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In the last year of the 18th century, | 0:00:14 | 0:00:16 | |
Colonel John Herncastle plundered from India | 0:00:16 | 0:00:21 | |
a priceless and most sacred yellow diamond. | 0:00:21 | 0:00:24 | |
Vishnu, the preserver, laid his curse on the thief, | 0:00:26 | 0:00:29 | |
commanding three priests to search forever for his moonstone. | 0:00:29 | 0:00:34 | |
But the wicked colonel smuggled the stone to England. | 0:00:34 | 0:00:38 | |
In his will, he bequeathed the diamond | 0:00:39 | 0:00:41 | |
to his beautiful young niece, Miss Rachel Verinder. | 0:00:41 | 0:00:44 | |
Rachel's gallant cousin, Mr Franklin Blake, | 0:00:45 | 0:00:48 | |
was charged with the gem's delivery. | 0:00:48 | 0:00:50 | |
Rachel was bewitched by her diamond, but the next morning, it was gone. | 0:00:54 | 0:00:59 | |
A year later, Franklin and celebrated detective, Sergeant Cuff, | 0:00:59 | 0:01:04 | |
reopened the case and learned that Rosanna Spearman, | 0:01:04 | 0:01:08 | |
Rachel's housemaid and former thief, | 0:01:08 | 0:01:10 | |
had left a letter for Franklin before her death. | 0:01:10 | 0:01:12 | |
They turned straight back for London, | 0:01:12 | 0:01:15 | |
hoping at last to trace the moonstone and its thief. | 0:01:15 | 0:01:19 | |
Coachman is readying the horses now. | 0:01:19 | 0:01:22 | |
-Were you expecting visitors? -Oh, no. | 0:01:28 | 0:01:31 | |
Oh! It has been a long, arduous journey. | 0:01:35 | 0:01:39 | |
Miss Clack, you did not receive my telegram. | 0:01:39 | 0:01:41 | |
I hoped to speak to you in London. | 0:01:41 | 0:01:44 | |
Then you hoped in vain. | 0:01:44 | 0:01:45 | |
I am but a poor relation, a church mouse. | 0:01:45 | 0:01:49 | |
I do not have the wherewithal for permanent lodgings in the city. | 0:01:49 | 0:01:52 | |
I agreed to pay, Miss Clack. Handsomely, I might add. | 0:01:52 | 0:01:55 | |
And it cost me a hard struggle | 0:01:55 | 0:01:58 | |
before Christian humility conquered sinful pride | 0:01:58 | 0:02:01 | |
and self-denial forced me to accept your cheque. | 0:02:01 | 0:02:04 | |
But I accepted it on the grounds that we speak in Yorkshire. | 0:02:04 | 0:02:08 | |
If you wish for my testimony, we do it here. | 0:02:08 | 0:02:12 | |
-I could go on. -Better that I abandon this interview. | 0:02:15 | 0:02:18 | |
-The ground we have to cover in London, you cannot cover alone. -But what about...? | 0:02:18 | 0:02:21 | |
My contacts are already tracing Lucy Yolland. | 0:02:21 | 0:02:25 | |
When they find her, I could cable you, if need be. | 0:02:25 | 0:02:28 | |
And we must watch the jewel broker, Septimus Luker, also. | 0:02:28 | 0:02:31 | |
And he knows your face, so that must needs be me. | 0:02:31 | 0:02:34 | |
Mr Luker figures in your investigation. How curious! | 0:02:34 | 0:02:38 | |
I have news of Septimus Luker. | 0:02:38 | 0:02:40 | |
You have not heard of the outrage perpetrated on the jewel broker? | 0:03:26 | 0:03:30 | |
-No. -Of course, I know the intimate detail | 0:03:30 | 0:03:33 | |
as an identical attack was committed on an esteemed friend of mine. | 0:03:33 | 0:03:37 | |
And who might that be? | 0:03:37 | 0:03:38 | |
Mr Godfrey Ablewhite. | 0:03:40 | 0:03:42 | |
Cousin Godfrey? | 0:03:44 | 0:03:46 | |
I do not understand you. What happened? | 0:03:46 | 0:03:49 | |
Some 10 months since, | 0:03:49 | 0:03:51 | |
not long after the events of dear Rachel's birthday | 0:03:51 | 0:03:55 | |
and the loss of the diamond, | 0:03:55 | 0:03:57 | |
I had cause to visit Mr Godfrey's lodgings. | 0:03:57 | 0:04:00 | |
What business did you have with him? | 0:04:00 | 0:04:02 | |
I do not expect you to be aware of | 0:04:04 | 0:04:06 | |
the Mothers' Small Clothes Conversion Society, | 0:04:06 | 0:04:09 | |
but I am on the select committee of that excellent charity. | 0:04:09 | 0:04:13 | |
And my precious, admirable friend, Mr Godfrey Ablewhite, | 0:04:13 | 0:04:16 | |
is associated with the work of moral and material usefulness. | 0:04:16 | 0:04:21 | |
You have dedicated meetings for such matters? | 0:04:21 | 0:04:23 | |
Well, of course. | 0:04:23 | 0:04:25 | |
I had noticed that Mr Godfrey had been missing some meetings of late, | 0:04:25 | 0:04:30 | |
and I was concerned for his health. | 0:04:30 | 0:04:32 | |
And I was right to be so. | 0:04:32 | 0:04:34 | |
Mr Godfrey? | 0:04:37 | 0:04:38 | |
FAINT MUFFLED SHOUTS | 0:04:38 | 0:04:40 | |
Mr Godfrey? | 0:04:40 | 0:04:42 | |
MUFFLED SHOUTS | 0:04:42 | 0:04:44 | |
Oh! Oh, my dear Mr Godfrey! | 0:04:44 | 0:04:47 | |
Oh! Oh! | 0:04:47 | 0:04:48 | |
Oh. Oh. | 0:04:48 | 0:04:51 | |
Oh! Oh! | 0:04:51 | 0:04:52 | |
Oh! | 0:04:55 | 0:04:56 | |
Oh, my dear Mr Godfrey, what has occurred?! | 0:05:00 | 0:05:02 | |
Free my hands and pass me my clothes, Miss Clack. | 0:05:02 | 0:05:06 | |
Ooo! | 0:05:06 | 0:05:08 | |
Miss Clack! | 0:05:08 | 0:05:09 | |
Oh! Hm. | 0:05:10 | 0:05:12 | |
How came Godfrey to be bound and gagged? | 0:05:12 | 0:05:14 | |
It transpires that earlier that day, | 0:05:14 | 0:05:17 | |
Mr Godfrey had cause to visit a banking house on Lombard Street. | 0:05:17 | 0:05:21 | |
On gaining the door, he encountered a gentleman, | 0:05:21 | 0:05:24 | |
a perfect stranger to him, who was accidentally leaving | 0:05:24 | 0:05:27 | |
the office exactly at the same time as himself. | 0:05:27 | 0:05:30 | |
A momentary contest of politeness ensued between them | 0:05:30 | 0:05:33 | |
as to who should be the first to pass through the door. | 0:05:33 | 0:05:36 | |
The stranger insisted on making Mr Godfrey precede him. | 0:05:36 | 0:05:39 | |
Mr Godfrey said a few civil words, | 0:05:39 | 0:05:42 | |
they bowed and parted in the street. | 0:05:42 | 0:05:45 | |
But before he had gone many paces, | 0:05:48 | 0:05:50 | |
