -Oh! I do what I can! -Yes. Of course. | 0:10:41 | 0:10:47 | |
Such unpleasant business for this lovely area. | 0:10:47 | 0:10:50 | |
-Well, unpleasant but... Yes. -Yes. | 0:10:50 | 0:10:54 | |
Not what you'd be used to around here. | 0:10:54 | 0:10:56 | |
-Oh, not in the past, no. -No. Tell me, | 0:10:56 | 0:10:59 | |
how long have the Chapmans been here? | 0:10:59 | 0:11:01 | |
Well, the Chapmans are not really of this neighbourhood. | 0:11:03 | 0:11:07 | |
Really? | 0:11:07 | 0:11:08 | |
Yes, I mean, Mrs Chapman is somewhat common | 0:11:08 | 0:11:10 | |
and her husband's an ex-football player. | 0:11:10 | 0:11:14 | |
Yes. Fair to say you don't really like the Chapmans? | 0:11:15 | 0:11:20 | |
Oh, no, I... Oh! No, I wouldn't say that. | 0:11:20 | 0:11:23 | |
But they're trouble. | 0:11:23 | 0:11:25 | |
They attract a different type. Look, just last week, | 0:11:25 | 0:11:28 | |
Mrs Chapman was arguing out here with a very rough-looking fellow. | 0:11:28 | 0:11:33 | |
Brownish hair, unshaven? | 0:11:35 | 0:11:37 | |
Right. Do you recall seeing anyone else, | 0:11:38 | 0:11:41 | |
anyone loitering in the street causing trouble? | 0:11:41 | 0:11:44 | |
-DOOR SLAMS -No. | 0:11:44 | 0:11:46 | |
SHE SIGHS | 0:11:46 | 0:11:47 | |
Different type, like I said. | 0:11:48 | 0:11:50 | |
The apple doesn't fall very far from the tree. | 0:11:52 | 0:11:55 | |
Give me a hug, sweetie! Don't you worry, Bethy, darl! | 0:12:00 | 0:12:04 | |
Granny's here and you'll be all right. | 0:12:04 | 0:12:07 | |
Mrs Henderson, we are actually waiting on another call, so... | 0:12:07 | 0:12:10 | |
-You got everything you need, love? -My books. | 0:12:10 | 0:12:13 | |
Books? Here we are. | 0:12:13 | 0:12:15 | |
They're Mummy's. | 0:12:16 | 0:12:18 | |
Oh. Anything else, Bethy, dear? | 0:12:19 | 0:12:21 | |
My toothbrush. | 0:12:21 | 0:12:23 | |
Mum calls me Elizabeth. | 0:12:23 | 0:12:25 | |
Oh. I'll get that. It'll be in the kitchen. | 0:12:25 | 0:12:28 | |
Don't touch anything in there. | 0:12:28 | 0:12:30 | |
We keep our toothbrushes in the bathroom. | 0:12:30 | 0:12:33 | |
In the bathroom? | 0:12:33 | 0:12:35 | |
Ah. Here we are. | 0:12:37 | 0:12:39 | |
Now, which one's yours? | 0:12:39 | 0:12:41 | |
-This one. -I thought so. | 0:12:41 | 0:12:44 | |
Judith has Addison's disease. | 0:12:59 | 0:13:01 | |
Now, I'm no endocrinologist but I do know a thing or two about it. | 0:13:01 | 0:13:05 | |
The adrenal glands don't function, there's a deficiency of cortisol | 0:13:05 | 0:13:08 | |
so she needs regular doses of steroids. | 0:13:08 | 0:13:11 | |
-Otherwise? -Otherwise she'll die. | 0:13:11 | 0:13:13 | |
How long? | 0:13:14 | 0:13:16 | |
Well, without her medication, a day, maybe two. | 0:13:16 | 0:13:18 | |
There's a steady decline, low blood pressure, vomiting, convulsions, | 0:13:18 | 0:13:22 | |
coma and death. | 0:13:22 | 0:13:24 | |
-All right. You take the call. -Me? | 0:13:25 | 0:13:28 | |
-Yes. -Well, Addison's disease, | 0:13:28 | 0:13:30 | |
you know what you're talking about far better than me. | 0:13:30 | 0:13:32 | |
-Also, the exchange is going to trace the call. -Very good. | 0:13:32 | 0:13:36 | |
As long as we don't hang up at this end, | 0:13:36 | 0:13:38 | |
they'll trace the lines back to his phone | 0:13:38 | 0:13:39 | |
regardless of whether he hangs up or not. | 0:13:39 | 0:13:41 | |
But I need you to keep him talking as long as possible. That way the... | 0:13:41 | 0:13:44 | |
PHONE RINGS | 0:13:44 | 0:13:46 | |
This is Dr Lucien Blake. I'm with the police. | 0:13:56 | 0:13:59 | |
I want £50,000 in two brown paper bags. | 0:13:59 | 0:14:03 | |
Yes, but you need to know | 0:14:03 | 0:14:05 | |
Judith has a condition called Addison's disease. | 0:14:05 | 0:14:08 | |
-What? -'Without her medication, she'll die.' | 0:14:08 | 0:14:11 | |
Now, please, just describe her current condition for me. | 0:14:11 | 0:14:14 | |
-No. She's fine. Now, look... -'Please listen to me.' | 0:14:14 | 0:14:17 | |
-You need to get her some prednisone. That's prednisone. -'What?' | 0:14:17 | 0:14:20 | |
-'No. Look.' -Just ask her. She'll tell you what she needs. | 0:14:20 | 0:14:23 | |
Look, I tell YOU what to do, right? | 0:14:23 | 0:14:25 | |
Yes, yes, I understand. But you really do need to get her | 0:14:25 | 0:14:28 | |
-some prednisone from a chemist or a... -'I'm not doing that!' | 0:14:28 | 0:14:32 | |
If you don't do what I say, | 0:14:32 | 0:14:34 | |
I'll tie her down so she gets chopped up! | 0:14:34 | 0:14:37 | |
Now, you listen to me. | 0:14:37 | 0:14:38 | |
If she dies, there is no money. Do you understand that? | 0:14:38 | 0:14:41 | |
-Now, you get the prednisone. -'I'm not stupid!' | 0:14:41 | 0:14:44 | |
-Get the money! -'All right, now, look...' | 0:14:44 | 0:14:46 | |
Hello? | 0:14:47 | 0:14:48 | |
You there? | 0:14:48 | 0:14:50 | |
Davis just radioed from the exchange. It's a local phone box. | 0:14:50 | 0:14:53 | |
All right, go. Go. | 0:14:53 | 0:14:55 | |
Very odd. He didn't say where to leave the money. | 0:14:55 | 0:14:59 | |
POLICE SIREN | 0:15:00 | 0:15:02 | |
TYRES SCREECH | 0:15:07 | 0:15:08 | |
Oh. | 0:15:12 | 0:15:14 | |
He really has no idea what he's doing. | 0:15:28 | 0:15:31 | |
-Total amateur. -Which makes him even more dangerous. | 0:15:31 | 0:15:34 | |
Judith! | 0:15:34 | 0:15:36 | |
Who are you? | 0:15:36 | 0:15:37 | |
What do you mean "missing"? I should be out looking for her. | 0:15:38 | 0:15:41 | |
-You should be... -I have got our best men out there searching as we speak. | 0:15:41 | 0:15:44 | |
The best thing you can do right now is answer a few questions. | 0:15:44 | 0:15:47 | |
Oh, our daughter, Elizabeth. Where's my daughter? | 0:15:47 | 0:15:49 | |
