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-What's her name? -Rose Stagg. She's the woman we've been searching for. | 0:00:02 | 0:00:04 | |
The gunshot wound that's coming in, we think he's responsible for this. | 0:00:04 | 0:00:07 | |
-How's he doing? -I don't know. | 0:00:07 | 0:00:10 | |
He's lost so much blood, he looks like he's dying. | 0:00:10 | 0:00:13 | |
So he's the Belfast Strangler? Wow. | 0:00:13 | 0:00:16 | |
Daddy's been in an accident. He's in hospital. | 0:00:16 | 0:00:21 | |
-I really want to see him. -Well, we can't, not tonight. | 0:00:21 | 0:00:24 | |
Olivia! | 0:00:24 | 0:00:26 | |
Why did you run to him? | 0:00:26 | 0:00:28 | |
You were crying out, "We're losing him." You sounded very...anguished. | 0:00:28 | 0:00:31 | |
I want him to live. | 0:00:31 | 0:00:33 | |
So that he can be tried and sentenced | 0:00:33 | 0:00:36 | |
and spend the rest of his life in prison. | 0:00:36 | 0:00:38 | |
-VOICE BREAKING: -He's in hospital. In the General Hospital, I think. | 0:00:38 | 0:00:42 | |
I really need you to go there. | 0:00:42 | 0:00:44 | |
What do I...? I don't know what I'm supposed to do. | 0:00:44 | 0:00:46 | |
This programme contains some strong language and some scenes which viewers may find upsetting | 0:00:46 | 0:00:53 | |
You shouldn't be in here. | 0:00:57 | 0:00:58 | |
Please leave. | 0:01:00 | 0:01:01 | |
VENTILATOR EXPANDS AND CONTRACTS | 0:01:23 | 0:01:26 | |
-What are you doing here? -I'm on my way to the Policing Board. | 0:04:17 | 0:04:21 | |
I have a meeting with Ombudsman's SIO. | 0:04:21 | 0:04:23 | |
-We can drop you off. -No, I have my car. | 0:04:24 | 0:04:26 | |
It can follow. | 0:04:26 | 0:04:27 | |
I've been instructed to confirm Spector's name to the press. | 0:04:54 | 0:04:56 | |
-Why? -The name is out there. | 0:04:58 | 0:05:00 | |
It'll just look foolish if we continue to deny something | 0:05:01 | 0:05:03 | |
that everybody else already knows. | 0:05:03 | 0:05:06 | |
The DPP and the Chief think it's in the public's interest. | 0:05:06 | 0:05:09 | |
I want him tried in a court of law, Jim, | 0:05:12 | 0:05:14 | |
not in a court of public opinion. | 0:05:14 | 0:05:16 | |
It's already a media circus. | 0:05:16 | 0:05:18 | |
Anyway, the decision's been made. | 0:05:19 | 0:05:22 | |
We're only holding two cards, Stella. | 0:05:25 | 0:05:28 | |
One - we have him. | 0:05:28 | 0:05:30 | |
Two - we have her, and she's alive. The rest is a disaster. | 0:05:30 | 0:05:35 | |
Is that what you wanted to tell me? | 0:05:37 | 0:05:39 | |
Actually, no. | 0:05:41 | 0:05:43 | |
The Task Force is being moved. | 0:05:43 | 0:05:45 | |
What do you mean? | 0:05:46 | 0:05:48 | |
From the Major Investigation Room, from College Square Station. | 0:05:48 | 0:05:52 | |
Why? | 0:05:52 | 0:05:54 | |
The room and the offices are needed by the Terrorist Investigations Unit. | 0:05:54 | 0:05:58 | |
-Moved where? -I don't know. | 0:06:01 | 0:06:04 | |
It's an office, an empty space, I haven't seen it. | 0:06:04 | 0:06:06 | |
When is this happening? | 0:06:06 | 0:06:08 | |
Right now, actually, as we speak. | 0:06:08 | 0:06:10 | |
-Why wasn't I informed? -There's been quite a lot going on. | 0:06:13 | 0:06:16 | |
SHE WINCES | 0:06:35 | 0:06:37 | |
Katie, you'll be late for school! | 0:06:39 | 0:06:41 | |
Why did you bring Anderson onto your team? | 0:07:17 | 0:07:20 | |
-Why do you ask? -Because it's a question that's likely to be asked | 0:07:20 | 0:07:24 | |
by people other than me. | 0:07:24 | 0:07:26 | |
Because we lacked someone of his rank in our Task Force. | 0:07:28 | 0:07:30 | |
Yes, but...why him? | 0:07:30 | 0:07:33 | |
He impressed me with the way he handled the McPherson suicide. | 0:07:33 | 0:07:36 | |
He thought of Rose, he called the Task Force and... | 0:07:36 | 0:07:39 | |
..he secured the scene efficiently. | 0:07:41 | 0:07:42 | |
Except that it wasn't Rose, and he failed to see a ligature | 0:07:42 | 0:07:46 | |
hanging from a tree branch above the body. | 0:07:46 | 0:07:49 | |
I didn't say he was the finished article, Jim, I saw potential. | 0:07:49 | 0:07:52 | |
I see. | 0:07:53 | 0:07:55 | |
What are you getting at? | 0:07:59 | 0:08:01 | |
I questioned whether Anderson was man enough for the task | 0:08:02 | 0:08:06 | |
of being shackled to Spector! | 0:08:06 | 0:08:08 | |
Anderson's size and strength | 0:08:10 | 0:08:13 | |
had no bearing whatsoever on what happened in the forest. | 0:08:13 | 0:08:17 | |
If the nerve damage to his arm doesn't repair, | 0:08:17 | 0:08:19 | |
he will be out of a career. | 0:08:19 | 0:08:21 | |
Questioning his manliness is quite frankly pathetic! | 0:08:21 | 0:08:25 | |
Why did he arrive with you in your car that morning? | 0:08:29 | 0:08:31 | |
-Eastwood. -No. No, not Eastwood. | 0:08:38 | 0:08:42 | |
-I checked with the main gate. -Why? | 0:08:42 | 0:08:44 | |
Because everything you do, every decision you make | 0:08:44 | 0:08:48 | |
impacts on this case, Stella. | 0:08:48 | 0:08:50 | |
Same goes for you, Jim. | 0:08:53 | 0:08:55 | |
Drive on. | 0:09:13 | 0:09:14 | |
