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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
-Daniel Reed. Why are you looking for me? -We only wish to speak with you. It's about your father. | 0:00:05 | 0:00:09 | |
I came here to find answers. | 0:00:09 | 0:00:10 | |
I found out my dad was transferring money - | 0:00:10 | 0:00:12 | |
to a man called Mirza Barzani. | 0:00:12 | 0:00:14 | |
And when I found out why, it made me sick. | 0:00:14 | 0:00:16 | |
To my guts. | 0:00:16 | 0:00:17 | |
I want to sleep in the shed. | 0:00:18 | 0:00:20 | |
And I need you to lock me in. | 0:00:20 | 0:00:23 | |
TRANSLATED FROM FRENCH: | 0:00:24 | 0:00:26 | |
Hey, that's it, all right? On your way. Get out! | 0:00:28 | 0:00:31 | |
I see how you look at Alice. You know she's different, don't you? | 0:00:32 | 0:00:36 | |
I have a brain tumour. You are looking at a dying man. | 0:00:36 | 0:00:41 | |
SHE SCREAMS | 0:00:43 | 0:00:44 | |
I found something. | 0:00:51 | 0:00:53 | |
That's Alice. | 0:00:53 | 0:00:54 | |
No. Look at the girl sitting next to her. | 0:00:54 | 0:00:57 | |
That's my daughter. That's Alice. | 0:00:57 | 0:00:59 | |
No! | 0:00:59 | 0:01:00 | |
Sam! | 0:01:00 | 0:01:02 | |
Alice! | 0:01:02 | 0:01:04 | |
SAM! | 0:01:04 | 0:01:05 | |
Alice! | 0:01:08 | 0:01:09 | |
HE TUNES GUITAR | 0:01:11 | 0:01:13 | |
HE PLAYS A SLOW MELODY | 0:01:28 | 0:01:30 | |
MUSIC DROWNS SPEECH | 0:01:49 | 0:01:50 | |
Nadia? | 0:02:17 | 0:02:19 | |
Ich wollte sehen, wie's ihnen geht. | 0:02:20 | 0:02:22 | |
Hallo? | 0:02:25 | 0:02:26 | |
PHONE RINGS | 0:02:30 | 0:02:31 | |
HE STOPS PLAYING | 0:02:37 | 0:02:38 | |
Ja? | 0:02:42 | 0:02:43 | |
Ja, naturlich, ich bin unterwegs. | 0:02:46 | 0:02:48 | |
PHONE RINGS | 0:03:08 | 0:03:09 | |
-'Hello?' -Sergeant, apologies for the early hour, | 0:03:12 | 0:03:15 | |
I am in Paris and I... | 0:03:15 | 0:03:16 | |
'This isn't a good time, Baptiste. Alice is dead.' | 0:03:16 | 0:03:19 | |
When? | 0:03:20 | 0:03:21 | |
'Last night. She burned to death. | 0:03:21 | 0:03:23 | |
'We found petrol canisters inside the shed where she slept.' | 0:03:23 | 0:03:26 | |
She used them to start the fire. She killed herself. | 0:03:26 | 0:03:29 | |
I'm truly sorry to hear this. | 0:03:30 | 0:03:32 | |
What was it you said to her yesterday? | 0:03:32 | 0:03:34 | |
I asked her some questions, that is all. | 0:03:34 | 0:03:37 | |
'Mr Webster said you started interrogating her, | 0:03:37 | 0:03:39 | |
'asking questions in French.' | 0:03:39 | 0:03:41 | |
And then right after you upset her, | 0:03:41 | 0:03:43 | |
she climbed out the window and went missing for three hours. | 0:03:43 | 0:03:46 | |
Only to return and take her own life. | 0:03:46 | 0:03:49 | |
'But this doesn't make any sense.' | 0:03:50 | 0:03:52 | |
She was gone for three hours. Where did she go? | 0:03:52 | 0:03:55 | |
We don't know. She didn't say. | 0:03:56 | 0:03:59 | |
Coming to terms with what she was about to do, maybe. | 0:03:59 | 0:04:01 | |
'So, you said you were in Paris.' | 0:04:02 | 0:04:04 | |
Not for long. I will be back today. | 0:04:04 | 0:04:06 | |
# Oh, my love | 0:04:47 | 0:04:49 | |
# We pray each day | 0:04:49 | 0:04:53 | |
# May you come home | 0:04:53 | 0:04:57 | |
# And be OK | 0:04:57 | 0:05:01 | |
# For now we wait for you | 0:05:08 | 0:05:13 | |
# For you to come home. # | 0:05:13 | 0:05:18 | |
You should've stayed away. | 0:05:34 | 0:05:35 | |
You're not part of this investigation. | 0:05:35 | 0:05:37 | |
And before you ask, we're running DNA to confirm the ID, | 0:05:37 | 0:05:41 | |
a familial match against the parents. | 0:05:41 | 0:05:43 | |
There's nothing more to be done here. By either of us. | 0:05:43 | 0:05:46 | |
Sophie may still be out there, she may still be alive. | 0:05:46 | 0:05:49 | |
Kristian Herz isn't talking. | 0:05:49 | 0:05:51 | |
And from what Alice said - Sophie didn't have a chance. | 0:05:51 | 0:05:53 | |
That is only if we believe everything Alice Webster told us. | 0:05:53 | 0:05:56 | |
We'll never get the chance to question her, will we? | 0:05:59 | 0:06:02 | |
Not after you went there, and started throwing accusations at her. | 0:06:02 | 0:06:05 | |
The time for blame will come, Sergeant. | 0:06:05 | 0:06:07 | |
For now, all that matters is the truth. | 0:06:07 | 0:06:10 | |
Why did the girl take her own life? | 0:06:10 | 0:06:11 | |
Where did she go for three hours? If we can understand this... | 0:06:11 | 0:06:15 | |
How can we ever understand what Alice went through? | 0:06:15 | 0:06:18 | |
What that does to a person? | 0:06:18 | 0:06:19 | |
There is more at play in this case than we know. | 0:06:19 | 0:06:22 | |
If I was just allowed to speak with Kristian Herz, please. | 0:06:22 | 0:06:25 | |
