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This programme contains some violent scenes | 0:00:02 | 0:00:06 | |
-That woman has blood on her face. -She's a lawyer. | 0:00:06 | 0:00:08 | |
She wants us to leave it. | 0:00:08 | 0:00:10 | |
She had her teeth pulled out and her skull caved in with a hammer. | 0:00:10 | 0:00:13 | |
That guy killed her, McVie, and we took money from him. | 0:00:13 | 0:00:15 | |
The new editor-in-chief is on his way up the stairs. | 0:00:15 | 0:00:18 | |
You need to start attracting some new readers. | 0:00:18 | 0:00:21 | |
The bad news is that not all of you will be embarking | 0:00:21 | 0:00:24 | |
-on this exciting new journey. -Mark Thillingly. Law Society. | 0:00:24 | 0:00:27 | |
Amnesty International? | 0:00:27 | 0:00:29 | |
There's a link between the death of Vhari Burnett | 0:00:29 | 0:00:31 | |
and Thillingly's suicide. | 0:00:31 | 0:00:32 | |
Her sister's missing and we think that might tie in, as well. | 0:00:32 | 0:00:35 | |
McVie! | 0:00:37 | 0:00:38 | |
HEART MONITOR BEEPS | 0:00:42 | 0:00:45 | |
It's just some personal things for Mr McVie. | 0:00:53 | 0:00:56 | |
I just want George to have everything he needs. | 0:00:56 | 0:00:59 | |
Thanks very much. | 0:01:00 | 0:01:01 | |
Meehan...trouble seems to follow you around. | 0:01:08 | 0:01:13 | |
Good job he got out the car when he did. | 0:01:13 | 0:01:15 | |
I think your surveillance techniques need a wee bit of work, though, eh? | 0:01:15 | 0:01:18 | |
How did you get Lafferty's address anyway? | 0:01:19 | 0:01:21 | |
Couldn't have been DS Burns now, by any chance, could it? | 0:01:23 | 0:01:26 | |
I hear you two are quite chummy these days. | 0:01:26 | 0:01:29 | |
My personal life is MY business. | 0:01:29 | 0:01:30 | |
Not when it involves one of my officers it's not. | 0:01:30 | 0:01:32 | |
Lafferty's alibi checks out, by the way. He's no longer a suspect. | 0:01:34 | 0:01:39 | |
So, you were wasting your time. | 0:01:39 | 0:01:41 | |
Mark Thillingly killed Vhari, we're sure of it. | 0:01:41 | 0:01:45 | |
And the petrol bomb? What exactly was that? | 0:01:45 | 0:01:47 | |
Well, what did you expect, raking around in his bins? | 0:01:47 | 0:01:50 | |
Oh...stay away from DS Burns. | 0:01:53 | 0:01:56 | |
He can be a charmer...but he can be plenty of other things, as well. | 0:01:57 | 0:02:01 | |
MUSIC: "Perfect Skin" by Lloyd Cole & The Commotions | 0:02:10 | 0:02:13 | |
# I choose my friends | 0:02:13 | 0:02:15 | |
# Only far too well | 0:02:15 | 0:02:16 | |
# I'm up on the pavement | 0:02:16 | 0:02:18 | |
# And they're all down in the cellar | 0:02:18 | 0:02:20 | |
# With their government grants and my IQ | 0:02:20 | 0:02:24 | |
# They brought me down to size | 0:02:24 | 0:02:25 | |
# Academia blues | 0:02:25 | 0:02:28 | |
HE GROANS | 0:02:28 | 0:02:30 | |
# Up eight flights of stairs to her basement flat | 0:02:35 | 0:02:38 | |
# Pretty confused, huh? | 0:02:38 | 0:02:40 | |
# Being shipped around like that | 0:02:40 | 0:02:42 | |
# Seems we climbed so high | 0:02:42 | 0:02:44 | |
# Now we're down so low | 0:02:44 | 0:02:45 | |
# Strikes me the moral of this song must be | 0:02:45 | 0:02:48 | |
# There never has been one. # | 0:02:48 | 0:02:50 | |
HE EXHALES DEEPLY | 0:02:54 | 0:02:56 | |
Hey, you. | 0:02:57 | 0:02:58 | |
What's up with your face? I'm fine. | 0:03:00 | 0:03:03 | |
I'm not feeling anything. | 0:03:04 | 0:03:05 | |
They've got me doped up to the gunnels. | 0:03:06 | 0:03:09 | |
When that car went up, I thought you were a goner. | 0:03:09 | 0:03:11 | |
You should change your name to Harry Houdini. | 0:03:12 | 0:03:15 | |
Who was your friend? | 0:03:18 | 0:03:19 | |
What? | 0:03:21 | 0:03:22 | |
A nice man came in and dropped off some stuff for you. | 0:03:22 | 0:03:25 | |
Colin. | 0:03:27 | 0:03:29 | |
-Is that your brother? -No. | 0:03:29 | 0:03:31 | |
-Just a friend? -Did I say that? | 0:03:32 | 0:03:35 | |
You're not saying anything. | 0:03:35 | 0:03:37 | |
He's my partner, Paddy. | 0:03:40 | 0:03:43 | |
-In what? -Life. | 0:03:43 | 0:03:45 | |
Your boyfriend?! You kept that a secret. | 0:03:48 | 0:03:51 | |
Can you imagine what it would have been like working in there | 0:03:53 | 0:03:56 | |
with that lot, if they knew? | 0:03:56 | 0:03:58 | |
They would have made my life a misery. | 0:03:58 | 0:04:00 | |
They're not exactly in touch with their feminine side, are they? | 0:04:02 | 0:04:05 | |
Neither were you. | 0:04:05 | 0:04:07 | |
Well, that was an act. | 0:04:08 | 0:04:09 | |
Why am I telling you this? | 0:04:12 | 0:04:14 | |
-The drugs, probably. -Mmm. | 0:04:14 | 0:04:17 | |
Yeah, that's it. Just forget I said it. | 0:04:17 | 0:04:21 | |
I'm delusional. I'm so drugged up I've woke up gay. | 0:04:21 | 0:04:26 | |
THEY LAUGH | 0:04:26 | 0:04:29 | |
Ooh, I'm away with it. | 0:04:30 | 0:04:31 | |
Is Colin away with it, as well? | 0:04:31 | 0:04:34 | |
Seeing how they've given you this truth drug, | 0:04:37 | 0:04:39 | |
anything else you'd like to tell me? | 0:04:39 | 0:04:41 | |
No. I think, er, that's probably enough. | 0:04:42 | 0:04:47 | |
And if you tell anybody else, | 0:04:47 | 0:04:49 | |
I will gouge your eyeballs out with a soup spoon. | 0:04:49 | 0:04:52 | |
You don't need to worry about me. I hate people that can't keep secrets. | 0:04:52 | 0:04:56 | |
HE GROANS | 0:04:58 | 0:04:59 | |
Oh, jeez. Get the nurse, will you? | 0:04:59 | 0:05:02 | |
I think I could do with another wee dash of that morphine. | 0:05:02 | 0:05:05 | |
You wishing you could turn back time? | 0:05:11 | 0:05:13 | |
Yeah. Spot on. | 0:05:15 | 0:05:17 | |
In a good way or a bad way? | 0:05:18 | 0:05:19 | |
Let's just forget this happened, shall we? Can we do that? | 0:05:23 | 0:05:27 | |
Yeah, It's already forgotten. | 0:05:27 | 0:05:29 | |
You know, all I wanted was a welcome drink. | 0:05:32 | 0:05:34 | |
You really didn't have to take it that far. | 0:05:34 | 0:05:36 | |
Dick! | 0:05:44 | 0:05:46 | |
Dan, actually. | 0:05:47 | 0:05:48 | |
You have got a big gob. | 0:05:48 | 0:05:49 | |
-Aye, thanks very much, it has been mentioned. -Give the funnies a rest. | 0:05:49 | 0:05:52 | |
You told Gallagher about us! | 0:05:52 | 0:05:54 | |
And how exactly did Lafferty know we were going to check him out? | 0:05:54 | 0:05:57 | |
Innocent on both charges. | 0:05:57 | 0:05:59 | |
See thanks to you, McVie's lying in a hospital bed. | 0:05:59 | 0:06:02 | |
