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This programme contains some strong language and some scenes which viewers may find disturbing. | 0:00:02 | 0:00:09 | |
-Was Harvey Wratten a grass? -Is that why he was shot? -We don't know. | 0:00:10 | 0:00:13 | |
-Set up a meeting with Babur. -Who else? -Just me. | 0:00:13 | 0:00:16 | |
To begin with I will need a single shipment from you of 200 kilos. | 0:00:16 | 0:00:20 | |
-600 in all. -And who will you move it onto? | 0:00:20 | 0:00:22 | |
-Bob Harris. -Does he trust you? | 0:00:22 | 0:00:25 | |
Who am I supposed to be buying from? | 0:00:25 | 0:00:27 | |
Some lunatic kid in a cupboard? I don't fucking think so! | 0:00:27 | 0:00:30 | |
I didn't tell them anything. I don't know where Andy is. | 0:00:34 | 0:00:37 | |
Driver's missing. | 0:00:37 | 0:00:38 | |
It is very probable that Andy is the sole witness to a murder. | 0:00:38 | 0:00:41 | |
If Andy contacts you tell him to call this number. | 0:00:41 | 0:00:45 | |
Say it's Gatehouse. | 0:00:45 | 0:00:47 | |
And as we know, Julie, your mother had Alzheimer's. | 0:00:47 | 0:00:50 | |
What about other treatment? | 0:00:50 | 0:00:52 | |
We've explored all the possibilities and now we're here. | 0:00:52 | 0:00:55 | |
-I'm so sorry, Laura. -For what? | 0:00:55 | 0:00:57 | |
The babies. I know you want to try again. | 0:00:58 | 0:01:00 | |
The clinic said we should. | 0:01:00 | 0:01:02 | |
They've said that before, haven't they? Five times. | 0:01:02 | 0:01:06 | |
-What's that? -Andy Dixon's mobile phone number. | 0:01:06 | 0:01:08 | |
He used it half an hour after Harvey Wratten's death and who do you think he called? | 0:01:08 | 0:01:12 | |
Mrs Dixon. Tell Andy to call me. | 0:01:12 | 0:01:15 | |
Me and only me. | 0:01:15 | 0:01:18 | |
He's up! | 0:01:18 | 0:01:19 | |
A minute away. Eastside approach. | 0:01:19 | 0:01:20 | |
All right, I'm here. | 0:01:20 | 0:01:22 | |
MOBILE RINGS | 0:01:22 | 0:01:24 | |
-Hello? -Run! | 0:01:24 | 0:01:26 | |
Shit! | 0:01:35 | 0:01:36 | |
Where have you been? Why didn't you go back on the night? | 0:01:49 | 0:01:54 | |
I got scared. | 0:01:54 | 0:01:55 | |
You must've guessed what was going to happen to him. | 0:01:55 | 0:01:58 | |
It's... a different thing to see it though. | 0:01:58 | 0:02:00 | |
I didn't realise... | 0:02:03 | 0:02:04 | |
What? | 0:02:09 | 0:02:10 | |
You should have gone back on the night. | 0:02:18 | 0:02:20 | |
You should have told them everything you heard. That's what we agreed. | 0:02:20 | 0:02:25 | |
If you'd done that you'd have been off the hook and ten grand richer. | 0:02:25 | 0:02:28 | |
I don't want the money. | 0:02:28 | 0:02:29 | |
That's lucky because you haven't got any. | 0:02:29 | 0:02:31 | |
Given it all to your mother, I think. | 0:02:31 | 0:02:33 | |
And, now you need to speak with Jay Wratten. | 0:02:33 | 0:02:37 | |
-He's threatened to kill my baby. -So you need to speak with him. | 0:02:37 | 0:02:40 | |
I just want out. | 0:02:40 | 0:02:42 | |
You want out, you do exactly as I say. | 0:02:42 | 0:02:44 | |
And this time to the letter. Do you understand? | 0:02:44 | 0:02:48 | |
Yes. | 0:02:48 | 0:02:49 | |
Who have you spoken to apart from your mother? | 0:02:49 | 0:02:52 | |
Sara and Wratten. | 0:02:53 | 0:02:55 | |
-No-one else? -No. | 0:02:55 | 0:02:56 | |
Good. Keep it that way and this could still work. | 0:02:56 | 0:03:00 | |
Your mother gave me Wratten's number. Call him. | 0:03:03 | 0:03:06 | |
Tell him you were running from the police. | 0:03:06 | 0:03:08 | |
And you'll meet him at the Cross Arrow Inn on Hackney Road in 20 minutes. | 0:03:08 | 0:03:12 | |
And then you'll tell him everything you heard. Everything you HEARD. | 0:03:12 | 0:03:18 | |
Here. Take this. Careful, it's a bit oily. | 0:03:21 | 0:03:25 | |
Trust me, if you really knew Jay Wratten, | 0:03:27 | 0:03:30 | |
you'd turn up in a Sherman fucking tank. | 0:03:30 | 0:03:32 | |
MOBILE BEEPS | 0:04:42 | 0:04:44 | |
Go on. | 0:04:45 | 0:04:47 | |
It was erm... It was Harvey who told me where to go. | 0:04:52 | 0:04:56 | |
He said he had to meet someone. | 0:04:56 | 0:04:58 | |
Did he say who? | 0:05:01 | 0:05:02 | |
No. Just where to go. | 0:05:02 | 0:05:05 | |
So that's where I took him, straight from the prison. | 0:05:05 | 0:05:09 | |
And that's where we waited until he turned up. | 0:05:09 | 0:05:12 | |
What? You saw him? | 0:05:14 | 0:05:16 | |
No. He must've come up from behind the car. | 0:05:17 | 0:05:20 | |
First I heard, he was tapping on Mr Wratten's window. | 0:05:20 | 0:05:25 | |
And Mr Wratten, he's saying, "bloody hell", like he knows the guy. | 0:05:25 | 0:05:29 | |
Not afraid or anything. | 0:05:29 | 0:05:32 | |
And then next thing he tells me to turn on the ignition | 0:05:32 | 0:05:37 | |
so he could put the window down. | 0:05:37 | 0:05:40 | |
So I never saw his face. But I did hear his voice. | 0:05:40 | 0:05:46 | |
Just before he... | 0:05:47 | 0:05:50 | |
What did he say? | 0:05:56 | 0:05:58 | |
He said... He said "Bob Harris says 'hello'." | 0:06:00 | 0:06:07 | |