SHE BREATHES SHAKILY | 0:09:21 | 0:09:23 | |
RADIO PLAYS | 0:09:29 | 0:09:31 | |
Why aren't you in uniform? | 0:09:31 | 0:09:32 | |
I have an exam. You don't have to wear a uniform to an exam. | 0:09:32 | 0:09:36 | |
You can't go out dressed like that. | 0:09:36 | 0:09:38 | |
-Come here. -I'm late. | 0:09:39 | 0:09:41 | |
What is that? | 0:09:41 | 0:09:43 | |
Oh, my God - is that real? | 0:09:43 | 0:09:45 | |
-Of course it's real. -When did you do that? | 0:09:45 | 0:09:48 | |
-Just now. -Why? | 0:09:48 | 0:09:50 | |
Why not? | 0:09:50 | 0:09:52 | |
Katie, it looks awful. | 0:09:52 | 0:09:54 | |
That's all you ever care about, isn't it? | 0:09:54 | 0:09:56 | |
How I look, never how I feel. | 0:09:56 | 0:09:59 | |
Katie! | 0:10:01 | 0:10:03 | |
Have you given your statement? | 0:10:14 | 0:10:15 | |
-Yes, ma'am. -How did it go? | 0:10:15 | 0:10:18 | |
I've been suspended from all front-line duties while the investigation is ongoing. | 0:10:18 | 0:10:23 | |
He was armed. And he fired first. | 0:10:23 | 0:10:26 | |
And given his character and his past, | 0:10:27 | 0:10:29 | |
I don't think you have anything to worry about. | 0:10:29 | 0:10:31 | |
Apart from taking another human being's life. | 0:10:32 | 0:10:35 | |
Not every woman's fighting instinct is so close to the surface. | 0:10:37 | 0:10:41 | |
It's a good thing that yours was. | 0:10:42 | 0:10:44 | |
Tyler could have killed everyone there, | 0:10:44 | 0:10:46 | |
including you and me, if he hadn't been stopped. | 0:10:46 | 0:10:49 | |
SIREN WAILS IN DISTANCE | 0:10:49 | 0:10:51 | |
Why don't you come back, work with the Task Force? | 0:10:54 | 0:10:57 | |
-Really? -Hmm. You know the case. | 0:11:00 | 0:11:04 | |
You'd be a real help in file preparation. | 0:11:04 | 0:11:06 | |
We've chosen to work in a masculine, paramilitary, patriarchal culture. | 0:11:08 | 0:11:12 | |
Let's not let it beat us. | 0:11:12 | 0:11:15 | |
Thank you, ma'am. | 0:11:18 | 0:11:20 | |
-How is he? -He's been stable all night. | 0:11:29 | 0:11:33 | |
Urine output steady, 30% oxygen... | 0:11:33 | 0:11:36 | |
pH is normal, lactate is one. Hb was steady. | 0:11:36 | 0:11:40 | |
What's his co-ag now? | 0:11:40 | 0:11:41 | |
Normal, Hb is 102. | 0:11:41 | 0:11:43 | |
He's ready to rock. When will you be taking him? | 0:11:43 | 0:11:46 | |
He's booked on the emergency list. | 0:11:46 | 0:11:48 | |
-Has he been X-rayed? -Aye. | 0:11:48 | 0:11:50 | |
-Are they bullet fragments? -Will you do anything about them? | 0:11:56 | 0:11:59 | |
No, I wouldn't normally. They're tiny. | 0:11:59 | 0:12:01 | |
They won't clinically affect him. | 0:12:01 | 0:12:02 | |
I expect the body to encapsulate them. | 0:12:02 | 0:12:04 | |
-I should think about ten o'clock. -Aye. | 0:12:06 | 0:12:08 | |
Please wait here. | 0:12:29 | 0:12:31 | |
Good afternoon and welcome to this private session | 0:12:40 | 0:12:42 | |
of the Policing Executive. | 0:12:42 | 0:12:44 | |
I'd like to welcome the Chief Constable | 0:12:44 | 0:12:46 | |
and the Assistant Chief Constable Crime Operations, Jim Burns. | 0:12:46 | 0:12:51 | |
We'll start with Executive members' questions to the Chief Constable. | 0:12:51 | 0:12:56 | |
John Porter, please. | 0:12:56 | 0:12:58 | |
Thank you, Chairperson. | 0:12:58 | 0:12:59 | |
Can the Chief Constable please provide us with an update | 0:12:59 | 0:13:02 | |
on the progress of the Operation Music Man Task Force? | 0:13:02 | 0:13:05 | |
I'd like to invite ACC Burns to answer that one. | 0:13:08 | 0:13:11 | |
Detective Superintendent Gibson? | 0:13:16 | 0:13:17 | |
I'm Joan Kinkead, The Ombudsman's SIO. | 0:13:17 | 0:13:20 | |
Please follow me. | 0:13:20 | 0:13:21 | |
Please, take a seat. | 0:13:25 | 0:13:27 | |
Am I being interviewed under caution? | 0:13:28 | 0:13:31 | |
Yes, you are. | 0:13:31 | 0:13:33 | |
Why wasn't I told in advance? | 0:13:33 | 0:13:35 | |
You're not under arrest. You're free to leave the interview at any time, | 0:13:35 | 0:13:38 | |
seek legal advice at any time. | 0:13:38 | 0:13:40 | |
Do you want time to prepare? To arrange representation? | 0:13:41 | 0:13:44 | |
Are you suggesting there are grounds for suspecting I've committed a criminal offence? | 0:13:45 | 0:13:49 | |
If so, what offence? | 0:13:51 | 0:13:53 | |
If you're staying, please take a seat and turn off your mobile phone. | 0:13:54 | 0:13:57 | |
What offence? | 0:13:59 | 0:14:01 | |
James Tyler had been physically violent towards the prisoner before. | 0:14:02 | 0:14:06 | |
He had become obsessed, it seems, | 0:14:06 | 0:14:07 | |
with the idea that the prisoner and his wife were having | 0:14:07 | 0:14:10 | |
some kind of sexual relationship, | 0:14:10 | 0:14:12 | |
something that we now believe to be untrue. | 0:14:12 | 0:14:15 | |
Even so, even given James Tyler's history of sectarian violence, | 0:14:15 | 0:14:19 | |
there was no evidence or intelligence to suggest that... | 0:14:19 | 0:14:22 | |
that he would go to such lengths to mount an attack on the prisoner. | 0:14:22 | 0:14:26 | |
Even though you knew he was in possession of a weapon? | 0:14:26 | 0:14:29 | |