And now Gallagher thinks I'll shag anyone with a cheesy line in jokes. | 0:06:02 | 0:06:05 | |
-Cheesy? -Oh, piss off, Burns! | 0:06:05 | 0:06:07 | |
'All right, listen up.' | 0:06:09 | 0:06:10 | |
I want everything we've got on Lafferty. All right, everything. | 0:06:10 | 0:06:13 | |
If he thinks he can attack one of us and get away with it, he can think again. | 0:06:13 | 0:06:17 | |
-Thinking's not his strongpoint. -The cops don't even know if it was him. -Course it was him, the toerag. | 0:06:17 | 0:06:21 | |
I want as much muck as we can find thrown at him and his family, all right? | 0:06:21 | 0:06:25 | |
-They're robbing scumbags and I want the whole city to know it. -Sounds good to me. | 0:06:25 | 0:06:29 | |
Get on with it. | 0:06:30 | 0:06:32 | |
OK, talk fast, I'm on hold. | 0:06:40 | 0:06:42 | |
I took a bribe. | 0:06:42 | 0:06:44 | |
The night we were at Vhari Burnett's house. 50 quid. | 0:06:44 | 0:06:48 | |
McVie said it was OK, I thought you should know. | 0:06:49 | 0:06:51 | |
Took a bribe from who? | 0:06:52 | 0:06:54 | |
The guy at the door. | 0:06:54 | 0:06:56 | |
The guy that might have murdered her. | 0:06:56 | 0:06:59 | |
He said it could harm her career if her drinking got into the paper. | 0:07:00 | 0:07:03 | |
What, you work for him now, do you? | 0:07:03 | 0:07:05 | |
-I needed the money. -DEVLIN SIGHS DEEPLY | 0:07:05 | 0:07:08 | |
-Our 'lecky was gonnae get cut off. -I don't pay you enough? | 0:07:08 | 0:07:10 | |
Not enough to support a whole family. | 0:07:10 | 0:07:12 | |
And you took the money and you walked away? | 0:07:12 | 0:07:15 | |
And now you're putting yourself in danger, trying to make it right. | 0:07:15 | 0:07:18 | |
Or putting others in danger, to be precise. | 0:07:18 | 0:07:20 | |
I handed it over to the cops. | 0:07:20 | 0:07:23 | |
I thought it might have had the killer's fingerprints on it. | 0:07:23 | 0:07:26 | |
Look, I know it was stupid to take it in the first place. | 0:07:26 | 0:07:28 | |
I couldn't hate myself any more. | 0:07:28 | 0:07:30 | |
It's not the reason that I became a journalist. | 0:07:30 | 0:07:32 | |
Yeah, well, you know what? | 0:07:36 | 0:07:38 | |
You're not the first journalist to get a sore arse from sitting on their scruples. | 0:07:40 | 0:07:45 | |
Thing is, Maloney knew about it - the 50 quid. | 0:07:45 | 0:07:50 | |
She must have a contact in the cop shop. | 0:07:50 | 0:07:53 | |
It's Gallagher. | 0:08:06 | 0:08:09 | |
I saw them, together. | 0:08:09 | 0:08:12 | |
She's a fast mover, eh? | 0:08:14 | 0:08:15 | |
The thing is, you and I are going to have to cover our backs | 0:08:18 | 0:08:21 | |
when it comes to Miss Maloney. | 0:08:21 | 0:08:23 | |
-OK? Is that a deal? -If you say so. | 0:08:23 | 0:08:25 | |
Get some rest, you look knackered. | 0:08:27 | 0:08:29 | |
Hey, and no more backhanders, | 0:08:30 | 0:08:32 | |
you understand? That can never happen again. | 0:08:32 | 0:08:36 | |
Yeah. | 0:08:36 | 0:08:37 | |
How's McVie? | 0:08:46 | 0:08:48 | |
He's OK. | 0:08:48 | 0:08:49 | |
Whose idea was it to stake out the biggest psycho in the city, anyway? | 0:08:50 | 0:08:54 | |
No, wait, don't tell me - you. See, if you ask me, | 0:08:54 | 0:08:58 | |
I think you'd be better sticking to the knitting supplement. | 0:08:58 | 0:09:01 | |
Well, nobody did ask you, because nobody gives a toss what you think. | 0:09:01 | 0:09:04 | |
Hey, get off. | 0:09:07 | 0:09:10 | |
I'm impressed by the loyalty that Devlin shows his staff. | 0:09:15 | 0:09:19 | |
This McVie incident, he's taken it personally, hasn't he? | 0:09:19 | 0:09:22 | |
The press can't be intimidated by thugs. | 0:09:22 | 0:09:26 | |
Not unless they own the paper. | 0:09:29 | 0:09:31 | |
Keep that up and you're out the door. | 0:09:31 | 0:09:33 | |
I can't keep pulling it out of the bag. It's always on my shoulders, in the end. | 0:09:36 | 0:09:40 | |
-I mean, what choice do you have? -Well we're no starving yet, are we? -Aye, well, we're not far from it. | 0:09:40 | 0:09:46 | |
-What's up? -You sure you want to keep these cords? They've seen better days. | 0:09:48 | 0:09:52 | |
They're looking for scabs to break the strike. | 0:09:52 | 0:09:55 | |
-Want to bus folk into Fife. Your mother thinks I should go. -A scab? | 0:09:55 | 0:10:00 | |
Are you serious? | 0:10:00 | 0:10:01 | |
Don't start getting all romantic about the working class. Leave that to the posh folk. | 0:10:01 | 0:10:05 | |
-The union doesn't make the rules. -I can't do it. It goes against everything I believe. | 0:10:05 | 0:10:11 | |
And what's that, exactly? | 0:10:11 | 0:10:12 | |
No. No, no. No, tell me, I'm fascinated. | 0:10:15 | 0:10:18 | |
What do you believe in, Conor Meehan? | 0:10:18 | 0:10:19 | |
Letting other people suffer because of your principles? | 0:10:19 | 0:10:23 | |
Well, I believe in having a roof over me head | 0:10:23 | 0:10:25 | |
and I believe in making sure that there's food | 0:10:25 | 0:10:28 | |
on the table for me children! | 0:10:28 | 0:10:29 | |
I'd rather beg. | 0:10:29 | 0:10:31 | |
Well, I've never accepted charity and I'm not going to start now. | 0:10:31 | 0:10:34 | |
You can't ask him to do this. He'll be despised. | 0:10:34 | 0:10:36 | |
Well, there's worse things. | 0:10:38 | 0:10:39 | |
Don't do it, Dad. Please. | 0:10:44 | 0:10:46 | |
Why did you say that to him? | 0:10:58 | 0:10:59 | |
It is none of your business. | 0:10:59 | 0:11:01 | |
If we don't stick together, then we're nothing. | 0:11:01 | 0:11:03 | |
Oh, is that right, Comrade Paddy? | 0:11:03 | 0:11:05 | |
Well, I don't see you doing much to help others. | 0:11:05 | 0:11:07 | |
-Stay out of this. -No. | 0:11:07 | 0:11:09 | |
When you're in my house, my rules. | 0:11:09 | 0:11:12 | |
Well, maybe I shouldn't be in your house. | 0:11:12 | 0:11:14 | |
-Meaning? -Meaning, maybe it's time I got my own flat. | 0:11:14 | 0:11:17 | |
Well, if that's the way you feel, maybe you should. | 0:11:20 | 0:11:22 | |
HEAVY BREATHING | 0:11:31 | 0:11:32 | |
SHE GROANS | 0:11:43 | 0:11:44 | |
SHE BREATHES HEAVILY | 0:12:14 | 0:12:16 | |
No! | 0:12:26 | 0:12:28 | |
Come here. You're going nowhere. | 0:12:39 | 0:12:41 | |
Please. You don't have to do this. Please. | 0:13:03 | 0:13:07 | |