He's in custody. | 0:06:25 | 0:06:26 | |
We'll keep pushing him to tell us where Sophie is, | 0:06:26 | 0:06:29 | |
but we don't need your help. | 0:06:29 | 0:06:30 | |
Go home. | 0:06:30 | 0:06:32 | |
Sir, this way, please. | 0:06:34 | 0:06:35 | |
Matthew! Where have you been? I've been calling. | 0:06:48 | 0:06:50 | |
I was there till the fire went out. | 0:06:50 | 0:06:52 | |
Then... | 0:06:52 | 0:06:54 | |
I don't know, I was just... | 0:06:54 | 0:06:55 | |
She's gone. | 0:06:58 | 0:06:59 | |
HE SOBS | 0:07:04 | 0:07:05 | |
How's Dad? | 0:07:14 | 0:07:15 | |
The doctors said the burns are worst on his back. | 0:07:17 | 0:07:20 | |
They cleaned him up in the emergency room, | 0:07:20 | 0:07:23 | |
and now he's on painkillers and antibiotics. | 0:07:23 | 0:07:25 | |
He's going to be all right. | 0:07:25 | 0:07:27 | |
I'm sorry. She asked me. She begged me. I didn't know... | 0:07:27 | 0:07:32 | |
I don't know how it happened. I never meant... | 0:07:33 | 0:07:35 | |
MURMURING | 0:07:35 | 0:07:37 | |
What's that? | 0:07:41 | 0:07:43 | |
What did you say, love? | 0:07:45 | 0:07:46 | |
Get out. | 0:07:50 | 0:07:51 | |
No, Matthew... Matthew! | 0:07:58 | 0:08:01 | |
She had brown hair, an English girl, 21 or so. | 0:08:16 | 0:08:20 | |
She would be here buying petrol in a canister. | 0:08:20 | 0:08:23 | |
Yes. Yes, I see this woman. She wears a... | 0:08:23 | 0:08:25 | |
A hat. Like a baseball cap? | 0:08:25 | 0:08:28 | |
Did you see where she came from? | 0:08:28 | 0:08:29 | |
Through those trees. No car. | 0:08:29 | 0:08:32 | |
But...this is what I tell your colleague just now. | 0:08:32 | 0:08:35 | |
What is it they say? Great minds? | 0:08:47 | 0:08:49 | |
Perhaps - once upon a time. | 0:08:49 | 0:08:51 | |
Do not be so modest. I googled you. | 0:08:51 | 0:08:53 | |
No-one is safe any more. | 0:08:53 | 0:08:55 | |
Well, I am glad someone else feels it is worthwhile tracking | 0:08:55 | 0:08:58 | |
Alice Webster's movements yesterday. | 0:08:58 | 0:09:00 | |
Three hours to be gone is a long time. | 0:09:00 | 0:09:03 | |
The Bundespolizei were all over Eckhausen looking for her. | 0:09:03 | 0:09:06 | |
Which suggests she did not want to be found. | 0:09:06 | 0:09:09 | |
The girl was hiding something. This was her last stop before home. | 0:09:09 | 0:09:13 | |
So the question is... | 0:09:13 | 0:09:14 | |
What she did in the two hours before she came to the petrol station. | 0:09:14 | 0:09:17 | |
May I? | 0:09:17 | 0:09:19 | |
So. The average walking speed is 2.8mph. | 0:09:21 | 0:09:26 | |
She went through that field. That way lies Eckhausen. | 0:09:26 | 0:09:30 | |
So...there is the search zone. | 0:09:30 | 0:09:33 | |
Are there any cameras in Eckhausen? | 0:09:33 | 0:09:36 | |
CCTV, security, traffic? | 0:09:36 | 0:09:39 | |
Well, not as many as in Paris, but, yes. We have some. | 0:09:39 | 0:09:42 | |
We start there. | 0:09:42 | 0:09:43 | |
We? Together? | 0:09:43 | 0:09:45 | |
If everyone helps to hold up the sky, | 0:09:45 | 0:09:48 | |
then one person doesn't get tired. | 0:09:48 | 0:09:50 | |
And you say you are not a great mind. | 0:09:53 | 0:09:55 | |
Sadly I cannot take credit for that. | 0:09:57 | 0:10:00 | |
Do you know who said it? | 0:10:00 | 0:10:02 | |
Who? | 0:10:02 | 0:10:04 | |
Google it. | 0:10:04 | 0:10:05 | |
Mr Herz. | 0:10:26 | 0:10:27 | |
It's funny. | 0:10:29 | 0:10:31 | |
There isn't a speck of dust on this floor. | 0:10:32 | 0:10:35 | |
They clean my cell more than I clean my own house. | 0:10:38 | 0:10:41 | |
It's not the place that's filthy. | 0:10:41 | 0:10:44 | |
Why are you here? | 0:10:47 | 0:10:49 | |
Your wife... she was attacked last night. | 0:10:49 | 0:10:53 | |
She... Is she...? | 0:10:55 | 0:10:58 | |
She's in a coma. | 0:10:58 | 0:11:00 | |
Can I see her? | 0:11:03 | 0:11:04 | |
Not unless you tell us where Sophie Giroux is. | 0:11:04 | 0:11:07 | |
But...how can I? I don't know anything. | 0:11:10 | 0:11:13 | |
It's funny, you almost make yourself seem human. | 0:11:20 | 0:11:24 | |
Maybe if you confessed, someone wouldn't have gone after her. | 0:11:27 | 0:11:30 | |
Maybe she'd still have her teeth. | 0:11:30 | 0:11:33 | |
HE SOBS | 0:11:33 | 0:11:35 | |
Christ. How many photos did you go through? | 0:11:51 | 0:11:54 | |
There must have been thousands. | 0:11:54 | 0:11:57 | |
This girl's face is a blur... her hair's all over the place. | 0:11:57 | 0:12:00 | |
It's my daughter. | 0:12:00 | 0:12:02 | |
The picture's really not that clear. | 0:12:02 | 0:12:04 | |
I want to go there. To the park. | 0:12:04 | 0:12:05 | |
Maybe somebody saw the two of them together. Maybe somebody... | 0:12:05 | 0:12:08 | |