Having previously disarmed a police officer and stolen a police handgun. | 0:14:29 | 0:14:32 | |
Even so. | 0:14:32 | 0:14:33 | |
Well, can you tell me how that's even possible, | 0:14:33 | 0:14:38 | |
with a coiled lanyard attaching the gun to the gun belt? | 0:14:38 | 0:14:41 | |
The young officer in question had, for some reason... | 0:14:44 | 0:14:46 | |
..failed to secure his gun with the lanyard. | 0:14:48 | 0:14:50 | |
The Police Ombudsman investigates all discharges | 0:14:55 | 0:14:58 | |
of firearms by police in Northern Ireland. | 0:14:58 | 0:15:00 | |
During the investigation I'll secure statements from the officers | 0:15:00 | 0:15:03 | |
involved in the incident. | 0:15:03 | 0:15:05 | |
Now, as I understand, it you were in charge of the police operation? | 0:15:05 | 0:15:10 | |
Yes, I was. | 0:15:10 | 0:15:12 | |
Do you think a sufficiently robust risk assessment was carried out | 0:15:12 | 0:15:16 | |
before the prisoner was moved from the custody suite? | 0:15:16 | 0:15:19 | |
I asked Custody Sergeant Boyd to do a risk assessment | 0:15:21 | 0:15:24 | |
of the operation while I briefed Detective Sergeant Anderson. | 0:15:24 | 0:15:28 | |
Do you think the operation was negligent in any way? | 0:15:31 | 0:15:34 | |
The prisoner gave us no real information in advance, | 0:15:37 | 0:15:41 | |
gave us no indication whether Rose was alive or dead. | 0:15:41 | 0:15:45 | |
On that basis the search scenario that was agreed with Ged Green, | 0:15:45 | 0:15:48 | |
the PolSA, was for the whole, alive or deceased, | 0:15:48 | 0:15:52 | |
non-concealed presence of Rose Stagg. | 0:15:52 | 0:15:55 | |
If that did not succeed, it was agreed that we would search | 0:15:55 | 0:15:59 | |
the same area for the deceased, dismembered, | 0:15:59 | 0:16:02 | |
sub-surface concealed remains of Rose Stagg. | 0:16:02 | 0:16:04 | |
We had cover on the ground, | 0:16:04 | 0:16:08 | |
there was air support with thermal imaging. | 0:16:08 | 0:16:11 | |
There wasn't time to arrange for dogs. | 0:16:11 | 0:16:13 | |
Do you have your decision log with you? | 0:16:16 | 0:16:19 | |
Yes. | 0:16:19 | 0:16:20 | |
I've been policing for nearly 30 years, most of it here in Northern Ireland. | 0:16:20 | 0:16:25 | |
Now, we've had more than our fair share of murderers, | 0:16:25 | 0:16:27 | |
some of them no doubt psychopaths, but none... | 0:16:27 | 0:16:30 | |
none like this prisoner. | 0:16:30 | 0:16:33 | |
Stella Gibson had - and still has - a special skill set developed over | 0:16:34 | 0:16:40 | |
the course of the long investigation into the Moon case that she led. | 0:16:40 | 0:16:43 | |
She is a dedicated and hard-working officer, | 0:16:43 | 0:16:48 | |
and an inspirational leader. | 0:16:48 | 0:16:50 | |
I kept in constant contact with ACC Burns and DCI Eastwood | 0:16:50 | 0:16:54 | |
in the Serious Crime Suite. | 0:16:54 | 0:16:56 | |
It was previously agreed that the convoy would be kept small | 0:16:56 | 0:16:58 | |
so that it didn't attract attention. | 0:16:58 | 0:17:01 | |
An ambulance, a second police car and Inspector Green's TSGs | 0:17:01 | 0:17:05 | |
joined us at a previously agreed rendezvous point. | 0:17:05 | 0:17:08 | |
It is possible that we could have established | 0:17:09 | 0:17:13 | |
a more secure cordon in the forest, but everything that was done | 0:17:13 | 0:17:17 | |
was for the sole aim of saving, if possible, the life of Rose Stagg. | 0:17:17 | 0:17:22 | |
Who's that? | 0:17:36 | 0:17:38 | |
-Who is that? -It's just a patient. Road traffic accident. | 0:17:38 | 0:17:41 | |
Who was it? | 0:17:41 | 0:17:44 | |
OK, just relax now. OK, everything's fine, lie back. | 0:17:44 | 0:17:48 | |
OK, lie down for me. Come on, lie down and relax. | 0:17:48 | 0:17:51 | |
ROSE PANTS | 0:17:51 | 0:17:53 | |
Just lie back, you're fine, I'm here. | 0:17:53 | 0:17:56 | |
I need you to do a few big, deep breaths for me, OK? | 0:17:56 | 0:17:58 | |
Through your nose. | 0:17:58 | 0:18:00 | |
In nice and deep, and out. Very good. | 0:18:00 | 0:18:03 | |
There she is. | 0:18:04 | 0:18:06 | |
Why did you go into the forest on your own? | 0:18:08 | 0:18:11 | |
I wanted to keep the potential contamination of the scene to a minimum. | 0:18:11 | 0:18:15 | |
At the car, why didn't you wait to have it assessed for booby traps? | 0:18:17 | 0:18:20 | |
Were you not taking a considerable risk in forcing it open? | 0:18:20 | 0:18:23 | |
The individual charged is a murderer, not a terrorist. | 0:18:24 | 0:18:28 | |
I knew that Rose was in that boot. | 0:18:31 | 0:18:34 | |
I don't know how I knew, I just knew. | 0:18:34 | 0:18:36 | |
And I needed to get to her. | 0:18:39 | 0:18:40 | |
Would it not have been better to try and get into the boot | 0:18:42 | 0:18:45 | |
through the rear seat? | 0:18:45 | 0:18:47 | |
In that moment, it didn't occur to me. | 0:18:50 | 0:18:53 | |
The ED consultant told me, that in his opinion, | 0:19:03 | 0:19:07 | |
Rose Stagg was very nearly dead when we found her. | 0:19:07 | 0:19:10 | |
Maybe 15 minutes, maybe an hour away | 0:19:12 | 0:19:14 | |
