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'So, I'm going to shut this show down right now.' | 0:00:04 | 0:00:07 | |
-Unless you have anything else. -I don't believe that Andy Dixon killed Harvey Wratten. | 0:00:07 | 0:00:12 | |
-Where's Glickman? -Not at the house. It's empty. -Go and see Glickman's family. | 0:00:12 | 0:00:16 | |
-He's got a son. An accountant. Winchmore Hill way. -He puts things in boxes. | 0:00:16 | 0:00:20 | |
You, me, everything. | 0:00:20 | 0:00:22 | |
Which one are you in? | 0:00:22 | 0:00:24 | |
I'm in the one marked, "Knows Nothing". | 0:00:24 | 0:00:26 | |
-All right, Joseph. -Bob. | 0:00:26 | 0:00:28 | |
So what do you want to talk about? | 0:00:28 | 0:00:30 | |
The future. Yours and mine. | 0:00:30 | 0:00:33 | |
Oh, by the way, how is it with you and that journalist? | 0:00:33 | 0:00:36 | |
Whoever gets to wring that fucker's neck gets a free pass from me. | 0:00:36 | 0:00:40 | |
Probably best if I handle the press, then. Au solo. | 0:00:40 | 0:00:43 | |
It was a funny thing, him going to all that trouble to tell us that the case was closed | 0:00:43 | 0:00:48 | |
and yet here you are, still struggling with the latches. | 0:00:48 | 0:00:52 | |
Who's that? | 0:00:52 | 0:00:53 | |
What are you doing here? | 0:00:53 | 0:00:55 | |
I'm not sure, Jay, aren't you going to tell me? | 0:00:55 | 0:00:57 | |
Argh! | 0:01:01 | 0:01:03 | |
Who's your SIO? I'll find out. And when I do, expect a visit. | 0:01:05 | 0:01:09 | |
Be sure to make an appointment. Hate you to get stopped at the door. | 0:01:09 | 0:01:12 | |
-I bet you didn't expect you'd have to knock me out to get me pregnant. -Six times. | 0:01:12 | 0:01:17 | |
And it'll be the last. | 0:01:17 | 0:01:19 | |
It's Daddy! | 0:01:23 | 0:01:25 | |
This programme contains some strong language and scenes which some viewers may find disturbing. | 0:01:35 | 0:01:39 | |
Argh! | 0:01:39 | 0:01:41 | |
Nah, nah, nah, nah. | 0:01:55 | 0:01:56 | |
Not yet. | 0:01:56 | 0:01:58 | |
THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE AND SCENES WHICH SOME VIEWERS MAY FIND DISTURBING. | 0:01:59 | 0:02:08 | |
# I'm a featherless bird | 0:02:11 | 0:02:17 | |
# In a sky so absurd | 0:02:18 | 0:02:24 | |
# Why, oh, why | 0:02:26 | 0:02:31 | |
# Is there so much movement? | 0:02:31 | 0:02:41 | |
# Oh, hide me deeper | 0:02:43 | 0:02:50 | |
# In your peace further... # | 0:02:51 | 0:02:58 | |
So, where'd you get that accent, son? | 0:03:10 | 0:03:12 | |
Sleeping my way to the top. | 0:03:14 | 0:03:15 | |
You must've done an awful lot of that then, looking at where you started. | 0:03:15 | 0:03:20 | |
Well, when you've only got yourself to look out for. | 0:03:20 | 0:03:24 | |
Oh, I see. | 0:03:26 | 0:03:28 | |
Bit of a, "rugged individualist", are we? | 0:03:28 | 0:03:31 | |
I can be anything you want me to be... | 0:03:32 | 0:03:36 | |
Sergeant. | 0:03:36 | 0:03:37 | |
You're certainly a clever fucker, aren't you? | 0:03:37 | 0:03:40 | |
When you're not absconding from secure units. | 0:03:40 | 0:03:44 | |
Says here you got an A star in maths. | 0:03:44 | 0:03:47 | |
Where the hell did you learn that? | 0:03:47 | 0:03:50 | |
-Working out the odds. -Yeah? | 0:03:50 | 0:03:53 | |
Well, work this one out. | 0:03:53 | 0:03:55 | |
You're free to go. | 0:03:58 | 0:03:59 | |
What? | 0:04:01 | 0:04:03 | |
-The charge has been dropped. -Why? | 0:04:03 | 0:04:06 | |
Seems someone wants you out. | 0:04:06 | 0:04:07 | |
-Who? -Well, not me, that's for sure. | 0:04:07 | 0:04:10 | |
Lucky for you, you're out of my hands. | 0:04:10 | 0:04:13 | |
But I catch you again, I don't care which fucker says you should walk, | 0:04:14 | 0:04:18 | |
I'll be breaking both your legs before you go. | 0:04:18 | 0:04:22 | |
You'd still want to kiss me first, though, wouldn't you? | 0:04:26 | 0:04:30 | |
Before you did it. | 0:04:32 | 0:04:34 | |
Mr Harris. | 0:05:05 | 0:05:07 | |
-How come they picked you up? -They think I go to bed too late. | 0:05:07 | 0:05:11 | |
How come they let you go? | 0:05:11 | 0:05:12 | |
Promised to take him with me. | 0:05:13 | 0:05:16 | |
Get in. | 0:05:20 | 0:05:22 | |
ENGINE STARTS | 0:05:26 | 0:05:28 | |
-I'm afraid the Wratten release files are restricted. -I know, that's why I'm here, to find out why. | 0:05:46 | 0:05:51 | |
Why do you feel you can do that? | 0:05:51 | 0:05:54 | |
Because you're from Serious Crime? | 0:05:54 | 0:05:56 | |
I'm investigating a murder. | 0:05:56 | 0:05:58 | |
And we're just the bum feelers from the Border Agency! | 0:05:58 | 0:06:01 | |
-Isn't that what you people think? -SHE LAUGHS | 0:06:01 | 0:06:05 | |
I'd just like to see the files. | 0:06:07 | 0:06:09 | |
I have agents in the field, detective inspector. I have to protect them. | 0:06:09 | 0:06:13 | |
Or it might be their murder you investigate next. | 0:06:13 | 0:06:16 | |
-Are you saying this is an ongoing operation? -I don't think so. | 0:06:16 | 0:06:20 | |
-From what I understand, you got your man. Congratulations! Case closed. -And what if it's the wrong man? | 0:06:20 | 0:06:25 | |
But I read it in the papers. | 0:06:25 | 0:06:28 | |
So it must be true. | 0:06:28 | 0:06:30 | |
So, what have you got? | 0:06:34 | 0:06:35 | |
OK, it took me a while, but here it is. | 0:06:35 | 0:06:38 | |
Ross! Wife. Line one. | 0:06:38 | 0:06:40 | |
Thanks. | 0:06:40 | 0:06:41 | |
Hey, darling. | 0:06:42 | 0:06:44 | |
Yes, I know. | 0:06:44 | 0:06:46 | |
Baby, I'll be there. | 0:06:46 | 0:06:47 | |
Seven sharp, I promise. | 0:06:47 | 0:06:49 | |
Me too. | 0:06:49 | 0:06:50 | |
You're the most loved woman in the universe. | 0:06:54 | 0:06:57 | |
Goodbye. | 0:06:59 | 0:07:00 | |
Ah. | 0:07:00 | 0:07:02 | |
