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This programme contains very strong language and scenes which some viewers may find disturbing. | 0:00:02 | 0:00:10 | |
So, what are we looking at? | 0:00:52 | 0:00:55 | |
Two gunshots to the head. | 0:00:58 | 0:00:59 | |
One. | 0:01:00 | 0:01:02 | |
Point of entry | 0:01:02 | 0:01:04 | |
left eye. And exit... | 0:01:04 | 0:01:06 | |
yeah, | 0:01:09 | 0:01:10 | |
rear lower right. | 0:01:11 | 0:01:14 | |
-Right ear still intact. -I don't think we're supposed to touch the body. | 0:01:14 | 0:01:18 | |
My world... | 0:01:19 | 0:01:22 | |
my rules... | 0:01:22 | 0:01:23 | |
Huh, that's interesting. | 0:01:26 | 0:01:29 | |
-What? -What if he'd been shot, say, from the front passenger seat, | 0:01:29 | 0:01:33 | |
all the splatter would be over the rear window. Whereas, in fact... | 0:01:33 | 0:01:36 | |
it's pretty much all around him down here. | 0:01:38 | 0:01:42 | |
-So? -So, given the body position | 0:01:42 | 0:01:46 | |
and the line of travel, | 0:01:46 | 0:01:50 | |
I'd say that our friend here took this bullet while he was seated... | 0:01:50 | 0:01:55 | |
..there. And while he was looking up at whoever shot him. | 0:01:57 | 0:02:01 | |
And whoever shot him was standing... | 0:02:01 | 0:02:02 | |
roughly... | 0:02:05 | 0:02:06 | |
where you are now. | 0:02:07 | 0:02:09 | |
Great. | 0:02:09 | 0:02:11 | |
Which would make this shot the second. | 0:02:13 | 0:02:19 | |
As his head fell away. | 0:02:19 | 0:02:22 | |
Entry lower left jaw and exit... | 0:02:22 | 0:02:25 | |
yeah... | 0:02:27 | 0:02:28 | |
middle right cheek. | 0:02:28 | 0:02:32 | |
But not before it bust up all the crockery, eh? | 0:02:37 | 0:02:42 | |
Oh, Harvey, | 0:02:46 | 0:02:49 | |
you should have taken better care of your teeth. | 0:02:49 | 0:02:53 | |
So, two fast shots. | 0:03:01 | 0:03:04 | |
Probably more in the body but we'll let the brush-up boys find them, eh? | 0:03:04 | 0:03:08 | |
So, do you want the good news? | 0:03:08 | 0:03:10 | |
-This one's not for us. -Why? | 0:03:10 | 0:03:13 | |
Why? I'm sorry, look like a lovers' tiff to you, does it? | 0:03:13 | 0:03:17 | |
-Robbery. It could be anything. Did you check for his wallet? -It's a contract. | 0:03:17 | 0:03:22 | |
Trust me. And when it's a contract... | 0:03:22 | 0:03:25 | |
Mazeltov! | 0:03:25 | 0:03:26 | |
What are you doing? | 0:03:40 | 0:03:42 | |
Well, if it was a robbery, | 0:03:56 | 0:03:58 | |
he wouldn't have got far with these. | 0:03:58 | 0:04:01 | |
-They're all out of date. -What? | 0:04:01 | 0:04:03 | |
Credit cards. | 0:04:03 | 0:04:04 | |
All expired. | 0:04:04 | 0:04:07 | |
Harvey Wratten. Harvey Wratten. I've heard that name... | 0:04:11 | 0:04:15 | |
-Yeah, right... Put it back. -What? | 0:04:15 | 0:04:18 | |
I told you, this one's not for us. | 0:04:19 | 0:04:21 | |
So... | 0:04:21 | 0:04:23 | |
put it back. | 0:04:23 | 0:04:24 | |
Where did you find it? | 0:04:30 | 0:04:32 | |
Left side, inside breast pocket. | 0:04:35 | 0:04:38 | |
You see, | 0:04:54 | 0:04:57 | |
the truth, Constable, | 0:04:57 | 0:04:59 | |
the truth, it's like lightning. | 0:05:01 | 0:05:03 | |
Always follows the line of least resistance. | 0:05:03 | 0:05:06 | |
So, what we do, the trick is simple. | 0:05:07 | 0:05:11 | |
All we have to do is find the line and then follow it back up. | 0:05:11 | 0:05:16 | |
And whatever it is, | 0:05:16 | 0:05:20 | |
it's all gonna be sorted within 24 hours. All neat and tidy. | 0:05:23 | 0:05:27 | |
99% of the time. | 0:05:27 | 0:05:29 | |
But with this... | 0:05:32 | 0:05:34 | |
With what I see here, | 0:05:36 | 0:05:39 | |
well, you try and find the line on something like this | 0:05:39 | 0:05:42 | |
and all it's gonna do is fur up your arteries so thick you'll think you're a fucking werewolf! | 0:05:42 | 0:05:48 | |
So... | 0:05:50 | 0:05:51 | |
we just pass it on and then we step right out of the picture. | 0:05:51 | 0:05:59 | |
Because whoever it is has to pick up this sorry rag of rope, it'll sure as shit be the death of them. | 0:05:59 | 0:06:07 | |
Oh, yeah. | 0:06:07 | 0:06:08 | |
Bang! | 0:06:12 | 0:06:13 | |
Bang! | 0:06:14 | 0:06:15 | |
Bang! | 0:06:18 | 0:06:19 | |
# I'm a featherless bird | 0:06:24 | 0:06:31 | |
# In a sky so absurd | 0:06:31 | 0:06:39 | |
# Why oh why | 0:06:39 | 0:06:45 | |
# Is there so much movement | 0:06:45 | 0:06:55 | |
# Oh, hide me deeper | 0:06:56 | 0:07:04 | |
# In your peace further... # | 0:07:05 | 0:07:12 | |
All right? | 0:07:57 | 0:07:59 | |
Sure you want to do this? | 0:08:07 | 0:08:09 | |
Gabriel. | 0:08:38 | 0:08:41 | |
-Excuse me, sir, if I could just... -What? | 0:08:41 | 0:08:43 | |
-Take another look. -Really? | 0:08:43 | 0:08:45 | |
-Yes, please, sir. -Don't be stupid, I just told you who he is. | 0:08:45 | 0:08:49 | |
-With the greatest of respect, madam, just because you say it doesn't necessarily make it so. -What?! | 0:08:49 | 0:08:53 | |
It's all about connection, isn't it? | 0:08:53 | 0:08:56 | |
-Not just process. -Oh, that's clever. | 0:08:56 | 0:08:58 | |
You're very clever. Isn't he clever? | 0:08:58 | 0:09:01 | |
There is another word beginning with C that also comes to mind. | 0:09:01 | 0:09:05 | |
Want to know what it is? I'll give you a clue. | 0:09:05 | 0:09:08 | |
-It sounds exactly like the first syllable in country. Does that help? -All right, here you go. | 0:09:08 | 0:09:13 | |