he was apprehended by an unseen hand! | 0:05:50 | 0:05:53 | |
And he awoke some hours later, in his own rooms, | 0:05:55 | 0:05:58 | |
in the state as discussed. | 0:05:58 | 0:05:59 | |
His lodgings had been turned over, | 0:05:59 | 0:06:02 | |
and Mr Godfrey himself has been searched, | 0:06:02 | 0:06:05 | |
if, as a lady, I may venture to use the expression without ceremony, | 0:06:05 | 0:06:08 | |
through and through to his skin. | 0:06:08 | 0:06:10 | |
-So, what did they take? -Oh, nothing. | 0:06:10 | 0:06:14 | |
They had acted in error, making a false association | 0:06:14 | 0:06:16 | |
between our friend and the man in the bank. | 0:06:16 | 0:06:19 | |
'Twas but a mistake. | 0:06:19 | 0:06:21 | |
So if I understand you correctly, that man must've been | 0:06:21 | 0:06:23 | |
the jewel broker, Septimus Luker himself? | 0:06:23 | 0:06:25 | |
That is correct. | 0:06:25 | 0:06:27 | |
He, too, was followed from the bank. | 0:06:27 | 0:06:29 | |
MUFFLED SHOUTS | 0:06:29 | 0:06:31 | |
But his kidnappers profited more by Luker's abduction | 0:06:33 | 0:06:35 | |
than by poor, dear Mr Godfrey's. | 0:06:35 | 0:06:38 | |
So, what did they take from Luker? | 0:06:38 | 0:06:41 | |
The papers say the receipt was for a valuable of great price | 0:06:41 | 0:06:45 | |
that Mr Luker had that day placed in the care of his bankers. | 0:06:45 | 0:06:49 | |
The moonstone? | 0:06:49 | 0:06:50 | |
Perhaps. Perhaps not. | 0:06:50 | 0:06:52 | |
It stated a valuable only. | 0:06:52 | 0:06:55 | |
Do they have it, then? | 0:06:55 | 0:06:57 | |
Did the kidnappers collect the gem? | 0:06:57 | 0:07:00 | |
Oh, no. There, the infidels fell down. | 0:07:00 | 0:07:03 | |
The document was useless for the purposes of fraud | 0:07:03 | 0:07:06 | |
as it provided that the valuable must be given up | 0:07:06 | 0:07:09 | |
only on the personal application of Mr Luker himself. | 0:07:09 | 0:07:12 | |
You say infidels. | 0:07:12 | 0:07:13 | |
Who were these kidnappers? Have they been identified? | 0:07:13 | 0:07:15 | |
Mr Luker's landlord could say only | 0:07:15 | 0:07:18 | |
that they appeared to be gentlemen of eastern derivation. | 0:07:18 | 0:07:22 | |
Ah! Sergeant Cuff's exact prediction, sir. | 0:07:22 | 0:07:25 | |
The guardians closing in on the jewel broker. | 0:07:25 | 0:07:29 | |
But he did not foresee them closing in on cousin Godfrey Ablewhite. | 0:07:29 | 0:07:33 | |
Indeed not! | 0:07:33 | 0:07:35 | |
Because it was a trifle, a chance encounter with Mr Luker | 0:07:35 | 0:07:38 | |
that led those heathens to make a false association with him. | 0:07:38 | 0:07:42 | |
The sergeant said the thief would have a link to Luker, | 0:07:42 | 0:07:45 | |
but I never expected this! | 0:07:45 | 0:07:47 | |
Can it be it could be Mr Godfrey who stole the moonstone? | 0:07:47 | 0:07:51 | |
It all seems to point to Mr Godfrey. | 0:07:51 | 0:07:53 | |
Our Christian hero, | 0:07:53 | 0:07:55 | |
a gentleman of independent wealth with modest outgoings. | 0:07:55 | 0:08:01 | |
A barrister, a true friend to the poor. No. | 0:08:01 | 0:08:04 | |
I would ask you to look upon more specific predictions than that. | 0:08:04 | 0:08:09 | |
What else did the sergeant say? | 0:08:10 | 0:08:12 | |
I see you have heard the rumours, Miss Clack. | 0:08:13 | 0:08:15 | |
I had the whole story from the mouth of my aunt herself. | 0:08:15 | 0:08:19 | |
And I understood there was not a shadow of a suspicion | 0:08:19 | 0:08:22 | |
on anybody but dear Rachel. | 0:08:22 | 0:08:26 | |
In the mind of Sergeant Cuff. | 0:08:29 | 0:08:31 | |
He did not know her as we do. | 0:08:31 | 0:08:33 | |
Really? | 0:08:34 | 0:08:35 | |
I am but a...dispassionate observer. | 0:08:35 | 0:08:40 | |
Knowing Rachel's spirit to be essentially unregenerate | 0:08:40 | 0:08:45 | |
from childhood upwards, there is very little in this world | 0:08:45 | 0:08:48 | |
that would shock me as regards my cousin. | 0:08:48 | 0:08:51 | |
Events might pass from bad to worse, | 0:08:51 | 0:08:53 | |
till they end in murder. | 0:08:53 | 0:08:55 | |
And yet I might say to myself, | 0:08:56 | 0:08:58 | |
"Ah, the natural result. | 0:08:58 | 0:09:00 | |
"Oh, dear, dear. The natural result." | 0:09:00 | 0:09:04 | |
Nothing of what you have told us is pointed towards Rachel as thief. | 0:09:04 | 0:09:08 | |
Everything, shocking and upsetting as that may be, | 0:09:08 | 0:09:12 | |
points towards Godfrey. | 0:09:12 | 0:09:14 | |
I have not finished yet. | 0:09:19 | 0:09:20 | |
You might change your view | 0:09:27 | 0:09:28 | |
when you hear dear Rachel's response to the events in question. | 0:09:28 | 0:09:32 | |
I do not understand. | 0:09:34 | 0:09:35 | |
I thought you should know before you next saw dear Mr Godfrey. | 0:09:35 | 0:09:39 | |
You imagine that the jewel this broker was depositing, | 0:09:40 | 0:09:44 | |
the motivation for these kidnappings, | 0:09:44 | 0:09:47 | |
you believe it to be my diamond? | 0:09:47 | 0:09:50 | |
Oh, it is not I who believes. | 0:09:50 | 0:09:52 | |
The whole of London is abuzz with talk of the moonstone. | 0:09:52 | 0:09:56 | |
But cloistered as you are, dear cousin, | 0:09:56 | 0:09:59 | |
I...I suspected that news might not have reached you. | 0:09:59 | 0:10:02 | |
I imagined you would want to know that the diamond, | 0:10:04 | 0:10:07 | |
and, perchance, its thief, | 0:10:07 | 0:10:09 | |
seem close to being found out. | 0:10:09 | 0:10:11 | |
Thank you, Mr Bruff. I'm sure those arrangements will be... | 0:10:15 | 0:10:17 | |
How did that come to be here?! | 0:10:19 | 0:10:20 | |
It doesn't matter, Mama. You need protect me no longer. | 0:10:20 | 0:10:23 | |
Please send word to Godfrey, I must see him today. | 0:10:23 | 0:10:27 | |
What to make of this reaction from Rachel. | 0:10:28 | 0:10:31 | |
Like us, she hopes to find her moonstone. | 0:10:31 | 0:10:33 | |