-She'll be worried sick. -She's staying with her grandmother. | 0:15:49 | 0:15:52 | |
Right. Can you tell us where you were between 8am and 3pm today? | 0:15:53 | 0:15:57 | |
I was at work. | 0:15:57 | 0:15:59 | |
Well, no, you weren't. | 0:16:01 | 0:16:03 | |
You see, we've already been down the depot. | 0:16:03 | 0:16:05 | |
Yeah. No, no, well, I was working, just not at the depot. | 0:16:05 | 0:16:09 | |
I had a meeting in...in Bendigo. | 0:16:09 | 0:16:11 | |
Right. Was this the meeting that you called in sick for? | 0:16:12 | 0:16:16 | |
W-Well... | 0:16:17 | 0:16:19 | |
Would you care to try again? | 0:16:20 | 0:16:22 | |
Mr Chapman, please, just tell us where you were. | 0:16:22 | 0:16:26 | |
Then we can concentrate on other leads and find your wife. Yes? | 0:16:26 | 0:16:30 | |
I...I was with Dulcie. | 0:16:34 | 0:16:35 | |
-Dulcie have a second name? -Young. Dulcie Young. | 0:16:35 | 0:16:38 | |
She's a conductress. | 0:16:38 | 0:16:40 | |
We went to Hepburn for a picnic. | 0:16:40 | 0:16:43 | |
I see. | 0:16:45 | 0:16:46 | |
So, you were having an affair... | 0:16:46 | 0:16:48 | |
-No! -..and planning to run off with the money? | 0:16:48 | 0:16:51 | |
-No, no, I'm not running anywhere. I don't even have the money. -Really? | 0:16:51 | 0:16:55 | |
That's to advertise the Lottery, OK? | 0:16:56 | 0:16:59 | |
This doesn't make any sense. | 0:16:59 | 0:17:01 | |
You know what doesn't make sense? | 0:17:01 | 0:17:03 | |
Is that you just happen to work directly opposite the phone booth | 0:17:03 | 0:17:05 | |
where the ransom call was made. | 0:17:05 | 0:17:08 | |
You care to explain that? | 0:17:08 | 0:17:10 | |
-I... -I think it's best if you | 0:17:10 | 0:17:13 | |
-accompany the Senior Sergeant down the station. -No, what about Jude? | 0:17:13 | 0:17:16 | |
Don't worry. We'll keep someone here just in case there is a call. | 0:17:16 | 0:17:18 | |
We've only had the phone two days. | 0:17:20 | 0:17:23 | |
Mr Weston? | 0:17:31 | 0:17:33 | |
Yeah? | 0:17:33 | 0:17:34 | |
Cliff. | 0:17:34 | 0:17:36 | |
-Cliff, we're looking for Dulcie. -Over there. | 0:17:36 | 0:17:39 | |
-Dulcie Young? -That's my name. Don't wear it out! | 0:17:41 | 0:17:44 | |
Chief Superintendent Carlyle. This is Dr Blake. | 0:17:46 | 0:17:48 | |
We're investigating the kidnapping of Judith Chapman. | 0:17:48 | 0:17:51 | |
What, you mean Laurie... er, Mr Chapman's wife? | 0:17:51 | 0:17:54 | |
-Do you know Judith? -Um, no. I've never met her. | 0:17:54 | 0:17:57 | |
Where were you today between 8am and 3pm? | 0:17:57 | 0:18:00 | |
Not here. I was rostered on for the evening shift. | 0:18:00 | 0:18:04 | |
So where were you? | 0:18:04 | 0:18:05 | |
Look, I really don't have time but we can do this down the station. | 0:18:08 | 0:18:11 | |
-No, no. I... I can't. I'm... -Dulcie, we're not here to judge you | 0:18:11 | 0:18:14 | |
or embarrass you. | 0:18:14 | 0:18:16 | |
We're only interested in finding Judith, all right? | 0:18:16 | 0:18:19 | |
Now, you need to tell us the truth. | 0:18:19 | 0:18:22 | |
I suppose he told you? | 0:18:23 | 0:18:25 | |
Well, I suppose he had to. | 0:18:27 | 0:18:28 | |
I was with Mr Chapman. Laurie. | 0:18:30 | 0:18:33 | |
We've slept together. | 0:18:34 | 0:18:36 | |
-We're in love. -Right. | 0:18:38 | 0:18:40 | |
Do you happen to have his home telephone number? | 0:18:40 | 0:18:43 | |
Um, no, but it's written on his board in the office. | 0:18:43 | 0:18:47 | |
Look, everybody likes Laurie. | 0:18:47 | 0:18:50 | |
Laurie never sack anyone, report them or complain? | 0:18:50 | 0:18:54 | |
No. The only person he complained about was his mother-in-law. | 0:18:54 | 0:18:57 | |
All considered, Bethy's OK. | 0:19:06 | 0:19:09 | |
Feeling cooped up, but I thought it best to keep her indoors. | 0:19:09 | 0:19:13 | |
The kids around here are a bit tougher. | 0:19:13 | 0:19:16 | |
Mrs Henderson, tell me, do you have Laurie and Judith's phone number? | 0:19:16 | 0:19:20 | |
Yeah, I've got it written down. Somewhere. | 0:19:20 | 0:19:24 | |
Have you given that out to anyone or ever used it yourself? | 0:19:24 | 0:19:26 | |
No. | 0:19:27 | 0:19:29 | |
-We don't have a phone and I prefer to pop around. -Right. | 0:19:29 | 0:19:32 | |
Since you've been back in town, you mean? | 0:19:32 | 0:19:35 | |
Tell me, was that before or after they won the Lottery? | 0:19:35 | 0:19:38 | |
Are you suggesting I kidnapped my own daughter? | 0:19:40 | 0:19:43 | |
Oh, of course not, Mrs Henderson. Just trying to ascertain the facts. | 0:19:43 | 0:19:46 | |
I'd better be getting Bethy something to eat. | 0:19:49 | 0:19:51 | |
Good afternoon. | 0:19:51 | 0:19:53 | |
Mrs Henderson, if I may. | 0:19:55 | 0:19:56 | |
Did you and Judith have any disagreements? | 0:19:56 | 0:19:59 | |
Oh, what's he been saying now? | 0:19:59 | 0:20:02 | |
Well, we'd very much like to hear your side of things. It's only fair. | 0:20:02 | 0:20:07 | |
Jude and I had a tiff every now and then, | 0:20:10 | 0:20:13 | |
just like every mother and daughter. | 0:20:13 | 0:20:15 | |
I'm happy she's risen up in the world. | 0:20:15 | 0:20:17 | |
But you can't forget where you're from. | 0:20:18 | 0:20:20 | |
I think it's time to get the press involved. | 0:20:24 | 0:20:27 | |
-You think that's a good idea? -A public appeal could really work. | 0:20:27 | 0:20:29 | |
We need all the eyes and ears we can get on this. | 0:20:29 | 0:20:31 | |
All right. I'll meet you there. | 0:20:31 | 0:20:33 | |
CAR ENGINE STARTS | 0:20:35 | 0:20:37 | |
Hey! | 0:20:43 | 0:20:45 | |
BARKING IN THE BACKGROUND | 0:20:56 | 0:20:59 | |
Unfortunately, I think it'll be totally out of the question. | 0:21:03 | 0:21:06 | |
