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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:04 | 0:00:08 | |
D'you see where he went? Did you see my Brian? | 0:00:08 | 0:00:10 | |
-No. -BRIAN! | 0:00:10 | 0:00:13 | |
Is that where they found him, then? In the canal. | 0:00:13 | 0:00:15 | |
You don't need to know where they found him. You're just the fat tart that makes the coffee! | 0:00:15 | 0:00:18 | |
A posh journalist, you want to be? | 0:00:18 | 0:00:20 | |
-The boy in the Brian Wilcox case, he's here. -There's no boy... | 0:00:20 | 0:00:24 | |
-I just saw a boy, right there. -What d'you work at? | 0:00:24 | 0:00:27 | |
-Journalist. Daily News. -Oh, aye, got a boyfriend, then? -Who's interested? | 0:00:27 | 0:00:31 | |
Well done last night. | 0:00:31 | 0:00:34 | |
-Is that definitely him? -Yep. -Calum Ogilvey is my cousin's kid. | 0:00:34 | 0:00:37 | |
I confided in Heather. Now my whole family is going to disown me when they see that story. | 0:00:37 | 0:00:42 | |
Family first. Have you got that? | 0:00:42 | 0:00:44 | |
-Sorry, but that's just the game were in. -You... -Hey! | 0:00:44 | 0:00:47 | |
Oh, God, he looks like Brian Wilcox. | 0:00:51 | 0:00:52 | |
Dempsie. I remember that. | 0:00:52 | 0:00:55 | |
-I want to find out more about it. It might help Calum. -How? -I'm not sure yet. | 0:00:55 | 0:00:59 | |
Hi, Mrs Dempsie? | 0:00:59 | 0:01:01 | |
I'd like to talk to you about the murder of your son, Thomas. | 0:01:01 | 0:01:04 | |
'You want to know about Brian Wilcox?' | 0:01:04 | 0:01:06 | |
No, NO! | 0:01:12 | 0:01:13 | |
-Is Sean there? It's Paddy. -'He's not here.' | 0:02:04 | 0:02:08 | |
Can I just speak to him for a minute, please? | 0:02:08 | 0:02:12 | |
LINE GOES DEAD | 0:02:12 | 0:02:14 | |
Gentlemen, this is police officers DS Hugh Patterson and DC Colin McGovern. | 0:02:40 | 0:02:46 | |
Something very sad's just happened. | 0:02:46 | 0:02:49 | |
Can I have a bit of hush?! | 0:02:49 | 0:02:51 | |
I said, something very sad has just happened. | 0:02:51 | 0:02:53 | |
A body was found on waste ground in Naghill this morning, | 0:02:57 | 0:03:00 | |
and we have good reason to believe it is that of your colleague, Heather Allen. | 0:03:00 | 0:03:04 | |
We also believe the young lady was murdered. | 0:03:04 | 0:03:08 | |
Her car was found in the car park at Central Station, and we're asking for your help. | 0:03:08 | 0:03:13 | |
If anyone has relevant information, please come forward. | 0:03:13 | 0:03:17 | |
I've assured the officers that you will all cooperate. | 0:03:17 | 0:03:22 | |
You can use the sub editors' office for interviews. | 0:03:22 | 0:03:25 | |
Right. Can I have Patricia Meehan and Peter McIltchie first, please? | 0:03:25 | 0:03:32 | |
As well as cooperating with the officers, we will be reporting this story, | 0:03:32 | 0:03:35 | |
so you pull your fingers out, all right? | 0:03:35 | 0:03:39 | |
Go and find me Dr Pete. | 0:03:39 | 0:03:40 | |
It's a drink I need, no' tea and sympathy. | 0:03:54 | 0:03:56 | |
Why do they want to talk to you, anyway? I know why me, but why you? | 0:03:59 | 0:04:02 | |
I know one of them. Used to drink with his father. | 0:04:02 | 0:04:06 | |
-Plus you always know what's going on in this place. -Do I? | 0:04:06 | 0:04:09 | |
You, in here. Mr McIltchie, if you don't mind waiting. | 0:04:10 | 0:04:13 | |
-You had a fight with Heather - is that right, Patricia? -It is. | 0:04:15 | 0:04:21 | |
What was that all about? | 0:04:21 | 0:04:22 | |
I'm related to the boy in the Wilcox case. | 0:04:22 | 0:04:26 | |
-Calum Ogilvey? -When I found out, I confided in Heather, and she wrote up a story without my permission. | 0:04:26 | 0:04:33 | |
My family think it was me and now they won't speak to me. | 0:04:33 | 0:04:37 | |
So you were justifiably angry at her? | 0:04:37 | 0:04:40 | |
-I was. -You hit her? | 0:04:40 | 0:04:43 | |
-No, we had an argument in a toilet. -You didn't hit her? | 0:04:43 | 0:04:49 | |
-You must have done something. I know -I -would have. -I stuck her head in the pan and flushed it. | 0:04:49 | 0:04:57 | |
-I'm sorry I did it now. -You have a temper, then? | 0:04:57 | 0:05:00 | |
Are you working on the Brian Wilcox case? | 0:05:00 | 0:05:04 | |
Our Division is - why? | 0:05:04 | 0:05:07 | |
Have you ever heard of a wee boy called Thomas Dempsie? | 0:05:07 | 0:05:10 | |
We're not here to talk about that. | 0:05:14 | 0:05:16 | |
Has anyone ever noticed the similarities between the two cases? | 0:05:16 | 0:05:18 | |
-If you knew more about them, you'd know they're different. -But if... -Miss Meehan. | 0:05:18 | 0:05:23 | |
Your colleague is dead. | 0:05:23 | 0:05:25 | |
Her skull was almost split in half. | 0:05:25 | 0:05:28 | |
Was she investigating anything? Did she have any contacts she met regularly? | 0:05:32 | 0:05:38 | |
-I don't think so. -A boyfriend? | 0:05:38 | 0:05:40 | |
Could she have maybe had someone on the side she didn't tell you about? | 0:05:40 | 0:05:43 | |
No, she would have mentioned it. | 0:05:43 | 0:05:45 | |
So she'd have told you if she was having an affair with anyone at the paper? | 0:05:45 | 0:05:49 | |
Yeah, but she wouldn't. Too smart. | 0:05:49 | 0:05:53 | |
This lot in here? They'd think she was a tart. | 0:05:53 | 0:05:55 | |
Even if it gave her an advantage at work? | 0:05:55 | 0:05:57 | |
Must have been difficult. | 0:05:57 | 0:06:00 | |
Two girls working together, one good-looking, the other... | 0:06:00 | 0:06:04 | |
less so. | 0:06:04 | 0:06:06 | |
It's easier working here if all the men don't fancy you. | 0:06:06 | 0:06:08 | |
So you weren't jealous? | 0:06:08 | 0:06:12 | |
I want to be a journalist, not a bunny girl. Of course I was jealous. | 0:06:12 | 0:06:16 | |
But she was my friend. | 0:06:16 | 0:06:17 | |
That's all for now. | 0:06:21 | 0:06:22 | |
-You OK? -I just need a drink. | 0:06:27 | 0:06:29 | |
Tell no-one. | 0:06:33 | 0:06:36 | |
-Can I talk to you for a minute? -Clock's ticking. | 0:06:52 | 0:06:54 | |
I've got an idea that there's another story hiding inside the Wilcox case. | 0:06:56 | 0:06:59 | |
Liddel's giving his copy in now. Want to make it tops? | 0:06:59 | 0:07:02 | |
-Let's see what he comes up with first. -How long do you think the police are going to be in here? | 0:07:02 | 0:07:05 | |
It's doing my head in. We can't work like this. | 0:07:05 | 0:07:07 | |
That's entirely up to them. | 0:07:07 | 0:07:09 | |
Everyone has been in here with a different idea about the Brian case, | 0:07:11 | 0:07:13 | |