Like us, she's in consternation and panic at the thought | 0:10:33 | 0:10:37 | |
that the thief could be someone as close as her cousin Godfrey. | 0:10:37 | 0:10:41 | |
I am sure it does you great credit, Mr Betteredge, | 0:10:41 | 0:10:44 | |
that you view it thus. | 0:10:44 | 0:10:46 | |
But I can tell, Mr Franklin Blake, | 0:10:46 | 0:10:49 | |
like your great London detective, | 0:10:49 | 0:10:52 | |
can see quite a different reading of it. | 0:10:52 | 0:10:54 | |
'I'll wager the diamond is in London.' | 0:10:54 | 0:10:57 | |
Pledged to Septimus Luker. | 0:10:57 | 0:10:58 | |
And it was Miss Rachel herself that took it there | 0:10:58 | 0:11:01 | |
'and pledged it.' | 0:11:01 | 0:11:03 | |
I don't presume to argue with a clever man like you, | 0:11:09 | 0:11:13 | |
but is it quite fair, sir, to pass over the opinion | 0:11:13 | 0:11:17 | |
of the famous detective who investigated this case? | 0:11:17 | 0:11:20 | |
I judge the sergeant, brilliant though he is, | 0:11:20 | 0:11:22 | |
to have been utterly wrong. | 0:11:22 | 0:11:23 | |
Had he but known Rachel's character as I know it, | 0:11:23 | 0:11:25 | |
-he would've suspected everybody in the house but her. -Oh! | 0:11:25 | 0:11:28 | |
If you'll excuse my interruption, | 0:11:28 | 0:11:30 | |
Miss Rachel has her faults, | 0:11:30 | 0:11:32 | |
she can be secret and self-willed, odd and wild, | 0:11:32 | 0:11:36 | |
but I have known her since birth, | 0:11:36 | 0:11:39 | |
and she's true as steel. | 0:11:39 | 0:11:42 | |
High-minded and generous to a fault. | 0:11:42 | 0:11:46 | |
If the plainest evidence in the world pointed one way | 0:11:46 | 0:11:48 | |
and nothing but Rachel's word of honour pointed the other, | 0:11:48 | 0:11:51 | |
I would take her word before the evidence. | 0:11:51 | 0:11:53 | |
-She is so absolutely to be relied on as that? -She is. | 0:11:53 | 0:11:57 | |
Then permit me to inform you | 0:11:57 | 0:12:00 | |
that Mr Godfrey Ablewhite's entire innocence | 0:12:00 | 0:12:04 | |
was declared that day | 0:12:04 | 0:12:05 | |
during my visit by Miss Verinder herself | 0:12:05 | 0:12:09 | |
in the strongest language | 0:12:09 | 0:12:11 | |
I ever heard used by a young lady in my life. | 0:12:11 | 0:12:14 | |
Tell me...word for word, | 0:12:18 | 0:12:21 | |
what exactly did Rachel say? | 0:12:21 | 0:12:23 | |
My Lady, Mr Godfrey Ablewhite. | 0:12:25 | 0:12:29 | |
Godfrey. I am charmed to see you. | 0:12:29 | 0:12:32 | |
I wish you had brought Mr Luker with you. | 0:12:32 | 0:12:35 | |
It seems that you and he, as long as our present excitement lasts, | 0:12:35 | 0:12:39 | |
are the most interesting men in London. | 0:12:39 | 0:12:41 | |
I think I should take my leave, My Lady. | 0:12:43 | 0:12:46 | |
-No. Stay. -Yes, stay. | 0:12:46 | 0:12:48 | |
I am unfortunate, Rachel. | 0:12:48 | 0:12:50 | |
No man knows less of Mr Luker than I. | 0:12:51 | 0:12:54 | |
And yet I learn that you were both kidnapped in identical circumstances. | 0:12:54 | 0:12:57 | |
It is thought, is it not, that these kidnappers are the same as | 0:12:57 | 0:13:01 | |
those entertainers that came to our house in the country? | 0:13:01 | 0:13:03 | |
Some people think so. | 0:13:03 | 0:13:05 | |
Please, Rachel, leave the matter be. | 0:13:05 | 0:13:07 | |
I cannot, Mama. | 0:13:07 | 0:13:09 | |
Tell me plainly, Godfrey, do these people also say | 0:13:09 | 0:13:11 | |
that Mr Luker's valuable gem is the moonstone? | 0:13:11 | 0:13:14 | |
They do. | 0:13:14 | 0:13:16 | |
Mr Luker has, over and over, solemnly declared | 0:13:17 | 0:13:20 | |
that until this scandal assailed him, he'd never heard of the moonstone. | 0:13:20 | 0:13:23 | |
And these vile people reply without a shadow of proof | 0:13:23 | 0:13:27 | |
that he has his reasons for concealment, | 0:13:27 | 0:13:29 | |
and decline to believe him on his oath. | 0:13:29 | 0:13:31 | |
Shameful! | 0:13:31 | 0:13:33 | |
Shameful. | 0:13:34 | 0:13:36 | |
An unlucky accident has associated you in people's minds with Mr Luker. | 0:13:36 | 0:13:41 | |
You have told me what scandal says of him, | 0:13:41 | 0:13:45 | |
what does scandal say of you? | 0:13:45 | 0:13:47 | |
Don't ask me. | 0:13:47 | 0:13:49 | |
It is better forgotten, Rachel, it is. | 0:13:49 | 0:13:51 | |
-I will hear it! -Oh, tell her, Godfrey. | 0:13:51 | 0:13:53 | |
Nothing can do her such harm as you do by your silence now. | 0:13:53 | 0:13:57 | |
If you will have it, Rachel. | 0:13:57 | 0:14:00 | |
Scandal says the gem in pledge to Mr Luker is the moonstone | 0:14:01 | 0:14:05 | |
and that I am the man who's pawned it. | 0:14:05 | 0:14:07 | |
This gossip, | 0:14:09 | 0:14:11 | |
this stain on your name, | 0:14:11 | 0:14:13 | |
Godfrey, it is my fault. | 0:14:13 | 0:14:15 | |
I have sacrificed myself. | 0:14:15 | 0:14:16 | |
I had the right to do that if I liked | 0:14:16 | 0:14:18 | |
but to let an innocent man be ruined, that I cannot bear. | 0:14:18 | 0:14:22 | |
Dear Rachel, you exaggerate. | 0:14:22 | 0:14:24 | |
My reputation stands too high to be destroyed | 0:14:26 | 0:14:28 | |
by a miserable passing scandal like this. | 0:14:28 | 0:14:30 | |
Let us never speak of it again. | 0:14:30 | 0:14:32 | |
I must and will stop it. | 0:14:32 | 0:14:34 | |
Mama, Mr Bruff, Miss Clack, hear what I say. | 0:14:36 | 0:14:40 | |
I know the hand that took the moonstone. | 0:14:44 | 0:14:46 | |
What? | 0:14:46 | 0:14:48 | |
Who? | 0:14:48 | 0:14:49 | |
The very question on the lips of all who heard her speak, Mr Blake. | 0:14:49 | 0:14:52 | |
Well, then, Rachel, you must tell us who he is. Give us a name. | 0:14:52 | 0:14:56 | |
I cannot. | 0:14:58 | 0:15:00 | |
But I know... | 0:15:00 | 0:15:01 | |
I know Godfrey Ablewhite is innocent. | 0:15:01 | 0:15:05 | |
