Browse content similar to Limbo. Check below for episodes and series from the same categories and more!
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CHILD IMITATES AN AEROPLANE | 0:00:10 | 0:00:13 | |
Christ, the damages only return investors | 0:00:16 | 0:00:19 | |
to where they'd be if you hadn't made the assurances, | 0:00:19 | 0:00:22 | |
not if they'd been true. Give an inch on that and we truly are dead. | 0:00:22 | 0:00:25 | |
-Julia! -Think you've had enough? | 0:00:25 | 0:00:30 | |
If a man can't have a drink on his son's birthday... | 0:00:31 | 0:00:33 | |
Anyway, Justin should be in bed. Tell your mother. | 0:00:33 | 0:00:36 | |
Hello, Thomas. | 0:00:42 | 0:00:44 | |
It's Tommy. No-one calls me Thomas. | 0:00:44 | 0:00:46 | |
Leaving us so soon, Sergeant McCaffrey? | 0:00:48 | 0:00:51 | |
Who else is going to keep Wimborne safe? | 0:00:51 | 0:00:54 | |
-Daddy says Justin should go to bed. -Darling, would you be an angel? | 0:00:54 | 0:00:58 | |
Hold that for me, Tommy. | 0:00:58 | 0:01:01 | |
Oh, sure. How do I turn this off? | 0:01:01 | 0:01:03 | |
Is it off? | 0:01:03 | 0:01:04 | |
Say goodnight to your godson. | 0:01:04 | 0:01:06 | |
Good night, Justin, sleep well. Have you had a good birthday? | 0:01:06 | 0:01:10 | |
- Night, darling. - Night-night, Mummy. | 0:01:10 | 0:01:12 | |
We shall stay on and party on in your honour. | 0:01:12 | 0:01:15 | |
-..Thank you. -Come on. | 0:01:15 | 0:01:17 | |
Justin? | 0:01:45 | 0:01:47 | |
Justin? | 0:01:54 | 0:01:55 | |
Justin! | 0:01:57 | 0:01:59 | |
Justin? | 0:02:02 | 0:02:04 | |
Justin! | 0:02:05 | 0:02:07 | |
Justin! | 0:02:07 | 0:02:09 | |
Has anyone seen Justin? | 0:02:09 | 0:02:12 | |
- Darling? - He's not in his bed, he's gone. | 0:02:12 | 0:02:14 | |
Justin! | 0:02:14 | 0:02:16 | |
Where are you? Justin! | 0:02:16 | 0:02:18 | |
PHONE RINGS | 0:03:22 | 0:03:25 | |
RINGING TONE | 0:03:29 | 0:03:32 | |
PHONE CONTINUES RINGING | 0:03:32 | 0:03:35 | |
Yeah? | 0:03:44 | 0:03:46 | |
It's Justin. | 0:03:46 | 0:03:48 | |
They've found him. | 0:03:48 | 0:03:51 | |
DOORBELL BUZZES | 0:03:54 | 0:03:56 | |
DOOR OPENS > | 0:03:58 | 0:03:59 | |
Hey. | 0:03:59 | 0:04:01 | |
Hello. What are you doing here? | 0:04:01 | 0:04:03 | |
I heard that you'd stopped your sessions with the police therapist. | 0:04:03 | 0:04:06 | |
She asked me to draw my grief. Hah. | 0:04:06 | 0:04:09 | |
I don't mind you not getting back to me | 0:04:09 | 0:04:11 | |
or I don't know when you're coming back, | 0:04:11 | 0:04:13 | |
but I want to know that you're taking to someone. | 0:04:13 | 0:04:16 | |
-I'm doing OK, really. -There's no-one, is there? | 0:04:16 | 0:04:19 | |
Look, it's a fine line between concerned friend and intrusive pest. | 0:04:19 | 0:04:23 | |
Yeah, are there's a finer one between drowning your sorrows | 0:04:23 | 0:04:27 | |
-and drinking yourself to death. -God! | 0:04:27 | 0:04:29 | |
-Where are you going? -None of your business. | 0:04:29 | 0:04:31 | |
-Your breath stinks. -I'll buy some mints. | 0:04:31 | 0:04:33 | |
Yeah, that'll fix it(!) | 0:04:33 | 0:04:36 | |
-Excuse me. -No, excuse me. | 0:04:36 | 0:04:38 | |
Are you sure the booze is out of your system? | 0:04:38 | 0:04:41 | |
Why don't you arrest me and find out? | 0:04:41 | 0:04:43 | |
-Look, I didn't come here to... -Thank you very much. | 0:04:43 | 0:04:46 | |
- Bye, Mum. - Bye, darling. | 0:05:03 | 0:05:05 | |
- What's going on, Dad? - Nothing. | 0:05:07 | 0:05:09 | |
Absolutely nothing. | 0:05:09 | 0:05:11 | |
It hasn't changed at all. | 0:05:58 | 0:05:59 | |
Sam. | 0:06:33 | 0:06:36 | |
-Where's the body, Mike? -Vivienne. | 0:06:36 | 0:06:38 | |
If it's Justin, I'll know. | 0:06:38 | 0:06:40 | |
Let's hear what Mike has to say. | 0:06:40 | 0:06:42 | |
Well, our forensics say the skeleton's the right size | 0:06:42 | 0:06:45 | |
and it does have a breakage here. | 0:06:45 | 0:06:47 | |
Lots of children break their arms. | 0:06:47 | 0:06:49 | |
Yes, yes, I know they do, so we're going to have to take a DNA test from you to be sure. | 0:06:49 | 0:06:54 | |
Why don't you use Justin's own DNA? | 0:06:54 | 0:06:56 | |
His hairbrush, his teddies are all still at the house. | 0:06:56 | 0:06:59 | |
-OK. -I can't wait that long. | 0:06:59 | 0:07:02 | |
No, Vivienne... | 0:07:02 | 0:07:04 | |
Let me be your eyes. | 0:07:04 | 0:07:06 | |
And then if you still want to see, fine. | 0:07:06 | 0:07:08 | |
-Who found him? -Some kids. | 0:07:34 | 0:07:38 | |
When the river burst its banks, | 0:07:38 | 0:07:40 | |
the water forced its way up through an old drain. | 0:07:40 | 0:07:43 | |
He'd been stuffed inside, covered with bricks and earth. | 0:07:43 | 0:07:46 | |
Cause of death is probably this blow to the head. | 0:07:47 | 0:07:50 | |
-You'd need a forensic pathologist for this, wouldn't you? -Mmm. | 0:07:50 | 0:07:54 | |
-What? -Nothing, just good to see you. | 0:07:58 | 0:08:01 | |
Thanks for the card, by the way. | 0:08:02 | 0:08:05 | |
Sorry I haven't replied. | 0:08:05 | 0:08:06 | |
Don't be stupid. | 0:08:06 | 0:08:08 | |
Are you coping? | 0:08:10 | 0:08:11 | |
OK, all things considered. | 0:08:14 | 0:08:17 | |
But you miss her? | 0:08:17 | 0:08:19 | |
What do you think? | 0:08:19 | 0:08:21 | |
My wife died the day after Conrad was born. | 0:08:21 | 0:08:24 | |
It does get better. You think it never will, but it really does. | 0:08:25 | 0:08:30 | |
< Sir. | 0:08:30 | 0:08:31 | |
Thanks. | 0:08:34 | 0:08:36 | |
I'm sorry. | 0:08:55 | 0:08:57 | |
HE IMITATES AN AEROPLANE | 0:09:16 | 0:09:19 | |
..if you hadn't made the assurances! | 0:09:22 | 0:09:24 | |
Night-night, my darling. | 0:09:24 | 0:09:25 | |
-Night-night, Mummy. -We're going to party on in your honour. | 0:09:26 | 0:09:30 | |
I've tried mutual friends, searched all my old address books... | 0:09:52 | 0:09:56 | |
Thanks anyway, Conrad. I hope we didn't drag you out of court. | 0:09:56 | 0:10:00 | |
You didn't have to come down, you know? | 0:10:03 | 0:10:06 | |
Yes, I did, Dad. | 0:10:06 | 0:10:08 | |
-Inspector. -Conrad. | 0:10:08 | 0:10:10 | |
You can call me Tommy now, you know? | 0:10:10 | 0:10:13 | |
You searched your old address books for...? | 0:10:14 | 0:10:17 | |
They're not in contact with Julia. | 0:10:17 | 0:10:19 | |
Last anyone heard, she was teaching primary school in Rome. | 0:10:19 | 0:10:22 | |
The embassy are on to it. | 0:10:22 | 0:10:24 | |
-What's the news on your old prime suspect, Sullivan? -Terminal cancer. | 0:10:24 | 0:10:28 | |
If he killed Justin, he's taking it to the grave. | 0:10:28 | 0:10:31 | |
Deathbed confession? Shall we have a shot at that? | 0:10:32 | 0:10:35 | |
I'll see if I can find which rock he's hiding under. | 0:10:35 | 0:10:38 | |
Dad... | 0:10:40 | 0:10:41 | |
Five's a crowd? | 0:10:41 | 0:10:43 | |
Vivienne? | 0:10:52 | 0:10:53 | |
What's all this about Julia? | 0:10:53 | 0:10:56 | |
She never came to terms with Justin's disappearance. | 0:10:56 | 0:10:59 | |
But we had to - for Oliver. | 0:10:59 | 0:11:02 | |
And she holds that against you? | 0:11:02 | 0:11:04 | |
Shall we? | 0:11:04 | 0:11:06 | |
Never went to sleep without Jack. | 0:11:30 | 0:11:33 | |
Actually, erm... This might be more help. | 0:11:33 | 0:11:36 | |
-Thank you. -OK. | 0:11:36 | 0:11:38 | |
I'll say this for tragedy - | 0:11:38 | 0:11:41 | |
it clears the mind like an acid bath. | 0:11:41 | 0:11:43 | |
Really? | 0:11:48 | 0:11:49 | |
Before we lost Justin, life was wasted on me. | 0:11:50 | 0:11:53 | |
I was completely obsessed with making money | 0:11:53 | 0:11:56 | |
-because I'd married into so much. -I remember. And now? | 0:11:56 | 0:11:59 | |
Now, I'm a bum. Bit of charity work, bit of property. | 0:11:59 | 0:12:03 | |
If the gutters need clearing out, I'll do it myself. | 0:12:03 | 0:12:06 | |
And when Oliver wants help with his homework, | 0:12:06 | 0:12:09 | |
it's a pleasure not a chore. | 0:12:09 | 0:12:10 | |
The embassy got hold of Julia. She says she's not coming. | 0:12:10 | 0:12:14 | |
She's not coming home for Justin's funeral. | 0:12:14 | 0:12:16 | |
-Ciao, bambini! -CHILDREN: Ciao! | 0:12:54 | 0:12:58 | |
Ciao! Ciao! | 0:12:58 | 0:12:59 | |
-Julia? -Tommy. | 0:13:02 | 0:13:06 | |
Ah, you remembered? | 0:13:06 | 0:13:08 | |
Did my parents send you? | 0:13:08 | 0:13:10 | |
No, I volunteered. | 0:13:10 | 0:13:12 | |
Well, if you want to know, it's a relief. | 0:13:12 | 0:13:14 | |
That's not how your mum sees it. | 0:13:14 | 0:13:16 | |
Well, I'm not going to break open the champagne. | 0:13:16 | 0:13:19 | |