# Pain and hatred and misery | 0:13:07 | 0:13:12 | |
# And each time I feel like this inside | 0:13:13 | 0:13:16 | |
# There's one thing I want to know | 0:13:16 | 0:13:20 | |
# What's so funny 'bout peace, love and understanding? # | 0:13:20 | 0:13:25 | |
So, did you have any other valuables taken? | 0:13:25 | 0:13:28 | |
I did, yeah. I had a watch, my wallet... | 0:13:28 | 0:13:31 | |
OK, well, if you do notice anything... | 0:13:32 | 0:13:35 | |
Don't touch anything. Place was broken into last night. | 0:13:35 | 0:13:39 | |
Cops are checking for prints. Junkies, probably. | 0:13:39 | 0:13:41 | |
What was the night editor doing? | 0:13:41 | 0:13:43 | |
Sleeping, naturally. | 0:13:43 | 0:13:44 | |
That the cop you were shagging? | 0:13:46 | 0:13:48 | |
You fell for the mad wife in the attic routine, then? | 0:13:53 | 0:13:56 | |
Aye, apparently he's famous for it. | 0:13:56 | 0:13:59 | |
Of course. the violin lessons are completely banjoed. | 0:14:08 | 0:14:11 | |
Not the only thing you'll not be able to do. Meehan'll help you out. | 0:14:11 | 0:14:14 | |
-LAUGHTER -What are you doing here? | 0:14:14 | 0:14:16 | |
Er, well I didnae want to lie in a hospital bed | 0:14:16 | 0:14:19 | |
when we had a story to finish. | 0:14:19 | 0:14:20 | |
Hey, I'm absolutely fine. Totally compos mentis. | 0:14:25 | 0:14:30 | |
Just don't expect me to clap along to anything. | 0:14:30 | 0:14:32 | |
Listen, er, thanks very much for not mentioning Colin to that lot. | 0:14:35 | 0:14:38 | |
And I won't, but you can't live a double life. | 0:14:38 | 0:14:41 | |
Well that's easy for you to say, you don't come from Barlanark. | 0:14:41 | 0:14:45 | |
Right, what have we got? | 0:14:45 | 0:14:47 | |
The cops believe that Thillingly killed Vhari Burnett, | 0:14:47 | 0:14:50 | |
-then topped himself. Why do we think different? -He's not the type. | 0:14:50 | 0:14:53 | |
We need more on Thillingly, just in case he did it. | 0:14:53 | 0:14:55 | |
That's a double-page spread, easy. Are you missing something? | 0:14:55 | 0:14:58 | |
Somebody sent me a key. | 0:14:58 | 0:15:01 | |
-I wanted to check it out, but it's definitely gone. -A key? | 0:15:01 | 0:15:04 | |
Do you mind if I ask why CID are investigating a break-in? | 0:15:14 | 0:15:18 | |
-Aye, I do. -Is it true, about your wife? | 0:15:18 | 0:15:22 | |
On you go. | 0:15:23 | 0:15:25 | |
See, I've heard it's just a line you spin, | 0:15:27 | 0:15:30 | |
to justify why it's OK for you to sleep with other women. | 0:15:30 | 0:15:33 | |
Oh, women like you, you mean? | 0:15:33 | 0:15:35 | |
Stones. People. Glasshouses. | 0:15:37 | 0:15:40 | |
Put those words in the right order, Paddy. | 0:15:40 | 0:15:42 | |
-Is it true? -You're right. | 0:15:42 | 0:15:45 | |
She didn't attack me with a bottle opener. | 0:15:45 | 0:15:47 | |
She is just an everyday housewife. | 0:15:47 | 0:15:50 | |
It was a lie. | 0:15:51 | 0:15:53 | |
I knew it and you knew it, but it oils the wheels of deceit, | 0:15:53 | 0:15:57 | |
doesn't it? | 0:15:57 | 0:15:58 | |
So don't dump your guilt on me. | 0:15:58 | 0:16:00 | |
Just tell us what we need to know! | 0:16:11 | 0:16:14 | |
And we can bring all this madness to an end. | 0:16:15 | 0:16:19 | |
You've got to let me out of here. | 0:16:19 | 0:16:21 | |
Well, I'll certainly give it serious consideration. | 0:16:21 | 0:16:24 | |
The alternative doesn't bear thinking about. | 0:16:25 | 0:16:27 | |
Now, you know what I did to your sister. | 0:16:33 | 0:16:37 | |
Well, that would pale into insignificance, | 0:16:39 | 0:16:43 | |
compared to what I would do to you. | 0:16:43 | 0:16:45 | |
Now, who did you pass the information to? | 0:16:47 | 0:16:50 | |
We don't do criminal cases here. Small stuff - | 0:16:56 | 0:16:59 | |
people with rent problems, debt, expense claims for prison visits. | 0:16:59 | 0:17:03 | |
Was Mark at work on Tuesday? | 0:17:03 | 0:17:05 | |
He was, aye. | 0:17:05 | 0:17:06 | |
And did he do or say anything out of the ordinary? | 0:17:06 | 0:17:09 | |
Do you mean did I think he was suicidal? No. | 0:17:09 | 0:17:12 | |
-You say that like he didn't kill himself. -I don't think he did. | 0:17:12 | 0:17:15 | |
Er, Mark's wife said that he was mugged that night. | 0:17:17 | 0:17:20 | |
-What? -Outside in the car park. -That didn't happen. | 0:17:20 | 0:17:25 | |
I waved to him as he drove away. It wasn't even dark when he left. | 0:17:25 | 0:17:29 | |
I do remember one thing, though. | 0:17:29 | 0:17:31 | |
There was a red Mercedes in the car park. It left at the same time. | 0:17:31 | 0:17:35 | |
I only noticed it cos you don't get many of them in Easterhouse. | 0:17:35 | 0:17:38 | |
-Listen, I really have to go. -Thank you for your time. | 0:17:38 | 0:17:41 | |
What are you thinking? | 0:17:47 | 0:17:48 | |
We should check out that old building that Karen's brother mentioned. | 0:17:50 | 0:17:53 | |
Never know your luck. | 0:17:53 | 0:17:55 | |
McVie, look. | 0:18:00 | 0:18:01 | |
Karen? | 0:18:08 | 0:18:09 | |
Karen? | 0:18:12 | 0:18:13 | |
What's that? | 0:18:16 | 0:18:17 | |
You see anything? | 0:18:27 | 0:18:28 | |
It looks like she was here. | 0:18:29 | 0:18:31 | |
There was a Mercedes following Thillingly. | 0:18:37 | 0:18:40 | |
Same Merc at Vhari's the night she died. | 0:18:40 | 0:18:42 | |
And what else have you got, apart from a bad case of sunburn? | 0:18:42 | 0:18:45 | |
We know Karen Burnett had information on Red Willie. | 0:18:45 | 0:18:48 | |
What if she gave it to Vhari? | 0:18:48 | 0:18:49 | |
You're assuming this info came from the GCHQ where she worked, right? | 0:18:49 | 0:18:53 | |
-Could be. -And this information was enough to lead to her death? | 0:18:53 | 0:18:56 | |
-Karen Burnett obviously thinks so. -Does she? | 0:18:56 | 0:18:59 | |
There's a lot of could be's and what if's. | 0:18:59 | 0:19:01 | |
Well, why were the guys who knocked lumps out of her half brother looking for her? | 0:19:01 | 0:19:06 | |
Maybe they were blackmailing Red Willie. | 0:19:06 | 0:19:08 | |
And what if he paid someone to kill her? | 0:19:08 | 0:19:10 | |
Now that would be a good story. | 0:19:10 | 0:19:13 | |
But why would Willie McDade be getting mixed up | 0:19:13 | 0:19:15 | |
-with someone like Lafferty? -It comes back to the guy with the braces. | 0:19:15 | 0:19:19 | |
I think he's the guy that's driving the red Merc. | 0:19:19 | 0:19:21 | |
Yeah, well, we need to talk to Willie McDade, don't we? Get a quote. | 0:19:21 | 0:19:24 | |
