Browse content similar to Know Thine Enemy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
RADIO: 'It's two weeks since schoolgirl Sarah Middleton went missing | 0:00:15 | 0:00:19 | |
'and police admit they are less optimistic with each passing day.' | 0:00:19 | 0:00:23 | |
-Stuart? -Well, it looks promising, | 0:01:59 | 0:02:02 | |
if that's the right word. | 0:02:02 | 0:02:04 | |
Adolescent female, dark brown hair. | 0:02:04 | 0:02:06 | |
-Sarah's been missing, what, two weeks? -Yes, tomorrow. | 0:02:06 | 0:02:11 | |
The call said she was weighed down? | 0:02:11 | 0:02:13 | |
Yeah, swaddled in rubble sacks and wrapped in chains. | 0:02:13 | 0:02:18 | |
Why go to that trouble then dump her where she's going to be found? | 0:02:18 | 0:02:21 | |
Bad luck apparently - water levels are at a record low. | 0:02:21 | 0:02:24 | |
Birthmark? | 0:02:35 | 0:02:36 | |
-We can't be certain but you should prepare for the worst. -Why? | 0:02:52 | 0:02:57 | |
Our victim is female, | 0:02:59 | 0:03:02 | |
long, dark brown hair and there's a birthmark on her neck. | 0:03:02 | 0:03:05 | |
Lots of people have a birthmark. It's not proof. It doesn't mean it's her. | 0:03:05 | 0:03:09 | |
Darling, please. | 0:03:09 | 0:03:11 | |
This came for her yesterday. | 0:03:14 | 0:03:16 | |
It's an unconditional offer to read music at Cambridge. | 0:03:16 | 0:03:20 | |
Aren't you going to say congratulations? | 0:03:21 | 0:03:24 | |
Congratulations. | 0:03:26 | 0:03:28 | |
She's in there. | 0:03:28 | 0:03:29 | |
She's going to Cambridge. | 0:03:29 | 0:03:32 | |
So how can she be that girl in the lake? | 0:03:32 | 0:03:35 | |
How can she be? KNOCKING | 0:03:36 | 0:03:38 | |
Excuse me. | 0:03:42 | 0:03:44 | |
Fingerprints confirm that it's Sarah Middleton, DNA tomorrow. | 0:03:49 | 0:03:52 | |
Thank you. | 0:03:52 | 0:03:54 | |
Decomposition is minimal. | 0:04:06 | 0:04:08 | |
I'd say she was in the water 48 hours tops and dead for not much longer. | 0:04:08 | 0:04:14 | |
There is some evidence of rape, but don't hold your breath for any DNA. | 0:04:14 | 0:04:19 | |
-The lake washed it away? -Yeah, I mean, I've swabbed everywhere so maybe we'll get lucky. | 0:04:19 | 0:04:25 | |
Leaving aside the sexual abuse, there are two significant antemortem injuries. | 0:04:25 | 0:04:30 | |
The pink-brown hue of these excoriations | 0:04:30 | 0:04:33 | |
suggests they were sustained while she was still alive. | 0:04:33 | 0:04:37 | |
Is that the same on this side? | 0:04:37 | 0:04:40 | |
My guess is they're from striking out at a door or a wall. | 0:04:40 | 0:04:45 | |
-Trying to get out? -Yeah. I mean, she's been dead three, | 0:04:45 | 0:04:50 | |
four days, which would mean she had been held captive at least a week. | 0:04:50 | 0:04:55 | |
-Is that the other injury? -Yeah, again, | 0:04:55 | 0:04:58 | |
times two, and probably the cause of death. | 0:04:58 | 0:05:02 | |
I recovered shards of mirror glass from these injuries. | 0:05:02 | 0:05:08 | |
There are easier ways of killing than slashing wrists. | 0:05:08 | 0:05:12 | |
My hunch is self-inflicted. | 0:05:12 | 0:05:13 | |
So it was suicide? | 0:05:13 | 0:05:16 | |
No. No, this was murder. | 0:05:16 | 0:05:19 | |
Two weeks ago Sarah Middleton went missing on her way home from school. | 0:05:19 | 0:05:23 | |
In the church hall car park on Collier Road, she was seen talking to a woman. | 0:05:23 | 0:05:28 | |
This woman had red hair, was 25 to 30 years old, | 0:05:28 | 0:05:32 | |
and Sarah was seen pointing out directions to her in an A-Z. | 0:05:32 | 0:05:36 | |
We urgently need to contact this individual | 0:05:36 | 0:05:38 | |
as she is almost certainly the last person to see Sarah alive. | 0:05:38 | 0:05:43 | |
Sir, this might be nothing but we've got a girl who didn't come home last night. | 0:05:50 | 0:05:55 | |
-Kelly Stevens. -Where? -Roehampton. | 0:05:55 | 0:05:57 | |
-Left her mate's house at 11.50pm, went home, never made it. -Doesn't sound like nothing. | 0:05:57 | 0:06:02 | |
-Kelly Stevens isn't violin-playing Cambridge material. -What's that supposed to mean? | 0:06:02 | 0:06:07 | |
She's stayed out before, been cautioned for shoplifting, class B drug abuse. | 0:06:07 | 0:06:11 | |
-Has a detective assigned? -Don't think anyone's worried. | 0:06:11 | 0:06:14 | |
Why not? I want in until we know where she is, all right? | 0:06:14 | 0:06:17 | |
Isn't that a bit previous? | 0:06:17 | 0:06:18 | |
Here's hoping. | 0:06:18 | 0:06:20 | |
Sarah Middleton has exercised the only choice she had left. | 0:06:23 | 0:06:26 | |
To live or to die. But our killer is all about control, | 0:06:26 | 0:06:29 | |
so he won't be happy with her decision. | 0:06:29 | 0:06:31 | |
He now has some unfinished business, an itch he can only scratch one way. | 0:06:31 | 0:06:37 | |
-Taking another girl? -Well, we have to be ready for that, | 0:06:37 | 0:06:40 | |
but we have to see what we've learned. | 0:06:40 | 0:06:42 | |
To keep a person captive for seven days takes space and privacy. | 0:06:42 | 0:06:46 | |
The planning and execution suggest an offender upwards of 25 | 0:06:46 | 0:06:49 | |
who has graduated from non-fatal sex crimes. | 0:06:49 | 0:06:52 | |
So what do we do with this? | 0:06:52 | 0:06:53 | |
We tell the public to be careful, we give the media the positive ID on Sarah. | 0:06:53 | 0:06:58 | |
We hope we can use the spotlight to reach our mystery red-head. | 0:06:58 | 0:07:01 | |
Are we not jumping the gun here, Sir? | 0:07:09 | 0:07:11 | |
Given our killer's profile, two missing schoolgirls in two weeks worries me. | 0:07:11 | 0:07:17 | |
Let's see what Kelly's mother can tell us. | 0:07:17 | 0:07:19 | |
Since this shoplifting thing, Kelly's been on a curfew. | 0:07:25 | 0:07:29 | |
-Nine o'clock or else. -Last night she left her friend Macy's at 11.50. | 0:07:29 | 0:07:33 | |
-She would've been, what, three hours over? -Yeah. | 0:07:33 | 0:07:36 | |
Does Kelly have a computer? | 0:07:36 | 0:07:39 | |
Yes, it's upstairs in her bedroom. | 0:07:39 | 0:07:42 | |
What kind of welcome would she have expected last night? | 0:07:42 | 0:07:45 | |
She didn't get here, what does it matter? | 0:07:45 | 0:07:47 | |
I'm trying to see it from her point of view. | 0:07:47 | 0:07:49 | |
I'd have given her hell and... And grounded her for a month. | 0:07:49 | 0:07:53 | |
Perhaps that was the conversation she was trying to avoid? Enjoying her last night of freedom? | 0:07:53 | 0:07:58 | |
Yeah, I suppose so. | 0:07:59 | 0:08:01 | |
The last time that Kelly stayed out all night, where was she? | 0:08:01 | 0:08:05 | |
I... I don't know. | 0:08:05 | 0:08:07 | |
-A boyfriend maybe? -Yeah, maybe. -You didn't press her on it? | 0:08:07 | 0:08:11 | |
I'm a single working mother with a bright, impulsive 15-year-old. | 0:08:13 | 0:08:17 | |
-I choose my battles. -Where is Kelly's father? | 0:08:17 | 0:08:20 | |
We separated last year. He ran off with his secretary. | 0:08:20 | 0:08:25 | |
Anything? | 0:08:30 | 0:08:31 | |
Maybe, I'm just un-hiding her email folder. | 0:08:31 | 0:08:34 | |
Does this look like a 15-year-old's bedroom to you? | 0:08:35 | 0:08:38 | |
Maybe somewhere she rests her head. | 0:08:38 | 0:08:40 | |
Where does she live her life, hey? | 0:08:42 | 0:08:44 | |
Don't know but someone called Josh might figure in it. | 0:08:44 | 0:08:48 | |
"My period came this morning so we can spend the money | 0:08:48 | 0:08:51 | |
"you weren't saving for nappies on cigarettes and alcohol. | 0:08:51 | 0:08:55 | |
"Ha ha ha ha." | 0:08:55 | 0:08:57 | |
Look, she's not here, man! | 0:08:57 | 0:09:00 | |
We'll just take a look for ourselves if that's all right. | 0:09:00 | 0:09:03 | |
-Oi, easy, bitch. -What did you call me? | 0:09:10 | 0:09:12 | |
I said... "easy on the speaker, man". | 0:09:12 | 0:09:15 | |
What is it, Josh? Can't you get a woman your own age? | 0:09:15 | 0:09:19 | |
Yeah, that's it. Yeah, you got me. | 0:09:19 | 0:09:22 | |
We have got you, Josh. By the balls. | 0:09:22 | 0:09:25 | |
You were having a sexual relationship with Kelly. | 0:09:25 | 0:09:28 | |
Kelly is 15, and now Kelly is missing. | 0:09:28 | 0:09:30 | |
-She told me 16! -That won't keep you off the sex offender's register. | 0:09:30 | 0:09:33 | |
But full cooperation just might. | 0:09:33 | 0:09:35 | |
You feeling us now, Josh? | 0:09:35 | 0:09:37 | |
Yeah, I feel you. | 0:09:37 | 0:09:39 | |
-I gotta be somewhere, yeah? -Early start for a DJ. | 0:09:39 | 0:09:42 | |
I do kid's parties as well, all right? | 0:09:42 | 0:09:44 | |
Bearing in mind that we have access to Kelly's phone records, when did you last hear from her? | 0:09:44 | 0:09:50 | |
-Last night. -What time? | 0:09:50 | 0:09:53 | |
About midnight. | 0:09:53 | 0:09:55 | |
She left me a message saying she was coming over cos her mum had slung her out. | 0:09:55 | 0:09:59 | |
Did you call her back? | 0:09:59 | 0:10:01 | |
No, I was DJ-ing. | 0:10:01 | 0:10:04 | |
-I didn't get the message till this morning. -Have you still got it? | 0:10:04 | 0:10:07 | |