MOBILE BEEPS | 0:06:10 | 0:06:11 | |
Good boy. | 0:06:17 | 0:06:19 | |
Now call your girlfriend. | 0:06:33 | 0:06:34 | |
Use this. | 0:06:35 | 0:06:37 | |
-It's jammed. No-one can hear it. -Why? | 0:06:37 | 0:06:39 | |
-You want to protect her? -Of course. | 0:06:39 | 0:06:42 | |
Then do as I say. She has a sister, right? | 0:06:42 | 0:06:46 | |
A nurse. Recently relocated. | 0:06:46 | 0:06:47 | |
And you keep an eye on the house for her. | 0:06:47 | 0:06:49 | |
-Yes. -Yes. Tell her to go there. Tell her to speak to no-one, | 0:06:49 | 0:06:54 | |
to make sure she's not followed. Your baby's life depends on it. | 0:06:54 | 0:06:57 | |
Tell her you'll meet her there. Understand? | 0:06:57 | 0:07:00 | |
I don't want any more to do with this. | 0:07:00 | 0:07:02 | |
It was you messed up. It's me putting it right! | 0:07:02 | 0:07:05 | |
Do as I say and you'll be out of this. | 0:07:09 | 0:07:12 | |
MOBILE KEYS BEEP | 0:07:12 | 0:07:14 | |
KNOCK AT DOOR | 0:07:59 | 0:08:02 | |
Andy! | 0:08:08 | 0:08:10 | |
I'm so sorry, yeah. | 0:08:14 | 0:08:15 | |
Yeah. It's all going to be all right! OK? | 0:08:20 | 0:08:22 | |
KNOCK AT DOOR | 0:08:33 | 0:08:35 | |
Stay here. | 0:08:40 | 0:08:41 | |
It's OK, yeah? | 0:08:45 | 0:08:47 | |
Don't let the soup burn. | 0:08:48 | 0:08:50 | |
Who is it? | 0:09:11 | 0:09:12 | |
Me. | 0:09:14 | 0:09:15 | |
Who were you expecting? | 0:09:24 | 0:09:26 | |
I don't know. | 0:09:27 | 0:09:29 | |
No-one knows you're here? | 0:09:29 | 0:09:32 | |
-No. -You're sure? | 0:09:32 | 0:09:35 | |
Why? | 0:09:35 | 0:09:36 | |
It's not safe yet. But don't worry, by tomorrow it will be. | 0:09:36 | 0:09:42 | |
And then you'll go to the police. | 0:09:42 | 0:09:44 | |
But... | 0:09:44 | 0:09:45 | |
It'll be fine. | 0:09:45 | 0:09:46 | |
All you have to do is tell them exactly what you told Jay | 0:09:46 | 0:09:50 | |
and then you'll be out of the picture, OK? | 0:09:50 | 0:09:53 | |
OK. | 0:09:54 | 0:09:56 | |
Good. | 0:09:56 | 0:09:57 | |
So, I have something for you. | 0:09:59 | 0:10:01 | |
Can we go in there? | 0:10:04 | 0:10:05 | |
Sure. | 0:10:08 | 0:10:09 | |
Keep the wolf from the door. Rather a big wolf, actually. | 0:10:23 | 0:10:28 | |
You know the worst bit? It wasn't just the shooting. | 0:10:34 | 0:10:40 | |
It was the driving him down from the prison. | 0:10:42 | 0:10:46 | |
He laughed all the way, just sitting there in the back, | 0:10:46 | 0:10:50 | |
the sun on his face. | 0:10:50 | 0:10:51 | |
All the way. And I laughed too. I wish I hadn't. | 0:10:53 | 0:10:58 | |
-He knew where he was going. -He didn't though, did he? | 0:10:58 | 0:11:01 | |
Then he should've guessed. | 0:11:01 | 0:11:02 | |
Harvey Wratten, chose his road a long time ago. | 0:11:02 | 0:11:06 | |
And all you did was drive him there. | 0:11:06 | 0:11:08 | |
-Where's Sara? -In the kitchen. | 0:11:15 | 0:11:19 | |
-Smells good. -It's just cans. I haven't had a proper meal in days. | 0:11:22 | 0:11:27 | |
You'll be home soon, so, I'll leave you in peace. | 0:11:29 | 0:11:33 | |
-What about... -Of course. | 0:11:34 | 0:11:37 | |
In the car, you said you hadn't realised something. | 0:11:41 | 0:11:46 | |
-What was that? -What? | 0:11:46 | 0:11:49 | |
What was it you said you hadn't realised? | 0:11:49 | 0:11:52 | |
It was nothing. | 0:11:52 | 0:11:55 | |
Must be something. Something you saw? | 0:11:55 | 0:11:58 | |
-No! -What did you see? | 0:11:58 | 0:12:03 | |
-I didn't see anything. -Yes, you did. -I didn't. | 0:12:03 | 0:12:06 | |
I didn't see anything. Nothing at all. | 0:12:06 | 0:12:10 | |
I don't want to see anything. I just... | 0:12:10 | 0:12:13 | |
-I just want to get this over with. -But you did, you did see something. | 0:12:13 | 0:12:18 | |
And you know why I know? | 0:12:21 | 0:12:23 | |
Because I saw you too. | 0:12:27 | 0:12:29 | |
I didn't call you. | 0:12:43 | 0:12:44 | |
No, you didn't. | 0:12:46 | 0:12:47 | |
-So how do we handle this? -Don't look at me. -What? | 0:14:05 | 0:14:08 | |
The kindest thing I could do to that is drop a brick on it. | 0:14:08 | 0:14:11 | |
Don't listen to her, she's given up on the wonder of life. | 0:14:11 | 0:14:15 | |
Two murders and a suicide in one night, | 0:14:15 | 0:14:17 | |
more than enough wonder for me. | 0:14:17 | 0:14:19 | |
What are you doing? Huh. | 0:14:22 | 0:14:25 | |
-In what way? -It's still so young. | 0:14:25 | 0:14:29 | |
-I've seen enough. -Around here no-one gets a childhood. | 0:14:29 | 0:14:32 | |
-What would we normally do? -I don't know, never really thought about it. | 0:14:32 | 0:14:36 | |
So why start now? | 0:14:36 | 0:14:38 | |
Yes, yes, I love you too! | 0:14:38 | 0:14:41 | |
-Ah, you want it for yourself? -What? No, my life's complicated enough. | 0:14:41 | 0:14:48 | |
What are we going to do with you? | 0:14:48 | 0:14:51 | |
Jesus. If it worries you get someone to stick it in a home! | 0:14:51 | 0:14:54 | |
Like we'd do that if it was a real kid. | 0:14:54 | 0:14:56 | |
Is that what we should do, is it? Put you in a home? | 0:14:56 | 0:14:59 | |
