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In the last year of the 18th century, | 0:00:14 | 0:00:17 | |
Colonel John Herncastle plundered from India | 0:00:17 | 0:00:21 | |
a priceless and most sacred yellow diamond. | 0:00:21 | 0:00:24 | |
Vishnu, the Preserver, laid his curse on the thief, | 0:00:24 | 0:00:28 | |
commanding three priests to search forever for his moonstone. | 0:00:28 | 0:00:33 | |
But the wicked colonel smuggled the stone to England, | 0:00:33 | 0:00:37 | |
and kept it jealously. | 0:00:37 | 0:00:39 | |
In his will, he bequeathed the diamond | 0:00:40 | 0:00:42 | |
to his beautiful young niece, Miss Rachel Verinder. | 0:00:42 | 0:00:46 | |
Rachel's gallant cousin, Mr Franklin Blake, | 0:00:46 | 0:00:49 | |
was charged with the gem's delivery. | 0:00:49 | 0:00:51 | |
But was it a gift... | 0:00:54 | 0:00:56 | |
..or a curse? | 0:00:58 | 0:00:59 | |
THEY SPEAK ITALIAN | 0:01:04 | 0:01:07 | |
Surely it is finished now? | 0:01:13 | 0:01:14 | |
FLY BUZZES | 0:01:19 | 0:01:21 | |
Insisto, after all, I am the subject. | 0:01:21 | 0:01:24 | |
Not till it's complete. | 0:01:24 | 0:01:26 | |
Excuse me, senior. | 0:01:26 | 0:01:27 | |
What is it? | 0:01:29 | 0:01:30 | |
My father. | 0:01:31 | 0:01:32 | |
Forgive me. | 0:01:35 | 0:01:36 | |
I'm sorry, Mr Blake. | 0:01:36 | 0:01:38 | |
Who is that? | 0:01:44 | 0:01:45 | |
DISTANT CHURCH BELL RINGS | 0:01:55 | 0:01:57 | |
She did not come. | 0:02:06 | 0:02:08 | |
I'm sorry. | 0:02:08 | 0:02:09 | |
-My sincere condolences. -Thank you. | 0:02:09 | 0:02:11 | |
Do you know why not? | 0:02:12 | 0:02:14 | |
Or are you just not permitted to tell me? | 0:02:14 | 0:02:16 | |
What I can and must talk to you about | 0:02:18 | 0:02:20 | |
is your father's estate, your duties. | 0:02:20 | 0:02:21 | |
Mr Franklin... | 0:02:21 | 0:02:23 | |
..I'm afraid you're no longer a care-free young man. | 0:02:24 | 0:02:26 | |
I've not been care-free since last I was in England. | 0:02:27 | 0:02:30 | |
But we do have business to discuss. | 0:02:30 | 0:02:32 | |
Very well. | 0:02:34 | 0:02:35 | |
But I have more pressing business first. | 0:02:36 | 0:02:38 | |
DOORBELL RINGS | 0:02:41 | 0:02:43 | |
Mr Franklin! | 0:02:55 | 0:02:56 | |
-Mr Bruff. -Good day, Penelope. | 0:02:58 | 0:03:00 | |
Would you tell Rachel I'm come to see her? | 0:03:00 | 0:03:02 | |
I'm sorry, sir. | 0:03:02 | 0:03:04 | |
Miss Rachel's... | 0:03:04 | 0:03:06 | |
out. | 0:03:06 | 0:03:07 | |
Ah, well. Perhaps, when she returns, you would kindly give her this? | 0:03:09 | 0:03:14 | |
Miss Verinder left these for you, | 0:03:16 | 0:03:19 | |
should you ever call. | 0:03:19 | 0:03:21 | |
She begs to decline entering into | 0:03:23 | 0:03:25 | |
any correspondence with Mr Franklin Blake. | 0:03:25 | 0:03:27 | |
Rachel! | 0:03:38 | 0:03:39 | |
During all my long absences, | 0:03:45 | 0:03:46 | |
Rachel so much as asked if I was living or dead? | 0:03:46 | 0:03:49 | |
There is only one possible explanation for her behaviour. | 0:03:50 | 0:03:53 | |
Which is? | 0:03:54 | 0:03:55 | |
It is the moonstone yet. | 0:03:55 | 0:03:57 | |
Where are you going? | 0:03:59 | 0:04:00 | |
To Euston, and then to Yorkshire by the next train. | 0:04:00 | 0:04:03 | |
Hello? | 0:04:33 | 0:04:35 | |
NOTE PLAYS | 0:04:51 | 0:04:53 | |
DOG BARKS | 0:05:28 | 0:05:29 | |
-Who's here? -Caesar, good boy! | 0:05:29 | 0:05:31 | |
Better not hurry. | 0:05:32 | 0:05:34 | |
Mr Franklin? | 0:05:36 | 0:05:37 | |
Betteredge. | 0:05:39 | 0:05:40 | |
THEY LAUGH | 0:05:41 | 0:05:43 | |
Oh, don't tell me. Robinson Crusoe | 0:05:45 | 0:05:46 | |
has already informed you you might expect to see me tonight? | 0:05:46 | 0:05:49 | |
Or here's the bit I was reading the moment before you came in. | 0:05:49 | 0:05:53 | |
HE CLEARS HIS THROAT | 0:05:53 | 0:05:54 | |
"I stood like one thunderstruck, | 0:05:55 | 0:05:58 | |
"or as if I had seen... | 0:05:58 | 0:05:59 | |
"..an apparition." | 0:06:01 | 0:06:02 | |
If that isn't as much as to say, | 0:06:05 | 0:06:06 | |
"Expect the sudden appearance of Mr Franklin Blake..." | 0:06:06 | 0:06:09 | |
..it has no meaning in the English language. | 0:06:11 | 0:06:14 | |
It's good to see you, Betteredge. | 0:06:14 | 0:06:16 | |
It's a miracle to see you, sir! | 0:06:16 | 0:06:18 | |
I'm afraid... | 0:06:20 | 0:06:21 | |
..you find us, sadly, changed. | 0:06:23 | 0:06:26 | |
Much has happened since I saw you last. | 0:06:27 | 0:06:29 | |
I know it, Betteredge. | 0:06:30 | 0:06:31 | |
But I'm burning to know what's brought you here in this sodden way. | 0:06:33 | 0:06:37 | |