I mean, she still had hope. | 0:13:19 | 0:13:22 | |
Vivienne never was any good with bad news. | 0:13:23 | 0:13:27 | |
She's had to learn. It'd mean a lot to them if you came back. | 0:13:27 | 0:13:31 | |
My brother's dead. | 0:13:31 | 0:13:33 | |
I don't need a ceremony to mourn him. | 0:13:33 | 0:13:36 | |
I'm sorry, I have to go. | 0:13:37 | 0:13:39 | |
At least let me buy you a cup of coffee. | 0:13:39 | 0:13:41 | |
-Buongiorno. -Buongiorno. -Un cappuccino, per favore. | 0:13:51 | 0:13:55 | |
-Due, grazie. -Prego. | 0:13:55 | 0:13:58 | |
Forget about your parents. | 0:13:58 | 0:14:00 | |
Forget about the funeral. Just think about Justin. | 0:14:00 | 0:14:03 | |
He's been waiting years for this. | 0:14:03 | 0:14:05 | |
-Where was he? -In an old drain. | 0:14:07 | 0:14:10 | |
And no-one looked before? | 0:14:12 | 0:14:14 | |
He was covered with bricks. | 0:14:14 | 0:14:16 | |
The river overflowed and pushed his body up... | 0:14:16 | 0:14:20 | |
Sorry. | 0:14:22 | 0:14:24 | |
I asked. | 0:14:24 | 0:14:27 | |
You really do have to say goodbye, you know? | 0:14:27 | 0:14:30 | |
You're talking from experience? | 0:14:30 | 0:14:32 | |
Yes. | 0:14:33 | 0:14:35 | |
Prego. | 0:14:39 | 0:14:41 | |
I need to pack. | 0:14:41 | 0:14:43 | |
Grazie. | 0:14:43 | 0:14:45 | |
Sam and Vivienne said they hadn't seen you in ages. | 0:14:52 | 0:14:55 | |
-Because I resented them moving on? -There's no truth in that? -None. -So? | 0:14:55 | 0:15:00 | |
Actually, I'd rather not. | 0:15:00 | 0:15:02 | |
I hope you didn't take time off work. | 0:15:05 | 0:15:08 | |
No, not really. I'm on compassionate leave. | 0:15:08 | 0:15:12 | |
My wife, erm... | 0:15:12 | 0:15:14 | |
What was her name? | 0:15:14 | 0:15:16 | |
Helen. | 0:15:16 | 0:15:19 | |
It's not so bad. I should be back at work quite soon, I think. | 0:15:19 | 0:15:22 | |
Was it sudden? | 0:15:22 | 0:15:24 | |
-Do you know, I'd... -You'd rather not? | 0:15:25 | 0:15:28 | |
Wait a sec. | 0:15:33 | 0:15:34 | |
-You all right? -Yes. | 0:15:43 | 0:15:45 | |
Move! Move! | 0:16:40 | 0:16:42 | |
Lost him. What's that? | 0:16:57 | 0:17:00 | |
It fell out of his pocket. | 0:17:00 | 0:17:03 | |
C'era qualcuno che ha preso... | 0:17:06 | 0:17:09 | |
Qualcosa dalla casa mia - un inglese, alto. | 0:17:09 | 0:17:12 | |
Si, la camera la nove, pero non so il nome. | 0:17:12 | 0:17:14 | |
Grazie. | 0:17:14 | 0:17:16 | |
There's an English man in room nine, but he doesn't know his name. | 0:17:18 | 0:17:22 | |
Let's go and have a look. | 0:17:22 | 0:17:23 | |
Hello? Hello! | 0:17:27 | 0:17:31 | |
Let me have a go. | 0:17:31 | 0:17:32 | |
Where did you learn that? | 0:17:34 | 0:17:36 | |
A crime prevention course in Battersea. | 0:17:36 | 0:17:39 | |
Don't ask. | 0:17:39 | 0:17:40 | |
-Oh my God. -What? | 0:18:03 | 0:18:06 | |
He's from home. | 0:18:06 | 0:18:07 | |
What did he want in my flat? | 0:18:07 | 0:18:10 | |
Chi siete? Che cosa fate qua dentro? | 0:18:12 | 0:18:15 | |
Immediatamente uscite! | 0:18:15 | 0:18:17 | |
La policia! Ma che cosa credete! | 0:18:17 | 0:18:19 | |
I'll get his fingerprints off this. I'll run them when we get back. | 0:18:23 | 0:18:26 | |
You find Justin and someone from home breaks into my apartment. | 0:18:26 | 0:18:30 | |
How can that be a coincidence? | 0:18:30 | 0:18:31 | |
-We'll find out who it was. -What if he's not on your records? | 0:18:31 | 0:18:34 | |
We need to get you packed and then we'll catch our plane. | 0:18:34 | 0:18:38 | |
I'm not sure I'm up to the drive down tonight. | 0:19:00 | 0:19:02 | |
-Well, I'm driving. -No, I mean seeing my parents - the whole deal. | 0:19:03 | 0:19:08 | |
OK, well, why don't we go first thing in the morning? | 0:19:08 | 0:19:13 | |
Thanks. | 0:19:13 | 0:19:14 | |
-Just moved in? -It's a friend's place, actually. | 0:19:29 | 0:19:34 | |
Through here. | 0:19:34 | 0:19:37 | |
THUNDER RUMBLES | 0:19:37 | 0:19:39 | |
Is this OK? | 0:19:47 | 0:19:49 | |
Great. | 0:19:50 | 0:19:53 | |
Erm... | 0:19:53 | 0:19:54 | |
-Do you want to go and grab a drink? -Sure. I'll just let Sam know. | 0:19:54 | 0:19:59 | |
HE DIALS HIS PHONE | 0:20:01 | 0:20:03 | |
-'Hello.' -Sam, it's Tommy. | 0:20:06 | 0:20:09 | |
Yeah, I've got Julia with me. | 0:20:09 | 0:20:11 | |
We'll be down tomorrow by noon. | 0:20:11 | 0:20:13 | |
'That's great news, Tommy. Thank you.' | 0:20:13 | 0:20:16 | |
How did the call to Dad go? | 0:20:22 | 0:20:24 | |
Oh, fine. | 0:20:24 | 0:20:26 | |
I said we'd be down by midday. | 0:20:26 | 0:20:27 | |
God, this place is sad. | 0:20:30 | 0:20:31 | |
I don't mean "naff", I mean sad. | 0:20:33 | 0:20:35 | |
Unfortunately, rather tragically, my local has become a gastropub... | 0:20:35 | 0:20:40 | |
No, not this bar. | 0:20:40 | 0:20:43 | |
It's... | 0:20:43 | 0:20:44 | |
-It's England. -You're biased. | 0:20:44 | 0:20:47 | |
Probably. | 0:20:47 | 0:20:49 | |
-In Rome, they all sing Don Giovanni and read Dante. -In Latin. | 0:20:49 | 0:20:52 | |
I don't think so! | 0:20:52 | 0:20:54 | |
Why did you settle there? | 0:20:54 | 0:20:56 | |
I don't know. | 0:20:56 | 0:20:58 | |
What was it that John Lennon said? | 0:20:59 | 0:21:02 | |
"Life is what happens when you're making other plans." | 0:21:02 | 0:21:06 | |
-That was Ringo Starr. -Ringo never said anything famous. | 0:21:07 | 0:21:11 | |
The thing about Rome is you can be alone without being lonely. | 0:21:14 | 0:21:18 | |
What if you weren't alone? | 0:21:18 | 0:21:19 | |
"What if" are the deadliest words in the English language. | 0:21:19 | 0:21:23 | |
The prognosis can't be that bleak. | 0:21:23 | 0:21:25 | |
I saw a lot of beautiful women in Rome, | 0:21:25 | 0:21:27 | |
but you're not that hard on the eye! | 0:21:27 | 0:21:29 | |
I have plenty of single male friends if you're worried about my sex life. | 0:21:29 | 0:21:33 | |
I wasn't. What happens when they fall for you? | 0:21:33 | 0:21:37 | |
Never let things get that far. | 0:21:37 | 0:21:40 | |
Poor single male friends. | 0:21:40 | 0:21:42 | |
I'm not waiting to be swept off my feet. | 0:21:42 | 0:21:44 | |
Now that sounds like famous last words. | 0:21:44 | 0:21:47 | |
-Check out the ego on you! -No, I'm talking from experience. | 0:21:47 | 0:21:51 | |
Before Helen, I would go to friends' weddings | 0:21:51 | 0:21:54 | |
and I would think, "How lovely, how sweet. | 0:21:54 | 0:21:57 | |
"Thank God I'm waking up in the morning by myself..." | 0:21:57 | 0:22:00 | |
or at least the morning after that. | 0:22:00 | 0:22:02 | |
She changed you and then abandoned you? | 0:22:02 | 0:22:04 | |
What a bitch. | 0:22:07 | 0:22:09 | |
PAPER CRACKLES | 0:22:12 | 0:22:14 | |
So, what do you say? | 0:22:24 | 0:22:26 | |
I say that's bloody annoying, actually. | 0:22:29 | 0:22:31 | |
I say it's a sign. | 0:22:31 | 0:22:33 | |
-A sign of what? -We need another bottle. | 0:22:33 | 0:22:38 | |
It was, erm...very kind of you to come and get me. | 0:22:50 | 0:22:54 | |
More than kind. | 0:22:54 | 0:22:56 | |
If looks could kill. | 0:23:06 | 0:23:07 | |
I think it's because I missed the last residents' meeting. | 0:23:07 | 0:23:11 | |
I hope you're ashamed of yourself. | 0:23:11 | 0:23:13 | |
I borrowed this. | 0:24:30 | 0:24:31 | |
Good. | 0:24:31 | 0:24:33 | |
Are you OK? | 0:24:33 | 0:24:35 | |
Fine. | 0:24:35 | 0:24:37 | |
But you feel like a traitor. | 0:24:37 | 0:24:39 | |
MOBILE PHONE RINGS | 0:24:40 | 0:24:42 | |
Um...that's mine. | 0:24:42 | 0:24:44 | |
-MUFFLED: -It was just a shock for me. No, I can't. | 0:24:59 | 0:25:03 | |
Give me a minute. | 0:25:04 | 0:25:06 | |
Sorry. | 0:25:10 | 0:25:12 | |
A particularly keen single male friend. | 0:25:12 | 0:25:15 | |
I thought you didn't let things get that far? | 0:25:15 | 0:25:18 | |
Exactly. | 0:25:18 | 0:25:20 | |
I didn't want you to hear me being horrid. | 0:25:20 | 0:25:22 | |
FOOTSTEPS APPROACH | 0:26:05 | 0:26:07 | |
LOUD CRASH | 0:26:07 | 0:26:09 | |
Right, get up and put your hands where we can see them! | 0:26:09 | 0:26:12 | |
What's going on? | 0:26:12 | 0:26:14 | |
Where's Julia? | 0:26:14 | 0:26:16 | |
No! | 0:26:26 | 0:26:28 | |
How did she take the news about her brother? | 0:26:38 | 0:26:41 | |
Yeah, she said it was a relief. | 0:26:46 | 0:26:49 | |
And what about last night? | 0:26:49 | 0:26:51 | |
Did she seem upset then? | 0:26:51 | 0:26:53 | |
It was on her mind... | 0:26:54 | 0:26:57 | |
-But nothing made you think she was suicidal? -No. | 0:26:57 | 0:27:00 | |
Did you have sex with her? | 0:27:03 | 0:27:04 | |
