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This programme contains some strong language and scenes which some viewers may find upsetting | 0:00:02 | 0:00:08 | |
STELLA: I'm here to review the investigation of Alice's murder. | 0:00:08 | 0:00:10 | |
He was in control. I don't think this was his first murder. | 0:00:10 | 0:00:13 | |
Go back to your review, Stella. I don't want the two murders linked. | 0:00:13 | 0:00:15 | |
This is the third murder in three months, Jim. | 0:00:15 | 0:00:18 | |
If we don't stop him, he will kill again. | 0:00:18 | 0:00:21 | |
There's someone to see you, ma'am. | 0:00:21 | 0:00:22 | |
Rose Stagg, a friend of Professor Reid Smith. | 0:00:22 | 0:00:25 | |
I spent years interviewing the victims of rape. | 0:00:25 | 0:00:27 | |
I don't think anyone ever felt worse after talking to me about their experiences. | 0:00:27 | 0:00:32 | |
We have an e-fit from Rose Stagg. | 0:00:32 | 0:00:34 | |
Could he really look like that? | 0:00:34 | 0:00:36 | |
In his own mind, he... | 0:00:36 | 0:00:37 | |
believes he has the right to decide who lives and who dies. | 0:00:37 | 0:00:42 | |
Peter? | 0:00:42 | 0:00:43 | |
No! | 0:00:43 | 0:00:45 | |
They've managed to lift a partial print from the scissors. | 0:00:45 | 0:00:48 | |
We've run it through the system and found a match. | 0:00:48 | 0:00:50 | |
Paul Spector. | 0:00:50 | 0:00:51 | |
Paul Spector? | 0:00:51 | 0:00:52 | |
Detective Sergeant Anderson. | 0:00:54 | 0:00:56 | |
I'm arresting you for the unlawful imprisonment of Rose Stagg. | 0:00:56 | 0:00:59 | |
Sally-Ann Spector, I'm arresting you on suspicion of perverting the course of justice. | 0:00:59 | 0:01:04 | |
Open the door! | 0:01:04 | 0:01:06 | |
Katie... | 0:01:06 | 0:01:07 | |
-Get off! -Calm down, you are under arrest. | 0:01:07 | 0:01:09 | |
I need your car. | 0:01:09 | 0:01:10 | |
-What? -You heard me. | 0:01:10 | 0:01:12 | |
You know Paul Spector can go to prison for the things you're saying? | 0:01:15 | 0:01:18 | |
We love each other. | 0:01:18 | 0:01:19 | |
You love each other? | 0:01:19 | 0:01:21 | |
Completely. | 0:01:21 | 0:01:22 | |
You asked if your husband was arrested | 0:01:22 | 0:01:24 | |
for having sex with a minor. | 0:01:24 | 0:01:25 | |
He was not. | 0:01:25 | 0:01:27 | |
He was arrested initially | 0:01:27 | 0:01:28 | |
for the abduction and false imprisonment of Rose Stagg. | 0:01:28 | 0:01:31 | |
He was subsequently further arrested for a serious sexual assault. | 0:01:31 | 0:01:35 | |
And the murder of Joseph Brawley. | 0:01:35 | 0:01:37 | |
I'm bleeding. | 0:01:37 | 0:01:39 | |
What? | 0:01:39 | 0:01:40 | |
I'll talk to Stella. No-one else. | 0:01:40 | 0:01:44 | |
When was your first attack? | 0:01:46 | 0:01:48 | |
Are there other victims that we don't know about? | 0:01:48 | 0:01:51 | |
Victims before Fiona Gallagher? | 0:01:51 | 0:01:53 | |
No. | 0:01:53 | 0:01:54 | |
Fiona Gallagher was the first. | 0:01:54 | 0:01:56 | |
It's Eastwood, ma'am. | 0:01:56 | 0:01:58 | |
Go ahead. | 0:01:58 | 0:01:59 | |
Spector has come up with an offer. | 0:01:59 | 0:02:02 | |
When are you coming home? | 0:02:02 | 0:02:04 | |
Not for a while. | 0:02:04 | 0:02:06 | |
-I've got work to do here. -Do you work for her? | 0:02:06 | 0:02:10 | |
Sort of. | 0:02:10 | 0:02:12 | |
There's nothing here... There's no sign of Rose. | 0:02:12 | 0:02:15 | |
Go deeper, Stella. | 0:02:16 | 0:02:17 | |
There's clearly something going on between you. | 0:02:17 | 0:02:20 | |
Let me give you some advice. | 0:02:20 | 0:02:22 | |
If you haven't done it yet, don't. | 0:02:22 | 0:02:25 | |
I've tasted both the fantasy and the deed. | 0:02:25 | 0:02:28 | |
The fantasy is way more piqued. | 0:02:28 | 0:02:29 | |
STELLA: Rose's car is here. I repeat, Rose's car is here. | 0:02:31 | 0:02:34 | |
Jesus Christ, she's alive. | 0:02:39 | 0:02:41 | |
'There's another individual on the edge of the woods. | 0:02:41 | 0:02:44 | |
'Er, someone we can't account for.' | 0:02:44 | 0:02:46 | |
GUNSHOTS | 0:02:46 | 0:02:49 | |
Shit. | 0:02:52 | 0:02:54 | |
-OK, don't move. -Can that thing land? | 0:02:54 | 0:02:56 | |
We've got three men down here. We need urgent medical backup. | 0:02:56 | 0:02:59 | |
I can't land. The trees are too dense. | 0:02:59 | 0:03:02 | |
Repeat, I can't land. | 0:03:02 | 0:03:04 | |
Jesus Christ. | 0:03:04 | 0:03:05 | |
The trees are too dense. | 0:03:05 | 0:03:06 | |
We're losing him! | 0:03:06 | 0:03:08 | |
# Mama | 0:03:41 | 0:03:44 | |
# Bring me my walking cane | 0:03:44 | 0:03:46 | |
# I said Mama | 0:03:48 | 0:03:51 | |
# Bring me my walking cane | 0:03:51 | 0:03:54 | |
# I'm leaving on that midnight train. # | 0:03:55 | 0:04:00 | |
TYRES SCREECH | 0:04:11 | 0:04:13 | |
SIRENS WAIL | 0:04:23 | 0:04:25 | |
32-year-old male, gunshot wounds to abdomen. | 0:04:27 | 0:04:30 | |
Breathing 35, pulse thready and 140. BP un-recordable. | 0:04:30 | 0:04:36 | |
GCS nine, eyes two, speech one, motor six. | 0:04:36 | 0:04:40 | |
Central and peripheral veins are collapsed, | 0:04:40 | 0:04:43 | |
can't get venous cannulation. We're trying intraosseous. | 0:04:43 | 0:04:46 | |
We're in. | 0:04:46 | 0:04:47 | |
IO successful. | 0:04:58 | 0:05:00 | |
0.5 litres saline being squeezed in. | 0:05:03 | 0:05:06 | |
You should know the patient is in police custody. | 0:05:08 | 0:05:11 | |
-He's fitting. -How long? | 0:05:43 | 0:05:45 | |
Two minutes. | 0:05:45 | 0:05:47 | |
What is it? | 0:05:52 | 0:05:54 | |