including you, and you're not even a bleeding journalist. | 0:07:13 | 0:07:16 | |
There are links between these cases, and if you won't print it, I'll take it to another paper. And they will. | 0:07:16 | 0:07:20 | |
I'm related to the killer... remember? | 0:07:20 | 0:07:22 | |
All right, go on. See what you can find. | 0:07:26 | 0:07:28 | |
Write it up. I'll take a look at it. | 0:07:28 | 0:07:30 | |
Miss Meehan... just on my way to see you. | 0:07:33 | 0:07:36 | |
-Let me ask about the night you and Heather went out in the call car. -Yeah? | 0:07:36 | 0:07:41 | |
This McVie character, did he have a thing about her? | 0:07:41 | 0:07:44 | |
George McVie? He's got a thing about any woman. | 0:07:44 | 0:07:47 | |
A lech, then? | 0:07:47 | 0:07:49 | |
They're all leches. | 0:07:49 | 0:07:51 | |
-So nothing happened that night between them? -No, we just went out on a couple of calls. | 0:07:51 | 0:07:58 | |
OK. That's enough for now, but we might need to speak to you again, | 0:07:58 | 0:08:01 | |
so be available. | 0:08:01 | 0:08:03 | |
Devlin's requested any slips that Heather filled out in the last month. | 0:08:08 | 0:08:12 | |
He wants to know what clippings she was looking at. Oh, I nearly forgot. | 0:08:12 | 0:08:16 | |
A bit more background on the Thomas Dempsie case. | 0:08:16 | 0:08:18 | |
Can you look under Alfred Dempsie this time? | 0:08:18 | 0:08:21 | |
You OK? | 0:08:46 | 0:08:47 | |
I'm fine. | 0:08:47 | 0:08:49 | |
It's been a weird day, right enough. | 0:08:52 | 0:08:54 | |
D'you mind if I sit down? | 0:08:56 | 0:08:58 | |
-Next to the fat lassie? -What? | 0:08:58 | 0:09:01 | |
I heard you in the press bar. | 0:09:01 | 0:09:03 | |
I'm sorry. Sorry, I must have had a few. | 0:09:03 | 0:09:06 | |
-You're no' exactly Paul Newman yourself. -Fair do's. | 0:09:06 | 0:09:10 | |
Is that us equal, then? Cos I've been wanting to speak to you. | 0:09:10 | 0:09:13 | |
About what? | 0:09:13 | 0:09:14 | |
Brian Wilcox. | 0:09:14 | 0:09:16 | |
I heard you speaking to Devlin. | 0:09:16 | 0:09:18 | |
Are you trying to steal my story? | 0:09:18 | 0:09:19 | |
If I was going to do that, I'd hardly come and tell you, would I? | 0:09:19 | 0:09:22 | |
I wanted to know if me and you could work together, just on an article about this previous case. | 0:09:22 | 0:09:27 | |
-It's my idea. -You know, I could help write it up. | 0:09:27 | 0:09:30 | |
If you want to move up from the bench, Devlin will have to use it unaltered... | 0:09:30 | 0:09:35 | |
or he'll think you're just a researcher. | 0:09:35 | 0:09:37 | |
What makes you think I can't do it on my own? | 0:09:37 | 0:09:40 | |
It's harder than you think. | 0:09:40 | 0:09:42 | |
This boy they've arrested, he's a relative, right? | 0:09:43 | 0:09:47 | |
That's why you're interested in this? | 0:09:47 | 0:09:49 | |
I'm interested because the police have got it wrong. | 0:09:49 | 0:09:51 | |
Calum visits his dad on a Sunday. | 0:09:51 | 0:09:54 | |
Brian Wilcox went missing on a Monday. | 0:09:54 | 0:09:56 | |
So Calum went all the way from his mum's on the south side to Langhill, | 0:09:56 | 0:09:59 | |
took Brian to the canal, killed him, then went back to the south side, and nobody saw him. | 0:09:59 | 0:10:04 | |
No, there's no way a kid could do that alone. | 0:10:04 | 0:10:07 | |
He was seen. | 0:10:07 | 0:10:10 | |
On the train. There's a witness. | 0:10:10 | 0:10:12 | |
-Well, witnesses can be wrong. -We can still do this story. I've got a car outside. | 0:10:14 | 0:10:20 | |
And I can eat my own weight in boiled eggs. Your point is? | 0:10:20 | 0:10:23 | |
These streets are mean. | 0:10:23 | 0:10:25 | |
I'm going to need some protection. | 0:10:25 | 0:10:28 | |
I can be Samantha, your lovely assistant, | 0:10:28 | 0:10:30 | |
and add some glamour to the act. How about that? | 0:10:30 | 0:10:32 | |
I'll think about it. | 0:10:32 | 0:10:34 | |
Have you seen Dr Pete? | 0:10:39 | 0:10:41 | |
He phoned in sick. He's sitting in the press bar. | 0:10:41 | 0:10:46 | |
That's a bit cheeky. | 0:10:46 | 0:10:48 | |
He's a cheeky man. | 0:10:48 | 0:10:49 | |
-What d'you want? -To ask you about the Thomas Dempsie murder. | 0:11:02 | 0:11:06 | |
I read some of the articles you wrote. | 0:11:06 | 0:11:08 | |
Sit down. | 0:11:09 | 0:11:11 | |
Get used to it. You'll have to sit at a lot of dirty tables if you want to work in this game. | 0:11:16 | 0:11:21 | |
How come everybody is a cynic round here? | 0:11:21 | 0:11:23 | |
Cynics are just heartbroken idealists. | 0:11:25 | 0:11:29 | |
What d'you want to know about Dempsie? | 0:11:31 | 0:11:33 | |
Brian was taken on the anniversary of his murder. | 0:11:33 | 0:11:36 | |
I know. | 0:11:36 | 0:11:38 | |
Don't you think that's a bit strange? | 0:11:38 | 0:11:40 | |
It doesn't mean they're related to each other. | 0:11:40 | 0:11:42 | |
It's a big coincidence. | 0:11:42 | 0:11:44 | |
If you look hard enough, you find what you want to find. | 0:11:44 | 0:11:47 | |
You know how many murders there were on that day? | 0:11:47 | 0:11:49 | |
Naw, you need more than coincidence. | 0:11:51 | 0:11:53 | |
Big or not. | 0:11:53 | 0:11:55 | |
So tell me what happened back then. | 0:11:55 | 0:11:58 | |
-How did you get the interviews? -I doorstepped Tracy Dempsie. | 0:11:58 | 0:12:02 | |
It was a big story. | 0:12:02 | 0:12:04 | |
The Moors Murders were still fresh in folk's minds. | 0:12:04 | 0:12:07 | |
Was Alfred there when you interviewed her? | 0:12:07 | 0:12:09 | |
Aye, with his other kid, the older one. | 0:12:09 | 0:12:11 | |
His stepson? | 0:12:11 | 0:12:13 | |
Aye, he didn't like that kid, it was obvious. | 0:12:13 | 0:12:16 | |
But he loved wee Thomas, though. You could tell. | 0:12:16 | 0:12:19 | |
So you think he didn't do it? | 0:12:19 | 0:12:22 | |
Hang around in this game long enough, you get an instinct for the truth. | 0:12:23 | 0:12:28 | |
Dempsie was innocent. | 0:12:28 | 0:12:30 | |
They were desperate to get somebody. And he didn't have an alibi. | 0:12:30 | 0:12:34 | |
But if you thought he was innocent, why didn't you do something? | 0:12:34 | 0:12:37 | |
The man died in prison. | 0:12:37 | 0:12:39 | |
What was I supposed to do? | 0:12:40 | 0:12:42 | |
I wasn't going to make a difference. | 0:12:42 | 0:12:45 | |
Are you going to talk to me or what? | 0:12:46 | 0:12:49 | |
You disappear, phone in sick, then sit in here all day? | 0:12:49 | 0:12:52 | |
-What's wrong with you? -Cancer. -Balls. -Naw, liver actually. | 0:12:52 | 0:12:57 | |
And this bar is where I want to be. | 0:12:57 | 0:12:59 | |
