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-DS Delaney. -What about him? -Double dipping... | 0:00:02 | 0:00:03 | |
-The night they went out, Gabriel didn't register the operation. -What? | 0:00:03 | 0:00:07 | |
-People talk, you know. -About what? | 0:00:07 | 0:00:09 | |
About you, and the partners you choose. | 0:00:09 | 0:00:11 | |
I didn't register the operation the night Delaney was killed. You think I'm a bad cop. | 0:00:11 | 0:00:15 | |
I think you're a good one. It comes with the card, and you've still got one. | 0:00:15 | 0:00:19 | |
Is it good? | 0:00:19 | 0:00:20 | |
-It's good! -Yes! | 0:00:20 | 0:00:24 | |
It's wonderful. | 0:00:24 | 0:00:25 | |
I had a line bust open. No lucky strike neither. | 0:00:25 | 0:00:27 | |
They knew exactly where to look. | 0:00:27 | 0:00:29 | |
Because I hear it was Jay Wratten gave them the heads-up. | 0:00:29 | 0:00:33 | |
I was Peter Glickman's... | 0:00:33 | 0:00:36 | |
girlfriend. | 0:00:36 | 0:00:38 | |
I AM his girlfriend. | 0:00:38 | 0:00:39 | |
Go and see Glickman's family. He's got a son, an accountant, over Winchmore Hill way. | 0:00:39 | 0:00:43 | |
He puts things in boxes. | 0:00:43 | 0:00:45 | |
You, me, everything. | 0:00:45 | 0:00:47 | |
Which one are you in? | 0:00:47 | 0:00:49 | |
I'm in the one marked "knows nothing". | 0:00:49 | 0:00:51 | |
-Why don't we just call the police? -Dad doesn't want to be found. | 0:00:51 | 0:00:54 | |
BABY CRIES | 0:00:54 | 0:00:56 | |
SHE GASPS Call no-one but your husband. | 0:01:01 | 0:01:03 | |
Tell him to contact no-one but his father. | 0:01:03 | 0:01:05 | |
'Call him now.' | 0:01:05 | 0:01:06 | |
-LEONARD: -'His threatened to kill the baby, Dad. | 0:01:06 | 0:01:09 | |
'Please contact Gatehouse.' | 0:01:09 | 0:01:11 | |
TICKING | 0:01:13 | 0:01:15 | |
Wow! | 0:01:18 | 0:01:19 | |
And that's German? | 0:01:21 | 0:01:23 | |
Augsburg. | 0:01:23 | 0:01:25 | |
They're very up with that sort of thing. | 0:01:25 | 0:01:27 | |
My wife's German. | 0:01:28 | 0:01:30 | |
Is that right, sir? | 0:01:30 | 0:01:32 | |
Double heart bypass last year. | 0:01:32 | 0:01:35 | |
Strong as an ox now. | 0:01:35 | 0:01:37 | |
I'll take it. | 0:01:40 | 0:01:42 | |
I mean, what can you buy if it's not a bit of time? | 0:01:42 | 0:01:45 | |
HE CHUCKLES | 0:01:45 | 0:01:46 | |
Montana? | 0:01:50 | 0:01:52 | |
-Big sky country. -I'd expect shipping of about a month. | 0:01:52 | 0:01:56 | |
That's fine. | 0:01:56 | 0:01:58 | |
-Morning, Paul. -Ralph. | 0:02:01 | 0:02:03 | |
-Who was that? -Mr Donnelly. | 0:02:06 | 0:02:08 | |
-And he's...? -The owner. | 0:02:08 | 0:02:11 | |
Peter? | 0:02:16 | 0:02:17 | |
Peter, it IS you. | 0:02:22 | 0:02:24 | |
Wow! I mean, it is, isn't it? | 0:02:24 | 0:02:27 | |
-IRISH ACCENT: -Are you speaking to me, sir? | 0:02:27 | 0:02:29 | |
I am. | 0:02:29 | 0:02:30 | |
It's me, Austin Lessing. | 0:02:30 | 0:02:32 | |
We did a deal together, remember? | 0:02:32 | 0:02:36 | |
Hampton Towers. | 0:02:36 | 0:02:37 | |
What is that? 20 years ago? | 0:02:37 | 0:02:41 | |
But you can't forget something like that. | 0:02:41 | 0:02:43 | |
Well, I can't! I never had to work again! | 0:02:43 | 0:02:45 | |
Not me, sir. | 0:02:45 | 0:02:47 | |
And I've owned this shop for over 20 years. | 0:02:47 | 0:02:50 | |
Ask anyone. | 0:02:50 | 0:02:52 | |
Oh. | 0:02:52 | 0:02:53 | |
Yes, sir. | 0:02:53 | 0:02:56 | |
I mean, you're different, sure, but... | 0:02:56 | 0:02:59 | |
but then look at me. | 0:02:59 | 0:03:00 | |
Wow! | 0:03:00 | 0:03:03 | |
It's Donnelly, sir. | 0:03:03 | 0:03:05 | |
Paul Donnelly. | 0:03:05 | 0:03:07 | |
Well, Mr Donnelly, sir... | 0:03:07 | 0:03:10 | |
you have a doppelganger | 0:03:10 | 0:03:12 | |
and his name is Peter Glickman. | 0:03:12 | 0:03:15 | |
My mistake. | 0:03:21 | 0:03:22 | |
This programme contains some strong language and scenes which some viewers may find disturbing | 0:03:32 | 0:03:38 | |
# I'm a featherless bird | 0:03:38 | 0:03:41 | |
# In a sky so absurd | 0:03:41 | 0:03:49 | |
# Why, oh, why | 0:03:50 | 0:03:55 | |
# Is there so much movement? | 0:03:55 | 0:04:05 | |
# Oh, hide me deeper | 0:04:07 | 0:04:14 | |
# In your peace further... # | 0:04:15 | 0:04:22 | |
Did you find it all right, sir? | 0:04:26 | 0:04:29 | |
What? | 0:04:29 | 0:04:30 | |
Oh, yeah. | 0:04:30 | 0:04:31 | |
Er, your boss, how long has he owned this shop? | 0:04:31 | 0:04:36 | |
I couldn't say. | 0:04:36 | 0:04:38 | |
-But he brought me in in '88. -Oh. | 0:04:38 | 0:04:41 | |
So, come back to your roots, sir? | 0:04:41 | 0:04:44 | |
-Mmm? -Dublin. | 0:04:44 | 0:04:47 | |
Oh, yeah. | 0:04:47 | 0:04:48 | |
That's the thing about roots, isn't it, sir? | 0:04:48 | 0:04:51 | |
Doesn't matter where you go, they'll always find you out. | 0:04:51 | 0:04:54 | |
I just sold that Augsburg. | 0:05:01 | 0:05:03 | |
I can't get the cap on that fusee. Will you take a look at it? | 0:05:03 | 0:05:07 | |
Sure. | 0:05:07 | 0:05:08 | |
Well, you couldn't. | 0:05:23 | 0:05:25 | |
The ratchet's buckled. | 0:05:25 | 0:05:26 | |
Paul? | 0:05:28 | 0:05:29 | |
He dropped his money. | 0:05:29 | 0:05:32 | |
-How much? -It's 100 euros. | 0:05:47 | 0:05:49 | |
100 euros? | 0:05:49 | 0:05:51 | |
-Good morning, sir. -Good morning. | 0:06:25 | 0:06:27 | |
I believe you may have an Austin Lessing staying here. | 0:06:27 | 0:06:30 | |
Yes, sir, we do. | 0:06:34 | 0:06:36 | |
Ah, well, he just visited my shop and he dropped this. | 0:06:36 | 0:06:41 | |
Oh, dear. That's not the point of them, is it? | 0:06:41 | 0:06:45 | |
And it looks quite full. | 0:06:45 | 0:06:46 | |