Come on, you don't have to think about that. | 0:27:06 | 0:27:10 | |
Yes, I did. | 0:27:10 | 0:27:13 | |
Then I agree with you. | 0:27:15 | 0:27:16 | |
Doesn't sound like she was suicidal. | 0:27:17 | 0:27:19 | |
Which is problematic. | 0:27:21 | 0:27:22 | |
Door-to-door under way, Detective Superintendent Tate. | 0:27:22 | 0:27:26 | |
I had no reason to harm her, | 0:27:26 | 0:27:29 | |
but someone else might have done. | 0:27:29 | 0:27:30 | |
-Tell me. -Justin's killer was never caught. | 0:27:30 | 0:27:35 | |
Ancient history. | 0:27:35 | 0:27:38 | |
Yesterday, if that's recent enough for you, | 0:27:38 | 0:27:40 | |
-Julia had an intruder in her apartment in Rome. -Great. | 0:27:40 | 0:27:45 | |
Will the Italian police corroborate this? | 0:27:45 | 0:27:48 | |
Thomas Lynley, I am arresting you | 0:27:51 | 0:27:54 | |
on suspicion of the murder of Julia Oborne. | 0:27:54 | 0:27:58 | |
Do you have any questions at this time? | 0:27:58 | 0:28:00 | |
-Just let me speak to him. -After I've interviewed him. -Five minutes? | 0:29:06 | 0:29:10 | |
What's the urgency? | 0:29:10 | 0:29:11 | |
You know bloody well he didn't kill her! | 0:29:11 | 0:29:14 | |
Sorry, Ma'am. | 0:29:15 | 0:29:17 | |
I would reserve judgment if I were you, | 0:29:17 | 0:29:19 | |
see how the interview goes. | 0:29:19 | 0:29:21 | |
I'm just concerned for his welfare. | 0:29:21 | 0:29:23 | |
And I'm concerned for the young woman I just scraped off the pavement. | 0:29:23 | 0:29:26 | |
Look, he's my partner | 0:29:28 | 0:29:30 | |
and six months ago his wife was shot dead in front of him. | 0:29:30 | 0:29:33 | |
I just want to do right by him... Ma'am. | 0:29:33 | 0:29:37 | |
SHE SIGHS | 0:29:37 | 0:29:40 | |
If he cries on your shoulder... | 0:29:42 | 0:29:44 | |
It's admissible, I know. | 0:29:44 | 0:29:46 | |
Don't make me regret this. | 0:29:49 | 0:29:51 | |
BUZZER | 0:29:58 | 0:29:59 | |
DOOR OPENS | 0:29:59 | 0:30:01 | |
Havers. | 0:30:02 | 0:30:04 | |
Are you OK? | 0:30:04 | 0:30:05 | |
Who called you? | 0:30:07 | 0:30:09 | |
-Are you OK? -You mean, "Did I do it"? | 0:30:09 | 0:30:12 | |
No, I mean, are you bloody OK? | 0:30:12 | 0:30:14 | |
God, I've been asking you that for the last six months! | 0:30:14 | 0:30:18 | |
I need your help. | 0:30:20 | 0:30:22 | |
OK. | 0:30:22 | 0:30:23 | |
Somebody broke into Julia's apartment. | 0:30:30 | 0:30:33 | |
-I need you to check for fingerprints on that. -This is evidence! | 0:30:33 | 0:30:37 | |
-Tate isn't remotely interested in it. -No, I can't! -Barbara, please! | 0:30:37 | 0:30:40 | |
BUZZER | 0:30:40 | 0:30:43 | |
-Don't say another word, Tommy. -Conrad. -Dad called me. | 0:30:44 | 0:30:47 | |
-I don't need a lawyer. -Are you under caution? | 0:30:47 | 0:30:50 | |
-Yes. -You need a lawyer. -He's right. | 0:30:50 | 0:30:53 | |
My client really doesn't need your advice. | 0:30:53 | 0:30:55 | |
Conrad, this isn't the arresting officer. This is my friend, DS Havers. | 0:30:55 | 0:30:59 | |
Sorry. | 0:31:01 | 0:31:02 | |
OK. | 0:31:03 | 0:31:04 | |
BUZZER | 0:31:08 | 0:31:10 | |
What the hell happened, Tommy? | 0:31:10 | 0:31:13 | |
-How's he doing? -Not good. | 0:31:19 | 0:31:21 | |
He wants this checked for prints and DNA - | 0:31:21 | 0:31:23 | |
after hours, but right now, if you get me. | 0:31:23 | 0:31:25 | |
Why aren't we sharing this with Tate? | 0:31:25 | 0:31:28 | |
Cos for her, there's only one suspect and she's talking to him. | 0:31:28 | 0:31:32 | |
Cheers, Stu. | 0:31:32 | 0:31:33 | |
Julia got a call on her mobile | 0:31:38 | 0:31:41 | |
at around...2am. | 0:31:41 | 0:31:46 | |
Ex-boyfriend from Rome. | 0:31:47 | 0:31:49 | |
Unlikely. | 0:31:49 | 0:31:50 | |
It was from a pay-phone opposite your apartment. | 0:31:50 | 0:31:53 | |
What's more likely is you made the call to introduce a third party, | 0:31:54 | 0:31:58 | |
-but we're jumping ahead... -To unsubstantiated conclusions. | 0:31:58 | 0:32:02 | |
So, you were bringing Miss Oborne home as a favour to her parents? | 0:32:02 | 0:32:09 | |
-Yes. -And that included having sexual intercourse with her? | 0:32:11 | 0:32:15 | |
Julia Oborne was a 29-year-old adult. | 0:32:15 | 0:32:17 | |
Are you making a point or just a cheap shot? | 0:32:17 | 0:32:20 | |
Three bottles of red. There a reason you drank so much? | 0:32:20 | 0:32:24 | |
Nothing specific. | 0:32:26 | 0:32:28 | |
I think, in different ways, we just wanted to forget. | 0:32:28 | 0:32:35 | |
-In your case, the loss of your wife? -Don't answer that, Tommy. | 0:32:35 | 0:32:39 | |
Your wife was shot dead, right in front of you, wasn't she? | 0:32:39 | 0:32:42 | |
You know she was. | 0:32:47 | 0:32:49 | |
I hope the Met are providing counselling for PTS? | 0:32:49 | 0:32:53 | |
-They were. They did. -What happened? | 0:32:53 | 0:32:56 | |
I wasn't getting anything from it. | 0:32:56 | 0:32:58 | |
-Perhaps you were still too angry? -Perhaps. | 0:32:58 | 0:33:01 | |
Did you get angry with Miss Oborne? | 0:33:01 | 0:33:03 | |
You've asked that 20 different ways. | 0:33:03 | 0:33:05 | |
My client has already stated his innocence. | 0:33:05 | 0:33:08 | |
Was it the first time you'd had sex since your wife? | 0:33:08 | 0:33:11 | |
Detective Superintendent, your desperation is becoming offensive. | 0:33:11 | 0:33:15 | |
Yes. Yes, it was. | 0:33:15 | 0:33:18 | |
You waited a long time then? | 0:33:20 | 0:33:22 | |
As a policeman, I'm sure you know it's hard to tell the difference, | 0:33:25 | 0:33:28 | |
forensically, between consensual sex and other kinds. | 0:33:28 | 0:33:31 | |
This is a fishing trip. | 0:33:31 | 0:33:33 | |
You have no motive and my guess is, no forensics, | 0:33:33 | 0:33:36 | |
so I insist you release my client immediately. | 0:33:36 | 0:33:38 | |
Oh, you insist? | 0:33:38 | 0:33:40 | |
Oh, well, | 0:33:40 | 0:33:42 | |
in that case... | 0:33:42 | 0:33:44 | |
Is this personal? Cos he's an earl? | 0:33:45 | 0:33:48 | |
Just the opposite. I'm treating him like anyone else. | 0:33:48 | 0:33:51 | |
Vedder. | 0:33:51 | 0:33:52 | |
A resident saw them getting intimate in the corridor. | 0:33:54 | 0:33:57 | |
Doesn't mean she wanted to go all the way. | 0:33:57 | 0:34:00 | |
-No, but she initiated things. -What about the PM? | 0:34:00 | 0:34:03 | |
They're not done, but no defence wounds, no signs of struggle. | 0:34:03 | 0:34:06 | |
Not after falling five stories. | 0:34:06 | 0:34:08 | |
There's needle scarring on her arms. | 0:34:08 | 0:34:10 | |
Looks like an ex-user. | 0:34:10 | 0:34:12 | |
Maybe she DID top herself. | 0:34:12 | 0:34:14 | |
(Thank you, DC Vedder.) | 0:34:14 | 0:34:17 | |
-Would you like to share your news with us? -No, I would not. | 0:34:29 | 0:34:32 | |
So it was nothing suggesting Miss Oborne was pushed from the window? | 0:34:32 | 0:34:36 | |
Forensics is not complete. | 0:34:36 | 0:34:38 | |
My client had no reason to hurt this woman, | 0:34:38 | 0:34:42 | |
but she had every reason to hurt herself. | 0:34:42 | 0:34:44 | |
As a friend of the victims, | 0:34:44 | 0:34:46 | |
I know that in her 20s, | 0:34:46 | 0:34:47 | |
she was frequently treated for heroin abuse. | 0:34:47 | 0:34:50 | |
What a friend you are. | 0:34:50 | 0:34:53 | |
Julia was a tragically unstable person | 0:34:53 | 0:34:56 | |
and while her suicide is a shock, it is not a surprise. | 0:34:56 | 0:35:00 | |
Charge my client or release him. | 0:35:02 | 0:35:04 | |
To think your dad's a copper. | 0:35:04 | 0:35:07 | |
Charge my client... | 0:35:07 | 0:35:09 | |
..or release him. | 0:35:11 | 0:35:12 | |
Until our investigations are complete, | 0:35:23 | 0:35:26 | |
I must request... that you remain in London. | 0:35:26 | 0:35:31 | |
Fine. | 0:35:31 | 0:35:33 | |
-Sam. -You were supposed to bring her home, not get her drunk and bed her. | 0:35:44 | 0:35:48 | |
That's not what happened. | 0:35:48 | 0:35:50 | |
You tell her her brother's dead then put your arms round her. | 0:35:50 | 0:35:53 | |
-Shame on you! -Sam, we need to talk. | 0:35:53 | 0:35:55 | |
Sorry, bad time. I've got to identify my daughter's body. | 0:35:55 | 0:35:59 | |
Vivienne. | 0:35:59 | 0:36:00 | |
I am so, so sorry. | 0:36:00 | 0:36:03 | |
I want you to request a second postmortem, whatever the findings of the first. | 0:36:03 | 0:36:08 | |
-Why? -I want to bring in Stewart Lafferty... | 0:36:08 | 0:36:10 | |
But what do you expect him to find? | 0:36:10 | 0:36:13 | |
I don't know. I just want to know we've turned over every stone. | 0:36:13 | 0:36:16 | |
How could it happen twice, Tommy? | 0:36:18 | 0:36:20 | |
