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This programme contains some strong language. | 0:00:02 | 0:00:07 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:07 | 0:00:13 | |
Brian! Watch what you're doing with that stick! | 0:00:13 | 0:00:20 | |
Anyway, um, what was I saying? Oh, aye. | 0:00:20 | 0:00:23 | |
She's got some nerve, honestly. | 0:00:25 | 0:00:26 | |
She says, "I'm no' havin' that! You cannae speak to me like that." | 0:00:30 | 0:00:33 | |
I says, "Like what?" | 0:00:33 | 0:00:35 | |
Brian?! | 0:00:39 | 0:00:40 | |
Oh, where did he go? | 0:00:40 | 0:00:44 | |
Did you see where he went? | 0:00:44 | 0:00:45 | |
Brian?! | 0:00:48 | 0:00:49 | |
Brian! | 0:00:53 | 0:00:54 | |
Boys, did you see my Brian? | 0:00:57 | 0:01:00 | |
ALL: No. | 0:01:00 | 0:01:02 | |
The wee boy with the blonde hair. He was playing there a minute ago. | 0:01:02 | 0:01:05 | |
No, sorry. | 0:01:05 | 0:01:06 | |
Brian! | 0:01:10 | 0:01:11 | |
Brian! | 0:01:13 | 0:01:15 | |
BRIAN! | 0:01:16 | 0:01:18 | |
BRIAN! | 0:01:22 | 0:01:23 | |
CLOCK TICKS | 0:01:26 | 0:01:29 | |
Shoes! Where's my black shoes? | 0:01:35 | 0:01:38 | |
Watch my folder! | 0:01:38 | 0:01:39 | |
I said watch, will you! | 0:01:42 | 0:01:43 | |
Don't know why you keep all that stuff. | 0:01:46 | 0:01:48 | |
You'll never a journalist. | 0:01:48 | 0:01:50 | |
-I'm no' being horrible. -Aye, you are. | 0:01:50 | 0:01:53 | |
Let's get downstairs, they'll be wondering where we are. | 0:01:53 | 0:01:56 | |
Are you all right, there? | 0:02:06 | 0:02:08 | |
It's Calum, isn't it? Danny's Calum? | 0:02:11 | 0:02:15 | |
You looking at Granny Jenny's crucifix? | 0:02:16 | 0:02:18 | |
You know what Jesus's last words to his favourite disciple were, don't you? | 0:02:22 | 0:02:27 | |
"I can see your hoose from here." | 0:02:27 | 0:02:30 | |
You should keep it. | 0:02:31 | 0:02:33 | |
I'm sure Granny Jenny would want you to have it. | 0:02:33 | 0:02:36 | |
Hey, Paddy. You seen my Calum? Time I got him back to his mum's. | 0:02:47 | 0:02:50 | |
-Yeah, he's upstairs. I'd give him a minute. -Right. | 0:02:50 | 0:02:53 | |
How's my wee cousin? I hear you're a journalist now. | 0:02:53 | 0:02:56 | |
Oh, not quite. A copy boy. | 0:02:56 | 0:02:59 | |
-That's good enough for me. -I run the messages for the real journalists... | 0:02:59 | 0:03:02 | |
-but maybe one day. -Aye, we've all got our dreams. | 0:03:02 | 0:03:05 | |
I need a drink. | 0:03:12 | 0:03:14 | |
Mum, how are you doing? | 0:03:18 | 0:03:22 | |
Grand. | 0:03:22 | 0:03:23 | |
I'm so sorry for your loss. | 0:03:25 | 0:03:27 | |
Thanks, Sean. Thanks. | 0:03:27 | 0:03:29 | |
Could you not have found something else to wear? | 0:03:30 | 0:03:33 | |
Hope you're not wearing that when the Pope comes to Bellahouston Park. | 0:03:33 | 0:03:37 | |
How could you? Honestly. As if I haven't got enough to cope with today. | 0:03:37 | 0:03:41 | |
It's the only dark jacket I've got. | 0:03:41 | 0:03:44 | |
Where's you sister, what's she wearing? | 0:03:44 | 0:03:47 | |
Never mind, she's just upset. | 0:03:50 | 0:03:53 | |
Thanks for sticking up for me. I've got to get to work. | 0:03:53 | 0:03:57 | |
# ..that you haven't shown | 0:03:57 | 0:04:00 | |
# So keep on moving Moving, moving your feet | 0:04:00 | 0:04:04 | |
# Keep on shuf-shuf-shuffling to this ghost dance beat | 0:04:04 | 0:04:07 | |
# Just keep on walking down never-ending streets | 0:04:07 | 0:04:12 | |
# One day you'll walk right out of this life | 0:04:12 | 0:04:16 | |
# And then you'll wonder why you didn't try | 0:04:16 | 0:04:20 | |
# To spread some loving all around | 0:04:20 | 0:04:24 | |
# Old fashioned causes like that still stand | 0:04:24 | 0:04:28 | |
# Gotta rid this prejudice that ties you down | 0:04:28 | 0:04:32 | |
# How do you feel at the end of the day? | 0:04:32 | 0:04:37 | |
# Just like you've walked over your own grave? | 0:04:37 | 0:04:41 | |
# So why are you frightened Can't you see that it's you? | 0:04:41 | 0:04:45 | |
# At the moment there's nothing So there's nothing to lose | 0:04:45 | 0:04:49 | |
# Lift up your lonely heart and walk right on through. # | 0:04:49 | 0:04:54 | |
MEEHAN! | 0:05:02 | 0:05:04 | |
-Devlin's been shouting you...go, go! -What's happened? -Haven't you heard? | 0:05:04 | 0:05:09 | |
-They found the Wilcox boy. -MEEHAN! | 0:05:09 | 0:05:11 | |
MEEHAN! | 0:05:19 | 0:05:20 | |
-Where in the name of fuck have you been? -Sorry. Just buried my Granny. | 0:05:22 | 0:05:26 | |
Yeah? | 0:05:26 | 0:05:27 | |
Well, I'll bury you in a minute. | 0:05:27 | 0:05:29 | |
Get me all we have on missing kids found by rivers, canals, mud flats. That type of thing. | 0:05:29 | 0:05:34 | |
-Is he alive? -Eh? -Did they find him alive? | 0:05:34 | 0:05:38 | |
Wouldn't be much of a story if they had, would it? | 0:05:38 | 0:05:40 | |
And the Moors murderers, get me everything we've got on those fuckers. | 0:05:40 | 0:05:45 | |
I said pronto, Tonto! | 0:05:47 | 0:05:49 | |
Thanks. | 0:06:10 | 0:06:11 | |
Fourteen quid! From what they're paying you. Taxes. | 0:06:12 | 0:06:16 | |
-Is that true? -And a fifth. | 0:06:16 | 0:06:19 | |
Found him by the canal. | 0:06:19 | 0:06:21 | |
My man says they've got a witness and chances are, they'll pick him up tonight... | 0:06:21 | 0:06:26 | |
You call me when you can commit, all right? | 0:06:27 | 0:06:31 | |
You two make some calls. | 0:06:31 | 0:06:33 | |
Can I help you? | 0:06:35 | 0:06:37 | |
Is that where they found him, then? In the canal? | 0:06:37 | 0:06:39 | |
You don't need to know that, you're just the tart that makes coffee. | 0:06:39 | 0:06:42 | |
Make mine Irish, will you? That shouldn't be too hard for you. | 0:06:42 | 0:06:47 | |
And this Dempsie case is not relevant. They got the guy who did that. Bin it. | 0:06:47 | 0:06:51 | |
