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In the last year of the 18th century, | 0:00:14 | 0:00:16 | |
Colonel John Herncastle plundered from India | 0:00:16 | 0:00:21 | |
a priceless and most sacred yellow diamond. | 0:00:21 | 0:00:24 | |
Vishnu, the preserver, laid his curse on the thief, | 0:00:24 | 0:00:29 | |
commanding three priests to search forever for his moonstone. | 0:00:29 | 0:00:33 | |
But the wicked colonel smuggled the stone to England. | 0:00:35 | 0:00:38 | |
In his will, he bequeathed the diamond | 0:00:39 | 0:00:41 | |
to his beautiful young niece, Miss Rachel Verinder. | 0:00:41 | 0:00:44 | |
Rachel's gallant cousin, Mr Franklin Blake, | 0:00:45 | 0:00:48 | |
was charged with the gem's delivery. | 0:00:48 | 0:00:50 | |
The theft of the diamond that very night | 0:00:54 | 0:00:56 | |
split the happy couple asunder. | 0:00:56 | 0:00:59 | |
One year later, Franklin set out to win back Rachel's heart | 0:00:59 | 0:01:04 | |
by unmasking the thief once and for all, | 0:01:04 | 0:01:06 | |
only to learn from Rachel's own lips that the thief was he himself. | 0:01:06 | 0:01:13 | |
-KNOCK AT DOOR -Mr Blake? | 0:01:13 | 0:01:16 | |
-Franklin? -FRANKLIN COUGHS | 0:01:16 | 0:01:18 | |
Coming. | 0:01:18 | 0:01:19 | |
Good God, sir! | 0:01:22 | 0:01:24 | |
Look at the state that you are in! | 0:01:26 | 0:01:28 | |
Good morning. | 0:01:32 | 0:01:33 | |
I tell you plainly, | 0:01:33 | 0:01:35 | |
if I could've foreseen the price to be paid for telling the truth, | 0:01:35 | 0:01:38 | |
I would have willingly kept you in the dark. | 0:01:38 | 0:01:41 | |
You have seen Rachel? | 0:01:42 | 0:01:43 | |
She's in the care of my wife and my daughters. | 0:01:43 | 0:01:45 | |
She was in no fit state to return home last night alone. | 0:01:45 | 0:01:48 | |
-But is she...? -She is now preparing | 0:01:48 | 0:01:52 | |
to go to the continent within the next fortnight | 0:01:52 | 0:01:55 | |
in an attempt to put all this business behind her. | 0:01:55 | 0:01:58 | |
Oh, no, Franklin...please, don't despair. | 0:02:01 | 0:02:05 | |
I am accused of theft by the woman I love. | 0:02:05 | 0:02:09 | |
And though I know myself to be innocent, all the evidence points against me. | 0:02:09 | 0:02:12 | |
How can I not despair? | 0:02:12 | 0:02:13 | |
We cannot blame Rachel for thinking you to be guilty. | 0:02:13 | 0:02:16 | |
She has the evidence of her own senses, | 0:02:16 | 0:02:19 | |
backed by circumstances that appear to tell dead against you. | 0:02:19 | 0:02:23 | |
I know I slept through the night, Rachel knows I took the diamond. | 0:02:23 | 0:02:27 | |
The two things cannot both have happened. | 0:02:27 | 0:02:29 | |
Well, maybe they can. | 0:02:29 | 0:02:31 | |
I mean, is it possible that you drank more than usual that night? | 0:02:35 | 0:02:38 | |
Is it a possibility that you took the moonstone | 0:02:40 | 0:02:43 | |
when you were drunk, and forgotten you'd done so? | 0:02:43 | 0:02:46 | |
No, none whatsoever. | 0:02:46 | 0:02:48 | |
I can prove beyond doubt I was out cold the whole night. | 0:02:48 | 0:02:51 | |
You have had something else besides an excellent night's rest, sir. | 0:02:51 | 0:02:56 | |
You had a sleeping draught before you went to bed. | 0:02:56 | 0:02:59 | |
Well, why did you not tell me this before?! | 0:02:59 | 0:03:03 | |
This changes everything! | 0:03:03 | 0:03:04 | |
How? The stain on my nightgown still speaks against me. | 0:03:04 | 0:03:07 | |
Rachel said she saw me, and Rachel would not lie. | 0:03:07 | 0:03:09 | |
Yes, but she may have been mistaken. | 0:03:09 | 0:03:12 | |
Well, who's to say that the nightgown wore that night | 0:03:12 | 0:03:14 | |
was not worn by someone else? | 0:03:14 | 0:03:16 | |
Someone whom Rachel thought was you! | 0:03:16 | 0:03:19 | |
If you were asleep all night, you could not possibly have done it. | 0:03:19 | 0:03:23 | |
We need a statement from this doctor, | 0:03:23 | 0:03:26 | |
confessing that he gave you a sleeping draught. | 0:03:26 | 0:03:29 | |
This will preserve your character in Rachel's mind | 0:03:29 | 0:03:33 | |
and prove that you have been wronged. | 0:03:33 | 0:03:35 | |
I have telegraphed ahead to Betteredge | 0:03:37 | 0:03:39 | |
to ensure the doctor will be waiting for us in the house. | 0:03:39 | 0:03:42 | |
Answer me this, Mr Franklin, do you believe | 0:03:42 | 0:03:44 | |
the moonstone to be the bottom of all this mischief, or is it not? | 0:03:44 | 0:03:47 | |
-It is, of course. -And what do you think happened | 0:03:47 | 0:03:50 | |
to the moonstone when it went to London? | 0:03:50 | 0:03:51 | |
It was pledged to Mr Luker. | 0:03:51 | 0:03:53 | |
Yes. And we know that it was not you who pledged it. | 0:03:53 | 0:03:56 | |
-Do we know who did? -No. | 0:03:56 | 0:03:58 | |
Where do you think the moonstone is now? | 0:03:58 | 0:04:00 | |
It is deposited in the keeping of Mr Luker's bankers. | 0:04:00 | 0:04:03 | |
And for how long a term do you think such a loan is usually pledged? | 0:04:03 | 0:04:07 | |
A year? | 0:04:07 | 0:04:08 | |
And when will that year be up? | 0:04:08 | 0:04:10 | |
-In only a few weeks' time. -Exactly! | 0:04:10 | 0:04:13 | |
I propose setting a watch on the bank | 0:04:13 | 0:04:16 | |