No problem. I know some of his team. I'll make a few calls. | 0:19:24 | 0:19:27 | |
Well, tell him we'll meet whenever and wherever he wants. | 0:19:27 | 0:19:31 | |
You can't go. Look at the state of you. We want him to take us seriously. | 0:19:31 | 0:19:34 | |
Don't we need someone with a bit more experience on this? | 0:19:34 | 0:19:37 | |
No, I don't. It's their story. | 0:19:38 | 0:19:42 | |
I'm not doing this without McVie. | 0:19:43 | 0:19:45 | |
Well, both of you go, then. Go on. | 0:19:46 | 0:19:48 | |
-Come on. -HE CLAPS | 0:19:48 | 0:19:51 | |
No problem. | 0:19:51 | 0:19:53 | |
PADDY KNOCKS ON THE DOOR | 0:19:53 | 0:19:54 | |
-I thought we were supposed to stick together. -Did I say that? | 0:19:56 | 0:20:01 | |
Look, it's just I really want to get out of the call car and into features. | 0:20:01 | 0:20:05 | |
This story, it's my big chance. | 0:20:05 | 0:20:06 | |
Meehan, you took a bribe. | 0:20:07 | 0:20:10 | |
You screwed a cop for information. | 0:20:10 | 0:20:12 | |
You're a liability to this newspaper. | 0:20:12 | 0:20:14 | |
The only reason you're still here is cos of Devlin. | 0:20:14 | 0:20:18 | |
It was YOU who told Gallagher about Burns and me, wasn't it? | 0:20:18 | 0:20:21 | |
Listen...when you get to where I am, | 0:20:21 | 0:20:25 | |
you pull that ladder up behind you as fast as you can. | 0:20:25 | 0:20:28 | |
Otherwise, some bushy-tailed little idealist, | 0:20:28 | 0:20:31 | |
like you, with some bizarre idea about sisterhood | 0:20:31 | 0:20:33 | |
will be hanging on to the hem of your skirt like a Biafran orphan. | 0:20:33 | 0:20:37 | |
Hey. | 0:20:39 | 0:20:40 | |
Did you really think I was on your side? | 0:20:43 | 0:20:45 | |
Hmm. | 0:20:48 | 0:20:49 | |
Is there something we can do for you? | 0:20:58 | 0:21:00 | |
We're here to see Willie McDade. | 0:21:00 | 0:21:02 | |
Is that the fourth estate banging at the door? | 0:21:03 | 0:21:05 | |
Let them in. | 0:21:06 | 0:21:08 | |
Thanks for agreeing to speak to us, Mr McDade. | 0:21:10 | 0:21:13 | |
Er, can I get you a drink? | 0:21:15 | 0:21:16 | |
A wee Bells. | 0:21:16 | 0:21:18 | |
-Do you want anything in it? -Another wee Bells. | 0:21:18 | 0:21:20 | |
We were hoping you could tell us | 0:21:21 | 0:21:23 | |
what work Vhari Burnett was doing for the union. | 0:21:23 | 0:21:25 | |
MCDADE CHUCKLES | 0:21:25 | 0:21:27 | |
So you can taint the poor woman? | 0:21:27 | 0:21:30 | |
This is a serious story we're doing. Not some anti-union muck raking. | 0:21:30 | 0:21:33 | |
Really? That makes a big change, yeah. | 0:21:33 | 0:21:36 | |
Cos all you press boys have done up to now is print | 0:21:36 | 0:21:39 | |
a pack of lies about how the NUM are supported by Soviet trust funds. | 0:21:39 | 0:21:42 | |
We think Vhari Burnett was killed | 0:21:42 | 0:21:44 | |
because she had information about you. Sensitive information. | 0:21:44 | 0:21:48 | |
You don't want this story to spiral, Mr McDade. It doesn't look good. | 0:21:49 | 0:21:53 | |
So, you smell a wee scandal, do you, pet? | 0:21:53 | 0:21:57 | |
Well, let me tell you, this Red stays in his own bed. You can be sure of that. | 0:21:57 | 0:22:01 | |
If you tell us what you know, I promise we'll put your side of the story out there as best we can. | 0:22:01 | 0:22:05 | |
Oh, do you? | 0:22:05 | 0:22:07 | |
MCDADE LAUGHS | 0:22:07 | 0:22:08 | |
Ah, well, that sounds good, coming from the likes of you. | 0:22:08 | 0:22:11 | |
Thanks, Robert. | 0:22:13 | 0:22:14 | |
Right, I will tell yous this much. | 0:22:20 | 0:22:22 | |
Vhari was working really hard to stop our bank accounts being frozen. | 0:22:22 | 0:22:26 | |
Then a few days ago, Vhari tells me that she had proof there's | 0:22:27 | 0:22:30 | |
a dirty tricks campaign against us, organised from the highest level. | 0:22:30 | 0:22:34 | |
What sort of dirty tricks? | 0:22:34 | 0:22:36 | |
They were using British and American intelligence networks, to keep track of us. | 0:22:37 | 0:22:41 | |
Covert counter-subversion, I think they call it. | 0:22:41 | 0:22:45 | |
It's got a nice ring to it, eh? | 0:22:45 | 0:22:47 | |
They were trying to implicate union leaders in the theft of phoney cash deposits. | 0:22:47 | 0:22:51 | |
So, does that sound like a story you'd like to print, eh? | 0:22:53 | 0:22:55 | |
That would mean the government using GCHQ for political reasons. | 0:22:55 | 0:23:00 | |
Oh, away(!) Thatcher? The bubonic blonde. | 0:23:00 | 0:23:04 | |
-She wouldnae do that, would she? -Proof? | 0:23:04 | 0:23:07 | |
She said she'd memos and files she'd give us next week. | 0:23:09 | 0:23:12 | |
Do you think she was killed because of this? | 0:23:12 | 0:23:15 | |
There are people in the security services that would do anything | 0:23:16 | 0:23:19 | |
to destroy us. Anything. | 0:23:19 | 0:23:21 | |
Now does that sound like a wee story you'd like to print? | 0:23:21 | 0:23:25 | |
I would. | 0:23:25 | 0:23:26 | |
Well, excuse my cynicism, pet. | 0:23:27 | 0:23:30 | |
I don't think I'm gonnae be reading it any time soon. | 0:23:30 | 0:23:33 | |
Now, if you'll excuse me, I've got a picket line to get to. | 0:23:36 | 0:23:40 | |
Wait, just out of interest, | 0:23:43 | 0:23:45 | |
why didn't you hold a ballot before the strike? | 0:23:45 | 0:23:49 | |
-Nae man should vote another man out a job. -I'm not sure I buy that. | 0:23:49 | 0:23:52 | |
I'm no' selling it, hen. | 0:23:54 | 0:23:55 | |
Holy shit. This is a story and a half. | 0:24:02 | 0:24:04 | |
-If it's true. -It is true. I feel it in my bones. | 0:24:04 | 0:24:08 | |
We just need to prove it. | 0:24:08 | 0:24:10 | |
They've got nothing. Hearsay. Not interested. | 0:24:10 | 0:24:15 | |
The government can't use the intelligence services against the unions. | 0:24:15 | 0:24:18 | |
It's a gross misuse of power. Look, this is a strike. | 0:24:18 | 0:24:21 | |
-It's not a revolution. -I don't think you understand this. This is war. | 0:24:21 | 0:24:25 | |
-And this paper has already... -I'm gonnae go check out the cop shop. | 0:24:25 | 0:24:28 | |
Er, yeah, I'll stay here. | 0:24:29 | 0:24:32 | |
-Find out exactly what she's saying in there. -Aye. | 0:24:32 | 0:24:37 | |
Somebody coming in from Pitt Street to pick this up. | 0:24:47 | 0:24:50 | |
It was, er, Sullivan I wanted to talk to. | 0:24:50 | 0:24:51 | |
Sorry, no can do. | 0:24:51 | 0:24:53 | |
By the way, if you're hoping for that 50 quid back, it's disappeared. | 0:24:53 | 0:24:56 | |