God, he looks like Brian Wilcox. | 0:07:06 | 0:07:10 | |
MEEHAN! Get your arse in here! | 0:07:11 | 0:07:14 | |
Just ignore them. They're a bunch of arseholes. | 0:07:16 | 0:07:18 | |
Flirt, that's what I do. | 0:07:18 | 0:07:21 | |
Give them a semi and they're putty in your hands. | 0:07:21 | 0:07:23 | |
That wouldn't work for me. I couldn't give them a semi-colon, let alone anything else. | 0:07:23 | 0:07:27 | |
That's not true, Paddy, you're cute. How's your diet going, anyway? | 0:07:27 | 0:07:32 | |
It's OK. | 0:07:32 | 0:07:33 | |
It's very scientific. | 0:07:33 | 0:07:35 | |
They worked out that eggs, grapefruit and black coffee | 0:07:35 | 0:07:38 | |
builds up this chemical reaction that will actually burns off fat at a rate of six pounds a week. | 0:07:38 | 0:07:43 | |
So how much you lost? | 0:07:43 | 0:07:44 | |
I'm actually getting fatter. | 0:07:44 | 0:07:46 | |
It's this place, them. | 0:07:46 | 0:07:48 | |
They make you want to eat. | 0:07:48 | 0:07:50 | |
I'm going to London as soon as I can. | 0:07:50 | 0:07:52 | |
-What time do you finish work? -Er, seven. Why? | 0:07:52 | 0:07:56 | |
I've been invited out in the call car...want to come? | 0:07:56 | 0:07:59 | |
The call car? How did you manage to wangle that? | 0:07:59 | 0:08:01 | |
George McVie said I could tag along. | 0:08:01 | 0:08:03 | |
I'm going to write a piece on him in my poly paper. | 0:08:03 | 0:08:06 | |
But...I need some moral support. He's a right letch. | 0:08:06 | 0:08:10 | |
-Yeah, all right then. -HEATHER! | 0:08:10 | 0:08:13 | |
We're meeting at the back of the press bar at eight. See you then. | 0:08:13 | 0:08:17 | |
Yeah. | 0:08:17 | 0:08:18 | |
Let me know when he's in custody, | 0:08:34 | 0:08:35 | |
and I'll make sure there's a large whisky waiting for you at the press bar. | 0:08:35 | 0:08:39 | |
Strangled and left at the canal. Happy? | 0:08:41 | 0:08:43 | |
-No. -You should be, he's just put 100,000 on our circulation. | 0:08:43 | 0:08:48 | |
It's not essential to lose your humanity, but it does help. | 0:08:48 | 0:08:51 | |
-They know who did it? -Picking up a ten-year-old boy, apparently. | 0:08:51 | 0:08:55 | |
-Where's that canal? -From Langhill to the canal? That's a bus or a train. | 0:08:55 | 0:09:00 | |
Are you naturally irritating, Meehan, or do you work at it, eh? | 0:09:00 | 0:09:03 | |
-That's complicated for a ten-year-old. -Do I look like I'm going to chat? | 0:09:03 | 0:09:07 | |
It's not a cocktail party, you get back in your hole. | 0:09:07 | 0:09:10 | |
Me and Heather Allen are going out in the call car tonight with McVie...is that OK? | 0:09:10 | 0:09:15 | |
Just for a few hours, like work experience. | 0:09:15 | 0:09:18 | |
Oh, aye? Well, I'd keep your hand on your chuff if I were you. | 0:09:18 | 0:09:21 | |
Square it with Father Richards first, I don't want you pissing off the unions. | 0:09:21 | 0:09:26 | |
OK, boss. | 0:09:26 | 0:09:27 | |
Come here. | 0:09:27 | 0:09:28 | |
Do me a favour. You let me know if he's drinking, all right? | 0:09:30 | 0:09:34 | |
-McVie, that is. -Yeah. | 0:09:34 | 0:09:35 | |
He said yes! | 0:09:41 | 0:09:43 | |
FAINT MUSIC | 0:09:43 | 0:09:47 | |
MUSIC AND CHATTER | 0:09:47 | 0:09:50 | |
Ah, here she is, straight from the Union of Catholic Mothers. | 0:09:56 | 0:10:00 | |
Me and Heather's going out in the call car, is that OK? | 0:10:00 | 0:10:03 | |
Why would the union bother about McVie trying to ride two birds at once? | 0:10:03 | 0:10:07 | |
THEY LAUGH | 0:10:07 | 0:10:09 | |
But I'm surprised at you... I thought you're saving yourself till your married. | 0:10:09 | 0:10:13 | |
-What's it to you? -If you do shag him, | 0:10:13 | 0:10:15 | |
make sure he gets off at Paisley Gilmore Street. Know what I mean? | 0:10:15 | 0:10:19 | |
-You don't want any wee Meehans kicking about, do you? -Leave her alone. | 0:10:19 | 0:10:23 | |
So I can go, then? | 0:10:26 | 0:10:27 | |
Please yourself. But if you were my daughter, I'd say no. | 0:10:27 | 0:10:31 | |
-Who's the fat lass? -The copy boy. | 0:10:38 | 0:10:41 | |
Hurry up, Paddy. | 0:10:41 | 0:10:43 | |
She's not coming. | 0:10:50 | 0:10:51 | |
-What d'you mean? -She's not coming, I'm not a baby sitter. | 0:10:51 | 0:10:55 | |
-Is both of us or nothing. -And Devlin said for me to come. | 0:10:55 | 0:10:59 | |
Don't talk over the radio and stay in the car. | 0:11:02 | 0:11:05 | |
Right, want to see what this shitty town's all about? | 0:11:05 | 0:11:08 | |
-Jump in the front with me. -I'm all right in the back with Paddy, thanks. | 0:11:08 | 0:11:12 | |
Here's how it works. This radio is tuned to the police frequency. | 0:11:17 | 0:11:21 | |
So we'll know when the good people of Glasgow start killing each other, same time as the cops. | 0:11:21 | 0:11:25 | |
In some instances, we arrive at the scene before they do. | 0:11:25 | 0:11:30 | |
So with a bit of luck, a quarter of the newspaper will be filled with stories from this car. | 0:11:30 | 0:11:36 | |
RADIO STATIC | 0:11:36 | 0:11:38 | |
That's if some little bastard hasn't snapped the aerial in half... | 0:11:38 | 0:11:41 | |
-'630 to Longeaton...' -Right. | 0:11:41 | 0:11:43 | |
OK. | 0:11:47 | 0:11:48 | |
Sit back and enjoy the ride, ladies. | 0:11:49 | 0:11:53 | |
Anybody want chips and cheese? | 0:12:16 | 0:12:18 | |
What's your name, anyhow? Meickle? | 0:12:19 | 0:12:22 | |
Meehan. Paddy Meehan. | 0:12:22 | 0:12:25 | |
Are you winding me up? Paddy Meehan? As in the real Paddy Meehan? | 0:12:25 | 0:12:28 | |
I AM the real Paddy Meehan. | 0:12:28 | 0:12:30 | |
Who's the other Paddy Meehan? | 0:12:30 | 0:12:31 | |
Ha! And you want to be a journalist? | 0:12:31 | 0:12:35 | |
-He was a spy. -Spy, my arse. | 0:12:35 | 0:12:37 | |
He was a hood from the Gorbals that got what was coming to him. | 0:12:37 | 0:12:40 | |