Man versus bullet, LUQ. Doesn't sound too good. | 0:05:54 | 0:05:57 | |
BP unrecordable, palpable pulse, GCS nine and falling. | 0:05:57 | 0:06:02 | |
We've cleared a space in Resus One for him. | 0:06:02 | 0:06:04 | |
Draw up 100mg of ketamine and 100 milligrams of Sux, please. | 0:06:04 | 0:06:08 | |
We'll need phenylephrine, ephedrine, atropine handy | 0:06:08 | 0:06:11 | |
-and ten micrograms per millilitre of epi drawn up also as rescue drugs. -OK, sure. | 0:06:11 | 0:06:15 | |
Right, what's going on here? | 0:06:15 | 0:06:17 | |
She's hypothermic, core temp 28.2. | 0:06:17 | 0:06:19 | |
Paramedics got a line in and I got some bloods from one I put in. | 0:06:19 | 0:06:23 | |
The junior doc did gas. PH is... | 0:06:23 | 0:06:25 | |
7.1. PaCO2 9.0 PA. Base XS minus eight. | 0:06:25 | 0:06:31 | |
Lungs are good, though. What's her name? | 0:06:31 | 0:06:34 | |
Rose Stagg. DC McNally. | 0:06:34 | 0:06:36 | |
She's the woman we've been searching for. | 0:06:36 | 0:06:39 | |
Where was she found? | 0:06:39 | 0:06:41 | |
In a forest, in the boot of a car. | 0:06:41 | 0:06:42 | |
We think she was there for at least four days. | 0:06:42 | 0:06:45 | |
That's why her CO2's up - breathing her own recycled air. | 0:06:46 | 0:06:50 | |
Rose. It's time to wake up, Rose. | 0:06:52 | 0:06:56 | |
I can smell pear drops. | 0:07:02 | 0:07:03 | |
What are her ketones? | 0:07:03 | 0:07:05 | |
2.3. | 0:07:05 | 0:07:06 | |
We can't move her until an ICU bed is ready and her temp's | 0:07:06 | 0:07:09 | |
going in the right direction. | 0:07:09 | 0:07:10 | |
-Do you want the Bair Hugger? -Aye. Set it to 38. | 0:07:10 | 0:07:13 | |
The FMO will need to see her to process for rape evidence. | 0:07:13 | 0:07:16 | |
Not yet and not in here. We need to stabilise her first. | 0:07:16 | 0:07:19 | |
Can I stay with her? | 0:07:19 | 0:07:20 | |
Things are about to get messy. | 0:07:20 | 0:07:22 | |
The gunshot wound that's coming in, | 0:07:22 | 0:07:24 | |
we think he's responsible for this. | 0:07:24 | 0:07:26 | |
She shouldn't catch sight of him. | 0:07:26 | 0:07:27 | |
Plus we need to avoid cross-contamination of evidence. | 0:07:27 | 0:07:30 | |
Fine. Just keep out of the way. | 0:07:30 | 0:07:33 | |
OK, everybody, listen to me. | 0:07:37 | 0:07:39 | |
I'm the Tsar. All questions to me, all angst to me, all misery to me. | 0:07:39 | 0:07:44 | |
Fran is on airway, Nurse Bronagh is anaesthetic buddy. | 0:07:44 | 0:07:47 | |
Daryl, you're on "C", Nurse Ursula is runner, just because she is. | 0:07:47 | 0:07:51 | |
Andrew, you're scribe. | 0:07:51 | 0:07:53 | |
Everyone happy? Good. | 0:07:53 | 0:07:56 | |
Come on, let's go. | 0:08:01 | 0:08:03 | |
OK, guys, our patient's here. | 0:08:22 | 0:08:24 | |
This is Paul, he's 32 years old. | 0:08:24 | 0:08:26 | |
He was in police custody when he was shot. | 0:08:26 | 0:08:29 | |
Let's get him across. | 0:08:29 | 0:08:30 | |
OK, on my count. Nice and easy. | 0:08:33 | 0:08:36 | |
One, two, three. | 0:08:36 | 0:08:38 | |
Let's break the scoop, please. | 0:08:38 | 0:08:41 | |
Hit by a nine millimetre police handgun from close range. | 0:08:41 | 0:08:44 | |
Two wounds to abdomen, left upper quadrant. | 0:08:44 | 0:08:47 | |
Lateral wound I can feel the bullet. | 0:08:47 | 0:08:48 | |
The other is hosing and deep. | 0:08:48 | 0:08:50 | |
Can we get the Gendarmes out of here, please. | 0:08:50 | 0:08:52 | |
We're going to need those clothes. | 0:08:52 | 0:08:54 | |
It was approximately 20 minutes before we got to him, | 0:08:54 | 0:08:56 | |
by which time he was unresponsive, GCS 9, | 0:08:56 | 0:08:59 | |
and had lost a significant amount of blood. | 0:08:59 | 0:09:01 | |
Breath sounds bilaterally, heart sounds one and two, bit muffled. | 0:09:01 | 0:09:04 | |
He has an IO in the right tibia. | 0:09:04 | 0:09:06 | |
We've given him a litre of warm saline in two boluses. | 0:09:06 | 0:09:09 | |
BP 70, systolic, pulse 136. | 0:09:09 | 0:09:12 | |
We couldn't get his sats, he is too shut down. | 0:09:12 | 0:09:14 | |
Have you given him anything else? Morphine? Transexamic? | 0:09:14 | 0:09:17 | |
Just the saline and a gram of transexamic. | 0:09:17 | 0:09:19 | |
Excellent work, thank you. | 0:09:19 | 0:09:20 | |
OK, we're good. | 0:09:22 | 0:09:23 | |
OK, let's roll him in case there's a bullet they haven't told us about. | 0:09:23 | 0:09:26 | |
OK, on my count. One, two, three. | 0:09:26 | 0:09:29 | |
Roll. | 0:09:29 | 0:09:30 | |
No exit wound, nothing here. | 0:09:34 | 0:09:36 | |
OK, roll him back. | 0:09:36 | 0:09:37 | |
Grab his clothes first. | 0:09:37 | 0:09:39 | |
OK. One, two, three, roll. | 0:09:39 | 0:09:41 | |
BP 60 systolic, pulse 128 palp, no radial. | 0:09:45 | 0:09:49 | |
Use the ambu bags. Help him with his breaths. And ultrasound him, please. | 0:09:49 | 0:09:55 | |
Gently, Fran. | 0:09:55 | 0:09:56 | |
No pneumothorax. | 0:10:23 | 0:10:25 | |
Daryl, any luck with the bloods and line? | 0:10:25 | 0:10:27 | |
Here's blood. | 0:10:27 | 0:10:28 | |
Ursula, two units of House Red to start. | 0:10:28 | 0:10:31 | |
Cross match me six units in the lab, please. Good man, Daryl. | 0:10:31 | 0:10:35 | |
Chop, chop now. | 0:10:35 | 0:10:36 | |
RINGING | 0:10:52 | 0:10:57 | |
Hello. | 0:10:58 | 0:11:00 | |
How's he doing? | 0:11:00 | 0:11:01 | |
I don't know. | 0:11:01 | 0:11:03 | |
He's lost so much blood. | 0:11:04 | 0:11:05 | |
It looks like he's dying. | 0:11:07 | 0:11:09 | |
Tyler died at the scene. | 0:11:09 | 0:11:11 | |
I know. | 0:11:11 | 0:11:13 | |
