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In the last year of the 18th century, | 0:00:14 | 0:00:17 | |
Colonel John Herncastle plundered from India | 0:00:17 | 0:00:21 | |
a priceless and most sacred yellow diamond. | 0:00:21 | 0:00:24 | |
Vishnu, the preserver, laid his curse on the thief, | 0:00:24 | 0:00:29 | |
commanding three priests to search forever for his moonstone. | 0:00:29 | 0:00:33 | |
But the wicked colonel smuggled the stone to England. | 0:00:35 | 0:00:39 | |
In his will, he bequeathed the diamond | 0:00:39 | 0:00:41 | |
to his beautiful young niece, Miss Rachel Verinder. | 0:00:41 | 0:00:44 | |
Rachel's gallant cousin, Mr Franklin Blake, | 0:00:45 | 0:00:48 | |
was charged with the gem's delivery. | 0:00:48 | 0:00:51 | |
Rachel was bewitched by her diamond, | 0:00:54 | 0:00:56 | |
but the next day, it was gone. | 0:00:56 | 0:00:58 | |
All attempts to find the moonstone failed. | 0:00:58 | 0:01:01 | |
But one year later, | 0:01:01 | 0:01:03 | |
Franklin received Rosanna Spearman's | 0:01:03 | 0:01:06 | |
missive from beyond the grave. | 0:01:06 | 0:01:08 | |
The hunt was reignited, and Franklin | 0:01:08 | 0:01:10 | |
hastened back to Yorkshire. | 0:01:10 | 0:01:12 | |
-ROSANNA: -'Sir, if you are curious to know the meaning | 0:01:14 | 0:01:16 | |
'of my behaviour to you whilst you were staying in the house | 0:01:16 | 0:01:19 | |
'of my mistress, Lady Verinder, | 0:01:19 | 0:01:20 | |
'do what you were told to do | 0:01:20 | 0:01:22 | |
'in the memorandum enclosed within. | 0:01:22 | 0:01:24 | |
'And do it without any person being present to overlook you. | 0:01:24 | 0:01:28 | |
'Your humble servant, Rosanna Spearman.' | 0:01:28 | 0:01:31 | |
Betteredge! | 0:01:40 | 0:01:42 | |
What news of Miss Rachel, sir? | 0:01:46 | 0:01:48 | |
Bruff is in Brighton now, where they are due to be married. | 0:01:48 | 0:01:51 | |
He takes Rachel word of Godfrey, | 0:01:51 | 0:01:53 | |
which may change her mind on her choice of husband. | 0:01:53 | 0:01:55 | |
I can but hope his words convince her, or she will become Mrs Ablewhite | 0:01:55 | 0:01:59 | |
and all we do here is for nought. | 0:01:59 | 0:02:00 | |
Do not think that way, Mr Franklin. | 0:02:00 | 0:02:02 | |
Today is the day we find the moonstone and win back your Rachel for good! | 0:02:02 | 0:02:07 | |
HE COUGHS | 0:02:07 | 0:02:09 | |
Are you sick, Betteredge? | 0:02:09 | 0:02:11 | |
As a dog, sir. | 0:02:11 | 0:02:13 | |
I'm sorry to hear it. What do you complain of? | 0:02:13 | 0:02:16 | |
A new disease, Mr Franklin, of my own inventing. | 0:02:16 | 0:02:19 | |
I don't want to alarm you, | 0:02:21 | 0:02:22 | |
but you are sure to catch it before the day is out. | 0:02:22 | 0:02:25 | |
The devil I will. | 0:02:25 | 0:02:27 | |
Do you feel an uncomfortable heat at the pit of your stomach | 0:02:27 | 0:02:31 | |
and a nasty thumping at the top of your head? | 0:02:31 | 0:02:34 | |
I call it the detective fever. | 0:02:34 | 0:02:36 | |
And I caught it in the company of Sergeant Cuff. | 0:02:36 | 0:02:41 | |
Well, I have a cure. | 0:02:41 | 0:02:44 | |
To follow these. | 0:02:47 | 0:02:48 | |
The sergeant said it! | 0:02:53 | 0:02:54 | |
Rosanna Spearman had a memorandum of the hiding place, and here it is! | 0:02:54 | 0:02:58 | |
How long until the turn of the tide? | 0:02:58 | 0:03:01 | |
WAVES CRASH | 0:03:02 | 0:03:05 | |
GULLS CRY | 0:03:05 | 0:03:06 | |
It's so beautiful... | 0:03:15 | 0:03:17 | |
..yet so treacherous. | 0:03:18 | 0:03:20 | |
Come on, sir. We have no time to lose. | 0:03:20 | 0:03:23 | |
The map? | 0:03:33 | 0:03:34 | |
This is the path she took. | 0:03:43 | 0:03:45 | |
-ROSANNA: -Memorandum - to go to the Shivering Sands at the turn of the tide | 0:03:47 | 0:03:51 | |
to find the sequence of rocks they call the South Spit. | 0:03:51 | 0:03:54 | |
To walk out to the last rock and face out to sea. | 0:03:56 | 0:03:59 | |
To feel among the seaweed for the chain. | 0:04:04 | 0:04:07 | |
The box lies deep amidst the quicksand, | 0:04:16 | 0:04:19 | |
10-feet due south off the end of the final rock. | 0:04:19 | 0:04:22 | |
This is it, Betteredge. | 0:04:37 | 0:04:38 | |
Call me when you have it. | 0:04:41 | 0:04:43 | |
God be willing, you can yet save the day. | 0:04:43 | 0:04:46 | |
But why do you leave? | 0:04:46 | 0:04:48 | |
I should be of little use to you here, sir. I never learnt to swim. | 0:04:48 | 0:04:52 | |
I'd hoped you'd hold on to this so I stay tethered to dry ground. | 0:04:54 | 0:04:57 | |
But I must go. Look at the letter again, sir, and you shall see! | 0:04:57 | 0:05:00 | |
Do what you were told to do in the memorandum, | 0:05:04 | 0:05:06 | |
and do it without any person being present to overlook you. | 0:05:06 | 0:05:10 | |
It's hard for me to leave you at such a time as this, | 0:05:11 | 0:05:13 | |
but she died a dreadful death, poor soul. | 0:05:13 | 0:05:16 | |
And I feel a kind of call on me to respect her wishes. | 0:05:16 | 0:05:19 | |
I'll be around the next cove. | 0:05:25 | 0:05:26 | |
At high tide, to swim out from the rocks | 0:05:28 | 0:05:31 | |