Yeah, it's about time I got a home life. | 0:07:02 | 0:07:04 | |
And from the smell of you, you should do the same! | 0:07:04 | 0:07:07 | |
I'm not about to become City Editor, though, am I? | 0:07:07 | 0:07:10 | |
I think you'll find he's top of that particular list. | 0:07:10 | 0:07:13 | |
-Anyway, what you got? -It's just trench work, really. I took the photos you took of your man. | 0:07:13 | 0:07:18 | |
-Trawled through the dailies outside court at Wratten's trial, looking for a match. -Which you found? | 0:07:18 | 0:07:23 | |
-Da-da! -Fantastic! | 0:07:23 | 0:07:26 | |
Then it's just the witness manifests for that day, and this is what I got. | 0:07:26 | 0:07:30 | |
Well, what do you know? | 0:07:37 | 0:07:38 | |
Piggies in the trough! | 0:07:40 | 0:07:42 | |
Shit! | 0:08:13 | 0:08:15 | |
You and I need to talk. | 0:08:15 | 0:08:18 | |
I'm with Customs. Investigations. It was my team busted Harvey Wratten. | 0:08:27 | 0:08:31 | |
We had a shadow on Jay Wratten, then he did us a favour, lost his head and we followed him in. | 0:08:31 | 0:08:37 | |
-Congratulations. -Thank you! Except it didn't stay that way. | 0:08:37 | 0:08:40 | |
No. Clearly not. | 0:08:40 | 0:08:41 | |
-Two years later, they're out. -Royal Prerogative of Mercy. -And how do you think they got that? | 0:08:41 | 0:08:46 | |
-Not by fencing a couple of rollers for Her Maj. -Two reasons. | 0:08:46 | 0:08:49 | |
One, drug stashes. Big ones. They gave us the heads up where to find them. | 0:08:49 | 0:08:52 | |
-I knew about that. -That's the bit you're supposed to. The other bit's more sensitive. | 0:08:52 | 0:08:56 | |
Getting a Royal Pardon, it's like a two-part test. | 0:08:56 | 0:09:00 | |
First, you show the authorities you're willing to help, like Wratten did. Then there's this tricky bit. | 0:09:00 | 0:09:05 | |
You've got to have saved someone's life. Someone on the other side of the line. | 0:09:05 | 0:09:09 | |
If you're a member of the IRA, it would be soldiers. Give information to save a soldier's life | 0:09:09 | 0:09:13 | |
and you might get yourself a Royal Pardon. | 0:09:13 | 0:09:15 | |
A couple of them did. | 0:09:15 | 0:09:16 | |
Except in the case of Harvey Wratten, it was me. He saved me. | 0:09:17 | 0:09:21 | |
How? | 0:09:21 | 0:09:23 | |
Car bomb. | 0:09:23 | 0:09:24 | |
My car. He gave us the tip off. Even then, they nearly didn't make it. | 0:09:24 | 0:09:29 | |
I had the keys in my hand and my family in the car. | 0:09:29 | 0:09:31 | |
And for that he was released? | 0:09:31 | 0:09:33 | |
That and the drugs, yeah. | 0:09:33 | 0:09:35 | |
It didn't occur to you that Wratten could have been the one who had the bomb put there? | 0:09:35 | 0:09:39 | |
You know, funnily enough, I did get a vague glimmer of that, yes. | 0:09:39 | 0:09:42 | |
-I'm sure it would have struck you like a bolt of lightening. -I'm not the one with the burn. | 0:09:42 | 0:09:47 | |
In my job, I'm used to that. I've had four attempts on my life in 12 years. | 0:09:47 | 0:09:51 | |
It's why I travel armed and with eyes in the back of my head. | 0:09:51 | 0:09:54 | |
So a lot of people could have had reason to put a bomb under your car. | 0:09:54 | 0:09:57 | |
-That's how my boss sees it. -But you don't. | 0:09:57 | 0:10:00 | |
I see something. | 0:10:01 | 0:10:03 | |
Just not sure what. | 0:10:03 | 0:10:04 | |
What about you? | 0:10:07 | 0:10:08 | |
Case is closed. | 0:10:08 | 0:10:10 | |
What are you still looking for? | 0:10:10 | 0:10:13 | |
A chance to see those files. | 0:10:13 | 0:10:16 | |
It's a beautiful boat. | 0:10:19 | 0:10:21 | |
Thank you. | 0:10:21 | 0:10:23 | |
Can I give you a hand? | 0:10:23 | 0:10:25 | |
I'm fine, thank you. | 0:10:25 | 0:10:28 | |
That's, er... That's very neat. | 0:10:33 | 0:10:35 | |
It comes with practise. | 0:10:35 | 0:10:38 | |
You do this a lot? | 0:10:38 | 0:10:39 | |
Most days. | 0:10:39 | 0:10:42 | |
Can I help you? | 0:10:45 | 0:10:46 | |
It's Commander Penney, right? | 0:10:46 | 0:10:49 | |
-Retired. -Yeah, yeah, actually that's, er... | 0:10:49 | 0:10:52 | |
That's exactly what I wanted to ask you a few questions about. | 0:10:52 | 0:10:56 | |
I have nothing to say. | 0:10:56 | 0:10:58 | |
But you don't know what I'm going to ask yet. | 0:10:58 | 0:11:01 | |
-I could be from Saga, wondering if you'd like to be our next poster boy! -But you're not. | 0:11:01 | 0:11:08 | |
No, you're right. I'm not. | 0:11:08 | 0:11:10 | |
I hope you don't mind me saying, but you look very good for your age. | 0:11:11 | 0:11:15 | |
Particularly when illness | 0:11:15 | 0:11:18 | |
was quoted as the reason for your retirement. | 0:11:18 | 0:11:21 | |
You've clearly made a full recovery. | 0:11:21 | 0:11:23 | |
I guess it must be something to do with the rarefied air round here. | 0:11:25 | 0:11:29 | |
It's, er... | 0:11:29 | 0:11:31 | |
It's certainly a little rich for my blood. | 0:11:31 | 0:11:34 | |
I have nothing to say. | 0:11:34 | 0:11:37 | |
I am right, aren't I, if I say that it's, what, er, | 0:11:39 | 0:11:43 | |
12 months since you stepped down? | 0:11:43 | 0:11:45 | |
Just after DS Delaney... | 0:11:45 | 0:11:47 | |
You must remember DS Delaney? | 0:11:47 | 0:11:49 | |
Yes. | 0:11:49 | 0:11:50 | |
He's the one who went from, er, what was it? | 0:11:50 | 0:11:53 | |
A DI to DS for no apparent reason. | 0:11:53 | 0:11:55 | |
It was... | 0:11:55 | 0:11:57 | |
Anyway, just after he was, er... | 0:11:57 | 0:11:59 | |
He was shot. | 0:11:59 | 0:12:01 | |
Dead. | 0:12:01 | 0:12:02 | |
And, I don't know. | 0:12:02 | 0:12:05 | |
I was just wondering if, by any chance, | 0:12:05 | 0:12:08 | |
those two events were connected. | 0:12:08 | 0:12:10 | |
I mean, you having to retire, not shooting him, obviously. | 0:12:12 | 0:12:15 | |