to see to whom Mr Luker restores that jewel. | 0:04:16 | 0:04:19 | |
Because that person, you may be sure of it, | 0:04:19 | 0:04:21 | |
is the person entirely responsible | 0:04:21 | 0:04:23 | |
for the position you now find yourself in! | 0:04:23 | 0:04:25 | |
-Welcome, sirs. Who is ill? -Betteredge, is the doctor here? | 0:04:30 | 0:04:33 | |
Straight through. But I should inform you... | 0:04:33 | 0:04:35 | |
After, Betteredge. All in good time. | 0:04:35 | 0:04:37 | |
Thank you, Betteredge. | 0:04:39 | 0:04:40 | |
Dr Candy! | 0:04:40 | 0:04:42 | |
Good evening, sir. Dr Ezra Jennings. | 0:04:44 | 0:04:47 | |
I asked for Dr Candy. | 0:04:48 | 0:04:51 | |
Now what? We are back to the beginning. | 0:05:02 | 0:05:04 | |
Your Dr Candy has twice been my undoing. | 0:05:07 | 0:05:09 | |
First in him slipping me the sleeping draught, | 0:05:09 | 0:05:11 | |
secondly in his untimely passing. | 0:05:11 | 0:05:13 | |
I would that you could forgive him. | 0:05:13 | 0:05:15 | |
Dr Candy, may he rest in peace, is beyond reach of my resentment, | 0:05:15 | 0:05:19 | |
but I can neither forgive nor forget. | 0:05:19 | 0:05:20 | |
He was trying to help you. | 0:05:20 | 0:05:22 | |
He had no cause to know how events turned out. | 0:05:22 | 0:05:24 | |
Why do you defend his folly? | 0:05:24 | 0:05:26 | |
Dr Candy took me into his employment | 0:05:27 | 0:05:30 | |
under circumstances which made me his debtor for life. | 0:05:30 | 0:05:32 | |
He was a good man! | 0:05:32 | 0:05:34 | |
This was a rare error of judgment. | 0:05:34 | 0:05:37 | |
I will not have it stain his reputation! | 0:05:37 | 0:05:39 | |
Gentlemen, good day. | 0:05:44 | 0:05:45 | |
Wait! | 0:05:45 | 0:05:47 | |
Put your signature to this document | 0:05:48 | 0:05:50 | |
with a declaration saying you were in Candy's confidence. | 0:05:50 | 0:05:52 | |
This is false statement and misrepresentation. | 0:05:52 | 0:05:55 | |
-I cannot allow it! -And that the sleeping draught he gave me | 0:05:55 | 0:05:57 | |
kept me unconscious the night of the theft. | 0:05:57 | 0:05:59 | |
But the draught he gave you would not have had that effect, sir. | 0:05:59 | 0:06:02 | |
Laudanum does not work in that manner. | 0:06:02 | 0:06:04 | |
Laudanum? He gave me Laudanum? | 0:06:04 | 0:06:07 | |
Opiates do not guarantee sleep or rest. | 0:06:07 | 0:06:10 | |
-And, in fact, the opposite. -Explain. | 0:06:10 | 0:06:12 | |
Well, there is often a period of agitation and activity, | 0:06:12 | 0:06:16 | |
later forgotten once the sedative effect of the drug takes hold. | 0:06:16 | 0:06:20 | |
I could not put my name to a document stating | 0:06:20 | 0:06:22 | |
that you were unconscious all night, sir. I-I'm sorry, sir. | 0:06:22 | 0:06:25 | |
Wait! So if I understand you correctly, | 0:06:25 | 0:06:28 | |
you are suggesting that I...I may not have fallen straight asleep. | 0:06:28 | 0:06:31 | |
Is it beyond the realm of possibility | 0:06:31 | 0:06:33 | |
that in this early state of agitation, | 0:06:33 | 0:06:35 | |
I might've taken the diamond, disposed of it somewhere | 0:06:35 | 0:06:37 | |
and forgotten I'd done so by the time I woke? | 0:06:37 | 0:06:39 | |
Er...it is possible. | 0:06:39 | 0:06:41 | |
Then I-I need to retrieve my memory of what happened that night! | 0:06:41 | 0:06:43 | |
How can I stimulate it? | 0:06:43 | 0:06:45 | |
I need to remember what I did, if indeed I did wake! | 0:06:45 | 0:06:47 | |
Is there a way? | 0:06:47 | 0:06:49 | |
You know one. I see you do. Tell me! | 0:06:52 | 0:06:56 | |
The only method I know | 0:06:56 | 0:06:58 | |
would put your physical and mental health at risk, | 0:06:58 | 0:07:00 | |
and possibly your life. | 0:07:00 | 0:07:03 | |
My life is of no worth to me. What must I do? | 0:07:03 | 0:07:05 | |
You must needs take laudanum again. | 0:07:05 | 0:07:08 | |
Perchance, like the inebriate | 0:07:08 | 0:07:09 | |
who cannot remember his route home till next he takes a drink, | 0:07:09 | 0:07:13 | |
you may find yourself reliving your last experience of opium | 0:07:13 | 0:07:17 | |
and retrieve the memory that you have lost. | 0:07:17 | 0:07:19 | |
Now, wait, sir. This is dangerous nonsense! | 0:07:19 | 0:07:22 | |
Dangerous, sir, yes. Nonsense, no. | 0:07:22 | 0:07:25 | |
-I'll try this experiment. -Well, it's not that simple. | 0:07:25 | 0:07:27 | |
You would have to almost exactly produce the physiological conditions | 0:07:27 | 0:07:32 | |
as they were in you last year, and the external stimuli. | 0:07:32 | 0:07:36 | |
You will help me. | 0:07:36 | 0:07:37 | |
I will engage your services to see me through this re-enactment. | 0:07:37 | 0:07:40 | |
Dr Candy did me harm. He broke his Hippocratic oath! | 0:07:40 | 0:07:43 | |
I'm giving you the chance to right his wrong! | 0:07:43 | 0:07:45 | |
I will both forgive and forget what he did if you help me. | 0:07:45 | 0:07:49 | |
I will need you to sign a statement. | 0:07:49 | 0:07:51 | |
Sir, a word with you in private! | 0:07:51 | 0:07:53 | |
Franklin, this is mischief! | 0:07:57 | 0:07:59 | |
This is a piece of trickery | 0:07:59 | 0:08:00 | |
akin to mesmerism and clairvoyance and the like. | 0:08:00 | 0:08:03 | |