-Oh, Frank. -No, no. Look, we're done here. | 0:21:06 | 0:21:09 | |
I wanted a public appeal but the answer is no, | 0:21:09 | 0:21:11 | |
so if you'll excuse me, I have a missing woman to find. | 0:21:11 | 0:21:13 | |
Tomorrow morning's layout's almost finished. | 0:21:13 | 0:21:15 | |
Of course we'll help, Chief Superintendent. | 0:21:15 | 0:21:18 | |
Edward, I was just explaining late changes cost us a fortune... | 0:21:18 | 0:21:21 | |
As the new editor of The Courier, | 0:21:21 | 0:21:23 | |
I'm fully aware of the costs of the print process. | 0:21:23 | 0:21:25 | |
-Yes, but our compositors... -The press has a wider social role! | 0:21:25 | 0:21:29 | |
I imagine the Melbourne papers are hammering on your door. | 0:21:29 | 0:21:32 | |
Very loudly. We're hoping to find her by tonight but, just in case... | 0:21:32 | 0:21:36 | |
You need a contingency plan. Of course. Yes. | 0:21:36 | 0:21:38 | |
Maybe a front page appeal will give the locals the inside running. | 0:21:38 | 0:21:42 | |
Front page? He didn't even ask for a front page! | 0:21:42 | 0:21:44 | |
Come with me, brief me. | 0:21:44 | 0:21:46 | |
Edward, perhaps you could mention her illness. | 0:21:46 | 0:21:49 | |
She needs prednisone. I can spell that for you... | 0:21:49 | 0:21:51 | |
Rose! Get the details off Blake. Thank you. | 0:21:51 | 0:21:53 | |
Frank, there was a potential suspect outside Irene's after you left. | 0:21:53 | 0:21:57 | |
Six-foot, stubble, brownish hair. | 0:21:57 | 0:22:00 | |
Right. I'll get Charlie onto that. | 0:22:00 | 0:22:01 | |
Edward has lifted profits. | 0:22:06 | 0:22:08 | |
He knows how to follow up a good story. | 0:22:08 | 0:22:11 | |
Yes, by doing things like printing the Lottery winner's address! | 0:22:11 | 0:22:15 | |
Oh, for God's sake, Blake! | 0:22:15 | 0:22:18 | |
The Lottery gives ordinary people something to aim for, Doctor. | 0:22:18 | 0:22:20 | |
What ordinary people aim for and what they can get are quite often | 0:22:20 | 0:22:24 | |
two very, very different things. This is all about greed. | 0:22:24 | 0:22:28 | |
Everyone in their place! Social order. | 0:22:28 | 0:22:31 | |
You sound very conservative today, Doctor. | 0:22:31 | 0:22:33 | |
Do I? | 0:22:35 | 0:22:36 | |
Not all change is good, Miss Anderson. | 0:22:38 | 0:22:41 | |
Now, scribble this down for me. Prednisone... | 0:22:41 | 0:22:45 | |
PHONE RINGS | 0:22:49 | 0:22:50 | |
Simmons. | 0:22:50 | 0:22:51 | |
Yes. All right, Mrs Thornton. | 0:23:28 | 0:23:30 | |
We will keep that in mind. Thank you very much. | 0:23:30 | 0:23:33 | |
What the hell's going on here? | 0:23:33 | 0:23:35 | |
This morning's edition has ignited a lot of interest. | 0:23:35 | 0:23:38 | |
Mainly people saying how terrible it is. | 0:23:38 | 0:23:40 | |
Someone claimed it was the Soviets. | 0:23:40 | 0:23:42 | |
No real leads, as yet. | 0:23:42 | 0:23:44 | |
It says here, "The Courier is offering a reward of £100 | 0:23:44 | 0:23:49 | |
"to the first reader with information | 0:23:49 | 0:23:51 | |
"leading to the rescue of Mrs Chapman." | 0:23:51 | 0:23:53 | |
Not really what we had in mind. | 0:23:53 | 0:23:55 | |
We'll be organising a vigilante group next. | 0:23:55 | 0:23:56 | |
What's going on with the search parties? | 0:23:56 | 0:23:59 | |
We're finished at the depot and at the house. | 0:23:59 | 0:24:01 | |
We'll start a sweep of Perry Park, all those caravans next, and then... | 0:24:01 | 0:24:04 | |
Check the pubs, boarding houses, any vacant blocks. | 0:24:04 | 0:24:07 | |
And chemists. I want to know if anyone's asking for prednisone. | 0:24:07 | 0:24:10 | |
And also this, um, chap the doctor was pursuing at Irene's house. | 0:24:10 | 0:24:14 | |
I saw him outside the Chapman house yesterday morning. | 0:24:14 | 0:24:16 | |
He fits the description of someone Mrs Gilmore described | 0:24:16 | 0:24:20 | |
arguing with Judith. Six foot tall, unshaven, brownish hair. | 0:24:20 | 0:24:25 | |
What happened with Mrs Gilmore? | 0:24:25 | 0:24:27 | |
Yes, she has the phone number but she's never used it, | 0:24:27 | 0:24:29 | |
never gave it to anyone. | 0:24:29 | 0:24:31 | |
Right. | 0:24:31 | 0:24:33 | |
All right, everyone, listen up. | 0:24:33 | 0:24:35 | |
Time is running out for Mrs Chapman, so let's keep pushing. | 0:24:35 | 0:24:39 | |
We can't just sit back and wait for this kidnapper to call back. | 0:24:39 | 0:24:41 | |
-Understood? -Right, Chief. -You got it, Boss. | 0:24:41 | 0:24:44 | |
All right. | 0:24:44 | 0:24:45 | |
Laurie Chapman, what about him? | 0:24:45 | 0:24:47 | |
Well, apparently he was pacing his cell all last night. | 0:24:47 | 0:24:50 | |
Is he still free to go? | 0:24:50 | 0:24:53 | |
Let me check something first. | 0:24:54 | 0:24:55 | |
So, according to the Lottery Commissioner, | 0:24:58 | 0:25:01 | |
under the rules, a prize is paid after 30 days. | 0:25:01 | 0:25:03 | |
The paper said they'd received the money and there's a photograph. | 0:25:03 | 0:25:06 | |
Just to promote the next draw. Mr Chapman was happy to play along. | 0:25:06 | 0:25:09 | |
So, he was telling the truth? | 0:25:09 | 0:25:10 | |
Yes, well, about that, anyway. | 0:25:10 | 0:25:14 | |
Mr Chapman, as part of the release process, | 0:25:15 | 0:25:17 | |
I have to make sure you haven't sustained any injuries, | 0:25:17 | 0:25:20 | |
no cuts or abrasions. | 0:25:20 | 0:25:22 | |
No. Have you seen Elizabeth? | 0:25:22 | 0:25:24 | |
Yes. She's coping as well as can be expected. | 0:25:24 | 0:25:27 | |
You're going to pick her up? | 0:25:27 | 0:25:28 | |
-The best thing I can do now is go find her mother. -Of course. | 0:25:28 | 0:25:31 | |