Ah... Um, well, that's very good of you to bring it in. | 0:06:49 | 0:06:53 | |
It's the way I was raised. | 0:06:53 | 0:06:56 | |
Is he in his room, do you know? | 0:06:56 | 0:06:58 | |
I don't believe he is - we have his key. | 0:06:58 | 0:07:00 | |
But I'll make sure he gets it when he checks in. | 0:07:00 | 0:07:02 | |
Don't worry, sir. I was raised the same. | 0:07:04 | 0:07:07 | |
-Not many left. -With every passing day. | 0:07:07 | 0:07:10 | |
I'm so sorry. Did you take my pen? | 0:07:14 | 0:07:17 | |
I don't believe so, sir. | 0:07:17 | 0:07:19 | |
I'm sure I had it just now. | 0:07:19 | 0:07:21 | |
Um... | 0:07:21 | 0:07:22 | |
No, sir. | 0:07:25 | 0:07:26 | |
Oh! See! If it had been mine, I'd have lost it too! | 0:07:26 | 0:07:31 | |
Room 219, please. | 0:07:54 | 0:07:56 | |
-This has been left for you, sir. -That's not mine. | 0:08:01 | 0:08:04 | |
-Yes, sir. Apparently you dropped it in a shop. -What shop? | 0:08:04 | 0:08:08 | |
Didn't say. | 0:08:08 | 0:08:10 | |
Huh! | 0:08:13 | 0:08:15 | |
Thank you. | 0:08:16 | 0:08:18 | |
KNOCK ON DOOR | 0:08:33 | 0:08:35 | |
-Can I come in? -What? | 0:08:38 | 0:08:39 | |
I can't be seen here. | 0:08:39 | 0:08:42 | |
What are you doing? | 0:08:42 | 0:08:44 | |
Hey! | 0:08:44 | 0:08:46 | |
-IN HIS REAL VOICE: -Hello, Austin. | 0:08:48 | 0:08:50 | |
I knew it was you! | 0:08:51 | 0:08:53 | |
I absolutely knew it! | 0:08:53 | 0:08:55 | |
Peter Glickman. | 0:08:55 | 0:08:57 | |
Jesus! Your accent...? | 0:08:57 | 0:09:01 | |
Yeah, it's just a knack. | 0:09:01 | 0:09:03 | |
Was that you with the money? | 0:09:03 | 0:09:05 | |
It's not mine. | 0:09:06 | 0:09:08 | |
Would that be because of the call-girl cards? | 0:09:08 | 0:09:12 | |
Absolutely not! | 0:09:12 | 0:09:14 | |
My mistake. | 0:09:14 | 0:09:15 | |
What's going on? | 0:09:15 | 0:09:17 | |
I mean, what the hell are you doing in a clock shop? | 0:09:17 | 0:09:20 | |
I like clocks. | 0:09:20 | 0:09:21 | |
Last time we met, you were running an empire. | 0:09:21 | 0:09:25 | |
-Had to let it go. -Why? | 0:09:25 | 0:09:27 | |
Would have been the death of me. | 0:09:27 | 0:09:29 | |
But why the change in name? | 0:09:29 | 0:09:30 | |
That's what's keeping me alive. | 0:09:30 | 0:09:32 | |
-But that guy in your shop said he'd known you for years. -He has. | 0:09:32 | 0:09:36 | |
I don't understand... | 0:09:36 | 0:09:37 | |
As Paul Donnelly. Here, I've been Paul Donnelly for over 20 years. | 0:09:37 | 0:09:42 | |
How? | 0:09:42 | 0:09:43 | |
He didn't used to see me that often - no-one did. | 0:09:43 | 0:09:46 | |
Once a month, that sort of thing. | 0:09:46 | 0:09:49 | |
But I set up a life here - business, home, tax, the lot. | 0:09:49 | 0:09:54 | |
Just did it all in the name of Paul Donnelly. | 0:09:54 | 0:09:57 | |
It's really not that hard. | 0:09:57 | 0:09:59 | |
-But why do it? -You have to prepare for these things, just in case. | 0:09:59 | 0:10:04 | |
It's like a new room. | 0:10:05 | 0:10:07 | |
Change it slowly enough and no-one will notice it's happened. | 0:10:07 | 0:10:12 | |
Then, if you need it, | 0:10:12 | 0:10:15 | |
it's yours just to step into. | 0:10:15 | 0:10:18 | |
And nothing looks strange because, | 0:10:18 | 0:10:20 | |
in a way, | 0:10:20 | 0:10:22 | |
you've always been there. | 0:10:22 | 0:10:24 | |
A double life. | 0:10:24 | 0:10:26 | |
Not any more. This is who I am now, full-time. | 0:10:26 | 0:10:30 | |
Wow! I can't even plan a weekly shop. | 0:10:30 | 0:10:35 | |
You're here with someone? | 0:10:36 | 0:10:38 | |
Oh, no. My wife's back home. | 0:10:38 | 0:10:40 | |
Double bypass last year. | 0:10:40 | 0:10:42 | |
No girlfriend? | 0:10:42 | 0:10:44 | |
-What? -Here. | 0:10:44 | 0:10:45 | |
Look at me! What about you? | 0:10:45 | 0:10:48 | |
Is that what this is all about? | 0:10:48 | 0:10:50 | |
Huh? A new life with a new girl! | 0:10:50 | 0:10:53 | |
Actually, Austin, | 0:10:53 | 0:10:55 | |
I'd have given anything to bring the old one with me. | 0:10:55 | 0:10:59 | |
Why didn't you? | 0:10:59 | 0:11:00 | |
Someone wants to kill me. | 0:11:00 | 0:11:02 | |
Oh? | 0:11:02 | 0:11:04 | |
And if she knew where I was, | 0:11:04 | 0:11:06 | |
this man, he'd kill her to find out. | 0:11:06 | 0:11:09 | |
-Oh, my God! -Yeah! | 0:11:09 | 0:11:12 | |
Ironic, isn't it? | 0:11:12 | 0:11:14 | |
The kindest thing I could do to the woman I love | 0:11:14 | 0:11:17 | |
is to never see her again. | 0:11:17 | 0:11:18 | |
Oh. | 0:11:18 | 0:11:19 | |
Mmm. | 0:11:19 | 0:11:21 | |
It's not knowing where I am keeps her alive. | 0:11:21 | 0:11:25 | |
That was a good deal, Austin. | 0:11:31 | 0:11:33 | |
-The one we made back then. -It was. | 0:11:34 | 0:11:37 | |
Jesus, you made me a wealthy man! | 0:11:37 | 0:11:39 | |
We got lucky. | 0:11:39 | 0:11:40 | |
I certainly got lucky meeting you! | 0:11:40 | 0:11:42 | |
-Not this time. -How do you mean? | 0:11:42 | 0:11:45 | |
What time is it with your wife? | 0:11:45 | 0:11:47 | |
6.33am. Is she a light sleeper? | 0:11:49 | 0:11:52 | |
-No. -So, you haven't called her yet? | 0:11:52 | 0:11:54 | |
-No. -Good. Called anyone else? | 0:11:54 | 0:11:56 | |
No... Well, I mean, since when? | 0:11:56 | 0:11:59 | |
Since you saw me. | 0:11:59 | 0:12:00 | |
-No. -May I see your mobile phone? | 0:12:00 | 0:12:03 | |
I swear I...I haven't used it. | 0:12:03 | 0:12:08 | |
-I wish you hadn't have come into the shop. -What? | 0:12:15 | 0:12:19 | |
You shouldn't have come into the shop. | 0:12:20 | 0:12:22 | |
I didn't know not to. | 0:12:22 | 0:12:24 | |
You shouldn't have seen me. I can't be seen. | 0:12:24 | 0:12:27 | |
Then I didn't see you. I won't say a word, I promise. | 0:12:27 | 0:12:31 | |