It raises hopes which may never be realised. | 0:08:03 | 0:08:06 | |
It is the only hope I have left. | 0:08:06 | 0:08:07 | |
What about the alternative that I proposed to you on the train? | 0:08:07 | 0:08:10 | |
No. No, it obliges us to wait. | 0:08:10 | 0:08:12 | |
A fortnight? Is that really so long? | 0:08:12 | 0:08:15 | |
It is too late. | 0:08:15 | 0:08:16 | |
In a fortnight, Rachel will have left the country. | 0:08:16 | 0:08:19 | |
What do you hope to prove with this re-enactment? Nothing! | 0:08:19 | 0:08:24 | |
Except that perhaps you really are the thief of the diamond. | 0:08:24 | 0:08:27 | |
It will prove, I hope, that if I was the thief, | 0:08:27 | 0:08:29 | |
I took it unknowingly. | 0:08:29 | 0:08:31 | |
Or better yet, it may show what I did with the diamond next. | 0:08:31 | 0:08:33 | |
What if the diamond is not in London? | 0:08:33 | 0:08:35 | |
What if...what if it is here, under this very roof, and has been all along? | 0:08:35 | 0:08:38 | |
Sir, | 0:08:40 | 0:08:42 | |
this is dangerous and ill-advised. | 0:08:42 | 0:08:45 | |
I forbid it. | 0:08:45 | 0:08:46 | |
Well, you have neither the power nor the right to do so. | 0:08:49 | 0:08:52 | |
We shall see. | 0:08:54 | 0:08:55 | |
You can clear the glasses, Betteredge. | 0:09:05 | 0:09:07 | |
We won't be needing any more. | 0:09:07 | 0:09:09 | |
Now that we are free of naysayers, what do you say to my proposition? | 0:09:24 | 0:09:28 | |
I would need you to sign a statement | 0:09:28 | 0:09:30 | |
saying you're fully aware of the risks involved in such an act. | 0:09:30 | 0:09:33 | |
Of course. | 0:09:33 | 0:09:34 | |
Before you entrust yourself in me, I owe you a confession. | 0:09:45 | 0:09:48 | |
We have more in common than you know, you and I. | 0:09:50 | 0:09:53 | |
At the outset of my career in this country, vile slander struck me down | 0:09:55 | 0:09:59 | |
and I was incapable, perfectly incapable of proving my innocence. | 0:09:59 | 0:10:04 | |
How do you live under the shadow of such false accusation? | 0:10:07 | 0:10:10 | |
It has taken its toll on my health, | 0:10:10 | 0:10:12 | |
as I dare to hope you may understand. | 0:10:12 | 0:10:15 | |
I now suffer from an incurable internal complaint. | 0:10:15 | 0:10:19 | |
I'm forced to medicate myself, and in doing so, I... | 0:10:22 | 0:10:25 | |
..I have become addicted to that which will be my undoing. | 0:10:26 | 0:10:30 | |
What is it? | 0:10:32 | 0:10:33 | |
Laudanum. | 0:10:41 | 0:10:43 | |
It is the one effective palliative for my condition. | 0:10:43 | 0:10:46 | |
To its own...own potent mercy, I have become indebted and enslaved. | 0:10:46 | 0:10:51 | |
I need to make sure you fully understand the risks | 0:10:56 | 0:10:59 | |
of the experiment before we proceed. | 0:10:59 | 0:11:01 | |
Is the diamond worth the price of your health and sanity? | 0:11:13 | 0:11:16 | |
Miss Rachel's bedroom is to be restored, and also the landing. | 0:11:26 | 0:11:30 | |
I wish to know whether or not I may wash my hands of... | 0:11:32 | 0:11:35 | |
I will call the scullery maid to bring some water. | 0:11:35 | 0:11:38 | |
..of certain responsibilities. | 0:11:40 | 0:11:42 | |
As to Miss Verinder's bedroom, to begin with. | 0:11:44 | 0:11:47 | |
When we took up the carpet last year, Mr Blake, | 0:11:47 | 0:11:50 | |
we found a surprising quantity of pins. | 0:11:50 | 0:11:52 | |
Am I responsible for putting back the pins? | 0:11:54 | 0:11:57 | |
Certainly not. | 0:12:00 | 0:12:02 | |
As to your bedroom, sir... | 0:12:02 | 0:12:03 | |
..I want to know who is responsible | 0:12:04 | 0:12:07 | |
for keeping it in a perpetual state of litter, | 0:12:07 | 0:12:09 | |
no matter how often it may be set right? | 0:12:09 | 0:12:12 | |
Your trousers here, your towels there. | 0:12:12 | 0:12:15 | |
Your French novels everywhere. | 0:12:17 | 0:12:19 | |
I say, who is responsible | 0:12:20 | 0:12:22 | |
for untidying the tidiness of your room, sir? | 0:12:22 | 0:12:25 | |
Yourself, or me? | 0:12:25 | 0:12:27 | |
I will take that responsibility entirely upon myself, Betteredge. | 0:12:27 | 0:12:30 | |
You have done a number of foolish things in your life, Mr Franklin. | 0:12:33 | 0:12:36 | |
But this tops them all. | 0:12:39 | 0:12:41 | |
We need to ascertain your psychological state this time last year | 0:12:53 | 0:12:57 | |
if we're to recreate it as precisely as we can. | 0:12:57 | 0:13:00 | |
-Absolutely. -I believe this time last year, | 0:13:01 | 0:13:03 | |
you were suffering from nervous irritation and sleeping wretchedly. | 0:13:03 | 0:13:07 | |
Can you assign any cause for that? | 0:13:07 | 0:13:09 | |
Indeed I can. | 0:13:09 | 0:13:11 | |
Smoking. | 0:13:11 | 0:13:13 | |
At least for now, it overwhelms the tobacco. | 0:13:13 | 0:13:15 | |
My smoking offends you? | 0:13:15 | 0:13:18 | |
Then I will stop. | 0:13:21 | 0:13:22 | |
I would not make you. | 0:13:24 | 0:13:26 | |
You do not like it, I cast it out. | 0:13:26 | 0:13:29 | |
I gave up that very day. | 0:13:29 | 0:13:30 | |
Put that out, sir. You must cast out the habit | 0:13:31 | 0:13:34 | |
with the suddenness that you did last year. | 0:13:34 | 0:13:37 | |
Did you have any special reason for feeling anxiety | 0:13:37 | 0:13:40 | |