Mr Chapman? I'm going to have to have a look at your medical records, | 0:25:31 | 0:25:36 | |
just check your blood type. | 0:25:36 | 0:25:38 | |
I have nothing else to hide. Call Dr Spencer. I'll let him know. | 0:25:40 | 0:25:44 | |
-Lucien, is that you? -Sorry, Jean. I'm just passing through. | 0:25:48 | 0:25:52 | |
You didn't come home last night. | 0:26:00 | 0:26:02 | |
No. Um... | 0:26:04 | 0:26:06 | |
I'm sorry, Jean, honestly. I should've called you. | 0:26:06 | 0:26:09 | |
-It's this kidnapping business. -Yes, I know. I've seen the paper. | 0:26:09 | 0:26:12 | |
-The poor little girl? -Yes. | 0:26:12 | 0:26:14 | |
"The victim's ten-year-old daughter | 0:26:14 | 0:26:16 | |
"was rescued from the scene by an observant neighbour." | 0:26:16 | 0:26:19 | |
Marjorie Gilmore. | 0:26:19 | 0:26:20 | |
Observant? Certainly. Not exactly caring. | 0:26:20 | 0:26:24 | |
She was Margie Jones when I knew her. | 0:26:24 | 0:26:26 | |
She married the owner of the factory where she used to work. | 0:26:26 | 0:26:29 | |
I'd heard that she'd taken on some airs and graces. | 0:26:29 | 0:26:32 | |
-What were you looking for? -Prednisone. | 0:26:32 | 0:26:34 | |
I thought you might need this. | 0:26:34 | 0:26:36 | |
Oh! I don't know what I'd do without you. | 0:26:36 | 0:26:38 | |
Neither do I but you'd be doing it wearing yesterday's shirt. | 0:26:38 | 0:26:41 | |
HE LAUGHS | 0:26:41 | 0:26:42 | |
The kidnapper threatened to chop her up. | 0:26:42 | 0:26:45 | |
Where does The Courier get that kind of detail? | 0:26:45 | 0:26:47 | |
Chief Superintendent Carlyle thinks the press need incentives. | 0:26:47 | 0:26:51 | |
He actually said, "Tie her down so she can get chopped up." | 0:26:52 | 0:26:58 | |
"Tie her down." | 0:26:58 | 0:26:59 | |
Now, why would he say it like that? | 0:27:01 | 0:27:03 | |
The phone box. | 0:27:07 | 0:27:09 | |
We've got a phone. | 0:27:10 | 0:27:13 | |
'If you don't do what I say, | 0:27:30 | 0:27:32 | |
'I'll tie her down so she gets chopped up.' | 0:27:32 | 0:27:34 | |
TRAIN HORN BLARES | 0:27:38 | 0:27:39 | |
TRAIN HORN HONKS | 0:28:23 | 0:28:24 | |
WIND HOWLS | 0:28:31 | 0:28:34 | |
WOMAN MOANS | 0:29:06 | 0:29:08 | |
SHE WHIMPERS | 0:29:10 | 0:29:11 | |
HE GROANS | 0:29:21 | 0:29:22 | |
-Are you sure you're OK? -Oh, I'm fine. No concussion. | 0:29:41 | 0:29:46 | |
Hobart says the old bloke's name was Bluey. Homeless. | 0:29:46 | 0:29:49 | |
Always hanging around here watching the trains. | 0:29:49 | 0:29:51 | |
This time he saw something he shouldn't have. | 0:29:51 | 0:29:54 | |
You sure I can't get Dr Harvey for you? | 0:29:54 | 0:29:56 | |
Frank, I'm fine. Thank you, though. | 0:29:56 | 0:29:58 | |
Looks like he may have heard some of what you said. | 0:30:11 | 0:30:14 | |
Would that have helped? | 0:30:14 | 0:30:15 | |
Painkillers. Useless, I'm afraid. | 0:30:15 | 0:30:19 | |
Boss? They found nothing in the yards - no witnesses, no tracks. | 0:30:19 | 0:30:23 | |
We'll have to expand the search. They can't have just disappeared. | 0:30:23 | 0:30:27 | |
Is it true that you missed Mrs Chapman? | 0:30:27 | 0:30:29 | |
It's not the time, Miss Anderson. Not the time. | 0:30:29 | 0:30:32 | |
-HE GROANS -Lucien? | 0:30:51 | 0:30:52 | |
Everything all right? | 0:30:52 | 0:30:54 | |
Jean. | 0:30:54 | 0:30:55 | |
Been a very interesting morning. | 0:30:55 | 0:30:58 | |
Poor chap. | 0:31:05 | 0:31:06 | |
He was homeless, innocent. | 0:31:07 | 0:31:10 | |
Uninvolved. | 0:31:10 | 0:31:12 | |
If I'd just... | 0:31:12 | 0:31:14 | |
Oh, I nearly had her, Jean. | 0:31:14 | 0:31:16 | |
I-I-I very nearly had her. | 0:31:16 | 0:31:18 | |
You're doing the best that you can. | 0:31:19 | 0:31:21 | |
Cause of death - asphyxiation. Airway's been compressed. | 0:31:54 | 0:31:57 | |
There's damage to the larynx and the hyoid bone might've been fractured. | 0:31:57 | 0:32:01 | |
-Strangulation? -Yes. | 0:32:01 | 0:32:03 | |
The marks are quite diffuse. No lines or cuts. | 0:32:05 | 0:32:07 | |
He was probably... | 0:32:07 | 0:32:09 | |
..strangled by hand. | 0:32:10 | 0:32:11 | |
We'll know for certain in the morning, | 0:32:11 | 0:32:13 | |
once the bruising's come up. | 0:32:13 | 0:32:15 | |
Yes. | 0:32:15 | 0:32:16 | |
What did you see, Bluey? Hmm? | 0:32:16 | 0:32:20 | |
A woman tied up, you tried to help. | 0:32:22 | 0:32:24 | |
He came and he had to kill you. | 0:32:24 | 0:32:27 | |
But the hunger for air would've caused you to struggle. | 0:32:28 | 0:32:33 | |
Anything under the fingernails? | 0:32:34 | 0:32:37 | |
Plenty of dirt but no blood. | 0:32:37 | 0:32:38 | |
I'm still examining his clothes. They're very worn and dirty. | 0:32:38 | 0:32:43 | |
There's no... | 0:32:43 | 0:32:45 | |
The last thing those gloves would've grasped | 0:32:48 | 0:32:51 | |
would've been the killer himself. What are they? | 0:32:51 | 0:32:54 | |
Oh, little diamonds and little clubs, | 0:32:57 | 0:33:01 | |
like...like what you'd see in a deck of playing cards. | 0:33:01 | 0:33:04 | |
Lucky symbols. | 0:33:04 | 0:33:06 | |
Not for Bluey. | 0:33:06 | 0:33:09 | |
Davis says he's walked the gardens, Victoria Park, the lookout. | 0:33:09 | 0:33:12 | |
-Still nothing. -All right. | 0:33:12 | 0:33:14 | |
Tell him to move to the highway. Check every shed, every humpy. | 0:33:14 | 0:33:17 | |
Mrs Beasley! Um, the doctor is still on his way. | 0:33:19 | 0:33:23 | |
I know. I thought you might all be hungry. | 0:33:23 | 0:33:25 | |
-Very thoughtful of you. -Has anyone called? | 0:33:28 | 0:33:31 | |
No, not the, um, call we were hoping for. | 0:33:31 | 0:33:35 | |
Oh. Poor woman. Kept me awake, thinking about it. | 0:33:35 | 0:33:38 | |
Did Mr Chapman buy the lottery ticket himself? | 0:33:39 | 0:33:41 | |