from her body simply shutting down. | 0:19:14 | 0:19:17 | |
Everything that I did was done for the sole purpose | 0:19:20 | 0:19:25 | |
of saving her life... | 0:19:25 | 0:19:28 | |
which is, as you know, the first duty of a police officer. | 0:19:28 | 0:19:32 | |
And what about Mr Spector's life? | 0:19:40 | 0:19:42 | |
Did you not have a duty to protect that? | 0:19:44 | 0:19:46 | |
OK, we are going to have to soak this, please. | 0:19:48 | 0:19:50 | |
MONITORS BLEEP STEADILY | 0:19:55 | 0:19:57 | |
-We had four packs in here, right? -Yes, that's right. | 0:19:57 | 0:20:01 | |
One... | 0:20:03 | 0:20:05 | |
..two... | 0:20:08 | 0:20:09 | |
Did you draw your weapon? | 0:20:10 | 0:20:12 | |
I didn't need to. | 0:20:12 | 0:20:14 | |
The patrol officer acted immediately. | 0:20:16 | 0:20:19 | |
And if it wasn't for her...many more lives would have been lost. | 0:20:21 | 0:20:25 | |
I instructed Inspector Green to call for medical back-up. | 0:20:26 | 0:20:30 | |
The prisoner was dying. | 0:20:32 | 0:20:34 | |
The ambulance transporting Rose had already left, I didn't think it should be recalled. | 0:20:35 | 0:20:39 | |
The helicopter couldn't land. | 0:20:39 | 0:20:42 | |
We waited for the rapid response vehicle and for the second ambulance. | 0:20:42 | 0:20:46 | |
Meanwhile, the prisoner was bleeding to death. | 0:20:47 | 0:20:50 | |
He was in your arms? | 0:20:51 | 0:20:53 | |
Yes, he was. | 0:20:55 | 0:20:57 | |
I hoped that by holding him that way | 0:20:59 | 0:21:02 | |
I could keep his airway unblocked, keep him from choking. | 0:21:02 | 0:21:05 | |
In that position, I could put pressure on his wound. | 0:21:06 | 0:21:09 | |
I see. | 0:21:11 | 0:21:13 | |
How much longer? | 0:21:14 | 0:21:16 | |
Diaphragm is stable. | 0:21:17 | 0:21:19 | |
OK, I'm running the gut. | 0:21:22 | 0:21:24 | |
I can't see any re-bleeding. | 0:21:26 | 0:21:28 | |
OK, that's all fine. | 0:21:31 | 0:21:33 | |
All right, wash out, please. | 0:21:37 | 0:21:40 | |
And suction. | 0:21:40 | 0:21:41 | |
You knew James Tyler had made threats against Mr Spector's life. | 0:21:44 | 0:21:48 | |
You knew he was at large armed with a gun he'd used to | 0:21:49 | 0:21:52 | |
terrorise his wife and the other women at the refuge. | 0:21:52 | 0:21:56 | |
Why was Mr Spector standing out | 0:21:56 | 0:21:58 | |
in the open and not being held inside a police vehicle? | 0:21:58 | 0:22:01 | |
Why were neither he nor Detective Sergeant Anderson | 0:22:01 | 0:22:05 | |
wearing ballistic body armour? Why weren't you? | 0:22:05 | 0:22:08 | |
The Director of Public Prosecutions George Lowden | 0:22:10 | 0:22:13 | |
and the Chief Constable Malcolm Franks have decided to take | 0:22:13 | 0:22:16 | |
the unusual step of naming the man arrested and charged | 0:22:16 | 0:22:20 | |
in connection with the recent spate of murders in south Belfast. | 0:22:20 | 0:22:24 | |
I can confirm that the individual is Paul Spector, | 0:22:24 | 0:22:28 | |
also known as Peter Baldwin, | 0:22:28 | 0:22:30 | |
a 32-year-old bereavement counsellor from south Belfast. | 0:22:30 | 0:22:34 | |
He is a married man, the father of two children, | 0:22:34 | 0:22:38 | |
and as has already been established, he is critically ill in hospital | 0:22:38 | 0:22:42 | |
as a result of an incident that took place whilst in police custody. | 0:22:42 | 0:22:46 | |
How'd the re-look go? | 0:23:38 | 0:23:39 | |
The abdominal packs were removed. There was no active bleeding. | 0:23:39 | 0:23:42 | |
The abdomen was closed with standard mass closure to the sheath | 0:23:42 | 0:23:45 | |
and routine skin closure with staples. | 0:23:45 | 0:23:47 | |
Let's lighten him up. What's he on? | 0:23:48 | 0:23:50 | |
Propofol is at 10ml an hour and alfentanil is at 5. | 0:23:50 | 0:23:53 | |
Chip away at the propofol. | 0:23:54 | 0:23:56 | |
CHILDREN'S VOICES IN DISTANCE | 0:24:06 | 0:24:08 | |
MOBILE PHONE RINGS | 0:24:28 | 0:24:30 | |
Who is this? | 0:24:42 | 0:24:44 | |
Katie? It's Olivia. Do you know what happened to Daddy? | 0:24:44 | 0:24:47 | |
No. Do you? | 0:24:49 | 0:24:51 | |
He's in hospital, I think. | 0:24:51 | 0:24:53 | |
Have you been to see him? | 0:24:54 | 0:24:56 | |
No. Do you have a friend called Daisy? | 0:24:56 | 0:24:58 | |
Why? | 0:24:58 | 0:25:01 | |
-There's something about her online. -What? | 0:25:01 | 0:25:04 | |
How she met Daddy one time. | 0:25:04 | 0:25:06 | |
What? | 0:25:08 | 0:25:09 | |
What are you two doing? | 0:25:09 | 0:25:11 | |
You know you're not allowed to use the staff phone. | 0:25:11 | 0:25:13 | |
Right, come on with me. | 0:25:14 | 0:25:16 | |
We're thinking of putting two more over there. | 0:25:55 | 0:25:57 | |
There are two offices, ma'am. I've earmarked one for you. | 0:26:07 | 0:26:11 | |
The contents of your old office are still in boxes. | 0:26:11 | 0:26:13 | |
I'll have them bought in. | 0:26:13 | 0:26:16 | |
It's less of a dungeon. | 0:26:16 | 0:26:19 | |
-Mmm. -We'll make it work. | 0:26:19 | 0:26:21 | |
Paul? | 0:26:45 | 0:26:46 | |
Paul, can you open your eyes for me? | 0:26:48 | 0:26:50 | |
Paul... | 0:26:52 | 0:26:53 | |