I had Ged Green secure the scene as per your instructions. | 0:11:13 | 0:11:18 | |
The Ombudsman's SIO is on her way. | 0:11:18 | 0:11:19 | |
Thank you. | 0:11:19 | 0:11:21 | |
The Ombudsman's Office will want to conduct a full investigation | 0:11:21 | 0:11:24 | |
of the circumstances surrounding the shooting. | 0:11:24 | 0:11:26 | |
Why Spector was there, why Tyler was shot. | 0:11:26 | 0:11:29 | |
Well, Ferrington had no choice. Tyler emerged from the woods firing. | 0:11:29 | 0:11:33 | |
I think the one round missed and went into the police car | 0:11:35 | 0:11:39 | |
and then the next three rounds hit Anderson and Spector. | 0:11:39 | 0:11:42 | |
I'm not sure of the precise order of shots but I am certain that Ferrington only returned fire. | 0:11:42 | 0:11:48 | |
The shooting was fully justified. | 0:11:48 | 0:11:50 | |
How is Anderson? | 0:11:50 | 0:11:51 | |
I don't know. | 0:11:53 | 0:11:55 | |
We had to leave him at the scene. | 0:11:55 | 0:11:58 | |
A second rapid response vehicle was on its way. | 0:11:58 | 0:12:00 | |
Has Spector's family been informed? | 0:12:02 | 0:12:05 | |
I'm not sure. | 0:12:05 | 0:12:06 | |
Well, make sure that they are. What about Tom Stagg? | 0:12:07 | 0:12:11 | |
I think the, er, officers are on their way to see him now. | 0:12:11 | 0:12:15 | |
And Rose? | 0:12:15 | 0:12:17 | |
Alive. | 0:12:19 | 0:12:20 | |
Are you in the car? | 0:12:23 | 0:12:26 | |
I'm on my way to HQ. The Chief wants to see me. | 0:12:26 | 0:12:30 | |
Keep in touch. | 0:12:30 | 0:12:32 | |
Andrew, get on to the blood bank, order four FFP, please. | 0:12:53 | 0:12:56 | |
Ursula needs a gram of transexamic. | 0:12:56 | 0:12:58 | |
We need anaesthesia! And fast! Bleep the surgeons again! | 0:12:58 | 0:13:03 | |
None of their "we need a CT" shite. | 0:13:03 | 0:13:04 | |
He needs to go straight to theatre. Have you got the O-neg up, Daryl? | 0:13:04 | 0:13:08 | |
-Yeah. -He's vomiting. Suction. | 0:13:08 | 0:13:11 | |
On my count, one, two, three. Roll. | 0:13:15 | 0:13:18 | |
And back, one, two, three. | 0:13:21 | 0:13:24 | |
He needs tubed. Let's go. Bronagh, size 8.5 tube. | 0:13:24 | 0:13:28 | |
MAC four blade. You ready, Bronagh? | 0:13:28 | 0:13:30 | |
-One minute. -Am I doing it? | 0:13:30 | 0:13:32 | |
Unless you don't want to. | 0:13:32 | 0:13:33 | |
He's hypertensive and puking. | 0:13:33 | 0:13:35 | |
Them's the breaks. I'll bail you out if it goes to shite. | 0:13:35 | 0:13:38 | |
Can someone get a pillow for his head | 0:13:38 | 0:13:40 | |
before Fran knocks his teeth out? | 0:13:40 | 0:13:42 | |
Will I do cricoid? | 0:13:42 | 0:13:43 | |
Sure. | 0:13:43 | 0:13:45 | |
Get that other blood up, Daryl. | 0:13:46 | 0:13:48 | |
Sophie, you got squeezer drugs ready? | 0:13:48 | 0:13:50 | |
I've got ten mics per millilitre of epinephrine, | 0:13:50 | 0:13:52 | |
100 mics per mill of phenylephrine, | 0:13:52 | 0:13:54 | |
ephedrine and glycopyrrolate. The emergency box is ready. | 0:13:54 | 0:13:57 | |
Ketamine and Sux here. | 0:13:57 | 0:13:59 | |
Good. Is that blood up? | 0:13:59 | 0:14:00 | |
-I've got a Green in his left foot. I'll stick the other unit through here. -You happy, Daryl? | 0:14:00 | 0:14:03 | |
-Flushing well. -OK, let's have quiet. | 0:14:03 | 0:14:06 | |
-Ready, Fran? -Ready. He's been pre-oxygenated. | 0:14:07 | 0:14:10 | |
End tidal CO2 ready. | 0:14:10 | 0:14:12 | |
Suction ready and under pillow. Cuff checked, tube lubed. Boogie handy. | 0:14:12 | 0:14:17 | |
Ready. BP 70, pulse 120. | 0:14:17 | 0:14:19 | |
Sats now reading 93%. | 0:14:19 | 0:14:21 | |
50 milligrams ketamine in. | 0:14:21 | 0:14:23 | |
100 of Sux. | 0:14:23 | 0:14:24 | |
He's fasciculating. | 0:14:49 | 0:14:50 | |
Just wait. | 0:14:50 | 0:14:51 | |
It should pass. | 0:14:51 | 0:14:53 | |
Go now. | 0:15:02 | 0:15:03 | |
Give him 100 micrograms of phenylephrine, Daryl. | 0:15:17 | 0:15:21 | |
Can you see the cords? | 0:15:21 | 0:15:22 | |
I think I can... | 0:15:24 | 0:15:25 | |
Is that a yes or a no? | 0:15:25 | 0:15:26 | |
It's a yes. Tube, please. | 0:15:26 | 0:15:28 | |
Feels good. | 0:15:35 | 0:15:37 | |
Cuff up. | 0:15:37 | 0:15:38 | |
You've got end tidal, sats 90%. Check BP there. | 0:15:41 | 0:15:45 | |
Sophie, squeeze that blood in. | 0:15:45 | 0:15:47 | |
Daryl, listen to the lungs and stop looking pretty. | 0:15:47 | 0:15:50 | |
Air entry in both axilla. | 0:15:55 | 0:15:57 | |
Cricoid off, please. Bronagh, can you hold this? | 0:15:58 | 0:16:01 | |
It's 22 centimetres at lips. Ursula, bag while I tie this in. | 0:16:03 | 0:16:07 | |
BP 50 systolic. Give him 50 micrograms of epi please, Daryl. | 0:16:07 | 0:16:13 | |
Right, let's get him on the vent. | 0:16:17 | 0:16:20 | |
Andrew, log the time. | 0:16:21 | 0:16:23 | |
Where's that bloody surgeon?! | 0:16:26 | 0:16:28 | |
Ah, Alex, good, right... | 0:16:37 | 0:16:39 | |
This one's superficial. | 0:16:40 | 0:16:42 | |
Yeah, I can feel the bullet. | 0:16:42 | 0:16:44 | |
-Right. -That one's gone deep. | 0:16:44 | 0:16:45 | |
OK. | 0:16:45 | 0:16:46 | |
They're taking her up to the ICU, ma'am. | 0:16:48 | 0:16:52 | |
Rose... Rose. You're safe now. | 0:16:52 | 0:16:56 | |
Everything's going to be OK. Everything's going to be OK. | 0:16:56 | 0:17:00 | |
You go with her. No media, no photographs. | 0:17:02 | 0:17:05 | |
Yes, ma'am. | 0:17:05 | 0:17:06 | |
Gail, could you go to my hotel room and pick me up some clean clothes? | 0:17:21 | 0:17:25 | |
I need something comfortable and something to talk to the press in. | 0:17:27 | 0:17:30 | |