'Josh, it's me. You better be in cos Mum's kicked me out, I've got nowhere else to go. | 0:10:14 | 0:10:19 | |
'Later.' | 0:10:19 | 0:10:21 | |
Please. | 0:10:27 | 0:10:29 | |
Mrs Stevens. | 0:10:33 | 0:10:35 | |
Kelly's got diabetes. You understand what that means? | 0:10:35 | 0:10:40 | |
Without her insulin... | 0:10:40 | 0:10:42 | |
-I think we need a private word, Mrs Stevens. -She's our daughter. | 0:10:42 | 0:10:47 | |
Whatever you say to me, you can say in front of Tony. | 0:10:47 | 0:10:50 | |
Is there anything else you'd like to tell us? | 0:10:50 | 0:10:53 | |
Anything about last night at all? | 0:10:53 | 0:10:56 | |
Why would there be? | 0:10:56 | 0:10:59 | |
What's he on about, Anna? | 0:10:59 | 0:11:00 | |
'Josh, it's me. You better be in cos Mum's kicked me out and I've got nowhere else to go. | 0:11:05 | 0:11:09 | |
'Later.' | 0:11:09 | 0:11:11 | |
Three hours late. Again. | 0:11:14 | 0:11:17 | |
I had to take a stand! | 0:11:19 | 0:11:22 | |
You threw her out? | 0:11:22 | 0:11:23 | |
I told her it was no phone and no allowance for a month. | 0:11:23 | 0:11:28 | |
-If she didn't like it, she could leave. -At midnight? | 0:11:28 | 0:11:31 | |
-She called my bluff. -How could you do that? | 0:11:32 | 0:11:35 | |
Because if I don't show her who's boss, who will? | 0:11:35 | 0:11:38 | |
-Don't try and put this on me! -That's enough. | 0:11:38 | 0:11:40 | |
-This is not your wife's fault. -I beg to bloody differ. | 0:11:40 | 0:11:44 | |
We are trying to do everything we can to get your daughter back. | 0:11:44 | 0:11:48 | |
I'm sorry. I'm sorry... | 0:11:48 | 0:11:51 | |
God, I'm sorry! SHE SOBS | 0:11:53 | 0:11:56 | |
Boyfriend Josh's alibi checks out - in the pub till 11, | 0:11:58 | 0:12:01 | |
straight on to a club where he was DJ-ing till four. | 0:12:01 | 0:12:04 | |
-Good. -From home to Josh's, there's one bus route. | 0:12:04 | 0:12:07 | |
Pulled CCTV and there she was. | 0:12:07 | 0:12:10 | |
-What you selling? -So we know that Kelly Stevens got off the bus stop there at 12.47am. | 0:12:32 | 0:12:38 | |
There are two routes to her boyfriend's flat - Stanway Road and Horton Villas. | 0:12:38 | 0:12:42 | |
Canvas all residents and businesses in both streets. | 0:12:42 | 0:12:45 | |
Did anyone see her getting into a car, in a conversation? | 0:12:45 | 0:12:48 | |
Basically, did anyone see Kelly Stevens, full stop. | 0:12:48 | 0:12:51 | |
If there's no-one in, leave a message and make a note so that we can follow it up. | 0:12:51 | 0:12:56 | |
Thanks very much, good luck. | 0:12:56 | 0:12:57 | |
Everything about this screams runaway. | 0:13:09 | 0:13:11 | |
Broken home, petty crime, a taste for bad boys... | 0:13:11 | 0:13:14 | |
-What am I missing? -I want to make sure there's no connection. | 0:13:14 | 0:13:17 | |
-PHONE RINGS -Yup? | 0:13:17 | 0:13:20 | |
Thank you. | 0:13:20 | 0:13:21 | |
You've sanctioned a house to house? | 0:13:21 | 0:13:23 | |
-I was getting to that. -Pull it. Right now. | 0:13:23 | 0:13:26 | |
-We have eight officers on loan from Traffic, they go back tomorrow. -Tough. Pull it. | 0:13:26 | 0:13:30 | |
-They're already out there. -They don't have radios? | 0:13:30 | 0:13:33 | |
-Pull it or you're back on leave. Unpaid this time. -Sir! -I mean it. | 0:13:33 | 0:13:37 | |
No-one treats me like a rubber stamp. | 0:13:37 | 0:13:39 | |
-So this isn't because I'm wrong, this is because I didn't ask, is it? -No, that did piss me off. | 0:13:39 | 0:13:43 | |
But I won't terrify the public there's a serial killer on no evidence whatsoever. | 0:13:43 | 0:13:48 | |
The AC wants us to pull the plug on the house to house. | 0:13:52 | 0:13:54 | |
'OK. I'll put it out on the radio.' | 0:13:54 | 0:13:56 | |
You don't sound disappointed. | 0:13:56 | 0:13:58 | |
'That's cos we got ourselves a witness.' | 0:13:58 | 0:14:00 | |
I was about to turn in when I remembered I hadn't put my card and paper only bags out. | 0:14:04 | 0:14:09 | |
That's when I saw her, the girl in the photo. It's Kelly, right? | 0:14:09 | 0:14:14 | |
Yes, it is Kelly. So where were they exactly? | 0:14:14 | 0:14:16 | |
Over there. | 0:14:16 | 0:14:18 | |
-On this side of the road or...? -Other side. | 0:14:18 | 0:14:20 | |
She was talking to this couple, hunched over their Range Rover. | 0:14:20 | 0:14:23 | |
-Did you hear what they were saying? -No, they were looking at something. | 0:14:23 | 0:14:27 | |
The street light picked out the woman's red hair. | 0:14:27 | 0:14:30 | |
Could it have been a map? | 0:14:30 | 0:14:32 | |
Could've been. I went back in and when I looked, they'd gone. | 0:14:32 | 0:14:35 | |
She could've got the map and the red hair from the appeal. | 0:14:42 | 0:14:45 | |
Or it's true and there's a good reason why | 0:14:45 | 0:14:48 | |
our red-head witness isn't coming forward. | 0:14:48 | 0:14:50 | |
As an MO, it's pretty slick, isn't it? | 0:14:50 | 0:14:53 | |
The woman's presence reassures, asking directions leads to the car, | 0:14:53 | 0:14:57 | |
and then the map distracts them. | 0:14:57 | 0:14:59 | |
Sir! | 0:15:07 | 0:15:09 | |
It could be Kelly's? | 0:15:09 | 0:15:11 | |
Maybe she struggled. | 0:15:11 | 0:15:13 | |
Or she was trying to leave us a trail. | 0:15:13 | 0:15:16 | |
Oh, my God. | 0:15:22 | 0:15:24 | |
It's Kelly's. | 0:15:27 | 0:15:29 | |
Winston! | 0:15:40 | 0:15:42 | |
All right? | 0:15:45 | 0:15:46 | |
-How are you doing? -It's George. | 0:15:46 | 0:15:48 | |
George! Of course! George! | 0:15:48 | 0:15:51 | |
-So, erm? -Yeah, I'm a groundsman. | 0:15:53 | 0:15:55 | |
No need to ask what you're doing here? | 0:15:57 | 0:16:00 | |
-The missing girl, yeah? -Right. | 0:16:00 | 0:16:03 | |
You think there's a connection with the girl they fished out the lake? | 0:16:03 | 0:16:07 | |
-You keep up with the news, George. -So it's possible it's the same killer? | 0:16:07 | 0:16:11 | |
It's possible. Or killers. | 0:16:11 | 0:16:14 | |
Let me guess. The mystery witness is in on it? | 0:16:14 | 0:16:17 | |
The red-head? | 0:16:17 | 0:16:18 | |
George... | 0:16:18 | 0:16:20 | |
I was saying to my wife and she said there's no way a woman could ever do such a thing like that. | 0:16:20 | 0:16:25 | |
Nkata? | 0:16:25 | 0:16:27 | |
-Great to see you, George. -Yeah, likewise. | 0:16:27 | 0:16:30 | |
Hope you get 'em, Winston! | 0:16:30 | 0:16:32 | |
So what've we got? | 0:16:32 | 0:16:35 | |
We think they're using a map to bait the girls? | 0:16:35 | 0:16:37 | |
An A-Z, yeah. | 0:16:37 | 0:16:39 | |
Thank you, sir. | 0:16:54 | 0:16:55 | |
"Asked if police believed Sarah Middleton's killer was behind Kelly Stevens' abduction, | 0:16:59 | 0:17:04 | |
"DC Nkata replied, 'Yes, but we're now looking for killers plural, | 0:17:04 | 0:17:09 | |
-"'a man and a woman.'" -I never said that. | 0:17:09 | 0:17:12 | |
"He confirmed the unidentified red-haired woman seen talking to Sarah is a suspect." | 0:17:12 | 0:17:16 | |
That is such bullshit. He asked me... | 0:17:16 | 0:17:20 | |
Did you say any of it? | 0:17:20 | 0:17:22 | |
Then it doesn't matter, does it? | 0:17:22 | 0:17:25 | |
Admit you put Nkata up to this and I'll go easy on you. | 0:17:28 | 0:17:31 | |
-It's not Nkata's fault. -So you did put him up to it? | 0:17:31 | 0:17:34 | |
It is regrettable how this came out but the red-haired woman and the map | 0:17:34 | 0:17:38 | |
-link Kelly's disappearance to Sarah's murder... -Don't say conclusively. | 0:17:38 | 0:17:42 | |
Quite conclusively, sir. | 0:17:42 | 0:17:44 | |
While the discovery of Kelly's shoe and the eyewitness report give us every reason to fear the worst. | 0:17:44 | 0:17:50 | |
What business do we have keeping this from the public? | 0:17:50 | 0:17:52 | |
Lecturing me is your way out of this? That's your Big Plan? | 0:17:52 | 0:17:56 | |
My way out of this is to use the leak to our advantage. | 0:17:56 | 0:18:01 | |
So I want to address the young woman we now believe was present at the | 0:18:01 | 0:18:04 | |
abductions of both Sarah Middleton and Kelly Stevens. | 0:18:04 | 0:18:09 | |
You know where Kelly is right now, how scared and lonely she feels, | 0:18:09 | 0:18:14 | |
how much she wants this nightmare to end. | 0:18:14 | 0:18:17 | |
What you may not know is that she is diabetic. | 0:18:17 | 0:18:21 | |
Without her medication, she is in very real danger. | 0:18:21 | 0:18:24 | |
There's only one person who can help her and that's you. | 0:18:24 | 0:18:29 | |
Now, if the man behind these crimes is your boyfriend or your husband, | 0:18:29 | 0:18:34 | |
you may feel you owe him loyalty. | 0:18:34 | 0:18:37 | |
You don't. He forfeited that when he dragged you into this mess. | 0:18:37 | 0:18:41 | |
Instead, I urge you to save this young girl's life... | 0:18:42 | 0:18:47 | |
A child's life, no less. | 0:18:47 | 0:18:48 | |
A child's life. Nice touch, Guv. | 0:18:51 | 0:18:55 | |
-Well, I think that did the job. -And what was that job again? | 0:18:55 | 0:18:59 | |
In any criminal duo, there is a junior and senior partner. | 0:18:59 | 0:19:02 | |
We are driving a wedge. | 0:19:02 | 0:19:04 | |
