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In the last year of the 18th century, Colonel John Herncastle | 0:00:14 | 0:00:19 | |
plundered from India a priceless and most sacred yellow diamond. | 0:00:19 | 0:00:24 | |
Vishnu the Preserver laid his curse on the thief, | 0:00:26 | 0:00:29 | |
commanding three priests to search forever for his moonstone. | 0:00:29 | 0:00:33 | |
But the wicked colonel smuggled the stone to England. | 0:00:35 | 0:00:39 | |
In his will, he bequeathed the diamond to his beautiful | 0:00:39 | 0:00:42 | |
young niece, Miss Rachel Verinder. | 0:00:42 | 0:00:45 | |
Rachel's gallant cousin, | 0:00:45 | 0:00:47 | |
Mr Franklin Blake, was charged with the gem's delivery. | 0:00:47 | 0:00:50 | |
Rachel was bewitched by her diamond. | 0:00:54 | 0:00:57 | |
She insisted on keeping it in a cabinet in her bedroom | 0:00:57 | 0:01:00 | |
overnight but in the morning... | 0:01:00 | 0:01:03 | |
Help! The moonstone - it's gone! | 0:01:03 | 0:01:05 | |
Lady Verinder! Father! | 0:01:06 | 0:01:09 | |
Help! Help! | 0:01:09 | 0:01:10 | |
DOG BARKS | 0:01:10 | 0:01:12 | |
Rachel, what has happened? | 0:01:12 | 0:01:13 | |
We will find it. It cannot have gone far, trust me. | 0:01:17 | 0:01:21 | |
Trust? How can I trust anyone after this? | 0:01:21 | 0:01:25 | |
-What has happened? -The diamond has been stolen. | 0:01:25 | 0:01:27 | |
Oh, let me! | 0:01:29 | 0:01:30 | |
-You really think someone has taken it? -We should never have let her keep it with her. | 0:01:33 | 0:01:37 | |
Think of the danger she was in. Why didn't I wake? | 0:01:37 | 0:01:39 | |
-A very stealthy and cunning thief. -Those entertainers from last night - | 0:01:39 | 0:01:42 | |
they could've scaled the wall and climbed in at her window. | 0:01:42 | 0:01:44 | |
The first thing for the police to do is lay hands on them. | 0:01:44 | 0:01:47 | |
You think they're the thieves? | 0:01:47 | 0:01:48 | |
We should've heeded Murthwaite's warning. Aunt! | 0:01:48 | 0:01:50 | |
I have never seen her so upset. | 0:01:50 | 0:01:52 | |
Oh, she's suffered a great shock as well as a great loss. | 0:01:52 | 0:01:55 | |
Oh, to think the thief was right here. | 0:01:55 | 0:01:56 | |
One must not underestimate the effect of such a violation. | 0:01:56 | 0:01:59 | |
I beg you to give me a letter of instruction to the magistrate | 0:01:59 | 0:02:01 | |
at Frizinghall, telling him I represent your interests | 0:02:01 | 0:02:04 | |
-and let me ride with it instantly. -I'll come with you. | 0:02:04 | 0:02:06 | |
I'll fetch the police, you find that Murthwaite chap. | 0:02:06 | 0:02:08 | |
-He's the only one who can understand their gibberish. -Urdu. | 0:02:08 | 0:02:11 | |
It's all Greek to me. | 0:02:11 | 0:02:13 | |
You're a lucky man. | 0:02:32 | 0:02:33 | |
If you'd woken and they'd seen you, they would've slit your throat. | 0:02:33 | 0:02:38 | |
You see, these men care as much about killing a man | 0:02:38 | 0:02:41 | |
as we care about cracking an egg. | 0:02:41 | 0:02:44 | |
The murdering thieves. | 0:02:46 | 0:02:48 | |
Well, it's all a question of perspective, Mr Blake. | 0:02:48 | 0:02:50 | |
In their eyes, your uncle Colonel Herncastle is the thief. | 0:02:50 | 0:02:53 | |
They are merely reclaiming what was stolen from them. | 0:02:53 | 0:02:57 | |
Thank you. Come - let's go at once. We've no time to lose. | 0:02:57 | 0:03:00 | |
Please, Rachel, try. | 0:03:05 | 0:03:07 | |
Franklin has gone for the police. We'll know more when they get here. | 0:03:07 | 0:03:11 | |
The police? | 0:03:11 | 0:03:13 | |
He goes too far. | 0:03:15 | 0:03:17 | |
I'm sure they can be relied upon to respect our privacy. | 0:03:19 | 0:03:22 | |
I too desire to avoid a scandal but the theft must be reported. | 0:03:22 | 0:03:26 | |
You don't understand. I can't see the police. I can't talk to them. | 0:03:26 | 0:03:30 | |
KNOCK ON DOOR | 0:03:30 | 0:03:32 | |
My lady. Superintendent Seegrave at your service. | 0:03:37 | 0:03:40 | |
Miss Verinder, if your diamond is near as beautiful as your good self, | 0:03:42 | 0:03:46 | |
I can quite see why it was stolen. | 0:03:46 | 0:03:48 | |
Good morning, officer. | 0:03:50 | 0:03:51 | |
My diamond is lost. Neither he nor anyone else will ever find it. | 0:03:54 | 0:03:58 | |
I must apologise on behalf of my daughter. | 0:04:01 | 0:04:04 | |
The loss of the diamond has completely overwhelmed her. | 0:04:04 | 0:04:07 | |
She's not herself. | 0:04:07 | 0:04:09 | |
And she's not been the same ever since. | 0:04:10 | 0:04:13 | |
There's a very good likeness, sir - | 0:04:13 | 0:04:15 | |
to the Rachel of yesteryear, not to the Rachel of today. | 0:04:15 | 0:04:18 | |
You are right, Gabriel. | 0:04:20 | 0:04:22 | |
It is as if, with the theft of the diamond, | 0:04:29 | 0:04:31 | |
something else was stolen from her. | 0:04:31 | 0:04:33 | |
I wish that cursed jewel had never come back into the house. | 0:04:33 | 0:04:36 | |
You may as well curse me. | 0:04:38 | 0:04:40 | |
I brought the diamond here. | 0:04:40 | 0:04:41 | |
I brought its blight on the Verinders. | 0:04:41 | 0:04:44 | |
But you've come back to try and lift it, sir. | 0:04:44 | 0:04:46 | |
And, out in the rose garden now, if I'm not much mistaken, | 0:04:47 | 0:04:51 | |
is the very man whose help we need - the great Cuff himself. | 0:04:51 | 0:04:55 | |
Good morning, sergeant. Thank you so much for your speedy arrival. | 0:05:04 | 0:05:07 | |
I am delighted to see you again. | 0:05:07 | 0:05:10 | |
You too, Mr Blake. I just wish the circumstances were different. | 0:05:10 | 0:05:13 | |
Tragic, gone to seed. Used to be such a well-kept house and garden. | 0:05:15 | 0:05:20 | |
It can be again. | 0:05:20 | 0:05:22 | |
I want to reopen the investigation. | 0:05:22 | 0:05:24 | |
I want to pick up where we left off last year. | 0:05:24 | 0:05:26 | |
I wish you luck. | 0:05:26 | 0:05:28 | |
I'd like to re-engage you. | 0:05:28 | 0:05:30 | |