Sorry to hear that, Peter. | 0:13:02 | 0:13:04 | |
That boy, Ogilvey, your relative... | 0:13:12 | 0:13:16 | |
they'll convict him, sure as eggs is eggs. | 0:13:16 | 0:13:19 | |
Should you be drinking? | 0:13:19 | 0:13:21 | |
Not going to make any difference now. | 0:13:23 | 0:13:25 | |
I should go. | 0:13:25 | 0:13:27 | |
No, no, stay. | 0:13:27 | 0:13:30 | |
Finish your drink. | 0:13:30 | 0:13:31 | |
You're one of the few folk I like about here. | 0:13:31 | 0:13:35 | |
Really? I'd hate to see you with somebody you didn't like. | 0:13:35 | 0:13:38 | |
Mum? | 0:13:55 | 0:13:56 | |
You smell like a brewery. | 0:14:07 | 0:14:09 | |
Suppose you heard about Calum? | 0:14:11 | 0:14:13 | |
Got the call tonight. | 0:14:13 | 0:14:14 | |
-What about him? -He tried to commit suicide in prison. | 0:14:14 | 0:14:18 | |
Slashed his wrists. | 0:14:18 | 0:14:21 | |
-Night, then. -Night. | 0:14:25 | 0:14:28 | |
I need the name of the witness that saw Calum on the train. | 0:14:43 | 0:14:46 | |
I'll see what I can do. | 0:14:46 | 0:14:48 | |
Did you think about what I said? | 0:14:48 | 0:14:52 | |
Get me that name and you've got a deal. | 0:14:52 | 0:14:55 | |
Hey. | 0:15:01 | 0:15:03 | |
It's all I could get. | 0:15:03 | 0:15:05 | |
And just so you know, she picked him out the line-up. OK? | 0:15:05 | 0:15:08 | |
Yeah, thanks. | 0:15:08 | 0:15:10 | |
DIALLING TONE | 0:15:35 | 0:15:37 | |
-Hello? -'Hello.' | 0:15:37 | 0:15:38 | |
Hello, I was wondering if I could speak to Mrs Simmel? | 0:15:38 | 0:15:41 | |
'Mrs who?' | 0:15:41 | 0:15:43 | |
-Cancer? -'Aye, hen.' -I'm really sorry. That's terrible. | 0:15:43 | 0:15:47 | |
Oh, God! | 0:15:47 | 0:15:50 | |
Nobody by that name? | 0:15:50 | 0:15:52 | |
Are you sure? It says in the book... | 0:15:52 | 0:15:54 | |
DIALLING TONE | 0:15:54 | 0:15:55 | |
She moved away when exactly? | 0:15:55 | 0:15:58 | |
-'Hello?' -Hi, there. Can I speak to Mrs Simmel please? | 0:15:58 | 0:16:01 | |
'Miss.' | 0:16:01 | 0:16:02 | |
Sorry. | 0:16:02 | 0:16:04 | |
'It's Miss Simmel. Is this the police again?' | 0:16:04 | 0:16:06 | |
No, no, it's the Daily News. | 0:16:06 | 0:16:09 | |
Is this the same Miss Simmel that came forward as a witness in the Brian Wilcox case? | 0:16:09 | 0:16:13 | |
'That's right. Who did you say you were?' | 0:16:13 | 0:16:16 | |
I'm with the Daily News. | 0:16:16 | 0:16:19 | |
I was just wondering if I could ask you a few questions. | 0:16:19 | 0:16:21 | |
'A reporter? What age are you, for goodness' sake? You sound very young.' | 0:16:21 | 0:16:25 | |
A researcher would be more accurate. | 0:16:25 | 0:16:27 | |
'Oh, well, good for you. But I'm bit busy, sorry.' | 0:16:27 | 0:16:31 | |
It'll only take a few minutes. | 0:16:31 | 0:16:33 | |
I just wanted to know what you told the police. | 0:16:33 | 0:16:36 | |
'For the paper? | 0:16:36 | 0:16:37 | |
'Well, I saw the boy on the train. That's all. | 0:16:37 | 0:16:43 | |
'I was a primary school teacher in my younger days | 0:16:43 | 0:16:46 | |
'and I know children well. He seemed very disturbed.' | 0:16:46 | 0:16:49 | |
And it was definitely Calum Ogilvey? | 0:16:49 | 0:16:51 | |
'Is that his name, the boy who did this terrible thing?' | 0:16:51 | 0:16:56 | |
Yeah, that's right. | 0:16:56 | 0:16:57 | |
'And only ten. How must he have been brought up? | 0:16:57 | 0:17:01 | |
'Y'know they told me that he'd never even been to a dentist. | 0:17:01 | 0:17:05 | |
'I couldn't finish my biscuit when they told me that.' | 0:17:05 | 0:17:08 | |
Your biscuit? | 0:17:08 | 0:17:10 | |
'Silly, I know. But I just put it down on the saucer. | 0:17:10 | 0:17:13 | |
'I mean even if the parents didn't take him to the dentist, surely the school should.' | 0:17:14 | 0:17:18 | |
Right. Thank you. | 0:17:18 | 0:17:21 | |
They gave her tea and biscuits | 0:17:21 | 0:17:23 | |
before she went to pick him out of the line-up. | 0:17:23 | 0:17:25 | |
Don't you see? They were priming her. | 0:17:25 | 0:17:27 | |
-Whoa, slow down. What are you talking about, the witness? -Simmel, aye. | 0:17:27 | 0:17:30 | |
What? You spoke to her? Paddy, you can't do that. | 0:17:30 | 0:17:33 | |
Calum tried to kill himself, I don't have time to hang about. | 0:17:33 | 0:17:36 | |
They told her that Calum had never been to a dentist. | 0:17:36 | 0:17:38 | |
He has a bad tooth at the front. She'd spot him straightaway. | 0:17:38 | 0:17:41 | |
If we're going to work together, tell me exactly what you're thinking. | 0:17:41 | 0:17:44 | |
OK. I'm thinking we should go to Langhill. | 0:17:44 | 0:17:47 | |
I like this. | 0:17:51 | 0:17:52 | |
We're like Woodward and Bernstein, aren't we? | 0:17:52 | 0:17:55 | |
Think so? | 0:17:55 | 0:17:56 | |
Yeah. Wonder how those guys felt? | 0:17:56 | 0:17:58 | |
They didn't just find a story, did they? They changed history. | 0:17:58 | 0:18:01 | |
How cool is that? | 0:18:01 | 0:18:03 | |
That's what I want to do. Make a difference. | 0:18:03 | 0:18:05 | |
Yeah, me too. | 0:18:05 | 0:18:07 | |
ICE-CREAM VAN TUNE PLAYS | 0:18:07 | 0:18:10 | |
There's the park where they took Brian over there. | 0:18:10 | 0:18:13 | |
What d'you mean, "they"? | 0:18:13 | 0:18:14 | |
-Calum didn't do this on his own. -All right, do you want to take a look over there, then? | 0:18:14 | 0:18:19 | |
No, wait. | 0:18:19 | 0:18:20 | |
The ice-cream man's waiting at the wrong place. | 0:18:22 | 0:18:25 | |
The guy from the grocery van said it stopped at Gina Wilcox's house. | 0:18:25 | 0:18:29 | |
-What guy, Paddy? -Hang on a minute. | 0:18:29 | 0:18:30 | |
Here, wee man. | 0:18:31 | 0:18:33 | |
-Does that ice-cream van always stop down there? -Aye. | 0:18:33 | 0:18:36 | |
Always on the same day? | 0:18:36 | 0:18:38 | |
Aye. | 0:18:38 | 0:18:39 | |
It never stops at the Wilcox house? | 0:18:39 | 0:18:41 | |
Do you mind? He'll run out of Mivis! | 0:18:41 | 0:18:43 | |
What time does the grocery van get here? | 0:18:43 | 0:18:45 | |
About half six, but his sweeties are rubbish! | 0:18:45 | 0:18:48 | |
PAGER BEEPS | 0:18:48 | 0:18:49 | |
Shit! | 0:18:49 | 0:18:50 | |
What's that? | 0:18:50 | 0:18:52 | |
Sorry, it's just my pager. | 0:18:52 | 0:18:54 | |
Your what? | 0:18:54 | 0:18:55 | |
It's my pager. It's Devlin's way of saying he needs me back. | 0:18:55 | 0:18:58 | |
Does it beep a lot? | 0:18:58 | 0:18:59 | |
Only when he's pissed off. Listen, are you going home? | 0:18:59 | 0:19:01 | |
I can give you a lift back if you want. | 0:19:01 | 0:19:03 | |
-No. I'm all right. I fancy a walk. -You sure? | 0:19:03 | 0:19:05 | |