Are you saying that the girl who came back - the girl you took | 0:12:08 | 0:12:12 | |
into your house - are you saying that wasn't your daughter? | 0:12:12 | 0:12:15 | |
We wanted to believe it. OK? | 0:12:15 | 0:12:18 | |
We wanted to believe it so badly that we just...shut our eyes. | 0:12:18 | 0:12:23 | |
Mrs Webster... | 0:12:23 | 0:12:24 | |
But a part of me knew. The way she talked. | 0:12:24 | 0:12:27 | |
The look in her eye. | 0:12:28 | 0:12:29 | |
He could see it. That detective, Baptiste. | 0:12:33 | 0:12:36 | |
Even if it was true - how does it help us now? | 0:12:36 | 0:12:40 | |
I don't know. But it must mean something. | 0:12:40 | 0:12:43 | |
I'd go myself, but no-one's going to listen to me. | 0:12:45 | 0:12:49 | |
I have no authority outside the Army. | 0:12:49 | 0:12:52 | |
But you know what to look for. You know who to ask. | 0:12:52 | 0:12:55 | |
My dad's nurse quit. I've got no-one to look after him. | 0:12:57 | 0:13:01 | |
I'm sorry. | 0:13:03 | 0:13:04 | |
The garrison's only up the road, | 0:13:14 | 0:13:16 | |
I suppose I could get someone to...come by. | 0:13:16 | 0:13:20 | |
Thank you. | 0:13:22 | 0:13:24 | |
So, will your husband be joining us? | 0:13:29 | 0:13:31 | |
No. I didn't tell Sam. We don't talk about Alice. | 0:13:34 | 0:13:38 | |
We don't talk about anything much these days. | 0:13:40 | 0:13:43 | |
-'O'Sullivan.' -Hi, it's Eve Stone. | 0:13:43 | 0:13:46 | |
-'How can I help?' -Yeah, I need a favour... | 0:13:46 | 0:13:49 | |
GUNFIRE AND SHOUTING | 0:13:53 | 0:13:55 | |
Julien! We've got to keep moving. We need to go. | 0:14:04 | 0:14:08 | |
Out into the crossfire? | 0:14:08 | 0:14:10 | |
The Peshmerga has started to fall back. We should go. | 0:14:11 | 0:14:14 | |
The question is to risk our lives on...on fate or chance. | 0:14:16 | 0:14:23 | |
It's hard not to think of those girls, kept in that basement. | 0:14:27 | 0:14:32 | |
Scared of the world outside. | 0:14:32 | 0:14:34 | |
Somebody builds a wall around you, and... | 0:14:37 | 0:14:40 | |
..soon you start to build your own. | 0:14:42 | 0:14:45 | |
GUNFIRE CONTINUES | 0:14:45 | 0:14:47 | |
EXPLOSION | 0:14:52 | 0:14:54 | |
We have to go. Come on! | 0:14:54 | 0:14:56 | |
EXPLOSION | 0:15:04 | 0:15:06 | |
You two, over here. This way, move! Go! Go! | 0:15:18 | 0:15:21 | |
SCREAMING | 0:15:29 | 0:15:30 | |
Staff Sergeant Eve Stone, of the Military Police out of Eckhausen. | 0:15:40 | 0:15:43 | |
We called ahead. We're meeting Dieter Ackermann? | 0:15:43 | 0:15:46 | |
Ich habe hier zwei frauen fur Sie. | 0:15:49 | 0:15:51 | |
INDISTINCT REPLY | 0:15:51 | 0:15:52 | |
OK. He's just coming. | 0:15:54 | 0:15:57 | |
Thank you. | 0:15:57 | 0:15:58 | |
-Sergeant Stone? -PHONE RINGS | 0:16:15 | 0:16:17 | |
Hello. | 0:16:17 | 0:16:19 | |
So sorry, excuse me. | 0:16:19 | 0:16:20 | |
Stone? | 0:16:23 | 0:16:25 | |
'It's O'Sullivan. Look, I know I said I'd look in on your father, | 0:16:25 | 0:16:28 | |
'but I've been called to a disturbance.' | 0:16:28 | 0:16:30 | |
I understand. Don't worry about it. | 0:16:32 | 0:16:34 | |
PHONE RINGS | 0:16:46 | 0:16:47 | |
Hey. | 0:16:53 | 0:16:54 | |
'Sam.' | 0:16:54 | 0:16:56 | |
We still meeting later? | 0:16:56 | 0:16:57 | |
'It's not about that. It's my dad.' | 0:16:57 | 0:17:00 | |
I need you to...go round to my house and keep an eye on him. | 0:17:00 | 0:17:04 | |
I thought that wasn't what this is. | 0:17:04 | 0:17:06 | |
'His nurse quit. He can't look after himself.' | 0:17:08 | 0:17:11 | |
Why can't you do it? I'm working on the car. | 0:17:11 | 0:17:13 | |
I just can't. | 0:17:14 | 0:17:15 | |
OK? | 0:17:17 | 0:17:18 | |
Please. | 0:17:20 | 0:17:21 | |
Yeah, all right. I'll go round now. | 0:17:23 | 0:17:25 | |
Thank you. | 0:17:25 | 0:17:26 | |
I'm sorry. The rollercoaster is the only ride we do with... | 0:17:35 | 0:17:38 | |
photographs. You understand? | 0:17:38 | 0:17:40 | |
What about CCTV? Security cameras? | 0:17:40 | 0:17:43 | |
We have dummies, but they do not film. | 0:17:43 | 0:17:45 | |
We are small, privately run... | 0:17:45 | 0:17:46 | |
There must be something. | 0:17:46 | 0:17:48 | |
I'm sorry. I do not... | 0:17:48 | 0:17:50 | |
Thank you, anyway. | 0:17:50 | 0:17:51 | |
We should go. My dad's... | 0:17:53 | 0:17:55 | |
Well...maybe if we ask around? Maybe somebody saw something. | 0:17:55 | 0:18:00 | |
Isn't it worth trying? Just in case? | 0:18:00 | 0:18:02 | |
Sure. OK. Let's ask. | 0:18:05 | 0:18:07 | |
Thank you. | 0:18:08 | 0:18:10 | |
TV ON | 0:18:12 | 0:18:13 | |
Hello. | 0:18:43 | 0:18:44 | |
Hi. | 0:18:48 | 0:18:49 | |
GUNFIRE | 0:19:07 | 0:19:08 | |
We need to keep moving. | 0:19:14 | 0:19:15 | |
-OK. -Let's go. Go go go go! | 0:19:15 | 0:19:18 | |