-Turning one against the other? -Works with armed robbers. | 0:19:04 | 0:19:07 | |
Yeah, but the junior partner's a woman. | 0:19:07 | 0:19:09 | |
-We don't know... -D'you have a better idea? | 0:19:09 | 0:19:12 | |
Right. Everybody, I know we primed them, but I want | 0:19:12 | 0:19:15 | |
follow-up calls to all the nicks in South West London, ditto A&E wards. | 0:19:15 | 0:19:19 | |
Any domestics reported, we want to know about, | 0:19:19 | 0:19:21 | |
particularly if they involve young red-headed women. | 0:19:21 | 0:19:24 | |
Barbara... | 0:19:32 | 0:19:34 | |
Do you want the guy to beat the crap out of her? | 0:19:34 | 0:19:36 | |
Well, if she comes forward and leads us to Kelly, then yes, I do. | 0:19:36 | 0:19:40 | |
What if we've lit a fire under the senior partner? | 0:19:40 | 0:19:43 | |
What if all we've done is just endanger Kelly? | 0:19:43 | 0:19:45 | |
So we wait around till she turns up in a bin bag? | 0:19:45 | 0:19:47 | |
Sometimes doing nothing is the hardest thing. | 0:19:47 | 0:19:51 | |
You sound like a fortune cookie. | 0:19:51 | 0:19:53 | |
You sound like someone convincing himself he's doing the right thing and not succeeding. | 0:19:53 | 0:19:57 | |
Will you check if Lafferty got anywhere with the fingerprints from the A-Z, please? | 0:19:59 | 0:20:03 | |
Right now? | 0:20:03 | 0:20:05 | |
Prints galore. | 0:20:12 | 0:20:14 | |
Same two, over and over. | 0:20:14 | 0:20:17 | |
Judging by the size and spacing I'd say male and female but... | 0:20:17 | 0:20:20 | |
-Our killer couple? -Well, if they are, they don't have a record. | 0:20:20 | 0:20:24 | |
-Anything? -Five suspected domestic assaults in the last hour, | 0:20:26 | 0:20:30 | |
three 999s, two walk-ins at St Georges. | 0:20:30 | 0:20:33 | |
And red-heads in their twenties? Check 'em anyway. | 0:20:33 | 0:20:36 | |
Guv - Kingston A&E, could be our girl. | 0:20:36 | 0:20:38 | |
-PHONE RINGS -Yep? | 0:20:42 | 0:20:44 | |
'Tania Thompson, 25, red hair came into Kingston A&E' | 0:20:44 | 0:20:47 | |
with facial bruising, cracked ribs, concussion. Fell down the stairs(!) | 0:20:47 | 0:20:51 | |
Great, that sounds promising. | 0:20:51 | 0:20:53 | |
I haven't finished. There's a black Range Rover registered to her husband, Guy. | 0:20:53 | 0:20:58 | |
-You're kidding? -Well, they're dragging out her X-rays but they can't... -OK, I'll be there in 10. | 0:20:58 | 0:21:03 | |
Let me just have a look there... | 0:21:16 | 0:21:18 | |
There she is. | 0:21:22 | 0:21:23 | |
Hi. | 0:21:32 | 0:21:34 | |
My name's Barbara Havers, I'm a police officer. | 0:21:34 | 0:21:37 | |
I told them. I fell down the stairs. | 0:21:42 | 0:21:45 | |
Right. | 0:21:45 | 0:21:47 | |
My aunt used to fall down the stairs. | 0:21:47 | 0:21:50 | |
And walk into doors. | 0:21:50 | 0:21:52 | |
-I'm not your aunt. -Good. | 0:21:52 | 0:21:54 | |
She ended up in a wheelchair cos my uncle beat her with a car jack. | 0:21:54 | 0:21:58 | |
You know, | 0:21:58 | 0:22:02 | |
given your injuries, I could get a warrant to examine your stairs. | 0:22:02 | 0:22:06 | |
If there's no evidence of a fall, we can draw our own conclusions. | 0:22:06 | 0:22:10 | |
-It's not his fault. -Whose fault? | 0:22:18 | 0:22:21 | |
Guy. | 0:22:23 | 0:22:25 | |
Is Guy your husband? | 0:22:25 | 0:22:27 | |
You're being very understanding. | 0:22:30 | 0:22:32 | |
I'm his wife. | 0:22:35 | 0:22:37 | |
Maybe too understanding. | 0:22:37 | 0:22:40 | |
I love him. | 0:22:43 | 0:22:45 | |
PHONE RINGS | 0:23:02 | 0:23:04 | |
Jack. | 0:23:06 | 0:23:08 | |
Right... | 0:23:10 | 0:23:13 | |
OK, thank you very much. | 0:23:13 | 0:23:15 | |
-Doesn't have a record, but he's come to our attention twice. -For? | 0:23:18 | 0:23:23 | |
In 2000, his girlfriend reported him for trying to throttle her during sex, | 0:23:23 | 0:23:28 | |
-three years later a hotel maid accused him of assault. -Good lawyer or what? | 0:23:28 | 0:23:32 | |
Girlfriend retracted, maid did a runner when the police found out she was here illegally. | 0:23:32 | 0:23:37 | |
Sounds like he's due some bad luck. | 0:23:37 | 0:23:40 | |
There he is. | 0:23:40 | 0:23:43 | |
Hello, Guy. | 0:23:44 | 0:23:46 | |
The marks on your wrists... | 0:23:50 | 0:23:52 | |
I saw them, Tania. | 0:23:52 | 0:23:55 | |
-It used to be a bit of fun, you know? -But not any more? | 0:23:55 | 0:23:58 | |
Does he do anything else that makes you uncomfortable? | 0:23:58 | 0:24:01 | |
-Like what? -Like anything? | 0:24:01 | 0:24:03 | |
Why do you care? | 0:24:06 | 0:24:07 | |
Well, don't you think you're worth caring about? | 0:24:07 | 0:24:11 | |
Honestly? | 0:24:11 | 0:24:13 | |
Not really. | 0:24:13 | 0:24:14 | |
Look, I can help you. I can get you somewhere. | 0:24:17 | 0:24:19 | |
Somewhere safe. Come with me, Tania. | 0:24:19 | 0:24:21 | |
He'll find me. | 0:24:21 | 0:24:23 | |
-He always does. -Tania... | 0:24:23 | 0:24:25 | |
Thanks. | 0:24:26 | 0:24:28 | |
I'm sorry. | 0:24:32 | 0:24:33 | |
Follow him. | 0:25:07 | 0:25:09 | |
What if he's got Kelly in there? | 0:25:09 | 0:25:10 | |
Something tells me he's smarter than that. | 0:25:10 | 0:25:14 | |
-'Lafferty.' -Hi. | 0:25:19 | 0:25:21 | |
You said I needed something to run against those prints in the A-Z? | 0:25:21 | 0:25:25 | |
'Yeah, what have you got?' | 0:25:25 | 0:25:27 | |
-Two, please. -That's 35 then, thank you, sir. | 0:26:43 | 0:26:46 | |
Let's say you want to open | 0:26:48 | 0:26:50 | |
a play centre for kids. | 0:26:50 | 0:26:52 | |
Good. | 0:26:52 | 0:26:54 | |
Now if there are no play centres in your area, | 0:26:54 | 0:26:57 | |
you might think you've got no competition. | 0:26:57 | 0:26:59 | |
Wrong! | 0:26:59 | 0:27:01 | |
Any business that vies for families' leisure time is a competitor. | 0:27:01 | 0:27:06 | |
That means cinemas, shopping centres, zoos. | 0:27:06 | 0:27:12 | |
It could mean Sunday schools, it means parks and beaches. | 0:27:12 | 0:27:16 | |
So what do you do? | 0:27:16 | 0:27:18 | |
Well, you have got to become a hunter. | 0:27:18 | 0:27:20 | |
You've got to get out there and scope your enemy. | 0:27:20 | 0:27:24 | |
Put yourself in their shoes. | 0:27:24 | 0:27:26 | |
Role play. | 0:27:26 | 0:27:28 | |
Why not pay them a visit as a consumer and identify their vulnerability? | 0:27:28 | 0:27:33 | |
Everybody's got a weak spot - what's theirs? | 0:27:33 | 0:27:38 | |
What's yours? | 0:27:38 | 0:27:40 | |
OK, I want to introduce this next topic with a simple demonstration, so I'll need a volunteer. | 0:27:40 | 0:27:46 | |
Yes, you sir, at the back? | 0:27:46 | 0:27:49 | |
-What's your name? -Thomas. | 0:27:59 | 0:28:02 | |
Good to know you, Thomas. | 0:28:02 | 0:28:03 | |
All I want you to do is stand there and not move your feet. | 0:28:03 | 0:28:06 | |
Can you do that for me? | 0:28:06 | 0:28:08 | |
I'll give it a go. | 0:28:08 | 0:28:10 | |
You see, I hardly touched him and I'm already causing him problems. | 0:28:16 | 0:28:20 | |
-You moved your feet. -I had to. | 0:28:25 | 0:28:28 | |
Exactly. | 0:28:28 | 0:28:29 | |
You had to. | 0:28:29 | 0:28:31 | |
You adapted to survive. | 0:28:31 | 0:28:33 | |
You broke the rules, | 0:28:33 | 0:28:35 | |
and now you have the upper hand. | 0:28:35 | 0:28:37 | |
Is that what you advocate? Breaking the rules? | 0:28:37 | 0:28:40 | |
I advocate independent thought. | 0:28:42 | 0:28:45 | |
Letting go of what seems possible and impossible. | 0:28:45 | 0:28:48 | |
Thank you very much, Thomas. | 0:28:49 | 0:28:52 | |
Give him a round. APPLAUSE | 0:28:52 | 0:28:54 | |
I started off as a locksmith, branched into alarm systems and made millions. | 0:28:57 | 0:29:02 | |
I did not confuse flexibility with weakness and neither should you. | 0:29:02 | 0:29:06 | |
Doesn't look like he needs to abduct women. | 0:29:24 | 0:29:27 | |
Maybe it spoils it if it's given freely? | 0:29:27 | 0:29:29 | |
OK, let's just load these up. | 0:29:30 | 0:29:33 | |
Bingo. | 0:29:40 | 0:29:42 | |
Thanks, Barbara. | 0:29:47 | 0:29:49 | |
Tania Thompson's prints match the prints on the A-Z. | 0:29:49 | 0:29:52 | |
-That puts her at the scene of the abduction. -And puts him there. | 0:29:52 | 0:29:56 | |
It's inadmissible. We can't arrest him. | 0:29:56 | 0:29:58 | |
We don't want to arrest him. Our best chance of getting Kelly is if he leads us to her. | 0:29:58 | 0:30:03 | |
Look at him, he's having a drink, loosening up. | 0:30:04 | 0:30:08 | |
He's paying her a visit - whatever the risk. | 0:30:11 | 0:30:14 | |
I think you're right. Come on. | 0:30:14 | 0:30:16 | |
Here he comes. | 0:30:23 | 0:30:25 | |
What's with the bag? | 0:31:09 | 0:31:11 | |
Should I check the oil so there's a reason we're here? | 0:31:11 | 0:31:14 | |
No, he might recognise you. | 0:31:14 | 0:31:16 | |
-Someone's dressed for business. -Is this guy forensically aware or what? | 0:31:23 | 0:31:27 | |
What's the camera like on your phone? | 0:31:27 | 0:31:30 | |
Lost him! | 0:32:26 | 0:32:27 | |
He must have clocked us. | 0:32:27 | 0:32:29 | |
Request immediate response from all units in the vicinity. | 0:32:37 | 0:32:40 | |