Um, as far as I know, yes. | 0:33:41 | 0:33:44 | |
It's just that, when I bought my ticket, | 0:33:44 | 0:33:46 | |
I noticed most of the customers were women. | 0:33:46 | 0:33:49 | |
The ladies were all talking about it. | 0:33:49 | 0:33:51 | |
But it's probably nothing. | 0:33:51 | 0:33:52 | |
It's actually a very good question. | 0:33:52 | 0:33:54 | |
Bill, get on to the Lottery Commissioner and ask him. | 0:33:54 | 0:33:57 | |
Ah! Lucien, what do you have for me? | 0:33:57 | 0:34:00 | |
Not much, I'm afraid. We do have something. | 0:34:00 | 0:34:04 | |
We found these in Bluey's gloves. | 0:34:04 | 0:34:07 | |
He would've been clinging to his killer, | 0:34:07 | 0:34:11 | |
clawing at his clothes and look. | 0:34:11 | 0:34:12 | |
Some of these are diamond-shaped, some club-shaped. | 0:34:12 | 0:34:15 | |
I have absolutely no idea what they are. | 0:34:15 | 0:34:17 | |
What's he saying, Bill? | 0:34:17 | 0:34:19 | |
Mrs Chapman bought the winning ticket. It's in her name. | 0:34:19 | 0:34:21 | |
Hang on. That's not what the press said. | 0:34:21 | 0:34:24 | |
-Not what Laurie said either. -Right. | 0:34:24 | 0:34:27 | |
Well, these little buggers are driving me mad. | 0:34:27 | 0:34:30 | |
I think I know what they are. | 0:34:32 | 0:34:34 | |
Those are chads. From bus tickets. Why? | 0:34:37 | 0:34:41 | |
They were found at the building where Judith was being held. | 0:34:41 | 0:34:45 | |
Dulcie's very sweet on you. | 0:34:45 | 0:34:47 | |
I mean, you're her manager, ex-footy champ, everyone's hero. | 0:34:47 | 0:34:52 | |
I'll go so far as to say she idolises you. | 0:34:52 | 0:34:54 | |
Dulcie didn't do this. These are all over the buses. | 0:34:54 | 0:34:57 | |
Dulcie says that you slept with her, that you're having an affair. | 0:34:57 | 0:35:01 | |
-You're in love! -That's not true. | 0:35:01 | 0:35:02 | |
Who bought the bloody lottery ticket, Laurie? | 0:35:02 | 0:35:04 | |
All right, it was Judith. Judith bought the ticket. | 0:35:08 | 0:35:10 | |
She doesn't like the spotlight. | 0:35:10 | 0:35:12 | |
So, the cheque's in her name? You two have a joint account? | 0:35:12 | 0:35:16 | |
Yes. Why? | 0:35:16 | 0:35:18 | |
With her out of the way, you bank the cheque, run off with Dulcie. | 0:35:18 | 0:35:21 | |
But I told you, Jude doesn't have the money yet. | 0:35:21 | 0:35:23 | |
No, but she found out about Dulcie, so you had to act now. | 0:35:23 | 0:35:26 | |
There's nothing to find out. | 0:35:26 | 0:35:29 | |
I'm not sleeping with Dulcie. | 0:35:29 | 0:35:31 | |
Why would she say you were? | 0:35:31 | 0:35:33 | |
Because I changed my mind. | 0:35:38 | 0:35:41 | |
We argued. | 0:35:41 | 0:35:42 | |
It was a long drive back to Ballarat, believe me. | 0:35:43 | 0:35:45 | |
Right. So, just the two of you? No-one else saw you? | 0:35:47 | 0:35:51 | |
Yeah. | 0:35:51 | 0:35:53 | |
His alibi rests with Miss Young. | 0:35:55 | 0:35:57 | |
Neither of them can agree on what happened. | 0:35:57 | 0:35:59 | |
Yes, and if his blood matches what we found at the crime scene, | 0:35:59 | 0:36:03 | |
well, we may well have our man. | 0:36:03 | 0:36:05 | |
-You're an idiot, Rod! -Shut up, woman! | 0:36:05 | 0:36:08 | |
Hey, hey! Enough! Enough! | 0:36:08 | 0:36:10 | |
We were at the chemist. We saw him running out of the bank. | 0:36:10 | 0:36:14 | |
Tried to pass a cheque as Laurie Chapman. | 0:36:14 | 0:36:16 | |
Name's Rod Brunel. He met her outside. | 0:36:16 | 0:36:19 | |
Mr Brunel, let me take a look at that nose of yours. | 0:36:19 | 0:36:22 | |
-Does it bleed often? -No, it doesn't. | 0:36:22 | 0:36:25 | |
-And it wouldn't have bled now except he... -Hey! | 0:36:25 | 0:36:28 | |
All right. Just... Just give me a minute. | 0:36:28 | 0:36:31 | |
There we are. | 0:36:33 | 0:36:35 | |
-Nothing's broken. -All right. | 0:36:35 | 0:36:38 | |
You and I, let's have a little chat, Mr Brunel. | 0:36:38 | 0:36:40 | |
Bill, could you get Dr Harvey to test his blood type? | 0:36:47 | 0:36:49 | |
Also, Mr Chapman's medical records may have come in. | 0:36:49 | 0:36:52 | |
Now, if either of them are not type O, | 0:36:52 | 0:36:57 | |
might be able to eliminate someone. | 0:36:57 | 0:36:59 | |
-OK, Doc. -Thank you. | 0:36:59 | 0:37:01 | |
KNOCKING AT DOOR | 0:37:02 | 0:37:04 | |
Miss Henderson? | 0:37:06 | 0:37:08 | |
Irene? | 0:37:12 | 0:37:13 | |
Is anybody here? | 0:37:16 | 0:37:18 | |
Hello. | 0:37:23 | 0:37:24 | |
So, you're Elizabeth? | 0:37:30 | 0:37:32 | |
Rose. | 0:37:34 | 0:37:36 | |
Where's Grandma? | 0:37:38 | 0:37:40 | |
-She went out. -To lunch? | 0:37:40 | 0:37:43 | |
Early this morning, before breakfast. | 0:37:43 | 0:37:46 | |
She went looking for her friend. | 0:37:46 | 0:37:48 | |
Have you got a bag? | 0:37:55 | 0:37:57 | |
Good. | 0:37:57 | 0:37:58 | |
Better go grab it. I'm going to take you somewhere safe. | 0:37:58 | 0:38:02 | |
Is that all right with you? | 0:38:02 | 0:38:04 | |
'I didn't know the cheque was forged.' | 0:38:08 | 0:38:11 | |
Irene said Jude gave it to her. | 0:38:11 | 0:38:13 | |
Well, I don't blame you for trying. Really, I don't. | 0:38:13 | 0:38:16 | |
I mean, your girlfriend drags you all the way to Ballarat | 0:38:16 | 0:38:19 | |
on the promise of a big payday | 0:38:19 | 0:38:21 | |
and Jude turns around and says, "Pfft! No." | 0:38:21 | 0:38:23 | |
I mean, that would make my blood boil. | 0:38:23 | 0:38:25 | |
I didn't touch Jude. | 0:38:25 | 0:38:26 | |
And yet you ran off yesterday afternoon. | 0:38:27 | 0:38:30 | |
So, this morning, you go out. | 0:38:32 | 0:38:33 | |
Now, you were either off forging a cheque | 0:38:33 | 0:38:36 | |
or you were strangling a man to death | 0:38:36 | 0:38:39 | |