Well, I'm sorry but I'm afraid that won't be possible. | 0:05:30 | 0:05:32 | |
I'll pay, whatever it takes. | 0:05:32 | 0:05:34 | |
Oh, money isn't the issue, | 0:05:34 | 0:05:35 | |
I'm afraid the circumstances have changed since we last met. | 0:05:35 | 0:05:39 | |
I'm retired. | 0:05:39 | 0:05:40 | |
Then why make the journey? | 0:05:40 | 0:05:42 | |
Well, as a courtesy to see you in person, to pass on some advice. | 0:05:42 | 0:05:48 | |
Well, I'm seeking advice, too. | 0:05:49 | 0:05:51 | |
I'm devoting my retirement to my rose garden | 0:05:51 | 0:05:54 | |
and whatever fondness I have left to bestow, my roses get it. | 0:05:54 | 0:05:58 | |
An odd hobby for a man in your line of life. | 0:05:58 | 0:06:00 | |
Well, if you look around you, which most people don't... | 0:06:00 | 0:06:04 | |
..you'll find that the nature of a man's tastes, at most times, | 0:06:05 | 0:06:09 | |
is as opposite as possible to a man's business. | 0:06:09 | 0:06:11 | |
Take yourself, for example, Mr Blake. | 0:06:13 | 0:06:15 | |
I beg your pardon? | 0:06:15 | 0:06:17 | |
What's the real reason for this reinvestigation? | 0:06:17 | 0:06:19 | |
The moonstone. | 0:06:19 | 0:06:20 | |
Is it? Miss Rachel Verinder lost the moonstone. What did YOU lose? | 0:06:20 | 0:06:26 | |
I... | 0:06:29 | 0:06:31 | |
The heart of a rose is more precious to me than any diamond. | 0:06:31 | 0:06:34 | |
Mmm. | 0:06:36 | 0:06:38 | |
It's nice to see grass between the rose beds, not gravel. | 0:06:38 | 0:06:42 | |
Gravel's too hard for them. | 0:06:42 | 0:06:43 | |
What did YOU lose, sergeant? | 0:06:45 | 0:06:46 | |
You lost something here, too, which you want to recover? | 0:06:48 | 0:06:51 | |
Or did you just come all this way for gardening advice? | 0:06:51 | 0:06:54 | |
Stay - work with me to solve this case. | 0:06:56 | 0:07:00 | |
I'm giving you the opportunity to get your reputation back. | 0:07:00 | 0:07:03 | |
If I'd been first officer on that scene, | 0:07:03 | 0:07:07 | |
neither the diamond nor my reputation would need recovering. | 0:07:07 | 0:07:12 | |
Mm. | 0:07:15 | 0:07:16 | |
Much appreciated, milady. | 0:07:21 | 0:07:24 | |
Now, I'd like to take a walk around the premises. Meanwhile, could we | 0:07:24 | 0:07:28 | |
gather everyone together who was in the house last night? | 0:07:28 | 0:07:31 | |
Servants AND gentry. Just a formality. | 0:07:31 | 0:07:34 | |
These travelling performers - could one of them have slipped | 0:07:38 | 0:07:40 | |
into the hall in the confusion when the dinner party were leaving? | 0:07:40 | 0:07:43 | |
-It is a possibility. -But... | 0:07:43 | 0:07:45 | |
He would only have to wait until the house was quiet | 0:07:45 | 0:07:47 | |
and steal the diamond from the cabinet. | 0:07:47 | 0:07:49 | |
-The dogs never barked, sir. -The dogs could've been drugged. | 0:07:49 | 0:07:52 | |
DOG BARKS | 0:07:52 | 0:07:56 | |
Take me to the scene of the crime. | 0:07:56 | 0:07:58 | |
I have a hypothesis forming. | 0:07:58 | 0:08:00 | |
Milady, you have, without doubt, been played upon and duped | 0:08:02 | 0:08:07 | |
by the tricksters who performed at your daughter's birthday. | 0:08:07 | 0:08:10 | |
They juggled identity as well as fire. | 0:08:10 | 0:08:13 | |
I have a strong hunch they're the thieves who stole the diamond. | 0:08:13 | 0:08:16 | |
Madam! | 0:08:16 | 0:08:18 | |
Madam. | 0:08:18 | 0:08:19 | |
HE BREATHES HEAVILY | 0:08:19 | 0:08:21 | |
The travelling performers are innocent, | 0:08:21 | 0:08:23 | |
I've been with Murthwaite to the magistrate and it has been proven | 0:08:23 | 0:08:25 | |
to be simply impossible for them to have stolen the diamond. | 0:08:25 | 0:08:28 | |
Are you sure, Franklin? How do you come by such a certainty? | 0:08:28 | 0:08:32 | |
Excuse me, sir. I believe this is information I should receive | 0:08:33 | 0:08:37 | |
before any other member of the household. | 0:08:37 | 0:08:40 | |
They have a cast-iron alibi. | 0:08:46 | 0:08:48 | |
They were all three seen returning to Frizinghall by several | 0:08:48 | 0:08:51 | |
local witnesses and then again at midnight by the constable | 0:08:51 | 0:08:53 | |
who was searching the guesthouse they were lodging in on other business. | 0:08:53 | 0:08:56 | |
As I was trying to tell you, sir, there was no way anyone | 0:08:56 | 0:08:59 | |
could've entered or left the building overnight. | 0:08:59 | 0:09:01 | |
The doors and windows were bolted from the inside | 0:09:01 | 0:09:04 | |
when I checked this morning. | 0:09:04 | 0:09:05 | |
Why didn't you speak up, man! | 0:09:05 | 0:09:06 | |
Out! All of you - downstairs! See the damage you're doing? | 0:09:08 | 0:09:12 | |
You've smeared the door. | 0:09:12 | 0:09:14 | |
Look what mischief your skirts have done already. | 0:09:14 | 0:09:16 | |
Clear out, clear out! | 0:09:16 | 0:09:18 | |
Rosanna! | 0:09:23 | 0:09:24 | |
I need some air. | 0:09:24 | 0:09:26 | |
She's having one of her turns. | 0:09:26 | 0:09:27 | |
This information from the magistrate changes everything. | 0:09:28 | 0:09:32 | |
The diamond must've been stolen by someone | 0:09:32 | 0:09:34 | |
who slept in this house last night. | 0:09:34 | 0:09:36 | |
Man the doors. I don't want anyone leaving or entering | 0:09:36 | 0:09:39 | |
unless at my say so until further orders. Go on! | 0:09:39 | 0:09:43 | |
I will be needing to search the servants' rooms and boxes immediately. | 0:09:45 | 0:09:48 | |
Out of the question. My servants are not thieves. | 0:09:48 | 0:09:52 | |
Nor will I have them treated as such. | 0:09:52 | 0:09:54 | |
They have as much right to privacy as I do. | 0:09:54 | 0:09:56 | |
Begging your pardon, madam, notwithstanding a certain respect | 0:09:58 | 0:10:01 | |
for your very admirable faith in your staff, if you tie my hands | 0:10:01 | 0:10:05 | |
in this way, I'm afraid I will be unable to continue with this investigation. | 0:10:05 | 0:10:10 | |
Being bold enough to speak on behalf of your loyal servants, madam, | 0:10:10 | 0:10:13 | |