-Yes, sir, it's the photo, it doesn't really look like you. -Huh. | 0:09:17 | 0:09:22 | |
-Well, I've been out of circulation for a while. Maybe it's an old ID. -Time to get a new one then, sir. | 0:09:22 | 0:09:28 | |
-I'll make it a priority. -Thank you, sir. | 0:09:28 | 0:09:31 | |
No, thank you, CUNTstable. | 0:09:31 | 0:09:34 | |
So what is this place? | 0:09:37 | 0:09:39 | |
Private car park for a bowls club. | 0:09:39 | 0:09:41 | |
-He went bowling? -It's closed this time of year. | 0:09:41 | 0:09:44 | |
Blah, blah, blah, blah, blah. | 0:09:44 | 0:09:46 | |
Looks like it is him, though. | 0:09:46 | 0:09:48 | |
-Why? Cos it's his car? -Registered to his home address. | 0:09:48 | 0:09:51 | |
Taxed, too. Interesting, considering where he's been. Gloves, please. | 0:09:52 | 0:09:57 | |
And how long he's been there. | 0:09:57 | 0:09:58 | |
-Family? -No-one close. Except for his nephew. | 0:10:00 | 0:10:04 | |
And we all know where he's been to. | 0:10:04 | 0:10:06 | |
Friends? | 0:10:06 | 0:10:09 | |
Bloke like that, I'm sure he had millions. | 0:10:09 | 0:10:11 | |
And, clearly... | 0:10:11 | 0:10:13 | |
at least one enemy. | 0:10:13 | 0:10:15 | |
Driver's missing. | 0:10:15 | 0:10:17 | |
OK. | 0:10:17 | 0:10:19 | |
And there's no prints been left on the wheel. | 0:10:19 | 0:10:22 | |
Gabriel. | 0:10:33 | 0:10:35 | |
Didn't expect to see you back so soon. | 0:10:35 | 0:10:37 | |
-Touch-and-go I was going to make it back at all. -Huh, yeah. | 0:10:40 | 0:10:44 | |
Usually, I get to see a man with a bullet in his head, I'm looking at...him. | 0:10:44 | 0:10:48 | |
Yeah, it's him. It's Harvey Wratten. | 0:10:53 | 0:10:57 | |
Who's Harvey Wratten? | 0:10:57 | 0:10:59 | |
-ON TV: -'A convicted drug smuggler was released from jail today | 0:10:59 | 0:11:02 | |
'in circumstances described as extremely unusual. | 0:11:02 | 0:11:05 | |
'Two years ago, Harvey Wratten, | 0:11:05 | 0:11:07 | |
'62, and alleged head of one of the UK's largest crime organisations, | 0:11:07 | 0:11:12 | |
'was sentenced to 18 years in jail | 0:11:12 | 0:11:14 | |
-'for his part in importing over 200kg...' -That's Harvey. | 0:11:14 | 0:11:18 | |
What's he doing on telly? | 0:11:18 | 0:11:20 | |
He's just got out of prison. | 0:11:20 | 0:11:22 | |
'His nephew, Jay Wratten, 28, was also sentenced to five years | 0:11:22 | 0:11:26 | |
'on a lesser charge of conspiracy to supply. | 0:11:26 | 0:11:29 | |
'However, both Wrattens have today been released | 0:11:29 | 0:11:32 | |
'under the Royal Prerogative of Mercy, | 0:11:32 | 0:11:34 | |
'a form of pardon that is so rare | 0:11:34 | 0:11:36 | |
'only the Justice Secretary can grant it. | 0:11:36 | 0:11:38 | |
'The actual circumstances surrounding the pardon have not been made public, | 0:11:38 | 0:11:42 | |
'but, according to legal analysts, speculation is centring around recent significant breakthroughs | 0:11:42 | 0:11:48 | |
'made by the authorities in the so-called War Against Drugs.' | 0:11:48 | 0:11:52 | |
PHONE RINGS | 0:11:52 | 0:11:53 | |
Doesn't she have funny teeth? | 0:11:53 | 0:11:55 | |
-Why would they give a job to a woman like that? -I don't know. | 0:11:55 | 0:11:58 | |
Are you going to see him? | 0:11:58 | 0:12:00 | |
Yeah. Tomorrow. | 0:12:00 | 0:12:01 | |
Tomorrow. Yes. | 0:12:01 | 0:12:03 | |
PHONE CONTINUES RINGING | 0:12:03 | 0:12:04 | |
And will he...? | 0:12:04 | 0:12:06 | |
What? | 0:12:08 | 0:12:09 | |
I can't remember. It's... | 0:12:10 | 0:12:12 | |
It's the phone, it's distracting me. | 0:12:12 | 0:12:15 | |
-Where are you going? -To answer it. -What? | 0:12:15 | 0:12:18 | |
-The phone. -But you're coming back? | 0:12:18 | 0:12:21 | |
Of course. Straight back. | 0:12:21 | 0:12:24 | |
Yeah. | 0:12:37 | 0:12:39 | |
Yeah, I've just seen it on the news. | 0:12:39 | 0:12:41 | |
FOREBODING MUSIC | 0:12:44 | 0:12:46 | |
No, I'll be there. | 0:12:48 | 0:12:50 | |
Kirsten? It's Joseph. | 0:13:03 | 0:13:05 | |
I'm sorry to call you so late. | 0:13:05 | 0:13:07 | |
Can you come and be with Julie? | 0:13:07 | 0:13:09 | |
I have to go out. | 0:13:09 | 0:13:10 | |
Thanks. | 0:13:12 | 0:13:14 | |
HE BREATHES DEEPLY | 0:13:28 | 0:13:30 | |
Get me out of here! | 0:13:54 | 0:13:55 | |
You all right, Jay? | 0:14:17 | 0:14:19 | |
Yeah... | 0:14:19 | 0:14:21 | |
Yeah. | 0:14:21 | 0:14:23 | |
-It's just the, er...distance. -Yeah. -You know? | 0:14:23 | 0:14:27 | |
Yeah, I know. | 0:14:27 | 0:14:29 | |
You spent two years in a 14ft square, and suddenly the whole world's in front of you. | 0:14:29 | 0:14:33 | |
I left my phone. | 0:14:38 | 0:14:40 | |
Wait here. | 0:14:42 | 0:14:43 | |
Don't move. OK? | 0:14:44 | 0:14:47 | |
'Fifth floor, doors opening.' | 0:14:51 | 0:14:54 | |
LOUD SNORTING | 0:15:08 | 0:15:10 | |
LOUD SNORTING | 0:15:15 | 0:15:17 | |
HE SNORTS | 0:15:26 | 0:15:28 | |
-Are you trying to say something? -You mean you don't get it? -What's to get? -A free pardon, boy. | 0:15:39 | 0:15:44 | |
Isn't that what you and your uncle just got? | 0:15:44 | 0:15:47 | |
And to get that, you must've been squealing like a pig near a stun gun. | 0:15:47 | 0:15:52 | |
-Have you seen anyone get arrested? -Not yet. | 0:15:52 | 0:15:55 | |
Not ever. | 0:15:58 | 0:16:00 | |
Then why did they let you out? | 0:16:00 | 0:16:03 | |
Ah...well... | 0:16:03 | 0:16:06 | |
-That would be telling, wouldn't it? -So, not a pig. | 0:16:08 | 0:16:13 | |