Paul, open your eyes for me. | 0:26:53 | 0:26:55 | |
Paul, can you open your eyes for me? | 0:26:55 | 0:26:58 | |
OK, that's good, that's very good. | 0:27:02 | 0:27:04 | |
SHE GASPS | 0:27:10 | 0:27:11 | |
I need some help in here! | 0:27:11 | 0:27:14 | |
MACHINES BLEEP RAPIDLY HE CHOKES | 0:27:14 | 0:27:16 | |
I need some help! | 0:27:16 | 0:27:17 | |
MEDICAL STAFF SHOUT | 0:27:18 | 0:27:19 | |
I got him. | 0:27:22 | 0:27:24 | |
HE GAGS | 0:27:25 | 0:27:27 | |
He's biting down on his tube! | 0:27:27 | 0:27:29 | |
His sats are dropping, he needs sedation. | 0:27:29 | 0:27:32 | |
Ahhh. | 0:27:40 | 0:27:42 | |
BLEEPING AND CHOKING CONTINUES | 0:27:42 | 0:27:44 | |
Increase oxygen to 100%. | 0:27:48 | 0:27:50 | |
HE CHOKES | 0:27:52 | 0:27:55 | |
BLEEPING STOPS | 0:28:02 | 0:28:05 | |
NURSE SHERIDAN BREATHES HEAVILY | 0:28:16 | 0:28:18 | |
-Are you OK? -Yeah, of course. | 0:28:19 | 0:28:22 | |
Well, that was a wake up with a bang. | 0:28:30 | 0:28:32 | |
-Rose, what are you doing? -I want to go home. | 0:28:45 | 0:28:48 | |
You're scheduled to be moved to another ward later. | 0:28:48 | 0:28:50 | |
No, no, I want to go home. I want to call my husband. | 0:28:50 | 0:28:53 | |
-I want some clothes. -Calm... -I want to go home! | 0:28:53 | 0:28:56 | |
-I want to go home. -(OK.) | 0:28:58 | 0:29:00 | |
I've just seen Katie Benedetto approaching the ICU. | 0:29:29 | 0:29:31 | |
'Copy that.' | 0:29:31 | 0:29:33 | |
Maybe there's been some cerebral damage from the prolonged hypotension. | 0:29:39 | 0:29:42 | |
I'm not sure we can MRI with the bullet fragments. | 0:29:44 | 0:29:47 | |
We'll keep him asleep and arrange a CT scan. | 0:29:47 | 0:29:49 | |
Check all his lines, check everything is still in place, | 0:29:49 | 0:29:52 | |
that he hasn't burst his stitches. | 0:29:52 | 0:29:54 | |
-Are you OK? Did he hurt you? -No, I'm fine. | 0:29:56 | 0:29:59 | |
SHE SIGHS | 0:30:08 | 0:30:10 | |
CHILDREN CHATTER AND LAUGH | 0:30:19 | 0:30:21 | |
Mrs Spector. Come on in, the head wants to see you. | 0:30:30 | 0:30:34 | |
Olivia admits accessing a school computer without permission, | 0:30:40 | 0:30:44 | |
and she was found using a staff-only phone. | 0:30:44 | 0:30:47 | |
I've had parents contacting the school all day long, | 0:30:48 | 0:30:50 | |
even before the announcement was made. | 0:30:50 | 0:30:53 | |
Staff are deeply concerned. | 0:30:53 | 0:30:55 | |
Olivia and Liam have already been on the receiving end of... | 0:30:57 | 0:31:00 | |
unkind comments from other pupils. | 0:31:00 | 0:31:03 | |
I have to put their welfare first. | 0:31:05 | 0:31:07 | |
The last thing I want is for them to be vilified for something that... | 0:31:09 | 0:31:12 | |
For something that may or may not have been done | 0:31:12 | 0:31:15 | |
by one of their parents. | 0:31:15 | 0:31:16 | |
I-I've never been in this position before. | 0:31:18 | 0:31:22 | |
I don't know anyone who has. | 0:31:22 | 0:31:24 | |
Maybe in the past, during the Troubles. | 0:31:25 | 0:31:27 | |
Perhaps if you kept them at home, for even a few days, | 0:31:29 | 0:31:32 | |
so we could take stock. | 0:31:32 | 0:31:34 | |
I can discuss the situation with the governors. | 0:31:34 | 0:31:37 | |
I'm sorry. | 0:31:40 | 0:31:42 | |
I apologise for the move. | 0:32:13 | 0:32:15 | |
Not my idea. | 0:32:17 | 0:32:19 | |
Please be aware - disclosure rules mean that every DNA lift, | 0:32:21 | 0:32:27 | |
every scene-of-crime log, every crime scene shot, | 0:32:27 | 0:32:31 | |
every entry in a notebook | 0:32:31 | 0:32:33 | |
must be kept to comply with the retention of materials guidelines. | 0:32:33 | 0:32:39 | |
I want records right down to when | 0:32:42 | 0:32:44 | |
and at what time officers changed their forensic capes. | 0:32:44 | 0:32:49 | |
We cannot give the defence any chance of challenging | 0:32:49 | 0:32:53 | |
the continuity of our exhibits. | 0:32:53 | 0:32:55 | |
Organisation is crucially important | 0:32:57 | 0:33:01 | |
to the next stage of our investigations - | 0:33:01 | 0:33:05 | |
case construction. | 0:33:05 | 0:33:07 | |
I don't know what's going to happen with Spector, | 0:33:08 | 0:33:12 | |
or how long it will take him to recover from his injuries... | 0:33:12 | 0:33:15 | |
but we cannot take our foot off the gas for a minute. | 0:33:16 | 0:33:20 | |
We need to look for as much further evidence as we can... | 0:33:20 | 0:33:24 | |
..to corroborate our account | 0:33:26 | 0:33:28 | |
and construct an evidenced case narrative. | 0:33:28 | 0:33:32 | |
We need to predict any potential weaknesses in our case | 0:33:33 | 0:33:36 | |
and plug any gaps with evidence. | 0:33:36 | 0:33:39 | |
Real evidence - documentary evidence, circumstantial evidence, | 0:33:39 | 0:33:43 | |
witness testimonies. | 0:33:43 | 0:33:45 | |
Evidence that carries weight. | 0:33:46 | 0:33:48 | |
Mistakes have been made. | 0:33:50 | 0:33:52 | |
No more mistakes. | 0:33:54 | 0:33:55 | |
What's happening with Rose's car? | 0:34:03 | 0:34:05 | |
It's been recovered and it's being worked on. | 0:34:05 | 0:34:09 | |
