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This programme contains some violent scenes. | 0:00:02 | 0:00:12 | |
This car's falling apart. | 0:00:52 | 0:00:54 | |
I know. | 0:00:54 | 0:00:55 | |
Did we get the "machete on the night bus" story in? | 0:00:55 | 0:00:57 | |
No, I couldn't see it. | 0:00:57 | 0:00:58 | |
It's bloody freezing in here. Gonnae get that heater fixed? | 0:01:00 | 0:01:03 | |
I don't think I can stay in the call car for much longer. | 0:01:04 | 0:01:07 | |
Of course, you'll be the editor this time next month, I completely forgot(!) | 0:01:08 | 0:01:11 | |
What's wrong with working in the call car, anyhow? | 0:01:11 | 0:01:15 | |
Where else would the paper get its surreal vignettes of Glasgow life? | 0:01:15 | 0:01:18 | |
-RADIO: -'Come in, Alpha Four. We have reports of a disturbance at 45, Ashwell Terrace, Bearsden.' | 0:01:18 | 0:01:23 | |
A disturbance. Bearsden. | 0:01:23 | 0:01:24 | |
'Man and woman fighting.' | 0:01:24 | 0:01:25 | |
Oh, it's posh. It might be worth a look. | 0:01:25 | 0:01:27 | |
'Need a car over there immediately. Repeat - reports of a disturbance at 45...' | 0:01:27 | 0:01:32 | |
# Looking like a born again | 0:01:45 | 0:01:47 | |
# Living like a heretic | 0:01:47 | 0:01:49 | |
# Listening to Arthur Lee records | 0:01:49 | 0:01:51 | |
# Making all your friends feel so guilty about their cynicism | 0:01:51 | 0:01:56 | |
# And the rest of their generation | 0:01:56 | 0:01:58 | |
# Not even the Government | 0:01:58 | 0:02:00 | |
# Are going to stop you now | 0:02:00 | 0:02:03 | |
# But are you ready to be heartbroken? | 0:02:03 | 0:02:08 | |
# Are you ready to be heartbroken? | 0:02:08 | 0:02:12 | |
# Well, you'd better get ready now, baby | 0:02:12 | 0:02:17 | |
# Ready to bleed | 0:02:17 | 0:02:19 | |
# Ready to bleed | 0:02:19 | 0:02:21 | |
# Ready to bleed. # | 0:02:21 | 0:02:24 | |
Can I help you? Do you live here? | 0:02:37 | 0:02:39 | |
Daily News. | 0:02:39 | 0:02:41 | |
What's the story? | 0:02:41 | 0:02:42 | |
Well, a gang of unruly surgeons have been reeking havoc in | 0:02:42 | 0:02:46 | |
a fracas over a bottle of Beaujolais Nouveau. | 0:02:46 | 0:02:48 | |
Very funny, Burns. | 0:02:48 | 0:02:49 | |
McVie. Meehan. Nothing for yous here. Noise complaint. | 0:02:51 | 0:02:55 | |
-Shouting, slamming doors. -Bearsden? Heaven forbid(!) | 0:02:55 | 0:02:58 | |
I know. The carpets round here are so thick you feel | 0:02:58 | 0:03:00 | |
that your feet have been cut off. | 0:03:00 | 0:03:02 | |
Hey, what's the difference between a porcupine and a house in Bearsden? | 0:03:03 | 0:03:06 | |
On a porcupine, the pricks are on the outside. | 0:03:07 | 0:03:10 | |
Oh, I thought that was a cop shop. | 0:03:10 | 0:03:11 | |
Ignore him. He thinks he's a comedian. | 0:03:11 | 0:03:13 | |
That woman has blood on her face. | 0:03:16 | 0:03:19 | |
She wants us to leave it. | 0:03:19 | 0:03:21 | |
She's a lawyer. | 0:03:21 | 0:03:23 | |
Vhari Burnett. There's not much I can do. | 0:03:23 | 0:03:27 | |
If she calls us out again... | 0:03:27 | 0:03:28 | |
-RADIO: -'Alpha Four, do you receive?' -..I'll take action. -Come on, let's go. | 0:03:28 | 0:03:31 | |
And you two, away and rake some muck someplace else. | 0:03:31 | 0:03:34 | |
Right, let's get out of here. This is not going in the paper. | 0:03:34 | 0:03:36 | |
-Vhari Burnett? Have you seriously never heard of her? -No. | 0:03:36 | 0:03:39 | |
Top lawyer for Amnesty? She gets beaten up - that's news. | 0:03:39 | 0:03:41 | |
She gets beaten up by Arthur Scargill, that's news. | 0:03:43 | 0:03:46 | |
She gets slapped across the kisser by her boyfriend, that's not. | 0:03:46 | 0:03:49 | |
Then what's CID doing here? | 0:03:49 | 0:03:51 | |
Hello. Paddy Meehan. Daily News. | 0:03:59 | 0:04:02 | |
George McVie. If we could have a word. | 0:04:02 | 0:04:04 | |
It won't take two seconds. | 0:04:04 | 0:04:05 | |
We just wanted to know if you'd been beating up your wife. | 0:04:05 | 0:04:08 | |
Can I apologise for my colleague? | 0:04:08 | 0:04:10 | |
Or are her injuries in relation to a case that she's been working on? | 0:04:10 | 0:04:13 | |
Shut up, you. | 0:04:13 | 0:04:15 | |
Or are her injuries related to a case that she's been working on? | 0:04:15 | 0:04:18 | |
Look, I'm a colleague of Miss Burnett | 0:04:20 | 0:04:25 | |
and I'm sorry to say she's had a wee bit too much to drink. | 0:04:25 | 0:04:29 | |
But thank you for your concern. | 0:04:30 | 0:04:32 | |
Now, I needn't stress how important it is that none of this reaches the paper. | 0:04:32 | 0:04:36 | |
Vhari's a very successful lawyer and if word got round that she couldn't | 0:04:36 | 0:04:42 | |
handle the sauce. Well, it would, erm, it would damage her reputation. | 0:04:42 | 0:04:47 | |
But, erm, thank you very much. | 0:04:49 | 0:04:51 | |
Good night. | 0:04:52 | 0:04:54 | |
50 quid. | 0:04:54 | 0:04:56 | |
You dancer. | 0:04:56 | 0:04:57 | |
What are you doing? | 0:04:57 | 0:04:59 | |
-Keys. -We can't take his money. | 0:04:59 | 0:05:01 | |
Keys. | 0:05:01 | 0:05:03 | |
SHE SIGHS | 0:05:03 | 0:05:05 | |
CAR ENGINE CHOKES | 0:05:15 | 0:05:19 | |
Listen, take the 50 quid. You need it. | 0:05:23 | 0:05:27 | |
Your family need it. | 0:05:27 | 0:05:28 | |
What difference does it make? Devlin's not going to publish this - | 0:05:30 | 0:05:34 | |
"Lawyer gets pished". | 0:05:34 | 0:05:36 | |
She looked scared. | 0:05:36 | 0:05:38 | |
Phone it in. Be my guest. | 0:05:39 | 0:05:41 | |
Right. It's past the dead hour. | 0:05:47 | 0:05:49 | |
Some bastard must be killing somebody somewhere. | 0:05:49 | 0:05:52 | |
I think you've been overcharged... | 0:05:59 | 0:06:03 | |
-I cannae see how it's that much. -Been a mistake. | 0:06:03 | 0:06:05 | |
It couldn't be that much. | 0:06:05 | 0:06:08 | |
You been out already? | 0:06:08 | 0:06:10 | |
Thought there might be some lead down by the old factory | 0:06:10 | 0:06:13 | |
at Eastfield, but somebody beat me to it. | 0:06:13 | 0:06:15 | |
Just so you know, the phone's not working. | 0:06:16 | 0:06:19 | |
-Cut off? -Did I say that? It's just temporarily out of use. | 0:06:19 | 0:06:23 | |
Eviction notice? | 0:06:23 | 0:06:26 | |
Give us that. | 0:06:26 | 0:06:27 | |
I thought we paid the back rent. How much do we owe? | 0:06:27 | 0:06:29 | |
Don't worry about it, I'll get work soon. | 0:06:29 | 0:06:31 | |
How much, Dad? | 0:06:31 | 0:06:32 | |
About 145. | 0:06:36 | 0:06:37 | |
Put your money away. You're paying enough already. | 0:06:38 | 0:06:42 | |
I can look after my own family. | 0:06:42 | 0:06:44 | |
Where exactly are you going to get that type of cash? | 0:06:44 | 0:06:47 | |
So, how was last night? | 0:06:50 | 0:06:51 | |