we gratefully thank your ladyship | 0:10:13 | 0:10:15 | |
but we ask permission to do what is right in this matter. | 0:10:15 | 0:10:19 | |
When Gabriel Betteredge sets the example, | 0:10:21 | 0:10:24 | |
the rest of the servants will follow, I assure you. | 0:10:24 | 0:10:27 | |
Back to work, please. | 0:10:36 | 0:10:39 | |
No dawdling. | 0:10:39 | 0:10:41 | |
Quick, now. | 0:10:41 | 0:10:42 | |
You, girl. | 0:10:45 | 0:10:47 | |
I want to speak to you. | 0:10:47 | 0:10:49 | |
You are Miss Rachel's maid, are you not? | 0:10:51 | 0:10:53 | |
Yes, sir. | 0:10:55 | 0:10:56 | |
A word, please. | 0:10:56 | 0:10:58 | |
Rosanna? | 0:11:03 | 0:11:04 | |
Are you quite well? | 0:11:06 | 0:11:08 | |
Yes, milady. Quite well. | 0:11:08 | 0:11:10 | |
Now, young woman. | 0:11:11 | 0:11:13 | |
Attend to me - and mind you speak the truth this time. | 0:11:13 | 0:11:18 | |
I've never been taught to tell lies, Mr Policeman, | 0:11:18 | 0:11:21 | |
and if father can stand there and hear me accused of falsehood | 0:11:21 | 0:11:25 | |
and thieving and my bedroom door shut against me | 0:11:25 | 0:11:28 | |
and my character taken away, which is all a poor girl has left, | 0:11:28 | 0:11:32 | |
then he is not the good father I take him for. | 0:11:32 | 0:11:35 | |
Do you know where Miss Rachel put the diamond? | 0:11:37 | 0:11:42 | |
I saw her put it in the drawer of the cabinet last thing at night. | 0:11:42 | 0:11:46 | |
You were the last person to see the diamond. | 0:11:46 | 0:11:49 | |
The thief were the last person to see the diamond. | 0:11:49 | 0:11:52 | |
I were the first of the servants to see it gone, | 0:11:52 | 0:11:55 | |
when I came in with Miss Rachel's tea at 8am this morning. | 0:11:55 | 0:11:59 | |
Upon that, I alarmed the house. | 0:11:59 | 0:12:01 | |
KNOCK ON DOOR | 0:12:01 | 0:12:03 | |
Dr Candy, is my aunt unwell again? | 0:12:11 | 0:12:14 | |
And no wonder, amidst this terrible innovation. | 0:12:14 | 0:12:18 | |
She knows the value of a doctor and, as a doctor, tell me, Mr Blake, | 0:12:18 | 0:12:21 | |
will you try a little medicine today? | 0:12:21 | 0:12:24 | |
With all this shock and excitement, you will never sleep without it. | 0:12:24 | 0:12:27 | |
Well, there you are out, Dr Candy. I had an excellent night's rest. | 0:12:27 | 0:12:31 | |
In fact, I regret I slept through on the one night I wish I'd been awake. | 0:12:31 | 0:12:34 | |
You have had something else beside an excellent night's rest, sir. | 0:12:34 | 0:12:39 | |
You have had a sleeping draught, sir, before you went to bed. | 0:12:39 | 0:12:43 | |
Come, sir. We quarrelled earlier. Let us not part in bad humour. | 0:12:44 | 0:12:48 | |
I apologise if I gave offence. | 0:12:48 | 0:12:49 | |
And none taken. | 0:12:49 | 0:12:50 | |
What say you now to the art of medicine? | 0:12:52 | 0:12:55 | |
I say, sir, you are a fool - an interfering fool! | 0:12:55 | 0:12:58 | |
I beg your pardon! | 0:12:58 | 0:12:59 | |
I am merely vindicating the reputation of my profession | 0:12:59 | 0:13:03 | |
and proving you the fool, my dear Mr Blake, | 0:13:03 | 0:13:05 | |
for mistrusting medicine, myself and my medical colleagues. | 0:13:05 | 0:13:08 | |
If I'd had my usual sleepless night, I might've caught the thief | 0:13:08 | 0:13:11 | |
and the diamond would never have been stolen. | 0:13:11 | 0:13:12 | |
Dear Dr Candy! I'm so glad you are here. | 0:13:12 | 0:13:16 | |
Once we have spoken, may I prevail upon your services | 0:13:16 | 0:13:20 | |
to attend to one of our servant girls also? | 0:13:20 | 0:13:22 | |
Of course, Lady Verinder. | 0:13:22 | 0:13:24 | |
Hamlay, Mauckay, yonder. | 0:13:30 | 0:13:32 | |
SQUELCHING | 0:13:42 | 0:13:44 | |
Oh! | 0:13:44 | 0:13:45 | |
Wretched hound! | 0:13:47 | 0:13:48 | |
DOG BARKS | 0:13:48 | 0:13:50 | |
My dear, don't be afraid. | 0:13:53 | 0:13:55 | |
Lady Verinder is concerned and has charged me with examining you. | 0:13:55 | 0:13:58 | |
I don't want to put you to any trouble. | 0:13:58 | 0:14:01 | |
I merely went for some air. | 0:14:01 | 0:14:02 | |
Take your cloak off, girl, and sit here. | 0:14:04 | 0:14:06 | |
Up. | 0:14:17 | 0:14:18 | |
Mm-hm. | 0:14:20 | 0:14:21 | |
Nervous exhaustion. | 0:14:30 | 0:14:32 | |
You need rest. Stay in your room. | 0:14:32 | 0:14:35 | |
-Someone should check on her every half an hour. -Of course. | 0:14:35 | 0:14:38 | |
No, please let me continue my duties. | 0:14:38 | 0:14:42 | |
I'll get worse locked away up in here. | 0:14:42 | 0:14:44 | |
I get strange imaginings alone. | 0:14:44 | 0:14:46 | |
Please, let me keep working, sir! Please! | 0:14:46 | 0:14:48 | |
You have a considerable eye, Mr Franklin. | 0:14:51 | 0:14:55 | |
Why do you think she was so desperate to keep working? | 0:14:55 | 0:14:58 | |
I always thought either her head wasn't quite right... | 0:15:00 | 0:15:04 | |
..or she knew more about the moonstone than she was letting on. | 0:15:05 | 0:15:09 | |
Was there a specific incident that led you to this belief? | 0:15:09 | 0:15:12 | |
There was one conversation. | 0:15:12 | 0:15:13 | |
I was right here, trying to get this miserable business | 0:15:16 | 0:15:19 | |
of the diamond out of my head, when... | 0:15:19 | 0:15:20 | |
Sir. | 0:15:22 | 0:15:23 | |
-I found this lodged between the boards in your bedroom. -Ah. | 0:15:24 | 0:15:27 | |
Well found. Thank you. | 0:15:29 | 0:15:30 | |
Is there something else? | 0:15:36 | 0:15:38 | |
Do you...do you wish to speak to me? | 0:15:41 | 0:15:43 | |
Yes, if I dare. | 0:15:45 | 0:15:47 | |
-I don't quite understand. -It's a strange thing about the diamond, sir. | 0:15:51 | 0:15:55 | |
Indeed, it is. | 0:15:56 | 0:15:58 | |
They'll never find it, sir, will they? | 0:15:58 | 0:16:00 | |
No, no - the person who took it, I'll answer for that. | 0:16:04 | 0:16:07 | |
There was something else, too. | 0:16:12 | 0:16:14 | |
Hello? | 0:16:14 | 0:16:16 | |