He was framed for a murder by MI5, to discredit him. | 0:12:40 | 0:12:44 | |
That case was a miscarriage of justice if ever there was one. | 0:12:44 | 0:12:47 | |
-And Ludovic Kennedy proved it. -Ludovic Kennedy, is it? | 0:12:47 | 0:12:50 | |
Is it posh journalist you want to be? | 0:12:50 | 0:12:52 | |
If only life was so glamorous. | 0:12:52 | 0:12:54 | |
-How d'you know all this stuff, anyway? -Just read about it... | 0:12:54 | 0:12:58 | |
cos we had the same name. | 0:12:58 | 0:13:00 | |
Well, I'd change my name if I was you. | 0:13:01 | 0:13:03 | |
Right, there's F-all coming out of this radio. We'll check the cop shop. | 0:13:03 | 0:13:08 | |
Ludovic fuckin' Kennedy. | 0:13:09 | 0:13:11 | |
Right, stay in the car. | 0:13:28 | 0:13:30 | |
He's a torn-face misery. | 0:13:33 | 0:13:35 | |
Bugger this. | 0:13:35 | 0:13:36 | |
What're you doing? | 0:13:36 | 0:13:37 | |
Hey, Donny, what's new? | 0:13:42 | 0:13:45 | |
Nothing much, George. Just a couple of suicides. | 0:13:45 | 0:13:47 | |
A schoolgirl found in the Clyde... | 0:13:47 | 0:13:50 | |
failed her mock O grades, apparently. Let's see... | 0:13:50 | 0:13:53 | |
a guy hanged himself in the East End. | 0:13:53 | 0:13:55 | |
-Whereabouts in the East End? -Carridale Street. Not long ago. | 0:13:55 | 0:14:00 | |
-Hung himself from a lamppost. -Is he still there? | 0:14:00 | 0:14:03 | |
Christ, what do you think we've been doing with him, playing pin the tail on the donkey? | 0:14:03 | 0:14:07 | |
I told you to stay in the car. | 0:14:08 | 0:14:10 | |
The girl who failed her exams sounds like a good story. | 0:14:10 | 0:14:12 | |
You could a do piece on the pressures of being a teenager in the '80s. | 0:14:12 | 0:14:16 | |
Could I? Really? Shut up! | 0:14:16 | 0:14:19 | |
-Boy's name? -Eddie McKinley. | 0:14:19 | 0:14:22 | |
He didn't live there, did it outside his girlfriend's house. | 0:14:22 | 0:14:25 | |
-McVie? -Girlfriend's name? -Er, Penny Telfer. | 0:14:25 | 0:14:30 | |
-McVie, he's here! -Are you deaf as well as stupid? | 0:14:32 | 0:14:35 | |
-He's here, isn't he? -Who's here? -The boy in the Brian Wilcox case. | 0:14:35 | 0:14:39 | |
There's no boy here. You're getting confused, hen. | 0:14:39 | 0:14:42 | |
I just saw a boy. Right there! | 0:14:42 | 0:14:44 | |
He bloody is, don't deny it. | 0:14:47 | 0:14:48 | |
Hey! I'm not answering that on the record. | 0:14:48 | 0:14:51 | |
Well, what's the charge? | 0:14:51 | 0:14:52 | |
Murder. | 0:14:55 | 0:14:56 | |
-And the boy's name? -I can't do that, George. | 0:14:56 | 0:14:59 | |
What's the family like? Give us something, Donny. | 0:14:59 | 0:15:01 | |
-I've given you plenty. -Come on, Donny! | 0:15:01 | 0:15:03 | |
He's from the Southside, OK? | 0:15:05 | 0:15:07 | |
That's it. | 0:15:07 | 0:15:09 | |
Good man, Donny, good man. Come on, you. | 0:15:09 | 0:15:12 | |
How old is he? What did he look like? | 0:15:14 | 0:15:16 | |
Er, he's ten. But I only saw the back of his head. | 0:15:16 | 0:15:19 | |
Well, how do you know he's ten? | 0:15:19 | 0:15:21 | |
Devlin told me. | 0:15:21 | 0:15:23 | |
-Devlin? -Think the men behind it are here as well? | 0:15:23 | 0:15:28 | |
No, if there was an adult involved, | 0:15:28 | 0:15:30 | |
they'd be charging him with conspiracy to murder, not murder. | 0:15:30 | 0:15:33 | |
No, he did it, and he did alone. | 0:15:33 | 0:15:35 | |
Am I leaving you here or what? | 0:15:39 | 0:15:41 | |
Where are we going? | 0:15:42 | 0:15:43 | |
Brian Wilcox's house. | 0:15:43 | 0:15:45 | |
So, you saw him? | 0:15:55 | 0:15:58 | |
Are we talking a scoop here? | 0:15:58 | 0:16:00 | |
I can't believe you got a scoop on your first night out, Paddy! | 0:16:00 | 0:16:03 | |
Scoop, my arse! | 0:16:03 | 0:16:05 | |
Don't make her head any bigger, or it'll be sticking out the bloody roof. | 0:16:05 | 0:16:09 | |
That's the Wilcox house there. | 0:16:15 | 0:16:19 | |
We need to get a comment from Brian's mum. | 0:16:19 | 0:16:21 | |
She might even know the kid's name. | 0:16:21 | 0:16:23 | |
So they think he came here from the Southside, killed Brian, then went home. Alone? | 0:16:23 | 0:16:27 | |
One of yous two will need to speak to her. | 0:16:27 | 0:16:30 | |
Be best if it comes from a girl. | 0:16:30 | 0:16:32 | |
-BOTH: -I'll do it. | 0:16:32 | 0:16:33 | |
You do it, Heather, you look like a journalist. | 0:16:35 | 0:16:37 | |
Her name's Gina. Speak to her gently. | 0:16:37 | 0:16:40 | |
Act as if you know the kid's name already. | 0:16:40 | 0:16:42 | |
Ask her if they were friends. Does she think he's guilty? | 0:16:42 | 0:16:45 | |
Ease it out, OK? | 0:16:45 | 0:16:47 | |
OK. | 0:16:47 | 0:16:48 | |
What d'you want? | 0:16:56 | 0:16:57 | |
I'm Heather Allen from the Daily News. | 0:16:57 | 0:17:00 | |
-Do you know what time it is? -Sorry if I woke you. | 0:17:00 | 0:17:03 | |
I just wanted to have a quick chat about the boy who's been arrested. | 0:17:03 | 0:17:07 | |
Do you think I sleep, darling? | 0:17:07 | 0:17:09 | |
Just a quick chat. | 0:17:10 | 0:17:13 | |
Mrs Wilcox? | 0:17:13 | 0:17:15 | |
Knock again! | 0:17:19 | 0:17:21 | |
SHE KNOCKS | 0:17:21 | 0:17:24 | |
Here! | 0:17:27 | 0:17:29 | |
Wash the blood off your hands with that! | 0:17:29 | 0:17:32 | |
It's piss! I'm covered in piss! | 0:17:36 | 0:17:40 | |
Nae luck, eh? | 0:17:40 | 0:17:42 | |
There was absolutely no need for that. | 0:17:42 | 0:17:46 | |
I mean, absolutely no need. | 0:17:46 | 0:17:48 | |
Better get used to it - it's part and parcel. | 0:17:48 | 0:17:50 | |
Look at it as a sort of baptism. | 0:17:50 | 0:17:53 | |
Anyway, you were lucky. she might have needed a shite. | 0:17:54 | 0:17:57 | |
Oh, I think I'm going to be sick! | 0:17:57 | 0:18:00 | |
Can you just drop me home now, please? I need a shower. | 0:18:00 | 0:18:05 | |