You see, the thing is, I keep asking DI Gabriel, he keeps losing his memory. | 0:12:25 | 0:12:29 | |
Isn't that unfortunate? | 0:12:31 | 0:12:33 | |
Maybe... | 0:12:33 | 0:12:35 | |
Maybe he'll have to retire soon, too, like you, on health grounds. | 0:12:35 | 0:12:38 | |
-This is private property. -Is it? | 0:12:42 | 0:12:44 | |
OK. | 0:12:44 | 0:12:46 | |
I can see why. | 0:12:48 | 0:12:50 | |
It's very... It's very nice, very...exclusive. | 0:12:51 | 0:12:55 | |
Did the credit crunch not reach you guys down here? | 0:12:55 | 0:12:58 | |
Or have you just got one of those pensions guaranteed to see you through | 0:12:58 | 0:13:03 | |
whatever, whatever storms may threaten? | 0:13:03 | 0:13:06 | |
I have nothing to say and you won't get me to say it. | 0:13:06 | 0:13:09 | |
OK. | 0:13:09 | 0:13:11 | |
No, that's OK, I think I get the picture. | 0:13:12 | 0:13:16 | |
I tell you what. | 0:13:16 | 0:13:17 | |
Could you give me a call if you, er... | 0:13:19 | 0:13:21 | |
..if you ever want to do some colouring in? | 0:13:23 | 0:13:26 | |
Great. | 0:13:26 | 0:13:28 | |
I really should have dressed up, shouldn't I? | 0:13:28 | 0:13:31 | |
So what do you see? | 0:13:44 | 0:13:45 | |
Not much if this is all there is. | 0:13:47 | 0:13:51 | |
But what's there? | 0:13:51 | 0:13:52 | |
Well...evidence to support what you were saying. | 0:13:52 | 0:13:55 | |
Wratten gave information that led to your people picking up six huge drug drops and to saving you | 0:13:55 | 0:14:00 | |
-from getting your arse blown off. Exactly what's needed for a Royal Pardon. -Correct. So what's not there? | 0:14:00 | 0:14:05 | |
No arrests. | 0:14:11 | 0:14:13 | |
Not one. And my bet is there won't be any either. Because? | 0:14:15 | 0:14:19 | |
Because the drugs were already his. | 0:14:22 | 0:14:24 | |
And someone, somewhere, already knew that. | 0:14:24 | 0:14:28 | |
Hi! | 0:14:32 | 0:14:34 | |
-Why were there no arrests? -I think you already know my answer. | 0:14:35 | 0:14:39 | |
Is that because you already knew they were his drugs you were picking up? | 0:14:39 | 0:14:42 | |
Are you a policeman or a journalist? | 0:14:45 | 0:14:48 | |
Should I be talking to a journalist? | 0:14:48 | 0:14:50 | |
-That would be very unwise. -Who for? -I think even you can work that one out. | 0:14:50 | 0:14:54 | |
Do you mind? | 0:14:57 | 0:14:59 | |
Actually, I... | 0:15:01 | 0:15:02 | |
I do. | 0:15:04 | 0:15:06 | |
I've just had Customs crawling up my arse. | 0:15:12 | 0:15:16 | |
Why? You exceed your cigarette allowance? | 0:15:16 | 0:15:19 | |
Actually, it was you they were interested in. | 0:15:20 | 0:15:23 | |
Apparently, you've taken to stalking one of their senior officers. | 0:15:23 | 0:15:27 | |
Laing. | 0:15:27 | 0:15:28 | |
And I'm sure it's not just because she's such a handsome woman. | 0:15:28 | 0:15:31 | |
-She won't release the files on how Harvey Wratten got his Royal Pardon. -So what did you do? | 0:15:31 | 0:15:36 | |
I saw them anyway. | 0:15:36 | 0:15:38 | |
How? | 0:15:39 | 0:15:41 | |
Oh, bravo! | 0:15:48 | 0:15:50 | |
And what did you see? | 0:15:50 | 0:15:51 | |
It's more what I didn't. | 0:15:51 | 0:15:53 | |
Why were there no arrests? | 0:15:53 | 0:15:55 | |
I wouldn't know, I haven't seen the files. | 0:15:55 | 0:15:57 | |
-But it's significant, don't you think? -What? | 0:15:57 | 0:16:00 | |
You think it was a set up? | 0:16:00 | 0:16:01 | |
I think, to get himself out of jail, Wratten gave Customs drugs he already owned. | 0:16:01 | 0:16:05 | |
Great. So what? | 0:16:05 | 0:16:08 | |
What does it matter why he was doing what he was doing? All that matters is that he did it! | 0:16:08 | 0:16:13 | |
Customs got to lift a huge weight of drugs off the street. Huge. | 0:16:13 | 0:16:17 | |
More, apparently, in those six consignments than in the previous three years together. | 0:16:17 | 0:16:22 | |
So even if they were his, who cares? | 0:16:22 | 0:16:24 | |
Means he had to buy them first before he gave them up - that's a double bubble! | 0:16:24 | 0:16:28 | |
They don't care if he got himself a fucking knighthood. | 0:16:28 | 0:16:31 | |
He did his job and they did theirs. And that's all that matters to them. | 0:16:31 | 0:16:34 | |
Sir. I feel that whatever got Wratten out of jail got him killed. | 0:16:34 | 0:16:39 | |
"Feel"! | 0:16:39 | 0:16:42 | |
I don't give a fuck what you feel! | 0:16:42 | 0:16:44 | |
It's what you know that counts. | 0:16:44 | 0:16:46 | |
And what do you know? You see, I gave you extra time | 0:16:46 | 0:16:49 | |
because I thought you might know something, or you might find it out. | 0:16:49 | 0:16:53 | |
But you don't, do you? | 0:16:53 | 0:16:54 | |
I think I'm getting close. | 0:16:56 | 0:16:57 | |
To what? | 0:16:57 | 0:16:59 | |
What's happening, Jonah? Hmm? | 0:17:00 | 0:17:03 | |
Where's the real deviation? | 0:17:05 | 0:17:07 | |
Is it actually out here? | 0:17:07 | 0:17:08 | |
Or is it in there? Inside, with you. | 0:17:08 | 0:17:15 | |
Because if this is all just about you and some sort of identity crisis, | 0:17:15 | 0:17:19 | |
then that's just so much piss in the wind! | 0:17:19 | 0:17:21 | |
And if that's the case, do you know what I'm beginning to "feel"? | 0:17:21 | 0:17:25 | |
I'm beginning to feel the spray. | 0:17:25 | 0:17:28 | |
That's almost 23 minutes. | 0:17:40 | 0:17:41 | |
Phew! | 0:17:52 | 0:17:54 | |
It's so hot in here! | 0:17:54 | 0:17:56 | |
What do you reckon it is? | 0:17:57 | 0:17:59 | |
It must be about 40 degrees centigrade! | 0:17:59 | 0:18:02 | |
That's got to clean out your pores! | 0:18:02 | 0:18:05 | |
Want to cool things down? | 0:18:05 | 0:18:06 | |
MECHANICAL GRATING | 0:18:06 | 0:18:08 | |