Mr Bruff, please draw up a declaration of Godfrey's innocence | 0:15:05 | 0:15:08 | |
on paper and I will sign it. | 0:15:08 | 0:15:10 | |
Do as I say or I'll write it to the newspapers. | 0:15:10 | 0:15:13 | |
I'll go out and cry it in the streets. | 0:15:13 | 0:15:15 | |
Aunt Verinder, let me comfort you. | 0:15:25 | 0:15:27 | |
It is not comfort that I need. | 0:15:27 | 0:15:30 | |
Quick, six drops in water. | 0:15:30 | 0:15:32 | |
You have surprised a secret, Drusilla. | 0:15:35 | 0:15:38 | |
But I trust once I tell you the circumstance | 0:15:38 | 0:15:41 | |
that I can be sure of your discretion? | 0:15:41 | 0:15:43 | |
Oh, dear aunt, you can trust me absolutely. | 0:15:43 | 0:15:47 | |
The truth of the matter is that I have been seriously ill | 0:15:52 | 0:15:56 | |
for some time past | 0:15:56 | 0:15:58 | |
and, strange to say, without knowing it myself. | 0:15:58 | 0:16:01 | |
When I came to London, I consulted a doctor on Rachel's health. | 0:16:02 | 0:16:06 | |
However, he proved more seriously concerned with my own. | 0:16:06 | 0:16:11 | |
For some years, it transpires, | 0:16:11 | 0:16:14 | |
I have been suffering under an insidious form of heart disease | 0:16:14 | 0:16:17 | |
which has fatally broken me down. | 0:16:17 | 0:16:19 | |
Oh, dearest aunt. | 0:16:20 | 0:16:21 | |
I have come to realise I am lucky | 0:16:21 | 0:16:24 | |
to have the chance with Mr Bruff | 0:16:24 | 0:16:27 | |
to set my affairs in order. | 0:16:27 | 0:16:29 | |
I may not have long... | 0:16:30 | 0:16:31 | |
..but my one great anxiety is that Rachel | 0:16:33 | 0:16:36 | |
should not learn the truth. | 0:16:36 | 0:16:37 | |
You do promise not to tell her, don't you, my dear? | 0:16:40 | 0:16:43 | |
Oh, yes. | 0:16:43 | 0:16:45 | |
Oh, dear aunt, I do. | 0:16:45 | 0:16:46 | |
If she should learn of my condition, | 0:16:46 | 0:16:49 | |
she should at once attribute it to anxiety over the diamond | 0:16:49 | 0:16:54 | |
and would reproach herself bitterly, poor child, | 0:16:54 | 0:16:57 | |
for whatever secret she has burdened herself with these past weeks. | 0:16:57 | 0:17:02 | |
Please do not worry, aunt. | 0:17:02 | 0:17:03 | |
Rachel shall remain in absolute ignorance. | 0:17:03 | 0:17:06 | |
You have me here now to tend your soul. | 0:17:08 | 0:17:12 | |
'I left my aunt recovering there with a helpful tract | 0:17:20 | 0:17:24 | |
'and re-joined Rachel and her heathen lawyer.' | 0:17:24 | 0:17:27 | |
Show it everywhere. Don't think of me. | 0:17:27 | 0:17:29 | |
I'm afraid, Godfrey, I have not done you justice hitherto in my thoughts. | 0:17:31 | 0:17:35 | |
You are a better man than I believed you to be. | 0:17:35 | 0:17:38 | |
Come here when you can | 0:17:38 | 0:17:40 | |
and I will try to repair the wrong I have done you. | 0:17:40 | 0:17:42 | |
Rachel... | 0:17:46 | 0:17:48 | |
I know I am over anxious. | 0:17:48 | 0:17:50 | |
I must go calm myself with a book. | 0:17:50 | 0:17:52 | |
I fear I have made you anxious too. | 0:17:53 | 0:17:56 | |
Ooh, you have no need to worry about me. | 0:17:56 | 0:17:58 | |
Mr Godfrey... | 0:18:05 | 0:18:07 | |
You wish me to go against dear Rachel's wishes. | 0:18:11 | 0:18:14 | |
Well, let's just call it a pious fraud if you will. | 0:18:14 | 0:18:17 | |
Let Rachel suppose that you accept the generous self-sacrifice | 0:18:18 | 0:18:23 | |
with which she signed that letter. | 0:18:23 | 0:18:26 | |
Mr Godfrey! | 0:18:40 | 0:18:41 | |
A trifling inconvenience that I may suffer is as nothing | 0:18:51 | 0:18:55 | |
compared to the importance of preserving that pure name | 0:18:55 | 0:18:58 | |
from the contaminating contact of the world. | 0:18:58 | 0:19:01 | |
You've reduced it to a harmless little heap of ashes. | 0:19:01 | 0:19:05 | |
And our dear impulsive Rachel will never know what we have done. | 0:19:05 | 0:19:09 | |
Why would Godfrey burn a document exonerating him, even under duress? | 0:19:09 | 0:19:13 | |
Well, a true gentleman always protects | 0:19:13 | 0:19:15 | |
a lady's honour above his own. | 0:19:15 | 0:19:17 | |
Begging your pardon, sir, what lady, whose honour? | 0:19:17 | 0:19:21 | |
What Miss Clack implies, Betteredge, is that if Rachel can state | 0:19:21 | 0:19:24 | |
absolutely that the thief was not Godfrey, | 0:19:24 | 0:19:27 | |
if she admits she knows the identity of the thief... | 0:19:27 | 0:19:29 | |
There must be a reason, surely, | 0:19:29 | 0:19:31 | |
for this extraordinary conduct on Rachel's part. | 0:19:31 | 0:19:35 | |
She admits she is keeping a sinful secret. | 0:19:35 | 0:19:38 | |
She admits she is guilty of allowing an innocent man | 0:19:38 | 0:19:42 | |
to be painted a thief. | 0:19:42 | 0:19:44 | |
She is horrified by and yet obsessed | 0:19:44 | 0:19:47 | |
with every detail of Mr Luker's abduction. | 0:19:47 | 0:19:50 | |
Could this be because HER secret is threatened with discovery? | 0:19:50 | 0:19:53 | |
When first you arrived, Miss Clack, | 0:19:55 | 0:19:56 | |
I thought your need for money drove you | 0:19:56 | 0:19:58 | |
and then perhaps your admiration for Godfrey led you | 0:19:58 | 0:20:02 | |
to imagine yourself closer to him by means of being his defence. | 0:20:02 | 0:20:06 | |
I do not understand. | 0:20:06 | 0:20:07 | |
But now... | 0:20:07 | 0:20:08 | |
..I see that it is hatred of Rachel | 0:20:09 | 0:20:11 | |
that makes you seek to bring her down. | 0:20:11 | 0:20:13 | |
Why do you hate her so? | 0:20:14 | 0:20:16 | |
Is it jealousy that eats at you? | 0:20:17 | 0:20:20 | |
Jealousy? | 0:20:20 | 0:20:22 | |
Hatred? | 0:20:22 | 0:20:23 | |
Oh, I wish I could find the words to describe the... | 0:20:23 | 0:20:27 | |
the compassion I feel for this miserable and misguided girl, | 0:20:27 | 0:20:31 | |
but, alas, I am almost as poorly provided with words | 0:20:31 | 0:20:35 | |