and dive down into the water to the seabed, | 0:05:31 | 0:05:33 | |
where the tide has moved the quicksand, | 0:05:33 | 0:05:36 | |
and then to pull the chain. | 0:05:36 | 0:05:38 | |
WAVES CRASH | 0:05:41 | 0:05:42 | |
WAVES CRASH Help! | 0:05:52 | 0:05:54 | |
Betteredge! | 0:05:56 | 0:05:58 | |
Argh! HE COUGHS | 0:06:05 | 0:06:07 | |
Betteredge! | 0:06:08 | 0:06:10 | |
I can't get it! | 0:06:11 | 0:06:13 | |
-Mr Franklin? -WAVES CRASH | 0:06:14 | 0:06:18 | |
Mr Franklin? | 0:06:21 | 0:06:22 | |
Help! | 0:06:22 | 0:06:24 | |
Mr Franklin! | 0:06:24 | 0:06:26 | |
Argh! | 0:06:26 | 0:06:27 | |
MR FRANKLIN! | 0:06:27 | 0:06:29 | |
Argh! | 0:06:30 | 0:06:32 | |
Let go of the box! | 0:06:32 | 0:06:33 | |
I cannot! | 0:06:35 | 0:06:37 | |
I'll throw you the rope! | 0:06:38 | 0:06:40 | |
Put the loop around you! I'll pull you in! | 0:06:42 | 0:06:45 | |
It's a cruel trap! You could die like she did! | 0:06:45 | 0:06:49 | |
I come back with the box, or not at all! | 0:06:49 | 0:06:51 | |
WAVES CRASH | 0:06:53 | 0:06:56 | |
STRUGGLED GASPS | 0:06:57 | 0:06:59 | |
WAVES CRASH | 0:07:02 | 0:07:04 | |
Mr Franklin! | 0:07:04 | 0:07:06 | |
WAVES CRASH | 0:07:07 | 0:07:09 | |
MR FRANKLIN! | 0:07:09 | 0:07:11 | |
Come on, Mr Franklin! | 0:07:27 | 0:07:29 | |
FRANKLIN COUGHS | 0:07:32 | 0:07:34 | |
FRANKLIN BREATHES HARD | 0:07:34 | 0:07:37 | |
Open it, Mr Franklin! Let's see the cursed diamond! | 0:07:51 | 0:07:54 | |
It'll win back your Rachel for good. | 0:07:54 | 0:07:56 | |
Where is the diamond?! | 0:08:04 | 0:08:05 | |
Look, sir, the smeared nightgown! | 0:08:11 | 0:08:13 | |
Remember what Cuff said? | 0:08:13 | 0:08:14 | |
-We're about to meet our thief. -The hem! | 0:08:15 | 0:08:18 | |
Who is it, sir?! | 0:08:28 | 0:08:30 | |
Who is our thief?! | 0:08:30 | 0:08:32 | |
It can't be! | 0:08:44 | 0:08:45 | |
THUNDERCLAP | 0:08:54 | 0:08:56 | |
Here, sir. This will revive you. | 0:09:11 | 0:09:14 | |
Thank you, Gabriel. | 0:09:14 | 0:09:16 | |
It's a lie, to begin with. | 0:09:30 | 0:09:33 | |
I am as innocent of all knowledge of having taken this diamond as you are, | 0:09:33 | 0:09:36 | |
but there is the witness against me. | 0:09:36 | 0:09:38 | |
The paint on the nightgown and the name are facts! | 0:09:38 | 0:09:40 | |
Foul play, sir. | 0:09:40 | 0:09:42 | |
That's how I read the riddle. | 0:09:42 | 0:09:44 | |
Foul play somewhere, and you and I must find it out. | 0:09:44 | 0:09:49 | |
No, stop! | 0:09:51 | 0:09:53 | |
Rosanna Spearman came to my aunt out of a reformatory. | 0:09:57 | 0:10:00 | |
Rosanna Spearman had once been a thief. | 0:10:02 | 0:10:04 | |
There can be no doubting of that. | 0:10:04 | 0:10:06 | |
How do we know she may not have stolen the diamond after all? | 0:10:06 | 0:10:09 | |
How do we know she may not have smeared my nightgown | 0:10:09 | 0:10:11 | |
purposefully with the paint? | 0:10:11 | 0:10:13 | |
You will be cleared of this, Mr Franklin. Beyond all doubt. | 0:10:13 | 0:10:17 | |
But I hope Rosanna will be cleared also. | 0:10:20 | 0:10:22 | |
The letter in the box, sir, we must read it! | 0:10:24 | 0:10:28 | |
You shall form your own judgment. | 0:10:40 | 0:10:42 | |
Sir...I have something to own to you. | 0:10:50 | 0:10:54 | |
READS: 'A confession which means much misery | 0:10:55 | 0:10:57 | |
'may sometimes be made in very few words.' | 0:10:57 | 0:10:59 | |
This confession can be made in three words. | 0:10:59 | 0:11:02 | |
READS: 'This confession can be made in three words.' | 0:11:04 | 0:11:07 | |
I love you. | 0:11:10 | 0:11:12 | |
READS: 'I love you.' | 0:11:15 | 0:11:16 | |
In the name of heaven, what can this mean? | 0:11:19 | 0:11:22 | |
Read on, sir, I beg you. | 0:11:22 | 0:11:24 | |
READS: 'It would be very disgraceful to me to tell you this | 0:11:25 | 0:11:28 | |
'if I was a living woman.' | 0:11:28 | 0:11:29 | |
But if, and when you read it, I shall be dead and gone. | 0:11:29 | 0:11:34 | |
It is that which makes me bold. | 0:11:34 | 0:11:37 | |
God save the poor child! | 0:11:37 | 0:11:38 | |
What demons drove her to this? | 0:11:40 | 0:11:42 | |
READS: 'Sir, you will find your nightgown in my hiding place | 0:11:42 | 0:11:46 | |
'with the smear of paint on it.' | 0:11:46 | 0:11:48 | |
And you'll want to know how it came to be hidden by me, | 0:11:48 | 0:11:51 | |
and why I said nothing to you about it in my lifetime. | 0:11:51 | 0:11:55 | |
READS: 'I have only one reason to give to you. | 0:11:55 | 0:11:57 | |
'I did those strange things because I loved you.' | 0:11:57 | 0:12:01 | |
I had no idea. | 0:12:04 | 0:12:06 | |
How could you have known? | 0:12:06 | 0:12:08 | |
If only she had confided in me, | 0:12:08 | 0:12:10 | |
I could've crushed such fanciful imaginings. | 0:12:10 | 0:12:13 | |
I could've brought her to her senses. | 0:12:13 | 0:12:15 | |
Do you remember when you came out on us from among the sand hills | 0:12:23 | 0:12:25 | |
that morning, looking for Mr Betteredge? | 0:12:25 | 0:12:28 | |
Betteredge, is that you? | 0:12:28 | 0:12:30 | |