And you can keep your eyes on the road. | 0:18:05 | 0:18:07 | |
I'm not some Page Three girl you can drool over! | 0:18:07 | 0:18:10 | |
-Where are you going? -With you. | 0:18:35 | 0:18:37 | |
No, no. I've got to a story to write up. | 0:18:37 | 0:18:39 | |
-But we got that story together. -"We"? | 0:18:39 | 0:18:42 | |
-Aye, "we". -You better give credit where credit's due or... | 0:18:42 | 0:18:46 | |
Or what? | 0:18:46 | 0:18:47 | |
Or I'll tell Devlin about the half bottle in the glove compartment. | 0:18:47 | 0:18:51 | |
Don't worry, I'll put in a good word for you. | 0:18:52 | 0:18:55 | |
You'll make a journalist yet. | 0:18:55 | 0:18:57 | |
You still up? | 0:19:18 | 0:19:19 | |
How did it go? | 0:19:22 | 0:19:24 | |
Fine. | 0:19:24 | 0:19:25 | |
Did you really have to go back to work? | 0:19:29 | 0:19:32 | |
Today? | 0:19:33 | 0:19:34 | |
I'm sorry, it's just the way it is. | 0:19:35 | 0:19:38 | |
I was lucky I got any time off at all. | 0:19:38 | 0:19:41 | |
She was your grandmother. | 0:19:41 | 0:19:43 | |
She loved you. | 0:19:43 | 0:19:45 | |
I know she did. | 0:19:47 | 0:19:49 | |
Away to your bed. Go on. | 0:19:52 | 0:19:56 | |
I can help. | 0:19:57 | 0:19:59 | |
I don't need your help. | 0:19:59 | 0:20:01 | |
-Please don't eat that. -Eat what? | 0:20:09 | 0:20:13 | |
The boiled egg. I know you've got one. | 0:20:13 | 0:20:15 | |
-I'm starving. -Maybe you could try another diet? | 0:20:15 | 0:20:18 | |
One without eggs. Just for me. | 0:20:18 | 0:20:21 | |
Where've you been all night? Sean was round looking for you. | 0:20:24 | 0:20:27 | |
I was being an investigative journalist. | 0:20:29 | 0:20:32 | |
Well, he wants you to phone him. | 0:20:32 | 0:20:34 | |
# What do you call that noise | 0:20:39 | 0:20:43 | |
# That you put on? | 0:20:43 | 0:20:46 | |
# This is pop | 0:20:46 | 0:20:48 | |
# Yeah, yeah... # | 0:20:48 | 0:20:49 | |
Could you go and see if McVie's got those photographs he mentioned, please? | 0:21:05 | 0:21:09 | |
What photos? | 0:21:09 | 0:21:10 | |
He managed to get a snap of this boy this morning. The boy they lifted? | 0:21:10 | 0:21:15 | |
Sure. | 0:21:15 | 0:21:16 | |
And well done last night, yeah? | 0:21:16 | 0:21:18 | |
-Word is you got his story for him. -Is that right? -Mm-hm. | 0:21:18 | 0:21:22 | |
Oh, and CHUFFS, by the way! | 0:21:22 | 0:21:24 | |
CHUFFS? | 0:21:24 | 0:21:26 | |
Cheer Up For Fuck's Sake. | 0:21:26 | 0:21:28 | |
Nearly done. | 0:21:35 | 0:21:36 | |
You want to take a look at this wee evil pig? | 0:21:38 | 0:21:41 | |
Here, it's coming. | 0:21:43 | 0:21:44 | |
It may be a bit blurred, cos I took it on the move. | 0:21:44 | 0:21:48 | |
Front page? | 0:21:48 | 0:21:50 | |
Not yet. After the trial. | 0:21:50 | 0:21:52 | |
If it's syndicated, ooh! It's a jackpot for me. | 0:21:52 | 0:21:56 | |
Is that definitely him? | 0:22:02 | 0:22:04 | |
Yep. Evil little bastard. | 0:22:04 | 0:22:07 | |
SHE BREATHES HEAVILY | 0:22:18 | 0:22:20 | |
Do you want a ciggie? | 0:22:29 | 0:22:30 | |
You're making me nervous, and I don't even know what's going on. | 0:22:30 | 0:22:33 | |
You need to promise you won't repeat this to anyone. | 0:22:33 | 0:22:36 | |
Cross my heart and hope to die. | 0:22:36 | 0:22:39 | |
I was in the dark room and I saw a photo of the boy in the Wilcox case. | 0:22:39 | 0:22:43 | |
I know him. | 0:22:43 | 0:22:44 | |
-You can do a piece, you can get it syndicated! -I can't! | 0:22:44 | 0:22:49 | |
But, Paddy, if you get a story syndicated, it's your calling card. | 0:22:49 | 0:22:53 | |
You'll make amazing contacts. | 0:22:53 | 0:22:55 | |
My family would go mental. They'd never speak to me again. | 0:22:55 | 0:22:58 | |
-But...this is your big chance. -I can't. | 0:22:58 | 0:23:02 | |
My cousin split from his wife, and the boy stayed with her. | 0:23:02 | 0:23:06 | |
Then she hooked up with a guy that got killed in the ironworks. | 0:23:06 | 0:23:09 | |
He's had a miserable life. | 0:23:09 | 0:23:11 | |
Well...that's amazing background, right there. | 0:23:11 | 0:23:15 | |
You should do the story, Paddy. It'd be unprofessional not to. | 0:23:15 | 0:23:20 | |
It would tear the family apart. | 0:23:20 | 0:23:22 | |
-Use the story, Paddy. -No! | 0:23:24 | 0:23:27 | |
Fine, then. Your mistake. | 0:23:30 | 0:23:33 | |
How's you? | 0:23:53 | 0:23:54 | |
Fine, Dad. Is everything all right? | 0:23:54 | 0:23:58 | |
What? | 0:24:00 | 0:24:01 | |
Has Cousin Danny called? | 0:24:01 | 0:24:03 | |
Eh? | 0:24:05 | 0:24:07 | |
Oh, here we go. What's this balloon up to now? | 0:24:08 | 0:24:12 | |
Hello, stranger. | 0:24:20 | 0:24:22 | |
What are you doing here? | 0:24:22 | 0:24:23 | |
Getting my second tea. | 0:24:23 | 0:24:25 | |
He's been waiting over an hour for you. | 0:24:25 | 0:24:27 | |
Looks like he's survived, though. | 0:24:27 | 0:24:30 | |
-Here. -Not for me, Mum, I'll have an egg. -You need to eat. | 0:24:31 | 0:24:36 | |
-I'm hardly going to fade away. -Don't start going on about being fat again. | 0:24:36 | 0:24:40 | |
-Mum. I am fat. I just am. -That's puppy fat. It'll disappear in a few years. You'll be as slim as the rest. | 0:24:40 | 0:24:47 | |
Can I speak to you upstairs? | 0:24:49 | 0:24:51 | |
I need to tell you something. | 0:25:01 | 0:25:03 | |
-Am I chucked? -What? | 0:25:05 | 0:25:07 | |
We were supposed to meet back here last night. | 0:25:07 | 0:25:09 | |
-I waited for you for ages. -Oh, sorry. I went out in the call car. | 0:25:09 | 0:25:13 | |
See, I wouldn't know what a call car is, I don't work at a newspaper. | 0:25:14 | 0:25:18 | |
It's a car that goes out at night, going to hospitals and police stations, looking for stories. | 0:25:18 | 0:25:22 | |
That's disgusting. | 0:25:22 | 0:25:24 | |
God, Paddy. You are the most ambitious person I know. | 0:25:24 | 0:25:28 | |