Who goes there? | 0:16:16 | 0:16:18 | |
Oh, sir! You gave me a scare. | 0:16:18 | 0:16:21 | |
I cannot sleep. | 0:16:21 | 0:16:23 | |
-It's a devil of a business. -It's a devil of a diamond. | 0:16:23 | 0:16:26 | |
Ah, I think Rachel blames me for bringing it into the family. | 0:16:26 | 0:16:29 | |
I'm sure she can't, sir. | 0:16:29 | 0:16:31 | |
Then why is she so upset with me? | 0:16:31 | 0:16:33 | |
All I've done is my best to recover the hateful jewel. | 0:16:33 | 0:16:36 | |
She's a changed creature, Betteredge. | 0:16:36 | 0:16:38 | |
My daughter, too, sir - | 0:16:38 | 0:16:39 | |
she's convinced that Superintendent Seegrave suspects her | 0:16:39 | 0:16:42 | |
of communicating with the entertainers. | 0:16:42 | 0:16:45 | |
He thinks she helped them. | 0:16:45 | 0:16:47 | |
My own conviction is that Seegrave's as much in the dark as ever | 0:16:47 | 0:16:50 | |
-and is simply trying to gain time. -Mm. | 0:16:50 | 0:16:52 | |
I've telegraphed my father. | 0:16:52 | 0:16:54 | |
-We need a smarter head than Seegrave's to help us. -Mm. | 0:16:54 | 0:16:57 | |
Who is that with a fire tonight? | 0:16:59 | 0:17:02 | |
A fire, in June? | 0:17:02 | 0:17:03 | |
Who was it? | 0:17:04 | 0:17:06 | |
CLOCK CHIMES | 0:17:06 | 0:17:09 | |
My dear Cuff, if you are to get home tonight, | 0:17:09 | 0:17:11 | |
you must catch the next train. | 0:17:11 | 0:17:13 | |
Let me organise a trap for you. | 0:17:13 | 0:17:15 | |
Whose chamber was it? | 0:17:16 | 0:17:17 | |
Oh. | 0:17:21 | 0:17:22 | |
I think you'll find what happened in her room that night | 0:17:25 | 0:17:28 | |
is connected to the moonstone. | 0:17:28 | 0:17:30 | |
How? | 0:17:30 | 0:17:33 | |
There's work to be done before THAT question can be answered. | 0:17:33 | 0:17:35 | |
Work I'm not qualified for. Detecting I'm not trained for. | 0:17:35 | 0:17:39 | |
Please, there isn't your equal in England. | 0:17:39 | 0:17:42 | |
I think you'll find I've already begun, Mr Blake. | 0:17:45 | 0:17:48 | |
I've been questioning you these last two hours. | 0:17:48 | 0:17:51 | |
'I remember my arrival last year and first impressions clearly. | 0:17:53 | 0:17:57 | |
'The beauty of the roses. | 0:17:57 | 0:17:59 | |
'The superintendent's glowing welcome.' | 0:18:02 | 0:18:05 | |
Oh, masterful. | 0:18:12 | 0:18:14 | |
Oh, what a pity. How did this happen? | 0:18:15 | 0:18:19 | |
The women servants were crowding round yesterday morning. | 0:18:19 | 0:18:21 | |
Some of their skirts or petticoats took the mischief. | 0:18:21 | 0:18:24 | |
And did you notice which? | 0:18:24 | 0:18:25 | |
I can't charge my memory, sergeant. | 0:18:25 | 0:18:27 | |
A trifle, a mere trifle - nothing to do with the investigation. | 0:18:27 | 0:18:31 | |
Last week, I made a private enquiry, Mr Superintendent. | 0:18:33 | 0:18:36 | |
At one end of the enquiry was a murder, | 0:18:36 | 0:18:38 | |
at the other end was a spot of ink on a tablecloth that no-one could account for. | 0:18:38 | 0:18:43 | |
In all my experience along the dirty ways of this dirty little world, | 0:18:43 | 0:18:48 | |
I have never yet come across such a thing as a trifle. | 0:18:48 | 0:18:54 | |
Before we go a step further into this business, we need to see the | 0:18:54 | 0:18:58 | |
garment that made the smear and know for certain when the paint was wet. | 0:18:58 | 0:19:04 | |
That door, sergeant, was painted by Miss Verinder with my help. | 0:19:04 | 0:19:07 | |
The paint dries in 12 hours. | 0:19:07 | 0:19:09 | |
Do you know when the smeared bit was done, sir? | 0:19:09 | 0:19:11 | |
Er, perfectly. That was the last morsel of the door to be finished. | 0:19:11 | 0:19:14 | |
We wanted it to be done by Wednesday last | 0:19:14 | 0:19:17 | |
and I myself completed it by three in the afternoon, or soon after. | 0:19:17 | 0:19:21 | |
Well, let us reckon back, sir. At three on the Wednesday afternoon, | 0:19:21 | 0:19:24 | |
the last part of the painting was completed. | 0:19:24 | 0:19:27 | |
The paint took 12 hours to dry, | 0:19:27 | 0:19:30 | |
so let us say by three o'clock Thursday morning. | 0:19:30 | 0:19:35 | |
At 11 o'clock Thursday morning, | 0:19:35 | 0:19:38 | |
you held your enquiry. | 0:19:38 | 0:19:41 | |
Take three from 11 - what remains? | 0:19:41 | 0:19:44 | |
Eight, sir. | 0:19:44 | 0:19:46 | |
The paint had been eight hours dry, Mr Superintendent, sir, | 0:19:46 | 0:19:52 | |
when you suppose the women's petticoats smeared it. | 0:19:52 | 0:19:55 | |
HE KNOCKS ON DOOR | 0:20:00 | 0:20:02 | |
I'm sorry for troubling you, Miss Verinder but I have | 0:20:06 | 0:20:09 | |
a few questions to put to you, if you would? | 0:20:09 | 0:20:12 | |
Mr Blake has put a new clue into our hands. | 0:20:14 | 0:20:17 | |
Do you know how this smear happened or who did it? | 0:20:19 | 0:20:23 | |
I know nothing about it. | 0:20:24 | 0:20:25 | |
Do you think a young lady's advice worth having? | 0:20:28 | 0:20:31 | |
I would be glad to hear it, miss. | 0:20:31 | 0:20:33 | |
Do your duty by yourself. | 0:20:33 | 0:20:35 | |
Don't allow Franklin Blake to help you. | 0:20:35 | 0:20:38 | |
But surely... | 0:20:45 | 0:20:47 | |
surely she cannot think that... | 0:20:47 | 0:20:49 | |
Rachel! Rachel, please! | 0:20:51 | 0:20:54 | |
I've told you, the last of my debts is paid. | 0:20:57 | 0:20:59 | |
HE STRUGGLES WITH THE DOOR | 0:20:59 | 0:21:01 | |
I'm beginning to think she blames me for the loss of the jewel. | 0:21:02 | 0:21:05 | |
There is another explanation for her behaviour than that, Mr Franklin. | 0:21:05 | 0:21:08 | |
Mr Superintendent, this trifle of yours | 0:21:08 | 0:21:13 | |
seems to have grown a little in importance | 0:21:13 | 0:21:16 | |
since you first noticed it, | 0:21:16 | 0:21:17 | |
don't you admit? | 0:21:17 | 0:21:19 | |
At this present stage of inquiry, there are, as I take it, | 0:21:21 | 0:21:24 | |
three discoveries to make, | 0:21:24 | 0:21:25 | |
starting with the smear. | 0:21:25 | 0:21:28 | |