It's been processed for DNA and trace evidence. | 0:34:09 | 0:34:11 | |
They're dusting for prints tomorrow. | 0:34:11 | 0:34:14 | |
It seems a man has come forward | 0:34:18 | 0:34:21 | |
having seen Spector's photograph on the news. | 0:34:21 | 0:34:24 | |
He says Spector looks like a man who rents a lock-up | 0:34:24 | 0:34:27 | |
from him in east Belfast, under the name Baldwin. | 0:34:27 | 0:34:32 | |
Let's get a warrant for that. | 0:34:34 | 0:34:36 | |
Paul? | 0:34:38 | 0:34:39 | |
Paul? | 0:34:39 | 0:34:41 | |
Paul, can you hear me? | 0:34:41 | 0:34:43 | |
Paul, I'm Kiera, I'm your nurse. Can you hear me? | 0:34:45 | 0:34:50 | |
OK, I'm going to say a series of letters. | 0:34:55 | 0:34:58 | |
And I want you to squeeze my hand whenever I say the letter A. | 0:34:59 | 0:35:03 | |
Every time I say the letter A, OK? | 0:35:03 | 0:35:06 | |
S. | 0:35:09 | 0:35:11 | |
A. | 0:35:12 | 0:35:13 | |
V. | 0:35:14 | 0:35:17 | |
E. | 0:35:17 | 0:35:19 | |
A. | 0:35:20 | 0:35:22 | |
H. | 0:35:24 | 0:35:26 | |
A. | 0:35:27 | 0:35:28 | |
R. | 0:35:30 | 0:35:31 | |
T. | 0:35:33 | 0:35:34 | |
OK, that's good. That's very good, Paul. | 0:35:37 | 0:35:39 | |
Now hold up this many fingers. | 0:35:42 | 0:35:44 | |
OK. And now with the other hand. | 0:35:51 | 0:35:55 | |
And now add one more finger. | 0:36:04 | 0:36:06 | |
OK, that's good. That's very good, Paul. | 0:36:12 | 0:36:15 | |
DOOR PINGS | 0:36:18 | 0:36:21 | |
FOOTSTEPS | 0:36:21 | 0:36:23 | |
Cuff down. | 0:36:43 | 0:36:44 | |
OK. | 0:36:48 | 0:36:50 | |
HE COUGHS | 0:36:55 | 0:36:58 | |
And back down. | 0:37:04 | 0:37:06 | |
MOBILE PHONE RINGS | 0:37:25 | 0:37:27 | |
-Gibson. -'It's Hagstrom, ma'am.' -Yeah? | 0:37:27 | 0:37:31 | |
'It seems Spector's regained consciousness. | 0:37:31 | 0:37:34 | |
'There's a lot of coming and going. I'm told...' | 0:37:34 | 0:37:36 | |
..he's drowsy but alert. | 0:37:36 | 0:37:39 | |
'I see.' | 0:37:39 | 0:37:40 | |
Thank you. Keep me posted. | 0:37:41 | 0:37:44 | |
'Yes, ma'am.' | 0:37:44 | 0:37:46 | |
OK, Paul, I'm just changing your dressing. | 0:37:57 | 0:38:00 | |
-WEAKLY: -Who are you? | 0:38:02 | 0:38:04 | |
I'm Kiera. I'm your nurse. | 0:38:04 | 0:38:07 | |
Where am I? | 0:38:08 | 0:38:10 | |
You're in Belfast General Hospital. You're in the Intensive Care Unit. | 0:38:10 | 0:38:15 | |
You've had an operation but you're doing really well. | 0:38:16 | 0:38:19 | |
An operation? | 0:38:20 | 0:38:22 | |
Now just sit back. You're OK, just relax back. | 0:38:23 | 0:38:27 | |
I'll get the doctor to explain more, | 0:38:27 | 0:38:29 | |
but right now just let me check this wound. | 0:38:29 | 0:38:31 | |
-Here you go. -Thanks. | 0:38:47 | 0:38:49 | |
I've been thinking, | 0:38:52 | 0:38:54 | |
you should really arrange for him to have representation. | 0:38:54 | 0:38:57 | |
A solicitor. | 0:38:57 | 0:38:58 | |
-Isn't it too late for that? -Not at all. | 0:39:00 | 0:39:03 | |
Now he's come round, he needs legal advice. | 0:39:03 | 0:39:06 | |
It's the right thing to do. | 0:39:06 | 0:39:08 | |
Is there someone in your firm that can represent him? | 0:39:11 | 0:39:15 | |
That would be a conflict of interests, we represent you. | 0:39:15 | 0:39:19 | |
Besides, there's really only | 0:39:19 | 0:39:21 | |
one person in Belfast who can handle a case this big. | 0:39:21 | 0:39:25 | |
I can make the call on your behalf, | 0:39:25 | 0:39:28 | |
but it has to come from you as next of kin. | 0:39:28 | 0:39:30 | |
Are you going to go and visit Paul? | 0:39:32 | 0:39:34 | |
Don't you think Olivia at least should go see him? | 0:39:37 | 0:39:41 | |
PHONE RINGS | 0:39:48 | 0:39:50 | |
Lyon & Healy. | 0:39:55 | 0:39:56 | |
Yes, hello, it's Steve Jennings | 0:39:56 | 0:39:58 | |
calling from Simon & Patrick for Sean Healy. | 0:39:58 | 0:40:01 | |
'I'll see if he's available.' | 0:40:01 | 0:40:02 | |
CONNECTING CALL TONE | 0:40:03 | 0:40:05 | |
Mr Spector? | 0:40:09 | 0:40:10 | |
Mr Spector. | 0:40:13 | 0:40:14 | |
I'm Dr Spencer, I'm the ICU consultant. | 0:40:18 | 0:40:20 | |
Do you know where you are? | 0:40:23 | 0:40:24 | |
I'm in the Belfast General Hospital. | 0:40:29 | 0:40:31 | |
She told me. | 0:40:31 | 0:40:33 | |
And do you know why you're here? | 0:40:35 | 0:40:38 | |
I was in a car accident. | 0:40:38 | 0:40:40 | |
Do you remember what happened? | 0:40:42 | 0:40:44 | |
Windscreen smashed. | 0:40:47 | 0:40:49 | |
I lost control. | 0:40:50 | 0:40:52 | |
What's your second name? | 0:40:55 | 0:40:57 | |
Peter. | 0:40:59 | 0:41:01 | |
And your surname? | 0:41:01 | 0:41:02 | |
Spector. | 0:41:06 | 0:41:07 | |
Spec-tor. | 0:41:09 | 0:41:11 | |
Where were you born? | 0:41:14 | 0:41:17 | |
No. | 0:41:17 | 0:41:18 | |
No, where? Where were you born, Paul? | 0:41:18 | 0:41:21 | |
Belfast. | 0:41:22 | 0:41:23 | |
What's your date of birth? Do you remember that? | 0:41:26 | 0:41:29 | |
25th of the fifth, 1979. | 0:41:32 | 0:41:34 | |
So how old are you? | 0:41:35 | 0:41:37 | |
26. | 0:41:38 | 0:41:39 | |
What year do you think it is? | 0:41:42 | 0:41:44 | |
Um... | 0:41:48 | 0:41:49 | |
it's 2006. | 0:41:49 | 0:41:50 | |