-You'd cut me in half for a leg up. -That's pish! | 0:25:28 | 0:25:30 | |
Look, I'm interested in my job, what's wrong with that? | 0:25:31 | 0:25:34 | |
If you had a choice between me and your job, which one would you...? | 0:25:34 | 0:25:38 | |
Why would I have to choose?! | 0:25:38 | 0:25:40 | |
Oh, Sean. I don't have time for this. | 0:25:40 | 0:25:42 | |
I saw a photograph of the boy who killed Brian Wilcox today. | 0:25:42 | 0:25:46 | |
-Who? -It's in all the papers! | 0:25:46 | 0:25:49 | |
Oh, right. Aye. So they've got somebody? | 0:25:50 | 0:25:53 | |
It's Calum Ogilvey. Danny's boy. | 0:25:55 | 0:25:57 | |
I looked and looked, hoping it wasn't, hoping it was just somebody that looked like him, | 0:25:59 | 0:26:04 | |
but it was him. | 0:26:04 | 0:26:06 | |
How good was this...photograph? | 0:26:06 | 0:26:08 | |
Good enough. | 0:26:08 | 0:26:10 | |
This is stupid. Somebody would have told us. | 0:26:12 | 0:26:14 | |
-Phoned your da. -Would they? | 0:26:14 | 0:26:16 | |
Danny might not even know. Calum lives with his mum. | 0:26:16 | 0:26:19 | |
He killed that boy? | 0:26:21 | 0:26:22 | |
They seem to think so. | 0:26:22 | 0:26:24 | |
Look, don't say anything, will you? I don't sure my mum could take any more. | 0:26:29 | 0:26:33 | |
Sure. | 0:26:33 | 0:26:35 | |
I'm really knackered. | 0:26:39 | 0:26:41 | |
I need some sleep. Is that OK? | 0:26:41 | 0:26:44 | |
Pictures. Tomorrow night? We still on? | 0:26:48 | 0:26:51 | |
Can I see how it goes? | 0:26:51 | 0:26:53 | |
You're going to leave me one day, Paddy Meehan. I know you are. | 0:26:55 | 0:26:58 | |
You are, you know you are. | 0:26:58 | 0:27:01 | |
Seanie, you're my wee sweetheart, you are. | 0:27:04 | 0:27:08 | |
I'll never leave you. | 0:27:08 | 0:27:09 | |
Don't worry. I'm sure you're wrong about Calum. | 0:27:12 | 0:27:15 | |
Night. | 0:27:17 | 0:27:18 | |
MUSIC: "At Home He's A Tourist" by Gang Of Four | 0:27:26 | 0:27:30 | |
# At home she's looking for interest | 0:27:30 | 0:27:33 | |
# At home she's looking for interest | 0:27:33 | 0:27:36 | |
# She said she was ambitious... # | 0:27:36 | 0:27:40 | |
BACKGROUND CHATTER | 0:27:48 | 0:27:52 | |
I can't believe you did that! | 0:28:20 | 0:28:22 | |
Wait a minute. I knew you weren't going to use the story. You told me you couldn't. | 0:28:22 | 0:28:26 | |
-So, I didn't see any harm... -How could you? | 0:28:26 | 0:28:30 | |
My whole family is going to think it was me! | 0:28:30 | 0:28:32 | |
Listen, it can't be all nicey nicey all the time. | 0:28:34 | 0:28:37 | |
I'm not in this business to be popular. | 0:28:37 | 0:28:40 | |
I'm sorry but that's just the game we're in. | 0:28:40 | 0:28:43 | |
-You! -Hey, what're ya doing? | 0:28:43 | 0:28:47 | |
You lying bitch! | 0:28:47 | 0:28:48 | |
YELLING | 0:28:48 | 0:28:49 | |
Stop it! | 0:28:49 | 0:28:52 | |
Stop it! | 0:28:52 | 0:28:53 | |
Ow! Paddy! Ow! | 0:28:53 | 0:28:56 | |
Paddy, stop it! | 0:28:56 | 0:28:58 | |
Stop it! | 0:29:01 | 0:29:03 | |
Stop it! | 0:29:03 | 0:29:04 | |
MUFFLED CRIES | 0:29:08 | 0:29:12 | |
SCREAMING AND GURGLING | 0:29:12 | 0:29:14 | |
TOILET FLUSHES | 0:29:16 | 0:29:18 | |
You're...finished! | 0:29:18 | 0:29:20 | |
RESTRAINED LAUGHTER | 0:29:57 | 0:29:59 | |
Piss off, the lot of you! | 0:30:01 | 0:30:02 | |
CHATTER CONTINUES | 0:30:02 | 0:30:04 | |
There you go. Get stuck in. | 0:30:20 | 0:30:24 | |
No? | 0:30:25 | 0:30:27 | |
You don't look a stranger to a macaroon to me. | 0:30:27 | 0:30:30 | |
Diet. | 0:30:30 | 0:30:32 | |
So are you going to tell me what happened in the ladies? | 0:30:32 | 0:30:35 | |
-I had an argument with Heather Allen. -I'll say, you stuck her head down the bog. | 0:30:35 | 0:30:39 | |
Well, she is a wee shite. | 0:30:39 | 0:30:40 | |
I'm not interested in why you did it. | 0:30:40 | 0:30:43 | |
She's been persuaded not to make a formal complaint, so whatever's bugging you, drop it. All right? | 0:30:43 | 0:30:49 | |
No, it's not all right. | 0:30:49 | 0:30:51 | |
Look, she's flavour of the month with editorial, cos she brought in an important story, so it is all right. | 0:30:51 | 0:30:56 | |
And remember who you're talking too. You're a minge hair away from gettin' your marching orders. | 0:30:56 | 0:31:01 | |
It's not her story. It's my story. | 0:31:01 | 0:31:04 | |
Calum Ogilvey is my cousin's kid. I confided in Heather. | 0:31:04 | 0:31:08 | |
Now my whole family is going to disown me when they see that story. | 0:31:08 | 0:31:12 | |
Oh, Jesus. | 0:31:14 | 0:31:16 | |
-Sorry, there's nothing we can do about that. -It's not right. | 0:31:19 | 0:31:22 | |
I said I'm sorry, but we can't ignore this story, Meehan, we just can't. | 0:31:22 | 0:31:27 | |
It would've been an accident, anyway. | 0:31:27 | 0:31:30 | |
-They would have just been playing, and it went wrong. -Yeah, sure. | 0:31:30 | 0:31:35 | |
He took him there, strangled him, bashed his brains out, threw him in the canal. | 0:31:35 | 0:31:41 | |
That's a lot of accidents, isn't it? Besides they found that boy's blood all over him. | 0:31:41 | 0:31:46 | |
Somebody could have put that blood there, somebody could have made it look like... | 0:31:46 | 0:31:50 | |
Meehan... | 0:31:50 | 0:31:52 | |
When the coppers went for him, he did a runner, and that was before they mentioned Brian Wilcox. | 0:31:52 | 0:31:56 | |
So you and your family are in, what they call these days, denial. | 0:31:56 | 0:32:01 | |
Take the day off, all right, and stay out of trouble. Go on. | 0:32:05 | 0:32:11 | |
Hey! Don't you go talking to any other newspapers, you understand me? | 0:32:11 | 0:32:16 | |
You still open? | 0:33:05 | 0:33:07 | |
Certainly am, m'lady. Just caught me in time. | 0:33:07 | 0:33:11 | |
Could I have a packet of refreshers, please? | 0:33:11 | 0:33:14 | |