If it's between that and a brick, I suppose there's a chance the brick could always miss. | 0:14:59 | 0:15:04 | |
-How did you get so sensitive(?) -From spending ten years standing in rooms like this. | 0:15:04 | 0:15:08 | |
Somehow it gets to kick the shit out of your mothering instincts. | 0:15:08 | 0:15:11 | |
Excuse us, gents. | 0:15:11 | 0:15:14 | |
You shouldn't have done that. | 0:15:22 | 0:15:23 | |
You've just put yourself in the story. | 0:15:23 | 0:15:26 | |
Technically, that's a theft. | 0:15:34 | 0:15:37 | |
Oh, right. No surprise there, then. | 0:15:37 | 0:15:39 | |
What? | 0:15:39 | 0:15:41 | |
What, so he's just picking up where he left off? | 0:15:41 | 0:15:44 | |
What? | 0:15:46 | 0:15:48 | |
-Oh, come on, you know. -No, I don't. | 0:15:50 | 0:15:53 | |
-DS Delaney. -What about him? -Double dipping on impounded shit. | 0:15:53 | 0:15:57 | |
If I were you, I'd be sure to bracket that sentence with "allegedly" | 0:15:57 | 0:16:00 | |
-and "unproven." -Either way, | 0:16:00 | 0:16:03 | |
he ends up getting stripped a rank and having to ride shotgun with Gabriel. | 0:16:03 | 0:16:06 | |
-So? -So what do you think happened next? | 0:16:06 | 0:16:08 | |
I really don't know. | 0:16:08 | 0:16:10 | |
Well, whatever it was... | 0:16:10 | 0:16:12 | |
..they both ended up getting shot. | 0:16:15 | 0:16:17 | |
-You don't think that's a little bit strange? -No. | 0:16:19 | 0:16:22 | |
-Well, you're on your own. -They were partners. | 0:16:22 | 0:16:24 | |
But partners in what? | 0:16:24 | 0:16:26 | |
In an undercover operation that went wrong. | 0:16:26 | 0:16:29 | |
Something went wrong all right, but who's to say exactly what it was? | 0:16:30 | 0:16:34 | |
Except, of course, Delaney and he's dead. | 0:16:34 | 0:16:36 | |
Oh, and Gabriel, and he's mysteriously lost his memory. | 0:16:36 | 0:16:41 | |
Now, that is strange. | 0:16:41 | 0:16:43 | |
-Even you can see that. -I'm not even in this. | 0:16:43 | 0:16:44 | |
You're his partner. You're in it whether you like it or not. | 0:16:44 | 0:16:47 | |
Listen, you want to know so much, why not just ask him about it face-to-face? | 0:16:47 | 0:16:52 | |
Maybe I should. | 0:16:52 | 0:16:54 | |
But then, I'm just not sure which face I'd be talking to. | 0:16:54 | 0:16:57 | |
Seems like he's got the two. | 0:16:57 | 0:16:59 | |
I tell you what, Constable. | 0:16:59 | 0:17:01 | |
You seriously want to start asking those kind of questions, | 0:17:01 | 0:17:05 | |
-you'd best do it formally. -I'll tell you what, Sergeant. | 0:17:05 | 0:17:09 | |
The night they went out, Gabriel didn't register the operation. | 0:17:11 | 0:17:17 | |
I know. I checked the log. | 0:17:17 | 0:17:19 | |
And right now your partner appears to have a memory as blank as that page. | 0:17:19 | 0:17:25 | |
But I can't help but wonder whether that's cos he failed to fill it in in the first place. | 0:17:25 | 0:17:29 | |
Maybe there's something he wants us all to forget, | 0:17:29 | 0:17:33 | |
"allegedly" and "unproven" | 0:17:33 | 0:17:34 | |
and all that bollocks. | 0:17:34 | 0:17:37 | |
No, I'm not buying. | 0:17:58 | 0:18:00 | |
Because? | 0:18:00 | 0:18:02 | |
I have a literal smoking gun. | 0:18:02 | 0:18:05 | |
I can attach it to both the killings and the killer. | 0:18:05 | 0:18:08 | |
Andy Dixon used it to kill Harvey Wratten, | 0:18:08 | 0:18:10 | |
his mother and girlfriend then himself. | 0:18:10 | 0:18:12 | |
Ballistics match the bullets to each killing, along with firearms residue on his hand | 0:18:12 | 0:18:17 | |
and forensics matched the oil stains on Dixon's shirt and trousers to the gun. | 0:18:17 | 0:18:21 | |
On top of that, I have Dixon's post mortem report which notes | 0:18:21 | 0:18:27 | |
pre-mortem abrasions to Dixon's stomach matching the length of the barrel, | 0:18:27 | 0:18:34 | |
suggesting, beyond reasonable doubt, that in the last 24 hours before death, he'd been carrying the gun | 0:18:34 | 0:18:40 | |
tucked into his trousers for a considerable period of time. | 0:18:40 | 0:18:43 | |
So, I'm not buying because I've already bought. | 0:18:43 | 0:18:49 | |
-Motive? -For killing Wratten? -Yeah. | 0:18:49 | 0:18:52 | |
-Dixon's brother, what's his name? -Tracy. | 0:18:52 | 0:18:55 | |
Well, Tracy's in jail and I notice from the transcription of your interview with Mrs Dixon | 0:18:55 | 0:19:00 | |
that she alleges a collusion at his trial between us and Wratten's people to get Tracy sent down. | 0:19:00 | 0:19:04 | |
Now, we're supposed to be the enemy, but Wratten... | 0:19:04 | 0:19:08 | |
Wratten was meant to be the friend. | 0:19:09 | 0:19:12 | |
So, motive - revenge, timed to the first opportunity. | 0:19:12 | 0:19:18 | |
I tell you, I've not only bought, I've bought full price! | 0:19:18 | 0:19:22 | |
And the family? | 0:19:22 | 0:19:24 | |
I had this case, | 0:19:24 | 0:19:27 | |
a businessman, lost all his money, | 0:19:27 | 0:19:31 | |
killed his family then himself before any of them could find out. | 0:19:31 | 0:19:36 | |
No-one could say absolutely why he did it. | 0:19:41 | 0:19:44 | |