And what season is it? | 0:41:55 | 0:41:57 | |
It's warm. | 0:41:57 | 0:41:59 | |
Are you married? | 0:42:01 | 0:42:03 | |
-HE INHALES -Um... | 0:42:03 | 0:42:05 | |
Yes. | 0:42:05 | 0:42:07 | |
-And what's your wife's name? -Sally. | 0:42:07 | 0:42:10 | |
Do you have any children? | 0:42:12 | 0:42:14 | |
A daughter. | 0:42:16 | 0:42:17 | |
What's her name? | 0:42:19 | 0:42:21 | |
Livy. Olivia. | 0:42:21 | 0:42:23 | |
And how old is Livy? | 0:42:25 | 0:42:27 | |
Small. | 0:42:29 | 0:42:30 | |
Mummy? | 0:42:41 | 0:42:42 | |
Nancy! Come here. | 0:42:42 | 0:42:44 | |
ROSE GASPS | 0:42:44 | 0:42:46 | |
Oh, it's so good to see you. | 0:42:48 | 0:42:50 | |
-How are you, my angel? -Good. | 0:42:52 | 0:42:54 | |
Are you good? Did Daddy take care of you? | 0:42:54 | 0:42:57 | |
Yes. | 0:42:57 | 0:42:59 | |
(Thank you.) | 0:43:02 | 0:43:04 | |
-PATIENT MOANS -Are you OK? What's wrong? | 0:43:05 | 0:43:09 | |
OTHER PATIENT GASPS FOR AIR | 0:43:09 | 0:43:11 | |
What's happened to all these people? | 0:43:12 | 0:43:14 | |
They're not very well. | 0:43:17 | 0:43:19 | |
-That's a shame. -It is. | 0:43:19 | 0:43:22 | |
We've just landed a not uninteresting little case. | 0:43:43 | 0:43:46 | |
The telephone call? | 0:43:46 | 0:43:48 | |
-Do you want in? -Are you going to tell me what it is? | 0:43:48 | 0:43:51 | |
The Belfast Strangler. | 0:43:52 | 0:43:54 | |
Or rather, the man the police claim is the Belfast Strangler. | 0:43:54 | 0:43:57 | |
-The man in hospital? -The same. The name's Paul Spector. | 0:43:57 | 0:44:02 | |
He's in the critical care unit at the Belfast General Hospital. | 0:44:02 | 0:44:05 | |
Inform the custody sergeant at the Down Serious Crime Suite | 0:44:05 | 0:44:08 | |
that we've been retained by the suspect's next of kin, | 0:44:08 | 0:44:11 | |
namely his wife, Sally Anne Spector. | 0:44:11 | 0:44:13 | |
Obtain a copy of the charge sheet and the custody record. | 0:44:13 | 0:44:17 | |
Jennings says he's confessed. | 0:44:17 | 0:44:19 | |
As soon as you get them, I want those tapes transcribed. | 0:44:19 | 0:44:22 | |
Through the night, if necessary. | 0:44:22 | 0:44:24 | |
-DR SPENCER: -You weren't in a crash, Paul. You were shot. | 0:44:27 | 0:44:31 | |
Shot in the abdomen. | 0:44:31 | 0:44:33 | |
One of the bullets was superficial, just below the skin. | 0:44:34 | 0:44:37 | |
The other one pierced the spleen and we think it probably hit a rib, | 0:44:39 | 0:44:43 | |
because it fragmented. | 0:44:43 | 0:44:44 | |
The organ was so badly damaged, we had to remove it. | 0:44:44 | 0:44:47 | |
You're very lucky that the bullets hit no other vital organs, | 0:44:49 | 0:44:52 | |
but all the same, there was massive blood loss. | 0:44:52 | 0:44:55 | |
It was touch and go. | 0:44:55 | 0:44:57 | |
Why was I shot? | 0:45:00 | 0:45:02 | |
You were in police custody at the time. | 0:45:02 | 0:45:04 | |
What? | 0:45:07 | 0:45:08 | |
Why was I in police custody? | 0:45:10 | 0:45:12 | |
I can't tell you that at the moment, I genuinely don't know the answer. | 0:45:14 | 0:45:18 | |
It's something you can discuss with your solicitor | 0:45:20 | 0:45:22 | |
when you're a little stronger. | 0:45:22 | 0:45:24 | |
A solicitor? Why would I need a solicitor? | 0:45:25 | 0:45:28 | |
We're only here to look after you medically, Paul. All right? | 0:45:30 | 0:45:33 | |
The rest is best left to others to explain. | 0:45:33 | 0:45:36 | |
THUNDER RUMBLES | 0:45:42 | 0:45:44 | |
PHONE RINGS | 0:45:45 | 0:45:47 | |
-Gibson. -'It's Hagstrom again, ma'am.' | 0:45:48 | 0:45:51 | |
Yep? | 0:45:51 | 0:45:52 | |
'Rose Stagg is discharging herself from the ICU.' | 0:45:52 | 0:45:55 | |
What? | 0:45:56 | 0:45:57 | |
Why? | 0:45:58 | 0:46:00 | |
'Something spooked her.' | 0:46:00 | 0:46:01 | |
She must know Spector's here somehow. | 0:46:01 | 0:46:04 | |
Jesus. | 0:46:05 | 0:46:06 | |
-Who's the consultant? -'Dr Patrick Spencer, ma'am.' | 0:46:07 | 0:46:10 | |
OK, thanks. | 0:46:12 | 0:46:14 | |
(Shit.) | 0:46:14 | 0:46:16 | |
KNOCK ON DOOR | 0:46:16 | 0:46:17 | |
I just took a call from Boyd at the custody suite. | 0:46:19 | 0:46:22 | |
It seems that at his wife's request, Spector now has a solicitor. | 0:46:22 | 0:46:26 | |
Sean Healy. | 0:46:27 | 0:46:28 | |
To my mind, he is an arrogant, manipulative, | 0:46:28 | 0:46:31 | |
too-clever-by-half bastard. | 0:46:31 | 0:46:33 | |
But he's a winner. If there is a loophole, he's going to exploit it. | 0:46:34 | 0:46:38 | |
We can expect turbulence at every turn. | 0:46:40 | 0:46:42 | |
Great(!) | 0:46:44 | 0:46:46 | |
Ready when you are. | 0:46:46 | 0:46:47 | |
-Don't let Liam stay up too late. -Don't worry, he'll be fine. | 0:47:23 | 0:47:27 | |
OK, in you go. | 0:47:29 | 0:47:31 | |
All right, Olivia? | 0:47:36 | 0:47:37 | |
-See you later, cheerio. -See you later. Thanks. | 0:47:37 | 0:47:40 | |
-What do you think has happened to Daddy? -He's been shot. | 0:47:52 | 0:47:57 | |
-Who told you that? -Everyone in school was saying it. | 0:47:57 | 0:48:00 | |
-Did you see things online? -Yes. | 0:48:02 | 0:48:05 | |