Did you hear about that woman being killed? It was just on the radio. | 0:06:51 | 0:06:56 | |
No, I missed that. | 0:06:56 | 0:06:57 | |
Oh, better luck next time. | 0:06:57 | 0:06:59 | |
I just report the news, Mum. I don't make it happen. | 0:06:59 | 0:07:01 | |
What else? See any sights? | 0:07:03 | 0:07:06 | |
Give us your chat. | 0:07:06 | 0:07:07 | |
First, we went to a car crash - nobody was hurt. | 0:07:07 | 0:07:11 | |
Oh, you must have been disappointed. | 0:07:11 | 0:07:12 | |
And then we went to the police station in Anderston. | 0:07:12 | 0:07:15 | |
Then a disturbance at Bearsden, | 0:07:15 | 0:07:16 | |
and just drove about Easterhouse for a few hours. | 0:07:16 | 0:07:19 | |
Bearsden. That's where that woman was killed, wasn't it? | 0:07:19 | 0:07:22 | |
SHE FLICKS THROUGH RADIO STATIONS | 0:07:26 | 0:07:30 | |
RADIO: 'In the First Division, Meadowbank Thistle...' | 0:07:30 | 0:07:32 | |
Will you turn that off? This isn't just your room. | 0:07:32 | 0:07:35 | |
Shut up, I need to hear this. | 0:07:35 | 0:07:36 | |
RADIO: 'The name of the victim in the Bearsden killing has been | 0:07:36 | 0:07:39 | |
'announced as Vhari Burnett - a well-known lawyer in the city. | 0:07:39 | 0:07:42 | |
'She was found dead at her home by police officers at 6.30 this morning.' | 0:07:42 | 0:07:46 | |
-Can I speak to you? -Aye, sure. | 0:07:52 | 0:07:54 | |
In private. | 0:07:54 | 0:07:55 | |
This is bad. | 0:07:57 | 0:07:58 | |
That guy killed her, McVie, and we took money from him. | 0:07:58 | 0:08:01 | |
Ah, when you put it like that, it does sound sort of bad. | 0:08:01 | 0:08:04 | |
You don't know he killed her. | 0:08:04 | 0:08:06 | |
He could have been long gone by then. | 0:08:06 | 0:08:08 | |
We need to tell Devlin. | 0:08:08 | 0:08:09 | |
You keep your gas at a peep. | 0:08:09 | 0:08:11 | |
Tell him, by all means, but miss out the bit about the 50 quid. | 0:08:11 | 0:08:14 | |
Do you want your jotters? | 0:08:15 | 0:08:17 | |
Cos he'll have us out of here so fast your face will look as | 0:08:17 | 0:08:20 | |
if it's been in a wind tunnel. | 0:08:20 | 0:08:21 | |
-TV: -'No. Now if this Government spent as much money on modernising | 0:08:26 | 0:08:29 | |
'the pits as they do trying to destroy the trade union movement, | 0:08:29 | 0:08:33 | |
'we would have a sustainable industry and a future.' | 0:08:33 | 0:08:35 | |
So, when did you get the call? | 0:08:35 | 0:08:38 | |
Well, is it... Is it definite? Is it signed, sealed, delivered? | 0:08:38 | 0:08:43 | |
Yeah, sure. | 0:08:43 | 0:08:44 | |
-TV: -'We'll make another statement later on...' | 0:08:44 | 0:08:47 | |
Hey, I got a call from Partick Marine Police Station. | 0:08:47 | 0:08:50 | |
Apparently, you were at this house in Bearsden last night? | 0:08:50 | 0:08:53 | |
They want to talk to you. | 0:08:53 | 0:08:55 | |
-No problem. -Yeah, well, is there anything for us in it? | 0:08:55 | 0:08:57 | |
Anything you can write up? Any hook? | 0:08:57 | 0:08:59 | |
-We weren't there very long. -Just got a glimpse of her. | 0:08:59 | 0:09:02 | |
Well, that makes you the last person to see her alive, doesn't it? There's your hook. | 0:09:03 | 0:09:07 | |
Jesus, Paddy, do I have to do your job for you? | 0:09:07 | 0:09:10 | |
Yeah, I'm still here. | 0:09:10 | 0:09:12 | |
I want a hundred-word description, all right? | 0:09:12 | 0:09:15 | |
Scene at the house, atmosphere. Book end it with facts. | 0:09:15 | 0:09:18 | |
And I want it in before you go out on the call car, all right? | 0:09:18 | 0:09:20 | |
Anything else I should know? | 0:09:20 | 0:09:23 | |
-No. -All right, then, piss off. | 0:09:23 | 0:09:25 | |
It's Meehan, right? | 0:09:46 | 0:09:47 | |
Your reputation goes before you. | 0:09:49 | 0:09:51 | |
I heard what you did on the Baby Brian case. | 0:09:51 | 0:09:53 | |
So what can you tell me about the Bearsden call? | 0:09:55 | 0:09:57 | |
I spoke to the man at the door. | 0:09:57 | 0:09:59 | |
Did you see the Burnett woman? | 0:09:59 | 0:10:01 | |
Yeah, she, erm, she had blood on her face. | 0:10:01 | 0:10:03 | |
I think she'd cut her lip. | 0:10:03 | 0:10:04 | |
Cut her lip? | 0:10:06 | 0:10:07 | |
She had her teeth pulled out and her skull caved in with a hammer. | 0:10:09 | 0:10:13 | |
She was found curled up behind the door by somebody that came to pick her up for work. | 0:10:13 | 0:10:16 | |
Tell us anything else? | 0:10:17 | 0:10:19 | |
Yeah, erm, the man... He spoke with an Irish accent. | 0:10:20 | 0:10:23 | |
He wore red braces, expensive shirt. | 0:10:23 | 0:10:25 | |
He said that he was a colleague. | 0:10:25 | 0:10:27 | |
And there was a red car parked round the back. | 0:10:27 | 0:10:30 | |
You never mentioned that. | 0:10:30 | 0:10:31 | |
Just assumed it was hers. | 0:10:34 | 0:10:35 | |
Do you think there's some kind of Irish connection? Provos, maybe? | 0:10:36 | 0:10:39 | |
What I think is my business. Is that it? | 0:10:41 | 0:10:44 | |
On you go. | 0:10:47 | 0:10:48 | |
Is there something else? | 0:10:51 | 0:10:53 | |
One para for four nights in a call car, Meehan? | 0:11:21 | 0:11:23 | |
You driving round with your eyes shut? | 0:11:26 | 0:11:29 | |
-If it doesn't happen, it doesn't happen. -But it did happen, didn't it? | 0:11:29 | 0:11:32 | |
A good old-fashioned murder and you missed it! | 0:11:32 | 0:11:35 | |
There's a, erm, a miners' strike on, as well, | 0:11:35 | 0:11:40 | |
just in case you haven't noticed? | 0:11:40 | 0:11:41 | |
Is there? Is there really(?) | 0:11:41 | 0:11:43 | |
If you want to make yourself useful, at least bend over | 0:11:43 | 0:11:45 | |
and give the sideliners somewhere to stick their pens. | 0:11:45 | 0:11:49 | |
Just so you know, Mary Margaret from the press bar is telling | 0:11:49 | 0:11:52 | |
everybody that you've got a dick like a cocktail stick. | 0:11:52 | 0:11:56 | |
MURMURS AND CHUCKLING | 0:11:56 | 0:11:59 | |
Jesus wept. | 0:12:02 | 0:12:03 | |
What's the score? | 0:12:05 | 0:12:06 | |
Something happen? | 0:12:06 | 0:12:08 | |
-What's up? -They've sold the paper. | 0:12:18 | 0:12:21 | |
I knew this would happen. | 0:12:21 | 0:12:22 | |
They'll use this to crack the unions wide open. | 0:12:22 | 0:12:24 | |
The negotiations have been going on for some time. | 0:12:24 | 0:12:26 | |
They just, erm... Forgot to tell us. | 0:12:26 | 0:12:29 | |
Who's the new owner? | 0:12:29 | 0:12:30 | |
McCallum International. They took over The Examiner in Manchester - | 0:12:30 | 0:12:34 | |
started editing on computers, | 0:12:34 | 0:12:35 | |
printing up off-site at a fraction of the cost. | 0:12:35 | 0:12:38 | |
Holy shit. | 0:12:38 | 0:12:39 | |
Printing in colour. | 0:12:39 | 0:12:41 | |
-Colour? -Mmm-hmm. | 0:12:41 | 0:12:43 | |