Yeah, I'll see you later. | 0:19:05 | 0:19:07 | |
All right, see you later. | 0:19:07 | 0:19:09 | |
Refreshers, right? | 0:19:56 | 0:19:58 | |
I never forget a customer. | 0:19:58 | 0:20:00 | |
The ice-cream van doesn't stop outside the Wilcox house. | 0:20:00 | 0:20:03 | |
Come in out the cold. | 0:20:03 | 0:20:05 | |
Keep the heat in. | 0:20:14 | 0:20:17 | |
So, | 0:20:18 | 0:20:19 | |
what can I do you for? | 0:20:19 | 0:20:22 | |
I was asking about Brian Wilcox the other day? | 0:20:22 | 0:20:25 | |
I remember. Aye. | 0:20:25 | 0:20:27 | |
You said that they came from all over to meet the ice-cream van. | 0:20:27 | 0:20:30 | |
Outside the Wilcox house. | 0:20:30 | 0:20:31 | |
That's right. | 0:20:31 | 0:20:32 | |
But it doesn't stop there. | 0:20:32 | 0:20:35 | |
No? | 0:20:35 | 0:20:37 | |
I thought it did. | 0:20:37 | 0:20:39 | |
I've led a worthless life, | 0:20:46 | 0:20:49 | |
but through the grace of God, I have found peace. | 0:20:49 | 0:20:52 | |
Don't you think the cops are on top of this, eh? | 0:20:58 | 0:21:02 | |
Do you know Calum Ogilvey? | 0:21:02 | 0:21:05 | |
-His Dad lives just over there. -Who? | 0:21:05 | 0:21:08 | |
The boy that took Brian. | 0:21:08 | 0:21:10 | |
I'm no' wi' you. | 0:21:10 | 0:21:12 | |
Where are you going with this, exactly? | 0:21:12 | 0:21:14 | |
The day that Brian went missing... | 0:21:14 | 0:21:17 | |
Calum wasn't visiting his Dad. | 0:21:17 | 0:21:19 | |
There must be some reason why he came all this way to pick that boy. | 0:21:20 | 0:21:25 | |
Why don't I drop you somewhere, huh? | 0:21:39 | 0:21:42 | |
Wait! | 0:21:44 | 0:21:46 | |
BUZZER | 0:22:21 | 0:22:23 | |
TERRY: 'Hello, who is it?' | 0:22:23 | 0:22:24 | |
It's me, Paddy. Can I come in? | 0:22:24 | 0:22:27 | |
I'm sorry to bother you. I got your address from the office. | 0:22:29 | 0:22:33 | |
It's OK. | 0:22:33 | 0:22:34 | |
What's wrong? | 0:22:34 | 0:22:35 | |
Shh, whoa... | 0:22:35 | 0:22:37 | |
Come here. What happened? | 0:22:37 | 0:22:38 | |
SHE SOBS | 0:22:38 | 0:22:40 | |
I just got this really bad feeling and then I saw the blonde hair on the glove. | 0:22:43 | 0:22:47 | |
I'm sure it's Heather's. | 0:22:47 | 0:22:48 | |
We'll check if that van was around when Brian or Thomas went missing. | 0:22:49 | 0:22:53 | |
That proves nothing. | 0:22:53 | 0:22:54 | |
I should have kept the glove. | 0:22:54 | 0:22:56 | |
Hey, listen to me. | 0:22:56 | 0:22:59 | |
Don't be giving yourself a hard time, Paddy. | 0:22:59 | 0:23:02 | |
You had a real scare tonight. | 0:23:02 | 0:23:03 | |
What? | 0:23:07 | 0:23:08 | |
I don't want anything to happening to you, that's all. | 0:23:12 | 0:23:15 | |
No? | 0:23:15 | 0:23:17 | |
I'm... | 0:23:25 | 0:23:26 | |
I'm feeling a bit fat just now. | 0:23:26 | 0:23:28 | |
Hey, you're beautiful, OK? | 0:23:28 | 0:23:30 | |
BED CREAKS | 0:23:41 | 0:23:44 | |
I'm going to have to put some WD40 on that bed. | 0:23:51 | 0:23:55 | |
You seem very pleased with yourself. | 0:23:56 | 0:23:59 | |
We need our minds on something else now. | 0:23:59 | 0:24:01 | |
I'm sorry. | 0:24:02 | 0:24:04 | |
I forgot she was on the front page. | 0:24:04 | 0:24:06 | |
How did the guy in the van know Heather? | 0:24:06 | 0:24:08 | |
Got a name? | 0:24:17 | 0:24:19 | |
Heather. | 0:24:21 | 0:24:22 | |
Heather Allen. | 0:24:22 | 0:24:24 | |
'Shit.' | 0:24:24 | 0:24:25 | |
-He killed the wrong girl. -What? | 0:24:26 | 0:24:28 | |
I told him that my name was Heather. | 0:24:28 | 0:24:31 | |
And when I saw Tracy Dempsie, I did it again. | 0:24:31 | 0:24:33 | |
What d'you do that for? | 0:24:33 | 0:24:35 | |
In case they checked it out - I wanted them to take me seriously. | 0:24:35 | 0:24:37 | |
So you think this guy killed Heather thinking it was you, yeah? | 0:24:37 | 0:24:41 | |
-You'll have to go to the police and tell them, Paddy. -I will. | 0:24:41 | 0:24:44 | |
-Sunday? Is it Sunday? -Yeah, it is Sunday. | 0:24:44 | 0:24:47 | |
I've missed mass! | 0:24:47 | 0:24:50 | |
Where were you last night? | 0:25:03 | 0:25:06 | |
At a friend's. | 0:25:07 | 0:25:09 | |
We were going to have a tea for you. | 0:25:09 | 0:25:11 | |
We were worried sick. | 0:25:11 | 0:25:13 | |
-Sean, wait. -I don't want to talk to you just now. | 0:25:18 | 0:25:21 | |
I didn't give them that story. Let me explain. | 0:25:21 | 0:25:23 | |
I know you, Paddy, I know how ambitious you are. | 0:25:23 | 0:25:26 | |
There's something else I need to tell you. | 0:25:26 | 0:25:28 | |
I'm not interested. You brought this on yourself. | 0:25:28 | 0:25:30 | |
I'm not perfect, I know that. But you need to listen to me. | 0:25:30 | 0:25:34 | |
No, it's time you started listening to me. | 0:25:34 | 0:25:37 | |
What goes around comes around. | 0:25:37 | 0:25:40 | |
In that case, you'd better take this. | 0:25:40 | 0:25:43 | |
Take it. | 0:25:44 | 0:25:46 | |
Go home. | 0:26:08 | 0:26:09 | |
You're going to kill yourself. | 0:26:09 | 0:26:11 | |
I wrote a book once, do you know that? | 0:26:11 | 0:26:14 | |
About John Maclean. | 0:26:14 | 0:26:16 | |
Bet you don't even know who John Maclean is. | 0:26:16 | 0:26:19 | |
I do. He's buried in the Kremlin. | 0:26:19 | 0:26:21 | |
There was me thinking you were just a wee daft lassie. | 0:26:23 | 0:26:27 | |
I need to ask you some more questions. | 0:26:27 | 0:26:29 | |
Oh, leave us alone. | 0:26:29 | 0:26:32 | |
Was there ever any mention of a grocery van in the Dempsie case? | 0:26:32 | 0:26:35 | |
Leave us alone, will you? | 0:26:35 | 0:26:38 | |
What about a guy called Naismith? Ever heard of him? | 0:26:38 | 0:26:40 | |
Naismith was Tracy Dempsie's first husband. | 0:26:41 | 0:26:45 | |
The one she left for Alfred? | 0:26:49 | 0:26:50 | |
Aye. | 0:26:50 | 0:26:52 | |
That deserves a drink, eh? | 0:26:52 | 0:26:54 | |
It doesn't have to be like this, Dr Pete. | 0:26:54 | 0:26:57 | |
Aye, it does. | 0:26:57 | 0:27:00 | |
Dead men naked | 0:27:11 | 0:27:12 | |
They shall be one | 0:27:14 | 0:27:15 | |
With the man in the wind | 0:27:17 | 0:27:18 | |
And the west moon. | 0:27:20 | 0:27:21 | |
When their bones are picked clean | 0:27:24 | 0:27:26 | |
And the clean bones gone | 0:27:27 | 0:27:31 | |
They shall have stars | 0:27:33 | 0:27:34 | |
At elbow and foot. | 0:27:36 | 0:27:37 | |
Though they go mad | 0:27:39 | 0:27:40 | |
They shall be sane. | 0:27:42 | 0:27:43 | |
Though they sink through the sea | 0:27:45 | 0:27:47 | |
They shall rise again. | 0:27:49 | 0:27:50 | |
Though lovers be lost | 0:27:52 | 0:27:56 | |
Love shall not. | 0:27:59 | 0:28:01 | |
And death... | 0:28:03 | 0:28:04 | |