I don't want you doing that, Olivia. | 0:48:05 | 0:48:07 | |
-I don't want you going online. -OK. | 0:48:07 | 0:48:10 | |
Did they say why he'd been shot? | 0:48:15 | 0:48:17 | |
They said the police did it. | 0:48:17 | 0:48:19 | |
But why? | 0:48:19 | 0:48:20 | |
-Because he's killed people. -People? | 0:48:22 | 0:48:26 | |
Ladies. | 0:48:26 | 0:48:28 | |
Do you believe that? | 0:48:29 | 0:48:31 | |
No. | 0:48:31 | 0:48:33 | |
I just want to see him. I don't want him to be frightened and all alone. | 0:48:40 | 0:48:44 | |
Please, Mummy. | 0:48:46 | 0:48:47 | |
THUNDER RUMBLES | 0:48:54 | 0:48:56 | |
DANCE MUSIC PLAYS IN CLUB | 0:48:56 | 0:48:58 | |
FAINT CHATTER | 0:49:05 | 0:49:07 | |
-How much is a taxi? -It'll be, like, a fiver. | 0:49:08 | 0:49:11 | |
MUSIC GROWS LOUDER BUZZ OF CONVERSATION | 0:49:24 | 0:49:28 | |
What are you doing here? You missed your exam. | 0:49:28 | 0:49:30 | |
-You're a fucking brunette now? -Yeah, why not? | 0:49:30 | 0:49:33 | |
Why have you been telling lies about Paul? | 0:49:34 | 0:49:37 | |
I haven't. | 0:49:38 | 0:49:40 | |
-You said he left comments on your videos. -He did. | 0:49:40 | 0:49:43 | |
-You're a liar! -What?! | 0:49:43 | 0:49:45 | |
You want to see? I'll show you. | 0:49:45 | 0:49:48 | |
-What is the matter with you?! -You stay away from him! | 0:49:49 | 0:49:52 | |
I haven't been near him! | 0:49:52 | 0:49:53 | |
You need to get a grip, you're obsessed, it's pathetic! | 0:49:53 | 0:49:56 | |
SHE SCREAMS | 0:49:59 | 0:50:00 | |
-Who's pathetic now? -My eyes! My eyes! | 0:50:00 | 0:50:03 | |
-We need an ambulance! -SCREAMING CONTINUES | 0:50:03 | 0:50:06 | |
-My eyes! My eyes! -Pour some water on her eyes. | 0:50:08 | 0:50:11 | |
HEART MONITOR BEEPS | 0:50:11 | 0:50:14 | |
-DR SPENCER: -I understand you're a nurse? | 0:50:16 | 0:50:18 | |
Your husband was hypotensive for a good 20 minutes. | 0:50:18 | 0:50:22 | |
He was peri-arrest for most of that time. He's able to talk, but... | 0:50:22 | 0:50:26 | |
he's disorientated, confused. | 0:50:26 | 0:50:29 | |
He doesn't seem to have remembered what happened to him, | 0:50:29 | 0:50:33 | |
what actually brought him here, | 0:50:33 | 0:50:35 | |
or that he was in police custody, or why. I think that explanation is | 0:50:35 | 0:50:40 | |
best left to his solicitor when he's stronger. | 0:50:40 | 0:50:42 | |
Young children can find it quite distressing | 0:50:44 | 0:50:47 | |
seeing their mummies or daddies in ICU. | 0:50:47 | 0:50:49 | |
Think about that before you take her in. | 0:50:49 | 0:50:52 | |
She wants to see him. | 0:50:53 | 0:50:55 | |
She needs to see him. | 0:50:57 | 0:50:58 | |
Paul? | 0:51:06 | 0:51:07 | |
Your wife and daughter are here to see you. | 0:51:09 | 0:51:11 | |
HE GULPS | 0:51:26 | 0:51:28 | |
Hello, Daddy. | 0:51:39 | 0:51:40 | |
It's me, Daddy. It's me, Olivia. | 0:51:44 | 0:51:46 | |
Sally? | 0:51:51 | 0:51:52 | |
What's happening? | 0:51:56 | 0:51:58 | |
It's all right, Daddy, it's all right. | 0:52:00 | 0:52:02 | |
Why are you so big? | 0:52:05 | 0:52:07 | |
And you? | 0:52:11 | 0:52:13 | |
You look different. | 0:52:13 | 0:52:15 | |
Older. | 0:52:16 | 0:52:17 | |
What's happening to me? | 0:52:19 | 0:52:20 | |
Just be careful of the tubes in Daddy's arm. | 0:52:43 | 0:52:45 | |
HE SNIFFS | 0:52:49 | 0:52:51 | |
Is it you? | 0:52:55 | 0:52:56 | |
Is it really you? | 0:52:59 | 0:53:01 | |
Yes, Daddy. | 0:53:01 | 0:53:02 | |
I feel that I know you... | 0:53:10 | 0:53:12 | |
..that I love you. | 0:53:14 | 0:53:16 | |
You do love me, Daddy, | 0:53:16 | 0:53:17 | |
and I love you too. | 0:53:17 | 0:53:19 | |
THUNDER RUMBLES | 0:53:53 | 0:53:56 | |
LOCK CRACKS, CAMERA CLICKS | 0:54:00 | 0:54:03 | |
STELLA: That's it. | 0:54:16 | 0:54:17 | |
That's the stolen vehicle with the fake plates. | 0:54:19 | 0:54:23 | |
It's Spector's lock-up. | 0:54:23 | 0:54:24 | |
LOUD THUD | 0:54:52 | 0:54:54 | |
Hello? | 0:55:00 | 0:55:01 | |
Is someone there? | 0:55:02 | 0:55:04 | |
(Oh, God.) | 0:55:13 | 0:55:14 | |
OFFICERS CHATTER | 0:55:17 | 0:55:19 | |
It seems Spector WAS intending to feed Rose after all. | 0:55:20 | 0:55:23 | |
Maybe that's what he was doing in the car on the hillside that night. | 0:55:28 | 0:55:32 | |
Seeing me made him turn back. | 0:55:34 | 0:55:36 | |
And Rose almost died. | 0:55:40 | 0:55:42 | |
Ma'am? | 0:55:47 | 0:55:48 | |
CAMERA CLICKS | 0:55:56 | 0:55:58 | |
There are images. | 0:56:19 | 0:56:20 | |
Fragments. | 0:56:22 | 0:56:24 | |
Moments of recognition. | 0:56:24 | 0:56:25 | |
I just... can't make sense of anything. | 0:56:29 | 0:56:31 | |
It feels like I've lost my mind. | 0:56:34 | 0:56:36 | |
Just some memories. | 0:56:38 | 0:56:40 | |
She's a lovely wee girl. | 0:56:45 | 0:56:46 | |
You need to sleep. | 0:56:49 | 0:56:51 | |
I'm here if you need anything. | 0:56:52 | 0:56:54 | |
Just sleep now. | 0:56:54 | 0:56:56 | |
CAMERAS CLICK | 0:57:12 | 0:57:15 | |
Ma'am? | 0:57:34 | 0:57:35 | |
Jesus! | 0:57:42 | 0:57:43 | |
How many are there? | 0:57:50 | 0:57:51 | |
Nine or ten. | 0:57:52 | 0:57:54 | |
More victims? | 0:57:59 | 0:58:01 |