Urgent stop and search on a black Range Rover registration number... | 0:32:40 | 0:32:44 | |
-Y. -YH06 KBF. | 0:32:44 | 0:32:46 | |
SIREN WAILS | 0:32:51 | 0:32:53 | |
No warm bodies on the premises. | 0:33:02 | 0:33:04 | |
Could she be in a cellar? | 0:33:04 | 0:33:06 | |
Got building plans from the council... | 0:33:06 | 0:33:09 | |
No cellar. | 0:33:09 | 0:33:10 | |
OK, you should have a warm body now. | 0:33:26 | 0:33:29 | |
OK, so he's got Kelly somewhere else. | 0:33:54 | 0:33:57 | |
A visual on the B432 southbound - please advise. | 0:33:57 | 0:34:01 | |
Pull him in and breathalyse him. | 0:34:01 | 0:34:03 | |
He's been drinking. | 0:34:03 | 0:34:05 | |
SIREN WAILS | 0:34:05 | 0:34:07 | |
-What's up? -Would you mind stepping out of the car please, sir? | 0:34:24 | 0:34:27 | |
-Thomas? -Detective Inspector Lynley, this is DC Harvey. | 0:34:35 | 0:34:40 | |
-Can I have a word? -Can you tell me what's going on? | 0:34:40 | 0:34:43 | |
-He was wearing a boiler suit. Did he take it off? -Not since I've been with him. | 0:34:43 | 0:34:47 | |
-Look after him for a minute, would you? -Yes, sir. | 0:34:47 | 0:34:50 | |
How do you want to play this, Guv? | 0:34:52 | 0:34:54 | |
Pick him up for GBH on his wife Tania, all right? | 0:34:55 | 0:34:58 | |
Don't mention anything else. | 0:34:58 | 0:35:00 | |
Guy Thompson, I am arresting you on suspicion of grievous bodily harm against your wife Tania Thompson. | 0:35:01 | 0:35:07 | |
You do not have to say anything but anything you do say maybe used in evidence against you. | 0:35:07 | 0:35:12 | |
There's no boiler suit. | 0:35:15 | 0:35:17 | |
You're kidding! | 0:35:17 | 0:35:18 | |
-I want this road searched from here back to the junction. -All right. | 0:35:18 | 0:35:23 | |
Winston, visit to the ex-girlfriend he tried to strangle in 2000, | 0:35:32 | 0:35:36 | |
-Kate Myers. -OK, what am I after? | 0:35:36 | 0:35:38 | |
Anything and everything. | 0:35:38 | 0:35:40 | |
If this is our guy, you just slit Kelly Steven's throat. | 0:35:48 | 0:35:52 | |
The plan wasn't to arrest him. | 0:35:53 | 0:35:55 | |
-So what happened? -He spotted the tail. | 0:35:55 | 0:35:58 | |
-How? -I don't know, he just did. | 0:35:58 | 0:35:59 | |
What motive has he got to tell us where Kelly is now? | 0:35:59 | 0:36:02 | |
He could have been on his way to kill Kelly. We had no choice. | 0:36:02 | 0:36:05 | |
No, why is he going to talk to us? | 0:36:05 | 0:36:07 | |
I can't hold him forever. I'd best get started. | 0:36:07 | 0:36:10 | |
-I'll be watching, and I'm not asking. -Fine. | 0:36:10 | 0:36:13 | |
If I were you I'd let him off with a caution and pray he leads you to Kelly. | 0:36:13 | 0:36:17 | |
I don't think he'd fall for that, sir. | 0:36:17 | 0:36:19 | |
His prints are a match with the fingerprints on the A-Z cover. | 0:36:28 | 0:36:31 | |
Right. For now we just talk about his wife's injuries. | 0:36:31 | 0:36:34 | |
We don't mention Sarah or Kelly Stevens. | 0:36:34 | 0:36:36 | |
-Why not? -Because he'll just deny it. | 0:36:36 | 0:36:38 | |
-In the same breath... -What if Kelly's dying? | 0:36:38 | 0:36:41 | |
-You heard about the insulin. -He'll know how little we know. | 0:36:41 | 0:36:45 | |
-His prints are on the A-Z! -Yeah, but not Sarah's or Kelly's. | 0:36:45 | 0:36:48 | |
He'll just say someone stole it from his car. | 0:36:48 | 0:36:50 | |
We don't have time for this... Kelly doesn't have time for this. | 0:36:50 | 0:36:54 | |
-No pressure, then. -Sir. | 0:36:57 | 0:36:59 | |
What were you doing at my lecture? | 0:37:15 | 0:37:18 | |
I followed you, from your house. | 0:37:18 | 0:37:21 | |
What were you doing at my house? | 0:37:24 | 0:37:28 | |
You're part of a kind of unofficial screening process. | 0:37:28 | 0:37:32 | |
-Really? -If someone comes to our attention three times for an offence | 0:37:32 | 0:37:37 | |
we come down on them like a ton of bricks. | 0:37:37 | 0:37:40 | |
Three times. | 0:37:42 | 0:37:44 | |
So one of them's my ex, right? | 0:37:46 | 0:37:48 | |
-Guilty conscience? -Hardly. | 0:37:48 | 0:37:51 | |
That was Kate throwing a strop because I wouldn't marry her. | 0:37:51 | 0:37:54 | |
You're not counting that Polish girl in the hotel, are you? | 0:37:59 | 0:38:02 | |
We most certainly are. | 0:38:02 | 0:38:05 | |
The charges were dropped. | 0:38:05 | 0:38:07 | |
-In both cases, the charges were dropped. -That's why it's unofficial. | 0:38:08 | 0:38:13 | |
So let's talk about strike three. | 0:38:13 | 0:38:16 | |
Your wife. | 0:38:16 | 0:38:17 | |
The reason we're here. | 0:38:17 | 0:38:20 | |
Is that it? | 0:38:20 | 0:38:22 | |
That's all this is about? | 0:38:22 | 0:38:24 | |
Yes, that's all this is about. | 0:38:26 | 0:38:30 | |
You could have caused permanent damage. | 0:38:34 | 0:38:36 | |
Is she pressing charges? | 0:38:41 | 0:38:44 | |
If she is, I'll plead guilty. | 0:38:44 | 0:38:46 | |
I deserve whatever's coming. | 0:38:46 | 0:38:49 | |
I need help, anger management, psychotherapy, whatever it takes. | 0:38:50 | 0:38:56 | |
Remorse is a positive step, Mr Thompson, | 0:38:56 | 0:39:00 | |
but our most pressing concern is Tania. | 0:39:00 | 0:39:04 | |
Mine, too. | 0:39:04 | 0:39:06 | |
LOUD MUSIC PLAYS | 0:39:06 | 0:39:08 | |
Excuse me. | 0:39:18 | 0:39:19 | |
-Is there somewhere we can talk? -Yeah. | 0:39:23 | 0:39:25 | |
At first I thought Guy was just a control freak. | 0:39:30 | 0:39:33 | |
He had something to say about my clothes, my hair, which friends I saw and when... | 0:39:33 | 0:39:39 | |
I went along with it initially. | 0:39:39 | 0:39:40 | |
So what happened? | 0:39:40 | 0:39:43 | |
I realised it wasn't about control. | 0:39:43 | 0:39:45 | |
-No? -It was darker. | 0:39:45 | 0:39:47 | |
He actually wanted me to resist, | 0:39:47 | 0:39:49 | |
to fight back so that he could overcome that resistance. | 0:39:49 | 0:39:52 | |
He was a sadist, basically? | 0:39:52 | 0:39:57 | |
He once said to me that the most erotic words in the English language | 0:39:57 | 0:40:00 | |
were "stop" and "no". | 0:40:00 | 0:40:02 | |
You mind me asking about the time he grabbed your throat? | 0:40:02 | 0:40:06 | |
You mean, the time he strangled me? | 0:40:06 | 0:40:09 | |
I blacked out and he panicked. | 0:40:11 | 0:40:13 | |
Why didn't you press charges, Kate? | 0:40:13 | 0:40:16 | |
Because I was a bloody idiot. | 0:40:16 | 0:40:19 | |
Tania left the hospital early and she's not at your address. | 0:40:19 | 0:40:23 | |
She's probably at her parents' house in Reading. | 0:40:23 | 0:40:26 | |
Can we have that address, please? And the phone number? | 0:40:26 | 0:40:31 | |
If she's not there, what about a second property? | 0:40:34 | 0:40:36 | |
-Sorry? -You do have a second property? | 0:40:36 | 0:40:39 | |
Yes, I do, | 0:40:39 | 0:40:41 | |
but she won't be there. | 0:40:41 | 0:40:43 | |
How do you know? | 0:40:43 | 0:40:45 | |
Because she doesn't have the keys. | 0:40:46 | 0:40:48 | |
Guy's relationship with his parents was really screwed up. | 0:40:48 | 0:40:52 | |
He worshipped his father even though he was a womaniser who | 0:40:52 | 0:40:57 | |
-knocked his wife around. -Guy wasn't a mummy's boy? | 0:40:57 | 0:41:00 | |
Especially not after she started drinking, | 0:41:00 | 0:41:03 | |
let herself go. Said he couldn't stand being seen with her. | 0:41:03 | 0:41:07 | |
And he was how old? | 0:41:07 | 0:41:09 | |
13, maybe 14? | 0:41:09 | 0:41:12 | |
Anyway, during one particularly nasty row she dropped the bombshell | 0:41:12 | 0:41:16 | |
that the reason his dad wasn't around was because | 0:41:16 | 0:41:19 | |
he had another woman, and more importantly another son. | 0:41:19 | 0:41:23 | |
And let me guess... It was all Mum's fault? | 0:41:23 | 0:41:25 | |
I think he beat his mother up. | 0:41:25 | 0:41:27 | |
I know she never left the house again. | 0:41:27 | 0:41:29 | |
By Christmas, she was dead of liver failure. | 0:41:29 | 0:41:33 | |
Thanks a lot. | 0:41:34 | 0:41:36 | |
-'Hello.' -Tania, it's me. Where are you? | 0:42:14 | 0:42:17 | |
-I'm at home. -'You're at home?' | 0:42:17 | 0:42:19 | |
'Yeah, what's the matter?' | 0:42:19 | 0:42:22 | |
-How long have you been there? -A couple of hours. | 0:42:22 | 0:42:25 | |
-Why? -The police are looking for you. They said that... | 0:42:25 | 0:42:28 | |
-Guy, I haven't told them anything, believe me. -'I know, I know.' | 0:42:32 | 0:42:36 | |
-Everything's going to be all right just as long as you remember your wedding vow. -Which one? | 0:42:36 | 0:42:42 | |
'I stand by my man to the end. | 0:42:42 | 0:42:45 | |
-'Say it.' -I stand by my man until the end. | 0:42:45 | 0:42:49 | |
Good girl. | 0:42:49 | 0:42:51 | |
-I'll get my lawyer down here. -Guy, sweetheart, listen, I... | 0:42:51 | 0:42:54 | |
Kelly takes insulin three times a day? | 0:43:09 | 0:43:11 | |
Which means she has missed, what, four injections? | 0:43:11 | 0:43:15 | |
Her blood sugar'll be rising, if she doesn't have water. | 0:43:15 | 0:43:18 | |