Do you know how hard it is to keep a secret? | 0:12:31 | 0:12:33 | |
-I can keep this one! -That's what I thought. | 0:12:33 | 0:12:36 | |
But look at what's just happened to me. | 0:12:36 | 0:12:38 | |
Don't run. If you run, I'll disappear and next time you see me, | 0:12:40 | 0:12:44 | |
I'll be in your bedroom at 425 Rayfields Road, Columbia Falls, Montana. | 0:12:44 | 0:12:49 | |
In my shop - you wrote it down. | 0:12:49 | 0:12:51 | |
And if that happens, your wife will never wake up again. | 0:12:51 | 0:12:55 | |
So don't run. | 0:12:56 | 0:12:58 | |
I wasn't going to. | 0:12:58 | 0:13:00 | |
Good. So, we haven't got a lot of time. | 0:13:00 | 0:13:04 | |
-Why not? -Some people are coming to see you. -Who? | 0:13:04 | 0:13:07 | |
Doesn't matter. But they're on their way. | 0:13:07 | 0:13:10 | |
And while we wait... | 0:13:10 | 0:13:13 | |
..I want you to do something... | 0:13:15 | 0:13:18 | |
something for yourself. | 0:13:18 | 0:13:20 | |
What? | 0:13:20 | 0:13:22 | |
Call her. | 0:13:22 | 0:13:24 | |
Call your wife. | 0:13:24 | 0:13:26 | |
Why? | 0:13:26 | 0:13:27 | |
Tell her you love her. | 0:13:27 | 0:13:29 | |
Why? | 0:13:30 | 0:13:31 | |
She'll need to know that... | 0:13:31 | 0:13:33 | |
and I'm giving you the chance to say it. | 0:13:33 | 0:13:36 | |
You're wanting me to say goodbye. | 0:13:37 | 0:13:39 | |
Don't pass it up. It's a chance I never got. | 0:13:39 | 0:13:43 | |
It's OK. | 0:13:44 | 0:13:45 | |
Call her. | 0:13:48 | 0:13:50 | |
CONTINUOUS TONE | 0:13:58 | 0:14:00 | |
AUSTIN GRUNTS | 0:14:02 | 0:14:04 | |
TONE STOPS | 0:14:06 | 0:14:07 | |
HE PANTS | 0:14:12 | 0:14:13 | |
-IMITATES AUSTIN: -Hi, it's Austin. | 0:14:24 | 0:14:26 | |
So, where are you? | 0:14:26 | 0:14:28 | |
..Good, come straight on in. | 0:14:28 | 0:14:30 | |
..No, main entrance, through the revolving doors, why not? | 0:14:30 | 0:14:35 | |
Free country. | 0:14:35 | 0:14:36 | |
Yes, grand apiece, up front for you and your guy. | 0:14:36 | 0:14:40 | |
Has to be both, though, right? | 0:14:40 | 0:14:43 | |
..Cos that's the way I want it. | 0:14:43 | 0:14:46 | |
Wow! | 0:14:46 | 0:14:47 | |
Room 219. Door's off the latch. | 0:14:47 | 0:14:50 | |
I'm waiting for you. | 0:14:50 | 0:14:52 | |
He never brought you back a gift, from somewhere you wouldn't have expected him to be? | 0:15:37 | 0:15:42 | |
You mean from where he is now? | 0:15:42 | 0:15:44 | |
Maybe. | 0:15:44 | 0:15:45 | |
He wouldn't be that casual. | 0:15:47 | 0:15:49 | |
His son doesn't even know I exist. | 0:15:50 | 0:15:53 | |
And just this in your bank account. | 0:15:53 | 0:15:56 | |
-Yes, every month. Well, um... -SHE CLEARS HER THROAT | 0:15:58 | 0:16:01 | |
Last one, last month. | 0:16:01 | 0:16:02 | |
All from abroad. | 0:16:02 | 0:16:04 | |
Never the same place twice. | 0:16:04 | 0:16:07 | |
No. | 0:16:08 | 0:16:09 | |
And no communication at all. | 0:16:11 | 0:16:13 | |
He won't be found. | 0:16:18 | 0:16:20 | |
You know that, don't you? | 0:16:20 | 0:16:22 | |
Not unless he wants someone to find him. | 0:16:24 | 0:16:27 | |
I do know how you feel. | 0:16:42 | 0:16:44 | |
My wife...she's ill. | 0:16:46 | 0:16:48 | |
Alzheimer's. | 0:16:48 | 0:16:50 | |
Oh! | 0:16:53 | 0:16:54 | |
And I loved her... | 0:16:54 | 0:16:56 | |
..love her very much. | 0:17:00 | 0:17:02 | |
But all I have now is our past. | 0:17:02 | 0:17:05 | |
And it's a lonely place to live. | 0:17:06 | 0:17:08 | |
DOOR OPENS | 0:17:58 | 0:18:00 | |
-Morning, Paul. -Ralph. | 0:18:03 | 0:18:06 | |
PHONE RINGS | 0:19:17 | 0:19:19 | |
Are you all right? | 0:19:40 | 0:19:42 | |
I'll wind the clocks. | 0:19:42 | 0:19:44 | |
Are you sure? | 0:19:44 | 0:19:46 | |
I'll be right along after. | 0:19:46 | 0:19:48 | |
-Oh, and Ralph? -Yeah? | 0:19:56 | 0:19:59 | |
Thanks for everything. | 0:19:59 | 0:20:00 | |
Live long... | 0:20:00 | 0:20:02 | |
BOTH: ..and die in Ireland! | 0:20:02 | 0:20:04 | |
HE CHUCKLES | 0:20:04 | 0:20:06 | |
Good night, Paul. | 0:20:06 | 0:20:08 | |
BIRD WHISTLES A TUNE | 0:20:32 | 0:20:33 | |
WHISTLING STOPS | 0:20:52 | 0:20:53 | |
Hello, James. | 0:21:00 | 0:21:02 | |
Peter. | 0:21:04 | 0:21:06 | |
You're not surprised. | 0:21:09 | 0:21:11 | |
I saw you in the shadows. | 0:21:11 | 0:21:14 | |
So, you still know where to look. | 0:21:15 | 0:21:17 | |
Where else would you be? | 0:21:17 | 0:21:20 | |
How? | 0:21:25 | 0:21:27 | |
If you want to disappear... | 0:21:27 | 0:21:30 | |
You have to do it completely. | 0:21:30 | 0:21:32 | |
No ties. | 0:21:32 | 0:21:34 | |
No trails. | 0:21:34 | 0:21:35 | |
Nothing. | 0:21:35 | 0:21:38 | |
It's hard. | 0:21:38 | 0:21:41 | |
-You can't imagine. -No, I can't. | 0:21:41 | 0:21:43 | |
But then that's why you're you... | 0:21:45 | 0:21:48 | |
..and I'm your controller. | 0:21:49 | 0:21:50 | |
So...why the pause? | 0:22:03 | 0:22:06 | |
Hm? | 0:22:06 | 0:22:08 | |
You could have killed me at the door. | 0:22:08 | 0:22:10 | |
You must have something you... | 0:22:10 | 0:22:12 | |
want to tell me. | 0:22:12 | 0:22:14 | |
Where'd you get the name? | 0:22:16 | 0:22:18 | |
Paul Donnelly? | 0:22:18 | 0:22:20 | |
Launch manager, Apollo 11. | 0:22:20 | 0:22:23 | |
Everyone remembers the astronauts, | 0:22:23 | 0:22:25 | |
no-one remembers the guy who pulled the strings. | 0:22:25 | 0:22:29 | |
Harvey Wratten. Royal pardon. | 0:22:31 | 0:22:33 | |
That was quite an achievement. | 0:22:33 | 0:22:35 | |
Why didn't you have him killed in jail? | 0:22:37 | 0:22:39 | |
This is our thing, not theirs. | 0:22:40 | 0:22:43 | |
So, you got him out. | 0:22:43 | 0:22:45 | |