But perhaps Dixon believed that after killing Wratten, there'd be a revenge none of them could hope to escape. | 0:19:44 | 0:19:51 | |
Perverse as it may seem to us, | 0:19:52 | 0:19:55 | |
maybe he was trying to protect them. | 0:19:55 | 0:19:57 | |
All I know is that when killers kill, they're not thinking straight - that's why they do it. | 0:19:57 | 0:20:01 | |
-What happened to the helicopter? -Trying to cut down on your commute? | 0:20:01 | 0:20:04 | |
If we'd had a chopper, we wouldn't have lost him. | 0:20:04 | 0:20:06 | |
What can I say? | 0:20:06 | 0:20:09 | |
It's a bad world, Jonah, and inconvenient as it may be | 0:20:09 | 0:20:12 | |
for you and me, when bad things happen, they don't just happen one at a time. | 0:20:12 | 0:20:17 | |
He's just a boy. | 0:20:17 | 0:20:19 | |
You think a child's incapable of that type of crime? | 0:20:19 | 0:20:22 | |
Jesus, you have been away too long. | 0:20:22 | 0:20:25 | |
Long enough to see things differently. | 0:20:25 | 0:20:27 | |
Well, I've seen enough. The case reads well, it all holds up, I like it, I've bought it. | 0:20:27 | 0:20:31 | |
Terminado. | 0:20:31 | 0:20:33 | |
Unless you have anything else. | 0:20:41 | 0:20:44 | |
Your boss told me that you'd asked for me on this case personally. | 0:20:53 | 0:20:56 | |
Khokar... What a leaky ship he is. | 0:20:58 | 0:21:03 | |
-Why'd you do that? -Why shouldn't I? | 0:21:03 | 0:21:05 | |
But why DID you? You think I can do this? | 0:21:05 | 0:21:08 | |
Oh, I don't think, Gabriel. I know. | 0:21:08 | 0:21:11 | |
You're the very best. | 0:21:11 | 0:21:14 | |
And I mean that in black and white. | 0:21:14 | 0:21:17 | |
Cos you don't just walk the line. | 0:21:17 | 0:21:20 | |
You put yourself right out there in the light for everyone else to see. | 0:21:20 | 0:21:25 | |
-That's my job. -Yes, it is. | 0:21:25 | 0:21:28 | |
And that's why I asked for you to do this one. | 0:21:28 | 0:21:30 | |
So this is me doing it. | 0:21:30 | 0:21:33 | |
I don't believe that Andy Dixon killed Harvey Wratten. | 0:21:33 | 0:21:36 | |
OK. | 0:21:41 | 0:21:44 | |
So I'll tell you what I'm going to do. | 0:21:44 | 0:21:46 | |
-I'm going to shut this show down right now. -Why? | 0:21:46 | 0:21:49 | |
-It's all there, everything I need. -With a few loose threads. | 0:21:49 | 0:21:52 | |
That I'm going to give you... two weeks to tie up. | 0:21:52 | 0:21:57 | |
-On my own? -With Honey. Share the load. | 0:21:57 | 0:21:59 | |
-A month. -Three weeks. | 0:21:59 | 0:22:01 | |
What if I find something? | 0:22:01 | 0:22:03 | |
Then I'll have been proved right, won't I? | 0:22:03 | 0:22:06 | |
Oh, by the way, how is it with you and that journalist? | 0:22:09 | 0:22:13 | |
The one you spat your teeth at during the launch. | 0:22:13 | 0:22:15 | |
-McGovern? -Mmm. | 0:22:15 | 0:22:17 | |
Put it this way. Whoever gets to wring that fucker's neck gets a free pass from me. | 0:22:17 | 0:22:21 | |
Probably best if I handle the press, then, au solo. | 0:22:22 | 0:22:27 | |
Well, just as long as you get the facts straight. | 0:22:27 | 0:22:29 | |
It won't matter a damn what I say. | 0:22:29 | 0:22:32 | |
The only thing they'll want from me is a picture of Andy Dixon and his family at Christmas, | 0:22:32 | 0:22:37 | |
preferably with him holding the turkey knife. | 0:22:37 | 0:22:40 | |
Sir. | 0:22:43 | 0:22:45 | |
-What does it mean? -It's your life. | 0:22:48 | 0:22:52 | |
And mine when I joined it. | 0:22:52 | 0:22:54 | |
-When was that? -There. | 0:22:54 | 0:22:56 | |
And that's when we got married. And that's when we last came here. Remember that? | 0:22:56 | 0:23:01 | |
-What? -Our honeymoon. | 0:23:01 | 0:23:04 | |
Did you want me? | 0:23:06 | 0:23:08 | |
Oh, yeah! I still do. | 0:23:08 | 0:23:10 | |
I don't know where to turn. | 0:23:33 | 0:23:35 | |
You don't have to. | 0:23:37 | 0:23:39 | |
We'll face it together. | 0:23:40 | 0:23:42 | |
-Mr Babur is interested in your proposal. -Good. | 0:24:22 | 0:24:26 | |
-But he wants Bob Harris sewn into it first. -That's part of the plan. | 0:24:26 | 0:24:31 | |
He doesn't want there to be any trouble between you. | 0:24:31 | 0:24:34 | |
There won't be. | 0:24:34 | 0:24:36 | |
Tell Mr Babur I'll speak to Mr Harris and get back to him when I have. | 0:24:36 | 0:24:40 | |
You must be quick. | 0:24:40 | 0:24:42 | |
I know. | 0:24:42 | 0:24:43 | |
-What are you doing? -Well, they won't get done on their own. | 0:24:57 | 0:25:00 | |
No, don't put that in there! | 0:25:11 | 0:25:13 | |
That's not dishwasher-proof. | 0:25:13 | 0:25:15 | |
-Sorry. -I'll have to do it all over again now. | 0:25:15 | 0:25:18 | |
Shouldn't you be getting dressed? | 0:25:24 | 0:25:27 | |
We've got a couple of hours yet. | 0:25:27 | 0:25:30 | |
Time to bury the bodies? | 0:25:30 | 0:25:32 | |
-What? -Isn't that what you do? -What? | 0:25:32 | 0:25:37 | |
At the grave side. | 0:25:37 | 0:25:39 | |
No, darling. I'm a flower man. Remember? | 0:25:39 | 0:25:43 | |
Yeah. | 0:25:43 | 0:25:45 | |
Flowers for a funeral. | 0:25:45 | 0:25:48 | |