as with money. | 0:20:35 | 0:20:37 | |
It was not I, but the great London detective who said it | 0:20:37 | 0:20:40 | |
-and now the evidence plainly bears it out. -No. | 0:20:40 | 0:20:42 | |
Everything suggests that dear Rachel stole her own diamond. | 0:20:42 | 0:20:48 | |
We are not finished. | 0:20:48 | 0:20:49 | |
BELL TINKLING | 0:20:54 | 0:20:55 | |
What happened next? | 0:20:58 | 0:21:00 | |
'The next event of any note occurred some months later.' | 0:21:01 | 0:21:04 | |
PAINED SIGH | 0:21:05 | 0:21:07 | |
Is there something you want, Drusilla? | 0:21:08 | 0:21:11 | |
Give your attention, dear aunt, to this precious tract | 0:21:11 | 0:21:16 | |
and you will give me all I ask. | 0:21:16 | 0:21:19 | |
I'm afraid, my dear, you will have to wait | 0:21:19 | 0:21:22 | |
until I'm a little better before I can read that. | 0:21:22 | 0:21:25 | |
The doctor tells me I am not so well this morning. | 0:21:25 | 0:21:28 | |
"Do nothing to weaken your head or to quicken your pulse." | 0:21:28 | 0:21:34 | |
Those were his words before he left me today. | 0:21:36 | 0:21:39 | |
Then I will leave it with you. | 0:21:39 | 0:21:42 | |
It is my own precious copy, | 0:21:42 | 0:21:44 | |
turned down at all the right pages | 0:21:44 | 0:21:46 | |
and marked in pencil where you are to stop | 0:21:46 | 0:21:50 | |
and ask yourself, "Does this apply to me?" | 0:21:50 | 0:21:53 | |
I will do what I can to please you, my dear. | 0:21:56 | 0:21:59 | |
Oh, it is not for my pleasure, dear aunt. | 0:21:59 | 0:22:02 | |
No indeed. | 0:22:02 | 0:22:03 | |
I only seek to redeem you from your life of sin. | 0:22:03 | 0:22:09 | |
I only seek to save you from your certain fate - | 0:22:09 | 0:22:12 | |
the burning pains of everlasting hell fire. | 0:22:12 | 0:22:16 | |
Water, please, Drusilla. | 0:22:17 | 0:22:19 | |
SHE STRUGGLES TO BREATHE | 0:22:23 | 0:22:24 | |
Miss Clack. | 0:22:27 | 0:22:28 | |
I must to the afternoon service now, dear. | 0:22:30 | 0:22:33 | |
I'll return this evening at our usual time. | 0:22:33 | 0:22:36 | |
Miss Clack... | 0:22:45 | 0:22:46 | |
The doctor asked you to give Lady Verinder some peace. | 0:22:48 | 0:22:52 | |
Eternal peace is what I seek to give her. | 0:22:52 | 0:22:55 | |
Mr Bruff, is Mama no better? | 0:22:55 | 0:22:57 | |
Well, she's... She's rather out of sorts today. | 0:22:57 | 0:23:01 | |
This must be worse than the doctors imagine. | 0:23:01 | 0:23:04 | |
She shows no improvement in weeks. | 0:23:04 | 0:23:06 | |
She is due to improve any day now, dear Rachel. | 0:23:06 | 0:23:09 | |
I give you my word, your poor mama will be perfectly better any day. | 0:23:09 | 0:23:14 | |
GLASS SMASHES | 0:23:14 | 0:23:15 | |
Mama. | 0:23:22 | 0:23:24 | |
Mama! | 0:23:24 | 0:23:25 | |
What's wrong with her, why doesn't she wake? | 0:23:30 | 0:23:32 | |
Oh, Rachel, I'm so sorry. | 0:23:32 | 0:23:33 | |
I will go and fetch the doctor back. | 0:23:36 | 0:23:38 | |
Better that you stay. | 0:23:38 | 0:23:40 | |
"Perfectly better." | 0:23:47 | 0:23:48 | |
I understand you now. | 0:23:50 | 0:23:51 | |
You kept this from me. Both of you. | 0:23:52 | 0:23:55 | |
We did exactly as your mother requested. | 0:23:56 | 0:23:58 | |
I mistook you. | 0:24:00 | 0:24:01 | |
At last I see it. | 0:24:02 | 0:24:03 | |
I thought you a fool, | 0:24:05 | 0:24:06 | |
but you are a devil. | 0:24:06 | 0:24:08 | |
Leave us. | 0:24:12 | 0:24:14 | |
Leave us! | 0:24:14 | 0:24:15 | |
(Rachel...) | 0:24:17 | 0:24:18 | |
Mama. | 0:24:20 | 0:24:22 | |
Mama. | 0:24:24 | 0:24:25 | |
I am sorry. | 0:24:28 | 0:24:29 | |
SHE SOBS | 0:24:32 | 0:24:35 | |
I did not know you were so ill. | 0:24:35 | 0:24:38 | |
I have been so selfish. | 0:24:38 | 0:24:40 | |
I should not have kept you from my innermost thoughts. | 0:24:41 | 0:24:44 | |
I should have told you... | 0:24:47 | 0:24:49 | |
..about the moonstone. | 0:24:50 | 0:24:51 | |
'Tis no matter. | 0:24:56 | 0:24:58 | |
No matter. | 0:25:00 | 0:25:01 | |
SHE WAILS | 0:25:08 | 0:25:11 | |
'The moonstone? What about the moonstone?' | 0:25:11 | 0:25:14 | |
What was she about to say? | 0:25:16 | 0:25:18 | |
I have worked wonders with murderesses | 0:25:18 | 0:25:20 | |
but I have never advanced an inch with cousin Rachel. | 0:25:20 | 0:25:23 | |
Praise the Lord. | 0:25:23 | 0:25:24 | |
Praise him indeed. | 0:25:24 | 0:25:26 | |
What could she have possibly known about the theft | 0:25:26 | 0:25:28 | |
that she would want so to tell her mother on her deathbed? | 0:25:28 | 0:25:31 | |
From Cuff. | 0:25:34 | 0:25:36 | |
He's arrived in London to learn his contacts have | 0:25:36 | 0:25:38 | |
a lead on Lucy Yolland. He hopes to track her down within days | 0:25:38 | 0:25:41 | |
and Rosanna's dying secrets with her. | 0:25:41 | 0:25:43 | |
You must make haste, sir. | 0:25:43 | 0:25:44 | |
Was the moonstone never mentioned in the aftermath of my aunt's death? | 0:25:45 | 0:25:49 | |
I could not say. | 0:25:49 | 0:25:51 | |
BELL TOLLS | 0:25:51 | 0:25:52 | |
'Rachel became quite inaccessible after her mother's death. | 0:25:52 | 0:25:56 | |
'She dropped all pretence of social nicety | 0:25:56 | 0:25:59 | |
'and gave in to her grief in a most selfish and indulgent manner.' | 0:25:59 | 0:26:04 | |
SOBBING | 0:26:04 | 0:26:05 | |
-GODFREY: -My deepest condolences. | 0:26:12 | 0:26:13 | |
It is my fault. | 0:26:22 | 0:26:23 | |
I should never have kept her in the dark. | 0:26:26 | 0:26:28 | |
Worry about the moonstone killed her. | 0:26:30 | 0:26:33 | |
Dear Rachel, I am sure that isn't true. | 0:26:33 | 0:26:35 | |
Do not think that you are all alone in the world. | 0:26:39 | 0:26:42 | |
I will always stand by you. | 0:26:43 | 0:26:45 | |
Drusilla. | 0:26:52 | 0:26:54 | |
I'm so glad you came. | 0:26:54 | 0:26:56 | |
I have been in the habit of speaking very foolishly | 0:26:58 | 0:27:02 | |