Firstly... | 0:21:28 | 0:21:29 | |
..is there an article of dress in this house with the smear on it? | 0:21:31 | 0:21:35 | |
Second, who does the article of dress belong to? | 0:21:35 | 0:21:38 | |
And third, | 0:21:38 | 0:21:40 | |
can the person account for being in this room and making that smear | 0:21:40 | 0:21:45 | |
between the hours of midnight and three in the morning? | 0:21:45 | 0:21:48 | |
If that person can't satisfy you, | 0:21:49 | 0:21:51 | |
you haven't got far to look for the hand that took the diamond. | 0:21:51 | 0:21:56 | |
I'll work this by myself, | 0:21:58 | 0:22:00 | |
if you don't mind, superintendent. | 0:22:00 | 0:22:02 | |
I wouldn't want to detain you any further. | 0:22:05 | 0:22:07 | |
I've abstained from expressing an opinion so far. | 0:22:08 | 0:22:11 | |
I only have one remark to offer on handing this case to you. | 0:22:11 | 0:22:15 | |
There is such a thing, Sergeant, | 0:22:15 | 0:22:17 | |
as making a mountain out of a molehill. | 0:22:17 | 0:22:19 | |
Good morning! | 0:22:19 | 0:22:20 | |
Wretched house! | 0:22:22 | 0:22:23 | |
I should like, if convenient, to have the laundry book. | 0:22:25 | 0:22:28 | |
I believe the stained article of dress may be an article of linen, | 0:22:28 | 0:22:32 | |
and I wish to account for all the linen sent to the wash. | 0:22:32 | 0:22:35 | |
Also, all the rooms and boxes of all the servants must be searched. | 0:22:35 | 0:22:39 | |
My good servants, I am ashamed to say, | 0:22:39 | 0:22:42 | |
have had their boxes and rooms searched once already. | 0:22:42 | 0:22:44 | |
It must be done again, my lady, for the plain reason | 0:22:44 | 0:22:47 | |
that the first investigation was to look only for the diamond. | 0:22:47 | 0:22:51 | |
The second investigation is to look for the stained dress. | 0:22:51 | 0:22:55 | |
I cannot and will not permit my servants to be insulted | 0:22:55 | 0:22:58 | |
for a second time. | 0:22:58 | 0:22:59 | |
I have a plan to meet that difficulty, | 0:22:59 | 0:23:01 | |
if your ladyship will consent to it. | 0:23:01 | 0:23:03 | |
I shall tell the servants | 0:23:03 | 0:23:05 | |
I shall examine all the wardrobes of everybody, | 0:23:05 | 0:23:08 | |
from your ladyship down, | 0:23:08 | 0:23:10 | |
of everyone who slept here on Wednesday night. | 0:23:10 | 0:23:13 | |
A mere formality. | 0:23:13 | 0:23:14 | |
But the servants will accept it as even dealing between themselves | 0:23:14 | 0:23:18 | |
and their betters, and make a point of honour of assisting. | 0:23:18 | 0:23:21 | |
You shall search for them with the keys to my wardrobe in your hand. | 0:23:24 | 0:23:27 | |
But hadn't we better ask the ladies and gentlemen if they consent too? | 0:23:27 | 0:23:31 | |
The only other lady is Miss Verinder, | 0:23:31 | 0:23:33 | |
the only other gentlemen my nephews Mr Blake and Mr Ablewhite. | 0:23:33 | 0:23:37 | |
You need have no fear of refusal from any of them. | 0:23:37 | 0:23:40 | |
Your ladyship, Mr Godfrey Ablewhite is leaving! | 0:23:40 | 0:23:44 | |
Excuse me, sir. | 0:23:52 | 0:23:54 | |
Sergeant Cuff has requested all luggage to be searched. | 0:23:55 | 0:23:59 | |
Of course. | 0:23:59 | 0:24:00 | |
My apologies for putting you to any inconvenience, sir. | 0:24:03 | 0:24:06 | |
No, I understand completely. | 0:24:06 | 0:24:08 | |
My luggage can follow me to London when the inquiry's over. | 0:24:08 | 0:24:11 | |
Excuse me, sir? My lady asked me to give... | 0:24:15 | 0:24:18 | |
What is your name? | 0:24:18 | 0:24:19 | |
Rosanna Spearman. | 0:24:19 | 0:24:21 | |
Have I met you before? | 0:24:21 | 0:24:23 | |
I don't believe so, sir. | 0:24:23 | 0:24:24 | |
Has that young lady been in your employment long? | 0:24:28 | 0:24:30 | |
Why do you ask? | 0:24:30 | 0:24:32 | |
The last time I saw her, she was imprisoned for theft. | 0:24:33 | 0:24:35 | |
Well, she's had troubled beginnings and a difficult past. | 0:24:35 | 0:24:39 | |
Lady Verinder found her in a reformatory. | 0:24:39 | 0:24:42 | |
She was at the top of her profession as a thief. | 0:24:42 | 0:24:44 | |
Do you suspect her, sir? | 0:24:44 | 0:24:46 | |
I suspect no-one in the house up to this present time. | 0:24:46 | 0:24:50 | |
Oh. | 0:24:50 | 0:24:51 | |
I do believe she's left with the laundry book. | 0:24:53 | 0:24:55 | |
I'll get it. | 0:24:55 | 0:24:56 | |
Rosanna. Rosanna. | 0:24:59 | 0:25:01 | |
KNOCK ON DOOR | 0:25:13 | 0:25:14 | |
My darling, the sergeant would like permission to search the rooms | 0:25:17 | 0:25:20 | |
and things of everyone in the house the night of the theft. | 0:25:20 | 0:25:22 | |
You shall not search mine. | 0:25:23 | 0:25:25 | |
May I ask why you do not allow it? | 0:25:26 | 0:25:28 | |
I won't, because I won't. | 0:25:28 | 0:25:30 | |
I must yield to force if you use it, | 0:25:31 | 0:25:33 | |
but I shall yield to nothing else. | 0:25:33 | 0:25:36 | |
My darling, there must be a reason. | 0:25:36 | 0:25:37 | |
I know what you're all thinking. | 0:25:38 | 0:25:40 | |
All I can say is I have done much to make my mother pity me, | 0:25:41 | 0:25:46 | |
nothing to make my mother blush for me. | 0:25:46 | 0:25:49 | |
My daughter is honest and true. | 0:25:59 | 0:26:01 | |
She would do nothing without good reason. | 0:26:01 | 0:26:03 | |
We must trust her judgment. | 0:26:03 | 0:26:05 | |
I will not force her to do anything against her will. | 0:26:05 | 0:26:08 | |
Then the search is to be given up. | 0:26:08 | 0:26:10 | |
All the wardrobes in the house are to be examined, or none. | 0:26:10 | 0:26:13 | |
This channel of enquiry is to be aborted. | 0:26:13 | 0:26:17 | |
Please send Mr Ablewhite's portmanteau to London | 0:26:17 | 0:26:19 | |
by the next train. | 0:26:19 | 0:26:21 | |
Please give the young woman with the washing book my thanks | 0:26:21 | 0:26:24 | |
and compliments, and give her word I no longer have need for it. | 0:26:24 | 0:26:27 | |
You don't seem much disappointed, sir. | 0:26:34 | 0:26:36 | |