What do you mean? | 0:24:56 | 0:24:57 | |
Well, we do have the odd tea leaf round here. | 0:24:57 | 0:24:59 | |
You mean somebody stole it? | 0:24:59 | 0:25:01 | |
I'm joking. It's probably been misplaced. It happens. | 0:25:01 | 0:25:04 | |
It'll turn up in a cupboard or something. | 0:25:04 | 0:25:06 | |
But to be honest with you, it wasnae much use to us, anyway. | 0:25:06 | 0:25:09 | |
Got to go. | 0:25:09 | 0:25:11 | |
I've got an appointment to see Detective Sergeant Mulroy. | 0:25:18 | 0:25:20 | |
OK, take a seat and I'll get him for you. | 0:25:20 | 0:25:23 | |
I wanted to say sorry about before. | 0:25:23 | 0:25:25 | |
I know you didn't tell anyone about us. | 0:25:26 | 0:25:28 | |
I got the wrong end of the stick. | 0:25:28 | 0:25:30 | |
Usually, you'd say something funny now. | 0:25:37 | 0:25:39 | |
Not that I want to throw any more cold water on your story, | 0:25:44 | 0:25:47 | |
but this is a copy of a bank statement, in the name of Willie McDade. | 0:25:47 | 0:25:51 | |
Serious sums of cash in it. | 0:25:51 | 0:25:53 | |
He's using this dirty tricks thing | 0:25:53 | 0:25:55 | |
to try and deflect us from finding the real crime - | 0:25:55 | 0:25:58 | |
using the miners' hardship fund to line his own pocket. | 0:25:58 | 0:26:01 | |
-You just found this in the street? -I can't divulge my sources. | 0:26:01 | 0:26:05 | |
I need to know where you got this. | 0:26:05 | 0:26:07 | |
A senior police officer, that's all you need to know. | 0:26:08 | 0:26:11 | |
No, I'm going to need more than that, if you want us to print it. | 0:26:11 | 0:26:14 | |
What more do you need? | 0:26:14 | 0:26:15 | |
Anyone could have opened this account in his name. | 0:26:15 | 0:26:18 | |
Now, I'm going to need proof that money from this account | 0:26:18 | 0:26:20 | |
-goes into his pockets. -You've got everything you need right there. | 0:26:20 | 0:26:24 | |
And I want to see it in the evening edition. | 0:26:24 | 0:26:26 | |
-The cops have lost that 50-quid note. -Eh? | 0:26:32 | 0:26:35 | |
They're trying to protect someone. | 0:26:35 | 0:26:37 | |
You know, somebody sent me that key for a reason, with this article. | 0:26:37 | 0:26:43 | |
I think it's linked to Karen Burnett. | 0:26:43 | 0:26:45 | |
Mmm. What did the key look like? | 0:26:46 | 0:26:49 | |
A small silver one. Had RGS on it and a number. | 0:26:49 | 0:26:53 | |
Mmm. RGS is a self-storage company. Mmm-hmm. | 0:26:53 | 0:26:57 | |
I bet Maloney saw me open the envelope. | 0:26:59 | 0:27:02 | |
Keep her busy a minute. | 0:27:02 | 0:27:04 | |
Er, could I have a word in your, er, shell-like? | 0:27:13 | 0:27:16 | |
Not really. | 0:27:16 | 0:27:17 | |
It's, er, we're having a whip round for Big Malky. | 0:27:17 | 0:27:21 | |
Who? | 0:27:21 | 0:27:22 | |
Big Malky on reception. You know, with the sticky-out ears. | 0:27:22 | 0:27:25 | |
It's actually a terrible story. | 0:27:25 | 0:27:27 | |
He was lucky, because his mother had been a seamstress and, er, | 0:27:32 | 0:27:36 | |
he took his ears home in fish and chip bag and she sewed them back on. | 0:27:36 | 0:27:40 | |
What? | 0:27:40 | 0:27:41 | |
What was it her mother had now? Er, elephantitis. | 0:27:46 | 0:27:49 | |
Yes, aye, big fat fingers and that's why the ears were... | 0:27:49 | 0:27:53 | |
What the hell are you talking about? | 0:27:57 | 0:27:59 | |
I was just admiring your computer. Can't wait to start using one. | 0:28:08 | 0:28:11 | |
Any joy? | 0:28:17 | 0:28:19 | |
-Oh. -Let's go. | 0:28:20 | 0:28:22 | |
Well, whatever was in there, Maloney must have it. | 0:28:29 | 0:28:32 | |
What is she playing at? | 0:28:32 | 0:28:33 | |
She wants the story for herself. | 0:28:35 | 0:28:37 | |
Nice girls finish last, Paddy. | 0:28:37 | 0:28:39 | |
What, you think this came from Karen Burnett? | 0:28:41 | 0:28:43 | |
She might have seen my by-line. | 0:28:43 | 0:28:45 | |
Why else would Maloney use it, then not say what was inside? | 0:28:45 | 0:28:48 | |
-The files. -Dunno, maybe. | 0:28:48 | 0:28:51 | |
Yeah, well, you leave it with me. | 0:28:51 | 0:28:53 | |
I'll see what she's holding back. | 0:28:53 | 0:28:54 | |
Can I buy you a drink? | 0:29:04 | 0:29:05 | |
Er...yeah. I'll meet you down there. | 0:29:09 | 0:29:12 | |
COMPUTER BEEPS | 0:30:06 | 0:30:08 | |
You've got everything - train tickets, ferry tickets? | 0:30:42 | 0:30:45 | |
-Stop worrying. -You'll call Aunt Jean when you get to Paris. | 0:30:45 | 0:30:47 | |
-She'll let us know, right. -I said I would. I'm gonnae be fine. | 0:30:47 | 0:30:50 | |
-Here's a sandwich for the train. You're not paying their prices. -Thanks. | 0:30:50 | 0:30:53 | |
-I should go with her. -Father Michael's meeting her off the train. | 0:30:53 | 0:30:56 | |
She's in God's hands now. | 0:30:56 | 0:30:57 | |
I better watch my time. | 0:30:57 | 0:30:59 | |
God bless. | 0:30:59 | 0:31:00 | |
Thanks. | 0:31:03 | 0:31:04 | |
Oh, I thought I'd missed you. | 0:31:08 | 0:31:10 | |
Mmm, nearly. | 0:31:10 | 0:31:13 | |
Are you sure about this? | 0:31:15 | 0:31:17 | |
I'm not wasting my life, Paddy. | 0:31:17 | 0:31:19 | |
I know you think I am, but I'm not. | 0:31:19 | 0:31:21 | |
I'll write. I promise. | 0:31:22 | 0:31:24 | |
I take it you've read these documents? | 0:31:42 | 0:31:44 | |
I have. | 0:31:45 | 0:31:46 | |
These prove that the intelligence services are running | 0:31:46 | 0:31:49 | |
a dirty tricks campaign against the NUM. | 0:31:49 | 0:31:51 | |
They suggest, among other things, planting drugs on union leaders, | 0:31:51 | 0:31:56 | |
-paying for hookers to turn up at their hotel. -We'd never be so underhand(!) | 0:31:56 | 0:32:01 | |
What were you planning on doing with this? | 0:32:01 | 0:32:03 | |
Nothing. It's not the story the owners want. | 0:32:03 | 0:32:07 | |
Nothing? What type of journalist are you, eh? | 0:32:07 | 0:32:11 | |
This could only be sanctioned from the very top - | 0:32:11 | 0:32:15 | |
covert counter-subversion against the trade union movement. We have got to use this. | 0:32:15 | 0:32:19 | |
It could be faked. It's not just the government that lies. | 0:32:19 | 0:32:24 | |
-This could be a very clever stunt by the NUM. -You don't believe that. | 0:32:24 | 0:32:29 | |
Listen, I believe that people are capable of anything, | 0:32:29 | 0:32:33 | |
especially self-righteous bleeding hearts. | 0:32:33 | 0:32:35 | |