and very rudely to you on former occasions. | 0:27:02 | 0:27:05 | |
I hope you will forgive me. | 0:27:05 | 0:27:07 | |
I don't know what to say. | 0:27:07 | 0:27:10 | |
In my poor mother's lifetime, | 0:27:10 | 0:27:12 | |
her friends were not always my friends too. | 0:27:12 | 0:27:15 | |
Now I have lost her, my heart looks for comfort to the people she liked. | 0:27:15 | 0:27:20 | |
She liked you. | 0:27:22 | 0:27:23 | |
Try to be friends with me, Drusilla, if you can. | 0:27:24 | 0:27:27 | |
My dear, dear cousin, it is a terrible sight | 0:27:27 | 0:27:32 | |
here in Christian England | 0:27:32 | 0:27:34 | |
to see a young woman with so little idea of where to find true comfort. | 0:27:34 | 0:27:39 | |
Your suckle lies here, dear Rachel. | 0:27:40 | 0:27:44 | |
Take these pamphlets to your heart. | 0:27:44 | 0:27:46 | |
I'm sorry, Drusilla, it would be falsehood to take these. | 0:27:47 | 0:27:50 | |
-I shall not read them. -Rachel. | 0:27:50 | 0:27:52 | |
Don't concern yourself, Penelope. | 0:28:02 | 0:28:04 | |
I can find my way out. | 0:28:04 | 0:28:05 | |
You should go home. | 0:28:42 | 0:28:43 | |
But I would not leave you alone. | 0:28:44 | 0:28:47 | |
Who else do you have to support you now? | 0:28:47 | 0:28:49 | |
There is family. | 0:28:49 | 0:28:51 | |
Miss Clack? | 0:28:51 | 0:28:52 | |
I am serious. | 0:28:52 | 0:28:53 | |
Better you stay away from this cursed house. | 0:28:53 | 0:28:56 | |
Oh, don't say that, Rachel. | 0:28:56 | 0:28:57 | |
Oh, if only you knew how much happier I am here with you. | 0:28:57 | 0:29:00 | |
It's hard to get over one's bad habits, Godfrey, | 0:29:00 | 0:29:02 | |
but do try to get over the habit of paying compliments. | 0:29:02 | 0:29:06 | |
Do, to please me. | 0:29:06 | 0:29:07 | |
I've never paid you a compliment, Rachel, | 0:29:07 | 0:29:10 | |
in my life. | 0:29:10 | 0:29:11 | |
A successful love may sometimes use the language of flattery, I admit. | 0:29:11 | 0:29:17 | |
But a hopeless love, dearest, it always speaks the truth. | 0:29:17 | 0:29:21 | |
Have you forgotten? We agreed to be cousins and then nothing more. | 0:29:21 | 0:29:24 | |
Oh, I break that agreement every time I see you. | 0:29:24 | 0:29:27 | |
Then don't see me. | 0:29:27 | 0:29:28 | |
Oh, Rachel... | 0:29:31 | 0:29:32 | |
..how kindly you told me only weeks ago that my place in your estimation | 0:29:34 | 0:29:37 | |
was in a higher place than it has ever been yet. | 0:29:37 | 0:29:41 | |
Am I mad to build the dreams I do on those dear words? | 0:29:42 | 0:29:45 | |
No. No, don't tell me so if I am. | 0:29:45 | 0:29:47 | |
Leave me my delusions. | 0:29:49 | 0:29:51 | |
I must have that to comfort me if I have nothing else. | 0:29:51 | 0:29:54 | |
Are you really sure you are so fond of me as that? | 0:29:54 | 0:29:57 | |
I have lost every interest in my life but my interest in you. | 0:29:57 | 0:30:01 | |
My charitable business is an unendurable nuisance to me. | 0:30:01 | 0:30:05 | |
When I see a ladies' committee now, | 0:30:06 | 0:30:08 | |
I wish myself at the uttermost ends of the earth. | 0:30:08 | 0:30:11 | |
You have made your confession. | 0:30:11 | 0:30:13 | |
I wonder whether it would cure you | 0:30:13 | 0:30:14 | |
of your unhappy attachment to me if I made mine. | 0:30:14 | 0:30:18 | |
Your confession? | 0:30:18 | 0:30:19 | |
Would you think to look at me that I am the wretchedest girl living? | 0:30:20 | 0:30:26 | |
What greater wretchedness can there be | 0:30:26 | 0:30:27 | |
than to live degraded in your own estimation? | 0:30:27 | 0:30:31 | |
She confessed? | 0:30:31 | 0:30:32 | |
She cannot truly have been confessing to the theft of | 0:30:34 | 0:30:36 | |
the moonstone. What did she go on to say? | 0:30:36 | 0:30:38 | |
She admitted to dear Godfrey, in the teeth of his declaration of love, | 0:30:38 | 0:30:43 | |
that she loved another. | 0:30:43 | 0:30:45 | |
Who? | 0:30:47 | 0:30:48 | |
She did not say, but since he yet claimed her affections, | 0:30:48 | 0:30:51 | |
then despite the futility of her devotions, | 0:30:51 | 0:30:53 | |
she could not find any love for poor Godfrey. | 0:30:53 | 0:30:56 | |
Am I mad to dream that she might refer to me? | 0:31:00 | 0:31:02 | |
Is there hope yet? | 0:31:02 | 0:31:04 | |
I shall relate what remains of their conversation, | 0:31:04 | 0:31:07 | |
and let you be the judge of that. | 0:31:07 | 0:31:08 | |
I have dropped to my right place in your estimation, haven't I? | 0:31:11 | 0:31:15 | |
Oh, don't pity me, for God's sake. Go away. | 0:31:15 | 0:31:18 | |
Noble creature. | 0:31:20 | 0:31:21 | |
A woman who will sacrifice her pride, | 0:31:26 | 0:31:29 | |
rather than sacrifice an honest man who loves her. | 0:31:29 | 0:31:33 | |
A most priceless of all treasures, | 0:31:33 | 0:31:36 | |
and you judge on your place in my estimation is | 0:31:36 | 0:31:39 | |
when I implore you, | 0:31:39 | 0:31:40 | |
on my knees, to let the cure of your poor, wounded heart be my care. | 0:31:40 | 0:31:45 | |
Rachel, will you honour me, will you bless me by being my wife? | 0:31:47 | 0:31:50 | |
Godfrey, you must be mad. | 0:31:51 | 0:31:53 | |
No, I have never spoken more reasonably, dearest, | 0:31:53 | 0:31:55 | |
in your interest as well as in mine. | 0:31:55 | 0:31:57 | |
-How so? -But look for a moment to the future. | 0:31:57 | 0:32:00 | |
Is your happiness to be sacrificed to a man who has never known how | 0:32:00 | 0:32:03 | |
you feel towards him, and whom you have resolved never to see again? | 0:32:03 | 0:32:06 | |
Is it not your duty to yourself to forget this ill-fated attachment? | 0:32:06 | 0:32:10 | |
Perhaps, but... | 0:32:10 | 0:32:11 | |
Forgetfulness cannot be found in the life you are leading now, | 0:32:11 | 0:32:14 | |
my point precisely. | 0:32:14 | 0:32:16 | |