about the diamond this time last year? | 0:13:40 | 0:13:42 | |
I had the strongest feelings of anxiety about it. | 0:13:42 | 0:13:45 | |
I knew it to be the object of a conspiracy. | 0:13:45 | 0:13:47 | |
And was the safety of the diamond the subject of conversation | 0:13:47 | 0:13:50 | |
between you and any other person | 0:13:50 | 0:13:52 | |
immediately before you returned to rest on the birthday night? | 0:13:52 | 0:13:55 | |
It was the only subject of conversation. | 0:13:55 | 0:13:57 | |
From what you've told me of the moonstone tonight, Mr Blake, | 0:13:57 | 0:14:00 | |
I judge that you have had more narrow escapes of your life | 0:14:00 | 0:14:04 | |
than I've had of mine, and that is saying a very great deal. | 0:14:04 | 0:14:07 | |
It is possible that in the experiment, | 0:14:08 | 0:14:11 | |
we may prove not just your innocence, | 0:14:11 | 0:14:13 | |
but recover the diamond, as well. | 0:14:13 | 0:14:15 | |
How can he still insist on his innocence? | 0:14:17 | 0:14:19 | |
How can he persist with such ludicrous denials?! | 0:14:19 | 0:14:22 | |
He's like a man possessed! | 0:14:22 | 0:14:24 | |
He's driven by a laudanum addict | 0:14:24 | 0:14:25 | |
whose reputation's besmirched with scandal. | 0:14:25 | 0:14:28 | |
Surely it is dangerous to experiment | 0:14:28 | 0:14:29 | |
with the subconscious mind in this way. | 0:14:29 | 0:14:31 | |
He's risking his life. | 0:14:31 | 0:14:33 | |
Why would he do that? | 0:14:33 | 0:14:35 | |
He must indeed be convinced of his own innocence. | 0:14:36 | 0:14:39 | |
Madam, one word from you can put a stop to this dangerous experiment | 0:14:39 | 0:14:44 | |
and save Franklin Blake from himself. | 0:14:44 | 0:14:46 | |
I am due to travel within days. When does he intend to carry this out? | 0:14:46 | 0:14:49 | |
Tomorrow night, I believe. | 0:14:49 | 0:14:50 | |
YELLING | 0:15:00 | 0:15:02 | |
Dr Jennings! | 0:15:04 | 0:15:05 | |
YELLING | 0:15:05 | 0:15:06 | |
Ezra! | 0:15:06 | 0:15:08 | |
DR JENNINGS GASPS FOR BREATH | 0:15:08 | 0:15:10 | |
It shatters the nervous system! It...it seduces the mind! | 0:15:19 | 0:15:22 | |
It destroys even the strongest with its embrace! | 0:15:22 | 0:15:25 | |
Are you sure you wish to proceed?! | 0:15:26 | 0:15:28 | |
-Mr Blake. -I hope you have not come to stop me, because I will not listen. | 0:15:41 | 0:15:45 | |
Well, against my better judgment and that of Sergeant Cuff, | 0:15:46 | 0:15:50 | |
Rachel has consented to go through with this charade, on one condition. | 0:15:50 | 0:15:55 | |
That I remain present throughout the re-enactment as a witness. | 0:15:55 | 0:15:59 | |
Be my guest. | 0:15:59 | 0:16:01 | |
If I can convince you, who is so strongly against the experiment, | 0:16:01 | 0:16:04 | |
it places its result beyond the possibility of dispute. | 0:16:04 | 0:16:07 | |
Then we can proceed tonight. | 0:16:07 | 0:16:09 | |
Tonight? Tonight is Miss Verinder's birthday | 0:16:09 | 0:16:12 | |
and the very night to the year that the diamond was stolen. | 0:16:12 | 0:16:15 | |
My luggage is at the back door, Betteredge. Would you mind? | 0:16:15 | 0:16:19 | |
-She will not regret this. -Hm. | 0:16:21 | 0:16:23 | |
Sir, a word in private. | 0:16:25 | 0:16:27 | |
The devil be damned, it can't be! | 0:16:32 | 0:16:34 | |
Happy birthday! | 0:16:37 | 0:16:39 | |
May I introduce you to Dr Jennings, | 0:16:39 | 0:16:41 | |
the assistant to the late Dr Candy, | 0:16:41 | 0:16:44 | |
who Mr Blake has enlisted for this... | 0:16:44 | 0:16:47 | |
I was afraid I might not bear the sight of the house, after what happened last year. | 0:16:48 | 0:16:54 | |
And without my dearest mother by my side. | 0:16:54 | 0:16:57 | |
Now, we can stop this dangerous and foolish experiment of Mr Blake's. | 0:16:57 | 0:17:01 | |
Not at all. | 0:17:01 | 0:17:03 | |
I'm here to witness what happens here this evening, not to stop it. | 0:17:03 | 0:17:06 | |
If Franklin is mad enough to take such a risk to clear his name, | 0:17:06 | 0:17:10 | |
then I am mad enough to hope... | 0:17:10 | 0:17:11 | |
I wish my presence here to be kept a secret | 0:17:13 | 0:17:16 | |
until the experiment has been tried. | 0:17:16 | 0:17:18 | |
Dr Jennings, how afraid I am of what your re-enactment may reveal. | 0:17:20 | 0:17:26 | |
Where is he now? What is he doing? | 0:17:26 | 0:17:30 | |
Preparing for this evening. | 0:17:30 | 0:17:32 | |
Everything has been recreated down to the last detail. | 0:17:35 | 0:17:38 | |
He will dine at the same table, | 0:17:57 | 0:17:59 | |
on the same menu as you did on your birthday last year. | 0:17:59 | 0:18:02 | |
ECHOES: How strange. The place will be full of ghosts. | 0:18:02 | 0:18:06 | |
-£20,000?! -It is indeed exquisite. | 0:18:06 | 0:18:11 | |
By the light of the harvest moon! | 0:18:11 | 0:18:13 | |
-Donate me your diamond. -To do what with?! | 0:18:15 | 0:18:17 | |
To burn it, of course. | 0:18:17 | 0:18:19 | |
SHE LAUGHS | 0:18:19 | 0:18:21 | |
I'm no clairvoyant, Mr Blake, | 0:18:21 | 0:18:23 | |
but your future will be short, as long as you hold on to this gem. | 0:18:23 | 0:18:28 | |
The moonstone is of an estimable value in India. | 0:18:28 | 0:18:31 | |