I got him out. | 0:22:45 | 0:22:46 | |
Just to have him killed? | 0:22:46 | 0:22:48 | |
Oh, no. I did it myself. | 0:22:48 | 0:22:50 | |
But you could've just let him live. | 0:22:50 | 0:22:52 | |
I mean, once he WAS out | 0:22:52 | 0:22:54 | |
he could never say how you did it, | 0:22:54 | 0:22:56 | |
because if he had, he'd have been straight back in. | 0:22:56 | 0:23:00 | |
It wasn't the pardon that worried me, | 0:23:00 | 0:23:03 | |
it was what he'd threatened to expose if I didn't get it for him. | 0:23:03 | 0:23:06 | |
Our thing. | 0:23:06 | 0:23:07 | |
Our thing. | 0:23:09 | 0:23:11 | |
Counterpoint. | 0:23:11 | 0:23:12 | |
Counterpoint. | 0:23:14 | 0:23:16 | |
Because if that got out then there'd be real trouble. | 0:23:18 | 0:23:21 | |
Like you've never seen. | 0:23:24 | 0:23:26 | |
You shouldn't have told him, Peter. | 0:23:41 | 0:23:43 | |
You shouldn't have let him go down. | 0:23:43 | 0:23:45 | |
I offered retirement - he wouldn't take it. | 0:23:45 | 0:23:47 | |
-He wasn't ready. -He should always have been ready. | 0:23:47 | 0:23:50 | |
He should have stepped aside. It was time to start again. | 0:23:50 | 0:23:52 | |
-Who with?... -I'm working on it. | 0:23:52 | 0:23:55 | |
Young blood, eh? | 0:23:55 | 0:23:57 | |
Well, I don't want to be having to do this every ten years, now, do I? | 0:23:57 | 0:24:02 | |
And me? Got someone to replace me? | 0:24:02 | 0:24:06 | |
Working on that too. | 0:24:06 | 0:24:08 | |
Harvey was my partner for nearly 30 years. | 0:24:09 | 0:24:13 | |
And I was your superior long before that. | 0:24:13 | 0:24:18 | |
And after all those years, you were willing to let him die in jail? | 0:24:18 | 0:24:23 | |
-I gave him a chance not to. -So, I gave him another. | 0:24:23 | 0:24:26 | |
And look what you got for your trouble. | 0:24:26 | 0:24:29 | |
Four hours of fresh air for your partner | 0:24:29 | 0:24:31 | |
and a shadow of a life for yourself. | 0:24:31 | 0:24:33 | |
Things didn't go to plan. | 0:24:35 | 0:24:38 | |
They would have done, if you hadn't forgotten the rules. | 0:24:38 | 0:24:41 | |
Your rules. | 0:24:41 | 0:24:42 | |
Controller. | 0:24:44 | 0:24:45 | |
It's not just a name to you, is it? | 0:24:45 | 0:24:48 | |
It's what you have to have, no matter what. | 0:24:49 | 0:24:54 | |
But there must have been a while back there, after I'd disappeared, | 0:24:54 | 0:24:58 | |
when even you thought you'd lost it. | 0:24:58 | 0:25:00 | |
Knew I'd get it back. | 0:25:00 | 0:25:02 | |
And that's why you didn't kill me at the door, isn't it? | 0:25:02 | 0:25:05 | |
Because getting it back... | 0:25:05 | 0:25:08 | |
is what you wanted me to see. | 0:25:08 | 0:25:10 | |
How are you going to do it, James? | 0:25:13 | 0:25:15 | |
I'm guessing not with a gun - far too noisy. | 0:25:15 | 0:25:18 | |
But your own hands? | 0:25:18 | 0:25:20 | |
You must be angry. | 0:25:22 | 0:25:23 | |
And to think | 0:25:25 | 0:25:26 | |
if I hadn't left that phone signal, you wouldn't be here. | 0:25:26 | 0:25:30 | |
But you did. | 0:25:31 | 0:25:32 | |
And I am. | 0:25:34 | 0:25:37 | |
You followed the trail. | 0:25:37 | 0:25:39 | |
The one you left. | 0:25:39 | 0:25:40 | |
But what if I knew | 0:25:44 | 0:25:47 | |
you couldn't help but follow it? | 0:25:47 | 0:25:49 | |
May I? | 0:25:51 | 0:25:53 | |
The only person who could force my son | 0:25:59 | 0:26:02 | |
into leaving a message on that phone was you. | 0:26:02 | 0:26:04 | |
I knew that. | 0:26:04 | 0:26:06 | |
And I knew that once I picked it up | 0:26:06 | 0:26:09 | |
you'd follow the signal. | 0:26:09 | 0:26:11 | |
And because you thought you'd found it, | 0:26:12 | 0:26:15 | |
it would never occur to you that actually, | 0:26:15 | 0:26:19 | |
you were being led. | 0:26:19 | 0:26:20 | |
Because it's who you are, what you do. | 0:26:23 | 0:26:26 | |
Control, | 0:26:27 | 0:26:28 | |
at any cost. | 0:26:28 | 0:26:30 | |
Any cost. | 0:26:30 | 0:26:32 | |
Ironic, then, isn't it? | 0:26:32 | 0:26:35 | |
That by coming all this way to get it back, | 0:26:37 | 0:26:40 | |
you've...lost it altogether. | 0:26:40 | 0:26:44 | |
Human, after all. | 0:26:47 | 0:26:48 | |
DOGS BARK, CAR ALARMS BLARE | 0:27:10 | 0:27:13 | |
Not strong enough. | 0:27:24 | 0:27:26 | |
Kill you, save me - it was a tricky balance. | 0:27:26 | 0:27:30 | |
That tipped my way. | 0:27:30 | 0:27:32 | |
I'd say right now we're about even. | 0:27:32 | 0:27:36 | |
SIREN WAILS IN DISTANCE | 0:27:39 | 0:27:41 | |
Hello. | 0:28:11 | 0:28:13 | |
It's late. | 0:28:17 | 0:28:18 | |
Or early. | 0:28:18 | 0:28:20 | |
These days I never know which. | 0:28:20 | 0:28:22 | |
Should I be sorry? | 0:28:32 | 0:28:33 | |
No. | 0:28:33 | 0:28:35 | |
-But I am. -But don't be. | 0:28:35 | 0:28:38 | |
I think it's just cos... | 0:28:38 | 0:28:40 | |
It's difficult. | 0:28:40 | 0:28:42 | |
For us both. | 0:28:42 | 0:28:44 | |
I'm not... | 0:28:51 | 0:28:53 | |
Nor am I. | 0:28:53 | 0:28:55 | |
Hm. | 0:29:03 | 0:29:04 | |
Um... | 0:29:04 | 0:29:06 | |
But you were right. | 0:29:08 | 0:29:09 | |
About what? | 0:29:09 | 0:29:11 | |
The past is a lonely place... | 0:29:13 | 0:29:15 | |
Less you hear someone else say it. | 0:29:17 | 0:29:19 | |
PHONE RINGS | 0:29:40 | 0:29:42 | |
Gabriel. | 0:29:49 | 0:29:50 | |
We're ready for you. | 0:29:52 | 0:29:54 | |
Look, I've got to go. | 0:29:54 | 0:29:56 | |
..What? | 0:29:56 | 0:29:57 | |
Patch them through. | 0:29:57 | 0:29:59 | |
-I'm so sorry. Go on, I'll follow. -Jonah! | 0:29:59 | 0:30:02 | |
Laura, go on. I'll be there. | 0:30:02 | 0:30:05 | |
Is that DI Gabriel? | 0:30:11 | 0:30:12 | |
It is. | 0:30:12 | 0:30:14 | |