'You were like a prince in a fairy story! | 0:12:30 | 0:12:32 | |
'You were like a lover in a dream. | 0:12:34 | 0:12:36 | |
'You were the most adorable human creature I'd ever seen. | 0:12:37 | 0:12:41 | |
'Something leapt up in me the instant I set eyes on you.' | 0:12:42 | 0:12:46 | |
Rosanna? What have you got there? | 0:12:51 | 0:12:54 | |
His buttonhole...sir. | 0:12:56 | 0:12:58 | |
Keep it. | 0:12:58 | 0:13:00 | |
I kept your rose. | 0:13:03 | 0:13:05 | |
Don't laugh at this, if you can help it. | 0:13:07 | 0:13:09 | |
I liked to fancy that you'd given it to me because you cared for me. | 0:13:09 | 0:13:13 | |
Alas...vain fancies. | 0:13:13 | 0:13:17 | |
READS: 'The faded rose before you now is the same fresh rose | 0:13:17 | 0:13:22 | |
'that once I put so much hope in.' | 0:13:22 | 0:13:25 | |
I believe I found out you were in love with Miss Rachel | 0:13:30 | 0:13:32 | |
before you found out yourself. | 0:13:32 | 0:13:34 | |
She used to give you roses to wear in your buttonhole. | 0:13:37 | 0:13:40 | |
Ah, Mr Franklin! | 0:13:40 | 0:13:42 | |
You wore my roses oftener than either you or she thought. | 0:13:42 | 0:13:46 | |
The only comfort I had at the time | 0:13:49 | 0:13:51 | |
was putting my rose secretly in your glass of water | 0:13:51 | 0:13:55 | |
in place of hers, and then throwing her rose away. | 0:13:55 | 0:13:58 | |
Rosanna? | 0:14:04 | 0:14:06 | |
I couldn't finish my work this morning. I came back to complete it. | 0:14:08 | 0:14:12 | |
You can leave it now. | 0:14:13 | 0:14:15 | |
And I thought she was thieving. | 0:14:19 | 0:14:21 | |
The glass told me the truth, that I was not worthy of your attention, | 0:14:27 | 0:14:31 | |
but my heart wouldn't listen. | 0:14:31 | 0:14:33 | |
FRANKLIN: ..Since I am more familiar with the male form. | 0:14:35 | 0:14:39 | |
I went on getting fonder and fonder of you, | 0:14:40 | 0:14:43 | |
just as if I was a lady in your own rank of life. | 0:14:43 | 0:14:45 | |
RACHEL SPEAKS FAINTLY | 0:14:47 | 0:14:49 | |
I hung on your words to Rachel, | 0:14:50 | 0:14:52 | |
imagining they were really meant for me. | 0:14:52 | 0:14:55 | |
FRANKLIN SPEAKS FAINTLY | 0:14:55 | 0:14:57 | |
CLATTER! | 0:14:58 | 0:15:00 | |
Begging your pardon, sir. The tea you asked for. | 0:15:02 | 0:15:04 | |
Thank you. | 0:15:18 | 0:15:20 | |
You may go. | 0:15:21 | 0:15:23 | |
My work, sir, was to make your bed and put your room tidy. | 0:15:28 | 0:15:32 | |
It was the happiest hour I had in the whole day. | 0:15:33 | 0:15:36 | |
The morning the diamond went missing, | 0:15:37 | 0:15:40 | |
I went about my duties as usual. | 0:15:40 | 0:15:41 | |
Then I found your nightgown with the stain of paint on it. | 0:15:43 | 0:15:46 | |
I thought nothing of it at the time. | 0:15:48 | 0:15:50 | |
I was merely delighted to have an excuse to spend time | 0:15:50 | 0:15:52 | |
with that dear garment of yours to clean it. | 0:15:52 | 0:15:55 | |
And then Superintendent Seagrave brought our attention to the smear. | 0:15:55 | 0:15:59 | |
Out! All of you, downstairs! | 0:15:59 | 0:16:02 | |
See the damage you're doing?! Careless! | 0:16:02 | 0:16:04 | |
Look what mischief your skirts have done already! Clear out! Clear out! | 0:16:06 | 0:16:10 | |
You've smeared the door! | 0:16:10 | 0:16:11 | |
I fainted because of the jealous suspicion that suddenly crossed my mind. | 0:16:13 | 0:16:16 | |
Knowing immediately as I did that it was your nightgown that had made the smear. | 0:16:16 | 0:16:21 | |
That you may have visited Miss Rachel secretly | 0:16:21 | 0:16:23 | |
under the loving and protective cloak of darkness. | 0:16:23 | 0:16:26 | |
I hated Miss Rachel more than ever then. | 0:16:30 | 0:16:32 | |
My jealousy led me to determine to keep the nightgown | 0:16:33 | 0:16:36 | |
and to wait and watch | 0:16:36 | 0:16:38 | |
and see what use I might make of it. | 0:16:38 | 0:16:40 | |
At that time, not the ghost of an idea entered my head | 0:16:41 | 0:16:44 | |
that you had stolen the diamond. | 0:16:44 | 0:16:46 | |
Then followed the most extraordinary event of the day. | 0:16:47 | 0:16:51 | |
The superintendent has hinted that beyond any possibility of mistaking, | 0:16:55 | 0:16:59 | |
he suspects me of being the thief! | 0:16:59 | 0:17:01 | |
What can have given him that idea? | 0:17:01 | 0:17:03 | |
Because the diamond were taken from Miss Rachel's room, | 0:17:03 | 0:17:06 | |
and I were the last person in there that night! | 0:17:06 | 0:17:09 | |
'My head whirled. | 0:17:09 | 0:17:11 | |
'If the last person who was in the room is the person to be suspected, | 0:17:11 | 0:17:15 | |
'I thought to myself, the thief is not Penelope, | 0:17:15 | 0:17:18 | |
'but Mr Franklin Blake.' | 0:17:18 | 0:17:20 | |
The excitement of this new discovery of mine turned my head. | 0:17:21 | 0:17:24 | |
How to hide the nightgown so that not even the sergeant could find it? | 0:17:24 | 0:17:28 | |
You had worn it and I had a little moment of pleasure | 0:17:28 | 0:17:31 | |
in wearing it after you. | 0:17:31 | 0:17:33 | |
We were united, sir. | 0:17:35 | 0:17:37 | |