-That's right. -Then some kind of a snake. | 0:16:15 | 0:16:20 | |
'Doors closing. | 0:16:20 | 0:16:22 | |
'Doors opening. | 0:16:24 | 0:16:25 | |
'Doors closing. | 0:16:31 | 0:16:32 | |
'Ground floor. | 0:16:56 | 0:16:57 | |
'Doors opening.' | 0:16:57 | 0:16:59 | |
WOMAN SCREAMS AND SHOUTS | 0:17:05 | 0:17:08 | |
'Fifth floor. Doors opening.' | 0:17:26 | 0:17:28 | |
Shit! | 0:17:33 | 0:17:34 | |
It's all right. I know him. | 0:17:40 | 0:17:42 | |
He's one of Bob Harris's. | 0:17:42 | 0:17:44 | |
We do not need trouble. | 0:17:44 | 0:17:46 | |
-It wasn't me went looking for it. -I thought you were ill! -I'm better in dark corners. | 0:17:46 | 0:17:51 | |
BEEPING | 0:17:51 | 0:17:52 | |
Shit! | 0:17:52 | 0:17:53 | |
You left it in the car. | 0:17:58 | 0:18:00 | |
Oh, no, Mo. Who's in trouble now, eh? | 0:18:00 | 0:18:03 | |
Harvey's dead! | 0:18:04 | 0:18:05 | |
Someone shot him! | 0:18:10 | 0:18:11 | |
Who did it? | 0:18:39 | 0:18:42 | |
No-one knows. | 0:18:42 | 0:18:43 | |
Right now, no-one knows much. | 0:18:43 | 0:18:45 | |
Who...did...it? | 0:18:46 | 0:18:49 | |
No-one knows, Jay. No-one knows anything. | 0:18:49 | 0:18:51 | |
Well, fucking find out! | 0:18:51 | 0:18:54 | |
-I'm sure that's going to happen. But if you just calm down... -Don't tell me what to do. | 0:18:54 | 0:19:00 | |
You never tell me what to do! | 0:19:00 | 0:19:03 | |
You're not my fucking uncle! | 0:19:03 | 0:19:06 | |
Fuck! | 0:19:06 | 0:19:07 | |
Not now, Jay. Not here. | 0:19:07 | 0:19:10 | |
What the... | 0:19:12 | 0:19:13 | |
-He just gave us the heads-up on Harvey. He's done us a favour. -A favour(?) | 0:19:13 | 0:19:19 | |
-A tom-tit? -The press don't know yet. No-one knows yet. | 0:19:19 | 0:19:22 | |
And thanks to him, we have a couple of hours before they do. | 0:19:22 | 0:19:25 | |
Who did it? | 0:19:32 | 0:19:33 | |
I don't know, young man. But the twists your uncle's been turning of late, | 0:19:33 | 0:19:37 | |
I'm only surprised he didn't shoot himself. | 0:19:37 | 0:19:40 | |
Oh, that's right. Let him see you. | 0:19:43 | 0:19:45 | |
Let him get a really good look. | 0:19:45 | 0:19:47 | |
What's that? | 0:19:48 | 0:19:50 | |
Nose bleed. | 0:19:50 | 0:19:52 | |
Pete, get Jay a tissue. He appears to have scraped his knuckles. | 0:19:52 | 0:19:56 | |
You want to get some Dettol on that. | 0:19:56 | 0:20:00 | |
While I, er... sort out the sergeant. | 0:20:03 | 0:20:06 | |
Envelope. Piece of paper. | 0:20:27 | 0:20:30 | |
Please. | 0:20:31 | 0:20:33 | |
You're not used to this, are you? | 0:20:45 | 0:20:47 | |
And I'm not looking to get familiar, either. | 0:20:47 | 0:20:49 | |
So who do I talk to from now on? | 0:20:49 | 0:20:52 | |
Same person you talked to before. | 0:20:52 | 0:20:54 | |
Yeah, but who am I looking out for? | 0:20:54 | 0:20:57 | |
-You? -Me? | 0:20:58 | 0:21:02 | |
I'm just a flower man, Sergeant. | 0:21:02 | 0:21:04 | |
So I see. | 0:21:05 | 0:21:06 | |
-So...what else are you looking to bring in? -Fruits, vegetables, you name it. | 0:21:10 | 0:21:14 | |
Something with a little more BITE? | 0:21:14 | 0:21:18 | |
Or were you waiting on Harvey to set up that particular shipment? | 0:21:19 | 0:21:25 | |
And what are you going to do now he's dead? | 0:21:25 | 0:21:29 | |
Here. | 0:21:34 | 0:21:35 | |
Sweetest apple you'll ever taste. | 0:21:36 | 0:21:39 | |
It's still a cut-fruit business, though, isn't it, eh? | 0:21:44 | 0:21:48 | |
I mean, whatever way you look at it. | 0:21:49 | 0:21:52 | |
Be sure to take some home for your wife. | 0:21:52 | 0:21:55 | |
Oh, dear! Oh! | 0:21:57 | 0:21:59 | |
Sorry, that's a bit tart. | 0:22:01 | 0:22:03 | |
I don't think she's going to like them. | 0:22:03 | 0:22:05 | |
I'd prefer it if you could just post her that. | 0:22:05 | 0:22:09 | |
(Me and Prince Charles, we can't carry cash.) | 0:22:09 | 0:22:14 | |
Glickman. You're looking out for Glickman. | 0:22:18 | 0:22:22 | |
-Is he your boss now? -Like I said, I'm just the, er, flower man. | 0:22:24 | 0:22:30 | |
Peachy. | 0:22:32 | 0:22:33 | |
-So what are we looking at? -Wratten's trial notes. -Bullshit! That's two years ago. | 0:22:34 | 0:22:40 | |
-It's tonight I want to know about. -There's two ways of doing that, sir. | 0:22:40 | 0:22:44 | |
One's to look at his body, the other's to look at his past. | 0:22:44 | 0:22:47 | |
-And what have you found? -A man with an annual turnover of 200 million. | 0:22:47 | 0:22:51 | |
-About the same as Arsenal Football Club. -We're in the wrong game. Here we go. | 0:22:51 | 0:22:55 | |
Huh! | 0:23:00 | 0:23:02 | |
-That's new. -What? | 0:23:02 | 0:23:04 | |
You never used to hold the door. | 0:23:04 | 0:23:06 | |
I can't smoke in here, can I? | 0:23:11 | 0:23:12 | |
No, sir. It's against the law. | 0:23:12 | 0:23:14 | |
Shit. Shit! | 0:23:14 | 0:23:16 | |
So, Harvey Wratten. | 0:23:16 | 0:23:19 | |
Regular captain of industry, eh? | 0:23:19 | 0:23:21 | |
-Yes. If the narcotic import trade was legal. -So what? | 0:23:21 | 0:23:24 | |
-When he went down, the whole thing went down. -He'd have planned for that. -Going down? | 0:23:24 | 0:23:29 | |
-In his world, isn't that inevitable? -Wow! You really think you're that good? | 0:23:29 | 0:23:35 | |
-Amongst themselves. -Ah! | 0:23:35 | 0:23:36 | |
So does this now mean you're suggesting a relationship between criminality and Darwinian theory? | 0:23:36 | 0:23:43 | |