I know who shot you. | 0:30:14 | 0:30:17 | |
I'm sorry? | 0:30:17 | 0:30:18 | |
Follow the drugs. | 0:30:18 | 0:30:20 | |
What drugs? | 0:30:20 | 0:30:22 | |
Follow the drugs. | 0:30:22 | 0:30:25 | |
'Who is this?' | 0:30:25 | 0:30:27 | |
My name's Peter Glickman. | 0:30:27 | 0:30:29 | |
Follow the drugs, Detective Inspector, | 0:30:29 | 0:30:33 | |
and then we'll meet. | 0:30:33 | 0:30:34 | |
WATER SPLASHES | 0:30:41 | 0:30:42 | |
What can you see? | 0:30:52 | 0:30:54 | |
Ah. | 0:31:05 | 0:31:06 | |
There. | 0:31:08 | 0:31:09 | |
God! | 0:31:14 | 0:31:15 | |
All's well. | 0:31:15 | 0:31:17 | |
I'm not sure I should be doing this. | 0:32:27 | 0:32:30 | |
Then you know what? Don't bother. | 0:32:30 | 0:32:32 | |
But be sure to ask yourself what the hell you're doing this job for. | 0:32:32 | 0:32:35 | |
About two grand more than I'd get in private security. | 0:32:35 | 0:32:40 | |
Then make it count. | 0:32:40 | 0:32:42 | |
-They're gone. -Gone? -They've been destroyed. | 0:32:42 | 0:32:44 | |
No. This drugs haul secured a royal pardon. | 0:32:44 | 0:32:48 | |
When? | 0:32:49 | 0:32:51 | |
Last month. | 0:32:51 | 0:32:52 | |
-You sure? -Evidence number reference /2417 Wratten. Heroin. | 0:32:52 | 0:32:57 | |
Six consignments. | 0:32:57 | 0:32:58 | |
Incinerated. | 0:32:58 | 0:33:00 | |
-Why? -They must have thought the case was closed. | 0:33:00 | 0:33:03 | |
On whose orders? | 0:33:03 | 0:33:06 | |
Why did you have the evidence burned? | 0:33:07 | 0:33:09 | |
You keep doing this, I'm going to have to take out a restraining order, | 0:33:09 | 0:33:13 | |
and that won't look good on your record. | 0:33:13 | 0:33:15 | |
849 kilos, on your instruction. | 0:33:15 | 0:33:18 | |
-You're referring to a restricted file. -So, you know what I'm referring to. | 0:33:18 | 0:33:21 | |
-Harvey Wratten's dead, DI Gabriel. Get over it. We have. -So, you closed the case? | 0:33:21 | 0:33:25 | |
-Ta-da! -Shouldn't you have kept back 10%? | 0:33:25 | 0:33:27 | |
-You tell me how to do my job, you don't know how to do yours. -Teach me! | 0:33:27 | 0:33:31 | |
10%'s for pending cases. | 0:33:31 | 0:33:33 | |
Self-evidently, | 0:33:33 | 0:33:35 | |
this one isn't pending. | 0:33:35 | 0:33:36 | |
If we kept everything, soon we'd have no more space. | 0:33:36 | 0:33:38 | |
It's a basic law of physics. Unless you think Wratten's a fucking vampire! | 0:33:38 | 0:33:42 | |
You seemed to have plenty of space when I was there. | 0:33:42 | 0:33:44 | |
Maybe because, unlike you, we know how to close a case. ..No, you don't. | 0:33:44 | 0:33:48 | |
-Why, where are you going? -Where you can't follow. | 0:33:48 | 0:33:51 | |
DOOR CLOSES | 0:33:51 | 0:33:53 | |
Shit! | 0:33:57 | 0:33:58 | |
What are you looking for, anyway? | 0:33:59 | 0:34:01 | |
What are the drugs going to tell you? | 0:34:01 | 0:34:03 | |
-Something someone said. -Who? | 0:34:04 | 0:34:06 | |
PHONE RINGS | 0:34:06 | 0:34:08 | |
Gabriel. | 0:34:08 | 0:34:10 | |
A two-kilogram sample was taken from the second consignment. | 0:34:10 | 0:34:14 | |
There's the date. | 0:34:14 | 0:34:15 | |
-Where were they sent? -To you. | 0:34:15 | 0:34:18 | |
-Me? -Well, to your side. | 0:34:20 | 0:34:22 | |
-Why? -Apparently there was a problem with the code. | 0:34:22 | 0:34:26 | |
You see that? That's ours. | 0:34:26 | 0:34:28 | |
-We write it on the evidence in ultraviolet. -Yeah, so do we. | 0:34:28 | 0:34:32 | |
Yeah, well, on this one and 12 others like it, | 0:34:32 | 0:34:35 | |
when they came into us, | 0:34:35 | 0:34:37 | |
they already had a code written on them. | 0:34:37 | 0:34:39 | |
Ours. | 0:34:39 | 0:34:41 | |
Yes. | 0:34:41 | 0:34:44 | |
Yep, we received it June 13th last year. | 0:34:54 | 0:34:59 | |
Is it still in storage? | 0:34:59 | 0:35:01 | |
Should be. | 0:35:01 | 0:35:03 | |
We'd like to see it. | 0:35:03 | 0:35:04 | |
We'll call you when we've finished. | 0:35:10 | 0:35:12 | |
-You know you'll have to sign out when you leave. -Yes, of course. | 0:35:12 | 0:35:16 | |
And, um... | 0:35:16 | 0:35:17 | |
just so you know, we now... | 0:35:17 | 0:35:19 | |
weigh the boxes before and after each viewing. | 0:35:19 | 0:35:22 | |
-Sorry?! -It's... procedure now... -Yeah, I understand. OK. Thank you. | 0:35:22 | 0:35:26 | |
-So, that came across from Customs? -Yeah. | 0:35:29 | 0:35:32 | |
It's from the second cache that Wratten led them to find | 0:35:32 | 0:35:36 | |
in order to get his royal pardon. | 0:35:36 | 0:35:38 | |
Dim the lights. | 0:35:38 | 0:35:39 | |
OK, so you see that code? | 0:35:45 | 0:35:47 | |
That's the Customs code. | 0:35:48 | 0:35:50 | |
They put that on there after they'd picked up the drugs. | 0:35:50 | 0:35:54 | |
And this one... | 0:35:55 | 0:35:57 | |
This is our code from last June | 0:35:57 | 0:36:01 | |
when they sent it over to us. | 0:36:01 | 0:36:03 | |
Why did they send it? | 0:36:03 | 0:36:04 | |
-Because of this. -What's that? | 0:36:08 | 0:36:10 | |
That's the first code. | 0:36:10 | 0:36:12 | |
Our code. | 0:36:12 | 0:36:13 | |
I don't follow. | 0:36:16 | 0:36:18 | |
It means this brick has been here before. | 0:36:18 | 0:36:20 | |
Which means... | 0:36:20 | 0:36:21 | |
Someone took it out. | 0:36:23 | 0:36:25 | |
And I know who. | 0:36:26 | 0:36:28 | |
-It was Detective Sergeant Delaney. -Go on. | 0:36:32 | 0:36:34 | |
Delaney heard someone was buying large amounts off the street, | 0:36:34 | 0:36:37 | |
so he decided to get involved in the second purchase by raiding the evidence room. | 0:36:37 | 0:36:41 | |
How was he to know that what he sold was destined to go to Customs, | 0:36:41 | 0:36:45 | |