and moving Judith to a new location. | 0:38:39 | 0:38:41 | |
-Which one was it? -What? | 0:38:41 | 0:38:42 | |
I swear, I-I don't even know where Jude is. | 0:38:42 | 0:38:45 | |
Irene says, "Here's the cheque. | 0:38:45 | 0:38:46 | |
"Jude's given it to me. Let's go and cash it." | 0:38:46 | 0:38:49 | |
-Yeah. -And you believed her? | 0:38:49 | 0:38:52 | |
Why? Ah! Because they're mother and daughter. | 0:38:52 | 0:38:56 | |
Exactly. They're family. | 0:38:56 | 0:38:57 | |
Even though you argued with Judith over money | 0:38:57 | 0:39:01 | |
on her doorstep only last week! | 0:39:01 | 0:39:03 | |
I suppose the old biddy next door told you. | 0:39:03 | 0:39:05 | |
I bet she didn't mention that she got me to hock her silverware. | 0:39:05 | 0:39:09 | |
Too proud for the local pawnshop. | 0:39:10 | 0:39:12 | |
She wanted me to fence it in Melbourne. | 0:39:12 | 0:39:14 | |
You certainly have a way with the ladies, Rod. | 0:39:16 | 0:39:19 | |
You were with Irene a while back. | 0:39:21 | 0:39:22 | |
Suddenly, you reappear after her daughter wins the lottery. | 0:39:24 | 0:39:26 | |
Fancy that, Frank. | 0:39:26 | 0:39:28 | |
But when it stopped looking like it might pay dividends, | 0:39:28 | 0:39:31 | |
you went to Judith directly. | 0:39:31 | 0:39:34 | |
And when that didn't work, you kidnapped her. | 0:39:34 | 0:39:36 | |
It was tearing Irene up, arguing with Jude. | 0:39:38 | 0:39:40 | |
I went around to explain - and, yeah, OK, to ask her for money. | 0:39:40 | 0:39:44 | |
Jude, she didn't even want to know, and then she disappeared. | 0:39:44 | 0:39:47 | |
It wasn't me! | 0:39:49 | 0:39:52 | |
Rod bungled passing a cheque. | 0:39:55 | 0:39:57 | |
You really think he could pull off a kidnapping? | 0:39:57 | 0:40:00 | |
And all this happened whilst Judith is still missing. | 0:40:00 | 0:40:03 | |
You think I'm not worried sick about my daughter? | 0:40:06 | 0:40:08 | |
Well, you have a funny way of showing it. | 0:40:08 | 0:40:10 | |
Irene, did you know Rod had been to see Judith about the money? | 0:40:12 | 0:40:15 | |
Afterwards. | 0:40:17 | 0:40:19 | |
Yeah. | 0:40:19 | 0:40:20 | |
Shouldn't have done it. But he shouldn't have had to. | 0:40:20 | 0:40:24 | |
Not that it's Jude's fault either. | 0:40:24 | 0:40:27 | |
She wanted to help you? | 0:40:27 | 0:40:29 | |
Then she changed her mind. | 0:40:31 | 0:40:33 | |
She said it was all tied up. | 0:40:33 | 0:40:35 | |
That was Laurie talking. | 0:40:35 | 0:40:38 | |
I'll charge Rod for the cheque. I've got nothing much on Irene. | 0:40:40 | 0:40:43 | |
Mrs Gilmore does have money troubles but, really, she's hardly likely. | 0:40:43 | 0:40:48 | |
-As for Laurie... -Ah, sir? | 0:40:48 | 0:40:50 | |
Dr Harvey tested the blood. | 0:40:50 | 0:40:53 | |
Rod Brunel is type O. | 0:40:53 | 0:40:55 | |
Ah! Same as the blood we found in the kitchen. | 0:40:55 | 0:40:58 | |
Yes. However, she's received Laurie Chapman's medical records, as well. | 0:40:58 | 0:41:02 | |
He's type O also. | 0:41:02 | 0:41:04 | |
Ah, um, excuse us? Look who I found all on her own. | 0:41:04 | 0:41:09 | |
We stopped for an ice cream. | 0:41:09 | 0:41:11 | |
The police will take care of you now. | 0:41:11 | 0:41:13 | |
The doctor is very nice, the Chief Super is nice | 0:41:13 | 0:41:16 | |
and Sergeant Davis, well, he's a bit of an odd duck, | 0:41:16 | 0:41:19 | |
but he's all right, too. | 0:41:19 | 0:41:21 | |
Jean? Jean! | 0:41:23 | 0:41:26 | |
Lucien! I've saved some lunch for you. | 0:41:26 | 0:41:29 | |
How lovely. Is there enough for two? | 0:41:29 | 0:41:32 | |
Well, of course there is. | 0:41:34 | 0:41:36 | |
Not very hungry? | 0:41:40 | 0:41:42 | |
No, but that was lovely. | 0:41:42 | 0:41:45 | |
Thank you, Mrs Blake. | 0:41:45 | 0:41:47 | |
You're very welcome. You've got lovely manners. | 0:41:47 | 0:41:50 | |
And I'm Mrs Beasley. | 0:41:50 | 0:41:52 | |
The doctor and I aren't married. | 0:41:52 | 0:41:54 | |
Why not? | 0:41:54 | 0:41:55 | |
Well... | 0:41:55 | 0:41:57 | |
..we used to be married to other people | 0:41:59 | 0:42:01 | |
and now we live together so that I can help him with his work. | 0:42:01 | 0:42:05 | |
Do you love him? | 0:42:05 | 0:42:07 | |
KNOCKING AT DOOR | 0:42:09 | 0:42:10 | |
I'll get it! | 0:42:11 | 0:42:13 | |
I think perhaps we should clean up these dishes | 0:42:15 | 0:42:17 | |
and go into the garden. | 0:42:17 | 0:42:19 | |
-What do you think? -OK. | 0:42:19 | 0:42:21 | |
-Lucien. -Frank. | 0:42:28 | 0:42:30 | |
-How's young Elizabeth? -Fine. She's just having lunch. | 0:42:31 | 0:42:35 | |
Very good. | 0:42:35 | 0:42:37 | |
Um... | 0:42:37 | 0:42:38 | |
The press. | 0:42:39 | 0:42:40 | |
Fact of life these days, but also a double-edged sword. | 0:42:43 | 0:42:47 | |
Look... | 0:42:47 | 0:42:48 | |
..Melbourne is getting very restless. | 0:42:50 | 0:42:52 | |
They want me to charge someone today. | 0:42:52 | 0:42:54 | |
Melbourne! | 0:42:54 | 0:42:56 | |
This is all about sweeping everything aside | 0:42:56 | 0:42:58 | |
before that second lottery draw. | 0:42:58 | 0:43:00 | |
Everything points to Laurie Chapman - | 0:43:00 | 0:43:01 | |
the chads, the phone box, the derelict building - | 0:43:01 | 0:43:04 | |
they all say "bus depot". | 0:43:04 | 0:43:05 | |
A lot of people work there. He's the right blood type. | 0:43:05 | 0:43:08 | |
-It's a very common blood type. -He knew the phone number. | 0:43:08 | 0:43:10 | |
Yes, but we can't definitively prove who knew it and who didn't. | 0:43:10 | 0:43:14 | |
Lucien, his alibi is full of holes - | 0:43:14 | 0:43:15 | |
unaccounted for when those calls came in | 0:43:15 | 0:43:18 | |