Whose funeral? | 0:25:51 | 0:25:53 | |
-Why are you doing this? -It's my job. | 0:26:56 | 0:27:00 | |
Just like it's yours. | 0:27:00 | 0:27:01 | |
My job's to do as I'm told. | 0:27:01 | 0:27:03 | |
You've been told to do this. | 0:27:03 | 0:27:05 | |
Officially, the case is closed. | 0:27:05 | 0:27:07 | |
-The job's done. -Not in here it's not. | 0:27:07 | 0:27:10 | |
What do you know that other people don't? | 0:27:10 | 0:27:11 | |
-That something's not right. -What with? -What do you think? | 0:27:11 | 0:27:14 | |
-People talk, you know. -About what? | 0:27:19 | 0:27:20 | |
About you and the partners you choose. | 0:27:20 | 0:27:23 | |
And what do they say? | 0:27:23 | 0:27:25 | |
That DS Delaney double dipped. | 0:27:26 | 0:27:30 | |
-That was before they gave him to me. -What did you do with him? | 0:27:30 | 0:27:33 | |
-I straightened him out. -Cos that's the kind of person you are, right? | 0:27:33 | 0:27:36 | |
-So what about this? You register this? -What? | 0:27:41 | 0:27:45 | |
This operation. | 0:27:45 | 0:27:46 | |
-I know it's unofficial, but you've still got to register it. -I know. I did. | 0:27:46 | 0:27:50 | |
And what about the night you got shot with Delaney? | 0:27:50 | 0:27:53 | |
You register that before you went out? | 0:27:53 | 0:27:56 | |
Why wouldn't I have? | 0:28:00 | 0:28:02 | |
I'm not saying you didn't. | 0:28:02 | 0:28:04 | |
But just so as you know, | 0:28:04 | 0:28:06 | |
whatever happens this time, | 0:28:06 | 0:28:08 | |
it won't be DS Delaney standing beside you. | 0:28:08 | 0:28:10 | |
It'll be me. | 0:28:10 | 0:28:13 | |
And I'm not looking to check out just yet. | 0:28:13 | 0:28:15 | |
Sod it, McGovern. If you want to kill yourself, go ahead, but not with me on the back! | 0:28:21 | 0:28:25 | |
-Relax. We were fine. -I have a partner and kids. | 0:28:25 | 0:28:28 | |
Yeah? Me too. | 0:28:28 | 0:28:30 | |
-Then act like it! This is just a job, right? -Relax. | 0:28:30 | 0:28:33 | |
CAMERA CLICKS | 0:28:39 | 0:28:42 | |
-What? -Well, there's nothing to see. | 0:29:22 | 0:29:24 | |
If there was 1,000 people out there right now, not one of them would be worth a shot. | 0:29:24 | 0:29:28 | |
In that business, people with big funerals, they've got nothing to hide. | 0:29:28 | 0:29:32 | |
They just want to show everyone they're something they're not. | 0:29:32 | 0:29:36 | |
But you want to photograph a real crime lord's funeral, then keep snapping. | 0:29:36 | 0:29:39 | |
You'll never get a better one than that. | 0:29:42 | 0:29:44 | |
Well, well, well. | 0:30:05 | 0:30:07 | |
Fancy finding you in a graveyard. | 0:30:07 | 0:30:10 | |
Does that mean it's too late to hear your confession? | 0:30:10 | 0:30:13 | |
Only if I put you six foot under. | 0:30:13 | 0:30:16 | |
Is that a real threat? Should I be consulting my lawyer? | 0:30:16 | 0:30:19 | |
You go near my wife again and I'll be consulting mine. | 0:30:19 | 0:30:22 | |
-Is that for a divorce? -I am warning you. | 0:30:22 | 0:30:24 | |
-I think you have to arrest me first. -All right, boys, raise your antlers. | 0:30:24 | 0:30:29 | |
Wow. I can see why Patterson chose to handle the press on his own. | 0:30:29 | 0:30:32 | |
Hope he wore surgical gloves. | 0:30:32 | 0:30:34 | |
No, they were, er... | 0:30:35 | 0:30:37 | |
They were kid, actually. Yeah, pure billy goat kid. | 0:30:37 | 0:30:42 | |
Yeah, there was coffee and buns and everything. It was, er... | 0:30:42 | 0:30:45 | |
It was a funny thing, him going to all that trouble to tell us that the case was closed and yet | 0:30:45 | 0:30:51 | |
here you are still struggling with the latches. | 0:30:51 | 0:30:55 | |
Who's that? | 0:30:55 | 0:30:57 | |
I don't know. | 0:31:00 | 0:31:02 | |
THE DOOR CLOSES | 0:31:13 | 0:31:16 | |
What are you doing here? | 0:31:24 | 0:31:25 | |
I'm not sure, Jay. Are you going to tell me? | 0:31:25 | 0:31:28 | |
You shouldn't be here. | 0:31:28 | 0:31:30 | |
Of course, if it wasn't for your uncle, | 0:31:32 | 0:31:35 | |
I'd be everywhere, wouldn't I? I mean, literally everywhere. | 0:31:35 | 0:31:38 | |
That wasn't down to me. | 0:31:38 | 0:31:40 | |
Really? And what about my wife and kids? Because they were there, too. | 0:31:40 | 0:31:44 | |
You've got even more reason to be grateful, then, haven't you? | 0:31:44 | 0:31:47 | |
Really? | 0:31:47 | 0:31:49 | |
Or did your lot put my family in harm's way just to save yourselves? | 0:31:49 | 0:31:53 | |
You're not the one in the coffin. | 0:31:56 | 0:31:58 | |
And I'm not the one who tried to get myself out of prison. | 0:32:00 | 0:32:03 | |
But you were the one who put us in there in the first place. | 0:32:03 | 0:32:08 | |
But you made the mistake, remember. | 0:32:08 | 0:32:10 | |
Hmm... | 0:32:11 | 0:32:14 | |
Well, we see about that, won't we? | 0:32:14 | 0:32:17 | |
I won't be played, Jay, especially when I don't know the rules. | 0:32:20 | 0:32:25 | |
Well, you better get off the field, then, | 0:32:25 | 0:32:28 | |
before you get caught in a naughty tackle. | 0:32:28 | 0:32:31 | |
Or before someone calls foul. | 0:32:31 | 0:32:34 | |