Come on. Julien... | 0:19:33 | 0:19:35 | |
No, no, no. Julien, it's the Peshmerga. | 0:19:37 | 0:19:39 | |
HE SPEAKS TO HIM IN KURDISH | 0:19:39 | 0:19:41 | |
Come away. Julien, that's fine. The Peshmerga. The Peshmerga, OK? | 0:19:47 | 0:19:52 | |
ENGINE STARTS | 0:20:39 | 0:20:40 | |
To the airport, yes? | 0:20:50 | 0:20:52 | |
-Yeah. -Going somewhere nice? | 0:20:52 | 0:20:54 | |
Going somewhere else. | 0:20:54 | 0:20:55 | |
INAUDIBLE CONVERSATION | 0:21:03 | 0:21:05 | |
How are you feeling? | 0:21:24 | 0:21:25 | |
If she hadn't walked out of that basement she might be alive today. | 0:21:29 | 0:21:33 | |
And what kind of life would that be? | 0:21:36 | 0:21:38 | |
They're saying she did it. | 0:21:52 | 0:21:53 | |
She took the petrol in there. They found a canister. | 0:21:56 | 0:21:58 | |
-She killed herself. -She was locked in! | 0:22:01 | 0:22:04 | |
Even if she had second thoughts, maybe... | 0:22:04 | 0:22:06 | |
-We can't think like that, it's... -I can think the way I want. -..poisonous. | 0:22:06 | 0:22:09 | |
How could he do that? How could he lock her in there? After all she'd been through. | 0:22:11 | 0:22:15 | |
Sam, it is not Matthew's fault... | 0:22:15 | 0:22:17 | |
He knows what he did. | 0:22:17 | 0:22:18 | |
You both do. | 0:22:21 | 0:22:22 | |
What do you mean? | 0:22:24 | 0:22:25 | |
She came home, she needed support. She needed her family. | 0:22:25 | 0:22:28 | |
-She was so different... -You called her a liar! | 0:22:28 | 0:22:30 | |
That is not what I said. | 0:22:32 | 0:22:33 | |
She heard what you said, Gemma, and that's why she did it. | 0:22:33 | 0:22:37 | |
That's why she killed herself. | 0:22:37 | 0:22:39 | |
Do you remember, when she was born, | 0:22:53 | 0:22:54 | |
how long it took her to get off to sleep? | 0:22:54 | 0:22:57 | |
No. Cos you weren't there. It was me. | 0:22:57 | 0:23:01 | |
It was me, holding her. Night after night, singing to her. | 0:23:01 | 0:23:05 | |
Holding on to her little hand. | 0:23:05 | 0:23:08 | |
I know my daughter! | 0:23:08 | 0:23:10 | |
And that girl, that girl that came back? | 0:23:10 | 0:23:13 | |
That was not her... that was not my Alice! | 0:23:13 | 0:23:16 | |
NO! Don't you DARE! | 0:23:16 | 0:23:18 | |
Don't you DARE say that to me now! | 0:23:18 | 0:23:21 | |
Don't you dare say that to me... | 0:23:21 | 0:23:23 | |
Hey. Thanks for meeting me. I got you one of these. | 0:23:38 | 0:23:42 | |
No caffeine. | 0:23:42 | 0:23:44 | |
Of course. Remind me never to get pregnant. | 0:23:44 | 0:23:46 | |
I got a call from a journalist asking about Alice Webster. | 0:23:49 | 0:23:54 | |
Jesus. | 0:23:55 | 0:23:57 | |
It's out there now. It's going to be a global news piece. | 0:23:57 | 0:24:01 | |
The press are onto Nadia Herz's assault. They're joining the dots. | 0:24:01 | 0:24:04 | |
Asking if Matthew Webster could have been involved. | 0:24:04 | 0:24:07 | |
I said no comment, but... | 0:24:07 | 0:24:10 | |
If they're not given a story, they make one up. | 0:24:10 | 0:24:12 | |
I know. | 0:24:12 | 0:24:13 | |
So...what do you want me to do? | 0:24:14 | 0:24:17 | |
Talk to the families. Get drafting a statement. | 0:24:17 | 0:24:20 | |
Yeah...right, right. | 0:24:22 | 0:24:24 | |
I know, it's the last thing they need right now. | 0:24:24 | 0:24:25 | |
But I'd rather they control the story here. | 0:24:25 | 0:24:28 | |
In the meantime, I'll speak to Matthew Webster. | 0:24:28 | 0:24:30 | |
-Of course. -I don't want them getting sandbagged by questions. | 0:24:30 | 0:24:34 | |
Not after what's happened to them. | 0:24:34 | 0:24:36 | |
Mrs Webster? | 0:24:53 | 0:24:55 | |
Adam Gettrick from the Army Press Office. | 0:24:57 | 0:24:59 | |
They know, don't they? | 0:25:03 | 0:25:04 | |
About Alice? | 0:25:06 | 0:25:08 | |
Not for sure. | 0:25:10 | 0:25:11 | |
But they know something's going on. | 0:25:15 | 0:25:17 | |
I don't know how - someone in the hospital, | 0:25:18 | 0:25:22 | |
or...one of the German police speaking out of turn... | 0:25:22 | 0:25:26 | |
Everyone stops to watch the car crash, don't they? | 0:25:30 | 0:25:33 | |
See the blood on the road. | 0:25:35 | 0:25:37 | |
We should think about making a statement. | 0:25:39 | 0:25:42 | |
I can draft something. | 0:25:45 | 0:25:46 | |
If that would help. | 0:25:46 | 0:25:47 | |
I don't want to talk about it. | 0:25:50 | 0:25:52 | |
Mrs Webster... | 0:25:58 | 0:25:59 | |
..if we don't make a statement... | 0:26:01 | 0:26:04 | |
they won't leave you alone. | 0:26:04 | 0:26:06 | |
I said I don't want to talk about her. | 0:26:06 | 0:26:08 | |
SWEET WRAPPER CRINKLES | 0:26:31 | 0:26:32 | |
I thought with this kind of time-frame it wouldn't take | 0:26:37 | 0:26:39 | |