Typing through three sheets and two carbons - it's a dying skill, boys. | 0:12:43 | 0:12:46 | |
Just as well you could never do that. | 0:12:46 | 0:12:48 | |
That's cos his finger was always up his arse. | 0:12:48 | 0:12:51 | |
Aye, keep laughing - all the way to the dole queue! | 0:12:51 | 0:12:54 | |
Maybe it's not all doom and gloom. | 0:12:54 | 0:12:57 | |
Yeah, well, you're about to find out. | 0:12:57 | 0:12:59 | |
Hey, the new editor-in-chief is on his way up the stairs! | 0:12:59 | 0:13:02 | |
Name's Maloney. So I want everyone in here, including secretarial. Now. | 0:13:02 | 0:13:07 | |
Well, come on. You're about to meet your new boss, so at least look professional. | 0:13:07 | 0:13:11 | |
Pronto Tonto! | 0:13:11 | 0:13:13 | |
Hold up, comrades. | 0:13:13 | 0:13:16 | |
Erm, hi. Devlin, editor. | 0:13:16 | 0:13:19 | |
Welcome to the Daily News. | 0:13:19 | 0:13:21 | |
Is this the entire newsroom staff? | 0:13:21 | 0:13:23 | |
Erm, yeah, more or less. | 0:13:24 | 0:13:27 | |
Good. I have a few words to say. | 0:13:27 | 0:13:29 | |
Well, the floor is yours. | 0:13:32 | 0:13:34 | |
I'm told that a successful newspaper treats its workforce with respect, | 0:13:36 | 0:13:43 | |
values experience while nurturing new talent and taking risks. | 0:13:43 | 0:13:47 | |
I'm told this. | 0:13:50 | 0:13:51 | |
Unfortunately, I don't believe it. | 0:13:52 | 0:13:55 | |
This is a provincial paper in a provincial town. | 0:13:56 | 0:13:59 | |
And please don't start banging on about Glasgow being | 0:14:00 | 0:14:03 | |
the second city of the Empire. | 0:14:03 | 0:14:05 | |
This place does not have room for two broadsheets. | 0:14:05 | 0:14:08 | |
But if there's only going to be one, I want it to be the Daily News. | 0:14:10 | 0:14:14 | |
You need to start attracting some new readers. | 0:14:16 | 0:14:19 | |
Nationally. | 0:14:19 | 0:14:20 | |
Well, that's the good news. | 0:14:23 | 0:14:24 | |
The bad news is that not all of you will be embarking on this | 0:14:24 | 0:14:28 | |
exciting new journey with me. | 0:14:28 | 0:14:29 | |
At least 20% of you will go. | 0:14:30 | 0:14:32 | |
We are going to be leaner, meaner and keener. | 0:14:32 | 0:14:36 | |
That's enough show-boating. The NUJ will have something... | 0:14:36 | 0:14:39 | |
You tell the NUJ there's a new sheriff in town. | 0:14:39 | 0:14:41 | |
This paper has a tradition. | 0:14:47 | 0:14:49 | |
Well, if you don't like it, piss off. | 0:14:49 | 0:14:51 | |
They're looking for a new features editor at The Guardian. | 0:14:51 | 0:14:54 | |
Although not one with a second-rate CV like yours. | 0:14:54 | 0:14:57 | |
Careful. | 0:14:57 | 0:14:59 | |
I don't have anything to lose here. | 0:14:59 | 0:15:00 | |
However, if you do stay, | 0:15:00 | 0:15:03 | |
at least you'll be able to save the hacks that deserve a job. | 0:15:03 | 0:15:06 | |
If you go - blood bath. | 0:15:06 | 0:15:08 | |
Why me? If I'm so second-rate. | 0:15:10 | 0:15:13 | |
Your CV is. You're not. | 0:15:13 | 0:15:15 | |
No, you've done a good job here. | 0:15:15 | 0:15:17 | |
It's just times are changing and you need to adapt. | 0:15:17 | 0:15:20 | |
I'm not saying you've got to go down-market, you know? | 0:15:20 | 0:15:24 | |
Swing from the soft left to the soft right, | 0:15:24 | 0:15:26 | |
you'll pick up circulation in no time. | 0:15:26 | 0:15:29 | |
And I can choose who stays and who goes, yeah? | 0:15:29 | 0:15:31 | |
Right. | 0:15:31 | 0:15:33 | |
I picked up today's edition at the airport. | 0:15:34 | 0:15:38 | |
It's dull. | 0:15:38 | 0:15:39 | |
We'll kick off the new look with a big story, | 0:15:40 | 0:15:42 | |
but from an angle that your readers don't expect. | 0:15:42 | 0:15:45 | |
We need to make it clear that this paper has a new voice. | 0:15:45 | 0:15:47 | |
Which is? | 0:15:47 | 0:15:48 | |
We'll go with the miners' strike. | 0:15:48 | 0:15:50 | |
But let's go after the union leaders. | 0:15:51 | 0:15:53 | |
We'll do a piece highlighting their rank hypocrisy - | 0:15:55 | 0:15:58 | |
their big cars, holiday homes. | 0:15:58 | 0:16:00 | |
I ain't saying we're going to get a shot of Red Willie McDade | 0:16:00 | 0:16:02 | |
in his Jacuzzi, lighting a cigar with some poor sod's giro. | 0:16:02 | 0:16:05 | |
There's a lot of support for the strike up here. | 0:16:05 | 0:16:07 | |
You know, at Polmaise they don't even need pickets. | 0:16:07 | 0:16:10 | |
Devlin, the miners don't buy your paper. They buy the Sun. | 0:16:10 | 0:16:14 | |
I'll be taking that desk over there until I get upstairs refurbished. | 0:16:15 | 0:16:19 | |
Don't think she's a Partick Thistle supporter, do you? | 0:16:31 | 0:16:34 | |
WOMAN BREATHES HEAVILY | 0:16:37 | 0:16:41 | |
We need to hand that money in. | 0:17:17 | 0:17:18 | |
That might be tricky. | 0:17:20 | 0:17:21 | |
I slapped mine on Widow's Fortune in the 1.30 at Doncaster this morning. | 0:17:21 | 0:17:25 | |
It's still running. | 0:17:25 | 0:17:26 | |
But it could be evidence. | 0:17:26 | 0:17:28 | |
The cops saw him. | 0:17:28 | 0:17:30 | |
He'll be in the clink before you know it. | 0:17:30 | 0:17:31 | |
No, what we need is a juicy story. Keep our jobs. | 0:17:33 | 0:17:37 | |
You still eating them things? | 0:17:42 | 0:17:44 | |
You should lay off the fish suppers. | 0:17:44 | 0:17:46 | |
I've never had any complaints. | 0:17:46 | 0:17:48 | |
Really? Because for someone with a reputation as a letch, | 0:17:48 | 0:17:52 | |
I've never actually seen you with a woman. | 0:17:52 | 0:17:54 | |
Appearances can be deceiving. | 0:17:56 | 0:17:58 | |
There's been plenty, don't you worry. | 0:18:00 | 0:18:02 | |
They're not exactly kicking your door in for a mad shag, are they? | 0:18:02 | 0:18:05 | |
Was it someone special? Is that it? | 0:18:05 | 0:18:08 | |
Did she break your heart? | 0:18:08 | 0:18:10 | |
That's right. I'm like Humphrey McBogart. | 0:18:10 | 0:18:13 | |
I'll always have Rothesay. | 0:18:13 | 0:18:14 | |
-RADIO: -'Alpha Four, members of the public have found a body | 0:18:14 | 0:18:17 | |
'floating in the river by the old boathouse near the Clyde bridge. | 0:18:17 | 0:18:20 | |
'Do you receive me, over?' | 0:18:20 | 0:18:22 | |
Let's go. CAR ENGINE TURNS | 0:18:22 | 0:18:25 | |
Oh, come on. Come on! | 0:18:25 | 0:18:27 | |
CAR ENGINE TURNS | 0:18:27 | 0:18:29 | |
CAR STARTS | 0:18:30 | 0:18:32 | |
Listen, erm, you go. | 0:18:57 | 0:18:59 | |
That, erm, fish supper isn't sitting too well. | 0:18:59 | 0:19:02 | |
-POLICE OFFICER: -There's an ambulance on its way. | 0:19:02 | 0:19:04 | |
-Just where do you think you're going? -It's all right, Tam. | 0:19:08 | 0:19:11 | |
What's going on here? | 0:19:18 | 0:19:20 | |
