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This programme contains some strong language and contains scenes which some viewers may find disturbing. | 0:00:02 | 0:00:07 | |
-Take it carefully cos that's what we go near a snake pit. -It's our job though, isn't it? | 0:00:07 | 0:00:11 | |
He just gave us the heads-up on Harvey. | 0:00:11 | 0:00:13 | |
-He's done us a favour. -A favour? A tom-tit? | 0:00:13 | 0:00:16 | |
How come Harvey was driving home alone? | 0:00:16 | 0:00:18 | |
-He wasn't. He was picked up. -Who by? | 0:00:18 | 0:00:20 | |
We don't know yet. | 0:00:20 | 0:00:21 | |
If Andy calls you, tell him to contact Joseph Bede. | 0:00:21 | 0:00:24 | |
I worked with Harvey and I'm the man he needs to speak to. | 0:00:24 | 0:00:27 | |
-Where you going? -A hospital appointment. -Oh, yeah? Cracking up already? -For my wife. | 0:00:27 | 0:00:32 | |
And as we know, Julie, your mother had Alzheimer's. | 0:00:32 | 0:00:35 | |
What about other treatments? | 0:00:35 | 0:00:36 | |
We've explored all the possibilities. And now we're here. | 0:00:36 | 0:00:39 | |
You never be sorry to me. | 0:00:39 | 0:00:42 | |
You're my wife. | 0:00:42 | 0:00:44 | |
-What the fuck do you want? -We want our fucking money. | 0:00:47 | 0:00:50 | |
-Where are you going? -Delaney's family. | 0:00:50 | 0:00:52 | |
The bullet that killed him. It's in your brain. | 0:00:52 | 0:00:56 | |
This...amnesia... | 0:00:56 | 0:00:58 | |
-You think I'm faking it? -Are you? | 0:00:58 | 0:01:00 | |
DULL THUD | 0:01:03 | 0:01:05 | |
Bang. | 0:01:18 | 0:01:19 | |
Bang. | 0:01:22 | 0:01:23 | |
Bang. | 0:01:29 | 0:01:30 | |
Bang. | 0:01:31 | 0:01:33 | |
Bang. | 0:01:33 | 0:01:34 | |
Bang. | 0:01:35 | 0:01:37 | |
Bang. | 0:01:37 | 0:01:39 | |
Automatic? | 0:01:48 | 0:01:49 | |
Singles. | 0:01:53 | 0:01:54 | |
Sure? | 0:01:56 | 0:01:57 | |
In two positions. First from the back point there. | 0:01:57 | 0:02:00 | |
Two rounds, almost instantaneous. | 0:02:00 | 0:02:02 | |
Both to the head. | 0:02:02 | 0:02:04 | |
Second set from the front point. | 0:02:04 | 0:02:07 | |
Five to the torso. | 0:02:07 | 0:02:09 | |
Professional? | 0:02:10 | 0:02:12 | |
The security of each point of fire. | 0:02:12 | 0:02:14 | |
The killer's hand hardly moved. | 0:02:14 | 0:02:15 | |
If he's not a professional, | 0:02:15 | 0:02:17 | |
he'd be winning a lot of gonks in the fairground. | 0:02:17 | 0:02:19 | |
Lot of shots for a professional, single fire. | 0:02:21 | 0:02:23 | |
Certainly wanted to make sure the job was done. | 0:02:23 | 0:02:27 | |
So which one killed him? | 0:02:27 | 0:02:28 | |
First. No doubt. | 0:02:30 | 0:02:32 | |
Entered his left eye and exited via the lower right side occipital bone. | 0:02:32 | 0:02:36 | |
The bit of the brain that supports breathing, well... | 0:02:36 | 0:02:39 | |
that's all over the rear right seat. | 0:02:39 | 0:02:41 | |
So he'd... | 0:02:41 | 0:02:42 | |
-He turned towards the gun? -Yep. | 0:02:45 | 0:02:47 | |
That's how the trajectories match up. | 0:02:47 | 0:02:49 | |
Why'd you shut the door? | 0:02:52 | 0:02:53 | |
Because that's the way it was. | 0:02:53 | 0:02:55 | |
No, when I got there the door was open. | 0:02:55 | 0:02:57 | |
-That was for you to view the body. -Are you sure? | 0:02:57 | 0:03:00 | |
Look at the second point. | 0:03:00 | 0:03:01 | |
It's a sharper angle. The killer stepped forward... | 0:03:01 | 0:03:04 | |
-to avoid the door. -So where's the glass? | 0:03:04 | 0:03:07 | |
What glass? | 0:03:07 | 0:03:09 | |
If he'd shot him through the window... | 0:03:09 | 0:03:13 | |
where's the glass? | 0:03:13 | 0:03:14 | |
There wasn't any. | 0:03:14 | 0:03:15 | |
He'd put his window down. | 0:03:24 | 0:03:25 | |
They talked. | 0:03:31 | 0:03:33 | |
# I'm a featherless bird | 0:03:35 | 0:03:42 | |
# In a sky so absurd | 0:03:42 | 0:03:50 | |
# Why oh why | 0:03:50 | 0:03:56 | |
# Is there so much movement | 0:03:56 | 0:04:06 | |
# Oh, hide me deeper | 0:04:07 | 0:04:15 | |
# In your peace further... # | 0:04:16 | 0:04:23 | |
-Maurice. -Julie. | 0:04:38 | 0:04:41 | |
OK? | 0:04:42 | 0:04:43 | |
Trouble? | 0:04:51 | 0:04:52 | |
-Bulkat Babur wants his money. -What money? | 0:04:55 | 0:04:57 | |
When Harvey got caught, it was their shipment got busted. | 0:04:57 | 0:05:00 | |
-How much? -A million, delivery payment. | 0:05:02 | 0:05:05 | |
Well, tell Jay to pay him. He led the police in. | 0:05:06 | 0:05:08 | |
A million pounds? | 0:05:08 | 0:05:09 | |
The thing is, Joseph, without Harvey and Glickman, | 0:05:11 | 0:05:13 | |
we haven't got it either. | 0:05:13 | 0:05:15 | |
How was it? | 0:05:19 | 0:05:20 | |
-Glickman's gone, hasn't he? -Yeah. | 0:05:28 | 0:05:30 | |
And he's not coming back? | 0:05:32 | 0:05:33 | |
Not in time, no. | 0:05:33 | 0:05:35 | |
Set up a meeting with Babur. | 0:05:42 | 0:05:43 | |
Who else? | 0:05:44 | 0:05:45 | |
Just me. | 0:05:45 | 0:05:47 | |
What about, Jay? | 0:05:47 | 0:05:49 | |
No. Just me. | 0:05:49 | 0:05:51 | |
Joseph. | 0:05:55 | 0:05:56 | |
-I don't think it was a cold kill. -Because? | 0:06:02 | 0:06:05 | |