She'll become hyperglaecemic and delirious and then she'll lose consciousness. | 0:43:18 | 0:43:22 | |
-So how long are we talking? -Maybe a day, maybe less. | 0:43:22 | 0:43:26 | |
Sir, surveillance from the house. | 0:43:26 | 0:43:28 | |
Guy used his phone call to speak to Tania. | 0:43:28 | 0:43:30 | |
He now knows that we knew she was at home all this time. | 0:43:30 | 0:43:33 | |
-The gloves are off. -About time. | 0:43:33 | 0:43:36 | |
Guy lived in Brighton between 2000 to 2003. | 0:43:36 | 0:43:40 | |
OK, I'll check the local nicks for unsolved sexual assaults. | 0:43:40 | 0:43:43 | |
Sir, spoke to Guy's ex. | 0:43:45 | 0:43:47 | |
-Time well spent. -Think you can help us get under his skin? | 0:43:47 | 0:43:50 | |
I think his father could. | 0:43:50 | 0:43:53 | |
Do you recognise this? | 0:43:53 | 0:43:55 | |
-Do I recognise it? It's the cover of an A-Z. -Your A-Z. | 0:43:55 | 0:43:58 | |
-Says who? -Your fingerprints. | 0:43:58 | 0:44:01 | |
I did have mine nicked from the car other day. Where did you find it? | 0:44:03 | 0:44:08 | |
I'm going to ask you a really stupid question now. | 0:44:08 | 0:44:11 | |
OK, it flies in the face of every interview technique in the book. | 0:44:11 | 0:44:15 | |
But you're either going to talk to me or not. Where's Kelly Stevens? | 0:44:15 | 0:44:18 | |
She's the missing schoolgirl, right? | 0:44:26 | 0:44:29 | |
Right. | 0:44:29 | 0:44:31 | |
Well, I have no idea where she is. | 0:44:31 | 0:44:35 | |
Why would I? | 0:44:35 | 0:44:37 | |
Is she dying? | 0:44:37 | 0:44:39 | |
Is she dead? | 0:44:39 | 0:44:40 | |
Sorry. | 0:44:42 | 0:44:44 | |
-What about Sarah Middleton? -Never heard of her. | 0:44:44 | 0:44:46 | |
-We pulled her out of Shawcross Lake yesterday morning. -Wow. | 0:44:46 | 0:44:50 | |
You guys must be really desperate. | 0:44:50 | 0:44:53 | |
Drunk driving, wife-beating, kidnapping and now murder. | 0:44:53 | 0:44:59 | |
What's next? High treason? Setting fire to the Royal Dock Yards? | 0:44:59 | 0:45:03 | |
Sorry, do I actually have to say the words, charge my client or release him? | 0:45:03 | 0:45:08 | |
You can't hold him on unsubstantiated GBH. | 0:45:08 | 0:45:11 | |
We'll resume this interview later. | 0:45:11 | 0:45:13 | |
Later? When later? | 0:45:13 | 0:45:15 | |
We've been here for hours. | 0:45:15 | 0:45:18 | |
Kelly's parents are here. | 0:45:18 | 0:45:20 | |
They want to know if we're close to finding her. | 0:45:20 | 0:45:22 | |
We need that boiler suit. What's the delay? | 0:45:22 | 0:45:25 | |
Well, it's slow-going searching in the dark. | 0:45:25 | 0:45:27 | |
-That's why I gave you 20 extra men! -They're on their hands and knees! | 0:45:27 | 0:45:31 | |
-We need a warrant for the Thompson house. -I thought Kelly wasn't there? | 0:45:31 | 0:45:35 | |
Wherever she is, there's got to be some paperwork somewhere, an address. | 0:45:35 | 0:45:39 | |
All right, I'll get a list of after-hours magistrates. | 0:45:39 | 0:45:42 | |
Don't bother. I want Marion Stein. Make sure there's some fresh coffee. | 0:45:42 | 0:45:45 | |
Don't forget the cream. | 0:45:45 | 0:45:47 | |
I'm afraid we have no news. | 0:45:55 | 0:45:58 | |
And no news is bad news, right? | 0:45:58 | 0:46:00 | |
It was dark. | 0:46:09 | 0:46:11 | |
It was really only the girl who was facing me. | 0:46:11 | 0:46:13 | |
Just take your time. | 0:46:13 | 0:46:15 | |
This means you got someone, right? | 0:46:17 | 0:46:19 | |
Just focus on the pictures. | 0:46:19 | 0:46:20 | |
-If I'm wrong, will you have to let them go? -That's not your concern. | 0:46:25 | 0:46:29 | |
It was him. | 0:46:50 | 0:46:51 | |
Marion, you must let us come to you. | 0:46:57 | 0:46:59 | |
-I'm here, aren't I? -Yes... Well, thank you. | 0:46:59 | 0:47:01 | |
So, let me get this straight. | 0:47:01 | 0:47:04 | |
-You're after a search warrant under the 1978 Protection of Children Act, yeah? -Well, ideally. | 0:47:04 | 0:47:10 | |
Ideally doesn't sound good. | 0:47:10 | 0:47:13 | |
His fingerprints on the A-Z won't get you in. | 0:47:13 | 0:47:16 | |
His "pinched from the car" story is as irrefutable as it is unlikely. | 0:47:16 | 0:47:21 | |
Plus it has bugger all to do with his residence. | 0:47:21 | 0:47:25 | |
Well, he has come to our attention before. | 0:47:25 | 0:47:28 | |
But not to a judge's. | 0:47:28 | 0:47:29 | |
OK, but my priority here is to get Kelly back alive. | 0:47:29 | 0:47:32 | |
If we jeopardise a conviction in doing that, so be it. | 0:47:32 | 0:47:35 | |
OK. The wife, what exactly did he do to her? | 0:47:38 | 0:47:43 | |
-A black eye. Cracked ribs. -Mmm-hm. | 0:47:43 | 0:47:45 | |
-Hospital take pictures? -Yeah. | 0:47:45 | 0:47:48 | |
That crescent-shaped bruise could be useful. | 0:47:55 | 0:47:59 | |
Doesn't look like a knuckle. | 0:47:59 | 0:48:02 | |
-Would you grant a search warrant for a weapon? -A restricted search. | 0:48:02 | 0:48:05 | |
Of course. | 0:48:05 | 0:48:07 | |
KNOCKING | 0:48:24 | 0:48:27 | |
FOOTSTEPS | 0:48:31 | 0:48:33 | |
Tania Thompson, this is a warrant to search these premises. | 0:48:35 | 0:48:38 | |
In you come, boys. | 0:48:38 | 0:48:40 | |
I request that you stay in one area of the house while the search is conducted. | 0:48:40 | 0:48:44 | |
-What are you looking for? -The weapon your husband assaulted you with. | 0:48:44 | 0:48:49 | |
-Well, is that it? -"Is that it?" | 0:48:49 | 0:48:51 | |
That's funny, that's exactly what your husband said. "Is that it?" | 0:48:51 | 0:48:55 | |
-Anything else you'd like to share with us, get off your chest? -No. | 0:48:55 | 0:48:59 | |
I told you, I fell down the stairs. | 0:49:01 | 0:49:03 | |
Yeah, then you changed your mind. | 0:49:03 | 0:49:05 | |
Mrs Thompson, is there a reason why your fingerprints would be on an A-Z | 0:49:07 | 0:49:10 | |
recovered from the scene of Kelly Steven's abduction? | 0:49:10 | 0:49:14 | |
-I haven't given you fingerprints. -There's no reason they'd be there? | 0:49:14 | 0:49:19 | |
Oh, wait, we had an A-Z stolen from our car. | 0:49:19 | 0:49:22 | |
-Did Guy tell you to say that? -No. | 0:49:22 | 0:49:25 | |
Where is Kelly Stevens? | 0:49:25 | 0:49:28 | |
-I don't know a Kelly Stevens. -Of course not. | 0:49:28 | 0:49:31 | |
It's much easier to think of her not as a person, isn't it? | 0:49:31 | 0:49:35 | |
But as an animal. Much easier, flesh and bone. | 0:49:35 | 0:49:38 | |
Which is what you and Guy reduced Sarah Middleton to when you put her in a bin bag. | 0:49:38 | 0:49:42 | |
-I don't know what he's talking about! Tell him! -WHERE IS SHE?! | 0:49:42 | 0:49:45 | |
Sir! | 0:49:45 | 0:49:48 | |
A word. | 0:49:48 | 0:49:49 | |
She's with a psychopath. You think you'll scare her? | 0:49:58 | 0:50:00 | |
-I'm not trying to scare her. -We need to win her trust. | 0:50:00 | 0:50:03 | |
We need to show her we can protect her from Guy. | 0:50:03 | 0:50:06 | |
I had a peek at the PC, she just looked up diabetes on the internet. | 0:50:06 | 0:50:09 | |
If we treat her like a co-conspirator, not the victim that she is... | 0:50:09 | 0:50:13 | |
-Oh, semantics. -Not if we want to talk to her, it isn't. | 0:50:13 | 0:50:16 | |
How do you know she's a victim? | 0:50:16 | 0:50:18 | |
"Dear Guy, you are my husband and master. | 0:50:18 | 0:50:21 | |
"I promise I will try harder to be the wife and lover you deserve. | 0:50:21 | 0:50:24 | |
"I will do whatever it takes to get back in your good books. | 0:50:24 | 0:50:28 | |
"Your ever-loving and obedient Tania." | 0:50:28 | 0:50:31 | |
Come and have a look at this. | 0:50:32 | 0:50:34 | |
My guess is they're all places he's installed alarms and security systems. | 0:50:44 | 0:50:48 | |
-That's where we should look! -He can get in, out, | 0:50:48 | 0:50:50 | |
-he knows who's there. -They're the cream. | 0:50:50 | 0:50:52 | |
He must've installed alarms in hundreds of places. | 0:50:52 | 0:50:55 | |
When we tailed him, we tailed him down the A3. | 0:50:55 | 0:50:58 | |
Cross-reference that with the alarms he's installed in the last year... | 0:50:58 | 0:51:02 | |
I'll get a warrant for his offices. | 0:51:02 | 0:51:05 | |
PHONE RINGS | 0:51:13 | 0:51:15 | |
-Lafferty. -'They found a black boiler suit and a hat in a ditch by the B432.' | 0:51:15 | 0:51:20 | |
Good. | 0:51:20 | 0:51:23 | |
Come on, Winston, let's go. | 0:51:23 | 0:51:25 | |
Tania? | 0:51:32 | 0:51:33 | |
Now, if the man behind these crimes is your boyfriend or your husband, | 0:51:39 | 0:51:44 | |
you may feel you owe him loyalty. | 0:51:44 | 0:51:46 | |
You don't. | 0:51:46 | 0:51:49 | |
Tania? Tania? | 0:51:49 | 0:51:53 | |
Have a look at this, Tommy. | 0:51:56 | 0:51:58 | |
Blood shows up green under UV, yeah? | 0:52:05 | 0:52:07 | |
Oh, my God. | 0:52:10 | 0:52:13 | |
His DNA will be all over the lining of this. | 0:52:13 | 0:52:17 | |
So if these are the victim's prints... | 0:52:17 | 0:52:19 | |
We're home and dry. | 0:52:19 | 0:52:21 | |
I'm here to see my son, Guy. | 0:52:22 | 0:52:24 | |
-Where is he? -We just need you to sit tight for a minute, Mr Thompson. | 0:52:24 | 0:52:28 | |
Can I get you a cuppa? | 0:52:33 | 0:52:35 | |