-and once they'd read the serial numbers, they'd send it back to us. -Us? | 0:36:45 | 0:36:49 | |
To him. | 0:36:49 | 0:36:51 | |
Do you know how much Delaney took? | 0:36:51 | 0:36:54 | |
So, you agree it was Delaney? | 0:36:54 | 0:36:55 | |
Because that's the bit I didn't have a join for, but now I do. | 0:36:55 | 0:37:00 | |
Do you know how much was taken? | 0:37:00 | 0:37:02 | |
Well, Customs says there were 12 more in the same series. | 0:37:02 | 0:37:05 | |
26 kilos. And what's that? | 0:37:05 | 0:37:07 | |
Half a million quid, right out of this department. | 0:37:07 | 0:37:10 | |
Ouch! | 0:37:10 | 0:37:12 | |
So he, and your predecessor... | 0:37:12 | 0:37:14 | |
-Penney. -..decided to cover it up. | 0:37:14 | 0:37:17 | |
So, you offered to cut Delaney a deal, rap his knuckles, | 0:37:17 | 0:37:20 | |
strip him a rank and give him to me to put him back in line. | 0:37:20 | 0:37:22 | |
Which is exactly what you did. | 0:37:22 | 0:37:24 | |
But that's not how it worked out, is it, sir? | 0:37:24 | 0:37:27 | |
Because no matter how much you try and bury a past, | 0:37:27 | 0:37:29 | |
it has that nasty habit of catching up with you, and is that what happened to me? | 0:37:29 | 0:37:33 | |
Did I just get caught in the crossfire? | 0:37:33 | 0:37:36 | |
Shh. | 0:37:36 | 0:37:38 | |
You really don't know? | 0:37:38 | 0:37:41 | |
But you know what? | 0:37:41 | 0:37:43 | |
I think now's the time to tell me. | 0:37:43 | 0:37:45 | |
Then I'm afraid, Gabriel, | 0:37:49 | 0:37:51 | |
the past is also about to catch up with you. | 0:37:51 | 0:37:54 | |
It was 30 kilos in total. 30. | 0:37:56 | 0:37:59 | |
And guess where the last four were found. | 0:37:59 | 0:38:02 | |
In the back of the car in which you both got shot. | 0:38:02 | 0:38:05 | |
You may have started out getting Delaney to walk the line, | 0:38:05 | 0:38:08 | |
but looks to me like he ended up pulling you into the shadows. | 0:38:08 | 0:38:11 | |
And you're right. | 0:38:11 | 0:38:13 | |
£500,000 at least. | 0:38:13 | 0:38:15 | |
And you know what? | 0:38:15 | 0:38:17 | |
We only ever got back 270. | 0:38:17 | 0:38:19 | |
Why didn't you go looking for it? | 0:38:21 | 0:38:23 | |
No need. | 0:38:23 | 0:38:24 | |
Believe me - absolutely none. | 0:38:24 | 0:38:27 | |
You DON'T remember, do you? | 0:38:29 | 0:38:31 | |
I thought you did. Thought you were faking it. | 0:38:31 | 0:38:33 | |
That's why I wanted you out. | 0:38:33 | 0:38:36 | |
But he thought you didn't. | 0:38:36 | 0:38:38 | |
-Which is why -I -wanted you back in. | 0:38:38 | 0:38:40 | |
-Why? -He thought if you knew anything, then obviously you'd keep it a secret, | 0:38:40 | 0:38:43 | |
or at least show us who you'd shared it with. | 0:38:43 | 0:38:46 | |
And if you didn't, it would come to this. | 0:38:46 | 0:38:48 | |
Either way, it would never come out. | 0:38:48 | 0:38:51 | |
Is that right? | 0:38:52 | 0:38:53 | |
You're a good cop, Jonah. | 0:38:57 | 0:38:59 | |
Shut up! | 0:38:59 | 0:39:02 | |
You're working together. | 0:39:04 | 0:39:06 | |
Oh, no. He works for me. | 0:39:06 | 0:39:08 | |
-And so do you. -I don't think so. | 0:39:09 | 0:39:13 | |
Where are you going to go with this? | 0:39:13 | 0:39:14 | |
-Over my head? -I might hit a wall, but sooner or later I'll find a gate. | 0:39:14 | 0:39:17 | |
What are you going to tell them? | 0:39:17 | 0:39:19 | |
How you forgot to log the operation the night you went out with Delaney. | 0:39:19 | 0:39:22 | |
Why didn't you do that, Jonah? | 0:39:22 | 0:39:24 | |
Unless you didn't want anyone else to know where you were. | 0:39:24 | 0:39:27 | |
That's got to look shady in anyone's book. | 0:39:27 | 0:39:30 | |
-You'll end up in jail. -With you in the cell next door, sir. | 0:39:30 | 0:39:33 | |
And all of us without our pension. | 0:39:33 | 0:39:35 | |
So, what's your wife going to do then? | 0:39:35 | 0:39:38 | |
Especially now you've got a baby on the way. | 0:39:38 | 0:39:40 | |
Good news travels fast. | 0:39:43 | 0:39:45 | |
Bad news we can bury. | 0:39:45 | 0:39:47 | |
-I'm not one of you. -But you don't know that, though, do you? | 0:39:54 | 0:39:57 | |
Because you can't remember. | 0:39:57 | 0:39:59 | |
And going by the evidence... | 0:39:59 | 0:40:01 | |
I'd say that's exactly who you are. | 0:40:01 | 0:40:03 | |
Listen, you're fine. In fact you're better than that. | 0:40:04 | 0:40:10 | |
A cop with no faults, how does he know where to find other people's? | 0:40:10 | 0:40:16 | |
Now, let's be clear... | 0:40:16 | 0:40:19 | |
I'm saying we should all move on now. | 0:40:20 | 0:40:23 | |
All together. Because, frankly, what other choice do we have? | 0:40:23 | 0:40:29 | |
It's the shadow line, Jonah. | 0:40:31 | 0:40:34 | |
It's where we walk. | 0:40:35 | 0:40:37 | |
You know the biggest mistake you just fucking made? Going to him. | 0:40:51 | 0:40:54 | |
If you'd just come to me, you'd still be on this case. | 0:40:54 | 0:40:57 | |
-What as? Another bent copper? -That's not the fucking story! | 0:40:57 | 0:40:59 | |
Then what is the fucking story?! | 0:40:59 | 0:41:01 | |
I don't know! | 0:41:01 | 0:41:02 | |
That's what I wanted you to find out. | 0:41:10 | 0:41:13 | |
But now we're both out in the fucking cold! | 0:41:13 | 0:41:16 | |
Congratulations, Jonah Gabriel(!) | 0:41:17 | 0:41:19 | |
You finally managed to close this case. | 0:41:19 | 0:41:22 | |
Bob. | 0:42:10 | 0:42:11 | |
I brought Jay here to reassure you. | 0:42:11 | 0:42:14 | |
How is that going to work? | 0:42:15 | 0:42:17 | |
The line of yours the police picked up. | 0:42:17 | 0:42:19 | |