What brought me here before? | 0:06:38 | 0:06:39 | |
The moonstone, Mr Franklin. | 0:06:39 | 0:06:41 | |
And it is the moonstone that brings me again. | 0:06:41 | 0:06:44 | |
Is that a joke, sir? | 0:06:44 | 0:06:45 | |
I'm afraid I'm getting a little dull in my old age! | 0:06:46 | 0:06:49 | |
-I don't take it. -The theft has never been settled. | 0:06:49 | 0:06:52 | |
It hangs over her still. | 0:06:52 | 0:06:54 | |
Whatever happened that night, it ruined two lives, mine one of them. | 0:06:55 | 0:06:58 | |
I see you are in want of a cigar. | 0:07:01 | 0:07:04 | |
Come down with me. | 0:07:06 | 0:07:09 | |
Take my advice, Mr Franklin, | 0:07:10 | 0:07:12 | |
and let the diamond be. | 0:07:12 | 0:07:14 | |
How can I? I've travelled nigh on a year, | 0:07:14 | 0:07:18 | |
I can run from Rachel, but I cannot forget her. | 0:07:18 | 0:07:21 | |
I believe you still love her, sir. | 0:07:21 | 0:07:23 | |
I know she cannot forget me, either, | 0:07:23 | 0:07:24 | |
or she would not hide from me as she does. | 0:07:24 | 0:07:26 | |
What do you propose to do, sir? | 0:07:27 | 0:07:29 | |
I have come here to take up | 0:07:30 | 0:07:31 | |
the enquiry which was dropped when I left England. | 0:07:31 | 0:07:34 | |
I have come to do what nobody has done yet, | 0:07:34 | 0:07:35 | |
and find out who took the diamond. | 0:07:35 | 0:07:37 | |
How can you hope to succeed, saving your presence, | 0:07:37 | 0:07:40 | |
when Sergeant Cuff himself could not solve it? | 0:07:40 | 0:07:43 | |
The greatest policeman in England. | 0:07:43 | 0:07:46 | |
I am no professional, but that may be my strength. | 0:07:46 | 0:07:49 | |
I've nothing now to focus on but this. | 0:07:49 | 0:07:51 | |
I hope to have information that Cuff was not privy to. | 0:07:51 | 0:07:54 | |
I hope to have testimony of | 0:07:54 | 0:07:56 | |
minds closed to the police this time last year. | 0:07:56 | 0:07:59 | |
-What testimony? -Why, yours, Betteredge. | 0:07:59 | 0:08:01 | |
You, and others more closely associated to Rachel | 0:08:01 | 0:08:03 | |
and her diamond. | 0:08:03 | 0:08:04 | |
Give me your account of this family | 0:08:05 | 0:08:07 | |
and the moonstone from the very beginning. | 0:08:07 | 0:08:09 | |
Those were dark times, sir. | 0:08:10 | 0:08:12 | |
I cannot revisit them. | 0:08:14 | 0:08:15 | |
The dark times will not be over until I have done | 0:08:15 | 0:08:17 | |
what I have sworn to do, and found Rachel's stolen moonstone. | 0:08:17 | 0:08:20 | |
Please, Betteredge. | 0:08:23 | 0:08:24 | |
Well, sir... | 0:08:26 | 0:08:27 | |
..if you insist. | 0:08:28 | 0:08:30 | |
We must commence with the lead-up to Miss Rachel's 18th birthday, | 0:08:31 | 0:08:36 | |
in this house, this time last year. | 0:08:36 | 0:08:39 | |
SHE PLAYS PIANO | 0:08:43 | 0:08:46 | |
Please, have the yellow room readied. | 0:08:54 | 0:08:56 | |
Mr Franklin Blake arrives with us tomorrow. | 0:08:56 | 0:08:59 | |
I did not know Mr Franklin's foreign education had come to an end. | 0:08:59 | 0:09:03 | |
His plan is to stay with us for a month, | 0:09:03 | 0:09:06 | |
to keep Rachel's birthday. | 0:09:06 | 0:09:08 | |
He is probably in want of a decent dinner. | 0:09:08 | 0:09:10 | |
I hear his mother's 700 a year runs through him as through a sieve. | 0:09:10 | 0:09:14 | |
Such is the way of a young man abroad. | 0:09:14 | 0:09:16 | |
I shall be delighted to see Mr Franklin - | 0:09:17 | 0:09:20 | |
the nicest boy who ever spun a top...or broke a window. | 0:09:20 | 0:09:24 | |
The most atrocious tyrant that ever tortured a doll. | 0:09:24 | 0:09:26 | |
You worshipped him ten years ago. | 0:09:26 | 0:09:28 | |
And then he left. | 0:09:28 | 0:09:30 | |
I burn with indignation and I ache with fatigue | 0:09:32 | 0:09:35 | |
when I think of Franklin Blake. | 0:09:35 | 0:09:36 | |
SHE PLAYS "Piano Sonata No.16" by Mozart | 0:09:38 | 0:09:40 | |
Excuse me, my lady. | 0:09:44 | 0:09:46 | |
DRUMMING | 0:09:48 | 0:09:49 | |
May I help you, gentlemen? | 0:09:56 | 0:09:58 | |
I was just looking for the kitchen door. | 0:09:58 | 0:10:01 | |
May I present myself and my compatriot? | 0:10:01 | 0:10:04 | |
We are travelling entertainers, | 0:10:04 | 0:10:06 | |
and we beg permission to display our skills | 0:10:06 | 0:10:08 | |
in the presence of the lady of the house. | 0:10:08 | 0:10:10 | |
I'm sorry to inform you, the lady of the house is out. | 0:10:10 | 0:10:15 | |
I must ask you to come back another time. | 0:10:16 | 0:10:18 | |
Penelope, where are you going? | 0:10:30 | 0:10:32 | |
Rosanna is late to dinner, I'm sent to fetch her in. | 0:10:33 | 0:10:36 | |