..shall know no dominion. | 0:28:06 | 0:28:08 | |
Death shall have no dominion! | 0:28:10 | 0:28:13 | |
DS Patterson, please. | 0:28:29 | 0:28:30 | |
It's about Heather Allen. | 0:28:30 | 0:28:32 | |
Have you got a name? | 0:28:32 | 0:28:34 | |
It's Patricia... | 0:28:34 | 0:28:35 | |
Meehan. | 0:28:35 | 0:28:36 | |
So how can I help you, Miss Meehan? | 0:28:47 | 0:28:49 | |
I've got some new information. | 0:28:49 | 0:28:51 | |
-Fire away, Scoop. -I was picked up in the east end by someone. | 0:28:51 | 0:28:54 | |
I found one of Heather's hairs on a glove, then the guy attacked me. | 0:28:54 | 0:28:57 | |
Whoa! OK. Slow down, Kemosabe. | 0:28:57 | 0:29:00 | |
Through there. ..McGovern! | 0:29:00 | 0:29:02 | |
-Naismith? -He runs a grocery van. | 0:29:07 | 0:29:10 | |
He was Tracy Dempsie's first husband. | 0:29:10 | 0:29:12 | |
He could have killed Brian and Thomas. | 0:29:12 | 0:29:15 | |
-He didn't kill Brian. Your cousin did. -How can you be so sure? | 0:29:15 | 0:29:18 | |
I worked the Dempsie case, Meehan. | 0:29:18 | 0:29:20 | |
Henry Naismith was in the cells when Thomas was killed. | 0:29:20 | 0:29:23 | |
-He'd been arrested? -Aye. He was in one of the gangs back then. | 0:29:23 | 0:29:27 | |
Done for affray. | 0:29:27 | 0:29:29 | |
-But he's got history of violence, right? -He was a street fighter back in the '60s, | 0:29:29 | 0:29:33 | |
but he's a nice guy now, | 0:29:33 | 0:29:35 | |
-he wouldn't hurt anyone. -He wanted to hurt me. | 0:29:35 | 0:29:38 | |
Are you sure? | 0:29:38 | 0:29:40 | |
What were you doing in his van anyway? | 0:29:40 | 0:29:42 | |
Guy like Naismith might get the wrong idea, and you'd have nobody to blame but yourself if he did. | 0:29:42 | 0:29:46 | |
-I'm just trying to help. -We don't need your help. | 0:29:46 | 0:29:49 | |
So you think Heather Allen was in that van, and you had evidence | 0:29:54 | 0:29:58 | |
to prove it, but you lost it when he chased you in the road? | 0:29:58 | 0:30:00 | |
That's right. | 0:30:00 | 0:30:02 | |
Maybe you left something in his van and he was trying to return it? | 0:30:02 | 0:30:05 | |
Sounds like a misunderstanding to me. | 0:30:05 | 0:30:08 | |
Tell you what, first thing, we'll take a look in his van. | 0:30:09 | 0:30:13 | |
Thanks for coming. | 0:30:18 | 0:30:19 | |
You're all right. I'm guessing it didn't go well. | 0:30:19 | 0:30:23 | |
You'd be guessing right. | 0:30:23 | 0:30:24 | |
There's no way they're going to re-open the Thomas Dempsie case. | 0:30:24 | 0:30:28 | |
They're protecting themselves. | 0:30:28 | 0:30:30 | |
What if we approach Devlin? | 0:30:30 | 0:30:32 | |
Devlin's not going to print an attack on the police on our say-so, is he? | 0:30:32 | 0:30:36 | |
You're going to need proof, Paddy. | 0:30:36 | 0:30:38 | |
-We can't let Calum take the blame for something he didn't do. -I know. | 0:30:38 | 0:30:41 | |
We can't let this happen, Terry. | 0:30:41 | 0:30:43 | |
Have they cleaned out Heather's desk yet? | 0:30:46 | 0:30:49 | |
Why? | 0:30:49 | 0:30:50 | |
Come on. | 0:30:50 | 0:30:52 | |
I don't know what you think you're going to to find. | 0:30:52 | 0:30:55 | |
-The police will have taken all her notebooks. -I know. | 0:30:55 | 0:30:58 | |
-Oh, shit, what's McVie doing in? -McVie, can I've a word a sec, mate? | 0:31:01 | 0:31:07 | |
You know that article I was supposed to hand in the other day, to Devlin... | 0:31:07 | 0:31:10 | |
Here we go. | 0:31:20 | 0:31:22 | |
H Naismith, Dryden Street, Langhill. | 0:31:23 | 0:31:27 | |
That's Danny's street. | 0:31:27 | 0:31:30 | |
-He must know Calum. -Jesus. | 0:31:30 | 0:31:34 | |
Now do you believe me? | 0:31:34 | 0:31:36 | |
-I never said I didn't. -Yeah. | 0:31:36 | 0:31:38 | |
You weren't sure, though, were you? | 0:31:38 | 0:31:40 | |
Look, you don't need to be involved in this, I can do it on my own. | 0:31:41 | 0:31:45 | |
I'm not going to let you go there by yourself, am I, Paddy? | 0:31:45 | 0:31:48 | |
Come on. | 0:31:50 | 0:31:51 | |
You sure about this? | 0:31:53 | 0:31:56 | |
I am. Are you? | 0:31:56 | 0:31:58 | |
It's just the police said he was in the cells when Thomas was taken. | 0:31:59 | 0:32:03 | |
He could have taken him earlier, before he was arrested. | 0:32:03 | 0:32:06 | |
Tracy was in a state. She could have got the times wrong. | 0:32:06 | 0:32:09 | |
-I suppose so. -Look, all we're doing is making them check him out. | 0:32:09 | 0:32:12 | |
All we're doing, Paddy, is planting evidence. | 0:32:12 | 0:32:15 | |
They'll find other stuff. Brian was in that van. | 0:32:15 | 0:32:18 | |
I'm sure of it. | 0:32:18 | 0:32:19 | |
Done. Let's go. | 0:33:00 | 0:33:02 | |
We did the right thing. | 0:33:03 | 0:33:05 | |
Yeah, I hope so. | 0:33:05 | 0:33:06 | |
Sean. | 0:33:18 | 0:33:20 | |
So, who was that dropping you off? | 0:33:20 | 0:33:22 | |
Just somebody from work. | 0:33:23 | 0:33:25 | |
You work on a Sunday now? | 0:33:27 | 0:33:28 | |
The news doesn't take a day off. | 0:33:28 | 0:33:31 | |
I'm sorry about earlier. | 0:33:37 | 0:33:39 | |
I love you. I just want things to go back to the way they were. | 0:33:41 | 0:33:45 | |
Could we start again, | 0:33:45 | 0:33:48 | |
clean slate? | 0:33:48 | 0:33:49 | |
I don't know, Sean. | 0:33:51 | 0:33:54 | |
-You met someone else? -No, it's not that. | 0:33:54 | 0:33:57 | |
I just don't think I can be what you want. | 0:33:57 | 0:34:01 | |
I never going to be a good Catholic mother. | 0:34:01 | 0:34:03 | |
Not in the way you expect. | 0:34:03 | 0:34:06 | |
I don't even believe in God. | 0:34:06 | 0:34:07 | |
You don't have to. | 0:34:07 | 0:34:09 | |
I can't see myself getting married. | 0:34:09 | 0:34:12 | |
Not any more. | 0:34:12 | 0:34:15 | |
It's not you. If I wanted to be married to anyone, it would be you, | 0:34:15 | 0:34:20 | |
-but I don't. -You feel that way now... | 0:34:20 | 0:34:22 | |
I want a career | 0:34:22 | 0:34:24 | |
and I can't have them both, not round here. So I'm choosing my career. | 0:34:24 | 0:34:29 | |
Come on. | 0:34:32 | 0:34:34 | |
I'd make the worst wife in history. | 0:34:34 | 0:34:36 | |
You know I would. | 0:34:36 | 0:34:38 | |
I don't know why you said you'd marry me in the first place. | 0:34:38 | 0:34:41 | |
People change. | 0:34:41 | 0:34:44 | |
We can either fight about this, or accept that this is how it's going to be and stay pals. | 0:34:44 | 0:34:50 | |
Well, forgive me for being pissed off that you're choosing your career over me. | 0:34:50 | 0:34:55 | |
You really don't believe in God? | 0:34:59 | 0:35:01 | |