No, I'm not much disappointed. | 0:26:36 | 0:26:38 | |
Can you guess yet | 0:26:39 | 0:26:41 | |
who has stolen the diamond? | 0:26:41 | 0:26:42 | |
Yes. | 0:26:42 | 0:26:43 | |
No-ONE has stolen the diamond. | 0:26:45 | 0:26:47 | |
No-one stole the diamond. | 0:26:49 | 0:26:51 | |
What do you mean? | 0:26:51 | 0:26:52 | |
I have always assumed that Rosanna and Rachel | 0:26:52 | 0:26:55 | |
-were working together. -Impossible. | 0:26:55 | 0:26:58 | |
Hear me out, sir. | 0:26:58 | 0:26:59 | |
Certain young ladies of rank and position have secret debts | 0:27:00 | 0:27:03 | |
that they dare not acknowledge | 0:27:03 | 0:27:05 | |
to their nearest friends and relatives... | 0:27:05 | 0:27:07 | |
Maybe, but not Rachel. | 0:27:07 | 0:27:08 | |
Let me finish my hypothesis. | 0:27:08 | 0:27:10 | |
Assuming Rachel did have secret debts, | 0:27:10 | 0:27:14 | |
when she received the diamond, | 0:27:14 | 0:27:15 | |
she would've seen the opportunity to pay them off, | 0:27:15 | 0:27:18 | |
but she needed to sell on the stone to cover her tracks. | 0:27:18 | 0:27:22 | |
It is not in Rachel's character to take such actions! | 0:27:22 | 0:27:25 | |
But it is in Rosanna Spearman's character to take them for her. | 0:27:25 | 0:27:28 | |
Please stay, Mr Betteredge. | 0:27:28 | 0:27:30 | |
My narrative concerns you nearly. | 0:27:30 | 0:27:32 | |
From this receipt, | 0:27:34 | 0:27:35 | |
I traced Rosanna to a certain shop in Frizinghall, | 0:27:35 | 0:27:38 | |
run by a linen draper named Maltby. | 0:27:38 | 0:27:41 | |
There, she purchased a large piece of cloth. | 0:27:41 | 0:27:44 | |
A piece of cloth large enough... | 0:27:44 | 0:27:46 | |
..to make a nightgown. | 0:27:48 | 0:27:49 | |
Whose nightgown? | 0:27:50 | 0:27:51 | |
Her own, to be sure. | 0:27:53 | 0:27:54 | |
Plain, long cloth means a servant's gown. | 0:27:54 | 0:27:57 | |
Between 12 and three on the Thursday morning, | 0:27:57 | 0:28:00 | |
she must've slipped down to your young lady's room | 0:28:00 | 0:28:02 | |
to settle the hiding of the Moonstone. | 0:28:02 | 0:28:05 | |
The nightgown must've brushed the wet paint on the door. | 0:28:05 | 0:28:08 | |
She couldn't wash out the stain, and she couldn't | 0:28:08 | 0:28:11 | |
safely destroy the gown without first providing another like it | 0:28:11 | 0:28:14 | |
to make the inventory of her linen complete. | 0:28:14 | 0:28:16 | |
Then, the following day, Rosanna was seen by the postboy | 0:28:18 | 0:28:21 | |
heading across the sands. | 0:28:21 | 0:28:23 | |
Where was she going? | 0:28:23 | 0:28:24 | |
Cobb's Hole! | 0:28:25 | 0:28:26 | |
Who lives there? | 0:28:26 | 0:28:27 | |
The fisherman's daughter. | 0:28:27 | 0:28:29 | |
Her name is Lucy Yolland, | 0:28:29 | 0:28:31 | |
but the villagers call her Limpin' Lucy. | 0:28:31 | 0:28:34 | |
I believe the girls are close, sir. | 0:28:35 | 0:28:37 | |
Let's find out how close, shall we? | 0:28:38 | 0:28:40 | |
She's my friend. | 0:28:41 | 0:28:42 | |
She's a good girl. | 0:28:43 | 0:28:45 | |
We're here to look out for Rosanna, not to do her harm. | 0:28:45 | 0:28:48 | |
We know she just visited you. | 0:28:48 | 0:28:50 | |
She's done nothing wrong. | 0:28:50 | 0:28:52 | |
Well, I believe that, too, but there are others that think | 0:28:52 | 0:28:55 | |
that she had a hand in the taking of the moonstone. | 0:28:55 | 0:28:59 | |
Now, if you know anything that will clear her name, please tell me. | 0:28:59 | 0:29:02 | |
Did she take something from you? | 0:29:04 | 0:29:05 | |
She never stole it. I gave it her. | 0:29:05 | 0:29:09 | |
An old japanned box like that one, and a couple of dog chains. | 0:29:09 | 0:29:11 | |
Dog chain? | 0:29:11 | 0:29:13 | |
To secure it. | 0:29:13 | 0:29:14 | |
I offered her a rope, but she said chain was surest. | 0:29:14 | 0:29:16 | |
Why did she need the box? | 0:29:16 | 0:29:18 | |
There are people that would like to see Rosanna back in jail. | 0:29:20 | 0:29:23 | |
Now what did she need the box for? | 0:29:24 | 0:29:26 | |
To put her things in. | 0:29:28 | 0:29:29 | |
What things? | 0:29:29 | 0:29:30 | |
Your word could save your friend. | 0:29:34 | 0:29:36 | |
She didn't steal nothing, sir. | 0:29:36 | 0:29:39 | |
We're planning to go to London, to live by our needles. | 0:29:39 | 0:29:42 | |
Please don't tell her, sir, we aren't going immediately, | 0:29:44 | 0:29:47 | |
she'll give good notice first. | 0:29:47 | 0:29:48 | |
Thank you. | 0:29:49 | 0:29:51 | |
What Rosanna has done is plain enough. | 0:29:56 | 0:29:58 | |
She's either lied to Lucy, | 0:29:58 | 0:30:00 | |
or Lucy knew her secret and she has lied to us to protect her. | 0:30:00 | 0:30:04 | |
She's then sunk the case in water or quicksand. | 0:30:04 | 0:30:07 | |
It had to be japanned for it to be waterproof. | 0:30:07 | 0:30:10 | |
It had to be chain, not rope, because rope would rot. | 0:30:10 | 0:30:12 | |
She has then taken the loose end of the chain | 0:30:13 | 0:30:16 | |
and made it fast to some rocks known only to herself. | 0:30:16 | 0:30:19 | |
The mystery is, what the devil is inside that case? | 0:30:19 | 0:30:23 | |
I take my hat off to you, sir. | 0:30:23 | 0:30:26 | |
Can it really be you've got to the bottom of the mystery so soon? | 0:30:26 | 0:30:30 | |
It is not the diamond. | 0:30:30 | 0:30:32 | |
The whole of my life's experience is at fault | 0:30:32 | 0:30:34 | |
if Rosanna Spearman is in possession of the diamond. | 0:30:34 | 0:30:37 | |
Then where is it? | 0:30:37 | 0:30:39 | |
And in whose possession? | 0:30:39 | 0:30:40 | |
What is happening? | 0:30:46 | 0:30:47 | |
Miss Rachel's leaving. | 0:30:47 | 0:30:49 | |
-Where to? -London, to her aunt. | 0:30:49 | 0:30:51 | |
Why? When did this happen? | 0:30:51 | 0:30:53 | |
About an hour since. | 0:30:53 | 0:30:55 | |
About the same time Rosanna Spearman got back from her walk. | 0:30:55 | 0:30:58 | |
Do you suppose Rosanna gave her the diamond, sir? | 0:30:58 | 0:31:01 | |