How could it happen twice? | 0:36:21 | 0:36:24 | |
Mr Oborne, Superintendent Tate. | 0:36:28 | 0:36:30 | |
Mrs Oborne? Please. | 0:36:32 | 0:36:34 | |
Great. You're barely out the door | 0:36:39 | 0:36:41 | |
and you're helping Tate build a case against you. | 0:36:41 | 0:36:44 | |
-Julia wasn't suicidal. -And if Lafferty proves that, what next? | 0:36:44 | 0:36:47 | |
-I'm not frightened of the truth. -Tate charges you. | 0:36:47 | 0:36:49 | |
-We find a new suspect. -You know what happens to coppers inside. | 0:36:49 | 0:36:53 | |
-A real suspect. -What if we don't find one? | 0:36:53 | 0:36:55 | |
We've already got one. We just don't know his name. | 0:36:55 | 0:36:58 | |
-Lafferty'll call when he knows anything about the pill box? -I told him it wasn't urgent. | 0:37:24 | 0:37:29 | |
LYNLEY LAUGHS SARCASTICALLY | 0:37:30 | 0:37:32 | |
Don't you think you should take a breath? | 0:37:35 | 0:37:38 | |
-Not if I'm going to find out what happened. -That's Tate's job. Let her do it. | 0:37:38 | 0:37:42 | |
I owe this to Sam and Vivienne. | 0:37:42 | 0:37:44 | |
Come on, they know you didn't kill their daughter. | 0:37:44 | 0:37:47 | |
At worst... | 0:37:47 | 0:37:49 | |
Yeah? At worst? | 0:37:51 | 0:37:53 | |
They'll think you exploited her grief. | 0:37:53 | 0:37:57 | |
Is that what you think? | 0:38:00 | 0:38:01 | |
I don't think it was your finest hour. | 0:38:01 | 0:38:05 | |
Where are you going? | 0:38:10 | 0:38:12 | |
The gents. | 0:38:13 | 0:38:14 | |
MOBILE PHONE RINGS | 0:38:53 | 0:38:56 | |
-Lafferty? -'We've got a match.' | 0:38:56 | 0:38:58 | |
Hey, Lafferty. | 0:39:10 | 0:39:12 | |
How are you, Tommy? | 0:39:12 | 0:39:14 | |
Fine. | 0:39:14 | 0:39:15 | |
-We're sure it's Sullivan's prints? -16 points of ridge bifurcation. | 0:39:19 | 0:39:23 | |
-Expected a more salubrious address though. -Why? | 0:39:23 | 0:39:27 | |
Bropidox is a targeted therapy. | 0:39:27 | 0:39:29 | |
Unlike chemo drugs, it just fixes what's broke - but at a price. | 0:39:29 | 0:39:33 | |
-So not on the NHS? -Not even for sale in the UK. | 0:39:33 | 0:39:36 | |
Mail order only from the States. A year's course is 20 grand. | 0:39:36 | 0:39:40 | |
The Obornes have requested a second PM and I suggested you do it. | 0:39:40 | 0:39:44 | |
You mean you've told them to request one. Why? | 0:39:44 | 0:39:47 | |
Because I think Julia was murdered and I want you to prove it. | 0:39:47 | 0:39:52 | |
-Be careful what you wish for. -Don't waste your breath. | 0:39:52 | 0:39:54 | |
Here we go. Sullivan! | 0:40:04 | 0:40:07 | |
Sullivan! | 0:40:09 | 0:40:12 | |
-The lock looks pretty flimsy. -Yeah, so does our warrant. | 0:40:12 | 0:40:15 | |
I'll try and find a building manager. | 0:40:15 | 0:40:18 | |
Or maybe not. | 0:40:20 | 0:40:21 | |
Someone's been a busy boy. | 0:40:33 | 0:40:36 | |
Passwords? Entry codes? | 0:40:36 | 0:40:38 | |
You said he was a programmer, | 0:40:41 | 0:40:43 | |
maybe he's been trying to hack into something. | 0:40:43 | 0:40:45 | |
I'll try that other room. | 0:40:45 | 0:40:47 | |
-Sir. -Yep. | 0:41:01 | 0:41:03 | |
In all these codes, the same two words keep cropping up. | 0:41:03 | 0:41:06 | |
Rich Maitland. | 0:41:06 | 0:41:07 | |
So, what, he's hacking in to steal cancer drugs? | 0:41:27 | 0:41:30 | |
Not quite. Listen. | 0:41:30 | 0:41:32 | |
"Dear Mr Sullivan, I could never overstate your contribution to my IT unit. | 0:41:32 | 0:41:36 | |
"I assure you I did not anonymously furnish you with an account at Rich Maitland Pharmaceuticals." | 0:41:36 | 0:41:41 | |
-"Wishing you a speedy recovery." -So he has a mystery benefactor. | 0:41:41 | 0:41:46 | |
Not too keen on the mystery part of it. | 0:41:46 | 0:41:48 | |
If Lafferty's right, this is thousands of pounds worth of drugs. | 0:41:48 | 0:41:52 | |
Sullivan. Careful. | 0:41:54 | 0:41:56 | |
-Is this supposed to mean something? -It means Julia Oborne saved my life. | 0:42:01 | 0:42:05 | |
Now, why would she want to do a thing like that? | 0:42:05 | 0:42:09 | |
DS Tate, the Obornes have requested that I carry out a second postmortem. | 0:42:11 | 0:42:15 | |
Off the record, the PM found no restraining injuries, | 0:42:15 | 0:42:18 | |
nothing suggesting foul play. | 0:42:18 | 0:42:20 | |
-Really? -Then again, she did fall five stories, | 0:42:20 | 0:42:23 | |
so who knows what that covered up? | 0:42:23 | 0:42:25 | |
-What about a cause of death? -Ruptured spleen. From the fall. | 0:42:25 | 0:42:28 | |
I still have to fulfil the Obornes' request. | 0:42:28 | 0:42:33 | |
What's Lynley playing at? | 0:42:33 | 0:42:36 | |
-Why does he, of all people, want a second PM? -Lynley? | 0:42:36 | 0:42:40 | |
Please. | 0:42:40 | 0:42:42 | |
You really think I don't know you've worked together 100 times? | 0:42:42 | 0:42:46 | |
You think I'm fooled by this "Parents want a second postmortem" crap? | 0:42:46 | 0:42:49 | |
I really don't know what you're talking about. | 0:42:49 | 0:42:52 | |
-I do know that the Obornes have a legal right to a second... -Fine. | 0:42:52 | 0:42:57 | |
But whatever you turn up, it's full disclosure - understood? | 0:42:57 | 0:43:01 | |
Absolutely. Full disclosure. | 0:43:01 | 0:43:03 | |
She threw herself off a building? | 0:43:05 | 0:43:07 | |
No, she was found dead at the bottom of one. | 0:43:07 | 0:43:09 | |
-Make sense if she did throw herself off. -How's that? | 0:43:09 | 0:43:12 | |
Same reason she gave me 20 grand's worth of cancer treatments. Guilt. | 0:43:12 | 0:43:16 | |
Guilt about what? | 0:43:18 | 0:43:20 | |
-I hope the bitch remembered me in her will. -Sir! | 0:43:20 | 0:43:22 | |
Guilt about what? | 0:43:24 | 0:43:26 | |
Her brother. | 0:43:26 | 0:43:28 | |
She knew I was innocent and that delivery note proves it. | 0:43:28 | 0:43:31 | |
It was left in with the last consignment. | 0:43:31 | 0:43:34 | |
A billing address, but no name. | 0:43:34 | 0:43:37 | |
So that's why you were | 0:43:37 | 0:43:38 | |
trying to break into the drug company's customer records? | 0:43:38 | 0:43:43 | |
When did you get back from Rome? | 0:43:43 | 0:43:45 | |
Think logically. | 0:43:46 | 0:43:48 | |
When the pills run out, | 0:43:48 | 0:43:49 | |
I go back to pissing blood and watching my skin fall off. | 0:43:49 | 0:43:53 | |
Why would I want to kill the very person saving me from that fate? | 0:43:53 | 0:43:56 | |
When did you get back? | 0:43:56 | 0:43:58 | |
11:30 this morning. Want to see my boarding pass? | 0:43:58 | 0:44:02 | |
If Sullivan's innocent, what was he doing at Julia's apartment? | 0:44:12 | 0:44:16 | |
He wanted to find out who his benefactor was. | 0:44:16 | 0:44:18 | |
There must be an explanation. Sam? | 0:44:18 | 0:44:20 | |
Where would Julia get that kind of money? | 0:44:20 | 0:44:23 | |
Teaching primary school? | 0:44:23 | 0:44:25 | |
She inherited something when her grandfather died. | 0:44:25 | 0:44:28 | |
In the fall-out from Justin, Sullivan lost his job, | 0:44:28 | 0:44:31 | |
beaten up repeatedly, nearly died when someone burned down his home. | 0:44:31 | 0:44:35 | |
-In that context... -And he did get away with murder. | 0:44:35 | 0:44:38 | |
In that context, Julia's generosity feels like...compensation. | 0:44:38 | 0:44:42 | |
That's a leap. | 0:44:42 | 0:44:45 | |
I know. | 0:44:45 | 0:44:46 | |
At the very least, it could shed some light on her suicide. | 0:44:46 | 0:44:49 | |
You said you didn't think it was suicide? | 0:44:51 | 0:44:54 | |
I didn't. | 0:44:54 | 0:44:56 | |
-And now you're off the hook, you're having second thoughts? -No. | 0:44:56 | 0:45:00 | |
Perhaps your head's clearing. | 0:45:00 | 0:45:01 | |
How much did you have to drink again? How much did she have? | 0:45:01 | 0:45:05 | |
£20,000 worth of cancer drugs are what's giving me second thoughts. | 0:45:05 | 0:45:10 | |
And if Julia killed herself, | 0:45:10 | 0:45:12 | |
it...it wasn't because she'd drunk too much. | 0:45:12 | 0:45:16 | |
We have to consider the possibility that Julia took Justin. | 0:45:16 | 0:45:19 | |
What? | 0:45:21 | 0:45:23 | |
-Where was she the night that Justin went missing? -In her studio. | 0:45:23 | 0:45:27 | |
-Any witnesses to that? -Yes. | 0:45:27 | 0:45:29 | |
Me. | 0:45:29 | 0:45:31 | |
Witnesses? | 0:45:31 | 0:45:33 | |
Now Julia killed herself because she murdered her own brother? | 0:45:34 | 0:45:38 | |
Christ, Tommy! | 0:45:39 | 0:45:40 | |
If you call that a theory, perhaps you should never go back to work. | 0:45:40 | 0:45:44 | |
-I thought that Sam would be the scary one. -Yeah, me too. | 0:45:49 | 0:45:53 | |