-She walks alone again? -For her health, she says. | 0:10:36 | 0:10:39 | |
Though I would not go, for my health, where she's gone. | 0:10:39 | 0:10:42 | |
-To the sands. -As ever, | 0:10:42 | 0:10:44 | |
to the Shivering Sands. | 0:10:44 | 0:10:45 | |
The tide is on the turn. Go back inside. | 0:10:45 | 0:10:47 | |
I'll get her in. | 0:10:49 | 0:10:51 | |
And ask Samuel to lock the doors behind me. | 0:10:51 | 0:10:54 | |
'So, Mr Franklin, I hurried to that forlorn and treacherous place, | 0:11:00 | 0:11:05 | |
'which the very birds of the air give a wide berth. | 0:11:05 | 0:11:08 | |
'not so, Rosanna Spearman. | 0:11:08 | 0:11:11 | |
'This was our poor housemaid's favourite walk.' | 0:11:11 | 0:11:15 | |
You're late for dinner, Rosanna. | 0:11:16 | 0:11:19 | |
Come, come, now, girl. | 0:11:19 | 0:11:21 | |
You have been given a miraculous opportunity in this house. | 0:11:23 | 0:11:26 | |
You must try to use it. | 0:11:27 | 0:11:29 | |
I do my work. | 0:11:30 | 0:11:32 | |
Your past is all sponged out. | 0:11:32 | 0:11:35 | |
Why can't you forget it? | 0:11:35 | 0:11:37 | |
Would that we could just wash away the past, sir. | 0:11:38 | 0:11:41 | |
I cleaned this lapel for you just yesterday, | 0:11:51 | 0:11:54 | |
with a new composition warranted to remove any spot. | 0:11:54 | 0:11:57 | |
The stain is taken off, | 0:11:57 | 0:11:58 | |
but the play shows, Mr Betteredge, the play shows. | 0:11:58 | 0:12:01 | |
It's sitting everlastingly in this | 0:12:01 | 0:12:03 | |
miserable place that's the problem, not my outfit. | 0:12:03 | 0:12:06 | |
What makes you like being here? | 0:12:08 | 0:12:11 | |
I try to keep away, but I can't. | 0:12:12 | 0:12:14 | |
Have you seen what the sand will do? | 0:12:16 | 0:12:18 | |
Have you thrown a stone out there | 0:12:18 | 0:12:19 | |
and watched the quicksand suck it down? | 0:12:19 | 0:12:21 | |
That's unwholesome talk. | 0:12:21 | 0:12:23 | |
Sometimes, Mr Betteredge... | 0:12:24 | 0:12:25 | |
..I think my grave waits for me here. | 0:12:27 | 0:12:30 | |
What awaits you | 0:12:30 | 0:12:32 | |
is roast mutton and suet pudding! | 0:12:32 | 0:12:35 | |
This is what comes of thinking on an empty stomach! | 0:12:36 | 0:12:40 | |
Betteredge? | 0:12:42 | 0:12:43 | |
Betteredge, is that you? | 0:12:47 | 0:12:49 | |
Well, you may not remember the boy I was, | 0:12:51 | 0:12:52 | |
but I'll wager you remember the debt I still owe you. | 0:12:52 | 0:12:54 | |
Seven and sixpence, Mr Franklin Blake, | 0:12:57 | 0:13:00 | |
and ten years' interest! | 0:13:00 | 0:13:02 | |
But who charges interest amongst friends? | 0:13:02 | 0:13:05 | |
THEY LAUGH | 0:13:05 | 0:13:07 | |
What have you got there? | 0:13:08 | 0:13:10 | |
His buttonhole... | 0:13:11 | 0:13:12 | |
sir. | 0:13:12 | 0:13:13 | |
-Keep it. -Now, run along. | 0:13:13 | 0:13:16 | |
Your dinner will be cold! | 0:13:16 | 0:13:17 | |
Welcome back to the old place, Mr Franklin. | 0:13:19 | 0:13:22 | |
And all the more welcome that you're here, even before we expected you! | 0:13:22 | 0:13:25 | |
I have reason for that. | 0:13:25 | 0:13:28 | |
I travelled by today's, instead of tomorrow's train, | 0:13:28 | 0:13:30 | |
because I believed I was being followed. | 0:13:30 | 0:13:32 | |
By who? | 0:13:32 | 0:13:33 | |
By an Indian fellow, and I'd hoped to give him the slip. | 0:13:33 | 0:13:35 | |
Who would follow you, and why? | 0:13:35 | 0:13:37 | |
The why is easier than the who. | 0:13:37 | 0:13:39 | |
I'm come with my cousin Rachel's legacy from our uncle Herncastle, | 0:13:39 | 0:13:42 | |
to be given her on her 18th birthday. | 0:13:42 | 0:13:44 | |
Colonel Herncastle. | 0:13:44 | 0:13:46 | |
-What has he left Miss Rachel? -This. | 0:13:47 | 0:13:49 | |
'That day on the beach last year,' | 0:13:58 | 0:14:00 | |
there is something I regret, sir. | 0:14:00 | 0:14:02 | |
There are many things I regret. | 0:14:02 | 0:14:04 | |
I did not tell you what I knew of Colonel Herncastle. | 0:14:05 | 0:14:08 | |
I did not wish to pass on idle talk, and he was not of your generation, | 0:14:10 | 0:14:13 | |
so you would not have known what he was. | 0:14:13 | 0:14:16 | |
-Which was? -A hard man. | 0:14:16 | 0:14:18 | |
A cold man. | 0:14:18 | 0:14:20 | |
He and my lady were on poor terms. | 0:14:21 | 0:14:23 | |
She barred him from her house, her own brother. | 0:14:23 | 0:14:26 | |
But he forgave her. | 0:14:26 | 0:14:27 | |
He repented on his deathbed and left her daughter | 0:14:27 | 0:14:30 | |
a £20,000 diamond to prove it. | 0:14:30 | 0:14:32 | |
A diamond that he killed for. | 0:14:32 | 0:14:33 | |