Poor little lamb. | 0:32:36 | 0:32:39 | |
And now that Bo-Peep's dead, where are you going to run to next? | 0:32:39 | 0:32:43 | |
Straight to the knacker's yard, I reckon. | 0:32:43 | 0:32:46 | |
Are you trying to get me riled? | 0:32:48 | 0:32:51 | |
Because you're going to have to try a lot harder than that. | 0:32:51 | 0:32:54 | |
Don't worry, I intend to. | 0:32:54 | 0:32:56 | |
-All right, go after him. -What if he's in a car? -Get the plate. | 0:33:21 | 0:33:25 | |
-And McGovern? -I'll deal with him. | 0:33:25 | 0:33:27 | |
McGovern! You're not going anywhere on that. | 0:33:34 | 0:33:38 | |
The light's busted. The light. It's busted. | 0:33:38 | 0:33:43 | |
For Christ sake. | 0:33:48 | 0:33:50 | |
Gabriel. | 0:33:56 | 0:33:58 | |
Hey! | 0:33:58 | 0:33:59 | |
You have no idea the pleasure this will give me. | 0:33:59 | 0:34:02 | |
You're going to pay for this. You don't touch my fucking bike. | 0:34:02 | 0:34:06 | |
You're going to pay for this. | 0:34:08 | 0:34:10 | |
-SHE GASPS -Who are you? | 0:35:38 | 0:35:40 | |
Argh! | 0:35:42 | 0:35:43 | |
HE GROANS | 0:36:08 | 0:36:11 | |
Scissors. I win. Who are you? | 0:36:14 | 0:36:16 | |
-Police. -You're not a very good one. You've been following me. Why? | 0:36:16 | 0:36:21 | |
-Harvey Wratten. There was nothing to see. -Except you. | 0:36:21 | 0:36:25 | |
I thought you people had closed the case. What are you looking for? | 0:36:25 | 0:36:29 | |
You the SIO? | 0:36:33 | 0:36:35 | |
Who's your SIO? | 0:36:35 | 0:36:37 | |
I'll find out, and when I do, expect a visit. | 0:36:39 | 0:36:42 | |
-Be sure to make an appointment. Hate to see you get stopped at the door. -Don't worry, I won't be. Back off. | 0:36:42 | 0:36:48 | |
You kill a cop, you'll never see daylight. | 0:36:48 | 0:36:51 | |
Where'd you get that from? A five-day course in Hendon(?) You're not on a crash mat now. Back off. | 0:36:51 | 0:36:56 | |
We're early. | 0:37:34 | 0:37:36 | |
We'll wait. | 0:37:36 | 0:37:38 | |
I don't like waiting. | 0:37:38 | 0:37:40 | |
Get used to it. | 0:37:40 | 0:37:42 | |
-I think I should have gone to Harvey's funeral. -You couldn't have. | 0:37:45 | 0:37:49 | |
You said, all of this... | 0:37:51 | 0:37:53 | |
It was all about... | 0:37:55 | 0:37:58 | |
putting that... | 0:37:58 | 0:37:59 | |
in that. | 0:37:59 | 0:38:01 | |
It is. | 0:38:01 | 0:38:02 | |
So with Harvey, | 0:38:04 | 0:38:06 | |
he's been putting that on my table for over 40 years. | 0:38:06 | 0:38:09 | |
If you'd had gone to his funeral, how long before the police came knocking at your door? | 0:38:09 | 0:38:14 | |
Jesus, Joseph... | 0:38:15 | 0:38:18 | |
-It's not all about business. -How old are you, Maurice? | 0:38:18 | 0:38:21 | |
58. | 0:38:21 | 0:38:23 | |
You looking to retire soon? | 0:38:23 | 0:38:25 | |
I don't know. | 0:38:28 | 0:38:29 | |
Am I? | 0:38:29 | 0:38:32 | |
Are you going to be pulling down a state pension? | 0:38:32 | 0:38:34 | |
Unlikely. | 0:38:37 | 0:38:39 | |
Yeah, because that's not the way we work, is it? | 0:38:39 | 0:38:43 | |
The state's not there for us, and we're not there for them. | 0:38:43 | 0:38:46 | |
We don't give and we don't ask... | 0:38:46 | 0:38:49 | |
because we don't have to. | 0:38:49 | 0:38:52 | |
We're better led, incentivised, organised and rewarded than any of them out there. | 0:38:52 | 0:38:58 | |
We live in different worlds, | 0:39:00 | 0:39:03 | |
and the only thing we have to do to keep it that way is make sure the lines between us never, ever cross. | 0:39:03 | 0:39:10 | |
What does that make you, then? | 0:39:11 | 0:39:13 | |
Harry Potter(?) | 0:39:14 | 0:39:16 | |
It'd make you a rich man if you'd keep in line. | 0:39:20 | 0:39:22 | |
Nobody asked you to take control, Joseph, but you have. | 0:39:25 | 0:39:29 | |
You want to pick up the reins? | 0:39:29 | 0:39:31 | |
No... They have a nasty habit of strangling you. | 0:39:31 | 0:39:36 | |
Well, whatever happens... | 0:39:36 | 0:39:40 | |
Don't come to MY funeral. | 0:39:40 | 0:39:42 | |
All right, Joseph? | 0:40:00 | 0:40:02 | |
-Bob. How's it going? -What this? | 0:40:02 | 0:40:05 | |
I'd stick my head in a bonfire if it gave me a lung full of smoke. | 0:40:05 | 0:40:09 | |
A word. | 0:40:09 | 0:40:11 | |
So, it was one of your own who did for Harvey. | 0:40:20 | 0:40:24 | |
The police seem to think so. | 0:40:24 | 0:40:26 | |
But you don't? | 0:40:26 | 0:40:28 | |
Anything that keeps the pigs away from my trough, I'm happy to go along with. | 0:40:28 | 0:40:32 | |
-And Glickman? -Gardening leave. | 0:40:34 | 0:40:36 | |
BOB CHUCKLES | 0:40:38 | 0:40:40 | |
So that leaves you. | 0:40:41 | 0:40:44 | |
You got a problem with that? | 0:40:44 | 0:40:46 | |
-Where's that boy? -Jay? | 0:40:47 | 0:40:50 | |
He's at Harvey's funeral. | 0:40:50 | 0:40:52 | |
While you're here doing business. | 0:40:52 | 0:40:55 | |
Exactly. | 0:40:55 | 0:40:56 | |
So, what do you want to talk about? | 0:40:57 | 0:40:59 | |
The future. | 0:40:59 | 0:41:01 | |
Yours and mine. | 0:41:01 | 0:41:03 | |
Happy? | 0:41:11 | 0:41:13 | |