Mon plaisir. | 0:33:14 | 0:33:16 | |
On the house. | 0:33:20 | 0:33:22 | |
Thanks. | 0:33:22 | 0:33:23 | |
Mind if I ask you a question? | 0:33:27 | 0:33:29 | |
Fire away. | 0:33:29 | 0:33:31 | |
You know about Brian Wilcox? | 0:33:31 | 0:33:34 | |
Aye, of course. | 0:33:34 | 0:33:37 | |
Terrible. | 0:33:37 | 0:33:39 | |
They got the wee monster that did it, though. | 0:33:41 | 0:33:44 | |
So I've heard. | 0:33:44 | 0:33:47 | |
You must know a lot of people round here, then? | 0:33:47 | 0:33:51 | |
Like the boy who took him? | 0:33:51 | 0:33:52 | |
Was he from round here? | 0:33:54 | 0:33:55 | |
Who are you? Nancy Drew? | 0:33:57 | 0:34:00 | |
I'm with the Daily News. | 0:34:00 | 0:34:02 | |
I was wondering if you'd seen any new faces around... | 0:34:02 | 0:34:06 | |
anybody looking suspicious? | 0:34:06 | 0:34:08 | |
-You got a name? -Heather. | 0:34:10 | 0:34:14 | |
Heather Allen. | 0:34:14 | 0:34:16 | |
Well, Heather, | 0:34:18 | 0:34:21 | |
kids come from everywhere for the ice cream van. | 0:34:21 | 0:34:24 | |
Stops just outside the Wilcox house, | 0:34:24 | 0:34:27 | |
over there. | 0:34:27 | 0:34:29 | |
Any of them could have taken that wee boy. | 0:34:31 | 0:34:33 | |
That might answer your question. | 0:34:33 | 0:34:37 | |
Yeah. | 0:34:37 | 0:34:39 | |
Thanks. Bye. | 0:34:39 | 0:34:41 | |
Bye. | 0:34:41 | 0:34:43 | |
It wasn't me, Danny. I didn't write the story. | 0:35:02 | 0:35:05 | |
I wouldn't do that. | 0:35:05 | 0:35:07 | |
You have to believe me. | 0:35:07 | 0:35:08 | |
He wasn't here the day that boy went missing. | 0:35:08 | 0:35:11 | |
He only stays over on a Sunday. | 0:35:11 | 0:35:14 | |
You put that in your next story. | 0:35:14 | 0:35:16 | |
There's no way my Calum did this, Paddy. | 0:35:25 | 0:35:29 | |
I know that. | 0:35:29 | 0:35:30 | |
He couldn't do that. | 0:35:32 | 0:35:36 | |
Hiya, Mum. | 0:36:10 | 0:36:11 | |
CHATTER ON TELEVISION | 0:36:26 | 0:36:31 | |
What are you watching? | 0:36:35 | 0:36:36 | |
Anything good? No? | 0:36:38 | 0:36:42 | |
You'll never guess who I saw walking down Sauchiehall Street today. | 0:36:42 | 0:36:47 | |
The Pope. Him and Saint Theresa. | 0:36:47 | 0:36:51 | |
They were singing Danny Boy and eating sherbet dabs. | 0:36:51 | 0:36:55 | |
Mary Ann, you don't even know what happened. | 0:37:04 | 0:37:08 | |
-Arsehole. -I'm going to tell Mum you said that. | 0:37:09 | 0:37:11 | |
I'm going to tell Mum you spoke to me. | 0:37:11 | 0:37:13 | |
< Is she up there? | 0:37:23 | 0:37:25 | |
< FOOTSTEPS | 0:37:25 | 0:37:29 | |
I want a word with you. Just what do you think you're playing at? | 0:37:30 | 0:37:33 | |
Where's your loyalty? Family first, everything else last. Have you got that? | 0:37:33 | 0:37:38 | |
-Will it make any difference if I said I didn't write that story? -I read it! It even sounded like you. | 0:37:38 | 0:37:42 | |
-Who else would know about Danny's ex-wife? And the accident. -All I did was... | 0:37:42 | 0:37:46 | |
We've just buried our granny, | 0:37:46 | 0:37:49 | |
and in case you hadnae noticed, our mum is grieving, this is the last thing that she needed. | 0:37:49 | 0:37:54 | |
-I know that. -Oh, do you? | 0:37:54 | 0:37:57 | |
I never thought you'd be such a mercenary little... | 0:37:57 | 0:38:00 | |
Oh, say it. | 0:38:00 | 0:38:03 | |
And don't hang by the thumbs waiting for Sean. He just phoned. | 0:38:03 | 0:38:07 | |
He doesnae want to see you. | 0:38:07 | 0:38:09 | |
It wasn't me. | 0:38:21 | 0:38:23 | |
SHE CRIES | 0:38:48 | 0:38:50 | |
What are you doing up? | 0:39:19 | 0:39:20 | |
Can't you sleep? | 0:39:20 | 0:39:23 | |
Are you allowed to speak to me? Shouldn't you check with Mum first? | 0:39:23 | 0:39:26 | |
Y'know, your mother always circles the wagons in a crisis. | 0:39:28 | 0:39:32 | |
It's just her way. | 0:39:32 | 0:39:34 | |
She'll calm down. | 0:39:36 | 0:39:38 | |
Do you think I wrote that story? | 0:39:43 | 0:39:46 | |
-No. -Then why are you going along with her? | 0:39:46 | 0:39:49 | |
She's not an easy woman to live with, we both know that, | 0:39:49 | 0:39:52 | |
-but her heart is in the right place. -Is it? | 0:39:52 | 0:39:55 | |
You should have seen her when she was younger. | 0:39:55 | 0:39:57 | |
Straight off the boat from Derry. | 0:39:57 | 0:40:00 | |
A wee stunner. | 0:40:00 | 0:40:02 | |
But even then, she always told it like it was. | 0:40:02 | 0:40:06 | |
It's just the way she is. | 0:40:06 | 0:40:08 | |
I don't think she likes me. | 0:40:11 | 0:40:13 | |
Paddy, she loves you. | 0:40:13 | 0:40:18 | |
She's scared of losing you, that's all, the last thing she wants to do is drive you away. | 0:40:18 | 0:40:23 | |
She's going about it the wrong way. | 0:40:23 | 0:40:25 | |
-So, what's all this? -Just some stuff for work. | 0:40:31 | 0:40:35 | |
Dempsie... | 0:40:35 | 0:40:36 | |
-I remember that. -Do you? | 0:40:36 | 0:40:39 | |
A bit. | 0:40:39 | 0:40:41 | |
I want to find out more about it. | 0:40:41 | 0:40:43 | |
-It might help Calum. -How? | 0:40:43 | 0:40:45 | |
I'm not sure yet. | 0:40:45 | 0:40:47 | |
The boy in this case looks just like Brian Wilcox. | 0:40:47 | 0:40:51 | |
Same age, same hair, everything. | 0:40:51 | 0:40:53 | |
And a good reporter doesn't just write what people say happened, they try and find out the truth. | 0:40:53 | 0:40:58 | |
See, you and your mother aren't that different. | 0:40:58 | 0:41:02 | |
You both like to tell it how it is. | 0:41:03 | 0:41:06 | |
# I'm walking a line | 0:41:16 | 0:41:18 | |
# I'm thinking about empty motion | 0:41:19 | 0:41:23 | |
# I'm walking a line | 0:41:26 | 0:41:28 | |
# Divide and dissolve... # | 0:41:28 | 0:41:31 | |
OFFICE CHATTER | 0:41:37 | 0:41:39 | |
-Can I talk to you? -Her legs were that long, you'll need a pilot's licence to pull her knickers down. | 0:41:47 | 0:41:52 | |