I felt such a devouring eagerness to see you | 0:17:39 | 0:17:42 | |
that I found an immediate excuse. | 0:17:42 | 0:17:44 | |
Sir? I found this lodged between the boards in your bedroom. | 0:17:47 | 0:17:51 | |
Ah. Well found, thank you. | 0:17:51 | 0:17:55 | |
Is there something else? | 0:18:01 | 0:18:04 | |
Do you wish to speak to me? | 0:18:04 | 0:18:06 | |
Yes, if I dare. | 0:18:06 | 0:18:07 | |
It's a strange thing about the diamond, sir. | 0:18:10 | 0:18:13 | |
Indeed it is. | 0:18:14 | 0:18:16 | |
They will never find it, sir, will they? | 0:18:16 | 0:18:18 | |
No. No, the person who took it, I'll answer for that. | 0:18:22 | 0:18:26 | |
THUNDERCLAP | 0:18:28 | 0:18:30 | |
I always felt her behaviour towards me odd. | 0:18:31 | 0:18:34 | |
And now I understand. She... | 0:18:35 | 0:18:37 | |
..she believed we were kindred spirits. | 0:18:38 | 0:18:40 | |
Bonded, as she thought, by my thievery. | 0:18:40 | 0:18:43 | |
Oh! | 0:18:46 | 0:18:47 | |
I cannot go on, Gabriel, my head spins. | 0:18:49 | 0:18:51 | |
Read for the both of us, if you please. | 0:18:53 | 0:18:55 | |
-READS: -'The bare thought that in possessing myself of your nightgown...' | 0:19:03 | 0:19:07 | |
I also possessed the means of shielding you from being discovered and disgraced. | 0:19:07 | 0:19:10 | |
It gave me new energy, cunning and hope. | 0:19:13 | 0:19:15 | |
Little knowing of Lady Verinder's kindness in calling me a doctor, | 0:19:15 | 0:19:19 | |
I built on my true fainting fit in Rachel's bedroom | 0:19:19 | 0:19:22 | |
and convinced the house I was sick. | 0:19:22 | 0:19:24 | |
Will you take water? | 0:19:24 | 0:19:25 | |
SHE COUGHS | 0:19:25 | 0:19:28 | |
I think you'd best. | 0:19:29 | 0:19:30 | |
I want to be alone, Penelope. | 0:19:32 | 0:19:33 | |
I determined to make you a new nightgown before Saturday came, | 0:19:40 | 0:19:43 | |
and brought the laundry woman and her infantry to the house. | 0:19:43 | 0:19:46 | |
'What I was about while the household believed me to be | 0:19:46 | 0:19:49 | |
'lying down in my own room, there's no need to tell you.' | 0:19:49 | 0:19:52 | |
My dear, don't be afraid. | 0:19:56 | 0:19:58 | |
Lady Verinder is concerned and has charged me with examining you. | 0:19:58 | 0:20:02 | |
I don't want to put you to any trouble. | 0:20:03 | 0:20:05 | |
I merely went for some air. | 0:20:05 | 0:20:07 | |
Take your cloak off, girl, and sit here. | 0:20:07 | 0:20:09 | |
And what I'd hidden under my cloak | 0:20:11 | 0:20:13 | |
when I found you most wonderfully in my room with the doctor, | 0:20:13 | 0:20:16 | |
you are now privy to. | 0:20:16 | 0:20:18 | |
Now we know who was burning the midnight oil and why. | 0:20:18 | 0:20:21 | |
Cuff thought plain, long cloth meant a servant's gown. | 0:20:26 | 0:20:30 | |
It meant a gentleman's. | 0:20:30 | 0:20:32 | |
Rosanna believed me guilty | 0:20:35 | 0:20:36 | |
and that she had possession of the only proof against me. | 0:20:36 | 0:20:39 | |
'You've no need to be angry, Mr Franklin. | 0:20:39 | 0:20:41 | |
'Even if I did feel some little triumph | 0:20:42 | 0:20:45 | |
'that I held all your prospects in my hands, | 0:20:45 | 0:20:47 | |
'anxieties and fears soon came back to me.' | 0:20:47 | 0:20:50 | |
Excuse me, sir? | 0:20:50 | 0:20:52 | |
My lady asked me to give this to you. | 0:20:52 | 0:20:55 | |
What is your name? | 0:20:56 | 0:20:58 | |
Rosanna Spearman. | 0:20:58 | 0:20:59 | |
-Have we met before? -I don't believe so, sir. | 0:20:59 | 0:21:02 | |
'But of course, he had seen me before, in my thieving days in jail.' | 0:21:02 | 0:21:06 | |
And there was no knowing how soon I might find myself taken in custody | 0:21:06 | 0:21:09 | |
on suspicion and searched. | 0:21:09 | 0:21:11 | |
When I have done writing this letter, | 0:21:11 | 0:21:13 | |
I shall go to the Shivering Sands and hide the nightgown | 0:21:13 | 0:21:16 | |
down in the sand, where no living creature can find it. | 0:21:16 | 0:21:19 | |
Without first being let into the secret by myself. | 0:21:19 | 0:21:22 | |
Then, Mr Franklin, I shall try to say the words to you | 0:21:23 | 0:21:28 | |
that I have not yet dared to say. | 0:21:28 | 0:21:30 | |
I love you. | 0:21:31 | 0:21:32 | |
If only we end on understanding each other, | 0:21:35 | 0:21:37 | |
how I shall enjoy retrieving this letter myself and tearing it up. | 0:21:37 | 0:21:41 | |
But if I miss the opportunity and you are as cruel as ever, | 0:21:42 | 0:21:47 | |
then, goodbye to the world which has grudged me | 0:21:47 | 0:21:50 | |
the happiness it gives to others. | 0:21:50 | 0:21:52 | |
Goodbye to life, which nothing but kindness from you | 0:21:53 | 0:21:57 | |
can ever make pleasurable to me again. | 0:21:57 | 0:21:59 | |
Rachel! | 0:22:02 | 0:22:04 | |
Why are you leaving? | 0:22:04 | 0:22:05 | |
Don't let the diamond come between us. | 0:22:08 | 0:22:10 | |
I love you. | 0:22:14 | 0:22:16 | |
Tell me about Rosanna Spearman. | 0:22:20 | 0:22:23 | |
-Who? -Rosanna Spearman. | 0:22:23 | 0:22:26 | |
-What is your interest in her? -The maid? | 0:22:26 | 0:22:28 | |