The first shot killed him, second shot made sure. | 0:06:05 | 0:06:07 | |
Bang, bang, point blank, all over, walk away. Except he didn't. | 0:06:07 | 0:06:11 | |
This guy waited, for Wratten to slump into the footwell. | 0:06:11 | 0:06:14 | |
-How long would that take? -Couple of seconds. | 0:06:14 | 0:06:17 | |
A couple of seconds, so what? | 0:06:17 | 0:06:18 | |
Seconds count, don't they? | 0:06:18 | 0:06:20 | |
To a professional. Especially those. | 0:06:20 | 0:06:23 | |
But this one, he waits, just to put five more bullets, five bullets, | 0:06:23 | 0:06:27 | |
single fire, into a body he surely would've known was already dead. | 0:06:27 | 0:06:31 | |
All that noise, all that risk. Why'd he do that? | 0:06:31 | 0:06:34 | |
Maybe he didn't like him. | 0:06:37 | 0:06:38 | |
If he didn't like him, he knew him. | 0:06:38 | 0:06:41 | |
So do you know who shot you? | 0:06:54 | 0:06:57 | |
-Sir? -Well, do you? | 0:06:59 | 0:07:02 | |
I can't remember, sir, as I think you know. | 0:07:04 | 0:07:07 | |
I only ask because when they found you with that bullet in your head... | 0:07:09 | 0:07:13 | |
you'd lowered your window too. | 0:07:13 | 0:07:15 | |
-You all right? -Yeah. | 0:07:22 | 0:07:24 | |
Is there anything you want to tell me? | 0:07:24 | 0:07:27 | |
Yeah. | 0:07:28 | 0:07:29 | |
Find that driver. | 0:07:31 | 0:07:32 | |
I've told you everything I know. | 0:07:44 | 0:07:46 | |
-I've told the other fella everything I know. -Who, Joseph Bede? | 0:07:46 | 0:07:49 | |
Yeah. What else can I say? | 0:07:49 | 0:07:51 | |
Was he polite? | 0:07:51 | 0:07:53 | |
I bet he was polite. He's very polite. | 0:07:54 | 0:07:57 | |
But then he is a florist. | 0:07:57 | 0:07:58 | |
I think he might even be a little bit light in the loafers. | 0:07:58 | 0:08:02 | |
But who knows, eh? | 0:08:02 | 0:08:04 | |
But that's not me, is it, sweetheart? | 0:08:04 | 0:08:09 | |
CAT HISSES | 0:08:09 | 0:08:11 | |
If you think it's hurting him, then it is also hurting me. | 0:08:16 | 0:08:20 | |
CAT YOWLS | 0:08:29 | 0:08:31 | |
That's not my cat. | 0:08:37 | 0:08:38 | |
No. But next time it will be your son. | 0:08:38 | 0:08:42 | |
And if Andy Dixon even thinks about calling you | 0:08:43 | 0:08:46 | |
and you don't let me know a moment afterwards... | 0:08:46 | 0:08:50 | |
All right? | 0:08:51 | 0:08:52 | |
First Glickman tells me to wait for Harvey, then Harvey tells me | 0:09:18 | 0:09:22 | |
to wait till he's got out. | 0:09:22 | 0:09:23 | |
Now Harvey's dead, Glickman's disappeared | 0:09:23 | 0:09:26 | |
and you are telling me to wait some more. | 0:09:26 | 0:09:29 | |
And who are YOU to tell me? | 0:09:29 | 0:09:31 | |
The one who has most to lose. | 0:09:31 | 0:09:33 | |
We gave Jay Wratten 200 kilos and he went and lost it. | 0:09:33 | 0:09:37 | |
He had a shadow on him, it wasn't his fault. | 0:09:37 | 0:09:39 | |
CROCKERY CLINKS | 0:09:39 | 0:09:42 | |
It wasn't ours. | 0:09:43 | 0:09:45 | |
You owe us the delivery payment. | 0:09:46 | 0:09:49 | |
One million. | 0:09:49 | 0:09:50 | |
And I am done with waiting. | 0:09:51 | 0:09:53 | |
I don't have a million to give you. | 0:09:55 | 0:09:57 | |
Then maybe it's me who needs to find a way... | 0:10:00 | 0:10:04 | |
to pay you back. | 0:10:05 | 0:10:06 | |
Then you'll never see your money. | 0:10:08 | 0:10:10 | |
And nor will I. | 0:10:10 | 0:10:11 | |
Harvey Wratten had me set up a brand-new line. | 0:10:15 | 0:10:17 | |
Completely clean. | 0:10:17 | 0:10:18 | |
He had me invest everything I own to make it look that way. | 0:10:18 | 0:10:23 | |
Everything. | 0:10:23 | 0:10:24 | |
But now Harvey's dead. | 0:10:24 | 0:10:25 | |
And the only way you can make back your money | 0:10:27 | 0:10:30 | |
is to allow me to make back mine. | 0:10:30 | 0:10:31 | |
And the only way we can do that | 0:10:33 | 0:10:35 | |
is if we set up that line together. | 0:10:35 | 0:10:37 | |
So, come after me, you'll get nothing. | 0:10:40 | 0:10:44 | |
Work with me and you'll make far more than a million. | 0:10:45 | 0:10:48 | |
We both will. | 0:10:48 | 0:10:50 | |
I guarantee it. | 0:10:51 | 0:10:52 | |
I'll let you know. | 0:10:52 | 0:10:54 | |
But I haven't told you how. | 0:10:56 | 0:10:57 | |
You've had me waiting for two years. | 0:10:57 | 0:11:00 | |
Now it's your turn. | 0:11:00 | 0:11:02 | |
That's it. Five hours before Wratten got picked up. | 0:11:19 | 0:11:22 | |
-You want me to send uniform? -No. I'll go. | 0:11:22 | 0:11:25 | |
'Ello, 'ello. | 0:11:31 | 0:11:33 | |
Is your boss in? | 0:11:33 | 0:11:35 | |
Doesn't ring any bells. | 0:11:41 | 0:11:43 | |
-But you'll let me go through your employee list, won't you? -Not without a warrant. | 0:11:43 | 0:11:46 | |
Three names. Jason Ayolo, Andy Dixon and Daniel Cordel. | 0:11:49 | 0:11:54 | |
Should you be doing this all on your own, pretty girl like you? | 0:12:00 | 0:12:04 | |
I think I can handle it, fat fuck like you. | 0:12:04 | 0:12:07 | |
Got you. | 0:12:20 | 0:12:21 | |
His name's Andy Dixon. | 0:12:21 | 0:12:22 | |
We had him up on a minor drug charge last year. This is his home address. | 0:12:22 | 0:12:26 | |
Got it. | 0:12:26 | 0:12:28 | |