You've tried that life. You're wearying of it already. | 0:32:16 | 0:32:19 | |
Surround yourself with nobler interests than the wretched | 0:32:19 | 0:32:22 | |
interests of the world, a... A heart...that loves none as you. | 0:32:22 | 0:32:28 | |
A home whose peaceful claims and happy duties win gently | 0:32:28 | 0:32:31 | |
on you day by day, try consolation that is to be found there. | 0:32:31 | 0:32:36 | |
Did you not hear me? | 0:32:38 | 0:32:40 | |
Godfrey, I do not love you. | 0:32:43 | 0:32:45 | |
I do not ask for your love. | 0:32:52 | 0:32:53 | |
I would be content with your respect and admiration. | 0:32:54 | 0:32:57 | |
Let the rest be confidently left to your husband's devotion, and... | 0:32:57 | 0:33:01 | |
-at a time that heals all wounds. -Don't tempt me, Godfrey. | 0:33:01 | 0:33:05 | |
I am wretched and reckless enough as it is. | 0:33:05 | 0:33:08 | |
Do not tempt me to be more wretched and more reckless still. | 0:33:08 | 0:33:12 | |
Just one question, Rachel. Have you any personal objection to me? | 0:33:13 | 0:33:18 | |
I always liked you. | 0:33:20 | 0:33:21 | |
After what you have just said to me, it should be insensible | 0:33:22 | 0:33:25 | |
indeed if I didn't respect and admire you as well. | 0:33:25 | 0:33:30 | |
Then marry the man, dearest, who is now at your feet, | 0:33:30 | 0:33:35 | |
who prizes your respect and admiration over the love of | 0:33:35 | 0:33:37 | |
any other woman on the face of the earth. | 0:33:37 | 0:33:39 | |
Gently, Godfrey, I tell you again - I am miserable enough | 0:33:39 | 0:33:45 | |
and desperate enough, if you say another word, | 0:33:45 | 0:33:47 | |
to marry you on your own terms. | 0:33:47 | 0:33:49 | |
-Take the warning and go. -I... | 0:33:49 | 0:33:53 | |
I will not even rise from my knees till you've said yes. | 0:33:53 | 0:33:56 | |
If I agree, you will repent, and I shall repent when it is too late. | 0:33:56 | 0:34:00 | |
No, we shall both bless the day, darling, I pressed and you yielded. | 0:34:00 | 0:34:04 | |
You won't hurry me, Godfrey. | 0:34:08 | 0:34:10 | |
Time shall be yours. | 0:34:12 | 0:34:13 | |
And you won't ask me for more than I can give. | 0:34:15 | 0:34:17 | |
My angel... | 0:34:17 | 0:34:18 | |
..I only ask that you give me yourself. | 0:34:21 | 0:34:23 | |
Then take me. | 0:34:24 | 0:34:26 | |
It has... It has not been announced. | 0:34:41 | 0:34:43 | |
I've heard nothing from Bruff, Betteredge. | 0:34:43 | 0:34:45 | |
I've heard nothing of this from Penelope, sir. | 0:34:46 | 0:34:49 | |
Due to her mother's recent death and last year's terrible scandal, | 0:34:50 | 0:34:54 | |
of course, the engagement's for family ears only. | 0:34:54 | 0:34:58 | |
Then why reveal it now? | 0:34:58 | 0:35:00 | |
Mr Blake, I am under oath. | 0:35:00 | 0:35:03 | |
And, of course, I suppose you are family. | 0:35:03 | 0:35:06 | |
When is the wedding? | 0:35:08 | 0:35:09 | |
Tomorrow. | 0:35:12 | 0:35:13 | |
Why Brighton? | 0:35:25 | 0:35:26 | |
The Ablewhites have taken a house there for the season. | 0:35:26 | 0:35:29 | |
It is a very quiet event, | 0:35:29 | 0:35:32 | |
as you see, or I would be attending myself. | 0:35:32 | 0:35:35 | |
My solicitor meets us in London tonight. | 0:35:35 | 0:35:37 | |
He will see you on your onward journey. | 0:35:37 | 0:35:39 | |
You will miss the last train and travel on at first light. | 0:35:42 | 0:35:46 | |
Even if you arrive before the wedding, | 0:35:48 | 0:35:50 | |
you shall not be able to prevent it, you know that. | 0:35:50 | 0:35:52 | |
Why are you glad to see me too late? Hmm? | 0:35:53 | 0:35:56 | |
You do not want them married any more than I. | 0:35:58 | 0:36:01 | |
Or is it just that misery loves company? | 0:36:01 | 0:36:04 | |
I pity you, Miss Clack. | 0:36:06 | 0:36:07 | |
-Bruff. -Ah. | 0:36:21 | 0:36:22 | |
-You received my cable? -I did. | 0:36:22 | 0:36:24 | |
I entrust Miss Clack to your care. | 0:36:24 | 0:36:26 | |
Please see her to a respectable hotel, | 0:36:26 | 0:36:27 | |
and book her safe passage home tomorrow. | 0:36:27 | 0:36:29 | |
Mr Franklin, may I have a few words with you? | 0:36:29 | 0:36:32 | |
Did you know about the wedding? | 0:36:32 | 0:36:34 | |
How many times since my return from Italy have I asked you about Rachel? | 0:36:34 | 0:36:37 | |
Mr Franklin... | 0:36:37 | 0:36:38 | |
Why did you not tell me she was marrying Godfrey Ablewhite? | 0:36:38 | 0:36:42 | |
Miss Clack, would you please excuse us? | 0:36:42 | 0:36:44 | |
MUFFLED VOICES | 0:37:00 | 0:37:01 | |
It was not my secret to give. | 0:37:01 | 0:37:03 | |
Is there anything else you've been keeping from me? | 0:37:03 | 0:37:05 | |
No, I swear it. | 0:37:05 | 0:37:06 | |
I shall find another solicitor for my business. | 0:37:08 | 0:37:11 | |
Well, that is your prerogative. | 0:37:12 | 0:37:14 | |
But, Mr Franklin, I did not come halfway across London | 0:37:14 | 0:37:17 | |
merely to chaperone Miss Clack. | 0:37:17 | 0:37:19 | |
-I have important news. -About the moonstone? | 0:37:19 | 0:37:21 | |
-No, it is... -Well, then, I bid you goodnight. | 0:37:21 | 0:37:23 | |
News concerning Rachel. | 0:37:23 | 0:37:25 | |
Believe me, Mr Franklin, you WILL want to hear it. | 0:37:25 | 0:37:28 | |
Today, on behalf of another client, I happened to find myself | 0:37:28 | 0:37:31 | |
in the doctors' commons, to examine a will. | 0:37:31 | 0:37:33 | |
There, in the ledger, I spied a familiar name | 0:37:35 | 0:37:38 | |
in the list of wills viewed. | 0:37:38 | 0:37:40 | |
Someone has examined my Aunt Verinder's will? | 0:37:44 | 0:37:47 | |
Three months since. | 0:37:47 | 0:37:48 | |
The very day of her funeral, before her body was cold in the ground. | 0:37:48 | 0:37:52 | |
For what reason? | 0:37:52 | 0:37:53 | |