Yes, ma'am. | 0:17:30 | 0:17:32 | |
I think I left some papers out this morning in the rush... | 0:17:32 | 0:17:34 | |
if you'd put them away? | 0:17:34 | 0:17:35 | |
-Yes, ma'am. -Thank you. | 0:17:35 | 0:17:38 | |
OK, let's move him, let's go! | 0:17:38 | 0:17:39 | |
Is your boss on his way?! | 0:17:43 | 0:17:45 | |
He's been fast-bleeped by theatre. | 0:17:45 | 0:17:47 | |
Sophie, can you squeeze that blood in? | 0:17:47 | 0:17:48 | |
It's hard to look at a systolic of 60. | 0:17:48 | 0:17:50 | |
-Thanks, Joe. -All right. | 0:17:50 | 0:17:53 | |
How is he? | 0:17:53 | 0:17:54 | |
Dr O'Donnell, we have another gunshot wound here for you. | 0:17:54 | 0:17:57 | |
What is this? The '70s? Who are you exactly? | 0:17:57 | 0:18:00 | |
Detective Superintendent Gibson. | 0:18:00 | 0:18:03 | |
Er, massive internal bleeding, he's lost half his blood volume at least. | 0:18:03 | 0:18:07 | |
Given where he was shot, | 0:18:07 | 0:18:08 | |
I'm guessing he needs his spleen in a bucket. | 0:18:08 | 0:18:11 | |
Will he live? | 0:18:11 | 0:18:12 | |
Maybe. So he's the Belfast Strangler? | 0:18:12 | 0:18:17 | |
Wow. | 0:18:17 | 0:18:18 | |
We need to keep him under guard at all times. | 0:18:18 | 0:18:21 | |
Well, he's been given muscle relaxants and he's on a ventilator. He's going nowhere. | 0:18:21 | 0:18:25 | |
It's not the risk of escape, really. It's for his own protection. | 0:18:25 | 0:18:28 | |
There are people that would harm him if they could, | 0:18:28 | 0:18:31 | |
and my aim is to get him to court in one piece. | 0:18:31 | 0:18:34 | |
Right now, the aim is to get him to survive theatre. | 0:18:35 | 0:18:39 | |
Right. Your other gunshot wound I think is a colleague. | 0:18:39 | 0:18:44 | |
-Look after him, please. -Aye. | 0:18:44 | 0:18:47 | |
And you're backing Gibson to stay in charge? | 0:19:11 | 0:19:14 | |
On balance? Yes, sir. | 0:19:14 | 0:19:18 | |
No-one knows the case like her. | 0:19:18 | 0:19:20 | |
She's got her man, Rose is alive... | 0:19:20 | 0:19:22 | |
There's going to be a media feeding frenzy. | 0:19:22 | 0:19:25 | |
Get an MLO on board as soon as you can | 0:19:25 | 0:19:26 | |
and keep Gibson away from the cameras. | 0:19:26 | 0:19:28 | |
I don't want her making any direct statements, | 0:19:28 | 0:19:31 | |
conducting any interviews | 0:19:31 | 0:19:32 | |
while inquiries into her handling of the case are ongoing. | 0:19:32 | 0:19:35 | |
Understood. | 0:19:35 | 0:19:37 | |
Spector's first appearance was moved to tomorrow. | 0:19:37 | 0:19:39 | |
I'll contact the courts and let them know he won't be appearing. | 0:19:39 | 0:19:42 | |
Keep the PPS up to speed too. | 0:19:42 | 0:19:44 | |
Yes, sir. | 0:19:44 | 0:19:46 | |
I can manage her, sir. I promise that. | 0:19:50 | 0:19:53 | |
Detective Sergeant Anderson has a gunshot wound to the lateral aspect | 0:19:55 | 0:19:59 | |
of the distal end of his humerus with what looks like | 0:19:59 | 0:20:02 | |
an exit wound just distal to the antecubital fossa | 0:20:02 | 0:20:04 | |
on the ulnar flexor aspect of his forearm. | 0:20:04 | 0:20:07 | |
He has some minor ooze around the entry and exit sites | 0:20:07 | 0:20:09 | |
when taking the dressing down. | 0:20:09 | 0:20:11 | |
There's a lot of swelling around the entrance wound, | 0:20:11 | 0:20:13 | |
probably a large haematoma. | 0:20:13 | 0:20:15 | |
Do you have Mr Anderson's X-rays? | 0:20:15 | 0:20:16 | |
Yeah. | 0:20:16 | 0:20:18 | |
No bony injury, no retained metal by the looks of it. He can get an MRI. | 0:20:21 | 0:20:26 | |
The earliest is tomorrow, and that's with me pleading for it. | 0:20:26 | 0:20:30 | |
So far so good, Mr Anderson. | 0:20:32 | 0:20:34 | |
The X-ray reveals no fractures and your pulses are intact. | 0:20:34 | 0:20:38 | |
Now let's see you bend this wrist back. | 0:20:38 | 0:20:40 | |
There but not great. | 0:20:44 | 0:20:47 | |
Make a fist and open up your hand spreading your fingers. Good. | 0:20:47 | 0:20:53 | |
Can you feel me touch you there? | 0:20:53 | 0:20:55 | |
It feels odd. | 0:20:56 | 0:20:58 | |
Your function in your hand is good. | 0:20:58 | 0:21:00 | |
However, I am a little worried about the radial nerve. | 0:21:00 | 0:21:03 | |
Where the bullet entered is not exactly where the radial nerve lies, | 0:21:03 | 0:21:06 | |
but swelling can compress it and clearly there | 0:21:06 | 0:21:08 | |
is a lot of swelling above the elbow. | 0:21:08 | 0:21:11 | |
Reassuringly, with encouragement you can extend the wrist, | 0:21:11 | 0:21:14 | |
which is what the radial nerve should do, | 0:21:14 | 0:21:16 | |
but the altered sensation is a cause of concern. | 0:21:16 | 0:21:18 | |
So the plan is we'll clean the wound out and scan it tomorrow. | 0:21:18 | 0:21:22 | |
How long will I be out of action for? | 0:21:22 | 0:21:24 | |
I really don't know. | 0:21:24 | 0:21:25 | |
We'll be in a better position to judge tomorrow, post MRI. | 0:21:25 | 0:21:28 | |
Well, weeks, months? For ever? What? | 0:21:28 | 0:21:31 | |
I'm sorry. I really don't know. | 0:21:31 | 0:21:33 | |
All I can tell you is that he was shot in police custody. | 0:23:11 | 0:23:14 | |
There's severe abdominal trauma. | 0:23:14 | 0:23:17 | |
He's in a critical condition and undergoing emergency surgery. | 0:23:17 | 0:23:20 | |
There is a possibility that he won't survive that surgery. | 0:23:20 | 0:23:23 | |
Shot by a police officer? | 0:23:23 | 0:23:25 | |
No, not a police officer. | 0:23:25 | 0:23:28 | |