Nothing exciting, I'm afraid. Some guy dead in the water. | 0:19:20 | 0:19:24 | |
Something in the river must have ripped open his face. | 0:19:25 | 0:19:28 | |
Suicide, I'm guessing. | 0:19:28 | 0:19:30 | |
Maybe call it in as possible foul play, just to be safe. | 0:19:30 | 0:19:33 | |
They drag a DS out here for a jumper? | 0:19:33 | 0:19:35 | |
Aye, DCI Sullivan wanted me to check it out. | 0:19:35 | 0:19:38 | |
New boy, I get all the best jobs. | 0:19:38 | 0:19:41 | |
So, what are you doing tomorrow? | 0:19:47 | 0:19:49 | |
What, you can't work that call car 24-7. That'd be slave labour. | 0:19:49 | 0:19:53 | |
You choose your moments! | 0:19:53 | 0:19:55 | |
Not the most romantic setting, I know, but needs must. | 0:19:55 | 0:19:58 | |
I don't know when I might get another chance. | 0:19:59 | 0:20:01 | |
And you don't see peepers like yours very often. | 0:20:01 | 0:20:04 | |
20 quid. | 0:20:09 | 0:20:10 | |
Credit card. Business card. | 0:20:11 | 0:20:13 | |
"Mark Thillingly. Law Society". | 0:20:16 | 0:20:19 | |
Amnesty International? | 0:20:19 | 0:20:21 | |
Anything else you'd like to know? | 0:20:21 | 0:20:23 | |
Like Vhari Burnett. | 0:20:23 | 0:20:25 | |
What, you think this is the guy that was at the Burnett house? | 0:20:26 | 0:20:29 | |
No, it's not the guy I saw. | 0:20:29 | 0:20:31 | |
But he could have been there. | 0:20:31 | 0:20:33 | |
Maybe he killed her and topped himself. | 0:20:33 | 0:20:35 | |
"Support The Miners"? | 0:20:38 | 0:20:40 | |
See you later. | 0:20:41 | 0:20:42 | |
So, what about that drink? | 0:20:44 | 0:20:46 | |
I'll be in the press bar tomorrow night. | 0:20:46 | 0:20:48 | |
We need to call this in. Another lawyer. | 0:20:56 | 0:20:58 | |
Fits in with the Vhari Burnett murder. | 0:20:58 | 0:21:00 | |
That could be the amateur dentist. | 0:21:00 | 0:21:01 | |
Could be. Name's Mark Thillingly. | 0:21:01 | 0:21:03 | |
Good girl. | 0:21:03 | 0:21:05 | |
Hail Mary full of grace. Our Lord is with thee. | 0:21:20 | 0:21:23 | |
Blessed art thou among women and blessed is the fruit of thy womb. | 0:21:24 | 0:21:29 | |
Jesus. | 0:21:29 | 0:21:30 | |
Going to do that somewhere else? I need to sleep. | 0:21:30 | 0:21:33 | |
I've decided. | 0:21:35 | 0:21:37 | |
I'm going to take holy orders. | 0:21:37 | 0:21:39 | |
I know what you're going to say, but I've been thinking about it | 0:21:41 | 0:21:44 | |
ever since I saw the Holy Father at Bellahouston. | 0:21:44 | 0:21:47 | |
Father Michael has got a place for me at Taize. | 0:21:48 | 0:21:52 | |
It's an ecumenical camp for young Christians. | 0:21:52 | 0:21:55 | |
Just to try it out, see if it suits me. | 0:21:55 | 0:21:59 | |
I know what I'm doing, Paddy. | 0:22:01 | 0:22:02 | |
I just want you to have a life - | 0:22:04 | 0:22:07 | |
wild adventures, passionate love affairs - | 0:22:07 | 0:22:09 | |
not spend it praying in some cold, grey room. | 0:22:09 | 0:22:12 | |
There's more to it than that. | 0:22:12 | 0:22:13 | |
And what about Dad? He's up to his eyes in debt. | 0:22:13 | 0:22:16 | |
They need another wage coming in. | 0:22:16 | 0:22:18 | |
He said it was OK. | 0:22:18 | 0:22:19 | |
I let you be who you want to be. | 0:22:22 | 0:22:24 | |
Hear the good news, then? | 0:22:30 | 0:22:31 | |
She doesn't know what she's doing. She's 18. | 0:22:31 | 0:22:34 | |
She's throwing her life away. | 0:22:34 | 0:22:36 | |
Becoming a Bride of Christ is throwing your life away? | 0:22:36 | 0:22:39 | |
-You've brainwashed her. -I don't have time to brainwash anyone. | 0:22:39 | 0:22:42 | |
And if I did, I would start with you. | 0:22:42 | 0:22:45 | |
I prayed every night that one of you would find Jesus. | 0:22:45 | 0:22:49 | |
I set me heart on it, so don't you spoil this! | 0:22:49 | 0:22:53 | |
Mary Ann has got her whole life ahead of her. | 0:22:57 | 0:22:59 | |
I'm not listening to you, Patricia. | 0:22:59 | 0:23:02 | |
You're surrounded by sin. You peddle in it. | 0:23:03 | 0:23:06 | |
No, I don't! | 0:23:06 | 0:23:08 | |
I want to do good, just like Mary Ann, only in a different way. | 0:23:08 | 0:23:11 | |
How? By making up lies about people? By hounding them? | 0:23:11 | 0:23:16 | |
By writing about your own family, if you think it'll get you ahead? | 0:23:16 | 0:23:19 | |
You're happy enough to take my money. | 0:23:19 | 0:23:21 | |
Dad can't get work. We've already had to move once. | 0:23:27 | 0:23:30 | |
Now we've got another eviction notice on the table. | 0:23:30 | 0:23:33 | |
Don't you think Mary Ann should be bringing in a wage? | 0:23:33 | 0:23:36 | |
She doesn't need a job. | 0:23:37 | 0:23:39 | |
She has a vocation. | 0:23:39 | 0:23:41 | |
I mean, Devlin didn't even call him in. | 0:23:48 | 0:23:50 | |
Just gave him the bump over the phone. | 0:23:50 | 0:23:52 | |
Who? | 0:23:52 | 0:23:54 | |
McFadden. He did that column for ten years. | 0:23:54 | 0:23:57 | |
He was practically an institution. | 0:23:57 | 0:23:59 | |
Now he's going to be living in one. | 0:23:59 | 0:24:01 | |
Who's next? | 0:24:03 | 0:24:05 | |
I think we should all go and get steamboats. | 0:24:06 | 0:24:09 | |
Good call. | 0:24:11 | 0:24:12 | |
Listen, I've made a decision. | 0:24:15 | 0:24:17 | |
I'm going to tell the cops about the 50 quid, and so should you. | 0:24:17 | 0:24:20 | |
This about the Burnett case? Cos I've got nothing to give you. | 0:24:51 | 0:24:54 | |
We both know the guy dragged out of the Clyde wasn't the same guy we saw at the house. | 0:24:54 | 0:24:57 | |
Well, maybe there was two guys at the house. | 0:24:57 | 0:24:59 | |
-What about the guy with the braces? -We haven't traced him yet. | 0:24:59 | 0:25:02 | |
Wait, this might help. | 0:25:02 | 0:25:04 | |
Braces gave it to me. | 0:25:04 | 0:25:06 | |
It should have his fingerprints on it. | 0:25:06 | 0:25:08 | |
Why haven't you given this to us sooner? | 0:25:10 | 0:25:11 | |
-Didn't know it was important. -Aye, you did. | 0:25:11 | 0:25:13 | |
Look, he forced it into my hand. | 0:25:13 | 0:25:15 | |
He made out that he was doing her a favour - | 0:25:15 | 0:25:17 | |
try keep her boozing sessions out of the paper. | 0:25:17 | 0:25:19 | |
Look, no need to explain. Nobody's squeaky-clean, eh? | 0:25:19 | 0:25:22 | |
Get that analysed. | 0:25:26 | 0:25:27 | |
Meehan! | 0:25:36 | 0:25:37 | |
What do you make of our new editor-in-chief, then? | 0:25:38 | 0:25:41 | |
Be nice to have a woman in charge. | 0:25:41 | 0:25:42 | |
Probably best not to get too chummy. | 0:25:42 | 0:25:45 | |
-How come? -She's not cut from the same cloth as you. | 0:25:45 | 0:25:47 | |
And I mean that as a compliment. | 0:25:47 | 0:25:49 | |
-How's it going? -You're in the clear. | 0:25:55 | 0:25:57 | |
My arse was flappin' like a flag in a hurricane. | 0:25:57 | 0:26:00 | |