You surely can't suppose she's taking the diamond to London? | 0:31:01 | 0:31:04 | |
I suppose nothing. | 0:31:05 | 0:31:07 | |
Rachel. | 0:31:11 | 0:31:12 | |
Why are you leaving? | 0:31:14 | 0:31:15 | |
Do not let the diamond come between us. | 0:31:16 | 0:31:18 | |
I love you. | 0:31:22 | 0:31:24 | |
Tell me about Rosanna Spearman. | 0:31:30 | 0:31:32 | |
Who? | 0:31:32 | 0:31:33 | |
Rosanna Spearman. | 0:31:33 | 0:31:35 | |
What is your interest in her? | 0:31:35 | 0:31:36 | |
The maid? | 0:31:36 | 0:31:37 | |
I saw you follow her outside. | 0:31:37 | 0:31:39 | |
I have no interest in Rosanna Spearman. | 0:31:41 | 0:31:43 | |
She means nothing to me. | 0:31:43 | 0:31:45 | |
DOOR OPENS | 0:31:45 | 0:31:47 | |
Goodbye, Franklin. | 0:31:55 | 0:31:57 | |
Try to forgive me, Mama. | 0:32:16 | 0:32:18 | |
The day will come when you will know | 0:32:18 | 0:32:20 | |
why I am careless about being suspected, | 0:32:20 | 0:32:22 | |
and why I am silent even to you. | 0:32:22 | 0:32:25 | |
Miss. | 0:32:26 | 0:32:27 | |
I can't presume to stop you, but your leaving us now | 0:32:28 | 0:32:31 | |
can only put an obstacle in the recovery of the diamond. | 0:32:31 | 0:32:34 | |
Please to understand that. | 0:32:34 | 0:32:35 | |
Drive on, James. | 0:32:40 | 0:32:41 | |
Rachel! | 0:32:49 | 0:32:50 | |
Rachel! | 0:32:50 | 0:32:51 | |
Rachel, please. | 0:32:51 | 0:32:53 | |
Rachel! | 0:32:53 | 0:32:55 | |
Rachel! | 0:32:58 | 0:32:59 | |
Dear aunt, | 0:33:38 | 0:33:40 | |
please forgive me, this is my fault. | 0:33:40 | 0:33:42 | |
I should never have brought that cursed jewel here. | 0:33:42 | 0:33:45 | |
These horrible events are no more of your making than they are Rachel's. | 0:33:45 | 0:33:49 | |
When I first arrived here, | 0:33:54 | 0:33:55 | |
I don't believe there was a happier household in England. | 0:33:55 | 0:33:58 | |
Look now. | 0:33:58 | 0:33:59 | |
Scattered, disunited... | 0:33:59 | 0:34:01 | |
..poisoned with mystery and suspicion. | 0:34:03 | 0:34:05 | |
I know you are quite as broken down by these events as we are. | 0:34:05 | 0:34:08 | |
I, myself, am by turns both dizzy and faint from the strain. | 0:34:09 | 0:34:14 | |
I'm sure Rachel feels it, too. | 0:34:16 | 0:34:18 | |
It grieves me to say it, but, for now, | 0:34:21 | 0:34:24 | |
you and Rachel are better apart. | 0:34:24 | 0:34:26 | |
Give her time. | 0:34:27 | 0:34:28 | |
That is the only advice I can offer. | 0:34:30 | 0:34:32 | |
Where are you going, sir? | 0:34:46 | 0:34:48 | |
To the devil, Betteredge. | 0:34:48 | 0:34:49 | |
Miss Rachel will surely come right again if you give her time! | 0:34:49 | 0:34:52 | |
I will, only because I have tried everything else. | 0:34:52 | 0:34:55 | |
Do you want us to pass her a message? | 0:34:55 | 0:34:57 | |
Tell her when I reach the continent, I shall write to her. | 0:34:57 | 0:34:59 | |
Tell her I have only ever had her best interests at heart. | 0:34:59 | 0:35:02 | |
Tell her I love her. | 0:35:04 | 0:35:05 | |
HORSE NEIGHS | 0:35:05 | 0:35:06 | |
Come on! | 0:35:06 | 0:35:07 | |
Mr Betteredge? | 0:35:13 | 0:35:14 | |
I wish to speak with Rosanna Spearman. | 0:35:14 | 0:35:16 | |
I saw her head off a little while since for the Shivering Sands. | 0:35:16 | 0:35:19 | |
Why go back now? | 0:35:19 | 0:35:21 | |
Did she have anything with her? | 0:35:21 | 0:35:22 | |
A case or a parcel? | 0:35:22 | 0:35:24 | |
She did give the butcher's boy a letter for the post. | 0:35:25 | 0:35:28 | |
Did you see who it was addressed to? | 0:35:28 | 0:35:30 | |
Limping Lucy, her friend at Cobb's Hole. | 0:35:30 | 0:35:32 | |
Why post a letter when you're walking there this minute? | 0:35:32 | 0:35:36 | |
Whatever the reason, it isn't good. | 0:35:36 | 0:35:39 | |
Is the tide on the ebb or the flood? | 0:35:56 | 0:35:58 | |
The tide is on the turn, sir. | 0:35:58 | 0:36:00 | |
It rises quickly at this time of the year. | 0:36:00 | 0:36:02 | |
There she is, by the sands. | 0:36:02 | 0:36:04 | |
I can't see her. | 0:36:24 | 0:36:25 | |
She must've gone to the Spit. | 0:36:28 | 0:36:29 | |
Well, all the footprints head to the rocks, | 0:36:30 | 0:36:33 | |
but none head towards safety. | 0:36:33 | 0:36:35 | |
Where is she? | 0:36:37 | 0:36:38 | |
Mind the quicksand, let me go first. | 0:36:40 | 0:36:41 | |
Rosanna! | 0:36:44 | 0:36:45 | |
Rosanna! | 0:36:49 | 0:36:51 | |
Aah! | 0:36:54 | 0:36:55 | |
-You can't venture out there, Betteredge. -Don't! | 0:36:55 | 0:36:57 | |
It is certain death! | 0:36:57 | 0:36:58 | |
Don't touch me! | 0:36:58 | 0:37:00 | |
The threat of you has driven her to this. | 0:37:00 | 0:37:02 | |
You are wrong, Mr Betteredge. | 0:37:02 | 0:37:04 | |
But there will be time enough to speak of this | 0:37:04 | 0:37:06 | |
when we are inside again. | 0:37:06 | 0:37:08 | |
Some fatal accident must've occurred. | 0:37:13 | 0:37:15 | |
Will we find the body when the tide ebbs again? | 0:37:16 | 0:37:18 | |
What the sand gets, | 0:37:19 | 0:37:21 | |
the sand keeps forever. | 0:37:21 | 0:37:23 | |
You are answerable for this! | 0:37:32 | 0:37:34 | |
I am no more answerable for this distressing calamity | 0:37:34 | 0:37:38 | |
than you are, my lady. | 0:37:38 | 0:37:40 | |
Some unbearable anxiety in connection with the diamond | 0:37:40 | 0:37:43 | |
has driven this poor creature to this desperate accident. | 0:37:43 | 0:37:46 | |
What anxiety? | 0:37:46 | 0:37:48 | |
My lady, I don't pretend to know everything yet. | 0:37:48 | 0:37:50 | |
But, with your permission, I think I may be able to lay my hand | 0:37:50 | 0:37:55 | |
on a person who will be able to illuminate us. | 0:37:55 | 0:37:58 | |
Is this person now in the house? | 0:37:58 | 0:37:59 | |
No, my lady, this person has left the house. | 0:37:59 | 0:38:03 | |
If you refer to my daughter, then you are wrong. | 0:38:04 | 0:38:06 | |
Madam, recent events in this house have forced me to this theory. | 0:38:06 | 0:38:10 | |