Its appointed guardians would move heaven and earth to reclaim it. | 0:18:31 | 0:18:35 | |
Resisting the draw of the tobacco, Mr Franklin? | 0:18:35 | 0:18:38 | |
I have nursed him to a state of sensitiveness, | 0:18:38 | 0:18:41 | |
produced by deprivation of sleep | 0:18:41 | 0:18:43 | |
and a sudden cessation in the habit of smoking. | 0:18:43 | 0:18:46 | |
Now, what we hope is that the diamond will invade his subconscious | 0:18:46 | 0:18:51 | |
as fiercely as it did last year. | 0:18:51 | 0:18:54 | |
-Oh, what devil...! -High-cast... -That heathen parade! | 0:18:54 | 0:18:57 | |
Are there thieves in the house? | 0:18:57 | 0:18:59 | |
OVERLAPPING DIALOGUE | 0:18:59 | 0:19:00 | |
The moonstone, it's gone! | 0:19:00 | 0:19:03 | |
BELL RINGS | 0:19:06 | 0:19:07 | |
We must prepare the dose. | 0:19:07 | 0:19:09 | |
I must have a hand in it. | 0:19:11 | 0:19:12 | |
Not that I mistrust you. | 0:19:12 | 0:19:14 | |
I-I shall risk increasing the dose | 0:19:14 | 0:19:18 | |
of 25 minims to 40. | 0:19:18 | 0:19:21 | |
On this occasion, Mr Blake is aware that he is taking laudanum. | 0:19:21 | 0:19:26 | |
It is the equivalent, physiologically-speaking, | 0:19:26 | 0:19:30 | |
to his having a certain capacity in him to resist the effects. | 0:19:30 | 0:19:35 | |
Are you sure it will do no harm? | 0:19:35 | 0:19:37 | |
Franklin is well aware of the risks involved. | 0:19:37 | 0:19:39 | |
You...you must place this | 0:19:47 | 0:19:48 | |
where you put the moonstone last year, and then wait. | 0:19:48 | 0:19:52 | |
It all happened that way on my birthday night. | 0:19:52 | 0:19:55 | |
It must all happen again in the same way, mustn't it? | 0:19:56 | 0:19:59 | |
It is time. | 0:20:02 | 0:20:04 | |
If we do succeed tonight... and retrieve the diamond, | 0:20:40 | 0:20:45 | |
but we send it to Amsterdam to have it cut up and destroyed... | 0:20:45 | 0:20:48 | |
..and if it is cut up, well... | 0:20:52 | 0:20:54 | |
..will the curse be...? | 0:20:57 | 0:20:59 | |
CONSTANT TICKING | 0:21:15 | 0:21:17 | |
FRANKLIN GASPS FOR BREATH | 0:21:24 | 0:21:25 | |
That cursed jewel! | 0:21:46 | 0:21:47 | |
I should never have let her have it! | 0:21:47 | 0:21:50 | |
The doubt about the safety of the diamond | 0:21:50 | 0:21:52 | |
is the dominant impression in... in the brain! | 0:21:52 | 0:21:54 | |
See...see how the pupils contract! | 0:21:54 | 0:21:57 | |
The opium has taken hold. | 0:21:57 | 0:22:00 | |
The sedative influence has taken hold. | 0:23:14 | 0:23:16 | |
The experiment is at an end. | 0:23:16 | 0:23:18 | |
He can sleep here. | 0:23:18 | 0:23:19 | |
He will probably remain unconscious for the next six or seven hours. | 0:23:26 | 0:23:29 | |
Dr Jennings, I must beg your pardon for doubting you. | 0:23:49 | 0:23:54 | |
Having proved that Franklin Blake did take the diamond, | 0:23:54 | 0:23:58 | |
unwittingly and under the influence of opium, | 0:23:58 | 0:24:01 | |
you have nonetheless done him an inestimable service. | 0:24:01 | 0:24:04 | |
The first object of your experiment | 0:24:04 | 0:24:07 | |
has indeed been successful, Dr Jennings, | 0:24:07 | 0:24:10 | |
and, for that, I thank you. | 0:24:10 | 0:24:12 | |
However... | 0:24:12 | 0:24:13 | |
..had Franklin led us to the moonstone, | 0:24:15 | 0:24:18 | |
had he insensible hidden it somewhere in the house, | 0:24:18 | 0:24:22 | |
I would've known he did not take the diamond for mercenary gain. | 0:24:22 | 0:24:25 | |
But the sedative influence took hold too soon and we have proved nothing. | 0:24:25 | 0:24:30 | |
Did he hide it? Did he drop it? | 0:24:32 | 0:24:35 | |
Was it found? And if so, who found it? | 0:24:35 | 0:24:38 | |
Until we know who took the diamond to London, | 0:24:39 | 0:24:42 | |
the sergeant's allegations still hang over me. | 0:24:42 | 0:24:45 | |
The trust that Franklin and I once shared | 0:24:45 | 0:24:49 | |
remains...irreparably...broken | 0:24:49 | 0:24:53 | |
until we know what really happened. | 0:24:53 | 0:24:56 | |
Goodbye, sir. I shall head to the continent on Monday as planned. | 0:24:59 | 0:25:03 | |
I beg you, do not tell Franklin I was here. | 0:25:03 | 0:25:07 | |
Franklin? | 0:25:19 | 0:25:20 | |
Franklin? | 0:25:20 | 0:25:22 | |
I thought I dreamed. | 0:25:32 | 0:25:34 | |
Was Rachel here? | 0:25:36 | 0:25:38 | |
We...we...we have reason both to rejoice over success | 0:25:40 | 0:25:43 | |
and to lament over failure. | 0:25:43 | 0:25:45 | |
You took the diamond, just as Rachel said she saw you do. | 0:25:45 | 0:25:49 | |
Unfortunately, the sedative effect took hold sooner than we'd hoped. | 0:25:49 | 0:25:53 | |
You dropped the diamond on the floor. | 0:25:53 | 0:25:56 | |
No. No, I didn't. | 0:25:56 | 0:25:58 | |
I'm afraid you did, sir. | 0:25:58 | 0:26:01 | |
I...I left Rachel's room | 0:26:01 | 0:26:03 | |
and I met someone in the corridor. | 0:26:03 | 0:26:05 | |
That is not what happened. | 0:26:05 | 0:26:07 | |
You dropped the jewel, sir. | 0:26:07 | 0:26:09 | |
Three of us witnessed it. | 0:26:09 | 0:26:11 | |
No, no. No, last year, man. I'm talking about last year, not last night. | 0:26:11 | 0:26:15 | |
The experiment must've awoken the memory, as you predicted. | 0:26:16 | 0:26:19 | |