Sussex Gardens, E1. | 0:12:28 | 0:12:30 | |
PHONE RINGS | 0:12:30 | 0:12:32 | |
PHONE RINGS | 0:12:41 | 0:12:44 | |
Hello? | 0:12:51 | 0:12:52 | |
The police are on their way to you. | 0:12:52 | 0:12:54 | |
Tell them nothing. | 0:12:54 | 0:12:56 | |
-Nothing at all, do you understand? -Yeah. | 0:12:56 | 0:12:59 | |
KNOCKING AT DOOR | 0:13:08 | 0:13:10 | |
-I'm looking for Andy Dixon. -He's not here. | 0:13:44 | 0:13:47 | |
-Do you know where he is? -The last time I saw him were yesterday morning. | 0:13:47 | 0:13:52 | |
Has he called you? | 0:13:52 | 0:13:53 | |
Are you the police? | 0:13:54 | 0:13:55 | |
Why? | 0:13:57 | 0:13:58 | |
Are you expecting them? | 0:14:00 | 0:14:02 | |
You're expecting them. | 0:14:05 | 0:14:07 | |
If Andy contacts you, tell him to call this number. | 0:14:13 | 0:14:16 | |
Immediately. | 0:14:16 | 0:14:17 | |
Say it's Gatehouse. | 0:14:17 | 0:14:19 | |
Someone else has asked the same. | 0:14:25 | 0:14:28 | |
Who? | 0:14:28 | 0:14:29 | |
Jay Wratten? | 0:14:32 | 0:14:33 | |
Someone else? | 0:14:38 | 0:14:39 | |
Interesting. | 0:14:41 | 0:14:42 | |
So after the police have called, | 0:14:44 | 0:14:45 | |
you'll have three numbers to choose from. | 0:14:45 | 0:14:48 | |
Difficult choice. | 0:14:51 | 0:14:52 | |
Is it his? | 0:14:58 | 0:15:00 | |
-Yes. -Do you love him? | 0:15:01 | 0:15:04 | |
Yes. | 0:15:05 | 0:15:08 | |
Then what I am about to tell you | 0:15:08 | 0:15:11 | |
is the most important thing you'll ever hear. | 0:15:11 | 0:15:14 | |
Ever. | 0:15:14 | 0:15:16 | |
If Andy calls anyone else but me, | 0:15:18 | 0:15:21 | |
he'll be a dead man. | 0:15:21 | 0:15:23 | |
If you call anyone else but me, | 0:15:25 | 0:15:28 | |
he'll be a dead man. | 0:15:28 | 0:15:30 | |
Cops, robbers, either way, you cannot trust them. | 0:15:34 | 0:15:41 | |
So, you see, really you have no choice at all. | 0:15:43 | 0:15:47 | |
Gatehouse. | 0:15:58 | 0:16:01 | |
TURKISH TV CHANNEL PLAYS IN CAR | 0:16:58 | 0:17:02 | |
SIREN WAILS IN DISTANCE | 0:17:02 | 0:17:05 | |
I picked a good night. | 0:17:20 | 0:17:23 | |
It's like this every night. | 0:17:23 | 0:17:26 | |
The reception. Mostly it's terrible. | 0:17:27 | 0:17:29 | |
-Is that coming in from Turkey? -If only it were that easy, eh? | 0:17:31 | 0:17:35 | |
HE CHUCKLES If only everything were that easy. | 0:17:35 | 0:17:38 | |
You know, some kid in Croydon boosts the signal. I don't know how it works. | 0:17:39 | 0:17:43 | |
All I know, mostly I have to park facing south. | 0:17:43 | 0:17:47 | |
My family are watching this show right now, back home in Turkey | 0:17:53 | 0:17:58 | |
and it's nice because, at least, I feel we are watching it together. Hm? | 0:17:58 | 0:18:03 | |
Does this mean anything to you, Mr Bede? | 0:18:04 | 0:18:08 | |
Of course. | 0:18:08 | 0:18:10 | |
You have family? | 0:18:10 | 0:18:12 | |
-My wife. -And children? | 0:18:12 | 0:18:14 | |
No. Just my wife. | 0:18:14 | 0:18:17 | |
-And you are happy together? -You mean do I love her? I... | 0:18:18 | 0:18:24 | |
We've been married for 30 years now. | 0:18:24 | 0:18:27 | |
I wish every day was the first. | 0:18:27 | 0:18:29 | |
Hmm. | 0:18:29 | 0:18:31 | |
Hmm. | 0:18:31 | 0:18:32 | |
You know there are many people who want to work with me. | 0:18:34 | 0:18:38 | |
And when they do, they always say the same thing. | 0:18:38 | 0:18:40 | |
They've seen a movie or something. They always say, "It's just business." | 0:18:40 | 0:18:45 | |
I think they want me to think they're professional, cold. | 0:18:45 | 0:18:49 | |
But for me, for what I do, it's never JUST business... | 0:18:49 | 0:18:55 | |
cos everything I do, I do for my family, and anyone who threatens me threatens them. You understand? | 0:18:56 | 0:19:01 | |
You understand? | 0:19:05 | 0:19:07 | |
TURNS TV OFF | 0:19:14 | 0:19:15 | |
So...what's your plan? | 0:19:15 | 0:19:20 | |
-To turn the £1 million that I owe you into ten in three months. -And how will you do this? | 0:19:20 | 0:19:26 | |
To begin with, I'll need a single shipment from you of 200 kilos, on account. | 0:19:26 | 0:19:31 | |
HE SCOFFS | 0:19:31 | 0:19:32 | |
You know how much that is worth to me? | 0:19:32 | 0:19:35 | |
Three million at 15 grand a kilo. | 0:19:35 | 0:19:37 | |
But I'm willing to pay you back at 20, which would create an extra £1 million on that shipment. | 0:19:39 | 0:19:44 | |
-As it would a fourfold increase in your debt. -Correct. | 0:19:44 | 0:19:48 | |
£4 million. | 0:19:48 | 0:19:50 | |
The loss of one million, we are talking. The loss of four, | 0:19:50 | 0:19:54 | |
-the talking would be over. -That's not going to happen. | 0:19:54 | 0:19:58 | |
It's taken me five years to set up this line. I'm completely legit. | 0:19:58 | 0:20:01 | |
I'm taxed, regulated and inspected like clockwork. | 0:20:01 | 0:20:04 | |
As long as I keep the rhythm, nobody will notice the addition of a few extra beats. | 0:20:04 | 0:20:09 | |
-200 kilos. -600 in all. | 0:20:09 | 0:20:13 | |
And how will you make this work? | 0:20:13 | 0:20:16 | |
As well as the first, you have to guarantee me two more shipments of 200 kilos each, once a month. | 0:20:16 | 0:20:21 | |