No, thank you. | 0:52:35 | 0:52:37 | |
Oh, my God! | 0:52:58 | 0:53:01 | |
Mr Thompson. | 0:53:02 | 0:53:04 | |
I'm Detective Inspector Lynley. | 0:53:04 | 0:53:07 | |
The boiler suit, the A-Z recovered from the abduction site, | 0:53:07 | 0:53:10 | |
the black Range Rover. This all points in one direction. | 0:53:10 | 0:53:13 | |
Asking you to absorb this is asking the impossible but I have no choice. | 0:53:13 | 0:53:17 | |
You really think I'm gonna help you fit my son up for something he didn't do? | 0:53:17 | 0:53:21 | |
I have absolutely nothing to gain from fitting your son up. | 0:53:26 | 0:53:31 | |
But everything to lose. | 0:53:31 | 0:53:33 | |
Kelly is diabetic. | 0:53:35 | 0:53:36 | |
Wherever she is, no-one is coming for her, which means no insulin. | 0:53:36 | 0:53:41 | |
Mr Thompson, if she's still alive, we're talking hours. | 0:53:41 | 0:53:45 | |
My son had nothing to do with this. | 0:53:50 | 0:53:53 | |
When Guy's mother told him about your other son, | 0:53:58 | 0:54:01 | |
you know he didn't just storm out. | 0:54:01 | 0:54:03 | |
He beat the living daylights out of her, didn't he?! | 0:54:03 | 0:54:06 | |
You bastard. | 0:54:10 | 0:54:12 | |
If you don't want to answer, don't. | 0:54:14 | 0:54:15 | |
Dad? | 0:54:18 | 0:54:19 | |
This isn't legally and professionally unorthodox, it's outrageous! | 0:54:19 | 0:54:24 | |
Dad, this is a mistake. | 0:54:24 | 0:54:26 | |
You had no business bringing him into this. | 0:54:26 | 0:54:28 | |
-It's OK, son. -No, it's not! | 0:54:28 | 0:54:30 | |
We found the boiler suit, Guy. | 0:54:30 | 0:54:31 | |
They're lying, Dad. Why would I even own a boiler suit? | 0:54:31 | 0:54:35 | |
So this isn't a picture of you then? | 0:54:35 | 0:54:37 | |
It could be anyone. | 0:54:43 | 0:54:45 | |
What did you take it with, a phone? | 0:54:45 | 0:54:47 | |
It's you, Guy. We both know it. | 0:54:47 | 0:54:49 | |
You're embarrassing yourself, Dad. | 0:54:49 | 0:54:52 | |
-They're using you. -I want to help you. | 0:54:52 | 0:54:54 | |
Then stop looking at me like that. | 0:54:56 | 0:54:58 | |
Like what? | 0:54:58 | 0:55:00 | |
Like you actually believe what they're saying! | 0:55:00 | 0:55:05 | |
You look beautiful. | 0:55:05 | 0:55:06 | |
Where are your bridesmaids? | 0:55:08 | 0:55:10 | |
My cousin Alice died two months before, | 0:55:10 | 0:55:14 | |
and we were really close, so... | 0:55:14 | 0:55:17 | |
So if she couldn't be a bridesmaid, then no-one could? | 0:55:17 | 0:55:20 | |
Well, how did she die? | 0:55:22 | 0:55:24 | |
She had a seizure. | 0:55:27 | 0:55:28 | |
She had them since she was a kid. | 0:55:31 | 0:55:33 | |
-All the guests were Guy's side of the family. -What about your friends? | 0:55:34 | 0:55:40 | |
Guy never really liked them. | 0:55:40 | 0:55:42 | |
Well, how about your mum and dad? | 0:55:42 | 0:55:44 | |
We don't see them any more. | 0:55:44 | 0:55:47 | |
Is there any part of your life that Guy doesn't completely control? | 0:55:47 | 0:55:51 | |
I had a job once. | 0:55:53 | 0:55:57 | |
At a chemist. | 0:55:57 | 0:56:00 | |
The pharmacist trained me up as an assistant. | 0:56:00 | 0:56:02 | |
You must think I'm really pathetic. | 0:56:08 | 0:56:11 | |
Look, the case is building against Guy. | 0:56:11 | 0:56:13 | |
Blood, DNA, the works. He's going to go to prison for a long time. | 0:56:13 | 0:56:17 | |
-And you will too. Only for you it's going to be ten times harder. -Why? | 0:56:17 | 0:56:21 | |
Because you're a woman. | 0:56:21 | 0:56:23 | |
Stop it! | 0:56:23 | 0:56:25 | |
Look, help us and we can help you. | 0:56:31 | 0:56:34 | |
-Tania! -You don't understand! | 0:56:36 | 0:56:39 | |
Tania! | 0:56:46 | 0:56:49 | |
It's my fault. | 0:56:49 | 0:56:51 | |
I showed you a bad example with Mum. | 0:56:51 | 0:56:53 | |
Mum was a useless piss-head. So you were never home. | 0:56:53 | 0:56:56 | |
Like I said, some of that's my fault. | 0:56:56 | 0:56:59 | |
You have no idea what it was like, | 0:57:00 | 0:57:05 | |
her wearing the same gin-soaked dress day after day. | 0:57:05 | 0:57:08 | |
-I know. And you were just a kid. | 0:57:08 | 0:57:11 | |
I thought if my friends saw me in the street with her I would die of shame. | 0:57:11 | 0:57:15 | |
I was AWOL all that time. | 0:57:15 | 0:57:17 | |
You were with your real family. | 0:57:19 | 0:57:21 | |
Now I want to make up for that. | 0:57:23 | 0:57:24 | |
Where's this girl, son? | 0:57:28 | 0:57:30 | |
Tell me where she is and I swear to God I'll stick by you. | 0:57:32 | 0:57:36 | |
And if I don't? | 0:57:40 | 0:57:42 | |
Then I walk out of here, | 0:57:45 | 0:57:47 | |
and you never see me again. | 0:57:47 | 0:57:48 | |
I don't want that any more than you do. | 0:57:50 | 0:57:53 | |
What is it, Dad? | 0:58:01 | 0:58:03 | |
The house I bought you not big enough? | 0:58:04 | 0:58:08 | |
The car I gave you for Christmas had too many miles on the clock? | 0:58:08 | 0:58:11 | |
What's funny? | 0:58:13 | 0:58:15 | |
I never actually thought I'd say this. | 0:58:21 | 0:58:24 | |
But Mum was right. | 0:58:24 | 0:58:26 | |
You ARE a waste of space. | 0:58:26 | 0:58:28 | |
You know, | 0:58:33 | 0:58:36 | |
I'm actually glad you weren't around when I was growing up. | 0:58:36 | 0:58:39 | |
Taught me to stand on my own two feet. | 0:58:39 | 0:58:42 | |
There's the door. | 0:58:48 | 0:58:49 | |
Where is she, Tania? | 0:59:05 | 0:59:06 | |
-I didn't hurt anyone! -Where is she? | 0:59:09 | 0:59:12 | |
I just... | 0:59:12 | 0:59:15 | |
got them over to the car and... | 0:59:15 | 0:59:17 | |
You mean Sarah and Kelly? | 0:59:19 | 0:59:22 | |
He said if I didn't help him, he'd lock me up again. | 0:59:22 | 0:59:25 | |
Lock you up where? | 0:59:25 | 0:59:27 | |
The same place he's got Kelly? | 0:59:27 | 0:59:29 | |
He'll kill me! | 0:59:29 | 0:59:31 | |
-He'll kill me! -But if you tell me where it is he won't get the chance. | 0:59:31 | 0:59:35 | |
-Guy's my whole world, I... I can't. -Yes, you can. | 0:59:35 | 0:59:41 | |
You were almost there before. | 0:59:41 | 0:59:43 | |
When he beat you up, you didn't run away and hide. | 0:59:43 | 0:59:45 | |
You went to the hospital, you talked to me. | 0:59:45 | 0:59:48 | |
-You're ready. You've made the break. -I'm not! -Yes, you are! | 0:59:48 | 0:59:52 | |
Tell me I won't have to face him. | 0:59:56 | 0:59:59 | |
I swear on my life, he will never touch you again. | 0:59:59 | 1:00:03 | |
She's in a house near Redhill. | 1:00:05 | 1:00:07 | |
A Saudi family. | 1:00:07 | 1:00:09 | |
Guy did the alarms but they're not moving in till next year. | 1:00:09 | 1:00:13 | |
Mind out! | 1:00:42 | 1:00:44 | |
Police! | 1:00:47 | 1:00:48 | |
THEY ALL SHOUT INSTRUCTIONS | 1:00:51 | 1:00:53 | |
Upstairs! | 1:01:02 | 1:01:04 | |
It's locked, sir. | 1:01:13 | 1:01:15 | |
Shoulder it. | 1:01:18 | 1:01:19 | |
-Kelly? -SHE WHIMPERS | 1:01:23 | 1:01:25 | |
-WPC! -Yes, sir! | 1:01:25 | 1:01:29 | |
She's alive and, outwardly, she's OK. | 1:01:42 | 1:01:45 | |
Thanks to you, eh? | 1:01:45 | 1:01:47 | |
'If we treat Tania right, she'll tell us everything.' | 1:01:47 | 1:01:50 | |
We don't need to make concessions. | 1:01:50 | 1:01:52 | |
'What if she deserves some?' | 1:01:52 | 1:01:53 | |
We'll talk about this later, Havers, all right? | 1:01:53 | 1:01:57 | |
Kelly's all right. Well, physically, at least. | 1:02:01 | 1:02:04 | |
Oh! | 1:02:04 | 1:02:06 | |
I bring good news. | 1:02:07 | 1:02:08 | |
Bloody fingerprints on the boiler suit are Kelly's and the set | 1:02:08 | 1:02:12 | |
we lifted from the collar match for Guy Thompson. | 1:02:12 | 1:02:14 | |
-Sarah Middleton? -We're running DNA. | 1:02:14 | 1:02:18 | |
If he brought her here, we'll find trace evidence of some kind. | 1:02:18 | 1:02:22 | |
Excellent. | 1:02:22 | 1:02:24 | |
CHEERING | 1:02:24 | 1:02:25 | |
Well done, well done. | 1:02:25 | 1:02:27 | |
Give me 15 minutes in a windowless room with that freak. | 1:02:27 | 1:02:31 | |
-Here we are. -Thank you, sir. -Well done, well done. | 1:02:31 | 1:02:35 | |
They're saying she's going to be OK. | 1:02:52 | 1:02:55 | |
We can never thank you enough. | 1:02:56 | 1:02:58 | |
How can a woman be party to this? | 1:02:58 | 1:03:00 | |
Goes against nature, doesn't it? | 1:03:00 | 1:03:02 | |
-Detective Inspector? -Excuse me. | 1:03:02 | 1:03:05 | |
There is evidence of rape. | 1:03:05 | 1:03:06 | |
How much Kelly will remember remains to be seen. | 1:03:06 | 1:03:09 | |
Was she drugged? | 1:03:09 | 1:03:11 | |
Is there any way I can get to see her? | 1:03:13 | 1:03:14 | |
Two minutes. | 1:03:16 | 1:03:18 | |
Thank you. | 1:03:18 | 1:03:19 | |
Kelly? | 1:03:28 | 1:03:30 | |
Kelly? | 1:03:32 | 1:03:33 | |
Kelly? | 1:03:35 | 1:03:36 | |
-It's OK, Kelly. -Get out! | 1:03:39 | 1:03:41 | |
I'm a police officer. | 1:03:41 | 1:03:42 | |
Help! Help! | 1:03:42 | 1:03:45 | |
Get that man out of here! | 1:03:45 | 1:03:47 | |
Get that man out of here! SHE CRIES AND WHIMPERS | 1:03:47 | 1:03:50 | |
You're OK, love. You're OK. | 1:03:50 | 1:03:52 | |