Wait till Maloney gets her hands on you, then you'll know all about it. | 0:26:00 | 0:26:03 | |
I know. Did you clock the trouser suit? Armani. | 0:26:03 | 0:26:06 | |
What kind of wages is she on? | 0:26:06 | 0:26:08 | |
Down that, I've got an idea. | 0:26:08 | 0:26:10 | |
How do you know about Armani trouser suits anyway? | 0:26:23 | 0:26:26 | |
You wear sheepskin coats and dodgy ties. Hardly Don Johnson. | 0:26:26 | 0:26:30 | |
I can't wear Armani because I can't afford it. | 0:26:30 | 0:26:33 | |
Doesn't mean I can't appreciate it. | 0:26:33 | 0:26:35 | |
Why do you want to talk to them anyhow? | 0:26:35 | 0:26:37 | |
Oh, count me out, I'm allergic to patchouli oil. Bye-bye. | 0:26:37 | 0:26:41 | |
Support the miners! Stop Thatcher destroying the coal industry. | 0:27:06 | 0:27:11 | |
Cheers. | 0:27:11 | 0:27:12 | |
Did, erm, any of you guys know Mark Thillingly? | 0:27:12 | 0:27:16 | |
Worked for Amnesty. Lawyer. Supported the cause. | 0:27:16 | 0:27:18 | |
Who wants to know? | 0:27:18 | 0:27:20 | |
Daily News. | 0:27:20 | 0:27:21 | |
Support the miners! Thatcher out! | 0:27:21 | 0:27:24 | |
If you knew him, talk to me. I'm on your side. | 0:27:24 | 0:27:27 | |
He was in the student union a few days ago. He seemed fine. | 0:27:29 | 0:27:32 | |
Where did he usually work? | 0:27:32 | 0:27:33 | |
Easterhouse Law Centre. | 0:27:33 | 0:27:35 | |
His suicide couldn't have anything to do with the Vhari Burnett murder, could it? | 0:27:36 | 0:27:40 | |
I don't know. | 0:27:40 | 0:27:41 | |
They used to be an item, so I heard. | 0:27:41 | 0:27:44 | |
-When was that? -Years ago. At university. Before he married. | 0:27:44 | 0:27:47 | |
He finished it, I think. | 0:27:48 | 0:27:50 | |
Didn't stop his wife being jealous, though. | 0:27:50 | 0:27:53 | |
Him and Vhari had been working for the NUM - | 0:27:53 | 0:27:54 | |
trying to find ways to stop the Government confiscating their cash. | 0:27:54 | 0:27:57 | |
-Don't think she liked it. -Erm, what was his wife's name? | 0:27:57 | 0:28:00 | |
Diana. | 0:28:00 | 0:28:02 | |
She was always going on at him to give up his work for Amnesty. | 0:28:02 | 0:28:04 | |
Get on in the world. | 0:28:04 | 0:28:06 | |
Bit of a true-blue Tory by the sounds of things. | 0:28:06 | 0:28:08 | |
The police think he killed Vhari, don't they? | 0:28:11 | 0:28:14 | |
-I don't think they know what happened. -He didn't. | 0:28:14 | 0:28:17 | |
He got out of breath climbing up a flight of stairs. | 0:28:17 | 0:28:19 | |
Honestly, he was emotionally | 0:28:19 | 0:28:21 | |
and physically incapable of doing that to anyone. | 0:28:21 | 0:28:23 | |
Thank you. | 0:28:24 | 0:28:26 | |
Get your old man balls off that chair. | 0:28:41 | 0:28:43 | |
This is my desk. This has always been my desk. | 0:28:45 | 0:28:48 | |
We need it for training. | 0:28:48 | 0:28:50 | |
We do "A Week In The Life Of A Miner's Wife"... | 0:28:56 | 0:28:58 | |
The strike through her eyes. Food parcels. No Christmas pressies. | 0:28:58 | 0:29:03 | |
Scabs. Families torn apart. | 0:29:03 | 0:29:05 | |
Then we do a breakdown of what's in an average food parcel. | 0:29:05 | 0:29:09 | |
-Who gives and who doesn't? -No. | 0:29:09 | 0:29:12 | |
We're going with a different angle. Is the food poisoned? | 0:29:12 | 0:29:16 | |
Are they stealing it from one another? I don't want solidarity, I want dirt. | 0:29:16 | 0:29:20 | |
The NUM's money's being sequestered. They can't put it in banks. | 0:29:20 | 0:29:24 | |
Red Willie's moving his money around in suitcases so the Government can't get their hands on it. | 0:29:24 | 0:29:28 | |
You find out exactly where that money's going. | 0:29:28 | 0:29:31 | |
And if you can't, just make up some less-than-flattering theories about what they're doing with it. | 0:29:31 | 0:29:35 | |
Go on. | 0:29:40 | 0:29:41 | |
Sullivan wants to see you. | 0:30:02 | 0:30:04 | |
We got a set of prints off your 50 quid. | 0:30:04 | 0:30:07 | |
I'd better go. | 0:30:09 | 0:30:11 | |
Lafferty. You ever heard of him? | 0:30:15 | 0:30:18 | |
-I know the name. -You should. | 0:30:18 | 0:30:21 | |
He's one of the ranking gangsters in the city. | 0:30:21 | 0:30:24 | |
Was he at the Burnett house? | 0:30:24 | 0:30:25 | |
Do you know a woman called Vhari Burnett? | 0:30:25 | 0:30:27 | |
I was in the Lucky Black till seven. | 0:30:29 | 0:30:31 | |
It's a snooker club in the Calton. | 0:30:31 | 0:30:33 | |
That isn't what I asked you. | 0:30:33 | 0:30:34 | |
Do you know it, Sullivan? | 0:30:36 | 0:30:38 | |
I could swear I saw you skulking about. | 0:30:38 | 0:30:40 | |
Either that or there's a wino in there that's your double. | 0:30:40 | 0:30:44 | |
HE CHUCKLES | 0:30:44 | 0:30:45 | |
I'm always in the Lucky Black. It's a wee home from home. | 0:30:48 | 0:30:53 | |
We found an object at Vhari Burnett's house the night she died. | 0:30:53 | 0:30:56 | |
Got your prints all over it. | 0:30:56 | 0:30:57 | |
Can we wrap this up? | 0:30:59 | 0:31:00 | |
I'm missing my aerobics class and my core needs to flow. | 0:31:00 | 0:31:04 | |
Know what I'm saying? | 0:31:05 | 0:31:07 | |
If his alibi checks out, we'll just have to release him. | 0:31:09 | 0:31:13 | |
I mean, technically, he could have touched that 50 quid any time. | 0:31:13 | 0:31:16 | |
It links him to Mr Braces, though, doesn't it? | 0:31:16 | 0:31:19 | |
You follow Lafferty and he'll lead you straight to him. | 0:31:19 | 0:31:22 | |
You can't let him go. | 0:31:24 | 0:31:26 | |
I'm the only one that ties him to the crime. | 0:31:26 | 0:31:28 | |
What if he comes after me? | 0:31:28 | 0:31:30 | |
He won't. You can't identify him. | 0:31:30 | 0:31:33 | |
I've told no-one about the note. Neither has Gallagher. | 0:31:33 | 0:31:36 | |
By the way, you can't use any of this, Meehan. Right? | 0:31:39 | 0:31:43 | |
Do we understand each other? | 0:31:43 | 0:31:45 | |
Eh? | 0:31:46 | 0:31:48 | |
PHONE RINGS | 0:31:50 | 0:31:52 | |
-'Hello?' -Hi, there. Could I speak to Karen Burnett, please? | 0:31:52 | 0:31:55 | |
'Who wants her?' | 0:31:55 | 0:31:57 | |
It's just a friend. I'm calling about her sister Vhari. | 0:31:57 | 0:32:00 | |
'I haven't seen her since last week.' | 0:32:00 | 0:32:02 | |
-Do you have a work number for her? -'I've tried but she's not there. It's...here.' | 0:32:02 | 0:32:06 | |
'Erm...063298746.' | 0:32:06 | 0:32:10 | |
'If you manage to speak to her, tell her the rent's due next week, will you?' | 0:32:10 | 0:32:14 | |
KEYPAD TONES | 0:32:17 | 0:32:19 | |
RINGING TONE | 0:32:26 | 0:32:28 | |
'Hello, GCHQ.' | 0:32:28 | 0:32:30 | |
So she says, "I've got a sore finger." And the doctor says, "Is it your whole finger?" | 0:32:34 | 0:32:38 | |