I'll buy those two off you at 15 grand a kilo. | 0:20:21 | 0:20:25 | |
They have to be at least 70% pure because I'll be bashing each of them | 0:20:25 | 0:20:29 | |
up to 250 kilos, then cutting them into 1,000 corners and moving each one on at five grand a corner. | 0:20:29 | 0:20:36 | |
At the end of the three shipments, we'll have turned over 15 million. | 0:20:36 | 0:20:40 | |
Ten to you, five to me. | 0:20:40 | 0:20:42 | |
-In three months? -In three months. -And who will you move it on to? | 0:20:42 | 0:20:46 | |
Bob Harris. | 0:20:46 | 0:20:49 | |
-Does he trust you? -Do you? | 0:20:49 | 0:20:52 | |
I'm in for this one run and then I'm out. | 0:20:56 | 0:20:58 | |
-But if it's the success you say... -Then I'll have proved it works and he can buy it off me at cost. | 0:21:00 | 0:21:05 | |
Or you can. | 0:21:05 | 0:21:08 | |
-How much? -1.5 million. Either way, after this I'm out. | 0:21:08 | 0:21:11 | |
With 6.5 million. | 0:21:18 | 0:21:20 | |
-It's not so much. -It's enough. | 0:21:22 | 0:21:24 | |
What do you need it for? | 0:21:29 | 0:21:31 | |
Well, like you say, it's never really about business, is it? | 0:21:31 | 0:21:36 | |
Hmm. | 0:21:36 | 0:21:38 | |
I'm just going to give this to Mr Babur. | 0:21:45 | 0:21:47 | |
Arum lily. Just in from Holland. | 0:21:53 | 0:21:56 | |
And this is the plan? | 0:21:56 | 0:21:58 | |
Within the stems. | 0:21:58 | 0:22:01 | |
To help disguise the smell of the shit. | 0:22:01 | 0:22:04 | |
What else are flowers for? | 0:22:04 | 0:22:07 | |
Beauty. | 0:22:07 | 0:22:09 | |
I think you see beauty in maths, Mr Bede. | 0:22:09 | 0:22:13 | |
-I used to be in insurance. -Figures are a beautiful thing. Figures always work out. | 0:22:13 | 0:22:17 | |
But put human beings in your plan and you cannot be so certain. | 0:22:17 | 0:22:21 | |
With humans, there will always be a flaw. | 0:22:21 | 0:22:24 | |
-Not this one. -Always. | 0:22:24 | 0:22:26 | |
It may work out, | 0:22:26 | 0:22:28 | |
but there will be a flaw. | 0:22:28 | 0:22:30 | |
What you trying to do? | 0:22:36 | 0:22:38 | |
-You're hurting me! -I am now, yeah, I am. | 0:22:38 | 0:22:42 | |
There's police outside. They're watching the house. | 0:22:42 | 0:22:45 | |
Well, we better make this quick, then. | 0:22:45 | 0:22:47 | |
-What did you tell them? -Nothing. | 0:22:47 | 0:22:49 | |
-SOBBING: -I didn't tell them anything. | 0:22:53 | 0:22:54 | |
I don't know where Andy is. | 0:22:54 | 0:22:56 | |
Ohhh. | 0:23:02 | 0:23:04 | |
Look! | 0:23:06 | 0:23:07 | |
Put your hands up. | 0:23:16 | 0:23:17 | |
-What? -Put your hands up. | 0:23:17 | 0:23:20 | |
Up. | 0:23:21 | 0:23:24 | |
Put your hands up. | 0:23:24 | 0:23:26 | |
Put 'em up. | 0:23:28 | 0:23:29 | |
Aww. | 0:23:35 | 0:23:37 | |
Ahh. | 0:23:39 | 0:23:40 | |
Is it his, then? | 0:23:43 | 0:23:45 | |
Is it? A little Andy Dixon, inside there. | 0:23:45 | 0:23:49 | |
Isn't that funny? | 0:23:49 | 0:23:51 | |
Don't do that! | 0:23:56 | 0:23:57 | |
I wonder if history will repeat itself. | 0:24:02 | 0:24:05 | |
You know, in many years to come, I wonder if | 0:24:05 | 0:24:08 | |
your little baby there, maybe he'll be the one to see me get shot to bits in the back of his cab | 0:24:08 | 0:24:12 | |
and then he'll run away and my family won't be able to find out what happened. | 0:24:12 | 0:24:16 | |
Just like his old man did to my uncle. | 0:24:16 | 0:24:18 | |
And I'll be down there, burning myself to a frazzle | 0:24:18 | 0:24:23 | |
and I'll be thinking, "Blimey, and to think | 0:24:23 | 0:24:27 | |
"I had the chance to kill the little blighter before he was even born." | 0:24:27 | 0:24:32 | |
SHE SOBS No, no, no! Stop it! No! | 0:24:32 | 0:24:36 | |
Don't upset yourself. | 0:24:36 | 0:24:39 | |
Because this story has a happy ending. | 0:24:39 | 0:24:41 | |
Because, luckily, his mother was a very clever woman | 0:24:41 | 0:24:47 | |
and she decided to tell me everything she knew. | 0:24:47 | 0:24:53 | |
Aw! | 0:24:53 | 0:24:54 | |
Bye. | 0:24:58 | 0:25:00 | |
-Plain clothes. -Yeah, I know. She told me. | 0:25:06 | 0:25:09 | |
Yeah. | 0:25:09 | 0:25:11 | |
-And what else? -No, she doesn't know anything. | 0:25:11 | 0:25:13 | |
But when she does, she'll call me first. | 0:25:13 | 0:25:16 | |
Right, shall we go and have a cup of tea with his mum? | 0:25:16 | 0:25:18 | |
Mrs Dixon, look at me. | 0:25:22 | 0:25:25 | |
No... | 0:25:28 | 0:25:29 | |
Look at me. | 0:25:29 | 0:25:32 | |
Mrs Dixon... | 0:25:33 | 0:25:35 | |
..what I'm about to tell you is the truth. | 0:25:37 | 0:25:39 | |
And your son's life depends on whether or not you believe it. | 0:25:41 | 0:25:45 | |
Do you understand? | 0:25:47 | 0:25:48 | |
-Yeah. -The police will say your son killed Harvey Wratten. -No. | 0:25:51 | 0:25:58 | |
As soon as he gives himself up or as soon as they catch him, they will charge him with Wratten's murder. | 0:25:58 | 0:26:04 | |
He was just the driver. | 0:26:04 | 0:26:06 | |
-That's right. -He didn't kill no-one. | 0:26:06 | 0:26:08 | |
And you know that because you're his mother. | 0:26:08 | 0:26:10 | |