so long to find something. | 0:26:39 | 0:26:41 | |
It depends if there is anything to find. | 0:26:41 | 0:26:45 | |
It's like waiting for Hilde to talk. | 0:26:53 | 0:26:55 | |
What? | 0:27:00 | 0:27:01 | |
When I was a child, my mother bought me a parrot. | 0:27:05 | 0:27:08 | |
Hilde, it was called. | 0:27:08 | 0:27:10 | |
Every day, I come home from school, waiting for this bird to say a word. | 0:27:11 | 0:27:15 | |
And every day...nothing. | 0:27:16 | 0:27:18 | |
So, waiting for Hilde to talk, we used to say. | 0:27:20 | 0:27:23 | |
And did she ever talk? | 0:27:25 | 0:27:26 | |
Not a word. | 0:27:27 | 0:27:28 | |
When I first began this job, I thought it would all be exciting. | 0:27:31 | 0:27:35 | |
I soon realised what it was - | 0:27:35 | 0:27:37 | |
sifting through the earth, grain by grain. | 0:27:37 | 0:27:40 | |
But the devil is in the detail, | 0:27:48 | 0:27:50 | |
and... | 0:27:50 | 0:27:52 | |
What? | 0:27:52 | 0:27:53 | |
Sometimes Hilde talks. | 0:27:57 | 0:28:00 | |
Go back, please. | 0:28:00 | 0:28:01 | |
There. There she is. | 0:28:03 | 0:28:06 | |
Go forward. | 0:28:06 | 0:28:07 | |
There are no other cameras? | 0:28:13 | 0:28:15 | |
With a view that leads on from here? | 0:28:15 | 0:28:17 | |
Can you play it slowly? | 0:28:17 | 0:28:19 | |
Where was she going? | 0:28:27 | 0:28:28 | |
You should not be here. | 0:28:35 | 0:28:37 | |
It was your units. Your men brought us here. | 0:28:37 | 0:28:39 | |
Rat-a-tat-a-tat. You get shot. Understand? | 0:28:39 | 0:28:43 | |
Yes. | 0:28:43 | 0:28:44 | |
ISIL, they will come back. | 0:28:44 | 0:28:46 | |
They come back... and you get shot. | 0:28:46 | 0:28:48 | |
I understand. | 0:28:48 | 0:28:50 | |
-We get it. -You too. Rat-a-tat-a-tat. | 0:28:50 | 0:28:53 | |
We just wish to return to Erbil. | 0:28:57 | 0:28:59 | |
OK. We will arrange. Let's go. | 0:29:01 | 0:29:05 | |
Come on, follow me. Let's go. | 0:29:05 | 0:29:08 | |
Was it worth it? | 0:29:21 | 0:29:22 | |
Excuse me? | 0:29:24 | 0:29:26 | |
Coming all this way. Nearly getting killed. | 0:29:26 | 0:29:29 | |
I told myself I wouldn't rest until I find the man who took | 0:29:29 | 0:29:32 | |
Sophie Giroux and Alice Webster. | 0:29:32 | 0:29:34 | |
Well, I'm sorry that all this was for nothing. | 0:29:36 | 0:29:38 | |
Perhaps. | 0:29:40 | 0:29:41 | |
Daniel said his father was sending money | 0:29:43 | 0:29:45 | |
to a man called Mirza Barzani. | 0:29:45 | 0:29:47 | |
PHONE DIALS | 0:29:47 | 0:29:48 | |
I think we should find out why. | 0:29:48 | 0:29:51 | |
'Hello, Detective Lenhart.' | 0:29:51 | 0:29:53 | |
Jorn, it's Baptiste. | 0:29:53 | 0:29:55 | |
-'Julien.' -I need your help finding someone. | 0:29:55 | 0:29:58 | |
How are you doing, sir? Can I get you anything? | 0:30:09 | 0:30:12 | |
Captain Webster. Honourable Tank Regiment. | 0:30:16 | 0:30:20 | |
Yes, sir. That's me. | 0:30:22 | 0:30:23 | |
Your boys came under fire in 2010. Basra. | 0:30:23 | 0:30:28 | |
Yes, sir. I was on patrol. | 0:30:28 | 0:30:30 | |
Three souls. | 0:30:32 | 0:30:33 | |
I'm sorry about what happened to your daughter. | 0:30:37 | 0:30:40 | |
Thank you. | 0:30:51 | 0:30:52 | |
She was very young...I remember. | 0:30:55 | 0:31:00 | |
Taken outside the school. | 0:31:01 | 0:31:03 | |
She was... She liked spiders. | 0:31:05 | 0:31:08 | |
An alternative sort. | 0:31:09 | 0:31:12 | |
She was called... | 0:31:12 | 0:31:14 | |
She was... | 0:31:14 | 0:31:15 | |
Alice. | 0:31:17 | 0:31:20 | |
Alice Webster. Yes. | 0:31:20 | 0:31:22 | |
I wouldn't forget that, Captain. | 0:31:24 | 0:31:25 | |
I wonder if they'll ever find out what happened to her. | 0:31:30 | 0:31:33 | |
She died, sir. | 0:31:42 | 0:31:43 | |
Took her own life. | 0:31:48 | 0:31:50 | |
What makes you think you're fit to join the military, then, son? | 0:32:04 | 0:32:08 | |
SCREAMS AND LAUGHTER | 0:32:46 | 0:32:48 | |
FAIRGROUND RIDE RATTLES | 0:32:48 | 0:32:49 | |
-You've never seen either of these girls? -No. | 0:33:04 | 0:33:07 | |
Are you sure? | 0:33:07 | 0:33:08 | |
Sorry. | 0:33:08 | 0:33:10 | |
Thank you. | 0:33:10 | 0:33:12 | |
So you haven't seen either of these girls? | 0:33:12 | 0:33:14 | |
-They might have been with an older man? -No, I'm sorry. | 0:33:14 | 0:33:17 | |
-No, I'm sorry. -None of them? -No, I'm sorry. | 0:33:24 | 0:33:26 | |
-Nothing? -Sorry. | 0:33:32 | 0:33:35 | |
I know you think this whole thing is pointless. | 0:33:42 | 0:33:44 | |
I didn't say that. | 0:33:44 | 0:33:46 | |
You didn't have to. | 0:33:49 | 0:33:50 | |
But the thing is you do anything for your kids, absolutely anything. | 0:33:51 | 0:33:55 | |
Have you ever thought about having kids? A family of your own? | 0:34:05 | 0:34:10 | |