That caused him to live out his days in fear of his life. | 0:14:34 | 0:14:38 | |
-A stone stained with blood and beset with a curse. -What are you saying? | 0:14:38 | 0:14:42 | |
The reconciliation was a lie? | 0:14:42 | 0:14:44 | |
Looking back, I now believe the wicked colonel fully intended | 0:14:44 | 0:14:48 | |
to visit the curse on his sister, | 0:14:48 | 0:14:51 | |
by means of her only child. | 0:14:51 | 0:14:53 | |
And the Lord knows he succeeded. | 0:14:53 | 0:14:56 | |
Someone has learned of your charge, and its value. | 0:14:59 | 0:15:02 | |
You say your pursuer was Indian? | 0:15:04 | 0:15:06 | |
Mayhap he's linked to those entertainers | 0:15:06 | 0:15:08 | |
I've just sent away from our door. | 0:15:08 | 0:15:10 | |
There were Indians at the house? | 0:15:11 | 0:15:13 | |
-Mayhap it is but chance coincidence. -Still... | 0:15:14 | 0:15:16 | |
..to the bank, Mr Franklin. | 0:15:17 | 0:15:19 | |
-Post haste! -No, you are right. | 0:15:19 | 0:15:21 | |
Your receipt, sir. | 0:15:46 | 0:15:48 | |
Cousin Franklin! | 0:16:00 | 0:16:02 | |
Cousin Rachel. | 0:16:11 | 0:16:12 | |
We thought you had got lost. I was on my way to rescue you. | 0:16:13 | 0:16:17 | |
# Trees where you sit | 0:16:21 | 0:16:25 | |
# Shall crowd into a shaa... | 0:16:25 | 0:16:30 | |
# Aaaa-aaade | 0:16:30 | 0:16:35 | |
# Trees where you sit | 0:16:35 | 0:16:40 | |
# Shall crowd into | 0:16:40 | 0:16:45 | |
# A shade. # | 0:16:45 | 0:16:48 | |
APPLAUSE | 0:16:48 | 0:16:50 | |
The next is a duet. | 0:16:58 | 0:16:59 | |
Ah. | 0:16:59 | 0:17:01 | |
You do not sing? | 0:17:01 | 0:17:02 | |
Or play? | 0:17:03 | 0:17:05 | |
I can accompany you on the harmonica, nothing more. | 0:17:05 | 0:17:08 | |
You will find me sadly lacking in gentlemanly pursuits. | 0:17:08 | 0:17:11 | |
I do not shoot... | 0:17:11 | 0:17:13 | |
or fence...or fish. | 0:17:13 | 0:17:16 | |
I can barely swim. | 0:17:16 | 0:17:18 | |
But what of culture? You practise no art at all? | 0:17:18 | 0:17:21 | |
Had I the benefit of a continental education, | 0:17:22 | 0:17:24 | |
I would've profited more than that. | 0:17:24 | 0:17:26 | |
I practise art. | 0:17:26 | 0:17:28 | |
Oh? | 0:17:28 | 0:17:29 | |
Will that smell like this forever? | 0:17:52 | 0:17:54 | |
It will dry to be perfectly odourless, I assure you. | 0:17:54 | 0:17:58 | |
At least for now it overwhelms the tobacco. | 0:17:58 | 0:18:01 | |
My smoking offends you? | 0:18:01 | 0:18:03 | |
-Then I will stop. -I would not make you. | 0:18:07 | 0:18:10 | |
You do not like it, I cast it out. | 0:18:10 | 0:18:12 | |
I'm finished with the surface preparations. | 0:18:19 | 0:18:22 | |
How very good. | 0:18:26 | 0:18:27 | |
Er, now, when we paint, this vehicle will fix the colour and then | 0:18:30 | 0:18:36 | |
we will decorate your door fit for the Sistine Chapel itself. | 0:18:36 | 0:18:39 | |
So what images will we paint? | 0:18:41 | 0:18:44 | |
Er... | 0:18:44 | 0:18:45 | |
..roses... | 0:18:48 | 0:18:50 | |
for a rose. | 0:18:50 | 0:18:52 | |
Not just flowers, surely? | 0:18:52 | 0:18:54 | |
I've brought a book of old prints with me from the Continent. | 0:18:56 | 0:18:59 | |
Old masters' moderns. | 0:19:01 | 0:19:02 | |
Take your pick. | 0:19:05 | 0:19:07 | |
-I'll do the side door, William, you get your rest. -Yes, sir. | 0:19:28 | 0:19:32 | |
DOG BARKS | 0:19:32 | 0:19:33 | |
-Betteredge, wait. -Oh. | 0:19:43 | 0:19:44 | |
Mr Franklin, I thought we had intruders. | 0:19:44 | 0:19:49 | |
What keeps you up so late? | 0:19:49 | 0:19:51 | |
I find I regret giving up tobacco, I pace half the night. | 0:19:51 | 0:19:54 | |
The things we do for love, hmm? Come, let's go inside, Mr Franklin. | 0:19:54 | 0:19:59 | |
-Penelope? -Miss Rachel. -Out there. | 0:20:10 | 0:20:14 | |
What is it? | 0:20:16 | 0:20:17 | |
PIANO PLAYS | 0:20:24 | 0:20:27 | |
-You are missing the primo part. -You have other pastimes these days. | 0:20:36 | 0:20:40 | |
We will have time enough to play when Franklin goes. | 0:20:41 | 0:20:44 | |
Try not to rest all your hopes with Franklin, Rachel. | 0:20:46 | 0:20:49 | |
-What in him do you object to? -He is not settled. He is not established. | 0:20:50 | 0:20:55 | |
-He is a better man for his travels. -My lady. The post. | 0:20:55 | 0:20:58 | |
Better maybe, certainly poorer. | 0:21:00 | 0:21:03 | |
As you yourself said, "Franklin Blake is careless with money." | 0:21:03 | 0:21:08 | |
He assures me that his debts are paid. | 0:21:08 | 0:21:11 | |
Your cousin Godfrey writes to accept your invitation for him | 0:21:11 | 0:21:14 | |
to keep your birthday with us. | 0:21:14 | 0:21:16 | |