and then there were no calls when he was locked up. | 0:43:18 | 0:43:20 | |
No calls after he was released. | 0:43:20 | 0:43:22 | |
He lied to police and he has the most to gain. | 0:43:22 | 0:43:25 | |
This kidnapping turns to a murder, he inherits all the money himself | 0:43:25 | 0:43:29 | |
and for his mistress. | 0:43:29 | 0:43:31 | |
I'm going to have to charge him. | 0:43:31 | 0:43:33 | |
Frank, if we charge the wrong person | 0:43:33 | 0:43:36 | |
and Judith, in fact, does die, | 0:43:36 | 0:43:39 | |
it will be a disaster! | 0:43:39 | 0:43:41 | |
You think I don't know that? | 0:43:41 | 0:43:43 | |
-Superintendent. -Mrs Beasley. | 0:43:46 | 0:43:49 | |
Ooh! | 0:43:52 | 0:43:53 | |
-There's a random magic wand! -Ah! | 0:43:53 | 0:43:56 | |
It can make the grass turn into... | 0:43:56 | 0:43:58 | |
What about that little treasure? | 0:43:58 | 0:44:00 | |
She'll become a ward of the state or perhaps go to Irene. | 0:44:00 | 0:44:04 | |
Lucien, do we have any new evidence, any information whatsoever | 0:44:07 | 0:44:10 | |
that can point us to our man? | 0:44:10 | 0:44:12 | |
Not yet. | 0:44:22 | 0:44:24 | |
-Where's Elizabeth?! -Well, I don't have her. | 0:44:24 | 0:44:26 | |
-I know you've got her! -Oh! Oh! | 0:44:26 | 0:44:29 | |
I told you! Why would I be looking after your granddaughter?! | 0:44:29 | 0:44:32 | |
Oh! Bloody snob! | 0:44:32 | 0:44:34 | |
You know, I knew you when you were as common as muck! | 0:44:34 | 0:44:37 | |
Oh! Your own daughter doesn't want anything to do with you! | 0:44:37 | 0:44:40 | |
Ladies, please! | 0:44:40 | 0:44:42 | |
Oh, Doctor! She was trying to get into my home. | 0:44:42 | 0:44:45 | |
-She has got my Elizabeth! -She doesn't, Irene. | 0:44:45 | 0:44:48 | |
I promise you, Elizabeth's perfectly fine. | 0:44:48 | 0:44:50 | |
But Judith is still missing | 0:44:50 | 0:44:51 | |
and here you are fighting like naughty children! | 0:44:51 | 0:44:54 | |
Now, Irene, please! | 0:44:54 | 0:44:55 | |
Thank you so much, Doctor. | 0:44:58 | 0:45:00 | |
Please, feel free to use my phone to call the police. | 0:45:00 | 0:45:02 | |
Oh, I'm sure that won't be necessary. | 0:45:02 | 0:45:04 | |
Mrs Henderson's just worried about her family. | 0:45:04 | 0:45:07 | |
Oh, well, if you don't call the police, I will. | 0:45:07 | 0:45:10 | |
It's people who get above their station | 0:45:10 | 0:45:12 | |
that cause the trouble in the world! | 0:45:12 | 0:45:14 | |
I see. | 0:45:14 | 0:45:15 | |
And of course you speak with some authority, given your background. | 0:45:15 | 0:45:19 | |
I thought you, of all people, might understand. | 0:45:20 | 0:45:24 | |
I don't need people in the area to remind me of where I came from. | 0:45:26 | 0:45:31 | |
Mrs Gi... | 0:45:34 | 0:45:36 | |
Marjorie... | 0:45:36 | 0:45:37 | |
..I know things are... | 0:45:39 | 0:45:41 | |
difficult for you at the moment. | 0:45:41 | 0:45:43 | |
But, quite honestly, it's the Rod Brunels of this world | 0:45:43 | 0:45:48 | |
who aren't to be trusted, not people like the Chapmans. | 0:45:48 | 0:45:50 | |
And do you know what? If they make it through this, | 0:45:50 | 0:45:52 | |
they're going to need a good neighbour. | 0:45:52 | 0:45:55 | |
And perhaps you will, too. | 0:45:55 | 0:45:57 | |
Am I under arrest? | 0:46:05 | 0:46:06 | |
No. | 0:46:06 | 0:46:08 | |
Well, are you going to arrest her? | 0:46:08 | 0:46:11 | |
You know she doesn't have anything to do with it. | 0:46:11 | 0:46:13 | |
Yeah, I know. | 0:46:13 | 0:46:15 | |
I just... I had to take it out on someone. | 0:46:15 | 0:46:19 | |
And I can understand that. | 0:46:20 | 0:46:22 | |
She's right, you know. | 0:46:23 | 0:46:25 | |
Jude doesn't want much to do with me. | 0:46:25 | 0:46:27 | |
Oh, I'm sure that isn't true. | 0:46:27 | 0:46:30 | |
I spent years taking her to doctors and somehow she pulled through | 0:46:30 | 0:46:35 | |
and... And now, she's... | 0:46:35 | 0:46:38 | |
she's made a new life for herself, | 0:46:38 | 0:46:40 | |
better than I ever did. | 0:46:40 | 0:46:42 | |
I'm proud of her. | 0:46:43 | 0:46:45 | |
And I know... | 0:46:45 | 0:46:47 | |
I know I don't fit in. | 0:46:47 | 0:46:49 | |
But without her, I... | 0:46:51 | 0:46:53 | |
..I'll be left behind. | 0:46:54 | 0:46:57 | |
And no-one wants to be left behind. | 0:46:59 | 0:47:02 | |
Irene, I need to make a phone call. | 0:47:03 | 0:47:05 | |
SHE SIGHS | 0:47:08 | 0:47:09 | |
Funny thing, jealousy, isn't it... | 0:47:18 | 0:47:21 | |
Dulcie? | 0:47:21 | 0:47:22 | |
You can't really envy someone | 0:47:22 | 0:47:24 | |
without being close to them somehow, can you? | 0:47:24 | 0:47:28 | |
I mean, we know you were envious of Judith | 0:47:28 | 0:47:32 | |
and we know you were with Laurie when the kidnapper first called. | 0:47:32 | 0:47:36 | |
What are you saying? | 0:47:36 | 0:47:37 | |
You told anyone who'd listen about the two of you | 0:47:37 | 0:47:40 | |
but you never actually slept with him, did you? | 0:47:40 | 0:47:45 | |
-No. -No. | 0:47:45 | 0:47:47 | |
You lied because he rejected you. | 0:47:47 | 0:47:51 | |
I didn't kidnap Judith... | 0:47:51 | 0:47:53 | |
Now, rejection, that's an interesting thing. | 0:47:53 | 0:47:55 | |
I think Laurie... | 0:47:55 | 0:47:57 | |
I think Laurie left someone behind too, | 0:47:57 | 0:48:00 | |
long before you arrived on the scene. | 0:48:00 | 0:48:03 | |
Cliff has known Laurie since school. | 0:48:05 | 0:48:08 | |
What's he on about? | 0:48:08 | 0:48:10 | |
How's your nose? I thought you had a cold. | 0:48:10 | 0:48:13 | |
When we first saw you, you had to check that it wasn't bleeding, | 0:48:13 | 0:48:18 | |
like it did when you snatched Judith and she slammed her head into it. | 0:48:18 | 0:48:23 | |