Do you get the feeling that Julia helping Sullivan | 0:45:53 | 0:45:56 | |
wasn't the surprise to him it was to her? | 0:45:56 | 0:45:58 | |
He's just lost his daughter. | 0:45:58 | 0:45:59 | |
I accused that daughter of murder and he didn't say a word. | 0:45:59 | 0:46:03 | |
Mike. Lynley. | 0:46:03 | 0:46:05 | |
Oh, no - more than OK, thank you. | 0:46:05 | 0:46:07 | |
I'd like to get hold of that video footage of Justin's birthday party if possible. | 0:46:07 | 0:46:11 | |
I defended a guy last year with a case hinged on CCTV. | 0:46:19 | 0:46:22 | |
-Still have some enhancement software on here. -Beyond the call. | 0:46:22 | 0:46:26 | |
Think I know why Sam and Julia | 0:46:26 | 0:46:28 | |
absented themselves from their own party. | 0:46:28 | 0:46:31 | |
Julia! | 0:46:32 | 0:46:35 | |
-JULIA: -Think you've had enough? | 0:46:35 | 0:46:37 | |
If a man can't have a drink on his son's birthday... | 0:46:37 | 0:46:40 | |
-Sam's getting hammered. -And Julia doesn't like it. | 0:46:40 | 0:46:43 | |
Exhibit number two. | 0:46:43 | 0:46:45 | |
This is Julia just after putting Justin to bed. | 0:46:45 | 0:46:48 | |
I had to zoom in and clean it up, | 0:46:48 | 0:46:51 | |
but it was worth it. | 0:46:51 | 0:46:53 | |
Julia corners Dad for a private chat. | 0:46:54 | 0:46:57 | |
What's he saying? | 0:46:57 | 0:46:58 | |
-I think we can guess it's not "great party". -We can more than guess. | 0:46:58 | 0:47:02 | |
Temper, temper. | 0:47:02 | 0:47:05 | |
So Julia leaves and Dad follows. | 0:47:05 | 0:47:08 | |
She starts the fight. He's going to finish it. | 0:47:08 | 0:47:11 | |
-But what was the fight about? -Talk to Sam. | 0:47:11 | 0:47:13 | |
He never mentioned the row in '95. He'll play it down now. | 0:47:13 | 0:47:16 | |
But there's someone else who might know. | 0:47:19 | 0:47:22 | |
Conrad. | 0:47:25 | 0:47:26 | |
I had a fling with the Obornes' ex-nanny, Christine Faraday. | 0:47:30 | 0:47:34 | |
-She was sacked - accused of breaking Justin's arm. -Wrongly. | 0:47:34 | 0:47:37 | |
Christine loved that kid, and for a few weeks, I loved her. | 0:47:37 | 0:47:40 | |
She didn't have a bad bone in her body. | 0:47:40 | 0:47:42 | |
-Christine must've been a suspect in the abduction? -She had an alibi. | 0:47:42 | 0:47:46 | |
Me and half the village pub. She was in there drowning her sorrows | 0:47:46 | 0:47:49 | |
-for missing Justin's party. -What light can she shed on this? | 0:47:49 | 0:47:53 | |
She got a call from Julia that evening. | 0:47:53 | 0:47:55 | |
Once I'd eliminated Christine, it didn't seem significant. | 0:47:55 | 0:47:59 | |
That could soundtrack the argument we've just watched. | 0:47:59 | 0:48:03 | |
Excuse me, we've just left London. What about Tate? | 0:48:08 | 0:48:11 | |
Tate can go and do the other thing. | 0:48:11 | 0:48:14 | |
What is it? | 0:48:27 | 0:48:28 | |
Detective Superintendent Tate. | 0:48:30 | 0:48:33 | |
I didn't hear you creep in there. | 0:48:33 | 0:48:34 | |
What are you seeing? | 0:48:34 | 0:48:36 | |
-Nothing. -Nothing? | 0:48:36 | 0:48:40 | |
So far I'm with your pathologist all the way. | 0:48:40 | 0:48:43 | |
Oh. I told you a second PM was unnecessary. | 0:48:43 | 0:48:46 | |
I presume there were photos taken at the crime scene? | 0:48:46 | 0:48:50 | |
I think, yeah, maybe someone took some with their phone(!) | 0:48:50 | 0:48:54 | |
What does Lynley know that I don't? | 0:48:57 | 0:49:02 | |
I'll see those photos now, if that's OK. | 0:49:05 | 0:49:08 | |
Thanks. | 0:49:29 | 0:49:31 | |
As beautiful as ever. | 0:49:37 | 0:49:40 | |
Conrad. | 0:49:40 | 0:49:41 | |
Christine, I have some terrible news. | 0:49:43 | 0:49:45 | |
I'm so sorry. | 0:49:54 | 0:49:55 | |
Hello, Christine. | 0:49:58 | 0:50:01 | |
Mike. | 0:50:01 | 0:50:02 | |
Conrad. | 0:50:04 | 0:50:05 | |
We need to have a couple of words if you don't mind. | 0:50:13 | 0:50:16 | |
The evening Justin went missing, | 0:50:35 | 0:50:37 | |
you were in the pub with Conrad and you got a call from Julia. | 0:50:37 | 0:50:41 | |
-Yes? -So what did she say? | 0:50:41 | 0:50:44 | |
It wasn't fair that I'd missed such a great party. | 0:50:44 | 0:50:47 | |
Nothing more pressing than that? Come on. | 0:50:47 | 0:50:49 | |
That family have been through enough. | 0:50:49 | 0:50:52 | |
You say they accused you of breaking their child's arm! | 0:50:52 | 0:50:55 | |
Are you saying I lied? | 0:50:55 | 0:50:56 | |
If it was me, I'd want to set the record straight. | 0:50:56 | 0:50:59 | |
Christine. Your loyalty is to Julia and Justin, not their parents. | 0:51:18 | 0:51:22 | |
Julia told me she knew who broke Justin's arm. | 0:51:22 | 0:51:25 | |
She knew because Justin had told her himself. | 0:51:25 | 0:51:29 | |
Sam? | 0:51:29 | 0:51:30 | |
Justin had messed up some papers in his study and Sam was drunk again. | 0:51:30 | 0:51:34 | |
That sounds like a flashpoint, not the real cause. | 0:51:34 | 0:51:37 | |
Well, that's all she told me. | 0:51:37 | 0:51:39 | |
MOBILE PHONE RINGS | 0:51:39 | 0:51:40 | |
-Can you turn that off, please? -Sorry. | 0:51:40 | 0:51:44 | |
-Lafferty. -OK, the spleen is breached, | 0:51:44 | 0:51:47 | |
so I'm thinking post-mortem, if only by a minute or so. | 0:51:47 | 0:51:52 | |
How did she die? | 0:51:52 | 0:51:54 | |
My best guess is asphyxiation. | 0:51:55 | 0:51:58 | |
'I've found what looks like | 0:51:58 | 0:51:59 | |
'a fragment of a rubber glove between her teeth.' | 0:51:59 | 0:52:04 | |
I'm having it tested for DNA. | 0:52:04 | 0:52:07 | |
But the thing is, if I sit on this, | 0:52:07 | 0:52:10 | |
I'm violating full disclosure and if I don't... | 0:52:10 | 0:52:14 | |
'it's murder again and you'll be arrested,' | 0:52:14 | 0:52:16 | |
-so we're... -DOOR OPENS > | 0:52:16 | 0:52:18 | |
Yeah, OK, thanks. Cheers for that. | 0:52:18 | 0:52:24 | |
Heading out? | 0:52:24 | 0:52:26 | |
You should be a detective. | 0:52:26 | 0:52:28 | |
I can arrange transport. | 0:52:28 | 0:52:31 | |
I'm good. Thanks. | 0:52:32 | 0:52:34 | |
Sam's the one person Julia would've covered for. | 0:52:39 | 0:52:42 | |
Always a daddy's girl. | 0:52:42 | 0:52:43 | |
Would he repay her by killing her? | 0:52:43 | 0:52:45 | |
If she was threatening to tell Vivienne, | 0:52:45 | 0:52:48 | |
threatening their new life in London with Oliver. | 0:52:48 | 0:52:50 | |
From here to London in the middle of night is two hours? | 0:52:50 | 0:52:53 | |
Tops. So he could've got down to your flat and been back by dawn. | 0:52:53 | 0:52:57 | |
We're not even thinking if he's capable | 0:52:57 | 0:52:59 | |
-of murdering his own two children! -Maybe just one. | 0:52:59 | 0:53:02 | |
Notice he didn't want his DNA matched with Justin's? | 0:53:02 | 0:53:05 | |
There. | 0:53:27 | 0:53:29 | |
What do you reckon? | 0:53:29 | 0:53:31 | |
I'm glad we live in London. | 0:53:31 | 0:53:33 | |
Spoken like your father's son. | 0:53:33 | 0:53:35 | |
You said when we got here, you'd tell me what's going on. | 0:53:47 | 0:53:52 | |
I'm going away on a long trip, | 0:53:52 | 0:53:55 | |
but I need to tell you a bit of family history first. | 0:53:55 | 0:53:59 | |
Dad? | 0:54:01 | 0:54:03 | |
What's this long trip? Are you trying to tell me something? | 0:54:03 | 0:54:07 | |
Lies really can kill you, Oliver. They killed your brother and sister. | 0:54:10 | 0:54:16 | |
So you have to know the truth, however much it hurts. | 0:54:17 | 0:54:20 | |
What are we doing here? Why's Mum in London? | 0:54:20 | 0:54:22 | |
Am I talking to the walls? Shut up and listen! | 0:54:22 | 0:54:25 | |
When I married your mother, | 0:54:33 | 0:54:35 | |
I decided that there was no way I would turn into one of those | 0:54:35 | 0:54:39 | |
freeloading house-husbands who get up at 11 to fix lunch. | 0:54:39 | 0:54:43 | |
No - I was going to earn my own pile, thank you very much. | 0:54:43 | 0:54:48 | |
The day after the honeymoon, I set up my own business, | 0:54:48 | 0:54:52 | |
Oborne Investments. | 0:54:52 | 0:54:54 | |
-Good for you, Dad. -No. | 0:54:54 | 0:54:56 | |
No, it wasn't. | 0:54:57 | 0:54:59 | |
It was a disaster, it was the root of all this. | 0:54:59 | 0:55:03 | |
Hey, come here. | 0:55:04 | 0:55:07 | |
(Come here.) | 0:55:08 | 0:55:10 | |
It's all about... self-knowledge, Oliver. | 0:55:13 | 0:55:16 | |
Knowing thyself. | 0:55:20 | 0:55:22 | |
Down the hatch. | 0:55:25 | 0:55:26 | |
Tommy? | 0:55:37 | 0:55:39 | |
Tommy, Sam's taken Oliver. | 0:55:39 | 0:55:42 | |
GUNSHOT | 0:55:49 | 0:55:50 | |
-Dad! Dad! -Oliver! Oliver! | 0:55:54 | 0:55:56 | |