I gave the diamond to someone in the corridor. | 0:26:21 | 0:26:25 | |
They...they offered to help me. | 0:26:25 | 0:26:27 | |
They said they would take the diamond to the bank | 0:26:27 | 0:26:30 | |
to keep it safe for me. | 0:26:30 | 0:26:32 | |
Who...who was it? | 0:26:32 | 0:26:34 | |
It must've been somebody in the house this time last year. | 0:26:36 | 0:26:39 | |
Then we're back where we started! | 0:26:39 | 0:26:41 | |
I...I remember Rachel. | 0:26:44 | 0:26:46 | |
Why do I remember Rachel being here? | 0:26:49 | 0:26:51 | |
Can it be I gave her the diamond? | 0:26:51 | 0:26:53 | |
No, no. That cannot be. | 0:26:55 | 0:26:57 | |
The laudanum lies. | 0:26:57 | 0:26:59 | |
Your theory, Dr Jennings, | 0:26:59 | 0:27:01 | |
is that Franklin hid the moonstone somewhere. | 0:27:01 | 0:27:04 | |
Franklin now believes that he gave the moonstone to someone. | 0:27:04 | 0:27:08 | |
We also have the theory that the moonstone is, in fact, in possession | 0:27:08 | 0:27:11 | |
of Mr Luker's bankers in London. | 0:27:11 | 0:27:13 | |
Now, we won't contest which of those theories is correct. | 0:27:13 | 0:27:15 | |
The only which one is in the right place to be put to the test. | 0:27:15 | 0:27:18 | |
In a few days' time, Luker must claim that jewel | 0:27:18 | 0:27:21 | |
from his bank as himself, | 0:27:21 | 0:27:23 | |
as it was deposited in his name. | 0:27:23 | 0:27:25 | |
Now, as we speak, I've asked Sergeant Cuff | 0:27:25 | 0:27:28 | |
to prepare to set a watch on him at the bank. | 0:27:28 | 0:27:30 | |
But in a few days, Miss Rachel will be gone. | 0:27:30 | 0:27:33 | |
Then I prove my innocence and I follow her. | 0:27:33 | 0:27:36 | |
I would travel further than the continent to win back Rachel's heart, | 0:27:36 | 0:27:40 | |
but to do so, I must do more than just retrieve the diamond. | 0:27:40 | 0:27:43 | |
Trust between us can only grow again if I find out | 0:27:43 | 0:27:45 | |
who took the diamond to London and pledged it to Mr Luker, | 0:27:45 | 0:27:48 | |
thus...thus proving both my innocence and hers. | 0:27:48 | 0:27:51 | |
Patience, Franklin, patience. | 0:27:51 | 0:27:53 | |
I am aware that you are in pursuit of something | 0:27:53 | 0:27:56 | |
far more precious than a jewel, but hear me out. | 0:27:56 | 0:27:58 | |
Luker will not dare to leave the bank with the jewel. | 0:27:58 | 0:28:03 | |
Remember, the guardians also wait to redeem their gem, | 0:28:03 | 0:28:06 | |
and he has suffered at their hands already. | 0:28:06 | 0:28:09 | |
No. I'm acting on the chance | 0:28:09 | 0:28:11 | |
that the person who pledged that jewel to Luker | 0:28:11 | 0:28:14 | |
must now await for him into the bank in order to redeem it. | 0:28:14 | 0:28:18 | |
That being the case, we may lay our hands on him! | 0:28:18 | 0:28:22 | |
If we succeed, we clear up the mystery | 0:28:24 | 0:28:26 | |
exactly the point where it baffles us now. | 0:28:26 | 0:28:28 | |
Sir, a message for you. | 0:28:31 | 0:28:33 | |
Just in time, sirs. | 0:28:49 | 0:28:51 | |
Mr Luker was seen two hours ago | 0:28:56 | 0:28:58 | |
leaving his house in Lambeth in a cab. | 0:28:58 | 0:29:01 | |
He was accompanied by two men | 0:29:01 | 0:29:03 | |
who my men say were police officers in plain clothes. | 0:29:03 | 0:29:07 | |
Now, if Mr Luker's dread of the guardians | 0:29:07 | 0:29:09 | |
is at the bottom of this precaution, the inference is plain enough. | 0:29:09 | 0:29:13 | |
He's going to take the diamond out of the bank. | 0:29:13 | 0:29:16 | |
Have you seen Luker? | 0:29:16 | 0:29:17 | |
I saw him an hour since, going to an office down there. | 0:29:17 | 0:29:21 | |
-Well, has he come out again yet? -No, but we must on our mettle. | 0:29:21 | 0:29:24 | |
The stout man, the man in the grey hat and the sailor. | 0:29:26 | 0:29:30 | |
Any one of these has the potential to receive the diamond. | 0:29:30 | 0:29:33 | |
We must be ready to follow any of them. | 0:29:33 | 0:29:36 | |
Whoever takes the jewel from Mr Luker | 0:29:36 | 0:29:39 | |
is likely to be an intermediary | 0:29:39 | 0:29:41 | |
and will pass it on to our thief. | 0:29:41 | 0:29:43 | |
Now, the guardians have their spies somewhere | 0:29:43 | 0:29:46 | |
and I think it is that sailor. | 0:29:46 | 0:29:48 | |
-Here he is now! -If he passes the jewel to anyone, he will do it now. | 0:30:03 | 0:30:05 | |
We...we can't degrade ourselves by following them. | 0:30:05 | 0:30:09 | |
I shall take the stout man, you take the man in the grey hat. | 0:30:10 | 0:30:13 | |
Ezra can take the sailor. | 0:30:15 | 0:30:17 | |
Keep an eye on Septimus Luker. | 0:30:22 | 0:30:24 | |
We may have made a mistake and the diamond is still in his possession. | 0:30:24 | 0:30:27 | |
-Rachel! -It...it...it cannot be. | 0:30:33 | 0:30:36 | |
She left the country yesterday. | 0:30:36 | 0:30:38 | |
So she gave us to believe. | 0:30:38 | 0:30:40 | |
You are to follow the sailor. | 0:30:42 | 0:30:44 | |
Then you must follow her. | 0:30:44 | 0:30:46 | |
The man in the grey hat has spent 30 years in service to the chemist. | 0:30:59 | 0:31:03 | |
He was here at the bank to deposit money into his master's account. | 0:31:03 | 0:31:07 | |