-And she says, "No, it's the one next to it". -ALL LAUGH | 0:32:38 | 0:32:41 | |
McVie! | 0:32:41 | 0:32:44 | |
By the way, did I tell you what Devlin said about my miners' wives idea? | 0:32:44 | 0:32:47 | |
-What's up? -Burnett's sister worked for GCHQ in Cheltenham. | 0:32:49 | 0:32:53 | |
The intelligence gathering place. | 0:32:53 | 0:32:55 | |
-I know what it is. -Well, she was a data analyst. | 0:32:55 | 0:32:59 | |
-So? -So, they say she's on leave. | 0:32:59 | 0:33:01 | |
Her flatmate hasn't seen her since last week. Where is she? | 0:33:01 | 0:33:05 | |
Lying on a beach somewhere? | 0:33:05 | 0:33:07 | |
With her sister dead? | 0:33:07 | 0:33:09 | |
Hmm. | 0:33:10 | 0:33:11 | |
There's a link between the death of Vhari Burnett and Thillingly's suicide. | 0:33:11 | 0:33:15 | |
Her sister's missing and we think that might tie in as well. | 0:33:15 | 0:33:17 | |
We're not sure how exactly yet. | 0:33:17 | 0:33:20 | |
But we think we might be able to find the killer before the cops do. | 0:33:20 | 0:33:24 | |
And then what? Cos we can't print it. | 0:33:24 | 0:33:26 | |
And why not? | 0:33:26 | 0:33:28 | |
Cos we could prejudice the trial. | 0:33:28 | 0:33:31 | |
If you're sure you know who the killer is, I say print it. | 0:33:31 | 0:33:34 | |
We'll just call their bluff. We'll tell them sue or be damned. | 0:33:34 | 0:33:36 | |
What if we're culpable for getting a killer off on a technicality? | 0:33:36 | 0:33:39 | |
It's not our problem. | 0:33:39 | 0:33:41 | |
Listen, the Daily News catches the killer of some goody-two-shoes lawyer, that's fantastic! | 0:33:41 | 0:33:46 | |
And if they can throw in some kinky sex that's even better. | 0:33:46 | 0:33:50 | |
Well, we'll see what we can do. | 0:33:50 | 0:33:51 | |
It's a bit of a crush in the back of that call car... | 0:33:51 | 0:33:54 | |
Well, I think it is our problem. We're not above the law. | 0:33:54 | 0:33:57 | |
There's such a thing as ethics. | 0:33:57 | 0:33:59 | |
That's right, yep, it's one of the home counties. | 0:33:59 | 0:34:02 | |
Follow it up. | 0:34:04 | 0:34:05 | |
We'll decide when to print when we see what you've got. | 0:34:06 | 0:34:09 | |
And you're still on the call car, so do it between shifts. | 0:34:09 | 0:34:11 | |
You two look happy. | 0:34:24 | 0:34:26 | |
-Take it you never got your P45, then? -Mm-hm. | 0:34:26 | 0:34:29 | |
You like the little brunette, don't you? | 0:34:34 | 0:34:37 | |
Is she your pet project? Paddy Meehan, girl reporter? | 0:34:39 | 0:34:43 | |
You got a problem with that? | 0:34:44 | 0:34:46 | |
I thought she'd remind you of you...all those years ago. | 0:34:47 | 0:34:52 | |
When you were her age. | 0:34:52 | 0:34:55 | |
You screwed her yet? | 0:34:55 | 0:34:58 | |
Why not? | 0:34:58 | 0:35:01 | |
Is she not your type? | 0:35:01 | 0:35:04 | |
-What is? -Not you. | 0:35:05 | 0:35:08 | |
Yeah, don't flatter yourself. | 0:35:08 | 0:35:10 | |
Fancy a drink? | 0:35:46 | 0:35:48 | |
Yeah, OK. | 0:35:48 | 0:35:49 | |
So I checked the clippings library. | 0:35:53 | 0:35:56 | |
You've written some interesting stuff. | 0:35:56 | 0:35:58 | |
The Baby Brian case. | 0:36:00 | 0:36:04 | |
That shows a ruthless streak, which is what you need, | 0:36:04 | 0:36:07 | |
cos, trust me, Paddy, if we didn't have tits, they'd hunt us. | 0:36:07 | 0:36:12 | |
I do want to give you one little bit of advice, though. | 0:36:14 | 0:36:17 | |
Don't get involved with Devlin. | 0:36:17 | 0:36:20 | |
I wasn't planning to. | 0:36:20 | 0:36:22 | |
You might not be, but he is. | 0:36:22 | 0:36:24 | |
-It's not like that. -It's always like that. | 0:36:24 | 0:36:27 | |
You see him as a father figure, right? | 0:36:27 | 0:36:29 | |
Well, I'm telling you, that's not how he sees himself. | 0:36:29 | 0:36:32 | |
And the cards are all in his favour. | 0:36:32 | 0:36:34 | |
-Trust me, been there. -You have? | 0:36:34 | 0:36:37 | |
Mm-hm. | 0:36:37 | 0:36:39 | |
I was just like you. I was hungry, I was ambitious. | 0:36:39 | 0:36:44 | |
I was going to change the world. | 0:36:44 | 0:36:45 | |
And I had an affair with the deputy editor, and when it all went wrong, the newsroom turned on me. | 0:36:45 | 0:36:50 | |
I was out that door. | 0:36:50 | 0:36:52 | |
They'd been looking for an excuse to drag me down to their level and I gave it to them. | 0:36:52 | 0:36:56 | |
It didn't do you any harm in the long run, though, did it? Look at you now. | 0:36:58 | 0:37:02 | |
I had to sell my soul to get here. | 0:37:02 | 0:37:04 | |
Devlin's not the type. | 0:37:04 | 0:37:06 | |
Paddy, they are ALL the type. | 0:37:06 | 0:37:09 | |
Come on, what do you know about him, really? His private life? | 0:37:09 | 0:37:14 | |
He's divorced. | 0:37:14 | 0:37:16 | |
Mm-hm. How long? | 0:37:16 | 0:37:18 | |
A few years. | 0:37:18 | 0:37:20 | |
And now has he got a girlfriend? | 0:37:20 | 0:37:22 | |
Doubt it. He sleeps in the office. He hardly goes home. | 0:37:22 | 0:37:25 | |
And is that it? | 0:37:25 | 0:37:28 | |
I bet he knows a lot more about you. | 0:37:28 | 0:37:31 | |
I'm not interested in him that way. He's the same age as my dad. | 0:37:31 | 0:37:34 | |
If you need some help with this story, I'm here. | 0:37:39 | 0:37:44 | |
Use me. | 0:37:44 | 0:37:46 | |
Forget about McVie, he's a dead weight. | 0:37:46 | 0:37:49 | |
And Devlin? Well, as much as we both admire him, | 0:37:49 | 0:37:53 | |
he could jump ship at any minute, | 0:37:53 | 0:37:55 | |
so there's no point hitching your cart to him. | 0:37:55 | 0:37:57 | |
I say we watch each other's back. | 0:37:57 | 0:38:01 | |
-Deal? -Deal. | 0:38:01 | 0:38:05 | |
But...you won't get very far in this game | 0:38:11 | 0:38:14 | |
taking bribes not to write a story. See you tomorrow. | 0:38:14 | 0:38:18 | |
Did you tell Maloney about the 50 quid? | 0:38:34 | 0:38:37 | |
Me? I'm shit scared to even look at her. | 0:38:37 | 0:38:39 | |
Come on, we should speak to Thillingly's wife. | 0:38:39 | 0:38:41 | |
What if him and Vhari started up again? She sounds like the possessive type. | 0:38:41 | 0:38:45 | |
Oh, crime of passion? | 0:38:45 | 0:38:46 | |
# Tasty, tasty, very, very tasty! # | 0:38:49 | 0:38:52 | |
Red Merc? | 0:38:54 | 0:38:56 | |
-Mm-hm. -I saw one the other day. | 0:38:56 | 0:38:58 | |
Same one? | 0:39:00 | 0:39:02 | |
I don't know. | 0:39:04 | 0:39:05 | |
We're from the Daily News. | 0:39:13 | 0:39:15 | |
Sorry to visit you at this difficult time, but we'd like to speak to you about Mark. | 0:39:15 | 0:39:19 | |
And we wanted to talk about his relationship with Vhari Burnett. | 0:39:19 | 0:39:23 | |
-Well done(!) -What? | 0:39:26 | 0:39:28 | |
WOMAN SOBS | 0:39:28 | 0:39:31 | |
(She's still there! | 0:39:31 | 0:39:33 | |