You liked Godfrey well enough when you invited him. | 0:21:17 | 0:21:20 | |
I like him still. | 0:21:22 | 0:21:24 | |
Shall I help you with that? | 0:21:33 | 0:21:35 | |
I am perfectly capable of wielding my own paintbrush. | 0:21:35 | 0:21:39 | |
I know it, I...I merely thought since I'm more familiar | 0:21:39 | 0:21:42 | |
with the male form... | 0:21:42 | 0:21:44 | |
I'm more than conversant with the masculine torso. | 0:21:45 | 0:21:48 | |
The day of your arrival is etched on my mind. | 0:21:49 | 0:21:53 | |
Oh, I did not realise I'd made such an impression. | 0:21:53 | 0:21:55 | |
CUPS CLATTER OUTSIDE DOOR | 0:21:57 | 0:21:59 | |
Begging your pardon, sir, the tea you asked for? | 0:22:01 | 0:22:04 | |
Ah, thank you. | 0:22:14 | 0:22:15 | |
You may go. | 0:22:15 | 0:22:17 | |
Let me help you clean that smudge off your face. | 0:22:22 | 0:22:26 | |
GONG RINGS | 0:22:46 | 0:22:48 | |
Happy birthday, Rachel. | 0:22:52 | 0:22:54 | |
The sun is smiling on you today. | 0:22:58 | 0:22:59 | |
I know, I've been out picking you a buttonhole. | 0:22:59 | 0:23:03 | |
I should be giving you presents, not the other way about. | 0:23:04 | 0:23:07 | |
You mean you have none? | 0:23:07 | 0:23:09 | |
Now no matter what happens, I will be close to your heart. | 0:23:44 | 0:23:47 | |
You do not need a locket for that. | 0:23:47 | 0:23:50 | |
Thank you, Franklin. | 0:23:51 | 0:23:53 | |
Tired still! | 0:23:56 | 0:23:57 | |
Go back to bed, we need you fresh for the party. | 0:23:57 | 0:24:00 | |
I cannot sleep now, and we have more painting to do. | 0:24:00 | 0:24:04 | |
Take some water. | 0:24:11 | 0:24:12 | |
The door is done, then? | 0:24:12 | 0:24:14 | |
Thank heavens. | 0:24:15 | 0:24:17 | |
In time for the guests to admire the decoration tonight. | 0:24:17 | 0:24:20 | |
Though, I pray not touch it. | 0:24:20 | 0:24:22 | |
It takes an age to dry as well as smelling. | 0:24:22 | 0:24:25 | |
Gentle folks have a very awkward rock in life. | 0:24:25 | 0:24:28 | |
The rock of their own idleness. | 0:24:28 | 0:24:30 | |
Their lives being passed in looking above them for something to do, | 0:24:30 | 0:24:33 | |
it is curious to see how often they take to torturing | 0:24:33 | 0:24:37 | |
something or to spoiling something. | 0:24:37 | 0:24:39 | |
Well, Mr Franklin and Miss Rachel torture nothing. | 0:24:39 | 0:24:42 | |
No, they simply confine themselves to making a mess and all they have | 0:24:42 | 0:24:45 | |
spoilt, to do them justice, is your dinner and the panelling of a door. | 0:24:45 | 0:24:50 | |
Well, Mr Franklin must away to Frizinghall | 0:24:51 | 0:24:56 | |
or the bank will be closed. | 0:24:56 | 0:24:58 | |
Samuel has sent me to tell you a visitor's here for Mr Blake. | 0:24:58 | 0:25:02 | |
FRANKLIN SPEAKS FRENCH | 0:25:05 | 0:25:08 | |
Mr Franklin! Are you going to fetch the diamond? | 0:25:26 | 0:25:28 | |
Hold off till we can get a guard. | 0:25:28 | 0:25:30 | |
If I wait another minute, the bank will have closed. | 0:25:30 | 0:25:33 | |
Then go by Dr Candy's at Frizinghall, | 0:25:33 | 0:25:36 | |
he's coming for the party. | 0:25:36 | 0:25:37 | |
Ask him to keep you company on the way home. | 0:25:37 | 0:25:40 | |
But may hap there's still men out there who await your opportunity. | 0:25:40 | 0:25:44 | |
I have no need of a nursemaid. We have seen neither hide or hair | 0:25:44 | 0:25:46 | |
-of anyone in weeks. Trust me, I will keep it safe. -Mr Franklin... | 0:25:46 | 0:25:49 | |
SHE SPEAKS FRENCH | 0:25:49 | 0:25:52 | |
Er... | 0:25:54 | 0:25:55 | |
On the contrary I...I thought you had more integrity than | 0:25:55 | 0:25:59 | |
to eavesdrop on my private business. | 0:25:59 | 0:26:01 | |
You lied to me, Franklin. I told my mother your debts were settled. | 0:26:01 | 0:26:05 | |
I have the money. I have but to hand it over. | 0:26:05 | 0:26:07 | |
Which is the part that counts. | 0:26:07 | 0:26:09 | |
I cannot stomach a lie, Franklin. | 0:26:09 | 0:26:12 | |
-I have been nothing but honest with you. -I do not intend to mislead you. | 0:26:12 | 0:26:16 | |
-I have to go. -Would you ride away from me? Franklin. | 0:26:17 | 0:26:21 | |
-Cousin Godfrey! -Cousin Rachel. | 0:26:22 | 0:26:25 | |
Felicitations on your natal day. | 0:26:29 | 0:26:32 | |
Cousin Franklin, I thought you still in France. | 0:26:32 | 0:26:36 | |
HE SPEAKS FRENCH | 0:26:36 | 0:26:37 | |
Please, open it. | 0:26:37 | 0:26:40 | |
Oh, it's lovely. | 0:26:44 | 0:26:46 | |
Excuse me. | 0:26:48 | 0:26:49 | |
You're not leaving already, cousin? We have ten years to catch up on. | 0:26:49 | 0:26:53 | |