I'm sorry, I can't say any more than that. | 0:23:28 | 0:23:31 | |
Is that blood here yet? | 0:23:34 | 0:23:36 | |
Two units, O negative, just ready through the rapid transfuser. | 0:23:36 | 0:23:38 | |
We're waiting on MTP. | 0:23:38 | 0:23:40 | |
Christ, 60 systolic before we start? | 0:23:40 | 0:23:42 | |
Drapes. | 0:23:45 | 0:23:46 | |
Give me a minute, before you open. His BP is in the toilet. | 0:24:00 | 0:24:02 | |
More like 30 seconds, please. | 0:24:02 | 0:24:04 | |
Make me a syringe of adrenaline. | 0:24:04 | 0:24:05 | |
His pressure will bottom when they open and decompress him. | 0:24:05 | 0:24:08 | |
Sister, would you ring the blood bank and remind them | 0:24:08 | 0:24:10 | |
that Massive Transfusion Protocol means now? | 0:24:10 | 0:24:12 | |
And would you call Mr King and tell him I'd appreciate his help? | 0:24:12 | 0:24:15 | |
What's his pressure now? Can I start? | 0:24:15 | 0:24:17 | |
80 systolic. Only going to get worse. | 0:24:17 | 0:24:19 | |
Yes, you can start. | 0:24:19 | 0:24:20 | |
Scalpel. | 0:24:20 | 0:24:21 | |
Two swabs. | 0:24:21 | 0:24:23 | |
Suction, please. | 0:24:35 | 0:24:36 | |
Protractor. | 0:24:42 | 0:24:43 | |
It's a real, real mess here. | 0:24:46 | 0:24:48 | |
He's slowing, systolic dropping. Where's that adrenaline? | 0:24:50 | 0:24:53 | |
He's cold. Let's push the fluids. | 0:25:00 | 0:25:02 | |
Turn up the heat in theatre, please. | 0:25:02 | 0:25:04 | |
There's another unit ready for transfusion. The six FFP are here. | 0:25:04 | 0:25:08 | |
Give him the unit and horse in the FFP through that peripheral. | 0:25:08 | 0:25:11 | |
-Sister, would you squeeze that in? -Packs. | 0:25:11 | 0:25:14 | |
We're losing here. BP and pulse are the same. 40. | 0:25:14 | 0:25:17 | |
Where are we at, Miss Morton? We need to get control here. | 0:25:17 | 0:25:19 | |
I can't see shit. | 0:25:19 | 0:25:21 | |
Pulse rate is dropping. We're really struggling here. | 0:25:21 | 0:25:25 | |
Stop, stop, stop. There's no pulse. | 0:25:25 | 0:25:27 | |
Adrenaline, please. | 0:25:27 | 0:25:28 | |
Start CPR. | 0:25:34 | 0:25:36 | |
Peter? | 0:26:03 | 0:26:04 | |
Mother? | 0:26:07 | 0:26:08 | |
Daddy, look what I've found! | 0:26:14 | 0:26:17 | |
Peter! | 0:26:25 | 0:26:26 | |
Peter, come to me. | 0:26:30 | 0:26:32 | |
CHILD SINGING | 0:26:37 | 0:26:39 | |
Peter. | 0:26:43 | 0:26:44 | |
BEEPING | 0:26:50 | 0:26:52 | |
Adrenaline is hitting. | 0:26:52 | 0:26:54 | |
So, he's back? | 0:26:54 | 0:26:55 | |
He's back. Carry on, Dr Morton. | 0:26:55 | 0:26:57 | |
His spleen is shattered. | 0:27:04 | 0:27:06 | |
I'm going to need a second pair of hands here. | 0:27:06 | 0:27:08 | |
Any sign of Mr King? | 0:27:08 | 0:27:10 | |
He is scrubbing. | 0:27:10 | 0:27:11 | |
BP now 60 and pulse 56. | 0:27:11 | 0:27:13 | |
Time to act, we've got a window here. | 0:27:13 | 0:27:15 | |
-Spleen? -Yeah, I think so. | 0:27:15 | 0:27:17 | |
Let's get it out and see what else is going on. | 0:27:17 | 0:27:19 | |
Mobilise the spleen, please. | 0:27:19 | 0:27:22 | |
Scissors. | 0:27:22 | 0:27:23 | |
-That's just coming now. -Good. | 0:27:28 | 0:27:30 | |
Clamp. | 0:27:33 | 0:27:34 | |
Watch the tail of the pancreas. | 0:27:38 | 0:27:41 | |
Got it. | 0:27:43 | 0:27:44 | |
Good. | 0:27:44 | 0:27:46 | |
Scissors. | 0:27:46 | 0:27:48 | |
Pressure rising 80 systolic, pulse rising up at 72. | 0:27:53 | 0:27:56 | |
Tie. | 0:27:56 | 0:27:58 | |
Scissors. | 0:28:02 | 0:28:04 | |
Diathermy. | 0:28:06 | 0:28:08 | |
How are we getting on there, Adrian? | 0:28:09 | 0:28:11 | |
Systolic stable at 90, pulse stable at 102. | 0:28:11 | 0:28:14 | |
He's on a trickle of norepinephrine. | 0:28:14 | 0:28:16 | |
He's still behind but pH 7.2, | 0:28:16 | 0:28:19 | |
lactate 4.5, though - that's improved. | 0:28:19 | 0:28:21 | |
He's still quite labile. | 0:28:21 | 0:28:23 | |
Temp is 34.8 degrees Celsius. | 0:28:23 | 0:28:25 | |
But he's making urine - 40 mills in the last 15 minutes. | 0:28:25 | 0:28:28 | |
He's very oozy. | 0:28:28 | 0:28:29 | |
I think it's best to pack him, warm him up. | 0:28:29 | 0:28:31 | |
We need to fix that acidosis and get his co-ag sorted out. | 0:28:31 | 0:28:35 | |
I suggest putting him in ICU overnight | 0:28:35 | 0:28:37 | |
-and having a re-look laparotomy tomorrow? -Agreed. | 0:28:37 | 0:28:40 | |
The hole's superficial. | 0:28:40 | 0:28:43 | |
I can actually feel the bullet. | 0:28:43 | 0:28:46 | |
Another trophy for the forensic lab. Packs, please. | 0:28:51 | 0:28:54 | |
There's an ICU bed ready whenever you're ready. | 0:28:54 | 0:28:57 | |
Medium soft. Do not unfold them. Do not unfold them. | 0:28:57 | 0:29:01 | |
Big soft in my hand, please. Big soft. | 0:29:01 | 0:29:03 | |
Thank you. | 0:29:03 | 0:29:05 | |
Take the bad look off him up in recovery. Yeah? | 0:29:14 | 0:29:16 | |
-Thank you. -You're welcome. | 0:29:16 | 0:29:18 | |
Daddy's been in an accident. | 0:29:27 | 0:29:29 | |
What kind of accident? | 0:29:29 | 0:29:31 | |
A car accident. | 0:29:31 | 0:29:33 | |
-What car? -I don't know. I think, um... | 0:29:33 | 0:29:35 | |
I don't know what car. | 0:29:37 | 0:29:39 | |
Where is he? | 0:29:40 | 0:29:41 | |
He's in hospital. | 0:29:43 | 0:29:45 | |
Can we go and see him? | 0:29:46 | 0:29:48 | |
The doctors are looking after him now and he needs his sleep. | 0:29:48 | 0:29:53 | |
Maybe tomorrow, if he's feeling better. | 0:29:53 | 0:29:56 | |
Where is he hurt? | 0:29:56 | 0:29:58 | |
I don't know. I think it's his tummy. | 0:29:59 | 0:30:02 | |