He knows no more about the moonstone than the babe unborn! | 0:31:07 | 0:31:11 | |
The gentleman I pursued turned out to be | 0:31:11 | 0:31:14 | |
a respectable master ironmonger in Eastcheap. | 0:31:14 | 0:31:18 | |
I have failed you all and I have failed myself. | 0:31:19 | 0:31:21 | |
-I believe we should pursue the case no further. -Why? What on earth's the matter, sir? | 0:31:21 | 0:31:25 | |
There was a...a young lady. | 0:31:25 | 0:31:29 | |
Luker spoke to her, something was passed between them. | 0:31:29 | 0:31:32 | |
I could not see her face, but she had unmistakably the poise of... | 0:31:32 | 0:31:35 | |
Are you saying you suspect Miss Rachel after all? | 0:31:35 | 0:31:38 | |
But that is not possible, sir! | 0:31:38 | 0:31:40 | |
She left for the continent yesterday on the Aurora! | 0:31:40 | 0:31:42 | |
No, sir. The departure has been delayed because of an incident. | 0:31:42 | 0:31:46 | |
The docks are in chaos. | 0:31:46 | 0:31:48 | |
The Aurora will not set sail till tomorrow afternoon. | 0:31:48 | 0:31:52 | |
Where did the young lady you followed go? | 0:31:52 | 0:31:54 | |
I am the worst amateur detective that ever tried hands at the trade. | 0:31:54 | 0:31:57 | |
I'm afraid I lost sight of her. | 0:31:57 | 0:32:00 | |
I'm ending the inquiry. | 0:32:00 | 0:32:01 | |
Thank you for your services, sir, you are dismissed. | 0:32:01 | 0:32:03 | |
No, no, no, no, no, wait! | 0:32:03 | 0:32:05 | |
What of Dr Jennings and the sailor? | 0:32:05 | 0:32:08 | |
Let us wait until we have news from him before we take any action. | 0:32:08 | 0:32:11 | |
I will make a surprise visit to Miss Verinder. | 0:32:12 | 0:32:15 | |
It may be we can clear her name immediately. | 0:32:15 | 0:32:18 | |
KNOCK AT DOOR | 0:32:28 | 0:32:31 | |
Have you found her? | 0:32:31 | 0:32:32 | |
She has not been seen since she left home this afternoon on charity work. | 0:32:32 | 0:32:37 | |
Her maid was unable, or perhaps unwilling, | 0:32:37 | 0:32:40 | |
to let me know where she is. | 0:32:40 | 0:32:42 | |
Well, perhaps you and Miss Clack have been right all along, Sergeant. | 0:32:44 | 0:32:47 | |
I do not think that way any more. | 0:32:47 | 0:32:50 | |
I wrongly suspected Rachel last year. | 0:32:50 | 0:32:53 | |
I may be suspecting the wrong person now. | 0:32:53 | 0:32:55 | |
But wait to open this, Mr Blake, till you are at the truth, | 0:32:55 | 0:32:59 | |
and compare the name of the guilty person | 0:32:59 | 0:33:02 | |
with the name I've written on this note. | 0:33:02 | 0:33:05 | |
KNOCK AT DOOR | 0:33:05 | 0:33:07 | |
Thank you. | 0:33:10 | 0:33:11 | |
This is Ezra's hand. | 0:33:17 | 0:33:19 | |
READS: I think I have tracked down the diamond. | 0:33:19 | 0:33:21 | |
I am sure that also in pursuit are the guardians. | 0:33:24 | 0:33:27 | |
They followed the same Hackney carriage I did | 0:33:27 | 0:33:29 | |
down to the docks from Lombard Street to Tower Wharf, | 0:33:29 | 0:33:32 | |
only to discover that the departure of the Aurora | 0:33:32 | 0:33:34 | |
was delayed until tomorrow afternoon | 0:33:34 | 0:33:36 | |
and that her destination had changed to Holland. | 0:33:36 | 0:33:39 | |
Amsterdam is where Murthwaite advised us to get the diamond cut! | 0:33:39 | 0:33:43 | |
-EZRA: -I am now at the Wheel of Fortune lodging house. | 0:33:45 | 0:33:47 | |
Our thief and the diamond are safe, awaiting to sail tomorrow. | 0:33:47 | 0:33:51 | |
Sirs, I am happy to see you. I kept close watch. | 0:33:51 | 0:33:54 | |
Our thief is safe upstairs in Room 10. | 0:33:54 | 0:33:57 | |
With the diamond! | 0:33:58 | 0:34:00 | |
Rachel! Rachel! | 0:34:00 | 0:34:02 | |
-Sir! -Stand back, sir! | 0:34:03 | 0:34:05 | |
Together now. One, two, three! | 0:34:08 | 0:34:11 | |
-He's dead. -We need to get the police. | 0:34:24 | 0:34:26 | |
-I shall go. -Look! | 0:34:26 | 0:34:28 | |
-READS: -Deposited with Messrs Bush by Septimus Luker, | 0:34:31 | 0:34:35 | |
a valuable of great price. | 0:34:35 | 0:34:36 | |
To be only given up on the personal application of Mr Luker. | 0:34:36 | 0:34:40 | |
GUST OF WIND | 0:34:40 | 0:34:42 | |
There's a passage. It's a priest's hole. | 0:34:50 | 0:34:52 | |
Seems the guardians have finally recovered their jewel. | 0:34:54 | 0:34:57 | |
Look at the paper. The paper I wrote on earlier. | 0:34:59 | 0:35:02 | |
-That cannot be. -It is. | 0:35:08 | 0:35:10 | |
-Godfrey! -Good God! | 0:35:18 | 0:35:20 | |
My cousin! | 0:35:32 | 0:35:33 | |
Murdered! | 0:35:35 | 0:35:37 | |
Dr Jennings is with the coroner now. | 0:35:43 | 0:35:46 | |
He...he believes Godfrey was smothered. | 0:35:46 | 0:35:49 | |
It is little comfort, but he will not have felt pain. | 0:35:50 | 0:35:54 | |
I know his crime does not warrant such a shocking and murderous end, | 0:35:57 | 0:36:00 | |
but the truth remains, Rachel, Godfrey was the thief. | 0:36:00 | 0:36:03 | |
It was Godfrey who stole your diamond. | 0:36:04 | 0:36:06 | |
There is some mistake! | 0:36:07 | 0:36:09 | |
This makes no sense! | 0:36:09 | 0:36:12 | |
If he had the diamond, why would he seek to marry me for my money? | 0:36:12 | 0:36:16 | |
KNOCK AT DOOR | 0:36:18 | 0:36:19 | |
Madam, your carriage awaits. | 0:36:19 | 0:36:22 | |
How do we know Godfrey was not framed? | 0:36:25 | 0:36:27 | |