(Well, speak to her, then.) | 0:39:33 | 0:39:35 | |
I'm really sorry about Mark. | 0:39:37 | 0:39:39 | |
Everyone I've spoken to says that he would never hurt Vhari. | 0:39:39 | 0:39:43 | |
That's what I think, too. The cops can ruin his reputation. | 0:39:43 | 0:39:47 | |
If you let us, we can put his side of the story out there. | 0:39:47 | 0:39:51 | |
LOCK OPENS | 0:39:51 | 0:39:53 | |
Were Mark and Vhari involved in a case together? | 0:39:55 | 0:39:58 | |
I'm not sure. | 0:40:01 | 0:40:02 | |
On the night that Vhari was killed, Mark came home about...eight. | 0:40:05 | 0:40:11 | |
His nose was swollen and bleeding. | 0:40:13 | 0:40:15 | |
He said...that someone had tried to mug him in the car park outside the office. | 0:40:18 | 0:40:24 | |
He didn't want to call the police because it was a client. | 0:40:26 | 0:40:30 | |
I didn't believe him. | 0:40:32 | 0:40:33 | |
Did he go out again? | 0:40:35 | 0:40:37 | |
No. | 0:40:39 | 0:40:41 | |
But later, I heard him on the phone. | 0:40:43 | 0:40:45 | |
He was...pleading. | 0:40:47 | 0:40:49 | |
After that, he just sat drinking. | 0:40:53 | 0:40:55 | |
When I woke up...he was gone. | 0:40:59 | 0:41:02 | |
Do you think he killed himself? | 0:41:07 | 0:41:09 | |
Of course. | 0:41:10 | 0:41:12 | |
In the note that he left, he said that he'd let Vhari and me down. | 0:41:17 | 0:41:22 | |
It's depressed nonsense. | 0:41:22 | 0:41:25 | |
He'd been really low after he put all that weight on. | 0:41:25 | 0:41:30 | |
He left a note and mentioned Vhari? | 0:41:30 | 0:41:33 | |
He put her name before mine! | 0:41:36 | 0:41:38 | |
Funny that. | 0:41:40 | 0:41:42 | |
SHE SIGHS | 0:41:55 | 0:41:57 | |
THUMPING | 0:42:03 | 0:42:05 | |
Her family own this place. | 0:42:29 | 0:42:32 | |
Used to be a...theatre or something. | 0:42:32 | 0:42:35 | |
Worth a look. | 0:42:38 | 0:42:40 | |
Then look. | 0:42:43 | 0:42:44 | |
SHE GASPS | 0:43:11 | 0:43:13 | |
SHE WHIMPERS | 0:43:27 | 0:43:29 | |
No, please! Please! No! | 0:43:29 | 0:43:33 | |
Get off of me! | 0:43:33 | 0:43:35 | |
I've got a reference to Karen from an article on Vhari Burnett from a few years ago. | 0:43:56 | 0:44:00 | |
Parents are dead, but they've got a half-brother. | 0:44:00 | 0:44:03 | |
-And I've got an address. -An address? -Mm-hm. -Come on, then. | 0:44:03 | 0:44:06 | |
BUZZER SOUNDS | 0:44:13 | 0:44:15 | |
HE SIGHS Nothing. | 0:44:19 | 0:44:21 | |
BUZZER SOUNDS | 0:44:21 | 0:44:24 | |
DOOR OPENS | 0:44:24 | 0:44:25 | |
Check the doors. See if it says "Burnett" on them. | 0:44:31 | 0:44:34 | |
-I'll bet that's him there. -Let's find out. | 0:44:37 | 0:44:39 | |
Danny, right? Danny Burnett? | 0:44:52 | 0:44:54 | |
Look, we're journalists. We just want to help your sister. | 0:44:54 | 0:44:57 | |
So what happened to you? | 0:44:59 | 0:45:01 | |
Two guys turned up here a couple of nights ago. | 0:45:01 | 0:45:03 | |
Said they wanted to buy some paintings for cash. | 0:45:03 | 0:45:07 | |
I let them in and next thing I know, I'm getting a severe kicking. | 0:45:07 | 0:45:10 | |
-Why? What did they want? -Karen. But I've no idea where she is. | 0:45:10 | 0:45:15 | |
You're not close to Karen and Vhari, then? | 0:45:15 | 0:45:17 | |
We share the same dad, but we didn't grow up together. | 0:45:17 | 0:45:20 | |
And you haven't spoken to Karen since Vhari was killed? | 0:45:20 | 0:45:22 | |
Why do you think these guys were trying to find her? | 0:45:25 | 0:45:28 | |
I just want to stay out of whatever she's got herself involved in. | 0:45:28 | 0:45:32 | |
What do they look like, these guys? Did one of them wear braces? | 0:45:32 | 0:45:35 | |
I don't remember. | 0:45:35 | 0:45:37 | |
Well, what about Mark Thillingly? Do you think he killed Vhari? | 0:45:37 | 0:45:40 | |
If Mark Thillingly didn't kill Vhari, the killer is still at large. | 0:45:40 | 0:45:45 | |
Karen could be his next victim. | 0:45:45 | 0:45:47 | |
Danny, we just want to talk to her. If she's in trouble, we can help. | 0:45:50 | 0:45:54 | |
Hey, I've been in this business a long time, son. | 0:45:56 | 0:45:59 | |
I know when I'm getting stone-walled. | 0:45:59 | 0:46:01 | |
Tell us where to find her. You could be saving her life. | 0:46:01 | 0:46:04 | |
She called the day after Vhari was killed. | 0:46:08 | 0:46:12 | |
She said it was all her fault, that she'd put Vhari in danger. | 0:46:12 | 0:46:16 | |
Well, did she say why? | 0:46:16 | 0:46:17 | |
Only that she'd got her involved in something she shouldn't have. | 0:46:17 | 0:46:21 | |
Something to do with the miners' leader, Willie McDade. | 0:46:21 | 0:46:25 | |
I didn't know what to believe. | 0:46:25 | 0:46:27 | |
I thought she was having some kind of a breakdown. | 0:46:27 | 0:46:30 | |
-So what did you tell these guys that kicked your face in? -Nothing. | 0:46:30 | 0:46:34 | |
You're a crap liar, Danny. | 0:46:34 | 0:46:35 | |
I mentioned that Vhari owns an old building. | 0:46:39 | 0:46:42 | |
But Karen wouldn't be there. It's falling to pieces. | 0:46:42 | 0:46:46 | |
It's been used as a storehouse for years. | 0:46:46 | 0:46:48 | |
Don't feel bad. Most people would have said something under the circumstances. | 0:46:50 | 0:46:55 | |
Yeah. I didn't think I was most people. | 0:46:55 | 0:46:57 | |
-MAN: -'How many cops does it take to change a light bulb?' | 0:47:12 | 0:47:16 | |
None. They just beat up the room because it's black. | 0:47:16 | 0:47:20 | |
ALL GROAN HE LAUGHS | 0:47:20 | 0:47:24 | |
-That was funny. That was...genuinely funny. -Get off! | 0:47:24 | 0:47:28 | |
Have you ever thought about doing a bit of comedy? | 0:47:28 | 0:47:30 | |
-Me? -You're just as funny as the acts they get in here. | 0:47:30 | 0:47:33 | |
Especially in that Val Doonican outfit. | 0:47:33 | 0:47:36 | |
They hand these jumpers out when you join the force, all right? | 0:47:36 | 0:47:40 | |
-Along with the moustaches. -I suppose somebody's got to do it. | 0:47:40 | 0:47:43 | |
Aye, well, it's better than being in your game. | 0:47:43 | 0:47:46 | |
People who can't write, interviewing people who can't talk, for people who can't read. | 0:47:46 | 0:47:51 | |
To be honest, I wanted to ask you about Mark Thillingly. The note he left? | 0:47:53 | 0:47:57 | |
Ah. | 0:47:57 | 0:47:58 | |
Well, I wasn't privy to that, I'm afraid. | 0:48:01 | 0:48:03 | |
You'll have to ask Gallagher. | 0:48:03 | 0:48:04 | |
What about the man at the house, Mr Braces? | 0:48:04 | 0:48:07 | |
We haven't been able to trace him again. | 0:48:07 | 0:48:09 | |
Business associate, maybe. He's not a suspect. | 0:48:10 | 0:48:13 | |
And Lafferty? Did Vhari ever prosecute him? | 0:48:13 | 0:48:16 | |
Not that I know of. | 0:48:16 | 0:48:18 | |