I saw you follow her outside. | 0:22:30 | 0:22:32 | |
I watched you from my bedroom window. | 0:22:32 | 0:22:35 | |
I have no interest in Rosanna Spearman. She means nothing to me. | 0:22:35 | 0:22:39 | |
Oh, dear God! | 0:22:51 | 0:22:52 | |
Don't blame yourself, sir, if it ends this way, | 0:23:01 | 0:23:04 | |
but do try to feel some forgiving sorrow for me. | 0:23:04 | 0:23:08 | |
READS: 'Don't blame yourself, sir, if it ends this way, | 0:23:08 | 0:23:11 | |
'but do try to feel some forgiving sorrow for me.' | 0:23:11 | 0:23:14 | |
I beg to remain, sir... | 0:23:16 | 0:23:18 | |
READS: 'I beg to remain, sir, your true lover and humble servant.' | 0:23:18 | 0:23:21 | |
..your true lover and humble servant. | 0:23:21 | 0:23:24 | |
Rosanna Spearman. | 0:23:24 | 0:23:26 | |
READS: 'Rosanna Spearman.' | 0:23:46 | 0:23:47 | |
God bless the child. | 0:23:50 | 0:23:52 | |
It was not an accident, she sought her own end. | 0:23:52 | 0:23:55 | |
Twice over, she made an attempt to speak to me! | 0:23:55 | 0:23:58 | |
Twice over, it was my misfortune to repel the advances she made! | 0:23:58 | 0:24:01 | |
You cannot blame yourself, sir. | 0:24:01 | 0:24:03 | |
She was drawn to those sands, | 0:24:03 | 0:24:05 | |
even before she met you, | 0:24:05 | 0:24:07 | |
and cast you in the role of her torturer. | 0:24:07 | 0:24:10 | |
There was nothing you could've done differently. | 0:24:11 | 0:24:13 | |
She was determined on her doom. | 0:24:13 | 0:24:16 | |
Rest in peace. | 0:24:33 | 0:24:35 | |
FRANKLIN SIGHS | 0:24:43 | 0:24:45 | |
I fear you may have caught a chill, sir. | 0:24:45 | 0:24:47 | |
Nothing the sea air and a good sleep won't cure. | 0:24:47 | 0:24:50 | |
I worry some kind of fever has taken hold of you, | 0:24:50 | 0:24:53 | |
but not the detecting sort. | 0:24:53 | 0:24:55 | |
With your permission, I'd like to call for the doctor. | 0:24:55 | 0:24:58 | |
No doctor can heal the pain I am in, least of all Candy. | 0:24:59 | 0:25:02 | |
Not Dr Candy, he has himself been sick at bed this past week. | 0:25:02 | 0:25:06 | |
Then he needs such skills as he has more than I. | 0:25:06 | 0:25:09 | |
Physician, heal thyself. | 0:25:09 | 0:25:11 | |
I would send for his locum. | 0:25:11 | 0:25:13 | |
You should have a medical opinion before you proceed to London. | 0:25:13 | 0:25:17 | |
London? What is the point in that now? | 0:25:17 | 0:25:20 | |
Even if Rachel has left Godfrey at the altar, | 0:25:20 | 0:25:22 | |
I cannot win her heart if there is proof that I am her thief! | 0:25:22 | 0:25:25 | |
Rosanna's letter proclaims me to be the thief. | 0:25:29 | 0:25:32 | |
And now I know this to be false, I have no other evidence | 0:25:32 | 0:25:34 | |
nor witness to prove my innocence. | 0:25:34 | 0:25:36 | |
FRANKLIN COUGHS | 0:25:38 | 0:25:41 | |
If the contents of this letter are made public, | 0:25:43 | 0:25:45 | |
I shall be seen as guilty and tried accordingly. | 0:25:45 | 0:25:48 | |
You have been framed, sir. | 0:25:48 | 0:25:51 | |
You must to London. | 0:25:51 | 0:25:52 | |
Seek out your lawyer. | 0:25:54 | 0:25:56 | |
You need professional advice and expertise. | 0:25:56 | 0:26:00 | |
The sooner you can lay your head alongside Mr Bruff's, | 0:26:02 | 0:26:06 | |
the sooner you will see a way out of this deadlock that you are now in. | 0:26:06 | 0:26:11 | |
TRAIN WHISTLE | 0:26:13 | 0:26:14 | |
Good God, Mr Franklin! You'd best come in. | 0:26:33 | 0:26:35 | |
Mr dear fellow, you look terrible! | 0:26:35 | 0:26:39 | |
Never mind about that. | 0:26:39 | 0:26:41 | |
I must know, did you reach Brighton in time? | 0:26:41 | 0:26:44 | |
Is Rachel...? | 0:26:44 | 0:26:46 | |
Is she...is she still my Rachel, or is she Mrs Ablewhite? | 0:26:46 | 0:26:49 | |
I arrived in Brighton in the early hours. | 0:26:49 | 0:26:52 | |
I found Rachel preparing herself for her wedding. | 0:26:52 | 0:26:55 | |
BELL RINGS | 0:27:06 | 0:27:08 | |
Thank you for seeing me at this early hour, | 0:27:09 | 0:27:12 | |
and on such an important day. | 0:27:12 | 0:27:13 | |
I trust your mission is equally important. | 0:27:13 | 0:27:16 | |
You are still prepared to give me away, are you not? | 0:27:17 | 0:27:20 | |
Um... | 0:27:20 | 0:27:22 | |
As a friend and a loyal servant of your family, Miss Rachel, | 0:27:23 | 0:27:27 | |
may I venture to ask, is your heart truly set on this marriage? | 0:27:27 | 0:27:32 | |
I am marrying in despair, Mr Bruff. | 0:27:35 | 0:27:38 | |
On the chance of dropping into some sort of stagnant happiness | 0:27:38 | 0:27:42 | |
which may reconcile me to my life. | 0:27:42 | 0:27:44 | |
Well, I cannot believe that Godfrey Ablewhite would follow you in this. | 0:27:46 | 0:27:50 | |
His heart must be set on the marriage, at any rate. | 0:27:50 | 0:27:53 | |
He says so. | 0:27:53 | 0:27:54 | |
I suppose I ought to believe him. | 0:27:56 | 0:27:58 | |
After what I have owned to him, he would hardly marry me otherwise. | 0:27:58 | 0:28:03 | |
If I may say...it sounds strangely, on my old ears... | 0:28:03 | 0:28:08 | |