-He didn't tell them where to look. -You think? | 0:42:19 | 0:42:21 | |
I know. Because, believe me, he had nothing to gain. | 0:42:21 | 0:42:24 | |
Unless he thought I killed his uncle. | 0:42:24 | 0:42:27 | |
What? | 0:42:27 | 0:42:28 | |
You lot think I had Harvey Wratten killed, don't you? | 0:42:28 | 0:42:33 | |
I don't think anything. | 0:42:33 | 0:42:34 | |
Is that because you "know"? | 0:42:34 | 0:42:36 | |
-Because I don't think about it at all. -What about him? | 0:42:36 | 0:42:40 | |
He doesn't think about it either. | 0:42:40 | 0:42:42 | |
He just wants this deal done. I brought him here to tell you that. | 0:42:42 | 0:42:46 | |
Bob Harris says, "Hello". | 0:42:46 | 0:42:48 | |
Isn't that what you think that driver of yours heard Harvey's killer say? | 0:42:48 | 0:42:52 | |
It doesn't matter. The only thing that matters is that we do this deal. | 0:42:52 | 0:42:57 | |
Does it matter to you? | 0:42:57 | 0:42:58 | |
You thinking I'm the killer of your uncle? Does it matter? | 0:42:58 | 0:43:02 | |
Does it? | 0:43:05 | 0:43:07 | |
Yes. It does. | 0:43:07 | 0:43:09 | |
If I were you, son, it would matter to me too. | 0:43:12 | 0:43:14 | |
So even if you'd said it didn't, I wouldn't have believed you. | 0:43:14 | 0:43:19 | |
Either way, the deal is off. | 0:43:21 | 0:43:24 | |
We're ready to go. | 0:43:24 | 0:43:25 | |
Find another shell. This one's not for cracking. Ricardo... | 0:43:25 | 0:43:30 | |
ENGINE STARTS | 0:43:30 | 0:43:32 | |
So, what do you think they'll do? | 0:43:51 | 0:43:53 | |
Fall apart. | 0:43:55 | 0:43:57 | |
What about us? | 0:43:57 | 0:43:58 | |
Pick up the pieces. | 0:44:00 | 0:44:02 | |
-You make things sound so simple. -It's all just numbers, ain't it? | 0:44:02 | 0:44:06 | |
And right now, theirs don't add up. | 0:44:06 | 0:44:09 | |
Simple as that. | 0:44:09 | 0:44:11 | |
You like figures, don't you, Mr Bede? | 0:44:46 | 0:44:48 | |
They're all on the page, easy to read. | 0:44:48 | 0:44:50 | |
Right there in black and white. Isn't that right? | 0:44:50 | 0:44:53 | |
-As long as they all add up. -What about your figures? | 0:44:53 | 0:44:57 | |
-Do they add up? -No. Not yet. | 0:44:57 | 0:45:00 | |
-Why not? -Bob Harris. | 0:45:00 | 0:45:02 | |
He was meant to be here with you. | 0:45:02 | 0:45:04 | |
-And now he won't be. -Why not? | 0:45:04 | 0:45:07 | |
-He thinks he was being set up. -Why? | 0:45:09 | 0:45:13 | |
He heard we think it was him had Harvey Wratten killed. | 0:45:13 | 0:45:17 | |
And did he? | 0:45:19 | 0:45:21 | |
I don't care. But that's what he heard, so he's pulled out. | 0:45:21 | 0:45:24 | |
Because he thinks this was a trap? | 0:45:24 | 0:45:26 | |
Yes. | 0:45:26 | 0:45:29 | |
So you've come here to tell me the truth because you think I'll respect that. | 0:45:29 | 0:45:34 | |
-Yes. -That's how it worked out last time. | 0:45:34 | 0:45:38 | |
So what do you want to do now? | 0:45:40 | 0:45:42 | |
Stick to the plan. | 0:45:42 | 0:45:43 | |
Because you like the plan? | 0:45:43 | 0:45:46 | |
-Yes, I do. -But right now you owe me one million. | 0:45:46 | 0:45:50 | |
And in four days time, if we stick to the plan, you'll owe me four million...with no means to pay. | 0:45:50 | 0:45:55 | |
But in three months, you'll have turned over ten million and all our debts will be cleared. | 0:45:55 | 0:45:59 | |
-Only if your plan works out. -It will. | 0:45:59 | 0:46:03 | |
How can you be so certain? | 0:46:04 | 0:46:06 | |
Because that's how it has to be. | 0:46:06 | 0:46:08 | |
Hmm. | 0:46:08 | 0:46:10 | |
-Your wife is ill. -Yes. | 0:46:12 | 0:46:17 | |
You're doing this for her. | 0:46:17 | 0:46:19 | |
-Yes. -I understand. | 0:46:21 | 0:46:23 | |
So in three months time if your plan fails, she will be dead. But this is not something you will hear about | 0:46:25 | 0:46:31 | |
because I will have killed you first. Is that black and white enough for you? | 0:46:31 | 0:46:36 | |
It is. | 0:46:36 | 0:46:37 | |
Good. So we stick to the plan. | 0:46:37 | 0:46:40 | |
You'll get your delivery. | 0:46:40 | 0:46:41 | |
And you better find a buyer quick. | 0:46:41 | 0:46:44 | |
-I will. -Good. | 0:46:44 | 0:46:46 | |
MOBILE RINGS | 0:48:54 | 0:48:57 | |
-Hello. -This is Peter Glickman. | 0:49:06 | 0:49:09 | |
Yes? | 0:49:09 | 0:49:11 | |
Are you alone? | 0:49:11 | 0:49:13 | |
Yes. | 0:49:13 | 0:49:15 | |
Can I trust you? | 0:49:15 | 0:49:17 | |
Yes. | 0:49:21 | 0:49:22 | |
Hello, Joseph. | 0:49:33 | 0:49:34 | |
-Peter. -Is it layered? | 0:49:34 | 0:49:37 | |
Dead drop. | 0:49:37 | 0:49:38 | |
Have you checked it? | 0:49:38 | 0:49:40 | |
Only that it's there. It is. | 0:49:40 | 0:49:42 | |
Thank you. | 0:49:42 | 0:49:43 | |
You forgot to pay your bill. | 0:49:43 | 0:49:45 | |
It's in the salt pot. | 0:49:45 | 0:49:48 | |
Not for this. For Bulkat Babur. You owe him a million. | 0:49:48 | 0:49:51 | |
Once this is done. | 0:49:51 | 0:49:53 | |
It's already doing. | 0:49:53 | 0:49:54 | |
We opened up the line. We just brought in the first shipment. | 0:49:54 | 0:49:58 | |
Who's your end buyer? | 0:49:58 | 0:50:00 | |
Then how come you've brought it in? | 0:50:04 | 0:50:06 | |
Good luck. | 0:50:07 | 0:50:09 | |
I wouldn't need it if you'd paid before you left. | 0:50:09 | 0:50:12 | |
There's a lot of things we don't think we need... | 0:50:12 | 0:50:15 | |
until it's too late. | 0:50:15 | 0:50:17 | |
Would you include Petra Mayler in that? | 0:50:17 | 0:50:20 | |
-How? -She found me. | 0:50:28 | 0:50:31 | |
How? | 0:50:31 | 0:50:33 | |
You should have paid for your flowers too. | 0:50:33 | 0:50:35 | |
What did she want? | 0:50:37 | 0:50:38 | |