They're willing to screw anybody to get what they want. | 0:32:35 | 0:32:39 | |
How was it for you, by the way? I did forget to ask. | 0:32:39 | 0:32:41 | |
It's that button there. | 0:32:46 | 0:32:48 | |
You do know you can't print any of that, don't you? | 0:32:54 | 0:32:57 | |
It comes under the Official Secrets Act. | 0:32:57 | 0:32:59 | |
And just so you know, the other night, it wasn't just about work. | 0:33:01 | 0:33:06 | |
Not for me, anyway. | 0:33:08 | 0:33:09 | |
Well, it was for me. | 0:33:10 | 0:33:11 | |
HE SCREAMS | 0:33:34 | 0:33:36 | |
-Stay where you are. -Shit. | 0:33:36 | 0:33:38 | |
-Hey! -HE GRIMACES | 0:33:44 | 0:33:46 | |
Hey! | 0:33:48 | 0:33:49 | |
PADDY COUGHS | 0:33:50 | 0:33:53 | |
You were sick yesterday morning, as well. | 0:34:01 | 0:34:04 | |
I'm fine. | 0:34:04 | 0:34:05 | |
I'm just really stressed at work. | 0:34:06 | 0:34:08 | |
They're firing people left, right and centre. | 0:34:08 | 0:34:10 | |
There isn't another reason, is there? | 0:34:12 | 0:34:14 | |
Don't be daft. | 0:34:14 | 0:34:15 | |
It's not just Mary Ann who's been living like a nun. | 0:34:15 | 0:34:18 | |
I hope so, because that's all we'd need. | 0:34:18 | 0:34:20 | |
Do you mean another mouth to feed or the shame and scandal of a single mother? | 0:34:22 | 0:34:25 | |
Oh, single mother. Is that what they call them these days? | 0:34:25 | 0:34:28 | |
Oh, no, we'd a different name. | 0:34:28 | 0:34:31 | |
-If you could do it for me. -Shug, shut up. | 0:34:38 | 0:34:40 | |
Hey, listen up. | 0:34:40 | 0:34:42 | |
I want everything we can find on this, er, Mr Braces, | 0:34:42 | 0:34:45 | |
the man you saw at Vhari Burnett's house, all right? | 0:34:45 | 0:34:48 | |
And I want his name..now. | 0:34:48 | 0:34:51 | |
Sorry, can I phone you back? | 0:34:51 | 0:34:53 | |
Shug, have you got anything? | 0:35:04 | 0:35:06 | |
Try the Amnesty office or the Register of Lawyers. | 0:35:07 | 0:35:10 | |
He must be connected to the Burnett sisters in some way. | 0:35:10 | 0:35:13 | |
Red Merc. | 0:35:13 | 0:35:14 | |
Anybody got a contact at the DVLC? | 0:35:14 | 0:35:16 | |
How about your copper buddy? Can he help us here? | 0:35:18 | 0:35:20 | |
-No chance. -OK, then. | 0:35:20 | 0:35:23 | |
Check all the car rental firms, dealerships, garages, | 0:35:23 | 0:35:26 | |
insurance companies. | 0:35:26 | 0:35:27 | |
Compile a list of all cars bought and all cars sold. | 0:35:27 | 0:35:31 | |
I mean, how many red Mercs can there be in this city? | 0:35:31 | 0:35:34 | |
That'll probably only take about two weeks, eh? | 0:35:34 | 0:35:36 | |
A list of Mercedes owners. | 0:35:48 | 0:35:51 | |
And that's the last favour I'm doing you. | 0:35:51 | 0:35:53 | |
Any idea who broke into the paper yet? | 0:35:54 | 0:35:56 | |
Do you not hear what I just said? | 0:35:56 | 0:35:58 | |
I think it might have been security services. | 0:35:58 | 0:36:00 | |
I'm sorry. You were right. | 0:36:03 | 0:36:06 | |
I knew what I was getting myself into. | 0:36:06 | 0:36:08 | |
Maybe we could start again. | 0:36:10 | 0:36:12 | |
Start what again? | 0:36:12 | 0:36:13 | |
Look, the thing is, Paddy, you're never gonnae trust me | 0:36:15 | 0:36:17 | |
because you know I'm already lying to my wife. | 0:36:17 | 0:36:19 | |
And if I can lie to her, I can lie to you. | 0:36:20 | 0:36:23 | |
Right? | 0:36:23 | 0:36:24 | |
Hey, it's my own fault. | 0:36:26 | 0:36:27 | |
I wish I hadn't spun the same old line with you, but I did | 0:36:28 | 0:36:31 | |
and I can't change that. | 0:36:31 | 0:36:32 | |
And now it's... | 0:36:33 | 0:36:35 | |
Yeah, it's poisoned. Us, I mean. | 0:36:36 | 0:36:40 | |
See, it'll always be there. | 0:36:42 | 0:36:45 | |
The mistrust and sooner or later it'll rear its ugly head. | 0:36:45 | 0:36:49 | |
I wish I'd treated you with more respect. | 0:36:52 | 0:36:54 | |
See I bet even now you're thinking "Oh, | 0:36:57 | 0:37:00 | |
"is this just the same old Burns line?" | 0:37:00 | 0:37:01 | |
I might need your help soon. | 0:37:04 | 0:37:06 | |
Not with this. About something else. | 0:37:08 | 0:37:10 | |
No. Sorry. We need to call it a day. | 0:37:12 | 0:37:15 | |
Or we're both gonnae get hurt here. | 0:37:15 | 0:37:16 | |
I've got a red Mercedes rented by... | 0:37:28 | 0:37:31 | |
somebody called Mr Paul Neilson and we've checked him out. | 0:37:31 | 0:37:34 | |
Um, gave a London address. | 0:37:34 | 0:37:36 | |
Apart from that, we can't even find a video membership. | 0:37:36 | 0:37:40 | |
Aye, this guy lives under the radar. | 0:37:40 | 0:37:41 | |
What, he's got no visible means of support? | 0:37:41 | 0:37:43 | |
He's living in Kensington. What is he, an undercover cop? | 0:37:43 | 0:37:47 | |
A spook? What? | 0:37:47 | 0:37:49 | |
Whoever he is, my guess is he hired Lafferty to do his dirty work. | 0:37:49 | 0:37:52 | |
He doesn't want any of this traced back to him. | 0:37:52 | 0:37:54 | |
Right, these are the questions we need answered, all right? | 0:37:54 | 0:37:57 | |
Did Neilson kill Vhari to shut her up and, if so, who's he working for? | 0:37:57 | 0:38:00 | |
We need to make a connection between Vhari and Lafferty, | 0:38:00 | 0:38:03 | |
Lafferty and Neilson, Neilson and the security services. | 0:38:03 | 0:38:06 | |
And you, you find Karen Burnett. | 0:38:06 | 0:38:09 | |
If she can confirm that Lafferty killed her sister | 0:38:09 | 0:38:11 | |
then we've got a source, all right? But come on, we haven't got much time. | 0:38:11 | 0:38:14 | |
Spike this Burnett story. | 0:38:18 | 0:38:19 | |
-No can do. It's out of the box. -Put it back in the box. | 0:38:19 | 0:38:22 | |
Look, right now, we've got a scoop, haven't we? | 0:38:23 | 0:38:25 | |
But we won't have in a couple of days' time. | 0:38:25 | 0:38:27 | |
You are never going to prove that this guy, Neilson, | 0:38:27 | 0:38:30 | |
is part of the security services or that he killed Vhari Burnett. | 0:38:30 | 0:38:33 | |
Come on, spike it. | 0:38:33 | 0:38:34 | |
It's a good story, Maloney. It'll sell newspapers. | 0:38:34 | 0:38:37 | |
From the man whose circulation's plummeting! | 0:38:37 | 0:38:39 | |
You know what? | 0:38:41 | 0:38:42 | |
I bet you bang on about equality of the sexes all the time. | 0:38:43 | 0:38:48 | |
Oh, I'm sure you've spent many a long night listening | 0:38:48 | 0:38:51 | |
sympathetically to some girl droning on about The Female Eunuch, | 0:38:51 | 0:38:54 | |