Well, what do you know? | 0:18:12 | 0:18:14 | |
Seems like something's blocking the air-conditioning. | 0:18:14 | 0:18:17 | |
On such an expensive vehicle. | 0:18:17 | 0:18:18 | |
Yeah, I already know where it is. | 0:18:21 | 0:18:23 | |
It's in the ducting for the air-con. | 0:18:23 | 0:18:26 | |
So, I'm going to arrest you now and when you give me all those, "No comments", | 0:18:29 | 0:18:34 | |
to protect your friends, just let this thought play in your mind. | 0:18:34 | 0:18:38 | |
Which one was it... that told me where to look? | 0:18:38 | 0:18:43 | |
I don't talk to coppers. | 0:18:53 | 0:18:55 | |
That's lucky, cos I'm not one. What about these? | 0:18:55 | 0:18:57 | |
Exhibit H. | 0:19:02 | 0:19:04 | |
They don't prove anything. | 0:19:04 | 0:19:05 | |
Just says he was driving the car. Doesn't mean he knew what was in it. | 0:19:05 | 0:19:09 | |
Who's that then, Stephen? | 0:19:13 | 0:19:15 | |
I mean, that's you on the left but who's that you're walking with? | 0:19:17 | 0:19:21 | |
No comment. | 0:19:21 | 0:19:22 | |
That's OK, we already know. | 0:19:22 | 0:19:24 | |
That's Bob Harris and we all know who Bob Harris is, don't we? | 0:19:24 | 0:19:27 | |
You and Bob Harris. | 0:19:27 | 0:19:29 | |
Hmmm. | 0:19:29 | 0:19:32 | |
Wait! | 0:19:32 | 0:19:33 | |
Here's another. | 0:19:33 | 0:19:34 | |
And another... | 0:19:36 | 0:19:37 | |
And another. | 0:19:40 | 0:19:42 | |
I mean, that's not just Strangers On A Train, that's Bonnie And Clyde! | 0:19:42 | 0:19:46 | |
You and Bob Harris, drugs baron. | 0:19:46 | 0:19:49 | |
Is that an accusation? | 0:19:49 | 0:19:51 | |
And there's you in a car full of drugs. | 0:19:51 | 0:19:53 | |
See the picture? Because if you don't, the jury will. | 0:19:53 | 0:19:56 | |
Say nothing! | 0:19:56 | 0:19:58 | |
You know what? | 0:19:58 | 0:20:00 | |
Now's the time for you to give that one a serious rethink. | 0:20:00 | 0:20:04 | |
I do wish you wouldn't do that. | 0:20:07 | 0:20:11 | |
Not exactly the most illegal thing I've done today. | 0:20:11 | 0:20:14 | |
But it's murder to a man who's trying to give it up. | 0:20:14 | 0:20:17 | |
What does that make me then? | 0:20:17 | 0:20:19 | |
Your nicotine substitute? | 0:20:19 | 0:20:22 | |
Right now, I'd do anything | 0:20:22 | 0:20:25 | |
to take my mind off things. | 0:20:25 | 0:20:28 | |
A little birdy told me | 0:20:30 | 0:20:33 | |
you've got a line bust open. | 0:20:33 | 0:20:36 | |
Yeah? | 0:20:39 | 0:20:41 | |
Who told you that, then? | 0:20:45 | 0:20:47 | |
Want exclusive use? You'll have to buy me a flat. | 0:20:51 | 0:20:54 | |
Too late anyway. | 0:20:57 | 0:21:00 | |
By now, every bastard street corner knows I've been turned over. | 0:21:00 | 0:21:04 | |
But they don't know who by. | 0:21:07 | 0:21:10 | |
And that's a name I can give you. | 0:21:16 | 0:21:19 | |
CAR ENGINE | 0:21:39 | 0:21:42 | |
Bob? | 0:21:46 | 0:21:47 | |
You've probably heard. | 0:21:49 | 0:21:51 | |
I had a line bust open. | 0:21:51 | 0:21:52 | |
Had you heard? | 0:21:55 | 0:21:56 | |
Lifted one of my best men. | 0:21:59 | 0:22:01 | |
No lucky strike, neither. | 0:22:01 | 0:22:03 | |
Couldn't have been. They knew exactly where to look. | 0:22:03 | 0:22:06 | |
I'm sorry to hear that. | 0:22:06 | 0:22:07 | |
Yeah. Me too. | 0:22:07 | 0:22:09 | |
Because I heard it was... | 0:22:09 | 0:22:11 | |
Jay Wratten gave them the heads up. | 0:22:11 | 0:22:14 | |
Why would he do that? | 0:22:14 | 0:22:15 | |
You tell me. | 0:22:15 | 0:22:17 | |
We're about to go into business together. | 0:22:17 | 0:22:20 | |
Maybe that's why. | 0:22:20 | 0:22:22 | |
I don't think so. | 0:22:24 | 0:22:26 | |
But you don't know. | 0:22:26 | 0:22:27 | |
I'll look into it. | 0:22:29 | 0:22:32 | |
You've said that to me before. | 0:22:32 | 0:22:35 | |
You having second thoughts? | 0:22:35 | 0:22:37 | |
Joseph, | 0:22:37 | 0:22:39 | |
I'm on my 50th! | 0:22:39 | 0:22:41 | |
CAR IGNITION | 0:22:45 | 0:22:48 | |
-How could I know that? -People talk. | 0:22:55 | 0:22:57 | |
Not to me, they don't. Especially not his lot. Look at last time! | 0:22:57 | 0:23:01 | |
-You want him out. -Yeah, I do, but not in that way. | 0:23:01 | 0:23:05 | |
Anyway, we've got an arrangement, haven't we? | 0:23:05 | 0:23:08 | |
I sit this one out and wait for you to leave the stage. | 0:23:08 | 0:23:11 | |
That is, unless you suddenly want an encore? | 0:23:13 | 0:23:16 | |
No. | 0:23:16 | 0:23:18 | |
I don't talk to coppers. | 0:23:19 | 0:23:21 | |
It's different worlds, ain't it? Us and them. | 0:23:23 | 0:23:26 | |
BABY GURGLES | 0:23:37 | 0:23:39 | |
You have to say something. | 0:23:51 | 0:23:53 | |
Or you will? Is that it? | 0:23:55 | 0:23:59 | |
We made a mistake. That's over. | 0:23:59 | 0:24:03 | |
But we have a child. | 0:24:03 | 0:24:06 | |
You have to tell your wife. | 0:24:06 | 0:24:09 | |
Why? | 0:24:24 | 0:24:26 | |
What's the alternative? | 0:24:27 | 0:24:29 | |
For him. For me. For you. For her. | 0:24:29 | 0:24:33 | |
What's the alternative? | 0:24:33 | 0:24:36 | |
She wants a baby. | 0:24:36 | 0:24:39 | |
So? | 0:24:39 | 0:24:41 | |
We've lost so many. | 0:24:42 | 0:24:44 | |
But he's already yours! | 0:24:44 | 0:24:48 | |
You have to tell your wife. | 0:24:50 | 0:24:52 | |
I'm willing to move on, Jonah. | 0:25:02 | 0:25:05 | |
And that means leaving you behind. | 0:25:07 | 0:25:09 | |
But our son deserves to know his past. | 0:25:12 | 0:25:17 | |
And if you don't claim it, I'll have to do it for you. | 0:25:17 | 0:25:19 | |
I won't let him live his life in the shadows. | 0:25:22 | 0:25:25 | |
I'm in hell. | 0:25:30 | 0:25:32 | |
No. | 0:25:35 | 0:25:37 | |
We are in limbo. | 0:25:37 | 0:25:39 | |