-Yeah, if you like. -Not really, but I'm happy to take the opportunity to show you | 0:23:43 | 0:23:48 | |
-that I, too, had a private school education. -It's what they do though, sir. | 0:23:48 | 0:23:52 | |
-Kill each other? -Evolve. | 0:23:52 | 0:23:54 | |
PHONE RINGS Into what? ..Patterson. | 0:23:54 | 0:23:57 | |
Well, last time into an electrical import business. | 0:23:57 | 0:24:00 | |
-He got busted trying to bring it in inside the wiring. -No. No. I'll call you back. | 0:24:00 | 0:24:05 | |
There you go - "he got busted". Not exactly king-of-the-jungle stuff. | 0:24:05 | 0:24:09 | |
But the bets are, he'll have spent the last two years working out the best way to reinvent himself. | 0:24:09 | 0:24:14 | |
-You mean like charity work(?) -No! | 0:24:14 | 0:24:17 | |
You know what I mean. | 0:24:17 | 0:24:18 | |
Fronts. | 0:24:20 | 0:24:21 | |
Fronts. Somewhere out there, there'll be a new business. | 0:24:21 | 0:24:24 | |
Nothing with his name on, nothing we can trace. | 0:24:24 | 0:24:27 | |
All taxed, all completely legitimate, | 0:24:27 | 0:24:29 | |
and all just so Harvey Wratten can open himself up a brand-new line and regain his crown. | 0:24:29 | 0:24:34 | |
-And precisely how does getting himself killed play into that? -I don't know. | 0:24:34 | 0:24:39 | |
Maybe when someone else decided now's the time to take it off him. | 0:24:39 | 0:24:42 | |
Where's Glickman? | 0:24:46 | 0:24:48 | |
-They called him just before they called you. -What did he say? | 0:24:49 | 0:24:53 | |
Nothing. Just "thanks". | 0:24:53 | 0:24:55 | |
No. Not Glickman. | 0:25:01 | 0:25:05 | |
Him and Harvey, two heads on the same coin. | 0:25:06 | 0:25:08 | |
Then maybe someone's trying to cut them both off. | 0:25:12 | 0:25:14 | |
Jay Wratten? | 0:25:16 | 0:25:18 | |
The nephew? | 0:25:18 | 0:25:20 | |
I don't think so. It was him that got caught trying to bring in the wiring on their last run. | 0:25:20 | 0:25:25 | |
200 kilos Turkish brown. | 0:25:25 | 0:25:27 | |
Customs had a shadow on it, and when Jay realised, he ran straight to his uncle. A literal home run. | 0:25:27 | 0:25:33 | |
For the other side. | 0:25:33 | 0:25:36 | |
So I doubt he's going to get himself picked as the new team captain. | 0:25:36 | 0:25:40 | |
But whoever is could be looking to get rid of him pretty quick. | 0:25:40 | 0:25:43 | |
Why did the boy have blood on his hands? | 0:25:43 | 0:25:46 | |
He had a run-in with a man in a lift. | 0:25:46 | 0:25:48 | |
-Who? -One of Bob Harris's. | 0:25:48 | 0:25:51 | |
How did it happen? | 0:25:51 | 0:25:53 | |
I, er... | 0:25:55 | 0:25:56 | |
-I left him on his own for a couple of minutes, nothing more. -Oh, Maurice! | 0:25:56 | 0:26:00 | |
Yeah, well, maybe I'm getting too old for this. | 0:26:00 | 0:26:03 | |
Who started it? | 0:26:03 | 0:26:05 | |
Pete. | 0:26:05 | 0:26:06 | |
Take Jay out of town for a couple of days. Everything cash. | 0:26:09 | 0:26:13 | |
-I'm not going anywhere. -Yes, you are. -No, I'm not. | 0:26:13 | 0:26:16 | |
Feels like I've been away too long already. | 0:26:16 | 0:26:19 | |
-He's just trying to steady the boat. -And we don't need you jumping all over it. | 0:26:19 | 0:26:23 | |
We'll have to see what Glickman says about that. | 0:26:23 | 0:26:26 | |
Yeah, we will. But until he turns up, we need you out of town. | 0:26:26 | 0:26:29 | |
He's right, Jay. | 0:26:30 | 0:26:32 | |
Step out the picture, just for a few days. | 0:26:32 | 0:26:34 | |
Somebody tries to knock you out, we're really in trouble. | 0:26:34 | 0:26:38 | |
It better be five star! | 0:26:48 | 0:26:50 | |
Three. | 0:26:58 | 0:27:00 | |
Get in touch with Harris. | 0:27:02 | 0:27:05 | |
Tell him we want to meet. | 0:27:05 | 0:27:06 | |
I've sent someone out to Glickman's house. | 0:27:08 | 0:27:11 | |
ENTRY SYSTEM BUZZES | 0:27:20 | 0:27:22 | |
-How come Harvey was driving home alone? -He wasn't. | 0:27:34 | 0:27:37 | |
-What? -He was picked up. -Who by? | 0:27:37 | 0:27:40 | |
We don't know yet. | 0:27:40 | 0:27:42 | |
-Andy Dixon. -Who? -They worked at the car firm. | 0:27:44 | 0:27:48 | |
They'd Harvey's car in the garage and put him in it to go and pick him up. | 0:27:48 | 0:27:51 | |
Could he be the one who shot him? | 0:27:51 | 0:27:53 | |
Little Andy? No. He's just a kid. He's a good driver | 0:27:53 | 0:27:56 | |
but he's a nervous little bugger, uses a puffer. | 0:27:56 | 0:27:58 | |
No prints on the steering wheel and no wipe smears. | 0:27:58 | 0:28:01 | |
So, you got to wonder why he wore gloves. | 0:28:01 | 0:28:04 | |
Andy Dixon. Didn't he get picked up recently? | 0:28:04 | 0:28:06 | |
Last year. Possession with intent. | 0:28:06 | 0:28:08 | |
We spun it on personal use. He got off on a warning. | 0:28:08 | 0:28:11 | |
We're requesting the tapes of the prison car park where Wratten got picked up. | 0:28:11 | 0:28:14 | |
He'll turn up. Playing video nasties with your mates is one thing, | 0:28:14 | 0:28:18 | |
but seeing your boss's brains all over the back seat? That's something else. | 0:28:18 | 0:28:23 | |
No, it was the shock made him run. | 0:28:23 | 0:28:25 | |
Doesn't look good for him, though, does it? | 0:28:25 | 0:28:29 | |
-Got to be top of the list? -I'm not sure Wratten was shot from inside the vehicle. -Why? | 0:28:29 | 0:28:33 | |
Well, body position and the rear-left door was open, | 0:28:33 | 0:28:36 | |
-so it looks like the killer was outside it. -We haven't had pathology on that yet. -So? | 0:28:36 | 0:28:41 | |