when really, you were just trying to get into her knickers. | 0:38:54 | 0:38:57 | |
You see, I know your type. | 0:38:57 | 0:39:00 | |
Oh, you'll say all the right things to get what you want, but really, | 0:39:00 | 0:39:03 | |
in your heart of hearts, you hate being told what to do by a woman. | 0:39:03 | 0:39:07 | |
HE SIGHS | 0:39:07 | 0:39:08 | |
You spike this, now, or you are sacked. | 0:39:10 | 0:39:13 | |
And so is everyone else in this newsroom. | 0:39:15 | 0:39:17 | |
You're the boss. | 0:39:30 | 0:39:31 | |
I thought he had more balls than that. | 0:39:43 | 0:39:45 | |
-Me, too. -Never heard you saying anything. | 0:39:46 | 0:39:49 | |
-I'm not the news editor. -Neither is Devlin, it would appear. | 0:39:49 | 0:39:52 | |
-Well, come on, off your arses, we've got a story to write. -What about Maloney? | 0:40:13 | 0:40:16 | |
Let me worry about her. | 0:40:16 | 0:40:19 | |
You, get down to that scrap yard. Follow Lafferty. | 0:40:19 | 0:40:22 | |
Don't let him out of your sight. | 0:40:22 | 0:40:24 | |
Well, come on. Pronto Tonto. | 0:40:24 | 0:40:26 | |
Where is this clown going? | 0:40:33 | 0:40:34 | |
Come on, don't lose him. | 0:40:39 | 0:40:41 | |
Don't wannae get too close. OK? | 0:40:41 | 0:40:43 | |
There he is. | 0:40:55 | 0:40:56 | |
It was never like this for Gregory Peck in The Guns Of Navarone. | 0:41:04 | 0:41:07 | |
Let's see. | 0:41:07 | 0:41:08 | |
You think he's gonnae put a body in there, don't you? | 0:41:18 | 0:41:20 | |
Don't you? | 0:41:20 | 0:41:21 | |
I think we should call the cops. | 0:41:23 | 0:41:24 | |
No, we can't trust the cops. | 0:41:24 | 0:41:26 | |
She'll be dead before they do anything. | 0:41:26 | 0:41:28 | |
She could be dead now. | 0:41:28 | 0:41:29 | |
Suit yourself, I'll do it on my own. | 0:41:30 | 0:41:32 | |
Paddy, will you look at my hands? | 0:41:32 | 0:41:35 | |
I'd be useless in a scrap. | 0:41:35 | 0:41:37 | |
Right, look, there's a gate over there. | 0:41:39 | 0:41:42 | |
Why don't you go try distract them and I'll see if I can find a way in. | 0:41:42 | 0:41:45 | |
Come on. | 0:41:47 | 0:41:48 | |
Now we've got rid of these, | 0:42:01 | 0:42:02 | |
I don't want there to be anything left of her. | 0:42:02 | 0:42:06 | |
I get it. | 0:42:06 | 0:42:07 | |
No, no. She's got to disappear... without a trace. Do you understand? | 0:42:07 | 0:42:13 | |
Aye. | 0:42:13 | 0:42:14 | |
You've got a visitor. | 0:42:30 | 0:42:32 | |
Do it now. | 0:42:41 | 0:42:42 | |
This is private property. | 0:43:18 | 0:43:20 | |
Do you not remember me? George McVie, Daily News. | 0:43:20 | 0:43:24 | |
I wanted a wee chat about Karen Burnett. | 0:43:24 | 0:43:26 | |
I don't know anyone called Karen Burnett. | 0:43:26 | 0:43:29 | |
But you know her sister, Vhari. We met at her house. | 0:43:29 | 0:43:34 | |
I've never seen you before in my life. | 0:43:34 | 0:43:37 | |
That's what's known in the newspaper business | 0:43:37 | 0:43:39 | |
as a blatant, bastardin' lie. | 0:43:39 | 0:43:41 | |
You have got five seconds to leave or I'm going to start making | 0:43:48 | 0:43:52 | |
balloon animals out of your intestines. | 0:43:52 | 0:43:56 | |
PADDY GASPS | 0:43:58 | 0:43:59 | |
Oh, my God, get up. Oh, my God, get up! | 0:44:14 | 0:44:17 | |
Move, move! | 0:44:19 | 0:44:21 | |
We know about the dirty tricks campaign. | 0:44:25 | 0:44:27 | |
We know who you work for. | 0:44:27 | 0:44:28 | |
And we know you tortured Vhari Burnett to death. | 0:44:28 | 0:44:31 | |
Read about it in the Daily News tomorrow. | 0:44:34 | 0:44:36 | |
You are so out of your depth here. | 0:44:47 | 0:44:50 | |
You are just a hack nobody'll miss. | 0:44:53 | 0:44:56 | |
My mother will. | 0:44:56 | 0:44:58 | |
No, she won't. Cos I'll bury her with you. | 0:44:59 | 0:45:03 | |
Well, if that's gonnae be your attitude, | 0:45:09 | 0:45:11 | |
this interview's at an end. | 0:45:11 | 0:45:12 | |
It's OK. | 0:45:21 | 0:45:22 | |
It's OK. | 0:45:26 | 0:45:27 | |
Come on, McVie, hurry up! | 0:45:38 | 0:45:41 | |
Shh. You're OK. You're OK. | 0:45:41 | 0:45:44 | |
Phone a doctor. | 0:46:08 | 0:46:09 | |
Mark and Vhari were working for the NUM. | 0:46:14 | 0:46:17 | |
I gave them the information I had... | 0:46:19 | 0:46:22 | |
..because I thought the union | 0:46:24 | 0:46:25 | |
should know the government were using GCHQ and its outstations | 0:46:25 | 0:46:30 | |
to gather information for a covert campaign against them. | 0:46:30 | 0:46:33 | |
Why did Mark Thillingly kill himself? | 0:46:35 | 0:46:37 | |
He told the police about the files. | 0:46:40 | 0:46:41 | |
He thought they could be trusted. | 0:46:42 | 0:46:44 | |
It was after that he was attacked. | 0:46:47 | 0:46:48 | |
He was scared. | 0:46:50 | 0:46:51 | |
He, er... | 0:46:53 | 0:46:54 | |
..he, he told his attackers Vhari had the files. | 0:46:56 | 0:46:59 | |
He couldn't live with himself after that. | 0:47:01 | 0:47:03 | |
You understand that if we print this interview, | 0:47:07 | 0:47:10 | |
it's your word against the government | 0:47:10 | 0:47:12 | |
and they'll come after you with everything they've got. | 0:47:12 | 0:47:14 | |
I mean, they'll destroy your reputation. | 0:47:14 | 0:47:17 | |
And also, you've admitted handing over classified information. | 0:47:17 | 0:47:21 | |
It's a violation of The Official Secrets Act. | 0:47:21 | 0:47:23 | |
-You could go to prison. -I don't care. | 0:47:23 | 0:47:25 | |
I want the man who killed my sister named. | 0:47:26 | 0:47:28 | |
I want the people who paid him named. | 0:47:28 | 0:47:31 | |
If I don't do anything, Mark and Vhari died for nothing. | 0:47:31 | 0:47:33 | |
Maybe Karen could go on a holiday. | 0:47:35 | 0:47:37 | |
What? | 0:47:39 | 0:47:41 | |
Maybe somebody could pay for her to take a trip. | 0:47:41 | 0:47:43 | |
Some place quiet, till this all blows over. | 0:47:43 | 0:47:45 | |
-This isn't going to blow over. -People need to know. | 0:47:46 | 0:47:49 | |
OK, let's get her out of the country, eh? | 0:48:00 | 0:48:02 | |
Meehan, you start writing, OK? | 0:48:04 | 0:48:07 | |
Sure thing, boss. | 0:48:07 | 0:48:08 | |
What's this? | 0:48:24 | 0:48:25 | |
That's our front page. | 0:48:25 | 0:48:27 | |
Well, it looks like you did a really good job with that story, Paddy. | 0:48:33 | 0:48:36 | |
It's just a pity it's the wrong story. | 0:48:36 | 0:48:38 | |