It just...never happened. Always moving around. | 0:34:13 | 0:34:16 | |
Maybe one day. | 0:34:17 | 0:34:19 | |
Not... God knows when. | 0:34:19 | 0:34:21 | |
Well. | 0:34:28 | 0:34:29 | |
We all find a way to survive, don't we? | 0:34:31 | 0:34:33 | |
It's all right. All right, stand up. | 0:34:43 | 0:34:45 | |
There you go. | 0:34:48 | 0:34:49 | |
-I'm sorry, I... -It's fine. | 0:34:51 | 0:34:54 | |
I'll be back in a minute. | 0:34:56 | 0:34:57 | |
WATER RUNS | 0:35:19 | 0:35:21 | |
I don't know what happened. | 0:35:22 | 0:35:23 | |
It's fine, honestly, don't think about it. Really. | 0:35:23 | 0:35:26 | |
You're a good lad. | 0:35:28 | 0:35:29 | |
No, I'm not. | 0:35:33 | 0:35:34 | |
Let's find you something to wear, shall we? | 0:35:37 | 0:35:39 | |
She always wanted a family. | 0:36:11 | 0:36:13 | |
It hit her hard, you know? | 0:36:15 | 0:36:18 | |
Park's closing up. We should be heading off. | 0:36:42 | 0:36:45 | |
He's been happier recently, you know. | 0:36:50 | 0:36:52 | |
-What? -Sam. | 0:36:53 | 0:36:56 | |
He's been happier. | 0:36:56 | 0:36:58 | |
Lately. | 0:36:58 | 0:36:59 | |
Right? | 0:37:02 | 0:37:03 | |
I don't... | 0:37:05 | 0:37:06 | |
Come on. | 0:37:09 | 0:37:11 | |
I'm sorry. | 0:37:24 | 0:37:25 | |
You know, when Alice was taken... | 0:37:27 | 0:37:30 | |
we fell apart at the seams. | 0:37:30 | 0:37:32 | |
All three of us. Together. | 0:37:33 | 0:37:35 | |
But it did make us stronger. | 0:37:37 | 0:37:39 | |
It did, because what we lost in Alice we still had in each other. | 0:37:41 | 0:37:47 | |
We had that love that you only keep for your family. | 0:37:49 | 0:37:53 | |
And when she walked back into our lives... | 0:37:55 | 0:37:57 | |
..we fell apart all over again. | 0:37:59 | 0:38:01 | |
It just... | 0:38:07 | 0:38:08 | |
-..happened. -This isn't about you. Is it? | 0:38:11 | 0:38:14 | |
Don't tell Sam I know, will you? | 0:38:23 | 0:38:25 | |
-He still loves you. -Oh, right! | 0:38:36 | 0:38:39 | |
Fine. Really. | 0:38:39 | 0:38:42 | |
Well, even if that's true... | 0:38:43 | 0:38:45 | |
..what does it bloody matter? | 0:38:47 | 0:38:48 | |
Julien? | 0:39:00 | 0:39:02 | |
Julien. | 0:39:04 | 0:39:05 | |
Julien, are you OK? | 0:39:06 | 0:39:08 | |
Sometimes I get headaches. | 0:39:11 | 0:39:13 | |
Your friend found Mirza Barzani fast. | 0:39:14 | 0:39:17 | |
We should be there soon. | 0:39:19 | 0:39:20 | |
'Julien?' | 0:39:30 | 0:39:31 | |
IN FRENCH: | 0:39:35 | 0:39:37 | |
CHOIR SINGS | 0:40:00 | 0:40:02 | |
I wonder if you can help us. | 0:40:09 | 0:40:11 | |
We're trying to find this girl. | 0:40:11 | 0:40:13 | |
She might have passed here yesterday between four and six o'clock. | 0:40:13 | 0:40:17 | |
Oh, yeah, I remember her. She came in here. | 0:40:17 | 0:40:19 | |
She did? What did she want? | 0:40:19 | 0:40:22 | |
Statice flowers. 12 of them. | 0:40:22 | 0:40:23 | |
Purple. And then she asked me the way to the graveyard, | 0:40:23 | 0:40:29 | |
of course. | 0:40:29 | 0:40:30 | |
Why "of course"? | 0:40:30 | 0:40:31 | |
These are flowers for remembrance. | 0:40:32 | 0:40:34 | |
Usually we put these on a grave, you see, so... | 0:40:34 | 0:40:38 | |
She seemed so sad, this girl. | 0:40:41 | 0:40:43 | |
INDISTINCT TANNOY ANNOUNCEMENT | 0:40:48 | 0:40:49 | |
JOURNALISTS CLAMOUR | 0:41:18 | 0:41:19 | |
Matthew? | 0:41:32 | 0:41:33 | |
Do you mind if I sit down? | 0:41:36 | 0:41:37 | |
Matthew, Kristian Herz' wife, Nadia, was found | 0:41:48 | 0:41:53 | |
beaten half to death last night. | 0:41:53 | 0:41:55 | |
She's in the ICU in a coma right now. | 0:41:55 | 0:41:58 | |
OK. | 0:41:59 | 0:42:01 | |
It's unlikely to be a coincidence | 0:42:01 | 0:42:03 | |
that the wife of the man who abducted your sister | 0:42:03 | 0:42:06 | |
be brutally beaten the day of his arrest. | 0:42:06 | 0:42:08 | |
You think... You think it was me? | 0:42:10 | 0:42:13 | |
I didn't say that. | 0:42:13 | 0:42:15 | |
But I'd like to know where you were last night. | 0:42:15 | 0:42:18 | |
That man - Kristian - he's the one that took Alice. | 0:42:20 | 0:42:23 | |
Why would I attack his wife? That doesn't make any sense. | 0:42:23 | 0:42:25 | |
I'm not accusing you, Matthew. I'm on your side. | 0:42:25 | 0:42:28 | |
-But if you know something... -How can you come here, | 0:42:28 | 0:42:30 | |
-while my sister's just... -Matthew, just calm down. | 0:42:30 | 0:42:33 | |
She's gone! I haven't done anything wrong. She done it to herself. | 0:42:33 | 0:42:36 | |
Why can't you just leave us alone! | 0:42:36 | 0:42:38 | |
SHE GASPS | 0:42:39 | 0:42:41 | |
Oh, my God! I'm so sorry. | 0:42:41 | 0:42:44 | |
I didn't mean to hurt you, honestly, I was just trying to get past. | 0:42:44 | 0:42:48 | |