The driver just got up and walked round. | 0:28:41 | 0:28:44 | |
If you're in the vehicle, why not stay there? Less noise, less chance of being seen. | 0:28:44 | 0:28:49 | |
-Maybe he wasn't thinking straight. -Then why no casings? Seven shots. More than a revolver and no casings. | 0:28:49 | 0:28:54 | |
-Whoever shot him had the presence of mind to pick them up. -But she said the driver was wearing gloves. | 0:28:54 | 0:29:00 | |
Seems he had the mind to do that, too. | 0:29:00 | 0:29:03 | |
Doesn't feel right. | 0:29:03 | 0:29:04 | |
-That your "feeling", is it, Jonah? -Yes, sir. It is. | 0:29:06 | 0:29:09 | |
OK. | 0:29:10 | 0:29:12 | |
You got a desk over here yet? | 0:29:14 | 0:29:16 | |
Yes. | 0:29:18 | 0:29:20 | |
You do realise Harvey Wratten just got himself a Royal Pardon? | 0:29:36 | 0:29:40 | |
-Yeah. How? -Seems he gave Customs the nod on a number of drug drops. Big fuckers. | 0:29:40 | 0:29:46 | |
-Whose? -They don't know. | 0:29:46 | 0:29:48 | |
-And the truth is, we don't need to. -I think I might. | 0:29:48 | 0:29:52 | |
Oh? Are you really going to open that one up? | 0:29:52 | 0:29:55 | |
Yeah, if necessary. | 0:29:55 | 0:29:57 | |
-Words like "royal" and "pardon"? -They're already out there. | 0:29:57 | 0:30:01 | |
-But I don't think Her Majesty shot him, do you? -I don't know. | 0:30:01 | 0:30:04 | |
HE CHUCKLES | 0:30:04 | 0:30:07 | |
Look, people like Harvey Wratten, | 0:30:07 | 0:30:10 | |
they get thrown into a vipers' pit - who gives a shit which one it was actually bit him? He's dead! | 0:30:10 | 0:30:15 | |
Thank fuck for that. | 0:30:15 | 0:30:17 | |
-In fact, whoever's done it has done us a favour. One less to deal with. -Sir... | 0:30:17 | 0:30:21 | |
you asking me to ring-fence this one? | 0:30:21 | 0:30:25 | |
Absolutely not. | 0:30:25 | 0:30:27 | |
I'm asking you to take it carefully, because that's what we do when we go near a snake pit. | 0:30:27 | 0:30:34 | |
-That's our job, though, innit? -Getting bitten? | 0:30:34 | 0:30:37 | |
Jumping in. | 0:30:38 | 0:30:40 | |
Tomorrow will be a shark fest for the press, | 0:30:43 | 0:30:46 | |
but if we give them nothing, by the end of the week they'll have eaten each other out | 0:30:46 | 0:30:50 | |
and there'll be nothing left on the sea bed but a big pile of stilettos | 0:30:50 | 0:30:54 | |
and a few strips of shiny nylon suit. | 0:30:54 | 0:30:56 | |
-You follow? -I'm not sure THEY will. -You'll be surprised. | 0:30:56 | 0:31:00 | |
One step at a time, Gabriel. | 0:31:00 | 0:31:02 | |
One careful step at a time. | 0:31:02 | 0:31:05 | |
Oh... | 0:31:09 | 0:31:11 | |
I hear you're off to see DS Delaney's parents tomorrow. | 0:31:11 | 0:31:15 | |
-That's right, sir. -With the new commander. | 0:31:18 | 0:31:21 | |
-Yeah. -Chance to, er... | 0:31:21 | 0:31:25 | |
to draw a line under the past, right? | 0:31:25 | 0:31:28 | |
And no... It doesn't...? | 0:31:31 | 0:31:33 | |
No. | 0:31:37 | 0:31:39 | |
Well, it's a... It's a hell of a thing you've been through. | 0:31:39 | 0:31:42 | |
Still, all the more reason just to go into this one at a gentle trot, eh. No sudden moves... | 0:31:42 | 0:31:48 | |
Particularly for a man in your condition. | 0:31:48 | 0:31:51 | |
I'm more than capable of doing my job, sir. | 0:31:51 | 0:31:53 | |
Oh, believe me, Jonah, | 0:31:53 | 0:31:56 | |
that's what I'm banking on. | 0:31:56 | 0:31:58 | |
Find that driver. | 0:31:58 | 0:32:00 | |
It's all right, I believe you. | 0:32:32 | 0:32:35 | |
It's OK. | 0:32:35 | 0:32:37 | |
I didn't mean to frighten you. | 0:32:37 | 0:32:39 | |
It's OK. | 0:32:39 | 0:32:40 | |
But if Andy calls you, tell him to contact Joseph Bede. That's me. | 0:32:42 | 0:32:46 | |
I work with Harvey, and I'm the man he needs to speak to. | 0:32:46 | 0:32:49 | |
You tell him to do it right away. | 0:32:49 | 0:32:52 | |
Is he in trouble? | 0:32:52 | 0:32:53 | |
That's what I need to find out. | 0:32:53 | 0:32:56 | |
Joseph Bede. | 0:32:56 | 0:32:57 | |
He must call me. | 0:33:02 | 0:33:03 | |
HELICOPTER PASSES OVERHEAD | 0:33:24 | 0:33:26 | |
Bob. | 0:33:34 | 0:33:35 | |
You lost something? | 0:33:36 | 0:33:38 | |
Not unless you've found it. | 0:33:38 | 0:33:40 | |
I would have come to see you. | 0:33:43 | 0:33:46 | |
I like keeping mobile. Get in. | 0:33:46 | 0:33:49 | |
-You ever smoke? -No. | 0:34:02 | 0:34:05 | |
Well, giving it up, it's murder. | 0:34:05 | 0:34:08 | |
I'm getting lock-jaw I chew so much. | 0:34:08 | 0:34:11 | |
-Is your man all right? -He won't be worrying his wife with any more children, if that's what you mean. | 0:34:11 | 0:34:16 | |
I heard it was him that started it. | 0:34:17 | 0:34:19 | |
Your boy's a hair trigger. | 0:34:19 | 0:34:21 | |
He's not my boy. | 0:34:21 | 0:34:23 | |
Either way, a gun like him, you should lock it in a cupboard. | 0:34:23 | 0:34:26 | |
I'll deal with it. | 0:34:26 | 0:34:29 | |
Shit! | 0:34:29 | 0:34:30 | |
So, Joseph...I've heard a rumour. | 0:34:33 | 0:34:36 | |
Harvey's dead. | 0:34:39 | 0:34:42 | |
Who did it? | 0:34:42 | 0:34:44 | |
HE CLEARS HIS THROAT | 0:34:52 | 0:34:54 | |
-Where's Glickman? -He'll be here. | 0:34:54 | 0:34:57 | |
He should be here already. | 0:34:57 | 0:35:00 | |
It's him I should be talking to. | 0:35:00 | 0:35:01 | |
He'll be here. | 0:35:01 | 0:35:03 | |
I'm due to make a large purchase off you people. | 0:35:05 | 0:35:08 | |