He's going to kill himself! | 0:55:56 | 0:55:58 | |
-Get him out of here. -No! | 0:55:58 | 0:55:59 | |
-Can't even shoot myself now. -There are worse things to be bad at. | 0:56:13 | 0:56:18 | |
Got to hand it to you, Tommy. You saw it before I did. | 0:56:19 | 0:56:22 | |
The sweep, the symmetry. | 0:56:22 | 0:56:24 | |
The contours of tragedy. | 0:56:24 | 0:56:26 | |
Right now, I'm not seeing the contours at all. | 0:56:26 | 0:56:29 | |
Well, your theory... that Vivienne scoffed at. | 0:56:29 | 0:56:33 | |
Julia. | 0:56:34 | 0:56:36 | |
-She did take Justin? -But... | 0:56:36 | 0:56:38 | |
..I drove her to it. | 0:56:40 | 0:56:42 | |
Something terrible must have happened. | 0:56:44 | 0:56:46 | |
If only she'd spoken to me. She didn't have to kill herself. | 0:56:46 | 0:56:51 | |
-Oh, Sam, slow down. -The darkness spread like a stain, | 0:56:51 | 0:56:56 | |
but it started with me. | 0:56:56 | 0:56:59 | |
Is that a poetic way of saying it was you who broke Justin's arm? | 0:56:59 | 0:57:02 | |
It was an accident, but... | 0:57:02 | 0:57:06 | |
I'd had a skinful... | 0:57:06 | 0:57:08 | |
You never had any accidents like that with Julia though, did you? | 0:57:08 | 0:57:11 | |
That's close enough. | 0:57:11 | 0:57:13 | |
Because Julia... | 0:57:13 | 0:57:15 | |
Unlike Justin, Julia was your child, hey? | 0:57:15 | 0:57:18 | |
Hmm. | 0:57:18 | 0:57:20 | |
Gave myself away with the DNA sample, right? Even that was my fault. | 0:57:20 | 0:57:23 | |
I was so angry when Vivienne stopped funding me, I just stayed up in London sulking. | 0:57:23 | 0:57:28 | |
-Would you give the self-pity a rest? -You think that's what this is? | 0:57:28 | 0:57:32 | |
If you were going to shoot yourself, you'd have done it by now. | 0:57:32 | 0:57:35 | |
People have always underestimated me, Tommy. | 0:57:35 | 0:57:38 | |
Tommy. | 0:57:48 | 0:57:49 | |
I've got some bad news for you, Sam. | 0:57:51 | 0:57:54 | |
It's not all your fault. | 0:57:54 | 0:57:56 | |
The symmetry goes even darker than I thought. | 0:57:58 | 0:58:01 | |
What are you talking about? | 0:58:03 | 0:58:04 | |
Julia didn't commit suicide because she felt guilty about Justin. She was murdered. | 0:58:04 | 0:58:10 | |
-How? -I'm not going to tell you any more until you give me that gun. | 0:58:13 | 0:58:16 | |
You're bluffing. | 0:58:19 | 0:58:21 | |
Tommy. | 0:58:28 | 0:58:30 | |
It was about eight when I found her in her studio. | 0:58:55 | 0:58:59 | |
She tried softly-softly, bless her. | 0:59:06 | 0:59:09 | |
"Daddy, I know you're only drinking because business is bad..." | 0:59:11 | 0:59:15 | |
You've got to own up to what you did to Justin. Re-instate Christine. | 0:59:15 | 0:59:19 | |
I don't know what you're talking about. | 0:59:19 | 0:59:23 | |
If you so much as clip his ear, | 0:59:23 | 0:59:27 | |
I swear you'll see neither of us ever again. | 0:59:27 | 0:59:30 | |
-You're drunk. -Don't start. -And you resented every second of Justin's party! | 0:59:34 | 0:59:38 | |
Please don't hurt him. | 0:59:38 | 0:59:40 | |
Hurt him? | 0:59:41 | 0:59:43 | |
I know it's the drink, Daddy. I know it's not you. | 0:59:43 | 0:59:47 | |
You need help. | 0:59:50 | 0:59:51 | |
Even if he's not yours, it's not his fault. | 0:59:54 | 0:59:57 | |
I'll never forget the fear in her eyes. | 1:00:04 | 1:00:06 | |
It's because she'd seen the man who broke her brother's arm, | 1:00:08 | 1:00:12 | |
and her mind was made up. | 1:00:12 | 1:00:14 | |
But I didn't kill her... | 1:00:19 | 1:00:22 | |
I swear. | 1:00:23 | 1:00:25 | |
-Where's Oliver?! -Oliver's fine. Did you sleep last night? | 1:00:37 | 1:00:40 | |
-What? -How much sleep did you get last night? -Barely any, why? | 1:00:40 | 1:00:43 | |
-Was Sam was with you? -Of course, why? -Great. Go easy on him. | 1:00:43 | 1:00:46 | |
-I think he's literally "mad with grief". -And I'm not? | 1:00:46 | 1:00:49 | |
Viv, you're stronger than he is. | 1:00:49 | 1:00:51 | |
-I'm still going to kill him. -Of course. | 1:00:51 | 1:00:53 | |
And once you've done that... | 1:00:53 | 1:00:55 | |
..I think he needs you very much. | 1:00:57 | 1:00:59 | |
Mum! | 1:00:59 | 1:01:01 | |
You think Julia planned to leave her brother with someone? | 1:01:14 | 1:01:17 | |
-Someone nearby, who she trusted. -Someone Justin knew. | 1:01:17 | 1:01:20 | |
No, no. | 1:01:22 | 1:01:25 | |
Christine loved that kid, | 1:01:25 | 1:01:27 | |
and anyway, she was here with me when he was found to be missing. | 1:01:27 | 1:01:30 | |
-Look, surely whoever Julia met that night is probably her killer? -Agreed. | 1:01:30 | 1:01:35 | |
Well, then that can't be Christine. | 1:01:35 | 1:01:37 | |
Yeah, I mean, how does a slim-built woman | 1:01:37 | 1:01:39 | |
get Julia out of the window without waking you up? | 1:01:39 | 1:01:42 | |
Just wait a bloody minute. | 1:01:42 | 1:01:44 | |
We don't know that Julia was murdered yet, do we? | 1:01:44 | 1:01:47 | |
Tommy? | 1:01:48 | 1:01:50 | |
-I mean, it's not definite? -No, it's not. | 1:01:50 | 1:01:54 | |
Good... cos that's my story if I'm asked. | 1:01:54 | 1:01:59 | |
I'm sticking to it. | 1:01:59 | 1:02:01 | |
Look, I've put you in a spot, I know I have. | 1:02:15 | 1:02:18 | |
What exactly is your evidence that Julia was murdered? | 1:02:18 | 1:02:22 | |
A glove fragment, | 1:02:22 | 1:02:23 | |
and other pathology inconsistent with death from a fall. | 1:02:23 | 1:02:26 | |
Have you shared any of this with Detective Superintendent Tate? | 1:02:26 | 1:02:30 | |
Not yet. | 1:02:30 | 1:02:32 | |
So as long as she thinks it's suicide, you're in the clear? | 1:02:32 | 1:02:35 | |
I can't conduct an investigation from inside a prison cell. | 1:02:35 | 1:02:39 | |
How long are you thinking of holding out on her? | 1:02:40 | 1:02:43 | |
As long as it takes. | 1:02:43 | 1:02:45 | |
If you're worried about being implicated... | 1:02:47 | 1:02:50 | |
I'm worried about you, Tommy. | 1:02:50 | 1:02:52 | |
You obviously know what you're doing so, hey... | 1:02:52 | 1:02:56 | |
I asked Stewart Lafferty to view Justin's remains tomorrow morning. That OK? | 1:02:59 | 1:03:04 | |
Yeah, sure. That's OK, | 1:03:06 | 1:03:07 | |
but next time, I'd like to be asked, not told. | 1:03:07 | 1:03:12 | |
No argument with the cause of death being the skull fracture. | 1:03:26 | 1:03:30 | |
Any idea of a weapon? | 1:03:30 | 1:03:32 | |
What's interesting are these bilateral injuries, here. | 1:03:34 | 1:03:38 | |
What are the chances of striking both legs in the same place? | 1:03:38 | 1:03:41 | |
Exactly, so I'm thinking...car bumper. | 1:03:41 | 1:03:44 | |
Justin wasn't even four feet tall. | 1:03:44 | 1:03:46 | |
A bumper would've struck him waist-height. | 1:03:46 | 1:03:49 | |
Not if the driver floored the brakes. | 1:03:49 | 1:03:51 | |
If you're travelling fast enough, your front end nosedives. | 1:03:51 | 1:03:55 | |
I've seen six-inch furrows in pre-stressed asphalt. | 1:03:55 | 1:03:58 | |
So it was an accident? | 1:03:58 | 1:04:00 | |
Well, the skull fracture | 1:04:00 | 1:04:02 | |
is certainly consistent with secondary impact, | 1:04:02 | 1:04:05 | |
which chimes with what looks like... | 1:04:05 | 1:04:10 | |
white paint fragments in the hair. | 1:04:10 | 1:04:14 | |
Which because it hasn't rotted, suggests a metallic base. | 1:04:16 | 1:04:20 | |
So we're looking for someone, probably a local, who drove a white car? | 1:04:20 | 1:04:25 | |
When we get the paint analysed, I'll do better than that. | 1:04:25 | 1:04:29 | |
Wait a minute, Conrad. When you went out with Christine... | 1:04:29 | 1:04:32 | |
she drove a white car. | 1:04:32 | 1:04:34 | |
Old, white Fiesta. | 1:04:36 | 1:04:38 | |
I told her not to drive. | 1:04:43 | 1:04:46 | |
What are you talking about? | 1:04:47 | 1:04:49 | |
I'm sorry. | 1:04:51 | 1:04:53 | |
I'll drive, you're well over. | 1:04:55 | 1:04:57 | |
-And you're not? -Everything's relative. | 1:04:57 | 1:04:59 | |
Look, I appreciate the offer. | 1:04:59 | 1:05:01 | |
Was that really Julia on the phone? | 1:05:01 | 1:05:03 | |
That's a guilty look. | 1:05:06 | 1:05:08 | |
She couldn't have got to the Obornes' by seven. | 1:05:09 | 1:05:11 | |
That's what you told yourself. | 1:05:11 | 1:05:13 | |
-I'm sorry, Dad. -That's what you told yourself? | 1:05:13 | 1:05:16 | |
It's what I believed! | 1:05:16 | 1:05:18 | |
You covered up for your girlfriend! | 1:05:18 | 1:05:20 | |
-I was young and stupid, but if I'd... -It wasn't your decision to make! | 1:05:20 | 1:05:24 | |
I spent two years on that case, and it nearly killed me! | 1:05:25 | 1:05:29 | |