I'm fine. | 0:42:48 | 0:42:49 | |
Sergeant Stone, I am so, so sorry. I'll find a doctor. | 0:42:49 | 0:42:53 | |
-It's OK. -PHONE VIBRATES | 0:42:53 | 0:42:54 | |
Hello? | 0:42:59 | 0:43:00 | |
All right, thanks for letting me know. | 0:43:03 | 0:43:06 | |
Where's your mum? | 0:43:10 | 0:43:11 | |
Mrs Webster? | 0:43:17 | 0:43:19 | |
The DNA results are back on the remains in your shed. | 0:43:22 | 0:43:25 | |
We ran them against your husband. | 0:43:25 | 0:43:27 | |
It's a confirmed match with your daughter. | 0:43:30 | 0:43:32 | |
It's... | 0:43:37 | 0:43:38 | |
It's really Alice? | 0:43:40 | 0:43:41 | |
It's really my Alice, you're sure? | 0:43:45 | 0:43:48 | |
I'm sorry, but yes. | 0:43:50 | 0:43:52 | |
I just... I thought you should know. | 0:43:54 | 0:43:55 | |
Are you sure you're ready? | 0:45:28 | 0:45:29 | |
Mrs Webster, Mrs Webster, where is Alice now? | 0:45:39 | 0:45:42 | |
Mrs Webster... | 0:45:42 | 0:45:45 | |
ALL CLAMOUR | 0:45:45 | 0:45:46 | |
Mrs Webster will make a short statement. | 0:45:48 | 0:45:50 | |
There will be no questions. | 0:45:50 | 0:45:51 | |
My daughter, Alice Webster, was abducted in 2003. | 0:45:55 | 0:46:00 | |
And four days ago, she came back to us. | 0:46:03 | 0:46:07 | |
I know there'll be a lot written about this - what happened to | 0:46:12 | 0:46:16 | |
my daughter is one of those things, one of those... | 0:46:16 | 0:46:19 | |
horrible things that you read about in the newspaper and you say, | 0:46:19 | 0:46:24 | |
"That's awful." | 0:46:24 | 0:46:25 | |
But really you're thinking... "I'm glad it's not me." | 0:46:26 | 0:46:31 | |
And no matter what gets written... | 0:46:34 | 0:46:37 | |
you'll never understand... | 0:46:37 | 0:46:39 | |
..what it's like to resign yourself | 0:46:41 | 0:46:43 | |
to never seeing someone you love ever again. | 0:46:43 | 0:46:46 | |
And when they come back... | 0:46:51 | 0:46:52 | |
..you can't believe it. | 0:46:55 | 0:46:56 | |
I couldn't. | 0:47:00 | 0:47:01 | |
It was her, and... | 0:47:04 | 0:47:05 | |
..I just couldn't believe it. | 0:47:07 | 0:47:10 | |
My daughter...wasn't just.... | 0:47:17 | 0:47:23 | |
a name for your headlines. | 0:47:23 | 0:47:25 | |
She was a girl. | 0:47:28 | 0:47:29 | |
She was our girl. | 0:47:32 | 0:47:33 | |
And we loved her. | 0:47:36 | 0:47:39 | |
-Mrs Webster... -Mrs Webster, do you know who found her? | 0:47:39 | 0:47:41 | |
As I said, no questions. | 0:47:41 | 0:47:43 | |
ALL CLAMOUR | 0:47:43 | 0:47:44 | |
Julien? | 0:47:55 | 0:47:56 | |
Julien? | 0:47:59 | 0:48:01 | |
Julien? | 0:48:04 | 0:48:05 | |
Did you not hear me shout? | 0:48:07 | 0:48:08 | |
I was miles away, forgive me. These places, well... | 0:48:08 | 0:48:12 | |
Some find them to be peaceful. Myself, I find it hard. | 0:48:13 | 0:48:17 | |
All these lives, laid bare - everything they stood for | 0:48:17 | 0:48:21 | |
reduced to a few words on a tombstone. | 0:48:21 | 0:48:23 | |
A novel abridged to a haiku. | 0:48:23 | 0:48:25 | |
I think I have found the flowers. | 0:48:28 | 0:48:30 | |
They look fresh, too, unlike the others. | 0:48:32 | 0:48:34 | |
They could have been bought yesterday. | 0:48:34 | 0:48:36 | |
So she runs from her family, disappears without a word. | 0:48:37 | 0:48:42 | |
And while the entire police department searches for her, | 0:48:42 | 0:48:45 | |
she finds the time to buy flowers and visit a grave | 0:48:45 | 0:48:49 | |
before going home to do what she did. | 0:48:49 | 0:48:52 | |
Who is this man? | 0:48:56 | 0:48:58 | |
Henry Reed. | 0:48:58 | 0:48:59 | |
And why did she need to see him before she took her own life? | 0:49:00 | 0:49:04 | |
HE SPEAKS KURDISH | 0:49:43 | 0:49:45 | |
Mirza Barzani? | 0:49:48 | 0:49:49 | |
HE SPEAKS KURDISH | 0:49:53 | 0:49:56 | |
Do you speak English? | 0:49:57 | 0:49:59 | |
Bristol University. Three years. | 0:49:59 | 0:50:02 | |
Our exhibits are displayed in chronological order, | 0:50:02 | 0:50:04 | |
starting with the Palaeolithic age, down there... | 0:50:04 | 0:50:07 | |
moving into the ancient civilisations of Mesopotamia | 0:50:07 | 0:50:11 | |
and ending on the right side in the period of Abbasid. | 0:50:11 | 0:50:14 | |
Although, I can see from your faces | 0:50:14 | 0:50:16 | |
you do not seem interested in what the past has to offer... | 0:50:16 | 0:50:19 | |
Far from it. The past is exactly the reason we are here. | 0:50:19 | 0:50:23 | |
Only not this far back. | 0:50:23 | 0:50:25 | |
A man who was living in Germany would send regular payments to you. | 0:50:25 | 0:50:28 | |
His name was Henry Reed. | 0:50:28 | 0:50:31 | |
We are trying to find out why. | 0:50:31 | 0:50:33 | |
Henry Reed. | 0:50:34 | 0:50:35 | |