She says she can remember him on top of her. | 1:04:04 | 1:04:08 | |
But that's it, that's all. | 1:04:10 | 1:04:13 | |
She didn't say anything about his wife, Tania? | 1:04:13 | 1:04:16 | |
Thank you. | 1:04:18 | 1:04:19 | |
SHE SOBS | 1:04:22 | 1:04:25 | |
KNOCKING | 1:05:19 | 1:05:20 | |
Barbara, come in. | 1:05:24 | 1:05:25 | |
This is Derek Tripp from the CPS. | 1:05:25 | 1:05:27 | |
-Hello. -So you're the one who saved the day? | 1:05:27 | 1:05:30 | |
Ah, well, actually it was a team effort. | 1:05:30 | 1:05:32 | |
-Sorry sir, where's DI Lynley? -I've already canvassed him on what we're discussing today. Have a seat. | 1:05:32 | 1:05:37 | |
Thank you. | 1:05:37 | 1:05:39 | |
Derek? | 1:05:45 | 1:05:47 | |
Regarding the Sarah Middleton murder, forensics are a complete waste of time. | 1:05:47 | 1:05:52 | |
But the Commissioner has decreed it politically unacceptable | 1:05:52 | 1:05:55 | |
for us to drop the Sarah Middleton murder charge. | 1:05:55 | 1:05:58 | |
What makes you think I can help? | 1:05:58 | 1:06:01 | |
Reading your report, I detected some sympathy with Tania's situation. | 1:06:01 | 1:06:04 | |
That you felt she was genuinely coerced by her husband into partaking in his crimes. | 1:06:04 | 1:06:11 | |
Er... Well, yeah. I did. | 1:06:11 | 1:06:13 | |
So you must be uneasy about her | 1:06:13 | 1:06:16 | |
being charged with identical offences? | 1:06:16 | 1:06:19 | |
Well, for what it's worth... | 1:06:19 | 1:06:21 | |
Yeah, I am uneasy. | 1:06:21 | 1:06:23 | |
You see her more as a victim than, say, DI Lynley does? | 1:06:23 | 1:06:26 | |
Look, why don't you just tell me why my opinion is suddenly so important? | 1:06:26 | 1:06:30 | |
If Tania testifies against Guy in return for a reduced charge, | 1:06:30 | 1:06:35 | |
accessory, say, we don't want it to come back to haunt us. | 1:06:35 | 1:06:39 | |
You've looked into the eyes of liars and killers. | 1:06:39 | 1:06:42 | |
Your opinion counts for something. | 1:06:42 | 1:06:44 | |
Look, we're not going to make a decision on your say-so alone. | 1:06:44 | 1:06:47 | |
But, based on your limited dealings, is she deserving of an arrangement? | 1:06:47 | 1:06:52 | |
Erm... Well, based on our limited dealings, then... | 1:06:54 | 1:06:59 | |
Well, I'd say yes, she is. | 1:06:59 | 1:07:01 | |
That's all we wanted to know. | 1:07:01 | 1:07:03 | |
DS Havers, a word. | 1:07:06 | 1:07:08 | |
Can you give us a minute please, guys? | 1:07:12 | 1:07:15 | |
They're reducing Tania's charge and granting her bail. | 1:07:22 | 1:07:25 | |
But then I'm not telling you anything you didn't know. | 1:07:25 | 1:07:28 | |
Actually, you are. | 1:07:28 | 1:07:29 | |
How is the Assistant Commissioner? | 1:07:29 | 1:07:31 | |
I thought you'd be at the meeting. | 1:07:31 | 1:07:33 | |
-You didn't think to call and check? -It's politics. | 1:07:33 | 1:07:36 | |
The Commissioner wants Guy to face a murder charge. | 1:07:36 | 1:07:39 | |
They have no business negotiating with that woman. | 1:07:39 | 1:07:41 | |
She says she only lured them to the car but how do we know? | 1:07:41 | 1:07:44 | |
That she didn't kill Sarah or take part in the sexual assaults? | 1:07:44 | 1:07:48 | |
What about innocent until proven guilty? | 1:07:48 | 1:07:50 | |
Innocent? She trapped those girls knowing what Guy had planned! | 1:07:50 | 1:07:54 | |
he had complete control over her, physically and mentally. | 1:07:54 | 1:07:57 | |
-You don't understand what that fear and isolation... -Because I'm a man? | 1:07:57 | 1:08:01 | |
-Maybe! -Oh, and she's a poor helpless victim with no will of her own? Isn't that just a little bit sexist? | 1:08:01 | 1:08:06 | |
-You saw what he did to her face... -I'm not saying he wasn't abusive, I'm saying... | 1:08:06 | 1:08:11 | |
-it's not black and white. -I didn't say she shouldn't go unpunished. | 1:08:11 | 1:08:14 | |
She wants us to see it that way and you have! | 1:08:14 | 1:08:17 | |
OK, if you have evidence that she's lying, | 1:08:17 | 1:08:20 | |
you can stop the negotiations any time. | 1:08:20 | 1:08:23 | |
Now there's an idea. | 1:08:23 | 1:08:25 | |
Role play. | 1:08:32 | 1:08:34 | |
Put yourself in their shoes. | 1:08:34 | 1:08:37 | |
Get a nose for their vulnerability, find their weakness. | 1:08:37 | 1:08:42 | |
Not exactly how it goes, | 1:08:44 | 1:08:46 | |
but I'm thrilled you took something from it. | 1:08:46 | 1:08:49 | |
I did, Guy. I took a lot from it. | 1:08:49 | 1:08:51 | |
I found your weakness. | 1:08:51 | 1:08:53 | |
We've been talking to your wife. | 1:08:57 | 1:08:59 | |
Or, rather, your wife's been talking to us. | 1:08:59 | 1:09:01 | |
She says that in addition to the abduction of Kelly, | 1:09:01 | 1:09:06 | |
you raped and you murdered Sarah Middleton. | 1:09:06 | 1:09:10 | |
She says that you coerced her into both the abductions with threats of violence. | 1:09:10 | 1:09:15 | |
How do you think we knew where Kelly was? | 1:09:21 | 1:09:25 | |
You went to my offices. | 1:09:26 | 1:09:28 | |
We'd never have found her that fast. Deep down you know that, don't you? | 1:09:28 | 1:09:33 | |
Deep down, you know | 1:09:34 | 1:09:37 | |
that Tania has betrayed you. | 1:09:37 | 1:09:41 | |
For a woman who seemed so dependent, so subservient. | 1:09:41 | 1:09:45 | |
What was it she called you? Master? | 1:09:45 | 1:09:47 | |
She's thinking for herself now. | 1:09:50 | 1:09:51 | |
Well, of herself. | 1:09:51 | 1:09:53 | |
Meaning what? | 1:09:55 | 1:09:57 | |
Meaning she planning to testify against you, Guy. | 1:09:57 | 1:10:00 | |
She'll do two years, tops. | 1:10:00 | 1:10:02 | |
-She wouldn't do that. -She'll be sharing her bed, well, your bed, with the pool boy | 1:10:05 | 1:10:11 | |
while you spend the rest of your life in a steel box, | 1:10:11 | 1:10:13 | |
hoping to God the robbers don't find you. | 1:10:13 | 1:10:16 | |
Maybe you should write her one of those grovelling letters | 1:10:25 | 1:10:28 | |
you used to make her write you? | 1:10:28 | 1:10:30 | |
She's lying! | 1:10:30 | 1:10:33 | |
The bitch is lying. | 1:10:35 | 1:10:37 | |
Well, you would say that. | 1:10:37 | 1:10:39 | |
If you hadn't found Kelly when you did, Tania would've killed her. | 1:10:39 | 1:10:43 | |
No question. | 1:10:43 | 1:10:44 | |
I wanted to let her go but Tania wouldn't because I'd had Kelly. | 1:10:46 | 1:10:51 | |
You see, I do actually believe you. | 1:10:51 | 1:10:53 | |
But no-one else will. | 1:10:53 | 1:10:55 | |
If another women so much as glanced at me, she went crazy. | 1:10:55 | 1:10:58 | |
I mean, she actually went rigid, like a wild animal. | 1:10:58 | 1:11:01 | |
Like she was going to claw her eyes out. | 1:11:01 | 1:11:05 | |
-She scared ME. -So you didn't coerce her, not even snatching Kelly? | 1:11:05 | 1:11:09 | |
Coerce her? It was her idea to use the bloody A-Z! | 1:11:09 | 1:11:14 | |
That proved a lot. | 1:11:35 | 1:11:37 | |
-I thought so. -What exactly were you doing in there? | 1:11:40 | 1:11:43 | |
Making sure Tania is the credible witness everyone wants her to be. | 1:11:43 | 1:11:47 | |
By asking her abusive husband for a character reference? | 1:11:47 | 1:11:50 | |
-Do you want him to go down for murder? -I want them both to go down. | 1:11:50 | 1:11:54 | |
What, whatever it takes? | 1:11:54 | 1:11:55 | |
Don't be ridiculous. | 1:11:55 | 1:11:57 | |
PHONE RINGS | 1:11:59 | 1:12:02 | |
'Detective Inspector Lynley?' | 1:12:02 | 1:12:04 | |
-Speaking. -'DS Mike Barksdale from Brighton. | 1:12:04 | 1:12:07 | |
'We got four unsolved rapes, could fit the bill from when Guy Thompson lived here. | 1:12:07 | 1:12:11 | |
-'The last one happened right on the seafront.' -Any DNA? | 1:12:11 | 1:12:15 | |
'That's what makes us think it's the same bloke. | 1:12:15 | 1:12:18 | |
'It's like you said - no hair, no prints, not a speck of DNA.' | 1:12:18 | 1:12:22 | |
Right, I'm on my way. | 1:12:22 | 1:12:24 | |
Thank you. | 1:12:38 | 1:12:40 | |
You're kidding. | 1:13:09 | 1:13:10 | |
REPORTERS SHOUT QUESTIONS | 1:13:14 | 1:13:16 | |
I tell you, I knew Guy was trouble. | 1:13:23 | 1:13:27 | |
I did. | 1:13:27 | 1:13:29 | |
But Tania always wanted the good life. | 1:13:29 | 1:13:31 | |
That's called hindsight. | 1:13:33 | 1:13:35 | |
Why did she have to go and live in London? | 1:13:35 | 1:13:38 | |
London wasn't the problem. | 1:13:38 | 1:13:39 | |
She met Guy in Brighton, for God's sake. | 1:13:39 | 1:13:43 | |
I mean, why did she have to leave home? Why did she have to... | 1:13:45 | 1:13:49 | |
Grow up? | 1:13:49 | 1:13:51 | |
Hi, Barbara. Come through. | 1:13:51 | 1:13:53 | |
Dad's a brick, but Mum's gone to pieces. | 1:14:02 | 1:14:04 | |
Well, it's a lot to deal with. | 1:14:04 | 1:14:08 | |
She said this morning it was as if she'd lost me. | 1:14:08 | 1:14:12 | |
It was no different to Alice dying. | 1:14:12 | 1:14:14 | |
-That really hurt. -You're here. They haven't turned their back. | 1:14:16 | 1:14:20 | |
And I should be grateful for that? | 1:14:20 | 1:14:22 | |
Well, I wasn't saying that. | 1:14:22 | 1:14:24 | |
No, you're right. | 1:14:27 | 1:14:29 | |