-I really want to see him. -Well, you can't. Not tonight. | 0:30:04 | 0:30:07 | |
Olivia. | 0:30:08 | 0:30:10 | |
Olivia... | 0:30:10 | 0:30:11 | |
INDISTINCT CONVERSATION | 0:30:16 | 0:30:18 | |
Hey. | 0:30:32 | 0:30:33 | |
Hi. | 0:30:33 | 0:30:35 | |
What have the doctors said about your arm? | 0:30:41 | 0:30:43 | |
There could be some nerve damage. | 0:30:45 | 0:30:47 | |
May be the end of my career. | 0:30:49 | 0:30:51 | |
Really? | 0:30:53 | 0:30:54 | |
I'm sure it's not. | 0:30:56 | 0:30:58 | |
Why did you run to him? | 0:31:12 | 0:31:14 | |
What? | 0:31:18 | 0:31:19 | |
The both of us were shot, but you ran to him, not me. | 0:31:23 | 0:31:26 | |
All your concern was for him. | 0:31:26 | 0:31:27 | |
I could see that his injuries were worse. | 0:31:29 | 0:31:31 | |
And? | 0:31:34 | 0:31:35 | |
You were crying out, "We're losing him." | 0:31:37 | 0:31:39 | |
You sounded... | 0:31:40 | 0:31:42 | |
..anguished. | 0:31:44 | 0:31:45 | |
I didn't want it to end there. | 0:31:48 | 0:31:50 | |
Not like that. | 0:31:51 | 0:31:53 | |
No court case, no sentence, no punishment. | 0:31:53 | 0:31:57 | |
No closure for the families. | 0:31:57 | 0:32:00 | |
I want him to live so that he can be tried and sentenced | 0:32:00 | 0:32:04 | |
and spend the rest of his life in prison. | 0:32:04 | 0:32:06 | |
If I sounded anguished... | 0:32:12 | 0:32:14 | |
..that's why. | 0:32:17 | 0:32:18 | |
HE EXHALES | 0:32:25 | 0:32:27 | |
I have your things, ma'am. | 0:32:34 | 0:32:35 | |
Thank you. | 0:32:35 | 0:32:36 | |
If you need somewhere to park yourself, I have a room for you. | 0:32:39 | 0:32:43 | |
Thanks. | 0:32:43 | 0:32:45 | |
-You all right? -Yeah, you? | 0:32:52 | 0:32:55 | |
Not brilliant. | 0:32:55 | 0:32:57 | |
MONITORS BEEP | 0:33:02 | 0:33:05 | |
He's had his spleen out and his abdomen packed. | 0:33:31 | 0:33:34 | |
Didn't look as if anything else was perf'ed, | 0:33:34 | 0:33:35 | |
but the surgeons want him on co-amoxiclav and Flagyl. | 0:33:35 | 0:33:38 | |
They're having a relook tomorrow. | 0:33:38 | 0:33:40 | |
He's had a shed-load of blood and products, though. | 0:33:40 | 0:33:42 | |
Four units of O-neg and ten units cross match. | 0:33:42 | 0:33:44 | |
That's including the two units hanging there. | 0:33:44 | 0:33:46 | |
He's had eight FFP and a bag of platelets. | 0:33:46 | 0:33:49 | |
So, only twice his blood volume, then? | 0:33:49 | 0:33:51 | |
No expense spared. | 0:33:51 | 0:33:52 | |
Hey. | 0:34:27 | 0:34:28 | |
How's the Strangler doing? | 0:34:30 | 0:34:31 | |
I'm going up to see him in a minute. | 0:34:33 | 0:34:35 | |
I've been aware of what's going on | 0:34:36 | 0:34:38 | |
but I haven't really been following it closely. | 0:34:38 | 0:34:40 | |
Some of my friends have been really caught up in it all, | 0:34:42 | 0:34:45 | |
having alarms fitted and asking random boyfriends to move in. | 0:34:45 | 0:34:49 | |
Well, luckily, you're a doctor and therefore never at home. | 0:34:50 | 0:34:53 | |
True. | 0:34:53 | 0:34:55 | |
I hadn't really thought of myself as being at risk in that way. | 0:34:56 | 0:34:59 | |
Then you look at the photographs and you think, "They're just young women | 0:35:01 | 0:35:04 | |
"living their lives like I live mine. | 0:35:04 | 0:35:06 | |
"That could have been me." | 0:35:07 | 0:35:08 | |
One of my best buddies is a doctor in the military. | 0:35:11 | 0:35:14 | |
Did several tours in Afghanistan. | 0:35:14 | 0:35:16 | |
In the field hospitals, casualties are treated solely | 0:35:17 | 0:35:21 | |
on the basis of their clinical need. | 0:35:21 | 0:35:23 | |
Badly injured Taliban treated ahead of British casualties | 0:35:23 | 0:35:26 | |
if their condition was more urgent. | 0:35:26 | 0:35:28 | |
Same here in the old days. | 0:35:28 | 0:35:30 | |
That didn't always make him very popular. | 0:35:30 | 0:35:32 | |
In truth, it rather fucked him up. | 0:35:33 | 0:35:36 | |
But he'd still argue medical care | 0:35:36 | 0:35:38 | |
has to be delivered according to clinical need | 0:35:38 | 0:35:40 | |
without discrimination. | 0:35:40 | 0:35:41 | |
If he was here, he'd tell us it's our duty to treat your man humanely | 0:35:43 | 0:35:47 | |
and protect them. | 0:35:47 | 0:35:48 | |
Even if he is a murdering bastard... | 0:35:48 | 0:35:52 | |
allegedly. | 0:35:52 | 0:35:53 | |
The press are gathering. | 0:35:57 | 0:35:58 | |
TV crews, all the main channels, plus local TV, | 0:35:58 | 0:36:01 | |
print and radio journalists. | 0:36:01 | 0:36:03 | |
Quite a few web news sites too. | 0:36:03 | 0:36:05 | |
I think we have to go with a live interview. | 0:36:05 | 0:36:08 | |
Have the victims' families been informed? Gallaghers, Kays, Monroes? | 0:36:08 | 0:36:12 | |
The announcement can't come as a shock to them. | 0:36:13 | 0:36:16 | |
They have, ma'am, yes. | 0:36:16 | 0:36:18 | |
And Spector's family? | 0:36:18 | 0:36:20 | |
Yes, ma'am, they've been notified. | 0:36:20 | 0:36:21 | |
Right... | 0:36:31 | 0:36:32 | |
..three key points. | 0:36:34 | 0:36:36 | |
One, a man has been arrested and has been charged. | 0:36:37 | 0:36:42 | |
-Two... -KNOCK ON THE DOOR | 0:36:42 | 0:36:44 | |
-Stella. -Sorry, sir, just one second. | 0:36:44 | 0:36:47 | |
Rose Stagg has been found and is alive. | 0:36:47 | 0:36:50 | |
Three, that the prisoner | 0:36:50 | 0:36:51 | |
was injured in police custody | 0:36:51 | 0:36:54 | |
and then something about his condition. | 0:36:54 | 0:36:56 | |
But beyond that, investigations are ongoing. | 0:36:56 | 0:36:59 | |