Spent half my life on my knees thinking it was a load of rubbish. | 0:35:01 | 0:35:04 | |
Look at you, you're so handsome. | 0:35:06 | 0:35:10 | |
You're going to be fighting them off. | 0:35:10 | 0:35:12 | |
I'm not good looking enough to be married to you anyway. | 0:35:12 | 0:35:16 | |
You know, Paddy, I always let you say stuff like that, | 0:35:16 | 0:35:21 | |
cos I liked that you were modest, | 0:35:21 | 0:35:23 | |
but you're a good-looking girl. | 0:35:23 | 0:35:26 | |
You are. | 0:35:26 | 0:35:28 | |
You're beautiful, Paddy. | 0:35:28 | 0:35:30 | |
Just beautiful. | 0:35:32 | 0:35:34 | |
That's me and Sean finished. | 0:35:48 | 0:35:50 | |
I thought you should know. | 0:35:50 | 0:35:52 | |
Is this machine-washable? I can't find the label. | 0:35:52 | 0:35:55 | |
Aye. Did you hear what I said? | 0:35:55 | 0:35:58 | |
Uh-huh. | 0:35:58 | 0:36:00 | |
If you've got something to say, now's your chance. | 0:36:00 | 0:36:02 | |
What do you want me to say? | 0:36:02 | 0:36:04 | |
You're doing the right thing? I can't. | 0:36:04 | 0:36:06 | |
I think you and Sean are made for each other. | 0:36:06 | 0:36:08 | |
-That's not your decision to make. -He's your people. Where you belong. | 0:36:08 | 0:36:13 | |
That's me away to bed! | 0:36:13 | 0:36:15 | |
I don't want to live in the one place doing the same thing over and over again. | 0:36:15 | 0:36:19 | |
Like me? | 0:36:21 | 0:36:23 | |
I never said that. | 0:36:24 | 0:36:26 | |
Maybe I did get it wrong. | 0:36:26 | 0:36:28 | |
Looking after my family, raising my children, | 0:36:28 | 0:36:32 | |
but I tell you one thing - without family, you have nothing. | 0:36:32 | 0:36:36 | |
-I wasn't talking about you. -No? | 0:36:36 | 0:36:38 | |
You've got some big ideas, Patricia Meehan. | 0:36:40 | 0:36:43 | |
You don't want me to end up with the wrong person, do you? | 0:36:43 | 0:36:47 | |
Just know this. | 0:36:50 | 0:36:52 | |
Some mistakes you just can't fix. | 0:36:52 | 0:36:55 | |
Hmm? | 0:37:01 | 0:37:03 | |
PHONE RINGS | 0:37:06 | 0:37:09 | |
-Where have you been? You're late. Devlin wants to see us. -Us? | 0:37:12 | 0:37:16 | |
-That you actually trying to shag your way to the top? -Excuse me? | 0:37:18 | 0:37:23 | |
Cos that may take some time. | 0:37:23 | 0:37:24 | |
Not as long as it'd take you. | 0:37:24 | 0:37:27 | |
Three things a woman shouldn't do. | 0:37:27 | 0:37:30 | |
Don't get drunk in high heels, don't fart in bed and don't try to be funnier than the men. | 0:37:30 | 0:37:35 | |
You don't leave us much to live for, do you? | 0:37:35 | 0:37:38 | |
Are you two an item? | 0:37:41 | 0:37:44 | |
-What? -Don't shit on your own doorstep, all right? | 0:37:44 | 0:37:48 | |
I've had a crush on McVie ever since I got here, but I've managed to control myself. | 0:37:48 | 0:37:53 | |
-Don't know what you're on about. -I've heard you've been getting chummy. | 0:37:53 | 0:37:56 | |
-Knock it on the head, OK? -McVie. -Thomas Dempsie. | 0:37:56 | 0:38:00 | |
Seems you were right. There is a tie-in with the Brian Wilcox case. | 0:38:00 | 0:38:03 | |
-Really? -Yeah, so here's the plan. | 0:38:03 | 0:38:05 | |
You write up the Dempsie case as history. If it's not complete shit, | 0:38:05 | 0:38:08 | |
-we might use it as an insert next week. -Why not wait until the trial? | 0:38:08 | 0:38:12 | |
That's the good news - I doubt there'll be a trial. | 0:38:12 | 0:38:16 | |
Naismith confessed this morning. | 0:38:16 | 0:38:18 | |
-To what? -Everything. | 0:38:18 | 0:38:20 | |
Kidnapping and murdering Heather. | 0:38:20 | 0:38:23 | |
Murdering Thomas Dempsie. Taking Brian. | 0:38:23 | 0:38:25 | |
-Getting the Ogilvey kid to kill him. -Well, why would he do that now? | 0:38:25 | 0:38:29 | |
They found evidence in his van linking him to Brian and Heather. | 0:38:29 | 0:38:32 | |
So what we need now is an interview with Calum Ogilvey on file. | 0:38:32 | 0:38:36 | |
-So can you get me to meet him? -You? | 0:38:36 | 0:38:38 | |
Yeah, me. I did used to be a journalist before I got here, you know. | 0:38:38 | 0:38:41 | |
You can liaise with me. | 0:38:41 | 0:38:43 | |
-No. -Sorry? | 0:38:43 | 0:38:46 | |
I want to interview Calum myself. | 0:38:46 | 0:38:49 | |
It's too big for you. | 0:38:49 | 0:38:51 | |
He won't speak to you, none of the family will. | 0:38:51 | 0:38:54 | |
They will speak to me. | 0:38:54 | 0:38:56 | |
Terry can help me write it up. | 0:38:56 | 0:38:57 | |
Yeah, I can do that. | 0:38:57 | 0:39:00 | |
Oh, I see. | 0:39:01 | 0:39:02 | |
OK. But on a personal note, I hate precocious shits like you and I hope you both burn out in your 30s. | 0:39:03 | 0:39:10 | |
Go on. | 0:39:10 | 0:39:12 | |
You are amazing. | 0:39:14 | 0:39:16 | |
You just got us the biggest story of the year. Come here. Come here! | 0:39:16 | 0:39:20 | |
Not here, you heard what he said. | 0:39:20 | 0:39:22 | |
It's all right. No-one's looking. | 0:39:22 | 0:39:24 | |
I don't care. I don't think I should get into anything with you just now. | 0:39:24 | 0:39:28 | |
So, what, you were just using me? | 0:39:28 | 0:39:31 | |
Using you? | 0:39:31 | 0:39:32 | |
I think it might have been the other way around, don't you? | 0:39:32 | 0:39:35 | |
It was my first time. | 0:39:35 | 0:39:37 | |
I need to figure out a way to get in to see Calum. | 0:39:39 | 0:39:42 | |
Here you are. | 0:39:49 | 0:39:51 | |
You're OK. I'm here. | 0:39:52 | 0:39:55 | |
Danny, I need a minute. | 0:39:59 | 0:40:02 | |
Please. | 0:40:02 | 0:40:04 | |
It's better if I speak to him, rather than one of those reporters at the News. | 0:40:07 | 0:40:11 | |
They can brutal, Danny, really brutal. | 0:40:11 | 0:40:14 | |
Why should he speak to any of ye? | 0:40:14 | 0:40:17 | |
To get his side of the story out. | 0:40:17 | 0:40:19 | |
He's innocent. He was forced to do it. | 0:40:19 | 0:40:23 | |
He's as much a victim as Brian Wilcox. | 0:40:23 | 0:40:25 | |
-People need to understand that. -They will understand. | 0:40:25 | 0:40:28 | |
No, they won't, Danny. They'll judge him. | 0:40:28 | 0:40:33 | |
I can stop that happening. | 0:40:33 | 0:40:35 | |
And further your career, no doubt. | 0:40:41 | 0:40:44 | |
I always thought he was innocent. | 0:40:44 | 0:40:47 | |
I never doubted it. | 0:40:47 | 0:40:50 | |
Can you say the same? | 0:40:50 | 0:40:53 | |
It's close family only. | 0:41:03 | 0:41:05 | |
You'll need to come in with me. | 0:41:08 | 0:41:11 | |
Open your bag. | 0:41:20 | 0:41:22 | |
These are for him, all right? | 0:41:22 | 0:41:24 | |
That should be fine, yeah. | 0:41:24 | 0:41:25 | |