McVie! | 0:41:52 | 0:41:55 | |
Listen, mate, I'll let you go. OK, bye. | 0:41:55 | 0:41:57 | |
There was a time copy boys weren't even allowed to look at journalists, let alone speak to them. | 0:41:58 | 0:42:03 | |
Those were the days. | 0:42:03 | 0:42:04 | |
I've been doing some research on the Brian Wilcox case. | 0:42:04 | 0:42:07 | |
I have another angle. I was wondering if you'd help me write a story. | 0:42:07 | 0:42:10 | |
I heard you were related to the little bastard that did it. | 0:42:10 | 0:42:14 | |
I just need someone to help put it together. | 0:42:14 | 0:42:16 | |
Can you get in to see him? | 0:42:16 | 0:42:18 | |
Eh, no, no, I can't. | 0:42:18 | 0:42:21 | |
-Well, you're no use to anybody, then. -He's only a child. That's part of my theory. | 0:42:21 | 0:42:25 | |
Legal age of responsibility in Scotland is eight. | 0:42:25 | 0:42:28 | |
He'll be tried as an adult. | 0:42:28 | 0:42:30 | |
He doesn't stop being a child just because it suits us! | 0:42:30 | 0:42:33 | |
Premeditated murder. | 0:42:33 | 0:42:36 | |
He hid all the way to the canal on the train, planning it. | 0:42:36 | 0:42:40 | |
-Did anybody see him? -He'd a train ticket in his pocket. | 0:42:40 | 0:42:42 | |
That doesn't mean anything. | 0:42:42 | 0:42:44 | |
-I bet they don't find a witness that puts him on that train. -No? -I don't think he did it. | 0:42:44 | 0:42:49 | |
You would say that, wouldn't you? | 0:42:49 | 0:42:51 | |
I'm not interested. | 0:42:51 | 0:42:52 | |
But y'know, even as an employee of the paper, | 0:42:52 | 0:42:56 | |
they would pay good money for information on your family. | 0:42:56 | 0:43:00 | |
They do do that. | 0:43:00 | 0:43:02 | |
I'm here for Devlin, need a set of clippings. | 0:43:08 | 0:43:11 | |
It's a bit of a rush. | 0:43:12 | 0:43:14 | |
Search words "Dempsie", "Thomas" and "murder". | 0:43:14 | 0:43:17 | |
# ..story of the blues | 0:43:49 | 0:43:52 | |
# First they take your pride | 0:43:52 | 0:43:57 | |
# Then turn it all inside | 0:43:57 | 0:44:01 | |
# And then you realise | 0:44:01 | 0:44:05 | |
# You got nothing left to lose... # | 0:44:05 | 0:44:09 | |
Hi, Mrs Dempsie. | 0:44:12 | 0:44:14 | |
I'm with the Daily News. | 0:44:14 | 0:44:16 | |
I'd like to talk to you about the murder of your son, Thomas. | 0:44:16 | 0:44:19 | |
I wondered when you lot would turn up. | 0:44:19 | 0:44:23 | |
You look a bit young to be a journalist. | 0:44:23 | 0:44:26 | |
Heather Allen. | 0:44:26 | 0:44:28 | |
You can check it at the paper if you want. | 0:44:28 | 0:44:31 | |
High flats. | 0:44:31 | 0:44:32 | |
There's nowhere to hang your washing out. | 0:44:32 | 0:44:36 | |
And if you did, it would get nicked. | 0:44:36 | 0:44:38 | |
Council moved us here after Alfred get the jail. | 0:44:38 | 0:44:42 | |
And everybody knew where we were after you lot published our address. | 0:44:42 | 0:44:47 | |
Before my time. | 0:44:47 | 0:44:49 | |
You said "we"? | 0:44:49 | 0:44:51 | |
Aye, me and the wean. | 0:44:51 | 0:44:53 | |
I didn't know you had any other children? | 0:44:53 | 0:44:57 | |
I had a son | 0:44:57 | 0:45:00 | |
before I met Alfred. | 0:45:00 | 0:45:02 | |
Smoke? | 0:45:02 | 0:45:03 | |
Em, no. | 0:45:03 | 0:45:05 | |
He lives with his dad. | 0:45:07 | 0:45:10 | |
He was in and out of jail himself, but... | 0:45:10 | 0:45:13 | |
he cleaned up his act after Thomas died. | 0:45:13 | 0:45:16 | |
They got on pretty well. | 0:45:17 | 0:45:19 | |
Well, I guess that's something. | 0:45:21 | 0:45:23 | |
Aye, that's something. | 0:45:23 | 0:45:25 | |
Alfred was innocent, y'know. | 0:45:28 | 0:45:30 | |
Only reason he didn't have an alibi was cos he was at pitch and toss. | 0:45:31 | 0:45:35 | |
Nobody wanted to admit to illegal gambling. | 0:45:35 | 0:45:38 | |
Even when he was on a murder charge? | 0:45:38 | 0:45:41 | |
These things were run by gangsters. | 0:45:44 | 0:45:45 | |
People were scared. | 0:45:45 | 0:45:48 | |
Anyway he wasn't a man you'd remember, was Alfie. | 0:45:48 | 0:45:53 | |
He was a good dad, though, | 0:45:53 | 0:45:55 | |
a really good dad. | 0:45:55 | 0:45:56 | |
I lost a son and a husband. | 0:45:59 | 0:46:02 | |
Wankers! They've cut the gas off. | 0:46:10 | 0:46:15 | |
I'm sorry to bring all this up again. | 0:46:15 | 0:46:18 | |
It's OK. | 0:46:18 | 0:46:20 | |
It's with me, anyway. Every day. | 0:46:20 | 0:46:22 | |
I noticed something when I was reading about Thomas. | 0:46:23 | 0:46:27 | |
Brian Wilcox was taken on the same day. | 0:46:27 | 0:46:30 | |
Did you realise that? | 0:46:30 | 0:46:32 | |
I thought that's why you were here? | 0:46:32 | 0:46:34 | |
If Alfred didn't kill your son, who do you think did? | 0:46:37 | 0:46:41 | |
Were there have any other suspects? | 0:46:41 | 0:46:44 | |
Just Alfred. | 0:46:45 | 0:46:47 | |
Why would he take Thomas all the way to the canal? | 0:46:47 | 0:46:52 | |
It didn't make any sense. | 0:46:52 | 0:46:54 | |
The canal? They found him in the canal? | 0:46:54 | 0:46:57 | |
That's right. | 0:46:57 | 0:46:59 | |
I'm sorry, it didn't say that in the other articles. | 0:47:02 | 0:47:05 | |
I'd better get going. | 0:47:09 | 0:47:11 | |
Thanks again, Mrs Dempsie. | 0:47:11 | 0:47:15 | |
When they found him, the fish had got to him. | 0:47:15 | 0:47:18 | |
His eyes were gone. | 0:47:18 | 0:47:20 | |
Take my photograph? | 0:47:40 | 0:47:42 | |
I'm going to be famous. | 0:47:42 | 0:47:44 | |
You kidding? You might crack my lens. | 0:47:44 | 0:47:46 | |
You know what happened in that house, then, do you? | 0:47:48 | 0:47:50 | |
Yeah. A wee boy who lived there was killed a few years ago. | 0:47:50 | 0:47:54 | |
-Thomas Dempsie. -That's right, | 0:47:54 | 0:47:56 | |
but it wasn't that house, it was a bit further up, so you've been wasting your film. | 0:47:56 | 0:48:02 | |