I need to stop you there. | 0:36:59 | 0:37:00 | |
You won't be making the statement. | 0:37:02 | 0:37:03 | |
-What? -The Chief Constable wants me to do it. | 0:37:05 | 0:37:07 | |
Am I still SIO? | 0:37:11 | 0:37:12 | |
Can you give us a second, please? | 0:37:16 | 0:37:18 | |
Martina, it is really important | 0:37:20 | 0:37:23 | |
that you monitor all press coverage for accuracy and interpretation. | 0:37:23 | 0:37:27 | |
Defence teams love to make allegations | 0:37:27 | 0:37:28 | |
about what's been said in the media, | 0:37:28 | 0:37:30 | |
particularly when misquoting facts provided by the police. | 0:37:30 | 0:37:34 | |
Yes, ma'am. | 0:37:34 | 0:37:36 | |
Well? | 0:37:42 | 0:37:44 | |
Yes, you are. For now. | 0:37:44 | 0:37:47 | |
I stood up for you, Stella. | 0:37:49 | 0:37:51 | |
So I should think. | 0:37:52 | 0:37:54 | |
I also told the Chief that I could manage you. | 0:37:55 | 0:37:57 | |
I see. | 0:37:59 | 0:38:00 | |
Don't make this difficult for me. | 0:38:03 | 0:38:04 | |
Well, you might want to straighten your tie before you go on camera. | 0:38:07 | 0:38:09 | |
Tom Stagg is in the ICU waiting room, ma'am. | 0:38:26 | 0:38:28 | |
Oh, thank you. | 0:38:28 | 0:38:30 | |
Would you ask DC McNally to bring me my bags | 0:38:30 | 0:38:32 | |
-from the room I just changed in? -Yes, ma'am. | 0:38:32 | 0:38:34 | |
-REPORTER: -Has the Belfast Strangler been caught? | 0:38:44 | 0:38:46 | |
That's the question tonight. | 0:38:46 | 0:38:47 | |
FOOTSTEPS | 0:38:47 | 0:38:50 | |
How is she? Have you seen her? | 0:39:00 | 0:39:02 | |
I've seen her briefly. | 0:39:02 | 0:39:05 | |
I'm told she's stable, Tom. | 0:39:05 | 0:39:06 | |
HE EXHALES | 0:39:08 | 0:39:09 | |
Thank you. Thank you. | 0:39:10 | 0:39:13 | |
Shall we go in and see her? | 0:39:15 | 0:39:17 | |
What's going on outside? Is that all for Rose? | 0:39:17 | 0:39:19 | |
Don't worry about that now. Come on, I'll take you in. | 0:39:21 | 0:39:24 | |
You're Rose's husband? | 0:40:06 | 0:40:08 | |
-Yes. -Come this way. | 0:40:08 | 0:40:09 | |
Oh, my love. | 0:40:25 | 0:40:26 | |
-Here he comes! -REPORTERS FIRE QUESTIONS | 0:40:52 | 0:40:57 | |
I am Assistant Chief Constable Jim Burns and I have information | 0:40:57 | 0:41:00 | |
relating to the Operation Music Man Task Force | 0:41:00 | 0:41:03 | |
and the serial murder investigations. | 0:41:03 | 0:41:05 | |
I wish to confirm that a 32-year-old Belfast male | 0:41:05 | 0:41:08 | |
has been arrested in connection with the murders of Sarah Kay, | 0:41:08 | 0:41:11 | |
Fiona Gallagher, Alice Parker Monroe and Joseph Brawley. | 0:41:11 | 0:41:15 | |
And also for the unlawful imprisonment | 0:41:15 | 0:41:18 | |
of Belfast radiologist Rose Stagg. | 0:41:18 | 0:41:20 | |
He was due to appear in court in Belfast tomorrow morning | 0:41:20 | 0:41:23 | |
to face these and other charges, | 0:41:23 | 0:41:25 | |
but that is no longer the case as he has suffered serious injury | 0:41:25 | 0:41:29 | |
whilst in police custody. | 0:41:29 | 0:41:31 | |
-'How did he come by those injuries?' -'Why was he injured?' | 0:41:31 | 0:41:33 | |
'The victim of a gun attack. | 0:41:33 | 0:41:35 | |
'His medical condition is described as critical, | 0:41:35 | 0:41:38 | |
'his injuries life-threatening.' | 0:41:38 | 0:41:40 | |
'Assistant Chief Constable, how does a man get shot...?' | 0:41:40 | 0:41:42 | |
Who's he talking about? | 0:41:42 | 0:41:44 | |
-Don't do that! -Katie. | 0:41:44 | 0:41:46 | |
'His assailant was shot dead by police in the incident...' | 0:41:48 | 0:41:50 | |
It is Paul. Oh, my God! I have to go to him! | 0:41:50 | 0:41:53 | |
-Katie, you can't! -I have to see him. | 0:41:53 | 0:41:55 | |
You're not allowed out! | 0:41:55 | 0:41:57 | |
I don't care! | 0:41:57 | 0:41:58 | |
Katie, you're on bail, you're not allowed out at night. | 0:41:58 | 0:42:01 | |
-Get out of my way! -You're not allowed to see him! | 0:42:01 | 0:42:04 | |
-Get out of my way! -Katie! | 0:42:04 | 0:42:06 | |
-Where are the keys? -Katie! | 0:42:09 | 0:42:10 | |
You locked me in! | 0:42:10 | 0:42:12 | |
You're not allowed out of this house, I said! | 0:42:12 | 0:42:14 | |
-Fuck off! -You're not allowed to see him! -Get the fuck off me! | 0:42:14 | 0:42:18 | |
I'm calling the police! | 0:42:18 | 0:42:20 | |
If you leave this house, I'm calling the police. | 0:42:20 | 0:42:23 | |
I don't know what's happened to you. | 0:42:24 | 0:42:26 | |
Your father would be appalled at what you've become. | 0:42:26 | 0:42:29 | |
DOOR SLAMS SHUT | 0:42:29 | 0:42:31 | |
SHE WEEPS | 0:42:31 | 0:42:33 | |
I am pleased to say that Rose Stagg has been found, | 0:42:33 | 0:42:35 | |
that she's alive and she's in a stable condition. | 0:42:35 | 0:42:38 | |
I'd like to take this opportunity to thank | 0:42:38 | 0:42:40 | |
Detective Superintendent Stella Gibson, | 0:42:40 | 0:42:42 | |
her team, and the public for all their efforts in finding her. | 0:42:42 | 0:42:45 | |
Where is Detective Superintendant Gibson? | 0:42:45 | 0:42:47 | |
-Why isn't she here? -Won't she be making any statements? | 0:42:47 | 0:42:49 | |
Detective Superintendant Gibson is doing what she does best - policing. | 0:42:49 | 0:42:53 | |
'I'm certain it's Paul.' | 0:43:17 | 0:43:19 | |
He's been hurt. | 0:43:19 | 0:43:20 | |
'How's he been shot? Who shot him?' | 0:43:22 | 0:43:24 | |
I don't know. The police, I suppose, I don't know. | 0:43:24 | 0:43:28 | |
He's in hospital. | 0:43:28 | 0:43:30 | |
'He's where?' | 0:43:30 | 0:43:32 | |