What, in particular? | 0:28:08 | 0:28:10 | |
To hear you speak of your future husband | 0:28:10 | 0:28:12 | |
as if you are unsure of the sincerity of his attachment. | 0:28:12 | 0:28:15 | |
Are you conscious of any reason to doubt him? | 0:28:18 | 0:28:21 | |
Mr Bruff, you have something to tell me about Godfrey Ablewhite. | 0:28:21 | 0:28:26 | |
Tell it. | 0:28:26 | 0:28:27 | |
What did she say, man, what did she say?! | 0:28:27 | 0:28:29 | |
The fact that Godfrey had examined her mother's will | 0:28:29 | 0:28:32 | |
only hours before he proposed to her | 0:28:32 | 0:28:34 | |
was enough to convince her that he was marrying her for her wealth. | 0:28:34 | 0:28:37 | |
She realised she could never marry him. | 0:28:37 | 0:28:40 | |
-Oh, thank God! -However... | 0:28:40 | 0:28:42 | |
..she also said that she would not stoop to make our accusation public. | 0:28:49 | 0:28:53 | |
Met without the threat of public shame, | 0:28:55 | 0:28:56 | |
he would never agree to let her go. | 0:28:56 | 0:28:58 | |
I said as much to Rachel. | 0:28:58 | 0:29:00 | |
She would not heed me. | 0:29:00 | 0:29:01 | |
She sent me to the church to fetch him to her. | 0:29:03 | 0:29:05 | |
Oh, what a relief to see you, my good man! | 0:29:23 | 0:29:26 | |
I was beginning to worry. | 0:29:26 | 0:29:27 | |
Godfrey? | 0:29:36 | 0:29:37 | |
I'm afraid I cannot marry you. | 0:29:39 | 0:29:40 | |
I hope that in the fullness of time, | 0:29:46 | 0:29:48 | |
you will understand and even forgive me. | 0:29:48 | 0:29:51 | |
Be assured that I do not do this in a moment of rash whimsy, | 0:29:51 | 0:29:54 | |
but because I have thought about it deeply. | 0:29:54 | 0:29:57 | |
My poor child! | 0:29:59 | 0:30:01 | |
I've rushed you. | 0:30:02 | 0:30:04 | |
I see that now. | 0:30:04 | 0:30:05 | |
This wedding...comes far too close on your mother's funeral. | 0:30:06 | 0:30:11 | |
But, dearest, it is my role to console you. | 0:30:13 | 0:30:15 | |
We shall set another day for our union in the coming weeks, | 0:30:15 | 0:30:19 | |
when you have recovered your resolve. | 0:30:19 | 0:30:20 | |
I am no child. | 0:30:20 | 0:30:22 | |
I'm not to be pitied, and I speak to you fully recovered and certain. | 0:30:22 | 0:30:25 | |
This is the hysteria of grief. | 0:30:25 | 0:30:28 | |
You need me, Rachel, to help you manage your estate. | 0:30:28 | 0:30:32 | |
You need a husband. | 0:30:32 | 0:30:33 | |
Would you have me come to you in need, but not in love? | 0:30:33 | 0:30:36 | |
I will not marry for convenience, and nor should you. | 0:30:40 | 0:30:43 | |
You made me a promise, Rachel. | 0:30:47 | 0:30:49 | |
I hold you to our contract of engagement. | 0:30:49 | 0:30:53 | |
I WILL see you in church... | 0:30:56 | 0:30:57 | |
..or I will see you in court. | 0:31:01 | 0:31:02 | |
Would you really still have me, knowing I wished to be let go? | 0:31:05 | 0:31:09 | |
Darling Rachel...I know your heart better than you know it. Hm! | 0:31:12 | 0:31:18 | |
Surrender to my better judgment. | 0:31:18 | 0:31:20 | |
The pastor awaits. We could yet be married today. | 0:31:20 | 0:31:24 | |
Yes, we can. | 0:31:24 | 0:31:26 | |
If you will just wait for Mr Bruff to finish the task I have set him. | 0:31:29 | 0:31:32 | |
What task? | 0:31:35 | 0:31:36 | |
Mr Bruff is drawing up a trust. | 0:31:36 | 0:31:39 | |
It will give us an ample allowance from my income | 0:31:39 | 0:31:42 | |
and interest on my land and principle, | 0:31:42 | 0:31:45 | |
but it holds my fortune, | 0:31:45 | 0:31:48 | |
our fortune intact for the next generation. | 0:31:48 | 0:31:51 | |
What? | 0:31:53 | 0:31:55 | |
We can be happy with a simple life, can we not? | 0:31:55 | 0:31:58 | |
I seek to provide for our children, Godfrey. | 0:32:01 | 0:32:04 | |
For what possible reason would you object? | 0:32:05 | 0:32:07 | |
Pack your things... | 0:32:10 | 0:32:12 | |
..and leave my parents' house. | 0:32:14 | 0:32:16 | |
I'm sorry, Godfrey. | 0:32:19 | 0:32:20 | |
Are you breaking our engagement? | 0:32:23 | 0:32:25 | |
Do you wish me to release you? | 0:32:28 | 0:32:30 | |
I do. | 0:32:35 | 0:32:36 | |
-Then I still have all to win? -Yes, sir. | 0:32:51 | 0:32:53 | |
She's still a free and independent woman. | 0:32:54 | 0:32:57 | |
What would your advice be to me now, sir? What should my next step be? | 0:32:57 | 0:33:00 | |
Well, if Rachel truly suspects that you took the moonstone, | 0:33:00 | 0:33:04 | |
she must be persuaded to tell us on what grounds she bases this belief. | 0:33:04 | 0:33:08 | |
Now, this case, however serious it might seem, | 0:33:08 | 0:33:11 | |
could tumble to pieces, | 0:33:11 | 0:33:13 | |
if only we could break through Rachel's inveterate reserve | 0:33:13 | 0:33:16 | |
and get her to speak out. | 0:33:16 | 0:33:17 | |
That is a very comforting opinion for me. | 0:33:17 | 0:33:20 | |
Well, you must understand, sir, that I view this whole matter from the point of view of a lawyer. | 0:33:20 | 0:33:24 | |
It's a question of evidence. | 0:33:24 | 0:33:26 | |
And to me, the evidence breaks down at the outset on one very important fact. | 0:33:26 | 0:33:32 | |