Where is the proof? Where is the witness? | 0:36:27 | 0:36:30 | |
There is no question but Luker was involved. | 0:36:30 | 0:36:33 | |
This being now a murder case, if he wishes to escape prosecution, | 0:36:33 | 0:36:37 | |
he must needs explain himself. | 0:36:37 | 0:36:40 | |
Madam, if we are to catch our boat, we must away. | 0:36:40 | 0:36:43 | |
-Rachel! -Penelope, tell the driver there has been a change of plan. | 0:36:51 | 0:36:54 | |
Come, we shall go together to this moneylender...now. | 0:36:58 | 0:37:03 | |
I was more than surprised | 0:37:07 | 0:37:08 | |
when Mr Godfrey Ablewhite produced the moonstone. | 0:37:08 | 0:37:12 | |
In my experience, no such diamond | 0:37:12 | 0:37:15 | |
was in the possession of any private person in Europe. | 0:37:15 | 0:37:18 | |
Well, Mr Luker? | 0:37:24 | 0:37:26 | |
I have a debt to pay to a gentleman for who I'm a trustee tomorrow. | 0:37:27 | 0:37:30 | |
Can you help or not? I need to know! | 0:37:30 | 0:37:32 | |
'My estimate, allowing for the flaw in the stone, was £20,000.' | 0:37:33 | 0:37:38 | |
How did you come by this? | 0:37:38 | 0:37:40 | |
'Tis a family heirloom. | 0:37:41 | 0:37:43 | |
Come, Mr Ablewhite, that won't do. | 0:37:45 | 0:37:48 | |
My cousin inherited it. | 0:37:52 | 0:37:54 | |
But is too afraid to have it in the house. | 0:37:54 | 0:37:57 | |
We concocted a little plan to pretend it stolen to keep it safe. | 0:37:57 | 0:38:00 | |
-Please...! -I cannot do business involving such large sums. | 0:38:03 | 0:38:06 | |
And risks to myself. | 0:38:09 | 0:38:11 | |
If I cannot trust my client... | 0:38:12 | 0:38:14 | |
'And then, in his desperation, | 0:38:17 | 0:38:20 | |
'he came out with a new and amended version of the affair.' | 0:38:20 | 0:38:24 | |
APPROACHING FOOTSTEPS | 0:38:24 | 0:38:27 | |
Take it to the bank. | 0:38:55 | 0:38:57 | |
It is safe there. | 0:38:57 | 0:38:59 | |
It is not safe here. | 0:38:59 | 0:39:01 | |
I cannot take it. | 0:39:02 | 0:39:04 | |
My...my head is like lead | 0:39:05 | 0:39:08 | |
and I cannot feel my feet beneath me. | 0:39:08 | 0:39:11 | |
When morning came, your language and conduct | 0:39:14 | 0:39:17 | |
showed that you were absolutely ignorant | 0:39:17 | 0:39:19 | |
of what you had said and done overnight. | 0:39:19 | 0:39:23 | |
And yours, you were resolved to say nothing on your side. | 0:39:23 | 0:39:27 | |
The moonstone belonged to Godfrey Ablewhite, | 0:39:29 | 0:39:33 | |
for him to do with as he pleased. | 0:39:33 | 0:39:36 | |
Thus I persuaded him | 0:39:42 | 0:39:44 | |
to pawn the diamond for well below its value | 0:39:44 | 0:39:48 | |
by threatening to tell of its theft if he took it elsewhere. | 0:39:48 | 0:39:53 | |
Good business thrives on the back of crooked men. | 0:39:53 | 0:39:58 | |
Hm. | 0:39:59 | 0:40:00 | |
The money from Mr Luker here serviced Godfrey's immediate debts, | 0:40:02 | 0:40:05 | |
but, of course, the moonstone was worth so much more. | 0:40:05 | 0:40:09 | |
That is why he had to continue fortune-hunting | 0:40:09 | 0:40:12 | |
in order to redeem the diamond and realise its full value. | 0:40:12 | 0:40:15 | |
Which is why he sought out your poor late mother's will | 0:40:15 | 0:40:18 | |
and proposed to you with mercenary alacrity. | 0:40:18 | 0:40:21 | |
How did he eventually raise the money to redeem the pledge? | 0:40:21 | 0:40:24 | |
I had word today of the unexpected death of a lady | 0:40:24 | 0:40:28 | |
whose estate listed a certain Mr Ablewhite | 0:40:28 | 0:40:31 | |
as the principal beneficiary. | 0:40:31 | 0:40:34 | |
You...you cannot mean... | 0:40:34 | 0:40:36 | |
If he wasn't already murdered, we'd be hanging him for this. | 0:40:36 | 0:40:41 | |
SHE SOBS | 0:40:52 | 0:40:54 | |
Rachel, I am so sorry you've been dragged back into this. | 0:40:55 | 0:40:58 | |
No, Franklin, it is I who owe you an apology. | 0:40:58 | 0:41:02 | |
You have been most unfairly wronged. Please forgive me. | 0:41:02 | 0:41:05 | |
I fear I can never make amends for what I have caused you to suffer. | 0:41:05 | 0:41:09 | |
Oh, but you can. | 0:41:09 | 0:41:11 | |
One word will release me from the agony of last year. | 0:41:12 | 0:41:16 | |
Rachel Verinder, | 0:41:21 | 0:41:23 | |
will you do me the honour of being my wife? | 0:41:23 | 0:41:25 | |
Yes. | 0:41:30 | 0:41:32 | |
Well, if it isn't Mr and Mrs Franklin Blake! | 0:41:59 | 0:42:02 | |
THEY LAUGH | 0:42:15 | 0:42:17 | |
And what became of the moonstone? | 0:42:29 | 0:42:31 | |
The three guardians carried it back to India on a ship. | 0:42:32 | 0:42:35 | |
At the ceremony that followed their arrival, a curtain was drawn aside | 0:42:37 | 0:42:40 | |
and the Shrine of Vishnu was disclosed to view... | 0:42:40 | 0:42:42 | |
-CHILD: -..And the Shrine of Vishnu was disclosed to view. | 0:42:42 | 0:42:45 | |
There in the forehead of the deity gleams the yellow diamond, | 0:42:45 | 0:42:49 | |
whose splendour had last shone in England. | 0:42:49 | 0:42:53 | |
Finally, the moonstone looked forth once more | 0:42:53 | 0:42:56 | |
over the walls of the sacred city | 0:42:56 | 0:42:58 | |
in which its story first began. | 0:42:58 | 0:43:01 | |
APPLAUSE | 0:43:01 | 0:43:03 |