Look, the word is, Vhari and her sister inherited money from their mother. | 0:48:20 | 0:48:24 | |
Lafferty probably heard about it on the grapevine and got stuck into her | 0:48:24 | 0:48:28 | |
to find out where she keeps her cash. | 0:48:28 | 0:48:30 | |
Could you get me his address? | 0:48:30 | 0:48:32 | |
Bobby Lafferty killed his own dog by chucking it out a window because it chewed on his Rangers scarf. | 0:48:33 | 0:48:39 | |
That's all you need to know about him. | 0:48:39 | 0:48:41 | |
Right, OK. | 0:48:48 | 0:48:50 | |
Just promise me you won't doorstep him. I'm not joking. | 0:48:50 | 0:48:53 | |
I'll just use it to get some info on him. That's all, honest. | 0:48:53 | 0:48:56 | |
Let me make a call. | 0:48:58 | 0:49:00 | |
Right, cheers. | 0:49:06 | 0:49:08 | |
There you go. | 0:49:11 | 0:49:14 | |
He has various addresses. This is one of his warehouses. | 0:49:14 | 0:49:17 | |
Word is he uses a flat there sometimes. | 0:49:17 | 0:49:20 | |
Best I can do. Now don't say I'm not nice. | 0:49:20 | 0:49:24 | |
So...how long have you been married? | 0:49:26 | 0:49:30 | |
-You don't mess about, do you? -I'm just asking. | 0:49:33 | 0:49:36 | |
Why so interested in my wife? | 0:49:36 | 0:49:39 | |
Wedding ring at work, but not in the pub. It's tacky, Burns. Tacky. | 0:49:39 | 0:49:43 | |
You don't know what it's like being in the police. You have to fit in. | 0:49:45 | 0:49:49 | |
You can't tell everyone in the canteen that your wife's mentally ill and you're scared to go home. | 0:49:50 | 0:49:55 | |
Your wife's a loony? That's your chat-up line? | 0:49:55 | 0:49:57 | |
SHE LAUGHS | 0:49:57 | 0:49:59 | |
-Maybe you're right. Maybe this isn't a good idea. -I'm sorry. | 0:50:01 | 0:50:05 | |
-I didn't mean to offend you. -No? You just called me a liar. | 0:50:05 | 0:50:09 | |
What would make a woman...do this? | 0:50:15 | 0:50:19 | |
Came at me with a bottle opener. | 0:50:21 | 0:50:24 | |
Feel it. | 0:50:24 | 0:50:26 | |
You've got me all wrong, Paddy. | 0:50:31 | 0:50:33 | |
No, not here. | 0:50:35 | 0:50:37 | |
All right, Shugs? | 0:50:39 | 0:50:41 | |
Did you get a kip? | 0:51:46 | 0:51:48 | |
Better than that, I got an address. | 0:51:48 | 0:51:50 | |
Lafferty's got a scrap yard beside the Clyde. | 0:51:50 | 0:51:53 | |
-How did you manage that? -Burns give me it. | 0:51:55 | 0:51:58 | |
Hmm. | 0:51:58 | 0:52:00 | |
What? | 0:52:00 | 0:52:02 | |
Have you learned nothing? | 0:52:02 | 0:52:04 | |
Shag a cop by all means, but do not bring them into the press bar | 0:52:04 | 0:52:08 | |
for everybody to see. | 0:52:08 | 0:52:10 | |
Mind your own business. | 0:52:10 | 0:52:12 | |
Ah, but it is my business. We don't do that. We use them, they use us. | 0:52:12 | 0:52:17 | |
We do not get into bed with them. Or into the back seat of a car, for that matter. | 0:52:17 | 0:52:22 | |
RADIO PLAYS # Skies above can't be stormy... # | 0:52:27 | 0:52:33 | |
Are you sure he gave you the right address? | 0:52:33 | 0:52:36 | |
-You've got a cheek. -Hmm? | 0:52:37 | 0:52:40 | |
You've chatted up every woman in the secretarial pool. Unsuccessfully, I might add. | 0:52:40 | 0:52:45 | |
-That's because I wasn't really trying. -Aye, right(!) | 0:52:45 | 0:52:49 | |
You're not as street-smart as you think you are, Paddy. | 0:52:55 | 0:52:59 | |
Away you go and check his bins. You never know, there might be something in there out of her house. | 0:52:59 | 0:53:05 | |
HE LAUGHS I've got seniority. My bin-raking days are over. | 0:53:05 | 0:53:10 | |
LAUGHTER | 0:53:22 | 0:53:24 | |
Is no-one at this paper going to buy me a welcome drink? | 0:53:30 | 0:53:33 | |
Well, I'd avoid the wine if I were you, you could dissolve bodies in it. | 0:53:35 | 0:53:39 | |
-Vodka tonic. -Right. Thanks. | 0:53:41 | 0:53:44 | |
-WOMAN: -Support the miners! | 0:53:47 | 0:53:49 | |
-Support the miners. -Yeah, I know you think I came in too hard, | 0:53:49 | 0:53:52 | |
but you try being the only woman in the room, let's see who listens to you. | 0:53:52 | 0:53:57 | |
-Well, they're listening now. -Yeah, exactly. | 0:53:57 | 0:54:00 | |
It's not me, though. | 0:54:00 | 0:54:02 | |
It's just an act. | 0:54:02 | 0:54:04 | |
I love this business just as much as you do. It's in my blood. | 0:54:04 | 0:54:10 | |
Support the miners. | 0:54:10 | 0:54:12 | |
You don't believe me? | 0:54:12 | 0:54:15 | |
Well, I know why I became a journalist, but I'm not sure about you. | 0:54:15 | 0:54:19 | |
-The same reason. -Hmm? What's that? | 0:54:19 | 0:54:23 | |
You wanted to get as close as possible to the heart of the world. | 0:54:23 | 0:54:27 | |
We all do. | 0:54:27 | 0:54:29 | |
Henry Luce couldn't have said it better himself. | 0:54:30 | 0:54:33 | |
Oh, no, hang on, he did say it. | 0:54:33 | 0:54:35 | |
People need to make informed choices or democracy doesn't work. | 0:54:39 | 0:54:43 | |
I know how important we are | 0:54:43 | 0:54:45 | |
and that's why I don't want to see another paper like the Daily News go down. | 0:54:45 | 0:54:49 | |
And McCallum International will do it, Devlin. They'll just asset strip. | 0:54:49 | 0:54:53 | |
They'll sell the building. They'll sell the print works, the lot. | 0:54:53 | 0:54:56 | |
Now, you and I, we can make sure that that doesn't happen, but we have to compromise. | 0:54:56 | 0:55:01 | |
Typewriters'll be in a museum soon. I don't want to be in there with them, do you? | 0:55:04 | 0:55:08 | |
Come on, then, is the jury in or out? | 0:55:11 | 0:55:13 | |
-What, on you? -Mm-hm. Yeah, on me. | 0:55:16 | 0:55:21 | |
I'm still considering. | 0:55:23 | 0:55:25 | |
MUSIC PLAYS ON RADIO | 0:55:31 | 0:55:34 | |
Ohh! | 0:56:12 | 0:56:14 | |
McVie! | 0:56:22 | 0:56:23 | |
-SHE SCREAMS -McVie! | 0:56:23 | 0:56:26 | |
You told Gallagher about us! | 0:56:29 | 0:56:31 | |
-And how did Lafferty know we were going to check him out? -Hey, hey. | 0:56:31 | 0:56:34 | |
I don't think you understand this. This is war! | 0:56:34 | 0:56:37 | |
-When you're in my house, my rules. -Maybe I shouldn't be in your house. | 0:56:37 | 0:56:41 | |
SHE PANTS | 0:56:41 | 0:56:43 | |
We need to talk to William McDade and get a quote. | 0:56:43 | 0:56:45 | |
I know some of his team. I'll make a few calls. | 0:56:45 | 0:56:48 | |
You can't let this story spiral, Mr McDade. It doesn't look good. | 0:56:48 | 0:56:51 | |
Why would Willie McDade be getting mixed up with someone like Lafferty? | 0:56:51 | 0:56:54 | |
It all comes back to the guy with the braces. | 0:56:54 | 0:56:56 | |
What I did to your sister would pale into insignificance | 0:56:56 | 0:57:00 | |
compared to what I will do to you. | 0:57:00 | 0:57:03 | |
Ow! Argh! | 0:57:03 | 0:57:04 | |
Subtitles by Red Bee Media Ltd | 0:57:09 | 0:57:13 |