Well, there's nothing in the will that can be contested, | 0:37:53 | 0:37:55 | |
so no-one would have the slightest LEGAL interest in examining it. | 0:37:55 | 0:37:59 | |
Were you able to discover who it was? | 0:37:59 | 0:38:01 | |
I have come directly from the solicitor's office. | 0:38:01 | 0:38:04 | |
I managed... Well, I... | 0:38:04 | 0:38:05 | |
I persuaded them to release the name of their client. | 0:38:06 | 0:38:10 | |
Who, man? Who?! | 0:38:10 | 0:38:12 | |
Godfrey Ablewhite. | 0:38:12 | 0:38:13 | |
Godfrey looked at the will on the morning of my aunt's funeral? | 0:38:14 | 0:38:18 | |
And then proposed to her daughter that very afternoon. | 0:38:18 | 0:38:22 | |
I take it Rachel is the sole beneficiary? | 0:38:24 | 0:38:26 | |
She owns everything. | 0:38:26 | 0:38:29 | |
Until she takes a husband. | 0:38:29 | 0:38:30 | |
He wants her for her money alone. | 0:38:32 | 0:38:34 | |
At least we know that Godfrey is not our thief. | 0:38:34 | 0:38:36 | |
If he had taken the moonstone, he wouldn't need to marry for money. | 0:38:36 | 0:38:39 | |
I must ensure Rachel knows before she marries him. | 0:38:39 | 0:38:41 | |
We have no need to wait for the morning train. | 0:38:41 | 0:38:44 | |
I have a coach outside. | 0:38:44 | 0:38:45 | |
The driver has sworn to me he can get us there in four hours. | 0:38:45 | 0:38:49 | |
We can talk to Rachel at first light. | 0:38:49 | 0:38:51 | |
That is, if you're willing to travel with me. | 0:38:52 | 0:38:55 | |
Well, where are you going? | 0:38:58 | 0:38:59 | |
We cannot stop to talk. | 0:38:59 | 0:39:01 | |
What am I to do? | 0:39:01 | 0:39:02 | |
You have your money, Miss Clack. | 0:39:02 | 0:39:04 | |
I should let dear Godfrey know it. | 0:39:04 | 0:39:06 | |
It is possible he may yet be in search of a bride. | 0:39:06 | 0:39:09 | |
Miss Clack. | 0:39:09 | 0:39:10 | |
DOOR CLOSES Oh! | 0:39:14 | 0:39:16 | |
Wait! | 0:39:16 | 0:39:17 | |
By Jupiter, Mr Blake, you are a hard man to track down. | 0:39:17 | 0:39:20 | |
You received my telegram? | 0:39:20 | 0:39:22 | |
To say I had a clue as to the whereabouts of Lucy Yolland. | 0:39:22 | 0:39:24 | |
-Have you found her? -I have. | 0:39:24 | 0:39:26 | |
And Rosanna Spearman's letter with her, | 0:39:26 | 0:39:28 | |
but she will only hand it to you in person. | 0:39:28 | 0:39:30 | |
I must to Brighton tonight. | 0:39:30 | 0:39:32 | |
And pass up the opportunity to solve this mystery? | 0:39:32 | 0:39:36 | |
It will wait. | 0:39:36 | 0:39:37 | |
No, no, no, no. The news that I have for Rachel | 0:39:37 | 0:39:40 | |
may well drive her away from Godfrey, but were you to solve | 0:39:40 | 0:39:43 | |
the mystery of the moonstone, that could drive Rachel towards you. | 0:39:43 | 0:39:47 | |
Sir, you have to come with me. | 0:39:48 | 0:39:51 | |
I will go and see Rachel. | 0:39:52 | 0:39:54 | |
I will do everything in my power to stop this marriage. | 0:39:54 | 0:39:57 | |
Lucy, I present Franklin Blake. | 0:40:11 | 0:40:14 | |
Miss Yolland, I... | 0:40:16 | 0:40:17 | |
Stand there. | 0:40:20 | 0:40:21 | |
I want to look at you. | 0:40:22 | 0:40:24 | |
I think you have got a letter to give me. | 0:40:26 | 0:40:29 | |
Say that again. | 0:40:29 | 0:40:31 | |
You... You have a letter for me? | 0:40:31 | 0:40:34 | |
No, can't see it. | 0:40:37 | 0:40:39 | |
Can't see what? | 0:40:41 | 0:40:42 | |
-Murderer. -That is slander. | 0:40:44 | 0:40:45 | |
He has been the death of Rosanna Spearman. | 0:40:45 | 0:40:48 | |
You cannot blame me for that. | 0:40:48 | 0:40:49 | |
I was not even present when she made her fatal slip into the sands. | 0:40:49 | 0:40:53 | |
And they call me crippled. | 0:40:56 | 0:40:58 | |
You are blind, Franklin Blake. | 0:40:58 | 0:41:00 | |
You do not deserve her explanations. | 0:41:00 | 0:41:03 | |
Go back to your denial, and your privilege. | 0:41:03 | 0:41:06 | |
-I have nothing for you here. -Miss Yolland, | 0:41:06 | 0:41:09 | |
I do not know the contents of the letter Rosanna sent you, and I... | 0:41:09 | 0:41:13 | |
I can't imagine the reason why she sent it, | 0:41:13 | 0:41:14 | |
but it is her last communication. | 0:41:14 | 0:41:16 | |
A missive, as it were, from the grave. | 0:41:16 | 0:41:20 | |
If it were Rosanna's last wish for Mr Blake to receive the letter... | 0:41:20 | 0:41:23 | |
Then she was a fool! | 0:41:23 | 0:41:25 | |
The finger of suspicion fell on Rosanna in her lifetime. | 0:41:25 | 0:41:29 | |
I was always kind to her. | 0:41:29 | 0:41:31 | |
Were you now? What a gent(!) | 0:41:31 | 0:41:34 | |
Mr Blake, the day is not far off when the poor will rise against | 0:41:35 | 0:41:39 | |
the rich, and I pray heaven it may begin with you. | 0:41:39 | 0:41:43 | |
You speak as if I have wronged her. | 0:41:45 | 0:41:48 | |
Let me assure you - I did Rosanna no wrong. | 0:41:48 | 0:41:50 | |
I was mistaken. | 0:41:52 | 0:41:54 | |
You DO need to hear what she has to say. | 0:41:55 | 0:41:57 | |
Take it. | 0:42:02 | 0:42:03 | |
I never set eyes on you afore. | 0:42:04 | 0:42:06 | |
God Almighty forbid I should ever see you again. | 0:42:07 | 0:42:11 | |
LUCY SOBS | 0:42:18 | 0:42:21 | |
You were right. She did keep a memorandum. | 0:42:27 | 0:42:29 | |
A map. | 0:42:31 | 0:42:32 | |
And instructions. | 0:42:34 | 0:42:35 | |
To where she sank the box in the sands. | 0:42:35 | 0:42:37 | |
The diamond is yet within my grasp, and Rachel's heart with it. | 0:42:37 | 0:42:42 | |
I go to Yorkshire at first light. | 0:42:42 | 0:42:44 | |
Rosanna Spearman had a hiding place, and here it is. | 0:43:27 | 0:43:30 | |
Have we met before? | 0:43:30 | 0:43:31 | |
It's a strange thing about the diamond, sir. | 0:43:31 | 0:43:33 | |
It's a cruel trap! | 0:43:33 | 0:43:35 | |
We are about to meet our thief. | 0:43:35 | 0:43:37 | |
Who is it, sir? Who is our thief? | 0:43:37 | 0:43:39 |