And you need to let us out. | 0:25:41 | 0:25:43 | |
Watch it! | 0:25:56 | 0:25:57 | |
Sorry! | 0:25:57 | 0:25:59 | |
Where you been? | 0:26:15 | 0:26:16 | |
Domestic stuff. | 0:26:16 | 0:26:17 | |
Yeah? What kind of domestic stuff? | 0:26:17 | 0:26:20 | |
If I told you my wife and I are trying again for a baby | 0:26:20 | 0:26:23 | |
and we have to get the timing of sexual intercourse right, | 0:26:23 | 0:26:26 | |
would that be enough information for you? | 0:26:26 | 0:26:29 | |
-You take a shower afterwards? -You want to do some work? | 0:26:29 | 0:26:32 | |
Have you got any? | 0:26:32 | 0:26:33 | |
When we chased Andy Dixon down Bethnal Green tube, | 0:26:33 | 0:26:36 | |
-where did we pick up the guy with his phone? -Outside Great Eastern Hotel. | 0:26:36 | 0:26:41 | |
Anyone review the CCTV on the underground? | 0:26:41 | 0:26:43 | |
For what? | 0:26:43 | 0:26:45 | |
For Dixon! | 0:26:45 | 0:26:46 | |
Why? Six hours later we found him. | 0:26:46 | 0:26:48 | |
He shot himself dead. No need to look. | 0:26:48 | 0:26:51 | |
-We should have been across this. -You blaming me? | 0:26:51 | 0:26:55 | |
-You call the shots, even if you're firing them elsewhere. -What!? | 0:26:55 | 0:26:58 | |
It's not my fault. | 0:26:58 | 0:27:01 | |
Dixon got on at Bethnal Green. That guy got out Liverpool Street | 0:27:01 | 0:27:05 | |
if he was by the Great Eastern Hotel. That's one stop with them together. | 0:27:05 | 0:27:09 | |
-Andy must've swapped the phones immediately. -So? | 0:27:09 | 0:27:11 | |
So what kind of kid does that? | 0:27:11 | 0:27:13 | |
Months ago, he's a teenage asthmatic, barely got his licence. | 0:27:13 | 0:27:16 | |
Suddenly he'd give Mossad a run. Central Line, | 0:27:16 | 0:27:19 | |
Liverpool Street, west-bound. | 0:27:19 | 0:27:21 | |
We need the CCTV. | 0:27:21 | 0:27:24 | |
That's Dixon. But watch this. | 0:27:30 | 0:27:33 | |
HE GROANS | 0:27:37 | 0:27:39 | |
You all right? | 0:27:41 | 0:27:43 | |
I told you! Spooky. | 0:27:47 | 0:27:49 | |
And this...is the drop. | 0:27:50 | 0:27:54 | |
There he goes. | 0:27:57 | 0:27:59 | |
Do we ever get a clearer image? | 0:27:59 | 0:28:01 | |
Never. I've checked all the way out. | 0:28:01 | 0:28:04 | |
This is the best you get. | 0:28:04 | 0:28:08 | |
OK, Stephen. | 0:28:35 | 0:28:37 | |
I just want to go over this one more time. | 0:28:38 | 0:28:41 | |
OK. | 0:28:42 | 0:28:43 | |
So... | 0:28:44 | 0:28:46 | |
18 months ago, Harvey Wratten cut a deal with us to get him out of jail. | 0:28:46 | 0:28:49 | |
And one of the things he did was, | 0:28:49 | 0:28:51 | |
he gave us a tip-off on six drug consignments | 0:28:51 | 0:28:54 | |
which we went and picked up. | 0:28:54 | 0:28:55 | |
Exhibit J. | 0:28:55 | 0:28:57 | |
One, two, three... | 0:28:57 | 0:29:00 | |
four, five, | 0:29:00 | 0:29:04 | |
six. | 0:29:04 | 0:29:06 | |
The first two look like they've been cobbled together but the last four look organised. | 0:29:06 | 0:29:11 | |
So, were you working for Bob Harris? | 0:29:11 | 0:29:15 | |
Yes. | 0:29:15 | 0:29:16 | |
And was he in the market for selling wholesale smack at that time? | 0:29:16 | 0:29:20 | |
Yeah, we were. | 0:29:20 | 0:29:21 | |
And does what we see there match the level of your sales? | 0:29:21 | 0:29:24 | |
Yeah, they do. | 0:29:25 | 0:29:27 | |
And who were you selling to? | 0:29:27 | 0:29:28 | |
Ultimately, Harvey Wratten. | 0:29:28 | 0:29:30 | |
That's a lot of drugs. | 0:29:31 | 0:29:33 | |
Do you know why he was buying them? | 0:29:33 | 0:29:36 | |
We knew he wanted to get out of jail so it might have something to do with that. | 0:29:36 | 0:29:39 | |
-And you wanted to help him out. -We wanted to sell. | 0:29:39 | 0:29:41 | |
What you want to do with what we sell, that's up to you. | 0:29:41 | 0:29:44 | |
You said ultimately Harvey Wratten. | 0:29:46 | 0:29:48 | |
Who actually set up the deal? | 0:29:48 | 0:29:52 | |
Peter Glickman. | 0:29:52 | 0:29:53 | |
And he made the exchange? | 0:29:58 | 0:30:00 | |
Leather soled shoes slip easy on greasy streets. | 0:30:00 | 0:30:03 | |
-So who did you deal with? -Some guy. I'd never seen him before. | 0:30:03 | 0:30:07 | |
-What did he look like? -Old. | 0:30:07 | 0:30:09 | |
What's old? 50, 60? | 0:30:09 | 0:30:11 | |
Somewhere there. | 0:30:11 | 0:30:13 | |
-Didn't act like it, though. -Why not? | 0:30:13 | 0:30:17 | |
One of the lads with me | 0:30:17 | 0:30:18 | |
thought they'd try and spook him a bit, | 0:30:18 | 0:30:20 | |
because he looked like a pensioner. | 0:30:20 | 0:30:22 | |
They asked him what was stopping them from taking the money right off him. | 0:30:22 | 0:30:25 | |
The old man had a wire round his neck | 0:30:25 | 0:30:27 | |
before they'd even finished the question. | 0:30:27 | 0:30:29 | |
-What colour was he? -White. -How tall? | 0:30:29 | 0:30:32 | |
-Quite tall. -Weight? | 0:30:32 | 0:30:35 | |
-Medium. Not big. -Describe his face. -Average. -Average? What's average? | 0:30:35 | 0:30:39 | |
Clean shaven. Glasses. | 0:30:39 | 0:30:42 | |
Old fashioned. | 0:30:42 | 0:30:44 | |
Bit like an uncle. | 0:30:44 | 0:30:46 | |
Jaguar, gin and tonic, that sort of thing. | 0:30:46 | 0:30:49 | |
-Because of the glasses? -Well, that and the hat. | 0:30:49 | 0:30:51 | |
What kind of hat was it? | 0:30:51 | 0:30:52 | |
Pork-pie, trilby. | 0:30:52 | 0:30:55 | |
Looked like a bookie. | 0:30:55 | 0:30:57 | |
-And he always wore it? -Always. | 0:30:57 | 0:31:01 | |
Same with the overcoat. | 0:31:01 | 0:31:03 | |
If it wasn't for the piano wire, | 0:31:03 | 0:31:05 | |
it felt like selling smack to an undertaker. | 0:31:05 | 0:31:07 | |
-That and he was obviously loaded. -What was the price on the deal? | 0:31:07 | 0:31:11 | |
All told? | 0:31:13 | 0:31:15 | |