I know that because it's true. | 0:26:10 | 0:26:13 | |
And I know it because I've spent my whole life working with people like your son. | 0:26:13 | 0:26:18 | |
It's what I do. | 0:26:20 | 0:26:22 | |
Catch them early. | 0:26:22 | 0:26:24 | |
You get to spot the killer, Mrs Dixon. | 0:26:24 | 0:26:27 | |
And you're right, your son's no killer. | 0:26:27 | 0:26:30 | |
So why would they say he is? | 0:26:30 | 0:26:32 | |
Because they've got to put someone's head on a plate | 0:26:32 | 0:26:36 | |
and your son's is the only one they'll get to fit. | 0:26:36 | 0:26:39 | |
But what about the real killer? | 0:26:39 | 0:26:42 | |
Harvey Wratten ran a criminal underworld so deep the police couldn't even hope to see the sides. | 0:26:42 | 0:26:48 | |
So they're going to use your son instead... | 0:26:50 | 0:26:53 | |
..to drop him in it. | 0:26:54 | 0:26:56 | |
Quick and neat. | 0:26:57 | 0:26:59 | |
Quick and neat. That's right. | 0:26:59 | 0:27:03 | |
This has happened to you before, | 0:27:05 | 0:27:08 | |
hasn't it, Mrs Dixon? | 0:27:08 | 0:27:09 | |
To your eldest son. | 0:27:14 | 0:27:16 | |
To Tracey. | 0:27:16 | 0:27:17 | |
He's in jail, isn't he? | 0:27:20 | 0:27:23 | |
And the same thing happened to him, | 0:27:27 | 0:27:30 | |
didn't it? | 0:27:30 | 0:27:32 | |
They turned him into a scapegoat too. | 0:27:36 | 0:27:39 | |
Both sides | 0:27:39 | 0:27:42 | |
made sure he took the rap for something he didn't do. | 0:27:42 | 0:27:45 | |
They told lies at his trial. | 0:27:45 | 0:27:49 | |
All of them. | 0:27:49 | 0:27:51 | |
Except with Andy, Mrs Dixon, he won't even go to trial. | 0:27:51 | 0:27:54 | |
Because there won't be one. | 0:27:56 | 0:27:58 | |
-There'll have to be one. -No, there won't. | 0:27:58 | 0:28:00 | |
This is how it will be. | 0:28:00 | 0:28:02 | |
Your son will be placed on remand, awaiting trial. | 0:28:05 | 0:28:09 | |
And then, one morning, a prison guard will enter his cell | 0:28:10 | 0:28:14 | |
and find him hanging by his sheet tied to the window grille. | 0:28:14 | 0:28:17 | |
And the police will come and visit you and | 0:28:19 | 0:28:22 | |
tell you how sorry they are but that, sadly, it isn't that uncommon. | 0:28:22 | 0:28:27 | |
And how they couldn't be to blame cos up until that | 0:28:27 | 0:28:29 | |
point your son had shown no signs of wanting to kill himself. | 0:28:29 | 0:28:32 | |
And then they'll leave. | 0:28:34 | 0:28:35 | |
And that'll be the end of it. | 0:28:37 | 0:28:39 | |
Because you'll never discover the one mistake they made, | 0:28:41 | 0:28:44 | |
the one the prison guard failed to spot. | 0:28:44 | 0:28:47 | |
That the chair your son would have needed to reach up to that grille | 0:28:49 | 0:28:53 | |
had already been neatly placed back against the opposite wall | 0:28:53 | 0:28:58 | |
long before the officer entered the cell. | 0:28:58 | 0:29:02 | |
That is how it will be. | 0:29:04 | 0:29:06 | |
Tell Andy to call me. | 0:29:18 | 0:29:20 | |
Me and only me. | 0:29:22 | 0:29:25 | |
A lot of people are going to be knocking on your door now, Mrs Dixon. | 0:29:36 | 0:29:40 | |
Who? | 0:29:40 | 0:29:41 | |
Police. | 0:29:41 | 0:29:44 | |
Harvey Wratten's men. Both sides. | 0:29:44 | 0:29:47 | |
But all of them wanting the same thing. | 0:29:47 | 0:29:49 | |
And none of it matters. | 0:29:50 | 0:29:53 | |
All that matters now is whether or not you believe me. | 0:29:54 | 0:29:58 | |
-Mrs Dixon? -Yeah? | 0:30:22 | 0:30:25 | |
Police. We're here about your son. | 0:30:25 | 0:30:28 | |
-She doesn't know anything. -You're sure? | 0:30:33 | 0:30:35 | |
Mothers are always the last to know. | 0:30:35 | 0:30:37 | |
What about his mobile number? | 0:30:37 | 0:30:39 | |
She said she didn't have one. He changed it so often, she couldn't keep up. | 0:30:39 | 0:30:42 | |
So when did she last speak to her son? | 0:30:42 | 0:30:45 | |
-Exactly. -She couldn't remember. | 0:30:45 | 0:30:46 | |
-She couldn't remember? -Well, definitely not since he disappeared. | 0:30:46 | 0:30:49 | |
-And you believe her? -There's no reason not to. | 0:30:49 | 0:30:52 | |
You're a police officer. You want to become a good one, you better learn | 0:30:52 | 0:30:55 | |
to put that answer the other way round. | 0:30:55 | 0:30:57 | |
-To not reason, no? -Huh? | 0:30:59 | 0:31:01 | |
-Just putting it the other way round. -Oh, you're sharp. | 0:31:01 | 0:31:04 | |
Well, I'm a police officer and I think I'm a good one, | 0:31:04 | 0:31:06 | |
and I haven't got a clue what you were trying to say. | 0:31:06 | 0:31:09 | |
You walk into a bar, Honey, you sit straight down or you scan it first? | 0:31:09 | 0:31:12 | |
-I scan it. -She'd sit straight down. | 0:31:12 | 0:31:14 | |
What's that? | 0:31:14 | 0:31:16 | |
-Andy Dixon's mobile phone number. -You already had it. That's not fair. | 0:31:16 | 0:31:19 | |
From the provider to which it's registered and has been registered for the past three years. | 0:31:19 | 0:31:24 | |
-Oh. -And the last time he used it was half-an-hour | 0:31:24 | 0:31:26 | |
after Harvey Wratten's death, and who do you think he called? | 0:31:26 | 0:31:29 | |