Get in touch with Babur's people. | 0:41:13 | 0:41:15 | |
Tell them Bob Harris is on board. | 0:41:15 | 0:41:17 | |
Why didn't you tell me? | 0:41:48 | 0:41:50 | |
You had a funeral to go to. | 0:41:50 | 0:41:52 | |
Where'd you get to be so clever? | 0:41:54 | 0:41:55 | |
By working out who I could trust. | 0:41:55 | 0:41:58 | |
Yeah, well... | 0:41:58 | 0:42:00 | |
You might want to add that one up again. | 0:42:00 | 0:42:02 | |
'He must've come from behind the car. | 0:42:05 | 0:42:07 | |
'First I heard, he was tapping on Mr Wratten's window. | 0:42:07 | 0:42:12 | |
'Then, next thing, he tells me to turn on the ignition so he could put the window down, | 0:42:12 | 0:42:19 | |
'so I never saw his face. | 0:42:19 | 0:42:22 | |
'But I did hear his voice... | 0:42:22 | 0:42:26 | |
'..just before he... | 0:42:28 | 0:42:30 | |
'What did he say? | 0:42:32 | 0:42:34 | |
'He said... | 0:42:36 | 0:42:37 | |
'He said, "Bob Harris says hello." ' | 0:42:37 | 0:42:41 | |
Do you believe him? | 0:42:50 | 0:42:52 | |
I wouldn't be playing it if I didn't. | 0:42:53 | 0:42:55 | |
Do you force him to say it? | 0:42:57 | 0:42:59 | |
Why would I do that? | 0:42:59 | 0:43:01 | |
I just wanted to hear the truth. | 0:43:01 | 0:43:03 | |
And it seems to me, like I'm the only one who does. | 0:43:04 | 0:43:08 | |
By scaring the shit out of him? | 0:43:08 | 0:43:11 | |
Now, you see, this is interesting. | 0:43:12 | 0:43:14 | |
All your big speeches about leadership and chains of command and all that bollocks, | 0:43:14 | 0:43:18 | |
-and you are showing more concern for the foot soldier than the sergeant. Now, why is that? -That's not proof. | 0:43:18 | 0:43:24 | |
Now, I'm sure a genius like you would have already worked out who had more to gain, | 0:43:24 | 0:43:29 | |
Little Andy or Bob Harris, | 0:43:29 | 0:43:31 | |
so maybe it takes a simpleton like me | 0:43:31 | 0:43:35 | |
to notice that if it wasn't Harris who had Harvey murdered, | 0:43:35 | 0:43:40 | |
then, um, the next name on the list would be you. | 0:43:40 | 0:43:44 | |
I never wanted any of this! I'm not a leader, I'm just the fucking lieutenant! | 0:43:44 | 0:43:49 | |
And that's all I was ever supposed to be. | 0:43:49 | 0:43:51 | |
Your uncle had me buried for five years for this, up to my fucking neck! | 0:43:51 | 0:43:55 | |
And just when I'm going to get something out of it, somebody kills him. | 0:43:55 | 0:43:59 | |
Someone who maybe didn't need him any more? | 0:43:59 | 0:44:02 | |
I'm not looking for an empire. I'm just looking to survive! | 0:44:02 | 0:44:06 | |
Who with? Bob Harris? That's cosy. | 0:44:10 | 0:44:12 | |
All right, | 0:44:19 | 0:44:21 | |
I'll tell you something. | 0:44:21 | 0:44:23 | |
A secret. | 0:44:23 | 0:44:24 | |
I'm in for this deal and then I'm out. | 0:44:34 | 0:44:36 | |
Out of what? | 0:44:36 | 0:44:38 | |
The lot. You want it, you can have it. | 0:44:38 | 0:44:41 | |
If you want an empire, you've got your first brick. | 0:44:41 | 0:44:45 | |
You can build on it or you can burn it down, I don't care. | 0:44:45 | 0:44:48 | |
Why would you do that? | 0:44:52 | 0:44:55 | |
Because that's what me and Harvey agreed. | 0:44:55 | 0:44:57 | |
I had nothing to gain from his death. Nothing. It just made it harder. | 0:44:57 | 0:45:01 | |
I had to stick this together on my own. | 0:45:01 | 0:45:04 | |
But now, with Babur to supply, Harris to distribute and us as the warehouse, | 0:45:04 | 0:45:09 | |
we're ready to go again. | 0:45:09 | 0:45:11 | |
Just as Harvey would have wanted. | 0:45:11 | 0:45:14 | |
Yeah, except you've just put his killer in the loop. | 0:45:14 | 0:45:17 | |
If I have, you can put it round his neck, but not until this deal's done. | 0:45:17 | 0:45:20 | |
How can I be sure that you'll do as you say? | 0:45:24 | 0:45:26 | |
-You have my word. -What's that worth? | 0:45:26 | 0:45:29 | |
I don't know, Jay. Depends how good a judge of character you are. | 0:45:29 | 0:45:32 | |
Bob Harris... | 0:45:34 | 0:45:37 | |
killed Harvey Wratten. | 0:45:37 | 0:45:38 | |
-You and I know that. -Then you can deal with him. | 0:45:40 | 0:45:43 | |
But if I was you, I'd take his money off him first. | 0:45:43 | 0:45:46 | |
DRUMMING | 0:45:50 | 0:45:53 | |
-Where are you going to go with it if we do? -Completely out of the picture. | 0:45:54 | 0:45:58 | |
Oh, yeah - where's that? | 0:45:58 | 0:46:00 | |
Where it matters most. | 0:46:02 | 0:46:04 | |
Hello. | 0:46:24 | 0:46:25 | |
How did it go? | 0:46:28 | 0:46:29 | |
Well. | 0:46:29 | 0:46:31 | |
Went well. | 0:46:33 | 0:46:35 | |
I bet you didn't expect you'd have to knock me out to get me pregnant. | 0:46:37 | 0:46:42 | |
Don't... Don't... | 0:46:46 | 0:46:48 | |
-Why? Cos we're not at that part of the cycle yet? -What? | 0:46:50 | 0:46:54 | |
-Six times. -And it'll be the last. | 0:46:56 | 0:47:00 | |
-You're so certain. -And you're not. | 0:47:03 | 0:47:08 | |
-We used to have to do that, you know, in prehistoric times. -What? | 0:47:15 | 0:47:20 | |
Knock you out first. | 0:47:22 | 0:47:23 | |