Is that change in there? | 0:41:33 | 0:41:35 | |
It's your dad and your cousin here to see you. | 0:41:37 | 0:41:39 | |
Hey, Cal. | 0:41:39 | 0:41:41 | |
We brought you some new comics. | 0:41:43 | 0:41:45 | |
You remember your big cousin, Patricia, don't you? | 0:41:49 | 0:41:52 | |
What are you reading? | 0:41:58 | 0:42:00 | |
Dandy. | 0:42:00 | 0:42:02 | |
I loved the Dandy. | 0:42:02 | 0:42:05 | |
I was going to bring you some toys and stuff, but they wouldn't let me, | 0:42:05 | 0:42:09 | |
because of them. | 0:42:09 | 0:42:11 | |
If you promise not to do it again, I'll bring some next time. | 0:42:11 | 0:42:14 | |
OK. | 0:42:16 | 0:42:18 | |
Fancy a Flake? | 0:42:19 | 0:42:21 | |
Smuggled that one in myself. Don't ask how, you don't want to know. | 0:42:21 | 0:42:25 | |
Mind if I ask some questions? | 0:42:30 | 0:42:32 | |
Tell me what happened the day Brian Wilcox died. | 0:42:41 | 0:42:44 | |
I... | 0:42:44 | 0:42:46 | |
I ca...I can't remember. | 0:42:46 | 0:42:48 | |
Did you take him on a train? | 0:42:51 | 0:42:53 | |
Yeah. The police said I did. | 0:42:53 | 0:42:57 | |
What do you say? | 0:42:57 | 0:42:59 | |
We...we went in a motor. | 0:42:59 | 0:43:02 | |
A van. | 0:43:02 | 0:43:03 | |
Who was driving the van? | 0:43:05 | 0:43:07 | |
I can't say. | 0:43:09 | 0:43:11 | |
There's nothing to be afraid of now. | 0:43:11 | 0:43:14 | |
He said he'd hurt my mum if I told. | 0:43:17 | 0:43:19 | |
He won't. | 0:43:21 | 0:43:23 | |
You tell us his name, and he'll never hurt anyone again. | 0:43:23 | 0:43:26 | |
Cal, I'll make sure your mum's OK. | 0:43:26 | 0:43:30 | |
Mr Naismith. | 0:43:32 | 0:43:34 | |
You know Mr Naismith, then? | 0:43:36 | 0:43:38 | |
You've seen him before? | 0:43:38 | 0:43:40 | |
Mr Naismith. | 0:43:44 | 0:43:46 | |
With the earring. | 0:43:46 | 0:43:48 | |
Aye. | 0:43:48 | 0:43:49 | |
And did he tell you what to do to Brian... | 0:43:53 | 0:43:58 | |
or did you do it yourself? | 0:43:58 | 0:44:00 | |
HE SOBS | 0:44:00 | 0:44:02 | |
He made me. | 0:44:02 | 0:44:04 | |
He said...he said... he said he'd rip... | 0:44:06 | 0:44:10 | |
He said he'd rip my... | 0:44:10 | 0:44:13 | |
He said he'd rip my arse with his...with his cock. | 0:44:13 | 0:44:17 | |
HE SIGHS | 0:44:17 | 0:44:19 | |
I'll kill him, I'll kill him. | 0:44:19 | 0:44:23 | |
I didn't want to hurt anyone. | 0:44:23 | 0:44:26 | |
-Honest. -HE WEEPS | 0:44:27 | 0:44:31 | |
Shh... This will be OK. It's OK. | 0:44:31 | 0:44:35 | |
You OK? | 0:44:46 | 0:44:48 | |
Dr Pete's in hospital - | 0:44:52 | 0:44:55 | |
he collapsed in the press bar earlier. | 0:44:55 | 0:44:58 | |
Look, we don't have to do this now. | 0:44:58 | 0:45:01 | |
You know we can speak to Tracy later. | 0:45:01 | 0:45:03 | |
No. It's OK. | 0:45:03 | 0:45:05 | |
-Let's do it. -You sure? | 0:45:05 | 0:45:08 | |
OK, c'mon. | 0:45:08 | 0:45:09 | |
You're not called Heather. | 0:45:12 | 0:45:15 | |
Why did you lie to me? | 0:45:15 | 0:45:16 | |
I'm sorry, I thought you might check up on me. | 0:45:16 | 0:45:19 | |
Why would I care? You're all the same. | 0:45:19 | 0:45:22 | |
Tracy, we need to talk. | 0:45:22 | 0:45:24 | |
Henry Naismith has been arrested. | 0:45:25 | 0:45:27 | |
For what? | 0:45:27 | 0:45:30 | |
He's confessed to killing Thomas. | 0:45:30 | 0:45:32 | |
I'm sorry for all your troubles, Tracy, you don't deserve any of this. | 0:45:32 | 0:45:37 | |
Do you have a picture we could use? | 0:45:37 | 0:45:39 | |
It's just you wouldn't want a police photo in the paper, would you? You'd want a nice one. | 0:45:39 | 0:45:44 | |
That's me on holiday on the Isle Of Wight. | 0:45:46 | 0:45:50 | |
Nice legs back then. | 0:45:50 | 0:45:52 | |
My dad used to say I had legs like Cyd Charisse. | 0:45:54 | 0:45:57 | |
She was a dancer, before you say something funny. | 0:45:59 | 0:46:01 | |
He's in here somewhere. | 0:46:04 | 0:46:06 | |
Did...um... | 0:46:06 | 0:46:08 | |
Henry ever hit the kids? | 0:46:08 | 0:46:11 | |
He practically ignored me and Darren... | 0:46:11 | 0:46:13 | |
..until I went with Alfie, and then he went mental. | 0:46:15 | 0:46:20 | |
-Beautiful baby. Is that Darren? -Aye. | 0:46:20 | 0:46:24 | |
He must have been about 12 when Thomas died? | 0:46:24 | 0:46:28 | |
Aye, about that. | 0:46:28 | 0:46:30 | |
Who's that? | 0:46:34 | 0:46:36 | |
That's Darren again. | 0:46:36 | 0:46:39 | |
All grown up. | 0:46:39 | 0:46:41 | |
He lives with his dad, right? | 0:46:43 | 0:46:45 | |
Henry would do anything for Darren. | 0:46:45 | 0:46:48 | |
Anything. | 0:46:48 | 0:46:50 | |
We have to go. | 0:46:52 | 0:46:54 | |
-Hang on, we'll just get a picture off Tracy. -Now. | 0:46:54 | 0:46:57 | |
Listen, thank you very much for your help. Cheers. | 0:46:57 | 0:47:00 | |
What's wrong? What's going on, Paddy? | 0:47:04 | 0:47:06 | |
I want to see Dr Pete! | 0:47:06 | 0:47:07 | |
You know, I can see the statue of John Knox from my window. | 0:47:11 | 0:47:15 | |
It's ironic, that. He didn't approve of statues. | 0:47:15 | 0:47:19 | |
Nice of them to put the cancer ward overlooking a graveyard, though, eh? | 0:47:19 | 0:47:23 | |
Why are you here, Paddy? | 0:47:34 | 0:47:36 | |
Just wanted to see how you were. | 0:47:36 | 0:47:38 | |
I'm dying. How's that for a conversation stopper, eh? | 0:47:38 | 0:47:43 | |
I was wondering, why do they call you Dr Pete? | 0:47:43 | 0:47:46 | |
I've got a doctorate in Divinity. | 0:47:46 | 0:47:49 | |
Seriously? | 0:47:49 | 0:47:51 | |
I'm a son of the manse. | 0:47:51 | 0:47:53 | |
My father was a minister. | 0:47:53 | 0:47:55 | |
And his father before him. | 0:47:55 | 0:47:56 | |
You lost your faith? | 0:47:56 | 0:47:58 | |
Misplaced it. | 0:47:58 | 0:48:00 | |
Me too. | 0:48:00 | 0:48:01 | |
Well, my advice is don't tell your family. | 0:48:01 | 0:48:04 | |
I argued with my father till the day he died. | 0:48:04 | 0:48:07 | |
My father's very...meek. | 0:48:07 | 0:48:10 | |
Ah, the meek. | 0:48:10 | 0:48:13 | |
Playing the long game. Sneaky bastards. | 0:48:13 | 0:48:15 | |
Oh, Pete, I've done an awful thing. | 0:48:17 | 0:48:20 | |
I planted evidence in Naismith's van, and now he's confessed to killing Brian. | 0:48:22 | 0:48:26 | |
But now I'm not sure if he did it. | 0:48:26 | 0:48:29 | |
-You're not sure? -No. I think it was his son, Darren. | 0:48:29 | 0:48:33 | |
He killed Thomas and let Alfred Dempsie take the blame for it. | 0:48:33 | 0:48:36 | |
I think Naismith's been covering up for him ever since. | 0:48:36 | 0:48:40 | |
Greater love hath no man. | 0:48:42 | 0:48:44 | |