Er, Rachel, I do not want to leave in the middle of a quarrel. | 0:26:56 | 0:26:59 | |
Then don't go. | 0:26:59 | 0:27:00 | |
I'm delighted to have had you call for me, Mr Blake. | 0:27:28 | 0:27:32 | |
It's a lonely road without company. | 0:27:32 | 0:27:35 | |
-You're on edge, Mr Blake. -Just tired. | 0:27:36 | 0:27:40 | |
Do you sleep poorly? A young man like you? | 0:27:40 | 0:27:43 | |
-I've recently given up smoking. -Ah. | 0:27:43 | 0:27:46 | |
It will pass. | 0:27:46 | 0:27:48 | |
Come, Dr Candy, we can make better time than this. | 0:27:48 | 0:27:51 | |
Rosanna? | 0:28:18 | 0:28:19 | |
I couldn't finish my work this morning, I came back to complete it. | 0:28:21 | 0:28:25 | |
Well, you can leave it now. | 0:28:27 | 0:28:28 | |
Oh, wait. | 0:28:31 | 0:28:33 | |
Have you seen Miss Rachel? | 0:28:33 | 0:28:34 | |
I believe she's in the rose garden, sir, with Mr Godfrey. | 0:28:34 | 0:28:39 | |
I've been waiting for this moment for many a month. | 0:28:42 | 0:28:46 | |
-Godfrey... -No, no, don't speak, not until you've heard me out. | 0:28:46 | 0:28:51 | |
If you only knew how happy it makes me to be here with you. | 0:28:53 | 0:28:57 | |
Dare I dream that your heart also sings when we meet? | 0:28:59 | 0:29:02 | |
-Cousin... -Rachel... | 0:29:02 | 0:29:03 | |
-Will you honour me, will you bless me by being my wife? -Cousins! | 0:29:05 | 0:29:09 | |
Forgive the interruption but, er, Rachel, I've been sent to tell you | 0:29:12 | 0:29:16 | |
your birthday guests have begun to arrive. | 0:29:16 | 0:29:19 | |
An explorer, how fascinating... Ah. | 0:29:26 | 0:29:30 | |
I, too, am an explorer, Mr Murthwaite, of the human body, | 0:29:30 | 0:29:34 | |
a man of science, not of geography. | 0:29:34 | 0:29:37 | |
Where or what do you explore? | 0:29:37 | 0:29:40 | |
I have spent much of my adult life travelling through India. | 0:29:40 | 0:29:44 | |
I'm fortunate indeed to be here to keep my goddaughter's 18th, | 0:29:44 | 0:29:48 | |
I've missed so many of the rest. | 0:29:48 | 0:29:50 | |
-You must find it very lonely. -On the contrary, I find it most restful. | 0:29:52 | 0:29:56 | |
Oh, my dear Mr Godfrey, I was so hoping to see you here tonight. | 0:29:58 | 0:30:02 | |
Mm, Miss Clack. | 0:30:02 | 0:30:04 | |
You hardly seem yourself. | 0:30:04 | 0:30:06 | |
I have great news of the Mothers' Small Clothes Conversion Society | 0:30:06 | 0:30:10 | |
and the Sunday Sweethearts Supervision Society. | 0:30:10 | 0:30:13 | |
-Well, I cannot wait. -Mm-hm. -Another gift? | 0:30:13 | 0:30:17 | |
-Are you asking for this one back? -No. Why? Do you wish to return it? | 0:30:17 | 0:30:22 | |
Mama, Franklin's being most mysterious. | 0:30:24 | 0:30:27 | |
-He says he has something to give me but you must be present. -Very well. | 0:30:27 | 0:30:31 | |
-What here? -Where else? | 0:30:33 | 0:30:36 | |
Well, I am but the courier of this present. | 0:30:36 | 0:30:39 | |
-It is left to you by our uncle, Colonel John Herncastle. -Oh. | 0:30:39 | 0:30:43 | |
GONG RINGS | 0:31:08 | 0:31:10 | |
£20,000. | 0:31:12 | 0:31:16 | |
Well, think of the Christians that could profit | 0:31:16 | 0:31:18 | |
by small clothes for the price of this bauble. | 0:31:18 | 0:31:21 | |
Well, it's carbon, Miss Clack. Mere carbon, my good friend, after all. | 0:31:21 | 0:31:27 | |
-May I? -Oh, of course. | 0:31:27 | 0:31:30 | |
Miss Rachel, in the interests of science, | 0:31:34 | 0:31:37 | |
-please donate me your diamond. -To do what with? -To burn it of course. | 0:31:37 | 0:31:42 | |
We will first heat it to a high degree then expose it to | 0:31:42 | 0:31:45 | |
a current of air, and, then, little by little, puff! | 0:31:45 | 0:31:48 | |
We evaporate the diamond and save you a world of anxiety | 0:31:48 | 0:31:52 | |
about the safekeeping of a valuable stone. | 0:31:52 | 0:31:55 | |
-I rather wish you were in earnest, Dr Candy. -Oh, but I am. | 0:31:55 | 0:31:59 | |
I've had my fill of the diamond. | 0:32:04 | 0:32:07 | |
Let somebody who has not tried its magnetism feel the pull. | 0:32:07 | 0:32:10 | |
-Oh, Mr Franklin, I mustn't. -Please, you must. | 0:32:14 | 0:32:17 | |
Oh. It's like the light of the harvest moon. | 0:32:24 | 0:32:27 | |
Resisting the draw of the tobacco, Mr Franklin? | 0:32:37 | 0:32:40 | |
Without its soothing influence, I'm astounded you sleep at all. | 0:32:40 | 0:32:44 | |
It is indeed exquisite. | 0:32:50 | 0:32:51 | |
If ever you accompany me to India, my dear, I think we'll leave | 0:33:00 | 0:33:03 | |
your uncle's gift at home. | 0:33:03 | 0:33:06 | |
With this in hand, I know a certain temple in a certain city | 0:33:06 | 0:33:08 | |