Some parents would have. | 1:14:29 | 1:14:31 | |
Look, erm, I just want to go through a few things in your statement about Sarah Middleton. | 1:14:34 | 1:14:39 | |
Just so that when I question Guy, there'll be no grey areas. | 1:14:39 | 1:14:43 | |
-You're going to see Guy? -Yeah, at some point. | 1:14:46 | 1:14:50 | |
Alone? | 1:14:50 | 1:14:52 | |
Er, probably not. | 1:14:52 | 1:14:54 | |
-But you said, "When I question Guy." -What is it, Tania? | 1:14:54 | 1:15:00 | |
It's just I'd feel a lot more comfortable about it if there were a male officer present. | 1:15:00 | 1:15:05 | |
I can take care of myself. | 1:15:05 | 1:15:07 | |
No, that's not what I mean. | 1:15:07 | 1:15:11 | |
Guy can be very... | 1:15:15 | 1:15:18 | |
hard to resist. | 1:15:18 | 1:15:20 | |
I would hate for anything to come between us, Barbara. | 1:15:21 | 1:15:25 | |
What exactly are you suggesting? | 1:15:25 | 1:15:27 | |
Well, come on. He's still my husband. | 1:15:27 | 1:15:30 | |
I'm allowed to be possessive, aren't I? | 1:15:30 | 1:15:33 | |
Sure. | 1:15:33 | 1:15:35 | |
You think that's weird. | 1:15:37 | 1:15:39 | |
I think what's weird is that since I've been here | 1:15:39 | 1:15:42 | |
you haven't asked once how Kelly Stevens is doing. | 1:15:42 | 1:15:45 | |
You told me she was OK. | 1:15:45 | 1:15:47 | |
-What? -Yeah, no, that's right. I did. | 1:15:52 | 1:15:55 | |
-Shall we go through my statement now? -No, I think that can wait. | 1:15:56 | 1:16:00 | |
I'll get back to you. | 1:16:00 | 1:16:01 | |
Thanks for the tea. | 1:16:10 | 1:16:14 | |
Is that Tania's cousin? | 1:16:14 | 1:16:16 | |
Tania told me about her. | 1:16:16 | 1:16:18 | |
Alice. Her name was Alice. | 1:16:18 | 1:16:21 | |
And whose side was she on? | 1:16:21 | 1:16:22 | |
Mine. | 1:16:22 | 1:16:24 | |
My sister had Alice young, this was her home from home. | 1:16:24 | 1:16:28 | |
She died right there in my arms. | 1:16:28 | 1:16:31 | |
-A seizure? -It wouldn't have happened. | 1:16:31 | 1:16:34 | |
She wasn't used to alcohol. | 1:16:38 | 1:16:41 | |
We were celebrating. | 1:16:45 | 1:16:47 | |
Guy's birthday. | 1:16:47 | 1:16:48 | |
I'll see myself out. | 1:16:51 | 1:16:52 | |
Barbara, I need to know the exact date that Guy and Tania got together. | 1:17:32 | 1:17:36 | |
-Why? -There were four unsolved rapes in Brighton during the time that Guy lived here. | 1:17:36 | 1:17:40 | |
One victim claimed there were two people, | 1:17:40 | 1:17:43 | |
a man and a woman, and the woman videoed the whole thing. | 1:17:43 | 1:17:46 | |
Right here, | 1:17:46 | 1:17:48 | |
right under the pier. | 1:17:48 | 1:17:49 | |
'I'm not saying it was Tania.' | 1:17:49 | 1:17:52 | |
No, you don't have to persuade me. | 1:17:52 | 1:17:54 | |
'Good. | 1:17:57 | 1:18:00 | |
'Thank you.' | 1:18:00 | 1:18:01 | |
Sir, the other day you put me on the spot and asked me if I thought Tania was a credible witness. | 1:18:16 | 1:18:20 | |
Well, to answer that question, | 1:18:20 | 1:18:22 | |
we have to dig up the body of her cousin, Alice. | 1:18:22 | 1:18:25 | |
-Based on? -Based on the fact that she was beautiful, 16 and died | 1:18:25 | 1:18:28 | |
whilst under the same roof as Guy Thompson. | 1:18:28 | 1:18:30 | |
You said she died at Tania's parents' house? | 1:18:30 | 1:18:33 | |
They'd thrown a party for Guy and Alice was invited. | 1:18:33 | 1:18:35 | |
The parents went to bed. Guy, Tania, and Alice all stayed up. | 1:18:35 | 1:18:40 | |
-According to? -Their statements at the inquest. | 1:18:40 | 1:18:43 | |
-Later, Alice is unconscious and Guy calls an ambulance. -I've read the report. | 1:18:43 | 1:18:47 | |
It's sketchy to say the least. | 1:18:47 | 1:18:49 | |
No-one even checked for sexual assault. | 1:18:49 | 1:18:51 | |
Epileptic seizure was a best guess cause of death. | 1:18:51 | 1:18:56 | |
This lesion on her mouth was put down to an unsuccessful resuscitation attempt. | 1:18:56 | 1:19:02 | |
What does it look like to you? | 1:19:03 | 1:19:05 | |
Her skin reacting to something. | 1:19:05 | 1:19:07 | |
If the body's well preserved, toxicology may be able to say what. | 1:19:07 | 1:19:12 | |
So you want an exhumation order? | 1:19:12 | 1:19:13 | |
Well, if anyone can twist the coroner's arm, it's you. | 1:19:13 | 1:19:18 | |
-Why will I need to twist his arm? -We want to circumvent family approval. | 1:19:18 | 1:19:22 | |
Tania can't know what we're doing till we're good and ready, Sir. | 1:19:22 | 1:19:26 | |
First impressions are she's pretty well preserved. | 1:19:34 | 1:19:37 | |
If I get tox samples in, we should have results this evening. | 1:19:37 | 1:19:41 | |
'I'll let you know as soon as.' | 1:19:41 | 1:19:42 | |
Thanks, Lafferty. | 1:19:42 | 1:19:44 | |
Third anniversary of first meeting. | 1:19:46 | 1:19:48 | |
Six month wedding anniversary. | 1:19:48 | 1:19:50 | |
Christmas Eve, Christmas Day, Boxing Day. Is there anything they didn't deem video-worthy? | 1:19:50 | 1:19:55 | |
That's it. | 1:19:56 | 1:19:59 | |
That's what we're missing. | 1:19:59 | 1:20:01 | |
PHONE RINGS | 1:20:12 | 1:20:15 | |
Lafferty. Hold on a minute. | 1:20:18 | 1:20:21 | |
-OK, go ahead. Anything? -'You bet.' | 1:20:21 | 1:20:23 | |
Samples from the remnants of Alice's lungs and throat tested positive for antidepressants and pethidine. | 1:20:23 | 1:20:30 | |
-What's that? -A tranquilizer. | 1:20:30 | 1:20:32 | |
-Tricky to get if you're not a doctor. -She worked in a chemist. | 1:20:32 | 1:20:35 | |
She's lifted them from the supplies. | 1:20:35 | 1:20:37 | |
Her own cousin. A birthday present for Guy. | 1:20:37 | 1:20:40 | |
The combination of antidepressants and pethidine | 1:20:40 | 1:20:43 | |
plus the fact that she'd been drinking, I mean, | 1:20:43 | 1:20:45 | |
even if they didn't plan to kill her, they were playing with fire. | 1:20:45 | 1:20:48 | |
Thanks, Stuart. | 1:20:48 | 1:20:51 | |
You could do this over the phone, you know. | 1:20:51 | 1:20:54 | |
No, face to face she's more likely to believe we're friends again. | 1:20:54 | 1:20:58 | |
DOORBELL RINGS | 1:21:17 | 1:21:19 | |
I didn't mean to be judgemental about you not asking after Kelly. | 1:21:22 | 1:21:26 | |
No, I should have. | 1:21:26 | 1:21:28 | |
No, you had a lot on your mind. | 1:21:28 | 1:21:31 | |
Nothing like what she's going through. | 1:21:31 | 1:21:34 | |
Listen, Tania, | 1:21:34 | 1:21:36 | |
-I shouldn't really be telling you this but I want you to be prepared. -For what? | 1:21:36 | 1:21:40 | |
Well, Guy has started to talk and I know that you still have feelings for him. And I understand. | 1:21:40 | 1:21:47 | |
What? | 1:21:47 | 1:21:49 | |
-What's Guy been saying? -Well, he's saying... | 1:21:49 | 1:21:51 | |
He's saying that you were as involved as him | 1:21:53 | 1:21:55 | |
and that there's tapes to prove it. | 1:21:55 | 1:21:57 | |
What? | 1:21:57 | 1:21:59 | |
Well, exactly. No-one believes him, but you might be questioned on it at some point. | 1:21:59 | 1:22:03 | |
OK. Well, thanks for letting me know. | 1:22:03 | 1:22:07 | |
No problem. Look, I've got to get back but I'll come and see you soon, yeah? | 1:22:07 | 1:22:11 | |
I'd like that. | 1:22:11 | 1:22:13 | |
You're a good person, Barbara. | 1:22:13 | 1:22:15 | |
You're a really good person. | 1:22:17 | 1:22:18 | |
See you. | 1:22:24 | 1:22:25 | |
There she goes. | 1:23:00 | 1:23:02 | |
Thank you for bringing those to our attention. | 1:25:30 | 1:25:33 | |
Get off me! | 1:25:35 | 1:25:37 | |
Sarah, Kelly, Alice. | 1:25:40 | 1:25:44 | |
Your cousin. | 1:25:44 | 1:25:46 | |
Alice was an accident. | 1:25:46 | 1:25:49 | |
Sarah killed herself, | 1:25:51 | 1:25:53 | |
and Kelly's making a full recovery. | 1:25:53 | 1:25:56 | |
So what exactly do you think you've got on us, huh? | 1:25:56 | 1:25:59 | |
Huh? | 1:26:02 | 1:26:03 | |
# Happy birthday to you | 1:26:17 | 1:26:22 | |
# Happy birthday to you | 1:26:22 | 1:26:28 | |
# Happy birthday Mr Thompson | 1:26:28 | 1:26:34 | |
# Happy birthday to you. # | 1:26:35 | 1:26:42 | |
Tania, you are depraved. | 1:26:42 | 1:26:46 | |
And I love you for it. | 1:26:46 | 1:26:50 | |
Love you too, birthday boy. | 1:26:50 | 1:26:53 | |
How long have I got? | 1:26:53 | 1:26:55 | |
This stuff knocks horses out, | 1:26:55 | 1:26:58 | |
Alice is going to be in Wonderland for quite a while. | 1:26:58 | 1:27:00 | |
I know we have to watch this stuff some time but... | 1:27:08 | 1:27:11 | |
Yeah, not now. | 1:27:11 | 1:27:15 | |
She really played me. | 1:27:31 | 1:27:33 | |
If you hadn't got so close to her, we'd never have found Kelly. | 1:27:33 | 1:27:37 | |
It was all part of her plan, though. | 1:27:37 | 1:27:39 | |
Stop feeling sorry for yourself. | 1:27:39 | 1:27:41 | |
You saved her life, Barbara. | 1:27:41 | 1:27:42 | |
Anyway, they're both going down now. For good. | 1:27:44 | 1:27:48 | |
All right, sir. | 1:27:48 | 1:27:49 | |
Just don't say, "I told you so." | 1:27:49 | 1:27:52 | |
Subtitles by Red Bee Media Ltd | 1:28:38 | 1:28:40 | |
E-mail [email protected] | 1:28:40 | 1:28:43 |