-His mother. -Bring her back in, will you? And this time, | 0:31:29 | 0:31:31 | |
I'll ask the questions. | 0:31:31 | 0:31:33 | |
If I knew where he was, I'd tell you. | 0:31:37 | 0:31:40 | |
-But I don't. -Well, now you know who to call when he does. | 0:31:40 | 0:31:47 | |
-Yeah. I do. -Good. | 0:31:52 | 0:31:55 | |
HE SNIFFS | 0:31:57 | 0:31:59 | |
Hmm. | 0:32:02 | 0:32:03 | |
You've got another son, haven't you, Mrs Dixon? | 0:32:11 | 0:32:15 | |
-Yeah. -In jail. | 0:32:17 | 0:32:19 | |
-What's his name? -Tracey. | 0:32:19 | 0:32:22 | |
Oh, dear! I bet he gets a bit of jip for that on the inside! | 0:32:22 | 0:32:25 | |
I know I'd give it him. | 0:32:25 | 0:32:27 | |
Do I know him? | 0:32:31 | 0:32:32 | |
Your uncle did. | 0:32:32 | 0:32:34 | |
Oh. | 0:32:34 | 0:32:37 | |
How long's he been in? | 0:32:38 | 0:32:40 | |
-Three years. -Serious. | 0:32:40 | 0:32:43 | |
I don't know. He didn't do it. | 0:32:45 | 0:32:47 | |
Do you know what? In jail, there isn't a man who did. | 0:32:47 | 0:32:53 | |
Have you got anyone else in your life? | 0:32:57 | 0:33:01 | |
-No. -No Mr Dixon? | 0:33:01 | 0:33:05 | |
That's sad. | 0:33:05 | 0:33:07 | |
No other family? | 0:33:07 | 0:33:10 | |
Just the boys. | 0:33:10 | 0:33:14 | |
That's nice. You must be very close. | 0:33:14 | 0:33:18 | |
Especially now Tracey's getting himself touched up by the nonces. | 0:33:18 | 0:33:24 | |
If only you'd called him Peter! | 0:33:24 | 0:33:26 | |
But still, I imagine little Andy looks after you now, doesn't he? | 0:33:28 | 0:33:33 | |
Especially now he's the big man. | 0:33:33 | 0:33:35 | |
-He's a good boy. -Yeah, I bet he is. | 0:33:35 | 0:33:38 | |
So, did he buy you this carpet then, did he? | 0:33:40 | 0:33:42 | |
Or that TV? | 0:33:45 | 0:33:46 | |
Or that phone? | 0:33:48 | 0:33:50 | |
It looks like you won the lottery, Mrs Dixon. | 0:33:53 | 0:33:56 | |
Or someone else has. | 0:33:56 | 0:33:59 | |
Has little Andy won the lottery, Mrs Dixon? He kept that quiet. | 0:33:59 | 0:34:02 | |
Yeah. | 0:34:02 | 0:34:04 | |
For a moment there... | 0:34:06 | 0:34:07 | |
..I thought all I could smell was the carpet glue, but I was wrong. | 0:34:10 | 0:34:15 | |
I can smell something else, can't I? | 0:34:17 | 0:34:20 | |
Something much stronger. | 0:34:20 | 0:34:22 | |
It's bullshit. | 0:34:22 | 0:34:25 | |
So if I were you... | 0:34:27 | 0:34:30 | |
bitch, | 0:34:30 | 0:34:32 | |
I would start to clear the air. | 0:34:32 | 0:34:36 | |
MOBILE PLAYS JINGLE | 0:34:38 | 0:34:40 | |
Hello. | 0:34:56 | 0:34:57 | |
OK. Thank you. | 0:35:06 | 0:35:07 | |
The policemen are on their way up to come and speak to you. | 0:35:09 | 0:35:14 | |
Yeah. | 0:35:14 | 0:35:16 | |
You going to tell them nothing? | 0:35:16 | 0:35:18 | |
-I've got nothing to tell. -Oh, good. | 0:35:18 | 0:35:22 | |
-Well, when you do, be sure to call me first. You got my number? -Yeah. | 0:35:29 | 0:35:32 | |
I've got your number. | 0:35:32 | 0:35:34 | |
Yes. Well, I've certainly got yours. | 0:35:34 | 0:35:37 | |
-Who you looking for? -What? | 0:35:59 | 0:36:01 | |
I bet I find him first. | 0:36:01 | 0:36:03 | |
What are you afraid of, Mrs Dixon? | 0:36:12 | 0:36:14 | |
Of you. | 0:36:15 | 0:36:17 | |
Of me? | 0:36:17 | 0:36:19 | |
You people. | 0:36:19 | 0:36:22 | |
Why? | 0:36:22 | 0:36:24 | |
You're going to try and fit him up. | 0:36:24 | 0:36:28 | |
Make it look easy. Make it look neat. | 0:36:28 | 0:36:31 | |
Why would I do that? | 0:36:31 | 0:36:33 | |
Cos you ain't got nothing otherwise. | 0:36:33 | 0:36:36 | |
You're staring into an abyss. | 0:36:36 | 0:36:39 | |
-I know it. -How do you know that? | 0:36:39 | 0:36:42 | |
And all your puny little flashlight's going to pick up is my boy. | 0:36:42 | 0:36:48 | |
Just like you did his brother. | 0:36:48 | 0:36:50 | |
Tracey Dixon? | 0:36:50 | 0:36:52 | |
-It wasn't like your people said it was. -Six years, Mrs Dixon. | 0:36:52 | 0:36:57 | |
-It must've been like something. -He was set up. You set him up. | 0:36:57 | 0:37:01 | |
It wasn't my case. | 0:37:01 | 0:37:02 | |
And it is certainly immaterial to this one. | 0:37:02 | 0:37:07 | |
I'm sure you'll still find a way of putting it in. | 0:37:09 | 0:37:12 | |
For colour. | 0:37:12 | 0:37:14 | |
Mrs Dixon, | 0:37:15 | 0:37:18 | |
it is very probable that Andy is the sole witness to a murder. | 0:37:18 | 0:37:22 | |
And all I want to know from him | 0:37:23 | 0:37:26 | |
is exactly what he saw. | 0:37:26 | 0:37:28 | |
-So why aren't you talking to him? -Because we can't find him. | 0:37:28 | 0:37:30 | |
-So why are you wasting time talking to his mother? -Because he called you, Mrs Dixon, | 0:37:30 | 0:37:35 | |
approximately 35 minutes after the event. | 0:37:35 | 0:37:38 | |
That's not true. | 0:37:38 | 0:37:40 | |
It's here. I can even give you the timings. | 0:37:40 | 0:37:43 | |
Two minutes, 12 seconds. | 0:37:43 | 0:37:45 | |
What did he say to you, Mrs Dixon? | 0:37:45 | 0:37:48 | |
What did he say the night Harvey Wratten was murdered? | 0:37:48 | 0:37:51 | |