9 million. | 0:31:15 | 0:31:17 | |
Oh, yeah. This guy was rolling in it. | 0:31:17 | 0:31:20 | |
It was weird though cos he wasn't a player or anything. | 0:31:20 | 0:31:23 | |
After that last drop, | 0:31:23 | 0:31:26 | |
I never saw him again. | 0:31:26 | 0:31:27 | |
It's him. | 0:31:39 | 0:31:41 | |
He looks like a vicar. | 0:31:41 | 0:31:43 | |
Well, if he is, | 0:31:43 | 0:31:45 | |
he had Andy Dixon in his flock and a shit load of drugs off Bob Harris. | 0:31:45 | 0:31:49 | |
-Is that the best you've got? -Of these? Yes. -That's not going to stand up in court. | 0:31:49 | 0:31:53 | |
-You can't even see his face. -I can get the positive ID off the guy who sold him Harris's drugs. | 0:31:53 | 0:31:58 | |
Is this another one of your feelings? | 0:32:00 | 0:32:02 | |
-Whatever got Wratten out of jail got him killed. That I know. -How? | 0:32:02 | 0:32:05 | |
Because of him! | 0:32:05 | 0:32:07 | |
He's the connection between the drugs and the murder. | 0:32:07 | 0:32:09 | |
So what are you going to do about it? | 0:32:09 | 0:32:12 | |
I'm going to find him. | 0:32:12 | 0:32:14 | |
I certainly look forward to seeing that line-up. | 0:32:14 | 0:32:16 | |
Is Derek Nimmo still alive? | 0:32:16 | 0:32:18 | |
I've got a man in the cells saying Harvey Wratten bought those drugs. | 0:32:23 | 0:32:26 | |
But he didn't actually sell them to Wratten, I mean physically. | 0:32:26 | 0:32:29 | |
How could he? Wratten was in jail. | 0:32:29 | 0:32:31 | |
That's why he was doing all this - | 0:32:31 | 0:32:34 | |
the drugs, the bomb under my car. | 0:32:34 | 0:32:36 | |
He had them all laid out for us to find in order to get himself a royal pardon. | 0:32:36 | 0:32:40 | |
So all you've actually got is one man who says he sold | 0:32:40 | 0:32:43 | |
those drugs to another man who wasn't Harvey Wratten. It's not much, is it? In fact, it's not anything. | 0:32:43 | 0:32:50 | |
Whereas what I've got | 0:32:50 | 0:32:52 | |
is 849 kilos of 70% pure heroin out of kids' veins and into my warehouse. | 0:32:52 | 0:32:59 | |
And that is all I need. | 0:32:59 | 0:33:00 | |
You still here? | 0:33:03 | 0:33:05 | |
Shit! | 0:33:17 | 0:33:19 | |
Who are you? | 0:33:25 | 0:33:27 | |
I was Peter Glickman's girlfriend. | 0:33:35 | 0:33:38 | |
I AM his girlfriend. Have been for three years. | 0:33:43 | 0:33:48 | |
So, why come here? | 0:33:51 | 0:33:53 | |
-The flowers. -Hm? | 0:33:53 | 0:33:56 | |
He'd always... | 0:33:56 | 0:33:59 | |
He used to send me flowers. | 0:34:00 | 0:34:03 | |
Birthday, anniversary. | 0:34:05 | 0:34:07 | |
It was our third anniversary last week. | 0:34:11 | 0:34:14 | |
-They didn't come. -Do you know where he's gone? | 0:34:18 | 0:34:21 | |
Assuming we even know who you're talking about. | 0:34:21 | 0:34:25 | |
I know you know him. | 0:34:25 | 0:34:27 | |
How? | 0:34:27 | 0:34:29 | |
The flowers were delivered every time from a shop near where he lives... lived. | 0:34:29 | 0:34:35 | |
I went there, I asked them for help. | 0:34:38 | 0:34:42 | |
Details of a credit card, anything. | 0:34:42 | 0:34:44 | |
And what did they give you? | 0:34:44 | 0:34:46 | |
You. | 0:34:47 | 0:34:49 | |
-They gave me you. -Why? | 0:34:52 | 0:34:57 | |
You supply them. | 0:34:57 | 0:34:58 | |
So? | 0:34:58 | 0:35:01 | |
Peter had them sent for free because of his connection with you. | 0:35:01 | 0:35:05 | |
Classy! | 0:35:05 | 0:35:07 | |
I've never heard of you. | 0:35:20 | 0:35:22 | |
Well, I hadn't heard of you. | 0:35:24 | 0:35:27 | |
-It's the way Peter was. He liked to keep his worlds... -Separate. | 0:35:30 | 0:35:34 | |
Yes. | 0:35:38 | 0:35:40 | |
Except ours was special. | 0:35:44 | 0:35:46 | |
Is that what he told you? | 0:35:46 | 0:35:48 | |
I don't know where else to turn. | 0:35:58 | 0:36:01 | |
I just want to know what's happened. | 0:36:05 | 0:36:07 | |
I've already told you, I don't know anything. | 0:36:11 | 0:36:14 | |
-Not a postcard? -Nothing. | 0:36:14 | 0:36:17 | |
Or a text, or an email? | 0:36:17 | 0:36:19 | |
As I told you before, | 0:36:22 | 0:36:23 | |
my father put us all in boxes | 0:36:23 | 0:36:25 | |
and I'm in the one marked "knows nothing". | 0:36:25 | 0:36:28 | |
Because he wanted to keep you safe. | 0:36:29 | 0:36:32 | |
Well, if we're talking boxes it seems to me | 0:36:32 | 0:36:35 | |
he left his business in one marked "free for all". | 0:36:35 | 0:36:39 | |
And unless someone warns him, | 0:36:39 | 0:36:41 | |
there is a man named Joseph Bede... | 0:36:41 | 0:36:46 | |
..who is about to take him at his word. | 0:36:49 | 0:36:51 | |
I'm sure my father knew exactly what he was leaving behind. | 0:36:51 | 0:36:54 | |
Did he know about her? | 0:36:54 | 0:36:57 | |
No. | 0:36:59 | 0:37:01 | |
She's only just been born. | 0:37:01 | 0:37:03 | |
Do you want to keep her safe too? | 0:37:05 | 0:37:08 | |
Of course. | 0:37:10 | 0:37:13 | |
But how can you be sure, | 0:37:13 | 0:37:16 | |
if you're sitting in a box marked "knows nothing"? | 0:37:16 | 0:37:18 | |
Eh? | 0:37:20 | 0:37:22 | |
Cos if I were you, | 0:37:24 | 0:37:27 | |
I would start crawling out of that one. | 0:37:27 | 0:37:30 | |
No. Now listen to me. Just calm down. | 0:38:38 | 0:38:42 | |
I'm telling you there's nothing. | 0:38:42 | 0:38:44 | |
Nothing, OK? | 0:38:44 | 0:38:46 | |
-Darling, are you OK? -I'm not sure. | 0:38:46 | 0:38:50 | |
'Listen to me. You have to be. | 0:38:50 | 0:38:52 | |
'Do you understand? | 0:38:52 | 0:38:53 | |
'There's nothing anyone can find out because there's nothing that you know. | 0:38:53 | 0:38:57 | |
'Whether they call, whether they turn up at the house. Nothing. OK?' | 0:38:57 | 0:39:02 | |
'OK.' | 0:39:02 | 0:39:04 | |
Why don't we just call the police? | 0:39:04 | 0:39:06 | |