SHE MOUTHS | 0:47:23 | 0:47:25 | |
-She tried to kill me! -Julie! -> | 0:47:37 | 0:47:39 | |
-I know it! You want me to die! -Julie, stop it! -> | 0:47:39 | 0:47:42 | |
-Stop IT! -> | 0:47:42 | 0:47:43 | |
-Julie! -> | 0:47:43 | 0:47:45 | |
I love you. | 0:48:04 | 0:48:06 | |
SHE SCREAMS LOUDLY | 0:48:08 | 0:48:11 | |
It's all right. | 0:48:13 | 0:48:15 | |
SHE SCREAMS AND WAILS | 0:48:25 | 0:48:29 | |
I'm sorry, it was my fault. | 0:48:56 | 0:48:58 | |
-What? -I shouldn't have asked you to do it. | 0:48:58 | 0:49:01 | |
I had to ask, and she answered me. | 0:49:01 | 0:49:03 | |
-That was only because she was afraid. -No, she was right. | 0:49:03 | 0:49:06 | |
-You put your wife in a home, and it's only one step to the grave. -No, Joseph. | 0:49:06 | 0:49:10 | |
She's losing everything. Everything. | 0:49:12 | 0:49:14 | |
-That's why I... -But she won't lose me. | 0:49:14 | 0:49:17 | |
And I won't ask again. | 0:49:17 | 0:49:19 | |
-This will happen more and more. -But there'll be times in between. -Yes. -Then I'll wait for those. | 0:49:19 | 0:49:26 | |
But then there's the cost of it all. | 0:49:26 | 0:49:29 | |
-I'll pay. -She needs round-the-clock care. | 0:49:29 | 0:49:31 | |
I'll pay. | 0:49:31 | 0:49:32 | |
So... | 0:49:39 | 0:49:41 | |
..are you going to shed a bit of light on this for me? | 0:49:45 | 0:49:48 | |
It depends on what you want to know. | 0:49:49 | 0:49:51 | |
-I think there's a few on your side might be playing for both teams. -Pensions aren't what they were. | 0:49:53 | 0:49:59 | |
-Why do you think I'm here? -No, this is, er... This is big time. | 0:49:59 | 0:50:03 | |
-World Cup stuff. -And you want their names? | 0:50:03 | 0:50:06 | |
That'd need a World Cup payment. | 0:50:06 | 0:50:08 | |
I already have 'em. | 0:50:09 | 0:50:11 | |
They're re-cycling. From your side in then back out again. | 0:50:11 | 0:50:14 | |
How very green of them. | 0:50:14 | 0:50:17 | |
-When? -When? | 0:50:17 | 0:50:19 | |
-Well, I know it ended 13 months ago. -So what DON'T you know? | 0:50:19 | 0:50:24 | |
-Who was buying? -There's an awful lot of that going on. | 0:50:24 | 0:50:28 | |
I'll need a little more. | 0:50:28 | 0:50:31 | |
Well, one of your guys ended up getting shot. Dead. | 0:50:31 | 0:50:34 | |
Ah, yes. | 0:50:35 | 0:50:37 | |
I do remember that one. Delaney. | 0:50:37 | 0:50:40 | |
And the other one is still running around with a bullet in his head. | 0:50:42 | 0:50:47 | |
-And I'd like to know why. -For how much? | 0:50:47 | 0:50:49 | |
That depends where it takes me. But if it goes where I hope, | 0:50:49 | 0:50:54 | |
it'll be a pension worth having. | 0:50:54 | 0:50:56 | |
Pop that in the 5.30 for me, will you? | 0:50:59 | 0:51:02 | |
-I thought you were looking to put your feet under a desk. -Yeah. | 0:51:04 | 0:51:08 | |
-Yeah, I am. -So why are you doing this? | 0:51:08 | 0:51:12 | |
He broke my bike. | 0:51:16 | 0:51:18 | |
Wanker! | 0:51:21 | 0:51:23 | |
That must be quite a shock for you, sir...to see the day on which you got shot. | 0:52:07 | 0:52:12 | |
There are no other logs? | 0:52:14 | 0:52:16 | |
Oh, no, sir. I've checked. | 0:52:16 | 0:52:19 | |
SHE CLICKS HER TONGUE | 0:52:38 | 0:52:40 | |
Good girl. Come here. | 0:52:40 | 0:52:41 | |
Come here. | 0:52:41 | 0:52:42 | |
Don't be getting any ideas. | 0:52:45 | 0:52:47 | |
You were right. | 0:52:48 | 0:52:50 | |
I didn't register the operation the night Delaney was killed. | 0:52:50 | 0:52:54 | |
Why not? | 0:52:54 | 0:52:56 | |
I don't know. | 0:52:56 | 0:52:59 | |
Most people, Jonah, they have a crash, they may not remember the impact | 0:53:02 | 0:53:07 | |
-but they still know why they got in the car. -Well, I don't. | 0:53:07 | 0:53:11 | |
Because I've got a bullet where that particular memory should be. | 0:53:11 | 0:53:15 | |
-Then maybe you should take that as a reminder. -To do what? -Draw a line across the past. -Why? | 0:53:15 | 0:53:20 | |
-Selfishly, sir, because I don't want to have to be there if you decided to go back to it. -To what? | 0:53:20 | 0:53:26 | |
To whatever it is that's troubling you. | 0:53:27 | 0:53:30 | |
You think I'm a bad cop. | 0:53:31 | 0:53:34 | |
Honestly? | 0:53:36 | 0:53:37 | |
I think you're a good one. | 0:53:40 | 0:53:41 | |
How do you know? | 0:53:43 | 0:53:45 | |
How could I not? | 0:53:45 | 0:53:47 | |
It comes with the card. | 0:53:47 | 0:53:49 | |
And you've still got one. | 0:53:49 | 0:53:51 | |
-Where are you taking it? -Battersea Dogs Home. | 0:54:07 | 0:54:10 | |
-A brick would save you the petrol. -And you'd really drop it? -Don't test me. | 0:54:10 | 0:54:15 | |
You wouldn't say that if you had a kid. | 0:54:16 | 0:54:19 | |
But I don't. | 0:54:19 | 0:54:21 | |
I'll see you tomorrow. | 0:54:25 | 0:54:27 | |
Night, sir. | 0:54:28 | 0:54:29 | |
CAT MIAOWS LOUDLY | 0:54:41 | 0:54:44 | |
It's Daddy. | 0:57:19 | 0:57:21 | |
Got a smile for me? Look what I've got for you. | 0:57:27 | 0:57:30 | |
Subtitles by Red Bee Media Ltd | 0:58:02 | 0:58:07 | |
E-mail [email protected] | 0:58:07 | 0:58:09 |