You see, we're going with my angle. Red Willie's slush fund. | 0:48:38 | 0:48:42 | |
Er, no, we're not, because this has been planted by the security services. | 0:48:42 | 0:48:46 | |
You print that and they'll shut this paper down. | 0:48:46 | 0:48:48 | |
You willing to sacrifice all these people | 0:48:51 | 0:48:53 | |
just for your principles, are you? | 0:48:53 | 0:48:54 | |
It's proofed. Print it. | 0:48:56 | 0:48:58 | |
Thank you. | 0:48:58 | 0:49:00 | |
So, what do we want to do? | 0:49:10 | 0:49:12 | |
Go with Maloney's story or Meehan's? | 0:49:12 | 0:49:13 | |
ALL: Meehan's | 0:49:13 | 0:49:15 | |
It's not worth working for those bastards, anyway. | 0:49:20 | 0:49:23 | |
Might as well go out with a bang. | 0:49:23 | 0:49:24 | |
File your copy, Meehan. We go to print in 20 minutes. | 0:49:24 | 0:49:28 | |
Meehan. | 0:49:36 | 0:49:37 | |
We're running a story tomorrow and you two play a leading part. | 0:49:37 | 0:49:40 | |
-We do? -Fame at last, eh? | 0:49:40 | 0:49:43 | |
Oh, I don't think this is the type you had in mind. | 0:49:43 | 0:49:45 | |
I wondered if you'd like to give me a quote. | 0:49:45 | 0:49:47 | |
A quote about what, exactly? | 0:49:47 | 0:49:49 | |
On how officers from this station helped security services | 0:49:49 | 0:49:52 | |
cover up the murder of Vhari Burnett. | 0:49:52 | 0:49:53 | |
And how did we do that? | 0:49:57 | 0:49:59 | |
Her murder wasn't investigated properly. Witnesses ignored. | 0:50:00 | 0:50:04 | |
You're a better cop than that, Gallagher. | 0:50:04 | 0:50:06 | |
Somebody told you to back off. | 0:50:06 | 0:50:07 | |
I need to speak to Meehan alone, for a minute. | 0:50:09 | 0:50:11 | |
You're pointing the finger at the wrong person. | 0:50:16 | 0:50:18 | |
I've already had a chat with the editor-in-chief of your paper about this. | 0:50:18 | 0:50:21 | |
Maloney? Why didn't you talk to me? | 0:50:21 | 0:50:23 | |
Why talk to the monkey when I can have a drink with the organ grinder? | 0:50:23 | 0:50:26 | |
Well, she buried whatever information you gave her. | 0:50:26 | 0:50:29 | |
You're gonnae have to give it to me now. | 0:50:29 | 0:50:31 | |
You're right. It wasn't our idea to concentrate on Thillingly. | 0:50:36 | 0:50:40 | |
DCI Sullivan's orders. | 0:50:41 | 0:50:42 | |
So if you wannae accuse anybody of corruption...accuse him. | 0:50:44 | 0:50:49 | |
And that, Paddy, is not a quote. | 0:50:52 | 0:50:54 | |
I've got a mate on the Evening Times. He'll get me in the door. | 0:51:30 | 0:51:33 | |
And that's as far as you'll get. | 0:51:33 | 0:51:35 | |
Let's face it, Meehan's the only one with a future. | 0:51:36 | 0:51:39 | |
We're washed up. | 0:51:39 | 0:51:40 | |
Hear, hear. | 0:51:42 | 0:51:43 | |
We could have been a great team, if you'd just listened to me. | 0:52:02 | 0:52:04 | |
You had no intention of working with me. | 0:52:07 | 0:52:09 | |
That's where you're wrong. | 0:52:11 | 0:52:13 | |
RADIO: And here are the late-night headlines from Radio Scotland. | 0:52:27 | 0:52:31 | |
The government has been rocked by claims in tomorrow's | 0:52:31 | 0:52:33 | |
Glasgow Daily News that the murder of Vhari Burnett, | 0:52:33 | 0:52:37 | |
a well-known lawyer in the city, is linked to a dirty tricks campaign | 0:52:37 | 0:52:40 | |
by the security services against the NUM. | 0:52:40 | 0:52:43 | |
HE BANGS ON THE DOOR | 0:52:43 | 0:52:44 | |
HE BANGS AGAIN | 0:52:49 | 0:52:50 | |
Who is it? | 0:52:52 | 0:52:54 | |
We need to talk - about our contract. | 0:52:54 | 0:52:57 | |
What contract? | 0:53:02 | 0:53:04 | |
The one I'm terminating. | 0:53:04 | 0:53:05 | |
PADDY COUGHS | 0:53:20 | 0:53:25 | |
All right? | 0:53:38 | 0:53:40 | |
Why didn't you pass on the information Gallagher gave you? | 0:53:40 | 0:53:43 | |
He was trying to help. | 0:53:43 | 0:53:44 | |
It seemed to me that he was trying to cover his own incompetence. | 0:53:45 | 0:53:49 | |
Oh, you lying cow. | 0:53:49 | 0:53:50 | |
Hardly an acute observation. | 0:53:50 | 0:53:52 | |
Well enjoy the taste of victory, Meehan, cos... | 0:53:54 | 0:53:57 | |
if you do have a career left after this, | 0:53:57 | 0:53:59 | |
getting yourself up the duff will surely kill it. | 0:53:59 | 0:54:01 | |
What? | 0:54:03 | 0:54:04 | |
Sorry, darling, but you're either bulimic or you're pregnant. | 0:54:04 | 0:54:07 | |
No, it's too soon, isn't it? | 0:54:09 | 0:54:12 | |
Depends when you ovulate. | 0:54:12 | 0:54:14 | |
I'm gay. | 0:54:22 | 0:54:24 | |
What have you got to be gay about? | 0:54:25 | 0:54:27 | |
No, I'm gay. | 0:54:30 | 0:54:32 | |
I've got a partner called Colin. | 0:54:36 | 0:54:38 | |
We've been together for 12 years. | 0:54:40 | 0:54:42 | |
It's a red letter day, right enough. | 0:54:46 | 0:54:48 | |
It certainly is. | 0:54:53 | 0:54:54 | |
Cheers, big guy. | 0:54:56 | 0:54:57 | |
MCVIE LAUGHS | 0:54:59 | 0:55:01 | |
RADIO: In an interview with the newspaper, Karen Burnett alleges her sister | 0:55:01 | 0:55:05 | |
was murdered by Glasgow gangster Robert Lafferty, | 0:55:05 | 0:55:07 | |
who she claims was murdered... | 0:55:07 | 0:55:09 | |
Where do you think you're going? | 0:55:09 | 0:55:11 | |
McCallum International want you to stay. | 0:55:12 | 0:55:14 | |
You doubled the circulation with that front page. | 0:55:16 | 0:55:19 | |
And at the end of the day, that's all that really matters to them. | 0:55:19 | 0:55:23 | |
Integrity sells. | 0:55:24 | 0:55:25 | |
So what, no more, er, interference? | 0:55:26 | 0:55:28 | |
Within reason. | 0:55:31 | 0:55:33 | |
RADIO: Government spokesperson has stated that the claims are absurd | 0:55:37 | 0:55:40 | |
and there is no proof whatsoever that the security services | 0:55:40 | 0:55:43 | |
would be involved. | 0:55:43 | 0:55:44 | |
Scottish miners' leader, Willie McDade, | 0:55:46 | 0:55:48 | |
has said he will be releasing a statement later this morning. | 0:55:48 | 0:55:51 | |
More reaction to this explosive story later in the programme. | 0:55:51 | 0:55:53 | |
Some of these are older than you. | 0:55:58 | 0:55:59 | |
SONG: "It's Beginning To Look A Lot Like Christmas" by Perry Como | 0:55:59 | 0:56:03 | |
All right? | 0:56:08 | 0:56:10 | |
Look like you lost a pound and found a penny. | 0:56:10 | 0:56:12 | |
I'm pregnant. | 0:56:12 | 0:56:13 | |
Want to give me a hand with these? | 0:56:54 | 0:56:56 | |
Subtitles by Red Bee Media Ltd | 0:57:57 | 0:58:00 |