where your life would not be worth five minutes purchase. | 0:33:08 | 0:33:13 | |
Oh. | 0:33:13 | 0:33:15 | |
Well, I think Rachel can | 0:33:15 | 0:33:17 | |
rely on me to protect her in the future, Mr Murthwaite. | 0:33:17 | 0:33:20 | |
-Let me help you, sir. -Help me with what? | 0:33:20 | 0:33:24 | |
You are out of sorts, sir. Your nerves are all out of order. | 0:33:24 | 0:33:28 | |
-What business is it of yours? -Why, my daily business as a doctor. | 0:33:28 | 0:33:31 | |
You need to go through a course of medicine immediately. | 0:33:31 | 0:33:34 | |
A course of medicine and a course of groping in the dark | 0:33:34 | 0:33:36 | |
mean in my estimation one and the same thing. | 0:33:36 | 0:33:38 | |
Constitutionally speaking, Mr Franklin, | 0:33:38 | 0:33:40 | |
you yourself are groping in the dark for sleep | 0:33:40 | 0:33:42 | |
and nothing but medicine will help you to find it! | 0:33:42 | 0:33:45 | |
It is you, sir, making me tense, not smoking or otherwise. | 0:33:45 | 0:33:48 | |
Out of my way, man. | 0:33:48 | 0:33:49 | |
Ladies, gentlemen, if I may, would you all be upstanding | 0:33:51 | 0:33:55 | |
for the beautiful, fascinating Miss Rachel Verinder. | 0:33:55 | 0:33:58 | |
On this, the occasion of her 18th birthday. | 0:33:59 | 0:34:02 | |
Now, I know Rachel well. She and I have grown up together, | 0:34:02 | 0:34:05 | |
and I hope in due course to know her better which is to say... | 0:34:05 | 0:34:08 | |
..I very much hope Rachel will do me the honour of, er... | 0:34:10 | 0:34:14 | |
GASPING AND LAUGHTER | 0:34:14 | 0:34:16 | |
ALL: # For she's a jolly good fellow | 0:34:16 | 0:34:19 | |
# For she's a jolly good fellow | 0:34:19 | 0:34:22 | |
# For she's a jolly good fellow... # | 0:34:22 | 0:34:26 | |
Let us forget what has passed, Godfrey, | 0:34:26 | 0:34:28 | |
and let us be cousins still. | 0:34:28 | 0:34:29 | |
# For she's a jolly good fellow | 0:34:30 | 0:34:35 | |
# That nobody can deny! # | 0:34:35 | 0:34:40 | |
Thank you. | 0:34:40 | 0:34:41 | |
CHATTER | 0:34:41 | 0:34:44 | |
What do you see in there, Mr Murthwaite? Rachel's future? | 0:34:47 | 0:34:51 | |
I'm no clairvoyant, Mr Blake. I can see nothing, | 0:34:52 | 0:34:56 | |
but your future will be short, my dear, if you hold on to this gem. | 0:34:56 | 0:35:01 | |
What do you mean? | 0:35:05 | 0:35:06 | |
The moonstone is of inestimable value in India, | 0:35:06 | 0:35:10 | |
not financial, of course, but spiritual. | 0:35:10 | 0:35:12 | |
Its appointed guardians would move heaven and earth to reclaim it. | 0:35:14 | 0:35:18 | |
But this is England, Mr Murthwaite. | 0:35:18 | 0:35:20 | |
If a thousand lives stood between them | 0:35:20 | 0:35:23 | |
and the diamond and they thought | 0:35:23 | 0:35:24 | |
they could do it without discovery, the guardians would take them all. | 0:35:24 | 0:35:28 | |
INDIAN MUSIC STARTS OUTSIDE | 0:35:28 | 0:35:29 | |
What is that? | 0:35:29 | 0:35:31 | |
Rachel, no. | 0:35:31 | 0:35:33 | |
Oh, what devil is this? | 0:35:43 | 0:35:45 | |
Oh, dear Mr Godfrey, your Christian presence is of great relief to me. | 0:35:47 | 0:35:52 | |
Rachel, please. | 0:36:05 | 0:36:06 | |
-Miss Rachel. -Leave me be. | 0:36:06 | 0:36:07 | |
Rachel. | 0:36:12 | 0:36:14 | |
MURTHWAITE SPEAKS IN URDU | 0:36:26 | 0:36:29 | |
What did you say to them? Why did they stop? | 0:36:40 | 0:36:42 | |
Rachel, perhaps you could play something for our guests? | 0:36:42 | 0:36:45 | |
Dr Candy, might I ask you a favour? | 0:36:45 | 0:36:48 | |
That cannot be chance. | 0:36:48 | 0:36:50 | |
The very same entertainers I saw three weeks ago. | 0:36:50 | 0:36:52 | |
Mr Betteredge, those three fellows are no more entertainers than you | 0:36:52 | 0:36:56 | |
or I. Unless after long experience I am utterly mistaken, those men are | 0:36:56 | 0:37:02 | |
high caste Brahmins, and from what you've told me about the moonstone | 0:37:02 | 0:37:06 | |
tonight, Mr Blake, I judge that you have had more narrow escapes of | 0:37:06 | 0:37:10 | |
your life than I've had of mine, and that is saying a very great deal. | 0:37:10 | 0:37:14 | |
They have seen the moonstone in Miss Verinder's hand, what is to be done? | 0:37:14 | 0:37:18 | |
They are its rightful owners - give it back to them. | 0:37:18 | 0:37:21 | |
I see, you think I've lost my mind? | 0:37:22 | 0:37:24 | |
The alternative - | 0:37:24 | 0:37:27 | |
send the diamond tomorrow to be cut up at Amsterdam, | 0:37:27 | 0:37:29 | |
make half a dozen diamonds of it, there is an end of the sacred | 0:37:29 | 0:37:33 | |