Which is that...? | 0:33:32 | 0:33:33 | |
This letter from Rosanna Spearman | 0:33:33 | 0:33:36 | |
proves that she is adept at deception, on her own showing. | 0:33:36 | 0:33:40 | |
If Rachel suspects you on the basis of the nightgown, | 0:33:40 | 0:33:44 | |
the chances are 99-100 that it was Spearman that showed it to her. | 0:33:44 | 0:33:48 | |
It would be for her own desire and to her own interest | 0:33:49 | 0:33:51 | |
-to poison Rachel's mind against you. -Mm. | 0:33:51 | 0:33:55 | |
The question is, would the nightgown alone be sufficient | 0:33:55 | 0:33:59 | |
to make Rachel believe that you had cause to be a thief? | 0:33:59 | 0:34:03 | |
There was something else. | 0:34:05 | 0:34:07 | |
SHE SPEAKS FRENCH | 0:34:07 | 0:34:09 | |
On the contrary. | 0:34:09 | 0:34:11 | |
I thought you had more integrity than to eavesdrop on my private business. | 0:34:11 | 0:34:14 | |
You lied to me! I told my mother your debts were settled. | 0:34:14 | 0:34:17 | |
I have the money, I had but to hand it over. | 0:34:17 | 0:34:19 | |
Which is the part that counts. | 0:34:19 | 0:34:22 | |
Then there was a predisposing influence against you. | 0:34:22 | 0:34:25 | |
The next step of this enquiry must be one that takes us to Rachel. | 0:34:25 | 0:34:29 | |
Grand difficulty is how to make her reveal the whole of her mind | 0:34:29 | 0:34:34 | |
in this matter without reserve. | 0:34:34 | 0:34:36 | |
I will speak to her myself. | 0:34:36 | 0:34:38 | |
You? | 0:34:38 | 0:34:40 | |
Rosanna poisoned her mind against me. | 0:34:40 | 0:34:42 | |
I want the chance to clear my own name | 0:34:42 | 0:34:44 | |
and tell her once more what I remember of that night. | 0:34:44 | 0:34:47 | |
How it is impossible for me to have stolen the moonstone. | 0:34:47 | 0:34:50 | |
Nothing ventured, nothing have. | 0:34:51 | 0:34:53 | |
And you do have one chance in your favour, which I certainly don't have. | 0:34:54 | 0:34:57 | |
A chance in my favour? | 0:34:57 | 0:34:59 | |
Well, I trust that Rachel still reserves, | 0:34:59 | 0:35:01 | |
in some remote corner of her heart, some perverse weakness for you. | 0:35:01 | 0:35:04 | |
Touch that, and trust for the consequences, | 0:35:07 | 0:35:10 | |
for the fullest disclosures to flow from a woman's lips. | 0:35:10 | 0:35:14 | |
The question is, how to get you to meet her? | 0:35:16 | 0:35:19 | |
She has been a guest of yours at this house. | 0:35:19 | 0:35:22 | |
May I venture to suggest that | 0:35:22 | 0:35:24 | |
if nothing was said of me beforehand, I might see her here? | 0:35:24 | 0:35:28 | |
You wish to turn my house into a trap for Rachel? | 0:35:28 | 0:35:31 | |
Not a trap, a... Well, a neutral ground | 0:35:31 | 0:35:35 | |
in which we can meet as if by chance and speak. | 0:35:35 | 0:35:38 | |
I'm desperate to see her. | 0:35:39 | 0:35:41 | |
I beg you, Bruff, please! | 0:35:41 | 0:35:42 | |
Let yourself into the garden at exactly 3:00. | 0:35:45 | 0:35:50 | |
She will come to sign documents relating to her estate. | 0:35:50 | 0:35:53 | |
CLOCK CHIMES | 0:35:55 | 0:35:57 | |
Rachel. | 0:36:25 | 0:36:27 | |
You coward! | 0:36:46 | 0:36:48 | |
You mean, miserable, heartless coward! | 0:36:48 | 0:36:50 | |
I remember a time, Rachel, when you could've told me I'd offended you | 0:36:53 | 0:36:56 | |
in a worthier way than that. | 0:36:56 | 0:36:58 | |
-I beg your pardon. -Perhaps there is some excuse for me. | 0:36:58 | 0:37:01 | |
After what you have done, is it a manly action on your part | 0:37:01 | 0:37:04 | |
to find your way to me as you have found it today? | 0:37:04 | 0:37:07 | |
If my honour was not in your hands, | 0:37:07 | 0:37:08 | |
I would leave this instant and never see you again. | 0:37:08 | 0:37:10 | |
You have spoken of what I have done. What have I done?! | 0:37:10 | 0:37:13 | |
What have you done? You ask that question of me?! | 0:37:13 | 0:37:15 | |
-I ask it. -I have kept your infamy a secret | 0:37:15 | 0:37:19 | |
and have spared the consequences of concealing it. | 0:37:19 | 0:37:22 | |
Have I no claim to be spared the insult of your asking me what have you done? | 0:37:22 | 0:37:27 | |
I know you suspect me of stealing your diamond, | 0:37:27 | 0:37:29 | |
and I have the right to know, I will know the reason why. | 0:37:29 | 0:37:32 | |
Suspect you? | 0:37:32 | 0:37:34 | |
You villain! | 0:37:35 | 0:37:37 | |
I saw you take the diamond with my own eyes. | 0:37:38 | 0:37:41 | |
For God's sake, say something! | 0:37:58 | 0:38:00 | |
Rachel... | 0:38:09 | 0:38:11 | |
..I cannot explain the contradiction in what I'm about to tell you, | 0:38:12 | 0:38:15 | |
I can only speak the truth, as you have spoken it. | 0:38:15 | 0:38:19 | |
You saw me? | 0:38:21 | 0:38:22 | |
With your own eyes, you saw me take the diamond? | 0:38:22 | 0:38:25 | |
Before God who hears us, I declare | 0:38:29 | 0:38:32 | |
I now know I took it for the first time. | 0:38:32 | 0:38:35 | |
Do you doubt me still? | 0:38:39 | 0:38:41 | |
Let go of my hand. | 0:38:41 | 0:38:43 | |