Because Dad doesn't want to be found so I don't want them needing to look. | 0:39:06 | 0:39:11 | |
Trust me. Trust him. | 0:39:11 | 0:39:13 | |
Do you know where he is? | 0:39:13 | 0:39:15 | |
Darling, listen to me. | 0:39:15 | 0:39:18 | |
There's nothing to say. And if there's nothing to say, | 0:39:18 | 0:39:23 | |
there's nothing for anyone else to find out. | 0:39:23 | 0:39:26 | |
-That way we're safe. You hear me? -Yes. | 0:39:26 | 0:39:32 | |
'Darling, if you're worried about anything, call me.' | 0:39:36 | 0:39:40 | |
'OK. Bye.' | 0:39:40 | 0:39:43 | |
Your father-in-law and I go back. | 0:40:19 | 0:40:22 | |
Well, we almost started out together. | 0:40:22 | 0:40:25 | |
We're old friends. | 0:40:25 | 0:40:27 | |
And I think he might be in trouble. | 0:40:27 | 0:40:31 | |
If he is, I think I can help. | 0:40:31 | 0:40:34 | |
I don't know where he is. No-one does. | 0:40:34 | 0:40:37 | |
I'm sorry. | 0:40:37 | 0:40:38 | |
Could you get a message to him? | 0:40:38 | 0:40:41 | |
I wish we could, but I can't. | 0:40:41 | 0:40:43 | |
Because you're not allowed? | 0:40:43 | 0:40:44 | |
Because I don't know. | 0:40:44 | 0:40:47 | |
-Please. -I'm sorry. | 0:40:47 | 0:40:50 | |
This must be very distressing for you. | 0:40:50 | 0:40:52 | |
It is. It absolutely is. | 0:40:54 | 0:40:56 | |
And here I am adding to your troubles. I do apologise. | 0:40:56 | 0:41:00 | |
It's a difficult time for everyone. | 0:41:00 | 0:41:03 | |
I wonder, | 0:41:06 | 0:41:08 | |
do you have a lavatory I may use? | 0:41:08 | 0:41:11 | |
-Um... -It's the curse of my age. | 0:41:13 | 0:41:15 | |
These days I have to time my visits to Sainsbury's. | 0:41:15 | 0:41:19 | |
Yes, of course. | 0:41:22 | 0:41:23 | |
Thank you. | 0:41:25 | 0:41:27 | |
Wonderful smell. | 0:41:38 | 0:41:40 | |
-It's just there. -You're very kind. | 0:41:40 | 0:41:43 | |
BABY GURGLES ON MONITOR | 0:41:43 | 0:41:45 | |
BABY CRIES | 0:42:26 | 0:42:28 | |
-Oh, I didn't wake... -No, that's the monitor. | 0:42:28 | 0:42:31 | |
I'm letting her settle. | 0:42:31 | 0:42:33 | |
So I'll leave you in peace, | 0:42:37 | 0:42:39 | |
or as much as you can get with a newborn child. | 0:42:39 | 0:42:42 | |
I'm sorry I can't be of more help. | 0:42:45 | 0:42:47 | |
Mrs Glickman. | 0:42:50 | 0:42:53 | |
-I'll see myself out. -Bye. | 0:42:53 | 0:42:56 | |
No, I've never seen him before. | 0:43:05 | 0:43:08 | |
No, I don't think so. | 0:43:08 | 0:43:09 | |
Actually, he was quite sweet. | 0:43:12 | 0:43:15 | |
Sort of old fashioned. | 0:43:15 | 0:43:17 | |
BABY CRIES | 0:43:17 | 0:43:19 | |
When are you coming home? | 0:43:19 | 0:43:21 | |
Oh, listen. The baby's crying. I'll have to call you back. | 0:43:24 | 0:43:26 | |
Coming, darling. It's OK, darling. | 0:43:38 | 0:43:42 | |
Mummy's coming. | 0:43:42 | 0:43:45 | |
It's all right, darling. | 0:43:45 | 0:43:48 | |
Analise? | 0:43:48 | 0:43:51 | |
Analise? Analise! Analise! | 0:43:56 | 0:43:59 | |
Analise! Analise! | 0:43:59 | 0:44:01 | |
Analise! | 0:44:06 | 0:44:08 | |
Analise! | 0:44:35 | 0:44:37 | |
If I had wanted to kill her, I'd have done so already. | 0:44:48 | 0:44:51 | |
But if I have to I still will. | 0:44:53 | 0:44:56 | |
Call no-one but your husband. | 0:44:59 | 0:45:02 | |
Tell him to contact no-one but his father. | 0:45:02 | 0:45:05 | |
Get him to tell Peter that I'll kill your baby unless he contacts me. | 0:45:05 | 0:45:09 | |
Do you understand? | 0:45:09 | 0:45:11 | |
Do you understand? | 0:45:15 | 0:45:17 | |
Analise. | 0:45:23 | 0:45:25 | |
Such a pretty name. | 0:45:25 | 0:45:27 | |
Go. | 0:45:29 | 0:45:31 | |
SMOKE ALARM BEEPS | 0:45:41 | 0:45:44 | |
'Now! | 0:45:51 | 0:45:53 | |
'Call him now.' | 0:45:53 | 0:45:54 | |
PHONE RINGS | 0:46:13 | 0:46:17 | |
Hello? | 0:46:19 | 0:46:21 | |
'Aaaargh!' | 0:46:21 | 0:46:23 | |
No! Don't call the police. | 0:46:29 | 0:46:31 | |
Ten minutes. Ten minutes. | 0:46:31 | 0:46:34 | |
'You've got to do something! Please! | 0:48:12 | 0:48:14 | |
'Please, do something now!' | 0:48:14 | 0:48:16 | |
'The person you are calling is unable to take your call. | 0:48:26 | 0:48:28 | |
'Please leave your message after the tone.' | 0:48:28 | 0:48:31 | |
'Dad, it's me. | 0:48:31 | 0:48:33 | |
'There's a man called Gatehouse. | 0:48:33 | 0:48:36 | |
'He's threatened to kill the baby, Dad. | 0:48:36 | 0:48:39 | |
'You're a grandfather. | 0:48:39 | 0:48:41 | |
'Her name's Analise, | 0:48:41 | 0:48:44 | |
'and this man is going to kill her unless you contact him. | 0:48:44 | 0:48:48 | |
'Please, Dad, please. Contact Gatehouse.' | 0:48:48 | 0:48:51 | |
RECORDING REWINDS AND BLEEPS | 0:48:58 | 0:49:02 | |
MOBILE RINGS | 0:49:23 | 0:49:26 | |
Hello? | 0:49:32 | 0:49:34 | |
Don't do this. | 0:49:34 | 0:49:37 | |
I know, but this is not the way to do it. | 0:49:37 | 0:49:39 | |
I do. | 0:49:39 | 0:49:41 | |
-I will, but not like this. -Oh! | 0:49:41 | 0:49:44 | |
I've got to go. | 0:49:44 | 0:49:46 | |
It's good! Is it good? | 0:49:46 | 0:49:49 | |
-It's good! -Yeah! Ha-ha! | 0:49:49 | 0:49:52 | |
It's wonderful. | 0:49:52 | 0:49:54 | |
PHONE RINGS | 0:49:56 | 0:50:00 | |
Ross McGovern. | 0:50:00 | 0:50:01 | |
OK. | 0:50:03 | 0:50:05 | |
Sorry, do I know you? | 0:50:06 | 0:50:09 | |
Then it would have to be in a public space. | 0:50:09 | 0:50:13 | |
Yes. Yes, I do, of course. | 0:50:13 | 0:50:17 | |
OK. No, no, I can find it. | 0:50:17 | 0:50:22 | |
I can be with you in 40 minutes. | 0:50:22 | 0:50:27 | |
Hello? | 0:50:27 | 0:50:28 | |
Ross. The very man. | 0:50:49 | 0:50:50 | |
Caroline. Sir? | 0:50:50 | 0:50:52 | |
This is THE Ross McGovern. | 0:50:52 | 0:50:56 | |
-I'll get the next one. -No, no, step on in. | 0:50:56 | 0:50:59 | |