I know. And you will. | 0:35:08 | 0:35:10 | |
But it was Glickman who set up the deal, | 0:35:10 | 0:35:12 | |
and with him disappeared and Harvey dead, who am I supposed to be buying from? | 0:35:12 | 0:35:17 | |
-Some lunatic kid in a cupboard? I don't fucking think so. -I'll look into it. | 0:35:17 | 0:35:21 | |
Look quick. | 0:35:21 | 0:35:23 | |
You leave a party, Joseph, sooner or later someone else will take your seat. | 0:35:23 | 0:35:27 | |
Where's Glickman? | 0:35:33 | 0:35:35 | |
Not at the house. It's empty. | 0:35:35 | 0:35:37 | |
-Call him. -We have. -Call him again. | 0:35:37 | 0:35:39 | |
That's what we keep trying. Nothing. | 0:35:39 | 0:35:41 | |
Mobile's dead. | 0:35:41 | 0:35:42 | |
I was this close. | 0:35:47 | 0:35:50 | |
He'll turn up. | 0:35:50 | 0:35:51 | |
This close. | 0:35:54 | 0:35:56 | |
I'm sorry. | 0:36:02 | 0:36:03 | |
So what has just happened? > | 0:36:41 | 0:36:43 | |
We're exploring a number of possibilities. | 0:36:43 | 0:36:46 | |
But is it safe to assume that the Green Lawn Bowls and Croquet Club is not amongst them? | 0:36:46 | 0:36:50 | |
We do not believe this incident to be being bowling related. | 0:36:50 | 0:36:55 | |
-Tanya... -Yes, Ross. | 0:36:55 | 0:36:56 | |
Thanks. Jonah Gabriel, um, welcome back. | 0:36:56 | 0:37:00 | |
You're fully recovered, I hope? | 0:37:00 | 0:37:02 | |
-Unfortunately, I still remember you, so maybe not. -Ho-ho-ho. | 0:37:02 | 0:37:06 | |
-Do you have a question, Ross? -Yeah. What was Wratten doing there? | 0:37:06 | 0:37:09 | |
We're not sure yet. | 0:37:09 | 0:37:11 | |
-Was it a professional hit? Or... -Well, if you're asking if someone was paid to do it, we don't know. | 0:37:11 | 0:37:16 | |
-But I'm assuming gang related. -We don't know. -Does it look that way? Or... | 0:37:16 | 0:37:21 | |
-We...don't...no. -Michelle? -Do you think the killing is connected to his release? | 0:37:21 | 0:37:27 | |
-He wouldn't have been there if he hadn't have been freed. -You think it's related to his release. -No... | 0:37:27 | 0:37:33 | |
No, we are most definitely not saying that. My colleague was merely making a statement of fact. | 0:37:33 | 0:37:38 | |
-Why was Harvey Wratten pardoned? -That's one for the Justice Dept. | 0:37:38 | 0:37:41 | |
-Roger? -We are unable to offer you details... | 0:37:41 | 0:37:44 | |
-MURMURING -..except to make clear | 0:37:44 | 0:37:48 | |
that we are aware both of the huge significance of the pardon | 0:37:48 | 0:37:51 | |
and the enormity of what is required for its qualification. | 0:37:51 | 0:37:56 | |
-Wratten assisted the authorities in the war against drugs? -Yes. | 0:37:56 | 0:38:00 | |
A war that is ongoing and, as such, by necessity, | 0:38:00 | 0:38:03 | |
the strategies we undertake to fight it must remain secure. | 0:38:03 | 0:38:07 | |
-You're not winning it, are you, this war? -No, but we are still fighting it. | 0:38:07 | 0:38:11 | |
And it's my people on the front line doing it, because that's our job - to keep you safe. | 0:38:11 | 0:38:15 | |
-So you have the freedom to sit and wonder if we're doing it right. -Was Harvey Wratten a grass? | 0:38:15 | 0:38:20 | |
Super-grass. And is that why he was shot? | 0:38:20 | 0:38:23 | |
I see no reason to connect the two events. I mean, even if you drew your last breath on the Titanic, | 0:38:23 | 0:38:29 | |
-you still woke up that morning to a beautiful day. -Sorry - how does that help? | 0:38:29 | 0:38:34 | |
I think a little poetry always helps lift the soul, don't you? | 0:38:34 | 0:38:38 | |
Why was Harvey Wratten pardoned? | 0:38:38 | 0:38:41 | |
I think Roger's already answered that question. | 0:38:41 | 0:38:44 | |
-But, surely, it's in the public interest for them to know. -Them? -Yeah. | 0:38:44 | 0:38:48 | |
You no longer a member of the public, Mr McGovern? | 0:38:48 | 0:38:52 | |
-You better keep an eye on your colleague - he obviously thinks he's royalty! -Yes. Well, OK. For us, then. | 0:38:52 | 0:38:57 | |
-When the operation is concluded, the details of its actions will be made public. -When will that be? | 0:38:57 | 0:39:03 | |
-Ross, if he could tell you that, he'd be a headline act in Las Vegas. ..Yes? -I'm a bit puzzled. Sorry. | 0:39:03 | 0:39:08 | |
-Cos I've been doing a bit of digging and, um... -We all know how you like to dig. | 0:39:08 | 0:39:12 | |
Well, it's my job - public servant, and all that. | 0:39:12 | 0:39:16 | |
-Then why don't you just join a graveyard? -Maybe I will. | 0:39:16 | 0:39:19 | |
-I'd like to know where the bodies are buried. -There's a word for that. In fact, there's a law against it. | 0:39:19 | 0:39:24 | |
-Not that I'm aware of, but I'm sure that wouldn't stop you from bending the rules. -Ooh! | 0:39:24 | 0:39:29 | |
-If you've got a point to make, make it. -OK. My point is this... | 0:39:29 | 0:39:34 | |
It appears that there have only been a handful of such pardons granted | 0:39:34 | 0:39:38 | |
by the British Government in the last couple of decades, | 0:39:38 | 0:39:40 | |
and the overwhelming majority of those were for members of the Irish paramilitary forces, | 0:39:40 | 0:39:46 | |
and were therefore seen as political. Now, is THIS political? | 0:39:46 | 0:39:49 | |
Are you asking me to comment on the entire history of Anglo-Irish relations? | 0:39:49 | 0:39:53 | |
No. I'm just asking for a comment on the political dynamic of this... this kind of pardon. | 0:39:53 | 0:39:59 | |