I want to ask you something. | 0:38:48 | 0:38:49 | |
I want you to tell me everything that happened, | 0:38:50 | 0:38:53 | |
from the time when we wished each other goodnight | 0:38:53 | 0:38:55 | |
to the time when you saw me take the diamond. | 0:38:55 | 0:38:58 | |
Why? Why go back to it? | 0:38:58 | 0:38:59 | |
Because I am the victim of some monstrous delusion | 0:38:59 | 0:39:03 | |
that has worn the mask of truth. | 0:39:03 | 0:39:05 | |
If we look at what happened on the night of your birthday together, | 0:39:05 | 0:39:08 | |
we may end in understanding yet. | 0:39:08 | 0:39:10 | |
Let us begin with what happened after we wished each other goodnight. | 0:39:13 | 0:39:16 | |
Did you...go to bed, or did you sit up? | 0:39:17 | 0:39:21 | |
I couldn't sleep that night. | 0:39:25 | 0:39:27 | |
Were you restless? | 0:39:29 | 0:39:31 | |
I was thinking of you. | 0:39:32 | 0:39:33 | |
After tossing and turning for an hour or so, I decided to read. | 0:39:38 | 0:39:41 | |
I got up to go and find my book... | 0:39:43 | 0:39:45 | |
..when I saw a light under the door and I heard footsteps approaching. | 0:39:48 | 0:39:52 | |
So I leapt back on to the bed just as the door opened. | 0:39:52 | 0:39:56 | |
And you saw...? | 0:39:56 | 0:39:57 | |
You saw a man? | 0:39:58 | 0:40:00 | |
Not any man, I saw you! | 0:40:00 | 0:40:02 | |
It was dark. You said it yourself, it was dark! | 0:40:06 | 0:40:09 | |
You entered my bedroom, | 0:40:09 | 0:40:11 | |
you opened my cabinet, | 0:40:11 | 0:40:13 | |
you took my diamond and then you left. | 0:40:13 | 0:40:15 | |
Well...? | 0:40:17 | 0:40:19 | |
You have asked and I have answered. | 0:40:21 | 0:40:23 | |
You have made me hope for something from this because you hoped for something from it. | 0:40:23 | 0:40:27 | |
Why didn't you speak out before? Why did you keep this to yourself? | 0:40:27 | 0:40:30 | |
If...if you had spoken when you ought to have spoken, | 0:40:30 | 0:40:32 | |
if you had done me the common justice to explain yourself...! | 0:40:32 | 0:40:35 | |
Explain myself?! Is there another man like this in the world?! | 0:40:35 | 0:40:40 | |
I spare him when my heart is breaking, | 0:40:40 | 0:40:44 | |
I screen him when my own character is at stake, | 0:40:44 | 0:40:47 | |
and he...he turns on me now and tells me | 0:40:47 | 0:40:50 | |
that I ought to have explained myself! | 0:40:50 | 0:40:53 | |
My heart's darling, you are a thief. | 0:40:53 | 0:40:56 | |
My hero, who I love and honour, | 0:40:56 | 0:40:58 | |
you have crept into my room under cover of night and stolen my diamond! | 0:40:58 | 0:41:02 | |
That is what I ought to have said. | 0:41:04 | 0:41:06 | |
You villain! | 0:41:10 | 0:41:12 | |
I would rather have lost 50 diamonds | 0:41:12 | 0:41:14 | |
than to see your face lying to me, as I see it lying now. | 0:41:14 | 0:41:17 | |
I wrote you a letter! | 0:41:20 | 0:41:22 | |
Carefully worded so that if it fell into the wrong hands, | 0:41:23 | 0:41:26 | |
no-one would know what you had done. | 0:41:26 | 0:41:28 | |
Saying I was happy to pay off your debts for you. | 0:41:28 | 0:41:30 | |
I have no such urgent debts, and I received no letter. | 0:41:30 | 0:41:33 | |
I tore it up when I heard that you, the thief, had called the police | 0:41:33 | 0:41:37 | |
and were working harder than anyone to recover the jewel! | 0:41:37 | 0:41:40 | |
You even carried your audacity far enough to ask to speak to me | 0:41:40 | 0:41:43 | |
about the loss of my diamond! | 0:41:43 | 0:41:44 | |
It was not me, Rachel. You have cruelly wronged an innocent man. | 0:41:44 | 0:41:48 | |
I don't believe you. | 0:41:50 | 0:41:52 | |
I don't believe one word you have said. | 0:41:55 | 0:41:56 | |
You purged the diamond to the jewel broker in London, I'm sure. | 0:41:56 | 0:42:00 | |
You've cast the suspicion of your disgrace, | 0:42:00 | 0:42:02 | |
thanks to my silence on an innocent man. | 0:42:02 | 0:42:06 | |
You fled to the continent with your plunder, | 0:42:06 | 0:42:08 | |
and now you've come here to tell me that I have wronged you? | 0:42:08 | 0:42:12 | |
Let me go, Rachel. | 0:42:13 | 0:42:15 | |
It will be better for both of us. | 0:42:15 | 0:42:16 | |
Let me go. | 0:42:16 | 0:42:18 | |
Why did you come? | 0:42:19 | 0:42:21 | |
Are you afraid I shall expose you now you are a rich man? | 0:42:23 | 0:42:26 | |
I wish I could. | 0:42:31 | 0:42:33 | |
But I can't say the words. I can't! | 0:42:36 | 0:42:39 | |
I can't tear you from my heart, even now! | 0:42:39 | 0:42:41 | |
You shall know that you have wronged me yet, | 0:42:46 | 0:42:49 | |
or you shall never see me again. | 0:42:49 | 0:42:52 | |
Are you sure you wish to proceed?! | 0:43:32 | 0:43:33 | |
Surely it is dangerous to experiment | 0:43:33 | 0:43:35 | |
with the subconscious mind in this way! | 0:43:35 | 0:43:37 | |
The experiment must've awoken the memory, as you predicted. | 0:43:37 | 0:43:40 | |
-Look at the paper! -It cannot be. | 0:43:40 | 0:43:42 | |
-It is. -That cursed jewel! | 0:43:42 | 0:43:44 | |
He's like a man possessed! | 0:43:44 | 0:43:46 |