Right. You need to tell the cops. | 0:48:46 | 0:48:49 | |
DS Patterson. You can trust him. | 0:48:49 | 0:48:52 | |
And you need to do it tout de suite. | 0:48:52 | 0:48:54 | |
I'll never be a reporter now, will I? | 0:48:55 | 0:48:57 | |
Probably not. | 0:48:58 | 0:49:01 | |
It's a shame. I'd liked to have seen you at your peak. | 0:49:01 | 0:49:04 | |
Take care of yourself. | 0:49:06 | 0:49:08 | |
Aye. If you come and see me again and I'm reading the Bible, | 0:49:08 | 0:49:12 | |
I'm just looking for loopholes, OK? | 0:49:12 | 0:49:14 | |
Bye. | 0:49:16 | 0:49:17 | |
Hiya, Heather. | 0:49:28 | 0:49:29 | |
-I need to go. I need to be somewhere. -Aye. | 0:49:29 | 0:49:31 | |
You're dead right. | 0:49:31 | 0:49:32 | |
COUNTRY MUSIC PLAYS | 0:49:37 | 0:49:40 | |
It's nice to have a visitor. | 0:50:03 | 0:50:05 | |
I've no' had a visitor for ages. | 0:50:05 | 0:50:09 | |
You made Calum kill that wee boy. | 0:50:11 | 0:50:14 | |
He came to me. | 0:50:14 | 0:50:16 | |
Nobody else gave a fuck about him. | 0:50:16 | 0:50:19 | |
Was it Thomas's anniversary that made you think about it? | 0:50:19 | 0:50:23 | |
Was it? | 0:50:23 | 0:50:25 | |
I think about Thomas all the time. | 0:50:28 | 0:50:31 | |
Why did you kill him, Darren? | 0:50:31 | 0:50:34 | |
I never said I did. | 0:50:39 | 0:50:40 | |
I know why. | 0:50:40 | 0:50:43 | |
It was an accident. We were playing. | 0:50:43 | 0:50:45 | |
No, it wasn't an accident. We both know that's not true. | 0:50:45 | 0:50:52 | |
-And your dad helped you cover up, didn't he? -He was a good dad, my dad. | 0:50:52 | 0:50:56 | |
We should have been a family. | 0:50:56 | 0:50:58 | |
We would have been if it wasn't for the Dempsies. | 0:50:58 | 0:51:01 | |
That's what my dad said. | 0:51:01 | 0:51:03 | |
-You did it to get rid of the Dempsies? -He didn't make me to do it. | 0:51:05 | 0:51:09 | |
You just did it anyway? | 0:51:09 | 0:51:11 | |
For him, right? | 0:51:11 | 0:51:13 | |
And he knows that, and that's why he's taken the blame. | 0:51:13 | 0:51:16 | |
-He didn't make me. -Didn't he? | 0:51:16 | 0:51:18 | |
That's why you made Calum kill Brian. So he'd be exactly like you. | 0:51:18 | 0:51:22 | |
Anybody can kill if they're forced too. And I proved it. | 0:51:22 | 0:51:27 | |
SHE GROANS AND WHIMPERS | 0:51:40 | 0:51:43 | |
It's time you learned who's in charge here. | 0:51:46 | 0:51:49 | |
Please... | 0:51:49 | 0:51:51 | |
let me go. I can get you help. | 0:51:51 | 0:51:55 | |
Keep begging, I like that. | 0:51:55 | 0:51:59 | |
People will understand. They will. You're damaged. | 0:51:59 | 0:52:03 | |
I've never shagged a fat lassie before. | 0:52:07 | 0:52:10 | |
I fancy that. | 0:52:10 | 0:52:11 | |
SHE CRIES | 0:52:11 | 0:52:15 | |
I'm going to shag you, and you'll love it, | 0:52:15 | 0:52:18 | |
because fat lassies like you have to take what they can get. | 0:52:18 | 0:52:22 | |
SHE SCREAMS | 0:52:22 | 0:52:25 | |
Naismith! Naismith! | 0:52:25 | 0:52:28 | |
-Police! -My lip, you bit me! | 0:52:28 | 0:52:30 | |
THEY SCREAM AND SHOUT | 0:52:32 | 0:52:35 | |
-Get him out of here. -Out you get. Calm down, son. | 0:52:35 | 0:52:39 | |
SHE CRIES AND WHEEZES | 0:52:39 | 0:52:43 | |
SHE WRETCHES | 0:52:43 | 0:52:46 | |
SHE FLUSHES THE TOILET | 0:52:50 | 0:52:52 | |
We better get you to hospital - | 0:53:06 | 0:53:09 | |
you'll need checked out. | 0:53:09 | 0:53:11 | |
-I'm fine. -You're not fine. | 0:53:11 | 0:53:14 | |
You're in shock. | 0:53:14 | 0:53:16 | |
You could have a fractured skull, for all we know. | 0:53:16 | 0:53:18 | |
How did you know where I was? | 0:53:20 | 0:53:22 | |
He called me. | 0:53:24 | 0:53:25 | |
Wanted to know if you turned up at the station. | 0:53:28 | 0:53:31 | |
When I said you hadn't, he told me about Naismith and son. | 0:53:31 | 0:53:34 | |
Now he's turned up claiming that he planted hairs in Naismith's grocery van. | 0:53:36 | 0:53:41 | |
Would you know anything about that? | 0:53:43 | 0:53:46 | |
No. I wouldn't. | 0:53:46 | 0:53:49 | |
ENGINE STARTS | 0:53:55 | 0:53:58 | |
Come on, let's go. | 0:54:04 | 0:54:06 | |
Thank you. | 0:54:13 | 0:54:15 | |
Bloody hell. | 0:54:19 | 0:54:20 | |
Thanks for coming to get me. | 0:54:22 | 0:54:25 | |
Well, I had to make sure you were all right. | 0:54:25 | 0:54:28 | |
You realised it was Darren Naismith at Tracy's, didn't you? | 0:54:28 | 0:54:31 | |
-You should have said. -I'd gotten you into enough trouble. | 0:54:31 | 0:54:34 | |
Still, you should have said. | 0:54:34 | 0:54:36 | |
So...our story made the morning edition, if you're interested. | 0:54:38 | 0:54:44 | |
-Really? -Mm-hm. | 0:54:44 | 0:54:46 | |
And also I thought you'd like to know Dr Pete walked into the newsroom tonight in his jimjams and resigned. | 0:54:46 | 0:54:51 | |
Honestly, he gave Devlin a proper piece of his mind. | 0:54:51 | 0:54:54 | |
Said he was going to write a book on John Maclean. And then he got up and... | 0:54:54 | 0:54:58 | |
-Decamped to the press bar? -Exactly. | 0:54:58 | 0:55:01 | |
They're getting smashed as we speak, so what do you say? Fancy a night cap? | 0:55:01 | 0:55:05 | |
It's busy. | 0:55:05 | 0:55:07 | |
This going to be all right? | 0:55:07 | 0:55:08 | |
I'll be over with Pete. | 0:55:10 | 0:55:12 | |
Ah, Meehan. | 0:55:12 | 0:55:14 | |
Suppose I better offer you a job now, eh? | 0:55:14 | 0:55:16 | |
I've got a job. | 0:55:16 | 0:55:19 | |
Staff reporter. How about it? You can ride in the call car with McVie. | 0:55:19 | 0:55:26 | |
That'd be fantastic. | 0:55:27 | 0:55:29 | |
-You want some more advice? -From you? | 0:55:38 | 0:55:41 | |
No. | 0:55:41 | 0:55:42 | |
Never buy on higher purchase. | 0:55:42 | 0:55:44 | |
Don't ever bet on a horse called Lucky. And never go to Blackpool. | 0:55:44 | 0:55:48 | |
-It's fuckin' horrible. -Cheers, McVie. | 0:55:48 | 0:55:51 | |
Can I give you some advice? | 0:55:51 | 0:55:53 | |
Let me do the jokes. | 0:55:53 | 0:55:54 | |
I hate to admit it, but you're funny. Bit fat, but funny. | 0:55:56 | 0:56:01 | |
Don't wake him up. | 0:56:07 | 0:56:09 | |
He needs his kip. | 0:56:09 | 0:56:11 | |
Pete? | 0:56:15 | 0:56:17 | |
-He's not asleep. -Eh? | 0:56:20 | 0:56:23 | |
Pete? | 0:56:24 | 0:56:26 | |
Pete! | 0:56:26 | 0:56:28 | |
Pete? | 0:56:28 | 0:56:30 | |
He's not asleep! | 0:56:39 | 0:56:41 | |
HE'S NOT ASLEEP! | 0:56:42 | 0:56:44 | |
LAUGHTER IN ANOTHER ROOM | 0:57:09 | 0:57:11 | |
Oh! So he did! | 0:57:22 | 0:57:25 | |
Subtitles by Red Bee Media Ltd | 0:57:45 | 0:57:49 | |
E-mail [email protected] | 0:57:49 | 0:57:52 |