In the General Hospital, I think. | 0:43:33 | 0:43:35 | |
I really need you to go there, find out how he is. | 0:43:35 | 0:43:38 | |
'Me? Why? Why can't you?' | 0:43:38 | 0:43:40 | |
You know why. The fucking bail conditions! | 0:43:40 | 0:43:43 | |
-'Why would they let me in?' -'They wouldn't.' | 0:43:43 | 0:43:45 | |
'They wouldn't let me in.' | 0:43:45 | 0:43:46 | |
You don't understand. | 0:43:46 | 0:43:48 | |
I think he might be dying. | 0:43:48 | 0:43:50 | |
'What? It's really difficult to hear.' | 0:43:50 | 0:43:52 | |
I think he might be dying. | 0:43:54 | 0:43:56 | |
'What do I...? I don't know what I'm supposed to do.' | 0:43:56 | 0:43:59 | |
-MAN: -'Daisy, are yous coming?' | 0:43:59 | 0:44:00 | |
-Why are you being a bitch? -'What?' | 0:44:00 | 0:44:03 | |
Why are you being a fucking bitch? | 0:44:03 | 0:44:06 | |
SNIGGERING | 0:44:06 | 0:44:08 | |
'I'm not, I'm just saying. I don't know what I'm supposed to...' | 0:44:08 | 0:44:11 | |
KATIE HANGS UP | 0:44:11 | 0:44:12 | |
PHONE CLATTERS | 0:44:12 | 0:44:14 | |
SHE SOBS | 0:44:14 | 0:44:15 | |
HE UNLOCKS DOOR | 0:44:47 | 0:44:49 | |
DOOR OPENS | 0:44:55 | 0:44:56 | |
HE TOSSES KEYS ON TABLE | 0:44:59 | 0:45:01 | |
CITY'S NOISES PERMEATE APARTMENT | 0:45:10 | 0:45:12 | |
Mummy. | 0:46:51 | 0:46:52 | |
-Yes? -I can't sleep. | 0:46:52 | 0:46:55 | |
Have you tried? | 0:46:55 | 0:46:56 | |
Really, really hard. | 0:46:56 | 0:46:58 | |
It's because you've got your light on. | 0:46:58 | 0:47:01 | |
Can I get in with you? | 0:47:01 | 0:47:02 | |
I'm thirsty. | 0:47:18 | 0:47:20 | |
-You've cleaned your teeth so you can only have water. -OK. | 0:47:20 | 0:47:24 | |
GLASS CLINKS | 0:47:43 | 0:47:45 | |
DOOR CLOSES | 0:47:58 | 0:48:00 | |
SALLY-ANN WALKS UPSTAIRS | 0:48:03 | 0:48:07 | |
MONITORS BEEP QUIETLY | 0:48:40 | 0:48:43 | |
FOOTSTEPS APPROACH | 0:48:50 | 0:48:53 | |
She needs her rest now. | 0:48:53 | 0:48:55 | |
I've got something for you. | 0:49:00 | 0:49:02 | |
Nancy was desperate to come. She sent you this. | 0:49:04 | 0:49:08 | |
I'll see you tomorrow. | 0:49:22 | 0:49:24 | |
Now, would you like me to hang that up for you? | 0:49:41 | 0:49:44 | |
Has she spoken to you? Has she told you anything? | 0:50:10 | 0:50:14 | |
Did he...? | 0:50:14 | 0:50:15 | |
She's hardly said a word yet. | 0:50:15 | 0:50:17 | |
It's too soon. | 0:50:17 | 0:50:19 | |
She'll see the police doctor in the morning | 0:50:19 | 0:50:21 | |
and we'll know more after that. | 0:50:21 | 0:50:24 | |
But she'll talk in her own time. | 0:50:24 | 0:50:25 | |
I can't bear to think of her alone with him for all that time. | 0:50:27 | 0:50:30 | |
I can't bear to think of him... | 0:50:30 | 0:50:33 | |
laying his hands on her. | 0:50:33 | 0:50:35 | |
Tom, try not to imagine things that very probably didn't even occur. | 0:50:35 | 0:50:40 | |
I'm furious with myself for not being there to protect her. | 0:50:40 | 0:50:44 | |
Lying on the sofa, headphones on, for Christ's sake. | 0:50:45 | 0:50:48 | |
If I was in bed with her, it would never have happened. | 0:50:48 | 0:50:50 | |
Tom, you don't know that. | 0:50:50 | 0:50:52 | |
It could have been far worse. | 0:50:52 | 0:50:54 | |
Look at what happened with Joe Brawley. | 0:50:54 | 0:50:57 | |
Why didn't she cry out? | 0:50:58 | 0:50:59 | |
Or scream? | 0:50:59 | 0:51:01 | |
Why didn't she fight him? | 0:51:01 | 0:51:03 | |
Why did she go with him? | 0:51:03 | 0:51:05 | |
-Tom... -Do you know that Nancy saw them crossing the street together, | 0:51:05 | 0:51:08 | |
-arm in arm? -Tom, I need you to listen to me right now. | 0:51:08 | 0:51:11 | |
Men always think in terms of fight or flight. | 0:51:13 | 0:51:16 | |
In fact, the most common instinct | 0:51:18 | 0:51:20 | |
in the face of this kind of threat is to freeze. | 0:51:20 | 0:51:24 | |
If she didn't fight, if she didn't scream, | 0:51:24 | 0:51:26 | |
if she was silent and numb, | 0:51:26 | 0:51:29 | |
it's because she was petrified. | 0:51:29 | 0:51:31 | |
If she went with him quietly, | 0:51:33 | 0:51:36 | |
it's because she was afraid for her life | 0:51:36 | 0:51:39 | |
and not just her life - yours, and Nancy's, and the baby's. | 0:51:39 | 0:51:44 | |
In that state of fear, she might well have been compliant... | 0:51:47 | 0:51:52 | |
..she might well have submitted... | 0:51:53 | 0:51:55 | |
..but that does not mean she consented. | 0:51:57 | 0:51:59 | |
Tom, the way you behave... | 0:52:10 | 0:52:12 | |
..the way you approach your role as Rose's helper... | 0:52:14 | 0:52:19 | |
..will either make her experience better or worse. | 0:52:21 | 0:52:24 | |
If you react badly, you will devastate her. | 0:52:26 | 0:52:31 | |
Or you can be... | 0:52:33 | 0:52:36 | |
a big part of her healing and her recovery. | 0:52:36 | 0:52:39 | |
What she needs from you right now is to know that she is safe, | 0:52:44 | 0:52:48 | |
to know that she's loved. | 0:52:48 | 0:52:50 | |
Be patient... | 0:52:54 | 0:52:56 | |
..be tender. | 0:52:58 | 0:53:00 | |
Tomorrow's another day. | 0:53:02 | 0:53:04 | |
NURSE: You shouldn't be in here. | 0:55:01 | 0:55:03 | |
Please leave. | 0:55:08 | 0:55:09 | |
NURSE CLOSES DOOR | 0:55:19 | 0:55:20 | |
WOMAN GROANS | 0:55:28 | 0:55:30 | |
Is that you? | 0:55:47 | 0:55:50 | |
Thank God you're here. | 0:55:53 | 0:55:55 | |
I've been so worried. | 0:55:56 | 0:55:58 | |
Thank God you're safe. | 0:56:08 | 0:56:10 | |
Sweetheart... | 0:56:15 | 0:56:17 | |
I'm glad you've come. | 0:56:17 | 0:56:19 |