Doors closing. | 0:51:05 | 0:51:06 | |
So, where you off to, Ross? | 0:51:06 | 0:51:10 | |
Oh, you know, to bring down the Government. | 0:51:10 | 0:51:13 | |
Good for you. Can you be back by six? | 0:51:13 | 0:51:16 | |
-Sorry? -Well, can you? | 0:51:16 | 0:51:18 | |
-Er, yes, sure. -Good. Be back by six. | 0:51:18 | 0:51:20 | |
Board room. Top floor. | 0:51:20 | 0:51:22 | |
-OK. -Nice to see you, Ross. | 0:51:22 | 0:51:27 | |
Yeah, you too. | 0:51:27 | 0:51:28 | |
Hello. | 0:51:39 | 0:51:41 | |
Hello, is Ross McGovern there? | 0:51:41 | 0:51:45 | |
Ah. Well, I have a driver outside his house trying | 0:51:47 | 0:51:49 | |
to make a delivery but there doesn't appear to be anyone home. | 0:51:49 | 0:51:53 | |
It says on the form here that someone would be there. | 0:51:54 | 0:51:58 | |
It's a shame, really, because it's a large package, electrical, | 0:51:59 | 0:52:05 | |
we couldn't possibly leave it | 0:52:05 | 0:52:07 | |
but we're not due to deliver in that area for another... | 0:52:07 | 0:52:11 | |
..two weeks. | 0:52:14 | 0:52:17 | |
Ah, well, can't be helped. | 0:52:17 | 0:52:18 | |
Oh, I suppose I should just check the address again. | 0:52:20 | 0:52:23 | |
Sometimes they come out wrong from the shop. | 0:52:23 | 0:52:25 | |
Would you? Thank you so much. | 0:52:27 | 0:52:29 | |
Ah! Well, that will explain it. | 0:52:31 | 0:52:34 | |
Wrong house. | 0:52:34 | 0:52:36 | |
We're out by a digit. | 0:52:36 | 0:52:37 | |
Thank you. So sorry to trouble. | 0:52:39 | 0:52:42 | |
So how was Deep Throat? | 0:53:07 | 0:53:09 | |
-Didn't show. -Never happened to Robert Redford. | 0:53:09 | 0:53:12 | |
Don't rub it in. | 0:53:12 | 0:53:14 | |
Well, this should cheer you up. | 0:53:14 | 0:53:16 | |
-What's that for? -Ross McGovern, City Editor. | 0:53:18 | 0:53:23 | |
I like it. And you got it. | 0:53:23 | 0:53:27 | |
-You're kidding me? -I don't do jokes. This is a serious business. | 0:53:27 | 0:53:30 | |
-I don't know what to say. -Thank you. | 0:53:34 | 0:53:37 | |
Although even though I'd love to say it was a bitch of a pitch, | 0:53:37 | 0:53:39 | |
so you'd be forever in my debt, in fairness, you were the old man's choice. | 0:53:39 | 0:53:43 | |
Wow. I didn't think he even knew who I was. | 0:53:43 | 0:53:45 | |
Listen, if he can find his dick, it's a good day. | 0:53:45 | 0:53:47 | |
-Congratulations. -When do I start? | 0:53:47 | 0:53:50 | |
We'll announce it tomorrow. | 0:53:50 | 0:53:51 | |
Wow. | 0:53:54 | 0:53:56 | |
-I'm...I'm growing a great story. | 0:53:56 | 0:53:59 | |
-Yeah, what's that? -It's police corruption, but... | 0:53:59 | 0:54:03 | |
Oh, yeah, yeah. I heard about that. | 0:54:03 | 0:54:05 | |
What? How? | 0:54:05 | 0:54:07 | |
Everyone's got ambitions, Ross. | 0:54:07 | 0:54:09 | |
No such thing as a vacuum, not in a newsroom. | 0:54:09 | 0:54:11 | |
You'd better learn that one. | 0:54:11 | 0:54:14 | |
Er, what do you think of it? | 0:54:14 | 0:54:15 | |
-About what? -The story. -Um, not for us. | 0:54:15 | 0:54:19 | |
-What? -What? I've seen so many people play that role already. | 0:54:20 | 0:54:24 | |
Doesn't mean we should just ignore it. | 0:54:24 | 0:54:27 | |
It does when it means your readership will. | 0:54:27 | 0:54:29 | |
Do you know what the greatest danger to our democracy is right now? | 0:54:29 | 0:54:32 | |
And it's not your story. It's public apathy. | 0:54:32 | 0:54:34 | |
They already know your story. | 0:54:34 | 0:54:36 | |
If you just keep supplying them with what they've already heard, they're just going to listen less and less. | 0:54:36 | 0:54:41 | |
So by the time the really big story comes along, | 0:54:41 | 0:54:44 | |
they've stopped listening altogether. | 0:54:44 | 0:54:46 | |
OK. And what if this is the really big story? | 0:54:46 | 0:54:50 | |
You haven't even got a small one. | 0:54:50 | 0:54:51 | |
From what I hear, the one that got shot, the police had already stripped him a rank. | 0:54:51 | 0:54:55 | |
The other guy, you won't prove anything. | 0:54:55 | 0:54:57 | |
And the third, you've fingered the wrong guy. He put Wratten down. | 0:54:57 | 0:55:00 | |
So no story. No, sir. | 0:55:00 | 0:55:02 | |
How do you know all this? | 0:55:02 | 0:55:04 | |
By doing the job you're about to do for seven years | 0:55:04 | 0:55:07 | |
better than anyone else. I thank you. | 0:55:07 | 0:55:10 | |
Being City Editor is all about judgement, Ross. | 0:55:10 | 0:55:13 | |
Please, show me you have some. | 0:55:13 | 0:55:16 | |
MOBILE VIBRATES | 0:55:16 | 0:55:20 | |
Oh, incidentally, | 0:55:20 | 0:55:21 | |
it's also about a hundred grand price hike, a fabulous pension, | 0:55:21 | 0:55:26 | |
and you can stop dressing like Darth Vader because from next week, | 0:55:26 | 0:55:29 | |
you've got your own driver. | 0:55:29 | 0:55:31 | |
So, you know, be sure to judge all that too. | 0:55:31 | 0:55:34 | |
I'll tell you what you're going to do. | 0:55:36 | 0:55:38 | |
You're going home to that perfect little country cottage of yours | 0:55:38 | 0:55:42 | |
and you're going to tell the wife the good news, | 0:55:42 | 0:55:44 | |
see that look in her eye, | 0:55:44 | 0:55:46 | |
tuck the kids into bed, and screw each other's brains out. | 0:55:46 | 0:55:50 | |
That's what you do with a promotion, Ross. | 0:55:50 | 0:55:53 | |
MOBILE VIBRATES | 0:55:53 | 0:55:56 | |
Which reminds me, | 0:55:56 | 0:55:58 | |
time I got another. | 0:55:58 | 0:56:00 | |
Hey, Haydn. | 0:56:21 | 0:56:23 | |
-Fuck you very much. -Oh, come on. | 0:56:23 | 0:56:26 | |
It's just a job. | 0:56:26 | 0:56:28 | |
METALLIC THUD, SKIDDING | 0:57:41 | 0:57:43 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 | |
E-mail [email protected] | 0:58:54 | 0:58:58 |