Christ, I said I was sorry, didn't I? It was 12 years ago. | 1:05:29 | 1:05:33 | |
So Julia called you. | 1:05:48 | 1:05:50 | |
Sam was drinking again and in a dangerous, a violent mood. | 1:05:50 | 1:05:54 | |
I mean, what if he broke Justin's neck this time? | 1:05:54 | 1:05:57 | |
She calls you at the pub | 1:05:57 | 1:06:00 | |
-and says she's bringing her brother over... -And I said no. | 1:06:00 | 1:06:03 | |
How stupid would I be to mess with the Obornes? | 1:06:03 | 1:06:07 | |
After all the lies they told about me breaking Justin's arm. | 1:06:07 | 1:06:10 | |
Not stupid, just principled. You put Justin first. | 1:06:10 | 1:06:13 | |
But it meant driving over the limit and somewhere on the way here you had an accident. | 1:06:13 | 1:06:18 | |
And Justin was killed, but Julia was OK. | 1:06:18 | 1:06:20 | |
-She'd talked you into it, so she covered up for you? -Where is all this coming from? | 1:06:20 | 1:06:24 | |
-You drove a white Fiesta then, right? -So what? | 1:06:24 | 1:06:28 | |
So, white car paint was found on Justin's corpse. | 1:06:28 | 1:06:30 | |
Well, it wasn't from my car. | 1:06:30 | 1:06:32 | |
Once I got behind the wheel, | 1:06:32 | 1:06:34 | |
I realised what a mistake it was and I walked home. | 1:06:34 | 1:06:37 | |
-Come on, that's miles away! -I cut through the fields. -So you did go home in response to Julia's call? | 1:06:37 | 1:06:42 | |
Yes. | 1:06:42 | 1:06:44 | |
She wasn't here. | 1:06:44 | 1:06:45 | |
MOBILE PHONE RINGS | 1:06:45 | 1:06:48 | |
Where were you night before last? | 1:06:50 | 1:06:52 | |
On the night shift. Why? | 1:06:52 | 1:06:55 | |
Are you asking me for an alibi? | 1:06:59 | 1:07:02 | |
You think... | 1:07:05 | 1:07:07 | |
..Julia was murdered? | 1:07:08 | 1:07:10 | |
Would that be a complete surprise? | 1:07:10 | 1:07:12 | |
Or would it make some chilling kind of sense? | 1:07:12 | 1:07:15 | |
Am I under arrest? | 1:07:16 | 1:07:18 | |
No. | 1:07:18 | 1:07:20 | |
-I'd be surprised if Justin was hit by Christine's car... -Cos of the paint? | 1:07:22 | 1:07:26 | |
The sealant. Teflon fluorocarbon... | 1:07:26 | 1:07:29 | |
'Standard issue now, but back in the early '90s, the preserve of luxury cars and emergency vehicles.' | 1:07:29 | 1:07:35 | |
Not fourth-hand Fiestas? | 1:07:35 | 1:07:36 | |
Traces of rust argue against the luxury cars... | 1:07:36 | 1:07:40 | |
'and the injuries are wrong for an ambulance, so...' | 1:07:40 | 1:07:43 | |
-I'm thinking village bobby? -Really? | 1:07:43 | 1:07:48 | |
-OK... -You pulled the plug on that mighty fast. | 1:07:50 | 1:07:53 | |
All we can do is worry her, and we did that. | 1:07:53 | 1:07:56 | |
Lafferty says Justin might've been hit by a marked police car. | 1:07:56 | 1:08:00 | |
What makes him think that? | 1:08:00 | 1:08:02 | |
The paint sealant. | 1:08:02 | 1:08:03 | |
Conrad saw her drive away pissed! | 1:08:03 | 1:08:06 | |
She could've got out, I mean she COULD have walked home. | 1:08:06 | 1:08:10 | |
Whose case is this? | 1:08:10 | 1:08:11 | |
-I don't want you to making the same mistake twice. -What mistake? | 1:08:11 | 1:08:15 | |
You've no proof, Mike, just like with Sullivan. | 1:08:15 | 1:08:18 | |
-That's a low blow. -It's only the truth. | 1:08:18 | 1:08:20 | |
You're lecturing ME about past mistakes? | 1:08:20 | 1:08:23 | |
-I'm counselling you to keep your powder dry. -What about you, Tommy? | 1:08:23 | 1:08:27 | |
You get your wife killed | 1:08:27 | 1:08:28 | |
-and you're still dragging people into your mess! -Ah! | 1:08:28 | 1:08:31 | |
Damn! | 1:08:31 | 1:08:33 | |
Well, on the plus side, we're at a nurse's house. | 1:08:38 | 1:08:42 | |
Officers get first look when squad cars are bumped, right? | 1:08:51 | 1:08:54 | |
But McCaffrey's a detective. He wouldn't have had squad car. | 1:08:54 | 1:08:57 | |
He was in uniform 'till the early '90s. | 1:08:57 | 1:09:01 | |
I'll check his vehicle history. You should get that hand checked. | 1:09:01 | 1:09:04 | |
Come in. | 1:09:06 | 1:09:07 | |
Hello? Hello! | 1:09:19 | 1:09:22 | |
Oh, look, sorry - I've bled on you. | 1:09:34 | 1:09:38 | |
Yeah, like that's never happened to me before(!) | 1:09:38 | 1:09:41 | |
It's funny, I'm the one who's knocked my wing mirror off my car | 1:09:43 | 1:09:46 | |
and yet you're the one whose hands are shaking. | 1:09:46 | 1:09:49 | |
Does Mike McCaffrey scare you? | 1:09:51 | 1:09:53 | |
Do I scare you? | 1:09:55 | 1:09:56 | |
Nobody scares me. | 1:09:56 | 1:09:58 | |
That's not entirely true now, is it? | 1:09:58 | 1:10:00 | |
Do you really think Julia was murdered? | 1:10:02 | 1:10:04 | |
What is it, Christine? | 1:10:07 | 1:10:09 | |
OK, McCaffrey moved out of uniform | 1:10:44 | 1:10:46 | |
and bought his decommissioned Sierra, and sold it on in July '95. | 1:10:46 | 1:10:50 | |
A month after Justin was killed. | 1:10:50 | 1:10:52 | |
The buyer was local. Daniel Forsyth, Cleve Farm. | 1:10:52 | 1:10:54 | |
-Odds are it's been sold again. -Not according to DVLA. | 1:10:54 | 1:10:58 | |
Let's check it out. | 1:10:58 | 1:11:00 | |
PHONE RINGING | 1:11:05 | 1:11:09 | |
Hello? | 1:11:12 | 1:11:13 | |
Hello? Who is this? | 1:11:14 | 1:11:17 | |
Obviously "full disclosure" | 1:12:07 | 1:12:09 | |
means something totally different to you than it does to me. | 1:12:09 | 1:12:13 | |
You think there's a lab in London that I don't do business with? | 1:12:13 | 1:12:16 | |
Once we got the results back, I fully intended to bring you in. | 1:12:16 | 1:12:21 | |
Bring me in? | 1:12:21 | 1:12:23 | |
You're too kind. | 1:12:23 | 1:12:25 | |
And what if Lynley's DNA is on that glove? | 1:12:25 | 1:12:28 | |
-But it isn't, is it? -We don't know yet... | 1:12:28 | 1:12:31 | |
..and the fragment itself is evidence of murder. | 1:12:32 | 1:12:35 | |
Evidence you wouldn't have if not for me. | 1:12:35 | 1:12:37 | |
This isn't finders keepers, | 1:12:37 | 1:12:39 | |
it's a murder investigation. | 1:12:39 | 1:12:42 | |
MY murder investigation. | 1:12:42 | 1:12:45 | |
Where is Lynley? | 1:12:48 | 1:12:50 | |
Any paint left your side? | 1:13:11 | 1:13:12 | |
Doesn't look like it. | 1:13:12 | 1:13:14 | |
Shame. We're probably looking at our murder weapon. | 1:13:14 | 1:13:17 | |
MOBILE PHONE RINGS | 1:13:17 | 1:13:20 | |
It's McCaffrey. Mike? | 1:13:20 | 1:13:22 | |
A guy out walking his dog has found a body near Christine Faraday's. | 1:13:22 | 1:13:26 | |
We'll meet you at her cottage. We've got to go. | 1:13:26 | 1:13:28 | |
Looks like a sexual assault gone bad. | 1:13:58 | 1:14:01 | |
Well, they left her knickers on. That's one prudish sex killer. | 1:14:03 | 1:14:06 | |
It looks like she's been strangled with a belt. | 1:14:06 | 1:14:09 | |
Yeah, it could be a buckle mark. | 1:14:09 | 1:14:11 | |
This could have nothing to do with the Oborne case. | 1:14:11 | 1:14:13 | |
You know, I'll take conspiracy over coincidence any day. | 1:14:13 | 1:14:17 | |
Look, sorry - I bled on you... | 1:14:24 | 1:14:26 | |
Yeah, like that's never happened to me before(!) | 1:14:26 | 1:14:30 | |
Shit. | 1:14:30 | 1:14:31 | |
-MOBILE PHONE RINGS -What? | 1:14:33 | 1:14:36 | |
Yep... Yes, ma'am, erm... | 1:14:36 | 1:14:41 | |
He's talking to Tate. I'll be arrested in a minute. | 1:14:41 | 1:14:44 | |
-What? -You get back to London. | 1:14:44 | 1:14:46 | |
Tell her everything. The car, Julia, everything. | 1:14:46 | 1:14:49 | |
Well, this is bloody embarrassing, Tommy. | 1:14:53 | 1:14:55 | |
What is? | 1:14:55 | 1:14:57 | |
I've got to take you in. | 1:14:57 | 1:14:59 | |
Tate found out you were down here. She's got Lafferty in custody. | 1:14:59 | 1:15:03 | |
-Lafferty? -Yeah, I said you were playing with fire. | 1:15:03 | 1:15:07 | |
Where's Sergeant Havers? | 1:15:10 | 1:15:13 | |
Oh, I don't know. Must have gone. | 1:15:13 | 1:15:15 | |
-Maybe she didn't want to get arrested as well. -Don't patronise me. | 1:15:15 | 1:15:20 | |
Oh, come on, Mike! | 1:15:20 | 1:15:22 | |
I'm not taking any chances, Tommy. | 1:15:22 | 1:15:24 | |
-What chances like trust and friendship? -Right! | 1:15:24 | 1:15:27 | |
Like you trusted me? | 1:15:27 | 1:15:29 | |
One thing I don't get. | 1:15:37 | 1:15:41 | |
Julia - how did you get her to keep quiet for so long? | 1:15:41 | 1:15:44 | |
What did you have on her? | 1:15:44 | 1:15:46 | |
I don't know what you're talking about. | 1:15:46 | 1:15:49 | |
That's all right, your old car will be eloquent enough on your behalf. | 1:15:49 | 1:15:53 | |