You don't have to answer that. She doesn't have to answer that and you know it. | 0:37:51 | 0:37:54 | |
Then be sure to explain to her how assisting an offender is a criminal offence. | 0:37:54 | 0:37:58 | |
Don't be stupid, Honey. Anyone could have picked up that phone. | 0:37:58 | 0:38:01 | |
What did he say, Mrs Dixon? | 0:38:01 | 0:38:03 | |
What did he see? | 0:38:05 | 0:38:07 | |
Why did you say abyss? | 0:38:09 | 0:38:12 | |
What abyss am I staring into? | 0:38:14 | 0:38:17 | |
Because if I am, doesn't that mean your boy's already there? | 0:38:19 | 0:38:24 | |
Do you want me to save him? | 0:38:29 | 0:38:31 | |
Do you want me to go down there and get him out? | 0:38:32 | 0:38:36 | |
Because I will... | 0:38:36 | 0:38:38 | |
But you've got to throw me a line. | 0:38:42 | 0:38:44 | |
You've got to throw me a line. | 0:38:46 | 0:38:49 | |
You don't have children, do you? | 0:38:51 | 0:38:54 | |
-What? -You don't have children. | 0:38:57 | 0:39:01 | |
No. | 0:39:06 | 0:39:08 | |
Because if you did, you would already know | 0:39:08 | 0:39:13 | |
that I would do anything... | 0:39:13 | 0:39:16 | |
anything, to save my child. | 0:39:16 | 0:39:20 | |
-Including lie to me? -You don't have to answer that. | 0:39:22 | 0:39:25 | |
Anything. | 0:39:27 | 0:39:29 | |
-Hey. -Hey. | 0:40:03 | 0:40:08 | |
What time is it? | 0:40:11 | 0:40:14 | |
It's late. | 0:40:14 | 0:40:16 | |
Early...I don't know. | 0:40:18 | 0:40:20 | |
Well, then it's definitely time for bed. | 0:40:22 | 0:40:25 | |
I'm so sorry, Laura. | 0:40:34 | 0:40:36 | |
-For what? -Everything... | 0:40:40 | 0:40:43 | |
..the babies. | 0:40:46 | 0:40:47 | |
I know you want to try again. | 0:40:52 | 0:40:55 | |
The clinic said we could, that we should. | 0:40:55 | 0:40:58 | |
They've said that before, haven't they? | 0:40:58 | 0:41:00 | |
Five times. | 0:41:00 | 0:41:01 | |
We've tried five times, Laura, and every time the same cycle - | 0:41:04 | 0:41:07 | |
hope, loss, hope, loss. | 0:41:07 | 0:41:12 | |
In the end, I'd stopped hoping at all. | 0:41:12 | 0:41:14 | |
I hadn't. | 0:41:17 | 0:41:20 | |
And when you got shot, | 0:41:20 | 0:41:23 | |
when they said you wouldn't pull through, I didn't then either. | 0:41:23 | 0:41:27 | |
-And here you are. -With a bullet in my head. | 0:41:30 | 0:41:33 | |
Which didn't kill you. | 0:41:33 | 0:41:34 | |
-Which still might. -Hasn't yet. | 0:41:34 | 0:41:37 | |
But is that what you're afraid of? | 0:41:37 | 0:41:39 | |
That it will? | 0:41:41 | 0:41:42 | |
Is that why you want to do this? | 0:41:44 | 0:41:46 | |
We're all going to die, Jonah. | 0:41:50 | 0:41:53 | |
A bullet or an unseen bus. | 0:41:53 | 0:41:56 | |
Your name's no further up the list than mine. | 0:41:56 | 0:41:59 | |
But yes... | 0:42:02 | 0:42:05 | |
I would like the chance to make a life before we go. | 0:42:05 | 0:42:08 | |
Be our sixth time, Laura. | 0:42:09 | 0:42:12 | |
Or the first... | 0:42:12 | 0:42:15 | |
after a second chance. | 0:42:15 | 0:42:18 | |
Hey, come on. | 0:42:39 | 0:42:41 | |
Go on, clear off. I'm trying to open up here. | 0:42:41 | 0:42:44 | |
Come on. | 0:42:44 | 0:42:46 | |
MOBILE BEEPS | 0:43:02 | 0:43:03 | |
PHONE RINGS | 0:43:38 | 0:43:40 | |
We got a fix on Andy Dixon's mobile when it went up at 4.51 this morning. | 0:43:47 | 0:43:52 | |
-And then it went off? -Yeah. By the time anyone got there, he was gone. | 0:43:52 | 0:43:56 | |
-You sure it was him? -Cafe owner kicked him out of his doorway. | 0:43:56 | 0:44:00 | |
-So he's sleeping rough. -Exactly. | 0:44:00 | 0:44:02 | |
He needs help and bets are, he'll be calling for it. | 0:44:02 | 0:44:05 | |
But when he does, whoever he calls will be calling me. | 0:44:05 | 0:44:09 | |
Because you scared the shit out of them. | 0:44:09 | 0:44:11 | |
Yeah, well, maybe you'd like to send them a nice little bouquet when all this is worked out. | 0:44:11 | 0:44:16 | |
It's not Stanley knives keeps people loyal, Jay. | 0:44:17 | 0:44:20 | |
It's them putting that in there and us giving them the means to do it. | 0:44:20 | 0:44:26 | |
Yeah, well. Let's just see who they call, shall we? | 0:44:26 | 0:44:30 | |
All this just to find Andy Dixon? | 0:44:32 | 0:44:34 | |
-He was there. -What if he's got nothing to say? | 0:44:37 | 0:44:41 | |
Oh, he will. | 0:44:41 | 0:44:43 | |
And when he does, | 0:44:43 | 0:44:45 | |
I want him telling it to me and not them. | 0:44:45 | 0:44:49 | |
It's me. | 0:45:28 | 0:45:30 | |
He's up! | 0:45:32 | 0:45:33 | |
-We're picking it up from a mast on the corner of Jacob Street and Parkside. -Post code? | 0:45:36 | 0:45:41 | |
E9 5JV. | 0:45:41 | 0:45:43 | |
Get an India 99 in the air now! Can you listen in? | 0:45:43 | 0:45:46 | |
Yep. He's talking to a female. | 0:45:46 | 0:45:49 | |
-Why didn't you call? -I couldn't. | 0:45:49 | 0:45:52 | |
I didn't know what to do. | 0:45:52 | 0:45:55 | |
-I didn't know where to go. -Everyone's looking for you. | 0:45:55 | 0:45:58 | |
-Who? -Everyone. | 0:45:58 | 0:46:00 | |
SIREN BLARES | 0:46:00 | 0:46:03 | |
Have you spoken to the police? | 0:46:03 | 0:46:05 | |
-Don't. -Why not? | 0:46:05 | 0:46:07 | |