Thanks. | 0:48:02 | 0:48:05 | |
You don't live round here, then? | 0:48:05 | 0:48:07 | |
-No. I'm working. -What d'ye work at? | 0:48:07 | 0:48:10 | |
Journalist, Daily News. | 0:48:10 | 0:48:12 | |
Oh, aye. | 0:48:12 | 0:48:14 | |
They don't pay you very much, obviously. | 0:48:14 | 0:48:17 | |
Or do all journalists look like they've just robbed the Army And Navy store? | 0:48:17 | 0:48:20 | |
I'll have you know these monkey boots are a one-off. | 0:48:20 | 0:48:23 | |
Kevin McCorkhill. | 0:48:24 | 0:48:26 | |
Heather Allen. | 0:48:26 | 0:48:28 | |
Yeah. You got a boyfriend, then, Heather? | 0:48:28 | 0:48:31 | |
I might or I might not. | 0:48:31 | 0:48:35 | |
-Who's interested? -Maybe me. | 0:48:35 | 0:48:38 | |
Maybe you? | 0:48:38 | 0:48:40 | |
Brave boy wearing an earring. | 0:48:40 | 0:48:43 | |
I heard a guy got beat up around here for using an umbrella. | 0:48:43 | 0:48:45 | |
Aye, that was me. | 0:48:45 | 0:48:47 | |
I better be off. | 0:48:47 | 0:48:50 | |
-I'll chum you a wee bit. Like you say, you cannae be too careful round here. -I'll be fine. | 0:48:50 | 0:48:55 | |
Maybe we'll meet again, Heather. | 0:48:58 | 0:49:00 | |
Maybe we will. | 0:49:00 | 0:49:02 | |
McVie! | 0:49:09 | 0:49:11 | |
Christ, you get fatter every time I see you, Meehan. | 0:49:11 | 0:49:14 | |
-Can I come out with you in the car again tonight? -No chance. Not after last time. -But we got a story. | 0:49:14 | 0:49:19 | |
We? | 0:49:19 | 0:49:21 | |
I might be fat, but tomorrow I could be thin. You'll always be a wank! | 0:49:21 | 0:49:25 | |
Devlin's looking for you. | 0:49:30 | 0:49:32 | |
You wanted to see me? | 0:49:41 | 0:49:43 | |
Where have you fuckin' been? | 0:49:43 | 0:49:45 | |
PHONE RINGS | 0:49:45 | 0:49:49 | |
-Hello. -'Heather Allen?' | 0:49:49 | 0:49:51 | |
-That's right? -'Do you want to know about Brian Wilcox?' | 0:49:51 | 0:49:54 | |
-Who's this? -'I said, do you want to know about Brian?' | 0:49:54 | 0:49:57 | |
Erm, what can you tell me about that? | 0:49:59 | 0:50:01 | |
'Not on the phone. Meet me.' | 0:50:01 | 0:50:04 | |
-Name the place. -'Underground car park at Central.' | 0:50:04 | 0:50:06 | |
'About 11 o'clock tonight. I'll have a Daily News.' | 0:50:06 | 0:50:09 | |
-I'll see you... -LINE GOES DEAD | 0:50:09 | 0:50:11 | |
..there. | 0:50:11 | 0:50:12 | |
So what, that's it? | 0:50:22 | 0:50:23 | |
This boy Dempsie went missing the same day eight years ago? | 0:50:23 | 0:50:28 | |
Both found in the canal. | 0:50:28 | 0:50:30 | |
Both from Langhill. Don't you think that's a bit of a coincidence? | 0:50:30 | 0:50:34 | |
So what are you saying, they're the same killer? | 0:50:34 | 0:50:36 | |
Cos the coppers know who killed Thomas Dempsie, he died in jail. End of story. | 0:50:36 | 0:50:40 | |
The cops get it wrong sometimes, don't they? | 0:50:40 | 0:50:43 | |
You can't just walk out of here whenever you feel like it, Meehan, | 0:50:43 | 0:50:46 | |
you're not a journalist, your a copy boy! | 0:50:46 | 0:50:49 | |
I could be. | 0:50:49 | 0:50:50 | |
-Sorry? -I could be. | 0:50:50 | 0:50:52 | |
That would make a funny by-line by Paddy Meehan. | 0:50:52 | 0:50:55 | |
I can live with Patricia. | 0:50:55 | 0:50:58 | |
Why d'you want to be like them, anyway? | 0:51:06 | 0:51:08 | |
Mean-spirited bunch of bastards, every last one of them. | 0:51:10 | 0:51:14 | |
And not just this lot - | 0:51:15 | 0:51:17 | |
worked all over before I came here, you know. | 0:51:17 | 0:51:20 | |
Manchester, London, they're all the same. | 0:51:20 | 0:51:22 | |
Hearts like bone, minds trained to think the worst of everybody. | 0:51:22 | 0:51:26 | |
Is that how you want to end up? | 0:51:26 | 0:51:28 | |
I was eight when the Paddy Meehan story broke. | 0:51:31 | 0:51:34 | |
He'd still be in jail if it wasn't for a journalist. | 0:51:34 | 0:51:37 | |
Sometimes we're a person's last chance, when nobody else | 0:51:37 | 0:51:41 | |
believes them, when everybody has got bored with the story, we can still make a difference. | 0:51:41 | 0:51:46 | |
I don't want to be like them. | 0:51:48 | 0:51:50 | |
I want to be a journalist. | 0:51:50 | 0:51:52 | |
Fuck me, I've just had a Frank Capra moment. | 0:51:54 | 0:51:58 | |
Listen, you. | 0:51:58 | 0:52:00 | |
You leave here without permission one more time and I'll sack you, you understand? | 0:52:03 | 0:52:07 | |
Now fuck off. | 0:52:09 | 0:52:11 | |
DOOR SLAMS AND ECHOES | 0:52:40 | 0:52:42 | |
SHE SIGHS | 0:53:48 | 0:53:49 | |
SHE GASPS | 0:53:53 | 0:53:55 | |
SHE YELLS | 0:53:55 | 0:54:01 | |
SHE SCREAMS | 0:54:01 | 0:54:04 | |
No! No! NO! | 0:54:07 | 0:54:09 | |
Subtitles by Red Bee Media Ltd | 0:54:24 | 0:54:27 | |
E-mail [email protected] | 0:54:27 | 0:54:31 | |
That boy, Ogilvey, your relative. | 0:54:52 | 0:54:54 | |
They'll convict him, sure as eggs is eggs. | 0:54:54 | 0:54:57 | |
Ms Meehan, your colleague is dead. | 0:54:57 | 0:55:00 | |
It'll only take a few minutes. | 0:55:00 | 0:55:02 | |
I just want to know what you told the police. | 0:55:02 | 0:55:05 | |
You have a temper, then. | 0:55:05 | 0:55:06 | |
-I'm sorry I did it now. -WAIT! | 0:55:06 | 0:55:08 | |
There're links between these cases. | 0:55:08 | 0:55:10 | |
If you won't print it, I'll take it to another paper and they will. | 0:55:10 | 0:55:13 | |
See what you can find, write it up. I'll take a look at it. | 0:55:13 | 0:55:16 | |
I heard you speaking to Devlin. | 0:55:16 | 0:55:18 | |
Are you trying to steal my story? | 0:55:18 | 0:55:19 | |
I want to know if you and me can work together. | 0:55:19 | 0:55:21 | |
-What's going on, Paddy? -I wanted to go to Pete. | 0:55:21 | 0:55:24 | |
I always thought he was innocent, | 0:55:24 | 0:55:26 | |
I never doubted it. | 0:55:26 | 0:55:28 | |
Can you say the same? | 0:55:28 | 0:55:30 |