The party, that's it! I remember thinking how you were putting away the champagne for a man on duty... | 1:15:54 | 1:15:59 | |
Leaving us so soon, Sergeant McCaffrey? | 1:15:59 | 1:16:02 | |
Who else is going to keep Wimborne safe? | 1:16:02 | 1:16:05 | |
Save your breath for Tate. You're gonna need it. | 1:16:05 | 1:16:08 | |
Why didn't you just come clean, just say "Sorry, I messed up". | 1:16:08 | 1:16:11 | |
You'd be out of the force, but you're not the most ambitious man. | 1:16:11 | 1:16:15 | |
You don't know me. | 1:16:15 | 1:16:17 | |
You kill me, you know that? | 1:16:19 | 1:16:21 | |
You really think just because you play down the earl thing, | 1:16:21 | 1:16:25 | |
that you're one of us, a regular copper, one of the boys. | 1:16:25 | 1:16:28 | |
Well, I'm sorry, "Tommy", | 1:16:28 | 1:16:30 | |
that's just about the funniest thing I've ever heard. | 1:16:30 | 1:16:33 | |
This is a hobby for you! You're a tourist! | 1:16:33 | 1:16:37 | |
You've no idea what it's like to BE your job, | 1:16:37 | 1:16:40 | |
and to know that if you lose it, | 1:16:40 | 1:16:43 | |
that's it, you're dead - in the gutter, no way back. | 1:16:43 | 1:16:47 | |
What does this have to do with squashing a five-year-old's body down a drain? | 1:16:47 | 1:16:51 | |
There must've been a thought - "Christ, how's it come to this?" No? | 1:16:51 | 1:16:55 | |
Maybe I really don't know you at all. | 1:16:57 | 1:16:59 | |
One more word and I'll throw you out of the car and say you jumped. | 1:16:59 | 1:17:04 | |
Sounds familiar to me. | 1:17:04 | 1:17:06 | |
Mike, we need to have a conversation about the death of Julia Oborne. | 1:17:45 | 1:17:50 | |
Yes, Ma'am. I'd like to make a statement, if that's OK. | 1:17:50 | 1:17:53 | |
Tell Conrad. | 1:17:58 | 1:18:00 | |
Please. | 1:18:01 | 1:18:03 | |
What's going on? | 1:18:05 | 1:18:07 | |
The DNA from the glove. | 1:18:07 | 1:18:08 | |
Tate found out, ran it against the officers' database. | 1:18:08 | 1:18:11 | |
Hoping to find a match with me. | 1:18:11 | 1:18:13 | |
-The closest by far - Mike McCaffrey. -Closest? | 1:18:13 | 1:18:18 | |
It's a weak sample, it's like a phone number with missing digits. | 1:18:18 | 1:18:22 | |
Barbara, where are you? Yes, I'm a free man again. | 1:18:22 | 1:18:25 | |
Listen, I need you to bear some bad news for me. | 1:18:25 | 1:18:28 | |
Sam told me Julia and Lynley were staying the night in London. | 1:18:28 | 1:18:32 | |
With the shock of her brother being found, | 1:18:32 | 1:18:36 | |
I had a bad feeling. | 1:18:36 | 1:18:38 | |
I saw them sitting up at the bar getting hammered | 1:18:38 | 1:18:41 | |
and I knew I had to act. | 1:18:41 | 1:18:43 | |
So...Dad's confessed? | 1:18:43 | 1:18:47 | |
Yeah, well he wanted to make a statement. That's all I know. | 1:18:47 | 1:18:51 | |
Oh my God! | 1:18:53 | 1:18:54 | |
You know, I'd be happy to drive you to the station if that's what you want. | 1:18:58 | 1:19:02 | |
Right. Well, that's a kind offer. I'll just get my coat. | 1:19:04 | 1:19:10 | |
-Looks like she's been strangled with a belt. -Yeah, it could be a buckle mark. | 1:19:22 | 1:19:27 | |
Was it really a kind offer, Barbara, | 1:19:34 | 1:19:37 | |
or do you have an ulterior motive? | 1:19:37 | 1:19:39 | |
Turn round and put your hands against the wall. | 1:19:41 | 1:19:44 | |
So as soon as they left, I followed them up to Lynley's penthouse. | 1:19:56 | 1:20:00 | |
-That's wrong again. -What? | 1:20:00 | 1:20:02 | |
We didn't sit at the bar and I don't have a penthouse. | 1:20:02 | 1:20:05 | |
Is it possible the DNA on that glove wasn't his? | 1:20:05 | 1:20:08 | |
Possible, but unlikely. | 1:20:08 | 1:20:09 | |
I mean, if it's not his, it's a close relative's. | 1:20:09 | 1:20:12 | |
Life is binary - | 1:20:15 | 1:20:18 | |
sunny day, rainy day, | 1:20:18 | 1:20:21 | |
there's no good or evil or free will, | 1:20:21 | 1:20:23 | |
we just react to the hand we're given. | 1:20:23 | 1:20:25 | |
As rationalisations for triple murder go, that's a bit flowery. | 1:20:25 | 1:20:31 | |
Listen, I'm not justifying myself to anyone, | 1:20:31 | 1:20:33 | |
but my first step on the road to hell was an act of blinding altruism. | 1:20:33 | 1:20:37 | |
Julia's call for help? You drove? | 1:20:40 | 1:20:43 | |
I was drunk, | 1:20:44 | 1:20:47 | |
but Christine was paralytic... | 1:20:47 | 1:20:49 | |
Look, I appreciate the offer... | 1:20:49 | 1:20:51 | |
Was that really Julia on the phone? | 1:20:51 | 1:20:53 | |
That's a guilty look. | 1:20:56 | 1:20:58 | |
How "ex" is your ex, Christine? | 1:20:59 | 1:21:02 | |
Oh, grow up. | 1:21:02 | 1:21:03 | |
Don't they have any real women at law school? | 1:21:03 | 1:21:07 | |
Come on, I'll drive. | 1:21:17 | 1:21:18 | |
The girl was off her face. | 1:21:35 | 1:21:37 | |
Offering to drive was the responsible thing to do. | 1:21:37 | 1:21:40 | |
Oh, you're a model citizen, Conrad. | 1:21:40 | 1:21:42 | |
You should've told Julia where to go. | 1:21:43 | 1:21:46 | |
He hit her! God only knows what he'll do to Justin! | 1:21:46 | 1:21:48 | |
Not your problem. You don't owe these people anything. | 1:21:48 | 1:21:51 | |
Maybe I can think about something other than myself. | 1:21:51 | 1:21:55 | |
Is that a dig? | 1:21:55 | 1:21:56 | |
I'm nobody's mug, that's for sure. | 1:21:56 | 1:21:59 | |
-Nor am I! -It's practically stamped on your forehead. | 1:21:59 | 1:22:02 | |
Here we go, Justin, | 1:22:04 | 1:22:06 | |
Christine's house. | 1:22:06 | 1:22:08 | |
You stay here, don't move. | 1:22:13 | 1:22:15 | |
Christine! | 1:22:16 | 1:22:18 | |
Christine! | 1:22:18 | 1:22:20 | |
She brings Justin through your front door, you're party to abduction. | 1:22:25 | 1:22:29 | |
So why are you driving, genius? | 1:22:29 | 1:22:31 | |
Well, because I feel bad in advance about dumping you. | 1:22:31 | 1:22:34 | |
-There, I said it. -You piece of shit... | 1:22:37 | 1:22:40 | |
Christine! | 1:22:40 | 1:22:41 | |
ENGINE REVS | 1:22:41 | 1:22:43 | |
Julia was convinced Sam was going to hurt Justin... | 1:22:45 | 1:22:48 | |
-..but instead, -I -ended up killing him. | 1:22:50 | 1:22:53 | |
Who says God hasn't got a sense of humour, eh? | 1:22:55 | 1:22:59 | |
Oh my God, oh my God! | 1:23:01 | 1:23:04 | |
Oh my God! | 1:23:04 | 1:23:06 | |
Talk to her, I've been drinking! | 1:23:06 | 1:23:07 | |
It's goodbye, law school - hello, prison. | 1:23:07 | 1:23:10 | |
-My dad will kill me! -Conrad, he's dead! | 1:23:10 | 1:23:12 | |
-Nothing can change that. -I shouldn't have let you drive... | 1:23:12 | 1:23:15 | |
Oh my God, oh my God! | 1:23:15 | 1:23:17 | |
Oh my God! | 1:23:17 | 1:23:18 | |
Oh my God! | 1:23:18 | 1:23:20 | |
Does anyone else know you took Justin? | 1:23:22 | 1:23:24 | |
No. | 1:23:24 | 1:23:26 | |
He was a sweet kid, | 1:23:37 | 1:23:39 | |
he wouldn't want this to ruin our lives. | 1:23:39 | 1:23:42 | |
Go home, Julia. | 1:24:06 | 1:24:08 | |
All you have to do is go home. | 1:24:08 | 1:24:12 | |
They protected you and you killed them for it. | 1:24:17 | 1:24:20 | |
Soon as Tommy said he'd fetch Julia from Rome, I had a bad feeling... | 1:24:20 | 1:24:25 | |
..and I was right. | 1:24:27 | 1:24:28 | |
How did you coax Julia into meeting you? | 1:24:32 | 1:24:35 | |
Didn't have to, | 1:24:35 | 1:24:38 | |
she wanted my blood. | 1:24:38 | 1:24:39 | |
You liar. You told me you buried Justin in the orchard, | 1:24:44 | 1:24:47 | |
not in some drain covered with bricks. | 1:24:47 | 1:24:49 | |
Still reading your thoughts, Barbara. | 1:25:34 | 1:25:37 | |
"Keep him calm, keep him talking, then grab the knife when he gets distracted." | 1:25:37 | 1:25:43 | |
Put a foot wrong, I'm going for your eyeballs, | 1:25:48 | 1:25:50 | |
not your skin. | 1:25:50 | 1:25:52 | |
-You all right, Barbara? -I'm fine! | 1:26:21 | 1:26:23 | |
Call for back up! | 1:26:23 | 1:26:25 | |
I can't believe you were going to let your dad take the rap. | 1:27:03 | 1:27:06 | |
I always liked you, Tommy. I could've killed you too! | 1:27:06 | 1:27:10 | |
Is this what it was like with Julia? | 1:27:12 | 1:27:14 | |
Did she beg? Did she look you in your eyes and beg? Did she? | 1:27:14 | 1:27:17 | |
How does it feel then, hey? | 1:27:17 | 1:27:19 | |
Sir! Sir! | 1:27:19 | 1:27:22 | |
The keys, in there. | 1:27:22 | 1:27:23 | |
-All right? -Yeah. | 1:27:45 | 1:27:47 | |
Welcome back, you. | 1:27:52 | 1:27:53 | |
Thanks. | 1:27:56 | 1:27:58 | |
I probably shouldn't say this, | 1:27:58 | 1:28:01 | |
but do you fancy a drink? | 1:28:01 | 1:28:04 | |
Subtitles by Red Bee Media Ltd | 1:28:49 | 1:28:52 |