He threatened to kill the baby. | 0:46:07 | 0:46:10 | |
-Who? -Jay Wratten. | 0:46:10 | 0:46:13 | |
Ah, shit! | 0:46:13 | 0:46:15 | |
You have to speak to him, Andy. | 0:46:15 | 0:46:18 | |
He said he's going to kill the baby if you don't. It's my baby! | 0:46:18 | 0:46:22 | |
What's happening, Andy? What are you in? | 0:46:26 | 0:46:28 | |
I don't know. I don't know. | 0:46:30 | 0:46:33 | |
What did you see? | 0:46:33 | 0:46:35 | |
Wratten gave you his number? | 0:46:38 | 0:46:39 | |
Yes. | 0:46:39 | 0:46:41 | |
OK. | 0:46:41 | 0:46:43 | |
Give it to me. | 0:46:46 | 0:46:47 | |
SIREN BLARES | 0:46:47 | 0:46:49 | |
Come on. | 0:46:53 | 0:46:55 | |
Come on. Come on. | 0:46:56 | 0:46:59 | |
That's it, come on. | 0:46:59 | 0:47:01 | |
MOBILE RINGS | 0:47:01 | 0:47:03 | |
Hello? | 0:47:03 | 0:47:05 | |
Who wants to know? | 0:47:06 | 0:47:08 | |
Where are you? | 0:47:11 | 0:47:13 | |
I'll find it. | 0:47:13 | 0:47:16 | |
Have you spoken to anyone else? | 0:47:16 | 0:47:18 | |
Don't. | 0:47:19 | 0:47:20 | |
You really, really don't want to do that. | 0:47:30 | 0:47:34 | |
STARTS CAR | 0:47:34 | 0:47:35 | |
He's ringing another number. | 0:47:58 | 0:48:01 | |
Are you all right? | 0:48:01 | 0:48:03 | |
Listen to me, sweetheart. Has the eyes of a gun shooter. | 0:48:03 | 0:48:07 | |
Stay away from him. | 0:48:08 | 0:48:11 | |
And stay away from the police too. | 0:48:11 | 0:48:13 | |
I don't know what to do, Mum. What shall I do? | 0:48:14 | 0:48:18 | |
Just stand still! Stay where you are! Keep the phone on! | 0:48:18 | 0:48:24 | |
I'll call you straight back. | 0:48:24 | 0:48:26 | |
Trust me, darling. Everything will be fine. | 0:48:27 | 0:48:32 | |
Fucking hell! What's going on! You idiot!! | 0:49:19 | 0:49:22 | |
Don't you know what you're doing? You've gone through red lights!!! | 0:49:22 | 0:49:25 | |
Oi! Do you hear me? | 0:49:26 | 0:49:27 | |
Oi! Do you hear me? | 0:49:28 | 0:49:30 | |
Get over yourself in your fucking Toyota Corolla! | 0:49:30 | 0:49:35 | |
You went through red lights! Not me!! Where you going? | 0:49:35 | 0:49:38 | |
Oi! Come back here! Oi! Fucking hell! | 0:49:39 | 0:49:45 | |
No-one's talking to me! No-one's talking to me! | 0:49:45 | 0:49:48 | |
It's the same mast. | 0:49:48 | 0:49:50 | |
-So? -So he's not moved. | 0:49:50 | 0:49:52 | |
-Honey, you know the area. -Yeah. | 0:49:53 | 0:49:54 | |
All right, loop over the top of the park | 0:49:54 | 0:49:56 | |
then drop down in case he runs that way. We'll stay north. | 0:49:56 | 0:49:59 | |
Where's the uniform? | 0:49:59 | 0:50:00 | |
PHONE RINGS | 0:50:03 | 0:50:05 | |
Come on, you bastard, answer! | 0:50:15 | 0:50:16 | |
Why am I standing still? | 0:50:17 | 0:50:19 | |
There's a traffic incident ahead. | 0:50:19 | 0:50:20 | |
-Where's that chopper? -No response yet. -What? | 0:50:23 | 0:50:26 | |
Look! This is a murder enquiry! | 0:50:27 | 0:50:30 | |
-No, sir. -Shit! Shit! | 0:50:30 | 0:50:33 | |
I am on foot! I am on foot! | 0:50:33 | 0:50:35 | |
Typical fucking British car chase! | 0:50:35 | 0:50:39 | |
All right, I'm here. | 0:51:12 | 0:51:13 | |
PHONE RINGS IN DISTANCE | 0:51:35 | 0:51:37 | |
-Hello? -Run! | 0:51:48 | 0:51:49 | |
He's moved! He's heading south. | 0:52:21 | 0:52:23 | |
Honey, where are you? | 0:52:23 | 0:52:24 | |
-A minute away. Eastside approach. -Got it! | 0:52:24 | 0:52:26 | |
-Hello? -Where are you now? | 0:52:35 | 0:52:37 | |
I'm on the park exit at... | 0:52:37 | 0:52:39 | |
-Old Ford Road. -You're still being followed. | 0:52:39 | 0:52:41 | |
-Not any more. -Yes, the police are tracking your phone signal. | 0:52:41 | 0:52:45 | |
Stay with me! Follow my instructions! | 0:52:45 | 0:52:46 | |
What? | 0:52:46 | 0:52:48 | |
Shit! | 0:52:50 | 0:52:51 | |
Shit! We missed him! | 0:52:56 | 0:52:58 | |
Then left into Mace Street. | 0:53:15 | 0:53:18 | |
Go left into Mace Street. | 0:53:29 | 0:53:30 | |
Be advised Mace Street is a cul-de-sac. | 0:53:30 | 0:53:33 | |
Shit! | 0:53:34 | 0:53:37 | |
And right onto Roman Road. | 0:53:49 | 0:53:51 | |
Picking him up now on Roman Road. | 0:54:20 | 0:54:22 | |
South West. | 0:54:22 | 0:54:23 | |
Lost him. | 0:54:33 | 0:54:34 | |
Get the westbound train. | 0:54:40 | 0:54:42 | |
Get off at Liverpool Street. Stay on the platform. | 0:54:42 | 0:54:44 | |
Shit! | 0:54:53 | 0:54:54 | |
Signal down! | 0:54:56 | 0:54:56 | |
The tube... The tube! | 0:54:59 | 0:55:01 | |
Central Line westbound! | 0:55:12 | 0:55:15 | |
Westbound train towards Liverpool Street. | 0:55:15 | 0:55:18 | |
Yeah. I'm en route. Five minutes. | 0:55:18 | 0:55:21 | |
Shit! | 0:55:29 | 0:55:31 | |
Shit! | 0:55:32 | 0:55:33 | |
TANNOY: Ladies and gentleman, there is a good service operating on all London Underground lines. | 0:55:39 | 0:55:44 | |
Give me your phone. | 0:56:17 | 0:56:18 | |
Follow me. Keep your distance. | 0:56:18 | 0:56:20 | |
He's back up. Liverpool Street Station. | 0:57:08 | 0:57:11 | |
Liverpool Street entrance. And walking east. | 0:57:25 | 0:57:28 | |
I can't see him. | 0:57:37 | 0:57:38 | |
Subtitles by Red Bee Media Ltd | 0:58:29 | 0:58:31 | |
E-mail [email protected] | 0:58:31 | 0:58:33 |