-No comment. -Sorry, can I clarify? Is that a no comment on a statement of fact? | 0:40:01 | 0:40:05 | |
-Ross, move it on. You know you won't be given an answer to that. -Yes, I can see that. | 0:40:05 | 0:40:10 | |
-Are we going to get an answer to anything today? -I'd certainly put a fiver on Arsenal for the weekend. | 0:40:10 | 0:40:16 | |
Thank you all very much indeed. | 0:40:16 | 0:40:18 | |
Why do I feel like I've just been at a weigh-in? | 0:40:24 | 0:40:26 | |
Sir? | 0:40:26 | 0:40:28 | |
That journalist. | 0:40:28 | 0:40:30 | |
He door-stepped my wife when I was in the hospital. | 0:40:30 | 0:40:33 | |
He wouldn't leave her alone. | 0:40:33 | 0:40:36 | |
She lost a baby. | 0:40:36 | 0:40:38 | |
Ah. | 0:40:38 | 0:40:40 | |
Loosen those lids, Jonah, you'll make your eyeballs go dry. | 0:40:40 | 0:40:44 | |
-I haven't seen Mr Glickman in over a month. -You're his book-keeper. | 0:40:47 | 0:40:51 | |
Only for here. He'll have a hundred others doing exactly the same everywhere else | 0:40:51 | 0:40:56 | |
and we wouldn't even know each other at his funeral. | 0:40:56 | 0:40:59 | |
We wouldn't even be invited. That's the way he ran things. | 0:40:59 | 0:41:04 | |
And it's obviously the way he ran you, too, | 0:41:04 | 0:41:07 | |
or you wouldn't need to ask. | 0:41:07 | 0:41:09 | |
Jay! | 0:41:13 | 0:41:15 | |
-You're not supposed to be here. -It's funny. I've been getting that feeling quite a lot recently. | 0:41:16 | 0:41:21 | |
-It's for your own benefit. -Mine? Or yours? | 0:41:21 | 0:41:26 | |
-Did you just rough that bloke up? -No need. -I would have. | 0:41:28 | 0:41:31 | |
I know you would. | 0:41:31 | 0:41:33 | |
You're too loud, Jay. And people like us, we're not supposed to be heard. Ever. | 0:41:37 | 0:41:42 | |
Harvey was my uncle. | 0:41:46 | 0:41:47 | |
That doesn't make you my boss. | 0:41:47 | 0:41:49 | |
How come you're the one with your hand on the wheel? | 0:41:49 | 0:41:53 | |
I spent two years setting my business up. It's not Harvey's, it's mine. | 0:41:53 | 0:41:57 | |
Boxed, packaged and taxed. That's the way he wanted it, | 0:41:57 | 0:42:00 | |
-because that way people don't know where to look. -Yeah, but you still work for him, don't you? | 0:42:00 | 0:42:05 | |
You're just a front, no matter how it looks. | 0:42:05 | 0:42:07 | |
And I've had to invest everything I own to do it, every penny, | 0:42:07 | 0:42:10 | |
so unless you want to pay me back right now, I'm in it...up to here. | 0:42:10 | 0:42:15 | |
How much? | 0:42:18 | 0:42:20 | |
1.5 million. | 0:42:23 | 0:42:25 | |
I'm not going anywhere. | 0:42:37 | 0:42:39 | |
And you can't make me. | 0:42:39 | 0:42:41 | |
Then turn yourself down. Understand? | 0:42:41 | 0:42:44 | |
Go and see Glickman's family. He's got a son, an accountant, Winchmore Hill. | 0:42:48 | 0:42:52 | |
If he goes with you, he goes on mute. | 0:42:54 | 0:42:57 | |
-Where are you going? -I've got a hospital appointment. | 0:42:58 | 0:43:02 | |
-Oh, yeah. Cracking up already, are you? -For my wife! | 0:43:02 | 0:43:06 | |
-Ooh... -What about Little Andy? | 0:43:06 | 0:43:08 | |
Yeah! What about Little Andy? | 0:43:08 | 0:43:11 | |
-'What do you mean, I never used to hold the door for anyone? -You didn't.' | 0:43:20 | 0:43:24 | |
-You were always too busy steaming ahead to look behind you. -That's a bad thing? | 0:43:24 | 0:43:28 | |
Couldn't say, sir. You're the inspector. | 0:43:28 | 0:43:31 | |
I'm just your sergeant. | 0:43:31 | 0:43:33 | |
There! | 0:43:40 | 0:43:42 | |
Just a kid. | 0:43:50 | 0:43:52 | |
-Well, 20, 22. Old enough. -You've got a clear shot of the eyes there. | 0:43:52 | 0:43:56 | |
-Run a facial ID. -You know what? That hadn't occurred to me(!) Already on it. | 0:43:56 | 0:44:01 | |
-There's no distinguishing features, so it'll take time. -Tax disc? | 0:44:01 | 0:44:05 | |
It wasn't purchased near Wratten's house so we're running footage | 0:44:05 | 0:44:08 | |
from around the post office in which it was. | 0:44:08 | 0:44:10 | |
-If the car was being garaged, we may get a fix on where it was being kept. -Good. | 0:44:10 | 0:44:15 | |
Where are you going? | 0:44:18 | 0:44:20 | |
Delaney's family. | 0:44:20 | 0:44:22 | |
-Oh. Why? -The new commander. It's his idea. -What are you going to say to them? | 0:44:22 | 0:44:27 | |
Nothing that will help. | 0:44:28 | 0:44:30 | |
When did Mr Glickman call you? | 0:44:38 | 0:44:40 | |
Last night. | 0:44:40 | 0:44:42 | |
It was late. We were in bed. | 0:44:42 | 0:44:45 | |
What exactly did he say? | 0:44:45 | 0:44:47 | |
That he was going to have to disappear for a while. | 0:44:47 | 0:44:50 | |
Something had happened to your boss and he was afraid the same might happen to him. | 0:44:50 | 0:44:55 | |
Where would he go? | 0:44:55 | 0:44:56 | |
I don't know. | 0:44:56 | 0:44:58 | |
-FRAME CLATTERS I DON'T know. -But he's your father. | 0:44:58 | 0:45:01 | |
So what? | 0:45:01 | 0:45:03 | |
He won't go anywhere anyone can find him, not if he doesn't want to be found. | 0:45:03 | 0:45:08 | |
-He's that kind of man. -What kind of man? -He compartmentalises. | 0:45:08 | 0:45:11 | |
-He what? -He puts things in boxes - | 0:45:12 | 0:45:16 | |
you, me, everything - | 0:45:16 | 0:45:18 | |
and only he knows how they all connect. | 0:45:18 | 0:45:21 | |
-Which one are you in? -Me? | 0:45:21 | 0:45:23 | |
I'm in the one marked "knows nothing". I'm just a high-street accountant. | 0:45:23 | 0:45:28 | |