I've got no reason to hurt Mrs Chapman. | 0:48:23 | 0:48:25 | |
No. No. | 0:48:25 | 0:48:27 | |
But what about Laurie? | 0:48:27 | 0:48:29 | |
Hmm? | 0:48:29 | 0:48:31 | |
You played football with him before he hit the big-time. | 0:48:31 | 0:48:36 | |
You worked with him, side by side, | 0:48:36 | 0:48:38 | |
but he was the one who got promoted. | 0:48:38 | 0:48:42 | |
I mean, for Heaven's sake, you've known him all your life | 0:48:42 | 0:48:45 | |
and yet... | 0:48:45 | 0:48:46 | |
..he never introduced you to Judith. | 0:48:48 | 0:48:50 | |
And the Lottery? Well... | 0:48:52 | 0:48:55 | |
that was the last straw. | 0:48:55 | 0:48:57 | |
Cliff? | 0:48:57 | 0:48:58 | |
I dunno what he's talking about. | 0:48:58 | 0:49:00 | |
You thought he was your mate. | 0:49:00 | 0:49:02 | |
He just... | 0:49:04 | 0:49:06 | |
..left you behind. | 0:49:08 | 0:49:10 | |
Judith. Where is she? | 0:49:11 | 0:49:14 | |
S... | 0:49:16 | 0:49:17 | |
Fell out of the sky for bloody Laurie. That's... | 0:49:23 | 0:49:26 | |
-Why did he have it all? -Cliff, we make our own luck in life. | 0:49:26 | 0:49:29 | |
Now, you listen to me. Where is she? | 0:49:29 | 0:49:32 | |
Oh! | 0:49:36 | 0:49:38 | |
Come on! Come on! | 0:49:38 | 0:49:39 | |
Cliff, we already have you for the murder of Bluey Watson. | 0:49:46 | 0:49:49 | |
Self-defence! He attacked me! | 0:49:49 | 0:49:51 | |
And now you've just as good as admitted | 0:49:51 | 0:49:53 | |
-to the kidnapping, you stupid bugger. -I'm not stupid! | 0:49:53 | 0:49:56 | |
No. No, you're not. | 0:49:56 | 0:49:58 | |
You're not stupid. | 0:49:59 | 0:50:01 | |
You made a clean getaway, left no clues. | 0:50:01 | 0:50:04 | |
It was a very, very clever plan. | 0:50:04 | 0:50:06 | |
All you had to do was tell us where to leave the money | 0:50:06 | 0:50:10 | |
and we'd have exchanged it for Judith gladly - | 0:50:10 | 0:50:14 | |
as long as she was alive. | 0:50:14 | 0:50:18 | |
Is that why you won't tell us where she is? | 0:50:20 | 0:50:22 | |
No. No! | 0:50:22 | 0:50:24 | |
Cos you killed her. Isn't that right? | 0:50:25 | 0:50:28 | |
I didn't murder anyone! | 0:50:28 | 0:50:29 | |
She got sick. I tried to help her! I did! | 0:50:29 | 0:50:32 | |
Look, she got pains. | 0:50:32 | 0:50:34 | |
I gave her a powder. | 0:50:34 | 0:50:36 | |
Then she started vomiting | 0:50:36 | 0:50:38 | |
and shaking and... | 0:50:38 | 0:50:40 | |
then she just faded away. | 0:50:40 | 0:50:42 | |
I never meant for that, I never meant for that! | 0:50:42 | 0:50:45 | |
Hang on, what you're describing | 0:50:45 | 0:50:47 | |
is a thing we call an "Addisonian crisis", | 0:50:47 | 0:50:49 | |
where a patient slips into a type of coma. | 0:50:49 | 0:50:52 | |
She might still be alive. | 0:50:52 | 0:50:54 | |
I didn't kill her? | 0:50:54 | 0:50:55 | |
She was in pain, convulsing and then nothing, yes? | 0:50:55 | 0:50:59 | |
She wasn't moving. | 0:50:59 | 0:51:02 | |
Cliff, are you even certain she's dead? | 0:51:02 | 0:51:04 | |
You might still be able to save her. | 0:51:07 | 0:51:09 | |
Now, don't you want that? | 0:51:09 | 0:51:11 | |
Don't let her die now. | 0:51:11 | 0:51:12 | |
POLICE SIRENS WAIL | 0:51:16 | 0:51:19 | |
Doc! Here! | 0:51:34 | 0:51:35 | |
-Frank, we've got a pulse. -Call for an ambulance now! | 0:51:41 | 0:51:44 | |
You were right, Lucien. | 0:52:27 | 0:52:29 | |
The truth is, I had an unfair advantage. | 0:52:33 | 0:52:36 | |
Yes? And what was that? | 0:52:36 | 0:52:38 | |
I know what it's like to lose a family. | 0:52:38 | 0:52:41 | |
Thank you, Doctor. | 0:52:44 | 0:52:45 | |
You are very welcome, Elizabeth. | 0:52:45 | 0:52:48 | |
Would you say thank you to Mrs Blake, too? | 0:52:48 | 0:52:51 | |
Ah, well, the thing with Jean... | 0:52:51 | 0:52:55 | |
Of course I will. | 0:52:57 | 0:52:59 | |
A few details and a comment. | 0:53:12 | 0:53:14 | |
-What, this is it? -Yes. | 0:53:25 | 0:53:28 | |
The perpetrator, all the details, an exclusive statement. | 0:53:28 | 0:53:30 | |
But where's the photo? The happy family reunited? | 0:53:30 | 0:53:34 | |
Carlyle didn't let me in the room but this... | 0:53:34 | 0:53:38 | |
I'm selling the sizzle, | 0:53:38 | 0:53:40 | |
not just the steak here, Rose. | 0:53:40 | 0:53:42 | |
-If you're not up to the job... -I am. Trust me. I am. | 0:53:42 | 0:53:46 | |
Type these up, please. | 0:53:48 | 0:53:50 | |
You, come with me. | 0:53:50 | 0:53:52 | |
It was lovely to see that little girl smiling again. | 0:54:01 | 0:54:04 | |
MUSIC PLAYS | 0:54:04 | 0:54:06 | |
And Judith Chapman? | 0:54:06 | 0:54:08 | |
Doing well, thankfully. | 0:54:08 | 0:54:10 | |
I'd say she can expect to make a full recovery. | 0:54:12 | 0:54:14 | |
Oh, thank goodness you got to her in time. | 0:54:14 | 0:54:17 | |
Well, we were lucky. | 0:54:17 | 0:54:18 | |
And that little girl still has her family tonight because of you. | 0:54:18 | 0:54:21 | |
Jean, would you mind, um... | 0:54:30 | 0:54:33 | |
Would you mind, um, just waiting here, just...just for a moment? | 0:54:33 | 0:54:38 | |
All right. | 0:54:38 | 0:54:39 | |
Right. | 0:54:40 | 0:54:41 | |
Jean, would you mind standing for me, please? | 0:55:01 | 0:55:04 | |
Actually, do you know what? Let's... Let's have a seat. | 0:55:10 | 0:55:13 | |
Jean, this was my mother's ring. | 0:55:23 | 0:55:26 | |
Lucien! | 0:55:26 | 0:55:27 | |
And I would very much... | 0:55:31 | 0:55:33 | |
KNOCKING AT DOOR | 0:55:33 | 0:55:34 | |
Oh! That's probably Charlie. | 0:55:36 | 0:55:38 | |
Hold that. I'll be right back. | 0:55:38 | 0:55:41 | |
Perfect timing, Charlie. | 0:55:50 | 0:55:52 | |
Lucien? Who is it? | 0:56:01 | 0:56:04 | |
My wife. | 0:56:11 | 0:56:12 |