-You. -She mustn't know we've met. Her life will be in danger if she does. | 0:50:38 | 0:50:43 | |
So... Is mine now that we have? | 0:50:45 | 0:50:48 | |
Tell no-one. Trust no-one who asks. | 0:50:48 | 0:50:51 | |
Those shipments that got Harvey out of jail. | 0:50:51 | 0:50:53 | |
-Mmm? -Who'd you find to buy them off Harris? | 0:50:53 | 0:50:56 | |
Why do you want to know? | 0:50:56 | 0:50:57 | |
Would he buy off me? | 0:50:57 | 0:50:59 | |
If I were you, I'd sell to anyone but him. | 0:50:59 | 0:51:02 | |
But if I had to, where'd I find him? | 0:51:02 | 0:51:04 | |
-You won't. -Why not? | 0:51:04 | 0:51:06 | |
Because I'm going to find him first. | 0:51:06 | 0:51:09 | |
Where have you been? | 0:51:34 | 0:51:36 | |
Why d'you want to know? | 0:51:36 | 0:51:38 | |
-There's someone here who wants to talk to you. -Who? | 0:51:38 | 0:51:41 | |
I want to buy your shipment. | 0:51:53 | 0:51:54 | |
You're looking to move 250 kilos at four grand a corner. Correct? | 0:51:56 | 0:52:01 | |
Five. | 0:52:02 | 0:52:03 | |
I thought you might say that. | 0:52:10 | 0:52:12 | |
There's five million in those two bags there. Not a penny more. | 0:52:12 | 0:52:16 | |
-So, are we done? -Where'd you get it from? | 0:52:16 | 0:52:18 | |
Why do you need to know? | 0:52:18 | 0:52:21 | |
-That's a big bank you're drawing off. -Maybe I've got rising stock. | 0:52:21 | 0:52:24 | |
Yeah, so who sold your shares? | 0:52:24 | 0:52:26 | |
Why do you care? You'll take what you're given. | 0:52:26 | 0:52:28 | |
And all you need to know is I'm willing to give it to you. | 0:52:28 | 0:52:32 | |
And I hear you've got more to come. | 0:52:32 | 0:52:34 | |
500 kilos. I'll take that off you as well. Same price. | 0:52:34 | 0:52:37 | |
10 million... And including this, | 0:52:37 | 0:52:39 | |
that's a 15 million deal. Lottery numbers... | 0:52:39 | 0:52:43 | |
and I'm the one holding the balls. | 0:52:43 | 0:52:46 | |
-So? -You work for Bob Harris. | 0:52:49 | 0:52:52 | |
More a marriage of convenience. | 0:53:02 | 0:53:04 | |
Which you want out of. Why? | 0:53:04 | 0:53:06 | |
Maybe we're not laughing like we used to. | 0:53:06 | 0:53:10 | |
-Maybe somebody else caught your eye. -And now I'm trying to catch yours. | 0:53:10 | 0:53:13 | |
You should be flattered, cos you've got no-one else to dance with. | 0:53:13 | 0:53:17 | |
How did Harris hear what our driver said? | 0:53:17 | 0:53:19 | |
-How do you think? -Because it's true. | 0:53:19 | 0:53:22 | |
Because it's true. | 0:53:22 | 0:53:24 | |
So why'd he do it? | 0:53:26 | 0:53:28 | |
It was Wratten did it to himself. | 0:53:28 | 0:53:31 | |
You're going to give up all that money to buy drugs just to dump them on the cops... | 0:53:31 | 0:53:35 | |
it's not exactly the sharpest deal, now is it? | 0:53:35 | 0:53:37 | |
It got him out of jail. | 0:53:37 | 0:53:39 | |
Yeah. But what did he have when he left? Nothing. | 0:53:39 | 0:53:41 | |
So why bother kill him? | 0:53:41 | 0:53:43 | |
You go down, someone's going to take you out. | 0:53:43 | 0:53:45 | |
Ah, right, tooth and claw. | 0:53:45 | 0:53:47 | |
In our world, Granddad, there's no such thing as the Welfare State. | 0:53:49 | 0:53:53 | |
And if you're not careful, that is exactly what is going to happen to you. | 0:53:53 | 0:53:58 | |
-How? -Harris is expecting you to default on the Babur deal. | 0:53:58 | 0:54:02 | |
Then Babur will knock you out, | 0:54:02 | 0:54:03 | |
then Harris will step in and pick up the pieces. | 0:54:03 | 0:54:06 | |
-Who are you working for? -Why do you keep asking me that? | 0:54:07 | 0:54:10 | |
You're the one in trouble. I'm the one with 15 million and a way out. | 0:54:10 | 0:54:13 | |
What's to talk about? | 0:54:13 | 0:54:16 | |
If I decided to accelerate the pace, could you take the 500 kilos in one go? | 0:54:42 | 0:54:47 | |
Yeah. | 0:54:50 | 0:54:52 | |
I'd need five million up front. | 0:54:52 | 0:54:54 | |
I can handle that. | 0:54:54 | 0:54:56 | |
And five million on exchange. | 0:54:56 | 0:54:57 | |
I can handle that. | 0:54:57 | 0:54:59 | |
Within three weeks? | 0:54:59 | 0:55:00 | |
I can handle that. | 0:55:03 | 0:55:04 | |
And what about Harris? | 0:55:08 | 0:55:10 | |
I can handle that too. | 0:55:16 | 0:55:18 | |
You'll need to. | 0:55:20 | 0:55:21 | |
Oh, I will. | 0:55:21 | 0:55:24 | |
Oh, how traditional! | 0:55:42 | 0:55:44 | |
Jesus, Joseph, the kid's not even old enough to drive a car. | 0:55:48 | 0:55:52 | |
I don't need to, Paps... I've got someone who does that for me. | 0:55:52 | 0:55:57 | |
# Some enchanted evening | 0:56:05 | 0:56:09 | |
# You may see a stranger... # | 0:56:10 | 0:56:14 | |
KNOCK ON WINDOW | 0:56:15 | 0:56:17 | |
-Just... -SONG CONTINUES | 0:56:20 | 0:56:23 | |
What? | 0:56:28 | 0:56:29 | |
I'm sorry, I need a hand... | 0:56:29 | 0:56:31 | |
I can't budge it. | 0:56:44 | 0:56:46 | |
That's because you don't jack it up until you've released the nuts. | 0:56:46 | 0:56:49 | |
-I'm sorry, I've shot my back. -Eh? | 0:56:49 | 0:56:52 | |
I've shot me back. | 0:56:52 | 0:56:54 | |
You're good at that. | 0:57:12 | 0:57:15 | |
Yeah. Right back where I started. | 0:57:15 | 0:57:19 | |
Go. | 0:57:33 | 0:57:36 | |
Come on, you bastard! | 0:57:41 | 0:57:43 | |
# ..Then fly to her side | 0:58:06 | 0:58:11 | |
# And make her your own | 0:58:11 | 0:58:17 | |
# For all through your life | 0:58:17 | 0:58:20 | |
# You may dream all alone | 0:58:20 | 0:58:31 | |
# Once you have found her | 0:58:34 | 0:58:40 | |
# Never let her go. # | 0:58:40 | 0:58:51 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:53 | |
E-mail [email protected] | 0:58:53 | 0:58:56 |