I have never worked for my father, and he made sure I never did, because he knew that one day | 0:45:28 | 0:45:33 | |
someone like you would come calling, and when you did, I'd have nothing to say. | 0:45:33 | 0:45:39 | |
-What about you? -Me? | 0:45:48 | 0:45:51 | |
Which box are you in? | 0:45:53 | 0:45:54 | |
What? | 0:46:08 | 0:46:10 | |
-Policemen? -No, no. They'd make more of an effort. Get in. | 0:46:11 | 0:46:14 | |
Let them follow. | 0:46:24 | 0:46:27 | |
Then do exactly as I say. | 0:46:27 | 0:46:29 | |
TYRES SCREECH | 0:48:13 | 0:48:16 | |
What the fuck do you want? | 0:48:48 | 0:48:50 | |
We want our fucking money. | 0:48:50 | 0:48:53 | |
So, what are we looking at? | 0:49:00 | 0:49:03 | |
No, I'd like to know. | 0:49:06 | 0:49:09 | |
Six months, a year. | 0:49:10 | 0:49:13 | |
-She's not old enough. -With early onset, the disease spiral, it can be steep. | 0:49:15 | 0:49:21 | |
And as we know, Julie, your mother had Alzheimer's. | 0:49:23 | 0:49:26 | |
Yes. | 0:49:26 | 0:49:29 | |
-And she suffered a similar trajectory. -Trajectory? This is my wife, not a graph! | 0:49:29 | 0:49:33 | |
Joseph! | 0:49:33 | 0:49:34 | |
What about another treatments? | 0:49:36 | 0:49:39 | |
We've explored all the possibilities, Joseph, and now we're here. | 0:49:39 | 0:49:42 | |
But she was getting better. | 0:49:42 | 0:49:44 | |
Julie... | 0:49:44 | 0:49:47 | |
..five minutes ago I gave you three words to remember. What were they? | 0:49:50 | 0:49:54 | |
It's something you eat. | 0:49:58 | 0:50:00 | |
A piece of fruit. | 0:50:03 | 0:50:05 | |
I'm sorry, Joe. | 0:50:09 | 0:50:12 | |
Apple. | 0:50:12 | 0:50:13 | |
Apple! | 0:50:13 | 0:50:16 | |
Table. Chair. Apple. | 0:50:16 | 0:50:19 | |
Table. Chair. Apple. | 0:50:21 | 0:50:23 | |
I think now's the time for you to start making plans. | 0:50:26 | 0:50:29 | |
(I'm so sorry.) | 0:50:31 | 0:50:33 | |
Listen to me. Don't be. Don't! | 0:50:35 | 0:50:38 | |
You never be sorry to me. You're my wife. | 0:50:38 | 0:50:42 | |
You've got nothing to be sorry for. Ever. | 0:50:42 | 0:50:46 | |
SHE SOBS | 0:50:55 | 0:50:57 | |
What else can you tell us? | 0:50:58 | 0:51:00 | |
Nothing that will help. | 0:51:01 | 0:51:03 | |
-You just woke up? -Yes. | 0:51:05 | 0:51:08 | |
Three months later. | 0:51:08 | 0:51:09 | |
Yes. | 0:51:09 | 0:51:11 | |
-And you can't describe who attacked you? -No. | 0:51:12 | 0:51:17 | |
Not even his face? | 0:51:17 | 0:51:21 | |
Or the colour of his skin - black, white, red, yellow? | 0:51:21 | 0:51:25 | |
Nothing? | 0:51:25 | 0:51:27 | |
Nothing. | 0:51:27 | 0:51:29 | |
-Then what about why were you there? -I'm sorry... | 0:51:33 | 0:51:37 | |
-Why WERE you there? -I don't know. | 0:51:38 | 0:51:40 | |
-Were you undercover? -(I don't know.) -Shouldn't you have had backup? | 0:51:40 | 0:51:44 | |
Mr Delaney... | 0:51:44 | 0:51:46 | |
..whatever happened, I was the senior officer. | 0:51:48 | 0:51:52 | |
-It was my mistake. -Mistake? | 0:51:52 | 0:51:55 | |
It cost my son his life. | 0:51:57 | 0:52:00 | |
Your son was killed instantly, Mr Delaney. | 0:52:01 | 0:52:04 | |
No amount of backup would've saved him. | 0:52:04 | 0:52:06 | |
But you also lost a killer. He got away! | 0:52:06 | 0:52:10 | |
And no-one even knows what he looks like! | 0:52:10 | 0:52:14 | |
-We'll find him. -How? -We will. | 0:52:14 | 0:52:18 | |
It's here, isn't it? | 0:52:20 | 0:52:22 | |
It's in this room. | 0:52:24 | 0:52:26 | |
-What? -The bullet that killed him. | 0:52:30 | 0:52:32 | |
It's in your brain. | 0:52:34 | 0:52:36 | |
Yes. It, um... | 0:52:41 | 0:52:44 | |
They can't take it out. | 0:52:50 | 0:52:52 | |
What will it do to you? | 0:52:53 | 0:52:55 | |
Everything. | 0:52:57 | 0:52:59 | |
Nothing. | 0:53:01 | 0:53:03 | |
No-one knows. | 0:53:07 | 0:53:08 | |
It passed through my son first. | 0:53:10 | 0:53:12 | |
Yes. | 0:53:16 | 0:53:17 | |
He slowed it down. | 0:53:20 | 0:53:21 | |
Yes. | 0:53:24 | 0:53:26 | |
He saved your life. | 0:53:28 | 0:53:30 | |
It should have been you. | 0:53:38 | 0:53:40 | |
So... | 0:53:49 | 0:53:51 | |
-was that for them? -Sir? | 0:53:51 | 0:53:53 | |
This...amnesia. | 0:53:53 | 0:53:55 | |
-You think I'm faking it, sir? -Are you? | 0:53:55 | 0:53:57 | |
No. | 0:53:57 | 0:53:59 | |
-I don't remember. -Don't? Or don't want others to know that you do? | 0:53:59 | 0:54:04 | |
I don't...sir. | 0:54:06 | 0:54:08 | |
Well, if anything comes back to you, anything, you come straight to me, you understand? | 0:54:08 | 0:54:14 | |
-Yes, sir. -I have to be honest with you, Gabriel, I didn't want you back, full stop. | 0:54:15 | 0:54:19 | |
-I'm sorry, sir. -It was Patterson who insisted. | 0:54:19 | 0:54:22 | |
He obviously believes in second chances. | 0:54:22 | 0:54:26 | |
-Lucky for me, then. -Only if you walk the line, Gabriel. | 0:54:27 | 0:54:32 | |
You do know how to do that... don't you? | 0:54:32 | 0:54:35 | |
May I offer you a lift? | 0:54:38 | 0:54:41 | |
No...thank you...sir. | 0:54:43 | 0:54:46 | |
How'd it go? | 0:55:29 | 0:55:31 | |
HE SIGHS | 0:55:31 | 0:55:33 | |
I've got to go change. | 0:55:33 | 0:55:34 | |
FOREBODING MUSIC | 0:57:15 | 0:57:17 | |
# Oh, hide me deeper | 0:58:12 | 0:58:21 | |
# In your peace further... # | 0:58:21 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:34 | 0:58:38 | |
E-mail [email protected] | 0:58:38 | 0:58:41 |