You are not the first person to come and ask about him. | 0:50:36 | 0:50:39 | |
You spoke to his son Daniel over a year ago or so. | 0:50:39 | 0:50:42 | |
And I will tell you the same thing that I told him. | 0:50:42 | 0:50:44 | |
Henry Reed made those payments out of guilt. | 0:50:44 | 0:50:47 | |
Guilt? For what? | 0:50:48 | 0:50:50 | |
For what they did to my sister. | 0:50:51 | 0:50:53 | |
She was only nine years old. | 0:50:55 | 0:50:57 | |
And this Henry Reed thinks money will, what? Make it better? | 0:50:57 | 0:51:01 | |
Bring her to life? They killed MY father... | 0:51:01 | 0:51:03 | |
Mr Barzani, please. Slow down. | 0:51:03 | 0:51:05 | |
Would you mind to tell me everything you know, from the beginning? | 0:51:05 | 0:51:09 | |
In 1991, I was just a boy. | 0:51:12 | 0:51:14 | |
That's when they came to my village... | 0:51:14 | 0:51:17 | |
Who? | 0:51:18 | 0:51:19 | |
Henry Reed. And his Army friend. | 0:51:19 | 0:51:23 | |
A man called Stone. | 0:51:23 | 0:51:24 | |
(How was he?) | 0:51:46 | 0:51:47 | |
(Yeah, he's fine.) | 0:51:47 | 0:51:48 | |
Thank you. | 0:51:50 | 0:51:51 | |
It's fine. | 0:51:51 | 0:51:52 | |
Where did you go? | 0:51:54 | 0:51:55 | |
Just...work. Something came up. | 0:51:57 | 0:51:59 | |
Look, um... | 0:52:04 | 0:52:06 | |
Your dad had a bit of an accident. | 0:52:07 | 0:52:10 | |
I went into one of the drawers in your bedroom, | 0:52:10 | 0:52:12 | |
just looking for something for him to wear... | 0:52:12 | 0:52:14 | |
-I'm sorry. -No, I'm sorry. | 0:52:14 | 0:52:16 | |
I, uh... | 0:52:18 | 0:52:20 | |
I found the pictures. You know, the scans, of the baby... | 0:52:20 | 0:52:24 | |
So? | 0:52:25 | 0:52:27 | |
So it's a huge part of your life | 0:52:27 | 0:52:28 | |
and we've never really talked about it. | 0:52:28 | 0:52:31 | |
And I just think maybe you should be with someone else. | 0:52:34 | 0:52:37 | |
You know... | 0:52:37 | 0:52:38 | |
Someone who can give you what you want. | 0:52:38 | 0:52:40 | |
You don't know what I need. | 0:52:40 | 0:52:42 | |
It's not like we haven't been honest with each other. | 0:52:45 | 0:52:48 | |
We needed each other. | 0:52:50 | 0:52:51 | |
Someone to hold on to in the middle of all the... | 0:52:53 | 0:52:56 | |
But now... | 0:52:59 | 0:53:00 | |
I'm sorry, I'm not good at this. | 0:53:03 | 0:53:04 | |
It's fine. | 0:53:04 | 0:53:06 | |
I've been thinking the same. | 0:53:08 | 0:53:09 | |
It's not right, what we've been doing. We need to stop. | 0:53:11 | 0:53:14 | |
The doc says that me and Gemma could go back to England. | 0:53:24 | 0:53:29 | |
Make a fresh start. | 0:53:29 | 0:53:31 | |
I wonder whether he's right. | 0:53:33 | 0:53:34 | |
You've been through it, you two. | 0:53:38 | 0:53:40 | |
You deserve to be happy. | 0:53:42 | 0:53:44 | |
Julien. Julien. | 0:54:02 | 0:54:04 | |
I think the flight's on time. You should check in. | 0:54:07 | 0:54:09 | |
Thank you again. For all your help. | 0:54:10 | 0:54:13 | |
I'd say it was my pleasure, but... | 0:54:13 | 0:54:15 | |
You know you should go home. You can have that operation. | 0:54:17 | 0:54:21 | |
Not just run and hide from it. | 0:54:21 | 0:54:23 | |
Says the man who refuses to go home, even when asked by his employer. | 0:54:23 | 0:54:27 | |
I know. I know. But that's different. | 0:54:27 | 0:54:30 | |
You know, I've had chemotherapy. Radiotherapy too. | 0:54:30 | 0:54:33 | |
I have had hope and had it snatched from me all in the same week. | 0:54:33 | 0:54:38 | |
In truth, I'm tired. Perhaps I've had my time. | 0:54:38 | 0:54:42 | |
But if there is a chance the real Alice Webster is still alive | 0:54:43 | 0:54:46 | |
I must do everything in my power to find her. | 0:54:46 | 0:54:49 | |
To do nothing or do something, right? | 0:54:50 | 0:54:52 | |
Yes. It's no choice at all. | 0:54:52 | 0:54:55 | |
Goodbye. | 0:54:57 | 0:54:59 | |
Farewell, my friend, good luck. | 0:54:59 | 0:55:01 | |
RINGING TONE | 0:55:03 | 0:55:04 | |
'Hello?' | 0:55:09 | 0:55:11 | |
Hello, Eve, it's Gemma. | 0:55:11 | 0:55:12 | |
'I know this is awkward, but there's no-one else I can...' | 0:55:14 | 0:55:17 | |
Can we meet? Tonight. | 0:55:17 | 0:55:18 | |
'I can't. I'm with my dad.' | 0:55:18 | 0:55:21 | |
Tomorrow morning? | 0:55:22 | 0:55:24 | |
What is it? What's it about? | 0:55:24 | 0:55:26 | |
You know what I said earlier on about not seeing something | 0:55:28 | 0:55:31 | |
that's right in front of you. | 0:55:31 | 0:55:33 | |
Well, I was right. | 0:55:33 | 0:55:34 | |
We weren't looking hard enough, Eve. | 0:55:36 | 0:55:38 | |
There was another girl. | 0:55:40 | 0:55:42 | |
Voila. | 0:56:37 | 0:56:39 | |
TRANSLATED FROM FRENCH: | 0:56:40 | 0:56:42 | |
I'm afraid I'm taken. | 0:57:38 | 0:57:40 |