identity of the moonstone and there is an end of the conspiracy. | 0:37:33 | 0:37:37 | |
Then there is no hope for it, | 0:37:37 | 0:37:39 | |
we must speak to Lady Verinder first thing tomorrow. | 0:37:39 | 0:37:41 | |
What about tonight? Suppose those murderous devils come back? | 0:37:41 | 0:37:47 | |
Now they are found out? | 0:37:47 | 0:37:48 | |
No, they will not risk it. | 0:37:48 | 0:37:50 | |
But if you need reassurance, let the dogs loose. | 0:37:50 | 0:37:53 | |
Our canine friends have one great merit, Mr Betteredge. | 0:37:53 | 0:37:57 | |
They are not likely to be troubled with the same scruples | 0:37:57 | 0:38:01 | |
you have about the sanctity of human life. | 0:38:01 | 0:38:04 | |
Can I help you, doctor? | 0:38:10 | 0:38:12 | |
Lady Verinder has an attack of the migraines. | 0:38:12 | 0:38:14 | |
She seems unusually burdened this evening. | 0:38:14 | 0:38:18 | |
Hosting a party's a taxing business, Dr Candy. | 0:38:18 | 0:38:21 | |
Hopefully this will give her some relief. | 0:38:21 | 0:38:26 | |
-Thank you, Dr Candy. -Are you quite well, Aunt? | 0:38:38 | 0:38:41 | |
That heathen parade outside gives me palpitations still. | 0:38:41 | 0:38:45 | |
I'm in perfect health, Drusilla, I assure you. | 0:38:45 | 0:38:49 | |
Well, perhaps it is time to take our leave. | 0:38:49 | 0:38:51 | |
A stirrup cup before you go, sirs? | 0:38:51 | 0:38:54 | |
Come, sir, we quarrelled earlier, let us not part in bad humour, | 0:39:04 | 0:39:07 | |
-I apologise if I gave offence. -None taken. | 0:39:07 | 0:39:10 | |
Rachel, where shall we put your diamond tonight? | 0:39:16 | 0:39:19 | |
In my Indian cabinet, of course, so it may feel at home. | 0:39:19 | 0:39:23 | |
My dear, your cabinet has no lock to it. | 0:39:23 | 0:39:25 | |
Good heavens, Mama, is this an hotel? | 0:39:25 | 0:39:28 | |
Are there thieves in the house? | 0:39:28 | 0:39:30 | |
Your mother is right, it is of fantastic value, | 0:39:31 | 0:39:34 | |
it should be under lock and key. Let me look after it tonight | 0:39:34 | 0:39:37 | |
until we can take it for safekeeping tomorrow. | 0:39:37 | 0:39:39 | |
Who in this house is not our friend? | 0:39:39 | 0:39:41 | |
I will not insult our guests or staff by making them feel suspected. | 0:39:43 | 0:39:47 | |
It will stay with me. | 0:39:48 | 0:39:50 | |
Rachel, come to my room first thing tomorrow morning. | 0:39:50 | 0:39:54 | |
I shall have something to say to you. | 0:39:54 | 0:39:57 | |
Goodnight to you all. | 0:39:57 | 0:39:58 | |
I, er... | 0:40:04 | 0:40:05 | |
We are friends and cousins still, are we not, Godfrey? | 0:40:06 | 0:40:12 | |
Of course. | 0:40:12 | 0:40:14 | |
I would want nothing less. | 0:40:14 | 0:40:16 | |
You painted this? | 0:40:24 | 0:40:26 | |
We did. | 0:40:26 | 0:40:28 | |
Goodnight. | 0:40:34 | 0:40:36 | |
Our quarrel this morning... | 0:40:39 | 0:40:42 | |
I'm sorry, I just... | 0:40:42 | 0:40:44 | |
I didn't want you to think badly of me. | 0:40:44 | 0:40:47 | |
I'm sorry I misled you and I promise on my life I never will again. | 0:40:48 | 0:40:53 | |
Am I forgiven? | 0:40:54 | 0:40:56 | |
It is late. | 0:41:00 | 0:41:03 | |
Let us speak in the morning. | 0:41:03 | 0:41:05 | |
James is outside with the carriage. | 0:41:15 | 0:41:17 | |
Safe journeys, sirs. | 0:41:17 | 0:41:20 | |
-It is not we who are in danger, Betteredge. -Er... | 0:41:20 | 0:41:23 | |
Fear not, the guardians will not return tonight, | 0:41:23 | 0:41:25 | |
I'd wager my reputation on it. | 0:41:25 | 0:41:27 | |
I sincerely hope you're right, Mr Murthwaite. | 0:41:27 | 0:41:30 | |
BETTEREDGE GASPS | 0:41:38 | 0:41:40 | |
I'll go around once again just for good measure. | 0:41:40 | 0:41:44 | |
And, Samuel, set the dogs loose. | 0:41:44 | 0:41:47 | |
'Fear of danger is 10,000 times | 0:42:01 | 0:42:03 | |
'more terrifying then danger itself when apparent to the eyes and | 0:42:03 | 0:42:08 | |
'we find the burden of anxiety greater by much than the evil | 0:42:08 | 0:42:12 | |
'which we are anxious about.' | 0:42:12 | 0:42:14 | |
And did you find that to be the case | 0:42:14 | 0:42:16 | |
when you realised what had gone on that night? | 0:42:16 | 0:42:19 | |
Maybe not, sir. | 0:42:21 | 0:42:23 | |
Maybe not. | 0:42:23 | 0:42:24 | |
Help! | 0:43:05 | 0:43:06 | |
Penelope! Help! The moonstone, it's gone! | 0:43:07 | 0:43:11 | |
Out in the rose garden now is the very man whose help we need - | 0:43:37 | 0:43:41 | |
the great Cuff himself. | 0:43:41 | 0:43:43 | |
I have one remark on handing this case to you. | 0:43:43 | 0:43:45 | |
Rachel Verinder lost the moonstone, what did YOU lose? | 0:43:45 | 0:43:48 |