I have to tell you, as Miss Verinder's mother, | 0:38:10 | 0:38:14 | |
that she is totally incapable | 0:38:14 | 0:38:15 | |
of doing what you suppose her to have done! | 0:38:15 | 0:38:17 | |
Then how do you explain her declining to be questioned | 0:38:17 | 0:38:21 | |
by Superintendent Seegrave or myself? | 0:38:21 | 0:38:24 | |
Her anger at Mr Blake calling the police? | 0:38:24 | 0:38:26 | |
And her refusal to have her room searched? | 0:38:26 | 0:38:29 | |
How do you explain them, Sergeant? | 0:38:31 | 0:38:33 | |
Miss Verinder's constant, final agitation | 0:38:33 | 0:38:36 | |
about the loss of the diamond | 0:38:36 | 0:38:37 | |
connects with other cases I have worked on, | 0:38:37 | 0:38:39 | |
where young ladies dare not acknowledge their debts. | 0:38:39 | 0:38:43 | |
How dare you! | 0:38:44 | 0:38:45 | |
I believe this to be a case of deeply-planned fraud. | 0:38:47 | 0:38:50 | |
Rosanna was privy to the suppression of the jewel. | 0:38:50 | 0:38:53 | |
Rosanna was Miss Rachel's accomplice. | 0:38:53 | 0:38:56 | |
Rosanna had relations, I'm led to believe, | 0:38:57 | 0:38:59 | |
with a man in London, | 0:38:59 | 0:39:01 | |
in the jewel broking line. | 0:39:01 | 0:39:03 | |
A Mr Luker, who would advance a large sum | 0:39:03 | 0:39:07 | |
on such a notable diamond as the moonstone, | 0:39:07 | 0:39:09 | |
without asking awkward questions, | 0:39:09 | 0:39:12 | |
or insisting on awkward conditions. | 0:39:12 | 0:39:15 | |
I will hear no more of this. | 0:39:16 | 0:39:18 | |
Please, leave my house! | 0:39:18 | 0:39:20 | |
Sir. | 0:39:45 | 0:39:46 | |
My lady resigns further claim on your services. | 0:39:48 | 0:39:51 | |
She's convinced of your honesty and intelligence, | 0:39:51 | 0:39:55 | |
but firmly persuaded that the circumstances in this case | 0:39:55 | 0:39:59 | |
have fatally misled you. | 0:39:59 | 0:40:01 | |
This is a generous estimate of the value of my time. | 0:40:05 | 0:40:09 | |
I shall bear in mind the amount in this cheque | 0:40:09 | 0:40:10 | |
when the occasion comes to remember it. | 0:40:10 | 0:40:12 | |
What do you mean? | 0:40:12 | 0:40:14 | |
This is the kind of family scandal | 0:40:14 | 0:40:16 | |
that bursts up when you least expect it. | 0:40:16 | 0:40:19 | |
There is more detective business to be done, sir, | 0:40:19 | 0:40:22 | |
before the moonstone is many months older, you mark my words. | 0:40:22 | 0:40:25 | |
The diamond's gone. | 0:40:25 | 0:40:27 | |
What further business could occur? | 0:40:28 | 0:40:30 | |
I predict three things that will happen in the future, | 0:40:30 | 0:40:34 | |
that will force themselves upon your attention. | 0:40:34 | 0:40:37 | |
Firstly, you shall hear from Lucy Yolland, | 0:40:37 | 0:40:40 | |
when the postman delivers Rosanna's letter at Cobb's Hole Monday next. | 0:40:40 | 0:40:45 | |
Secondly, you shall hear again of the three guardians, | 0:40:46 | 0:40:50 | |
who will follow Miss Verinder wherever she goes. | 0:40:50 | 0:40:53 | |
And third? | 0:40:53 | 0:40:54 | |
You will hear of the jewel broker, Septimus Luker. | 0:40:54 | 0:40:57 | |
Time will show if I am right or wrong. | 0:41:01 | 0:41:03 | |
In the meanwhile, sir, | 0:41:05 | 0:41:06 | |
I take away a sincere personal liking for you | 0:41:06 | 0:41:09 | |
that I hope does us both justice. | 0:41:09 | 0:41:11 | |
If you would, come and visit me, | 0:41:11 | 0:41:14 | |
in a little house I've got my eye on near London. | 0:41:14 | 0:41:17 | |
There'll be grass walks, Mr Betteredge, | 0:41:17 | 0:41:19 | |
and, I promise, | 0:41:19 | 0:41:21 | |
the white moss rose. | 0:41:21 | 0:41:23 | |
So, tell me... | 0:41:30 | 0:41:31 | |
were my predictions correct? | 0:41:31 | 0:41:33 | |
They were indeed, sir. | 0:41:33 | 0:41:34 | |
And I was very grateful that you sent me... | 0:41:38 | 0:41:42 | |
..this. | 0:41:45 | 0:41:46 | |
"Mr Septimus Luker, the well-known dealer in ancient gems, | 0:41:51 | 0:41:54 | |
"stated to the magistrates that he feared he was being followed | 0:41:54 | 0:41:56 | |
"by some foreign performers." | 0:41:56 | 0:41:58 | |
News of the guardians. | 0:41:58 | 0:42:00 | |
News of the jewel broker. | 0:42:00 | 0:42:03 | |
And where was Miss Rachel at the time? | 0:42:04 | 0:42:07 | |
Hmm? | 0:42:07 | 0:42:08 | |
In London. | 0:42:10 | 0:42:11 | |
And what of the third prediction? | 0:42:12 | 0:42:13 | |
That, too, came true. | 0:42:15 | 0:42:16 | |
Where's the murderer you call Franklin Blake? | 0:42:22 | 0:42:24 | |
Aah! | 0:42:24 | 0:42:26 | |
What do you want with Mr Blake? | 0:42:28 | 0:42:29 | |
Beyond shouting abuse? | 0:42:29 | 0:42:31 | |
I have something for him. | 0:42:31 | 0:42:32 | |
From Rosanna Spearman? | 0:42:34 | 0:42:35 | |
Maybe. | 0:42:36 | 0:42:37 | |
Sent to you in your own letter? | 0:42:37 | 0:42:40 | |
Maybe. | 0:42:40 | 0:42:41 | |
Give it here. | 0:42:41 | 0:42:42 | |
Mr Blake has left for the continent. | 0:42:44 | 0:42:46 | |
I can send it on by post. | 0:42:46 | 0:42:48 | |
I am to give it to him by my own hand, or not at all. | 0:42:48 | 0:42:52 | |
Why didn't you say before? | 0:42:52 | 0:42:53 | |
I didn't think there any point, sir. | 0:42:53 | 0:42:55 | |
Lucy Yolland is long gone. | 0:42:55 | 0:42:57 | |
Gone? | 0:42:57 | 0:42:58 | |
To London. No forwarding address. | 0:42:58 | 0:43:01 | |
The next step is clear, we must find her. | 0:43:01 | 0:43:03 | |
I'll wager the diamond is in London, | 0:43:03 | 0:43:05 | |
pledged to Septimus Luker, | 0:43:05 | 0:43:07 | |
and it was Miss Rachel herself that took it there and pledged it. | 0:43:07 | 0:43:12 | |
Were you expecting visitors? | 0:43:41 | 0:43:43 | |
If you wish for my testimony, we do it here. | 0:43:43 | 0:43:45 | |
Miss Clack! | 0:43:45 | 0:43:47 | |
Oh, dear, dear. | 0:43:47 | 0:43:48 | |
Will you bless me by being my wife? | 0:43:48 | 0:43:49 | |
-When is the wedding? -Tomorrow. | 0:43:49 | 0:43:51 | |
The natural result. | 0:43:51 | 0:43:52 |